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  • 2020-2024  (68)
  • New York : Oxford University Press  (68)
  • Musicology  (42)
  • History  (26)
  • Education
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Years
Year
  • 1
    ISBN: 9780195388329 , 0195388321
    Language: English
    Pages: 2 volumes , Illustrationen , 26 cm
    DDC: 305.40973
    RVK:
    Keywords: Women Sources History ; Women Sources Employment ; History ; Women Sources Political activity ; History ; Women Sources Health and hygiene ; History ; Feminism Sources History ; USA ; Frau ; Geschichte
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  • 2
    Language: English
    Pages: 2 Bände , 24 cm
    RVK:
    Keywords: History ; United States / History / Textbooks ; Histoire ; history (discipline) ; local histories ; Local histories ; Histoires locales
    Abstract: "A history of the United States is a daunting undertaking for readers and writers alike. It covers well over 400 years and involves people and places from all over the globe. It also requires that we transport ourselves into worlds very different than our own and try to see those worlds through the eyes of the people we study. It requires that we acknowledge the "pastness" of the past and do what we can to reckon with it. At the same time, we must also acknowledge the "presentness of the past," that the past is always living within us, is being carried by us even if we're not aware of it. "The past is never dead," a famous novelist once wrote. "It's not even past." History is our companion and our teacher. History is a way of learning and thinking. History is something we cannot escape nor should we want to"--
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  • 3
    ISBN: 9780197635216
    Language: English
    Pages: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Description / Table of Contents: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 4
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Language: English
    Pages: X, 181 Seiten , 21 cm
    Series Statement: Oxford theory in ethnomusicology series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Keywords: Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Description / Table of Contents: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
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  • 5
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197525074
    Language: English
    Pages: xi, 301 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
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    Keywords: Brubeck, Dave / Criticism and interpretation. ; Jazz / History and criticism ; Music and race / United States / History / 20th century
    Abstract: "How can we-historians, writers, musicians, audiences-understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights America. Dave Brubeck and the Performance of Whiteness uses Brubeck's mid-century performances of whiteness across his professional, private, and political lives as a starting point to understand mid-century whiteness, privilege, and white supremacy more fully. How is whiteness performed, and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck, his critics, and his audiences. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his white privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries"--
    Description / Table of Contents: Introduction. Buying the Myth -- "Any Jackass Can Swing" : Sounds in Black and White -- Professors, Housewives, and Playboys : The Jazz Converts -- (In)Visible Men : White Recognition and Trust -- "We Want to Play in the South" : Brubeck's Southern Strategy -- Negotiating Jewish Identity in The Gates of Justice -- Conclusion. Evading Whiteness
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  • 6
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197555224
    Language: English
    Pages: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.4842
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    Keywords: Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    ISBN: 9780197687345
    Language: English
    Pages: x, 265 Seiten
    DDC: 305.5086250937
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    Note: Bibliographie Seite [181]-245
    URL: Cover  (lizenzpflichtig)
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  • 8
    ISBN: 9780197542552 , 0197542557
    Language: English
    Pages: 358 Seiten
    Parallel Title: Erscheint auch als Heaney, Christopher Empires of the dead
    DDC: 301.074
    RVK:
    Keywords: National Museum of Natural History (U.S.) Exhibitions ; Anthropological museums and collections ; Ethnoscience ; Trephining History ; Ethnology
    Abstract: "When the Smithsonian Institution's first Hall of Physical Anthropology opened in 1965, the first thing visitors saw were 160 Andean skulls fixed to the wall like a mushroom cloud. Empires of the Dead explains that Skull Wall's origins, and this introduction establishes its scope: a history from 1532 to the present of how the collection of Inca mummies, Andean crania, and a pre-Hispanic surgery named trepanation made "ancient Peruvians" the single largest population in the Smithsonian and many other museums in Peru, the Americas, and the world. This introduction argues that the Hall of Physical Anthropology displayed these collections while hiding their foundation on Indigenous, Andean, and Peruvian cultures of healing and science. These "Peruvian ancestors" of American anthropology reveal the importance of Indigenous and Latin American science and empire to global history, and their relevance to debates over museums and Indigenous human remains today"--
    Description / Table of Contents: Introduction: Death's Heads: Humanity's Peruvian Ancestors at the Smithsonian -- Part 1. Opening, 1525-1795. Curing Incas: Andean Lifeways and the Pre-Hispanic Imperial Dead -- Embalming Incas: Huayna Capac's Yllapa and the Spanish Collection of Empire -- Mummifying Incas: Colonial Grave-Opening and the Racialization of Ancient Peru -- Part 2. Exporting, 1780-1893. Trading Incas: San Marti��n's Mummy and the Peruvian Independence of the Andean Dead -- Mismeasuring Incas: Samuel George Morton and the American School of Peruvian Skull Science -- Mining Incas: The Peruvian Necropolis at the World's Fairs -- Part 3. Healing, 1863-1965. Trepanning Incas: Ancient Peruvian Surgery and American Anthropology's Monroe Doctrine -- Decapitating Incas: Julio Ce��sar Tello and Peruvian Anthropology's Healing -- The Three Burials of Julio Ce��sar Tello; or, Skull Walls Revisited -- Epilogue: Afterlives: Museums of the American Inca.
    Note: Includes bibliographical references and index
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  • 9
    ISBN: 9780190938802 , 9780190938796
    Language: English
    Pages: 232 Seiten
    DDC: 781.64
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    Keywords: Geschichte 2000- ; Musik ; Popmusik ; Geschlechterforschung
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  • 10
    ISBN: 9780197511510
    Language: English
    Pages: xvii, 313 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.48420944
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    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Frankreich ; Hochschulschrift
    Note: Literaturverzeichnis Seite 277-295
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  • 11
    ISBN: 9780190072131
    Language: English
    Pages: XLIV, 638 Seiten , Illustrationen, Karten, genealogische Tafeln
    Edition: Third edition
    Parallel Title: Erscheint auch als
    DDC: 306/.0945/632
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    Keywords: Sozialgeschichte ; Alltag, Brauchtum ; Histoire sociale - Jusqu'à 500 ; Romeinse oudheid ; Sociale geschiedenis ; Sozialgeschichte ; Structure sociale - Rome ; Social history To 500 ; Social structure ; Rom ; Rome - Conditions sociales ; Rome - Mœurs et coutumes ; Römisches Reich ; Rome Social conditions ; Rome Social life and customs ; Römisches Reich ; Quelle ; Quelle ; Römisches Reich ; Sozialgeschichte
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  • 12
    ISBN: 9780197643402
    Language: English
    Pages: xii, 294 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Fidelis, Malgorzata, 1971 - Imagining the world from behind the Iron Curtain
    DDC: 305.2350943809046
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    Keywords: Youth Social conditions ; Nineteen sixties ; Poland Social conditions 1945- ; Polen ; Jugend ; Jugendkultur ; Gegenkultur ; Geschichte 1955-1973
    Abstract: The Global Sixties are well known as a period of non-conformist lifestyles, experimentation with consumer products and technology, counterculture, and leftist politics. While the period has been well studied in the West and increasingly researched for the Global South, young people in the "Second World" too were active participants in these movements. The Iron Curtain was hardly a barrier against outside influences, and young people from students and hippies to mainstream youth in miniskirts and blue jeans saw themselves as part of the global community of like-minded people as well as citizens of Eastern Bloc countries. Drawing on Polish youth magazines, rural people's diaries, sex education manuals, and personal testimonies, Malgorzata Fidelis follows jazz lovers, university students, hippies, and young rural rebels. Fidelis colorfully narrates their everyday engagement with a dynamically changing world, from popular media and consumption to counterculture and protest movements. She delineates their anti-authoritarian solidarities and competing visions of transnationalism, with the West as well as the ruling communist regime. Even as youth demonstrations were violently suppressed, Fidelis shows, youth culture was not. By the early 1970s, the state incorporated elements of Sixties culture into their official vision of socialist modernity. From the perspective of youth, Malgorzata Fidelis argues, the post-1989 transition in Poland from communism to liberal democracy, often dubbed as "the return to Europe," was less of a breakthrough and more of a continuation of trends in which they participated. Indeed, they had already created new modes of self-expression and cultural spaces in which ideas of alternative social and political organization became imaginable.
    Note: Quellen- und Literaturverzeichnis: Seite 267-281 , Enthält ein Register
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  • 13
    ISBN: 9780190906498
    Language: English
    Pages: 718 Seiten , Notenbeispiele
    Edition: second edition
    DDC: 782.421640922
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    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1940 ; Chansons anglaises - États-Unis - Histoire et critique ; Culture populaire - États-Unis - Histoire - 20e siècle ; Dichters ; Musique populaire - États-Unis - Histoire et critique ; Paralittérature - États-Unis - Histoire et critique ; Paroliers - États-Unis ; Poésie américaine - 20e siècle - Histoire et critique ; Poésie lyrique - Histoire et critique ; Geschichte ; American poetry History and criticism 20th century ; Lyric poetry History and criticism ; Lyricists ; Popular culture History 20th century ; Popular literature History and criticism ; Popular music History and criticism ; Songs, English History and criticism ; Schlager ; United States - Popular culture - History - 20th century ; USA ; USA ; Schlager ; USA ; Geschichte 1920-1940
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  • 14
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190058890
    Language: English
    Pages: 1 Online-Ressource (xxiii, 623 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music performance ; 2: The Oxford Handbook of Music Performance, Volume 2
    DDC: 780.78
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    Keywords: Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Abstract: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 14, 2022)
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  • 15
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190056315
    Language: English
    Pages: 1 Online-Ressource (714 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music performance ; 1: The Oxford Handbook of Music Performance, Volume 1
    DDC: 780.78
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    Keywords: Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Abstract: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 10, 2022)
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  • 16
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190050108
    Language: English
    Pages: 1 Online-Ressource (xii, 779 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of Nigerian history
    DDC: 966.9
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    Keywords: Nigeria History ; Nigeria Civilization ; Aufsatzsammlung ; Nigeria ; Geschichte
    Abstract: 'The Oxford Handbook of Nigerian History' provides a comprehensive history of Africa's most populous and most rapidly developing country. Rather than centring the rise of the nation-state, the handbook reads the narrative of national politics alongside deeper histories of political and social organisation, as well as in relation to competing influences on modern identity formation and inter-group relationships, such as ethnic and religious communities, economic partnerships, and immigrant and diasporic cultures.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 14, 2022)
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  • 17
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190842666
    Language: English
    Pages: 1 Online-Ressource (xv, 703 pages).
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of global drug history
    DDC: 362.2909
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    Keywords: Geschichte ; Drugs of abuse History ; Droge ; Rauschgift ; Aufsatzsammlung
    Abstract: Drugs and their illicit use have long fascinated writers and the public at large. Informed by new interdisciplinary perspectives, a growing number of academically trained historians are now approaching drugs as a wide-open topic for serious research. This handbook is an attempt by historians of drugs to take stock of the recent progress and directions of this field, utilising both a global scope and long-term historical perspective. 35 original essays simultaneously survey what is known historically about drugs across the world (in Europe, the Americas, Asia, and Africa) as well as illustrating their historical interconnections.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 14, 2022)
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  • 18
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190235864
    Language: English
    Pages: 358 Seiten
    Parallel Title: Erscheint auch als Williams, Sean, 1959- Musics of the world
    DDC: 780.9
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    Keywords: World music Analysis, appreciation ; Music appreciation
    Abstract: "Musics of the World offers a rich introduction to world music"--
    Note: Includes bibliographical references and index
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  • 19
    Language: English
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    Keywords: Musikethnologie ; Kolonialismus ; Wissenschaftsethik ; Angewandte Wissenschaften ; Kulturpolitik ; Sozialer Wandel ; Westliche Welt ; Entwicklungsländer
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  • 20
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Parallel Title: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Note: Includes bibliographical references and index
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  • 21
    ISBN: 9780190881979
    Language: English
    Pages: 266 Seiten , Illustrationen, Notenbeispiele , 27 cm
    Series Statement: Oxford studies in music theory
    DDC: 782.4216213
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Großbritannien ; USA
    Abstract: As children, many of us learn to sing, 'If you're happy and you know it, clap your hands.' But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the 'Sweet Thing,' has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs 'My Babe' and 'Motherless Children,' country songs 'Peg and Awl' and 'Crawdad Song,' and gospel songs 'Pure Religion' and 'This Train' use this form, along with popular songs like Ray Charles's 'I Got a Woman,' The Beatles's 'One After 909,' and the Velvet Underground's 'I'm Waiting for the Man.' Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the 'Sweet Thing's' long history, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
    Note: Literaturverzeichnis: Seite [249]-255
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  • 22
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197522691
    Language: English
    Pages: xv, 644 Seiten
    Edition: First issued as an Oxford university Press paperback
    Parallel Title: Erscheint auch als The Oxford handbook of American Indian history
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    Keywords: Geschichte ; Indianer ; Nordamerika ; Indians of North America / History / Handbooks, manuals, etc ; Indians of North America / Civilization / Handbooks, manuals, etc ; Nordamerika ; Indianer ; Geschichte
    Note: Literaturangaben
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  • 23
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190087210
    Language: English
    Pages: 597 Seiten , Illustrationen
    Edition: Third edition
    DDC: 781.6509
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    Keywords: Geschichte ; Jazz
    Note: Previous edition: 2011. , Includes bibliographical references and index.
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  • 24
    ISBN: 9780197549230 , 9780197549247
    Language: English
    Pages: xvii, 280 Seiten , Illustrationen, Diagramme, Karten
    DDC: 306.0943709049
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    Keywords: Geschichte 1989-2019 ; Postkommunismus ; Kapitalismus ; Soziale Ungleichheit ; Jugend ; Wirtschaft ; Transformation ; Soziale Probleme ; Ostmitteleuropa ; Osteuropa
    Note: Includes bibliographical references and index
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  • 25
    ISBN: 9780190937638
    Language: English
    Pages: xiv, 278 Seiten , Illustrationen
    DDC: 305.40901
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 26
    ISBN: 9780197532973
    Language: English
    Pages: xxiii, 613 Seiten , Illustrationen , 243 mm
    Parallel Title: Erscheint auch als
    DDC: 780.8992404309045
    RVK:
    Keywords: Geschichte 1945-1989 ; Musikleben ; Musiker ; Juden ; Deutschland ; Deutschland ; Musiker ; Juden ; Geschichte 1945-1989 ; Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Author Tina Frühauf provides a kaleidoscopic panorama ofmusical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity-from its role in commemorations and community events to synagogue concerts and its presence on the radio-across the divided Germany until the Fall of the Wall in 1989. Frühauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on thecirculation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States andIsrael, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context
    URL: Rezension  (H-Soz-Kult)
    URL: Rezension  (H-Soz-Kult)
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  • 27
    ISBN: 9780197517642
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Transforming ethnomusicology
    DDC: 780.89
    RVK:
    RVK:
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    Keywords: Ethnomusicology ; Ethnomusicology Methodology ; Electronic books ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 28
    ISBN: 9780197517567 , 9780197517550
    Language: English
    Pages: viii, 260 Seiten , Illustrationen, Diagramme, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 2
    RVK:
    RVK:
    RVK:
    Keywords: Kolonialismus ; Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
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  • 29
    ISBN: 9780197517611 , 9780197517604
    Language: English
    Pages: viii, 272 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
    RVK:
    RVK:
    RVK:
    Keywords: Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Wissenschaftsethik
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  • 30
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190455897
    Language: English
    Pages: xii, 382 Seiten , Illustrationen, Karten
    DDC: 305.48210937
    RVK:
    RVK:
    RVK:
    RVK:
    Note: Literaturverzeichnis Seite [315]-337
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  • 31
    ISBN: 9780190635138
    Language: English
    Pages: xiv, 327 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 909
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1944-1955 ; Familienpolitik ; Schwangerschaftsabbruch ; Familienrecht ; Sowjetunion
    Note: Literaturverzeichnis Seite 291-311
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  • 32
    ISBN: 9780199367337
    Language: English
    Pages: 1 Online-Ressource (xv, 1134 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of Western music and philosophy
    DDC: 780.01
    RVK:
    RVK:
    Keywords: Music and philosophy ; Music and philosophy ; Musikwissenschaft ; Philosophie ; Musik ; Geschichte ; Philosophie ; Musikphilosophie
    Abstract: The Oxford Handbook of Western Music and Philosophy celebrates the ways in which musicians have historically called upon philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 9, 2020)
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  • 33
    Image
    Image
    New York : Oxford University Press
    ISBN: 9780190216016
    Language: English
    Pages: XIX, 165 Seiten , 26 cm
    Series Statement: Graphic history series
    Parallel Title: Erscheint auch als Hill, Karlos K The murder of Emmett Till
    DDC: 364.1/34
    RVK:
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    Keywords: Till, Emmett ; Till, Emmett Comic books, strips, etc ; African Americans Crimes against ; Racism History 20th century ; Lynching History 20th century ; Lynching Comic books, strips, etc History 20th century ; African Americans Comic books, strips, etc Crimes against ; Racism Comic books, strips, etc History 20th century ; Comic
    Abstract: "The Murder of Emmett Till's primary aim is to commemorate the 1955 Emmett Till murder by providing an up-to-date and concise narrative of the murder that is reflective of the latest scholarship and recent developments in the case such as the Federal Bureau of Investigation's (FBI) reopening of the Emmett Till murder case in 2004, the US Senate's formal apology for lynching in 2005, the FBI's 2006 Emmett Till murder investigative report, and the passage of the 2008 Emmett Till Unsolved Crimes Act"--
    Note: Erscheinungsdatum 2021 gemäß Copyrightjahr, erschien schon 2020
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  • 34
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197538807
    Language: English
    Pages: xiv, 354 Seiten , Illustrationen, Karten , 25 cm
    Additional Information: Rezensiert in Blumi, Isa, 1969 - [Rezension von: Greble, Emily, 1978-, Muslims and the making of modern Europe] 2023
    Parallel Title: Erscheint auch als Greble, Emily, 1978 - Muslims and the making of modern Europe
    Parallel Title: Erscheint auch als Greble, Emily, 1978 - Muslims and the making of modern Europe
    DDC: 940.088/297
    RVK:
    Keywords: Muslims History 20th century ; Muslims History 19th century ; Muslims Legal status, laws, etc ; Muslims Civil rights ; Freedom of religion History ; Religion and politics History ; Europa ; Jugoslawien ; Muslim ; Islam ; Geschichte 1878-1949
    Abstract: "Muslims have lived in Europe for hundreds of years. Only in 1878, however, did many of them become formal citizens of European states. Muslims and the Making of Europe shows how this massive shift in citizenship rights transformed both Muslims' daily lives and European laws and societies. Starting with the Treaty of Berlin and ending with the eradication of the Shari'a legal system in Communist Yugoslavia, this book centers Muslim voices and perspectives in an analysis of the twists and turns of nineteenth and twentieth century European history, from early nation-building projects to the shattering of the European imperial order after World War I, through the interwar political experiments of liberal democracy and authoritarianism, and into the Second World War, when Muslims, like other Europeans, were caught between occupation and civil conflict, and the ideological programs of fascism and communism. Its focus moves from "Ottoman Europe" in the late nineteenth century to Yugoslavia, a multi-confessional, multi-lingual state founded after World War I. Throughout these decades, Muslims negotiated with state authorities over the boundaries of Islamic law, the nature of religious freedom, and the meaning of minority rights. As they did so, Muslims helped to shape emergent political, social, and legal projects in Europe"--
    Note: Literaturverzeichnis: Seite 321-335
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  • 35
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190621971 , 9780190621988
    Language: English
    Pages: x, 168 Seiten , Illustrationen
    Series Statement: The new Oxford world history
    Parallel Title: Erscheint auch als
    DDC: 305.309
    RVK:
    RVK:
    Keywords: Geschichte ; Geschlechterrolle ; Geschlechterverhältnis ; Geschlechtsunterschied ; Geschlechtsunterschied ; Geschlechterrolle ; Geschlechterverhältnis ; Geschichte
    Abstract: Gender exists in almost every society as a way of organizing its people. Gender is used to assign certain responsibilities, obligations, and privileges to some, and to deny them to others. In Gender: A World History, Susan Kingsley Kent tells the story of this seemingly simple but in fact quite complex concept. With historical perspective she critically examines our everyday understandings of women and men, masculinity and femininity, andsexual difference in general. Central to this account is the conviction that gender is neither natural nor innocent. What passes for masculinity and femininity in one society might not do so in another. Even the passing of time can change what gender looks like in a particular culture. Thinking about the history of gender canalso shed light on other types of relations, such as those between a government and its people, between different social classes, and between a colony and its colonizer. Ranging from prehistory to the present, this book presents a chronological picture of gender across the globe. From Hatshepsut and the rise of patriarchy in the ancient world, to the Bushido code of the samurai in wartime, to Susan B. Anthony and the women's rights movement in the United States, to the gay and trans rights movements of today, the force of gender in world history cannot be denied
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  • 36
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190855475
    Language: English
    Pages: xii, 345 Seiten , Illustrationen, Karten
    DDC: 306.4842
    RVK:
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  • 37
    ISBN: 9780190869137 , 9780190869144
    Language: English
    Pages: xxi, 304 Seiten , Illustrationen , 24 cm
    Series Statement: American musicspheres
    DDC: 780.8997120798
    RVK:
    Keywords: Indigenes Volk ; Musik ; Alaska
    Abstract: Sound Relations: Native Ways of Doing Music History in Alaska delves into histories of Inuit musical life in Alaska to amplify the broader significance of sound as integral to self-determination and sovereignty. The book offers radical and relational ways of listening to Inuit music across a range of genres-from hip hop to Christian hymnody and drumsongs to funk and R&B - to register how a density (not difference) of Indigenous ways of musicking from a vast archive of presence sounds out radical and relational entanglements between structures of Indigeneity and colonialism. The research aims to dismantle stereotypical understandings of "Eskimos," "Indians," and "Natives" by addressing the following questions: What exactly is "Native" about Native music? What does it mean to sound (or not sound) Native? Who decides? And how can in-depth analyses of Native music that center Indigeneity reframe larger debates of race, power, and representation in twenty-first century American music historiography? Instead of proposing singular truths or facts, this book invites readers to consider the existence of multiple simultaneous truths, a density of truths, all of which are culturally constructed, performed, and in some cases politicized and policed. A sound relations approach endeavors to advance a more Indigenized music studies and a more sounded Indigenous studies that works to move beyond colonial questions of containment - "who counts as Indigenous" and "who decides" - and measurement - "how much Indigenous is this person/performance" - and toward an aesthetics of self-determination and resurgent world-making.
    Note: Literaturverzeichnis Seite [269]-290
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  • 38
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190920784
    Language: English
    Pages: 1 online resource.
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    DDC: 305.235
    RVK:
    Keywords: Youth Social conditions ; Popular culture ; Aufsatzsammlung
    Abstract: This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
    Note: Includes bibliographical references. - Description based on online resource; title from home page (viewed on April 9, 2021)
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  • 39
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190923389
    Language: English
    Pages: xxvii, 338 Seiten , Illustrationen, Notenbeispiele
    DDC: 788.73165092
    RVK:
    Keywords: Parker, Charlie ; Jazz ; Komposition
    Note: Bibliography Seite 317-323 , Discography Seite 324
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  • 40
    ISBN: 9780190945183
    Language: English
    Pages: IX, 280 Seiten , Illustrationen
    DDC: 306.70944
    RVK:
    Keywords: Geschlechtergeschichte ; Frankreich
    Note: Literaturverzeichnis Seite [259]-271
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  • 41
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190461652
    Language: English
    Pages: xii, 458 Seiten , Illustrationen
    Series Statement: Readers on American musicians
    DDC: 782.254092
    RVK:
    Keywords: Jackson, Mahalia
    Note: Includes bibliographical references and index.
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  • 42
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197562741
    Language: English
    Pages: 1 Online-Ressource (x, 321 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 305.809
    RVK:
    Keywords: Kulturvergleich ; Kulturelle Identität ; National characteristics, European ; National characteristics, American ; USA ; Europa ; Europe Relations ; United States Relations
    Abstract: There is much heated rhetoric about the widening gulf between Europe and America. According to the American right, Europeans are lazy, defeatist and irreligious, while Americans are entrepreneurial, optimistic, and pious. And according to Europeans, America is harsh, dominated by the market, crime-ridden, violent, and sharp-elbowed. But are the US and Europe so different? Peter Baldwin, one of the world's leading historians of comparative social policy, thinks not, and in this bracingly argued but remarkably informed polemic, he lays out how similar the two continents really are.
    Note: Previously issued in print: 2009 , Includes bibliographical references and index
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  • 43
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xiii, 212 Seiten , Illustrationen, Portraits (schwarz-weiß)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Rap (Music) / Political aspects / Great Britain / History / 21st century ; Rap (Music) / Great Britain / History and criticism
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"
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  • 44
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190926069
    Language: English
    Pages: xvii, 331 Seiten , Illustrationen, Diagramme, Karten
    DDC: 393.930938
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung
    Note: Forthcoming publication , Includes bibliographical references and index.
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  • 45
    ISBN: 9780190900908
    Language: English
    Pages: xxix, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.20973
    RVK:
    Keywords: Sezessionskrieg ; USA Südstaaten ; Political culture / West (U.S.) / History ; Political culture / Southern States / History ; Oligarchy / United States / History ; Conservatism / United States / History ; Equality / United States / History ; United States / Territorial expansion / Political aspects ; United States / History / Civil War, 1861-1865 / Influence ; United States / Politics and government ; Conservatism ; Equality ; Influence (Literary, artistic, etc.) ; Oligarchy ; Political culture ; Politics and government ; Southern States ; United States ; West United States ; 1861-1865 ; History ; USA Südstaaten ; Sezessionskrieg
    Note: Includes bibliographical references and index
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  • 46
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190948306
    Language: English
    Pages: 1 online resource (304 pages) , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 791.436
    RVK:
    Keywords: Jazz films History and criticism ; Jazz musicians in motion pictures ; Jazz ; Jazzmusiker ; Film
    Abstract: Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years-from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 30, 2020)
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  • 47
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190461652
    Language: English
    Series Statement: Readers on American musicians series
    Parallel Title: Erscheint auch als The Mahalia Jackson reader
    DDC: 782.25/4092
    RVK:
    RVK:
    Keywords: Jackson, Mahalia ; African American gospel singers Biography ; Gospel singers Biography ; African Americans Music ; History and criticism ; Gospel music History and criticism
    Abstract: ""African American gospel singer Mahalia Jackson was just sixty years old when her heart finally gave out on January 27, 1972, as she lay alone in her sick bed at Little Company of Mary Hospital just south of Chicago. Obituaries faithfully recounted the best-known story lines of her unlikely career: how the power of her voice was rooted in her devout Baptist upbringing; her birth in 1911 and rise from dire poverty in Uptown New Orleans to international celebrity; a dedication to the black freedom struggle that further elevated her to the status of cultural and political symbol. Together, Jackson's voice, faith, prestige, and activism, made her at the time of her death, in the assessment of her friend Harry Belafonte, "the single most powerful black woman in the United States." Yet her reputation is also complex. Invoking the charisma of Martin and Malcolm, the persuasion of statesmen and despots, and the splendor of divas and diadems, Maceo Bowie's letter to the editor of the Chicago Defender seems to both celebrate and grapple with the substance of Jackson dynamism as a gospel singer and her consequence as an illustrious black public figure. In an editorial in the Defender following Jackson's death, E. Duke McNeil acknowledged Jackson's habitual acclaim as the "Queen of the gospel singers," while also observing: "You can almost say that Mahalia was the 'greatest' because she was the only gospel singer known everywhere." Indeed, for scholars of black gospel, the music itself is often hidden in plain sight. On the one hand, gospel voices are inescapable, audible not just within the music industry, where they have become a lingua franca for pop singers, but also in recurring representations of the black church, in the omnipresent sound of the black gospel choir, and in the personal histories of many black artists. On the other, in comparison with such genres as jazz, blues, country music, and hip hop, documentation of black gospel music, which has thrived in in-group settings, is relatively scant, leaving researchers with limited sources and largely reliant on oral history. Fortunately, the scope and coverage of Jackson's caereer produced a paper trail that enables us to study her personal and professional life while gaining insight into the black gospel field of which she was such an integral part. In compiling a wide swath of these sources on Jackson, The Mahalia Jackson Reader seeks to paint a fuller and more vivid picture of one of the most resonant musi ...
    Note: Includes bibliographical references and index
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  • 48
    ISBN: 9780190052218 , 9780190052201
    Language: English
    Pages: ix, 199 Seiten , Illustrationen
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als Malawey, Victoria, 1977- A blaze of light in every word
    DDC: 782.42/164143
    RVK:
    RVK:
    Keywords: Popular music Analysis, appreciation ; Singing ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Abstract: Introduction. Why Voice? Why Voice Analysis? -- Pitch -- Prosody -- Quality -- The Area in Between : Mediation with Technology -- Synthesis, or Why Covers of Elliott Smith Songs Don't Work.
    Abstract: "Singing Voice presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners' perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multi-dimensionality of singing voices"--
    Note: Includes bibliographical references and index
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  • 49
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190846121
    Language: English
    Pages: 471 Seiten
    RVK:
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  • 50
    ISBN: 9780197504642
    Language: English
    Pages: xx, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.89/92405694
    RVK:
    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature
    Abstract: Introduction. Stains? -- Non-Biblical Tonalities -- Biblocentrism in Modern Hebrew Culture and its Operatic Undoing -- Horizontal Realizations : The Agency of Non-Western Jewish Musical Traditions in Art Music of the 1950s and '60s -- Broken Hebrewist Vessels -- Compositional Solutions (in the double sense of the word)
    Abstract: "Theological Stains traces the growth of art music in Israel from the mid twentieth century to the turn of the twenty-first. In a riveting and provocative account, Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers grappling with biblical redemptive promises and diasporic patrimonies. Unveiling the network that bred territorial nationalism and Hebrew culture, Shelleg shows how this mechanism infiltrated composers' work as much as it triggered less desirable responses from composers who sought to realize to the non-territorial Diasporic options Zionism has renounced. In the process compositional aesthetics gets stained by the state's nationalization of the theological, by diasporism that refuses redemption, and by Jewish musical traditions that permeated inaudibly to compositions written throughout the second half of the twentieth century. Accompanying this rich and dramatic story are equivalent developments in modern Hebrew literature and poetry alongside vast and previously unstudied archival sources. The book is also lavishly illuminated with 135 music examples that render it an incisive guide to fundamental chapters in modern and late modern art music"--
    Note: Includes bibliographical references and index
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  • 51
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197510483
    Language: English
    Pages: 1 Online-Ressource XI, 272 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 52
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190923419
    Language: English
    Pages: 1 Online-Ressource (372 pages).
    Series Statement: Oxford scholarship online
    DDC: 788.73165092
    RVK:
    Keywords: Parker, Charlie Criticism and interpretation ; Parker, Charlie ; Jazz ; Komposition ; Jazz History and criticism 1941-1950 ; Jazz History and criticism 1951-1960
    Abstract: Charlie Parker, Composer is the first assessment of a major jazz composer's oeuvre in its entirety. Providing analytical discussion of each of Parker's works, this study combines music-theoretical, historical, and philosophical perspectives. A variety of analytical techniques are brought to bear on Parker's compositions, including application of a revised Schenkerian approach to the music that was developed through the author's prior publications. After a review of Parker's life emphasizing his musical training and involvement in composition, the book proceeds by considering the types of Parker pieces as categorized by overall form and harmony and the amount of preplanned music they contain.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 53
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190882075
    Language: English
    Pages: 1 Online-Ressource (560 pages) , Illustrations.
    Series Statement: Oxford cultural biographies
    Series Statement: Oxford scholarship online
    DDC: 782.42164092
    RVK:
    Keywords: Cole, Nat King ; Cole, Nat King ; Singers Biography ; Pianists Biography ; Jazz musicians Biography
    Abstract: This book offers an interpretation of the two fragmentary texts of the P. Vindobonensis G 40822, now widely referred to as the Muziris papyrus. Without these two texts, there would be no knowledge of the Indo-Roman trade practices. The book also compares and contrasts the texts of the Muziris papyrus with other documents pertinent to Indo-Mediterranean (or Indo-European) trade in ancient, medieval, and early modern times. These other documents reveal the commercial and political geography of ancient South India; the sailing schedule and the size of the ships plying the South India sea route; the commodities exchanged in the South Indian emporia; and the taxes imposed on the Indian commodities en route from the Red Sea to the Mediterranean.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 54
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197506561
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations.
    Edition: 20th anniversary edition.
    Series Statement: Oxford scholarship online
    DDC: 781.22
    RVK:
    RVK:
    Keywords: Musical meter and rhythm ; Music Philosophy and aesthetics ; Time in music
    Abstract: Rhythm is often regarded as one of the most problematic and least understood aspects of music. Restricted to those attributes that are susceptible to calibration and measurement, rhythm is usually identified with meter, durational pattern, or durational proportion. But how shall one account for those attributes of rhythm that point to the particularity and spontaneity of aesthetic experience as it is happening? Drawing on insights from the modern "process" philosophy of Henri Bergson, William James, and A. N. Whitehead, this book releases meter from its mechanistic connotations and recognizes it as a concrete, visceral agent of musical expression. It reinterprets oppositions of law and freedom, structure and process, determinacy and indeterminacy to form a theory that engages diverse repertories and aesthetic issues. Ultimately, this revised 20th anniversary edition of Christopher Hasty's Meter as Rhythm facilitates the work's current contexts of application.
    Note: Includes bibliographical references and index
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  • 55
    ISBN: 9780190056650
    Language: English
    Pages: viii, 201 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    Keywords: Popular music History and criticism 2001-2010 ; Popular music History and criticism 2011-2020 ; Popular music Analysis, appreciation
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  • 56
    ISBN: 9780190882044
    Language: English
    Pages: xv, 633 Seiten, 16 ungezählte Seiten , Illustrationen , 25 cm
    Series Statement: Oxford cultural biographies
    DDC: 782.42164092
    RVK:
    Keywords: Cole, Nat King
    Abstract: One of the most popular and memorable American musicians of the 20th century, Nat King Cole (1919-65) is remembered today as both a pianist and a singer, a feat rarely accomplished in the world of popular music. Now, in this complete life and times biography, author Will Friedwald offers a new take on this fascinating musician, framing him first as a bandleader and then as a star. In Cole's early phase, Friedwald explains, his primary task of keeping his trio going was just as much of a focus for him as his own playing and singing, always a collective or group performance. In the second act, Cole's collaborators were more likely to be arranger-conductors like Nelson Riddle and Gordon Jenkins, rather than his sidemen on bass and guitar. In the first act, his sidemen were equals, in the second phase, his collaborators were tasked exclusively with putting the focus on him, making him sound good, while being largely invisible themselves. Friedwald brings his full musical knowledge to bear in putting the man in the work, demonstrating how this duality appears over and over again in Cole's life and career: jazz vs. pop, solo vs. trio, piano vs. voice, wife number one (Nadine) vs. wife number two (Maria), the good songs vs. the less-than-good songs, the rhythm numbers vs. the ballads, the funny songs and novelties vs. the serious" songs of love and loss, Cole as an advocate for the Great American Songbook vs. Cole the intrepid explorer of other options: world music, rhythm & blues, country & western. Cole was different from his contemporaries in other ways; for roughly ten years after the war, the majority of hitmakers on the pop charts were veterans of the big band experience, from Sinatra on down.
    Note: Literaturangaben
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  • 57
    ISBN: 9780190660802
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of social media and music learning
    DDC: 780.71
    RVK:
    Keywords: Music Instruction and study ; Technological innovations ; Music Instruction and study ; Social aspects ; Social media in education ; Music ; Instruction and study ; Technological innovations ; Music ; Instruction and study ; Social aspects ; Social media in education ; Musikerziehung ; Social Media
    Abstract: The rapid pace of technological change over the last decade, particularly the rise of social media, has deeply affected the ways in which we interact as individuals, in groups, and among institutions to the point that it is difficult to grasp what it would be like to lose access to this everyday aspect of modern life. This handbook investigates the ways in which social media is now firmly engrained in all aspects of music education, providing fascinating insights into the ways in which social media, musical participation, and musical learning are increasingly entwined.
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  • 58
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190658472
    Language: English
    Pages: 1 Online-Ressource (xvii, 825 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and medievalism
    DDC: 781.59
    RVK:
    Keywords: Medievalism ; Music History and criticism ; Music Medieval influences ; Medievalism ; Music ; History and criticism ; Music ; Medieval influences ; Aufsatzsammlung ; Musik ; Mittelalter ; Rezeption ; Geschichte 1800-2020
    Abstract: The Oxford Handbook of Music and Medievalism brings together international scholars from a wide range of disciplines to provide a snapshot of the diverse ways in which medievalism-the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages-powerfully transforms many of the varied musical traditions of the last two centuries.
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  • 59
    ISBN: 9780190945756 , 9780190945770
    Language: English
    Pages: xxx, 625, IN-29 Seiten , Illustrationen, Karten , 26 cm
    Edition: Ninth edition
    DDC: 305.40973
    RVK:
    Keywords: Women Sources History ; Women Sources Employment ; History ; Women Sources Political activity ; History ; Women Sources Health and hygiene ; History ; Feminism Sources History ; USA ; Sozialgeschichte ; Feminismus ; Frau
    Abstract: "This text follows the history of women in the United States from 1600 through the present day."--Provided by publisher
    Note: Includes bibliographical references and index
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  • 60
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197543306 , 0197543308
    Language: English
    Pages: 1 Online-Ressource (xvi, 312 Seiten) , Illustrationen, Karten
    Additional Information: Rezensiert in Maʾir, Aharon, 1958 - Book Review 2022
    Parallel Title: Erscheint auch als Price, Max D. Evolution of a taboo
    DDC: 394.1/20956
    RVK:
    RVK:
    Keywords: Food habits-Middle East ; Swine-Middle East-History-To 1500 ; Swine-Religious aspects-Judaism ; Electronic books ; Alter Orient ; Schwein ; Domestikation ; Schweinehaltung ; Ernährungsgewohnheit ; Traditionale Kultur ; Tabu ; Geschichte
    Abstract: From their domestication to their taboo, pigs and their shifting roles in the ancient Near East are among the most complicated topics in archaeology. Rejecting monocausal explanations, this text adopts an evolutionary approach and draws upon zooarchaeology and ancient texts to unravel the cultural significance of swine from the Paleolithic to today
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  • 61
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190224226
    Language: English
    Pages: 1 Online-Ressource (xvii, 614 Seiten) , Illustrationen
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of the operatic canon
    DDC: 782.1
    RVK:
    Keywords: Opera ; Opera ; Oper ; Kanon ; Geschichte 1740-2020
    Abstract: This collection examines the phenomenon of the operatic canon: its formation, history, current ontology and practical influence, and future. It does so by taking an international and interdisciplinary view: the workshops from which it was derived included the participation of critics, producers, artistic directors, stage directors, opera company CEOs, and even economists, from the United Kingdom, the United States, France, Italy, Ireland, Germany, the Netherlands, Denmark, and Canada. The volume is structured as a series of dialogues: each subtopic is addressed by two essays, introduced jointly by the authors, and followed by a jointly compiled list of further reading.
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  • 62
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
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  • 63
    ISBN: 9780190604677
    Language: English
    Pages: Online-Ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of Egyptian epigraphy and palaeography
    DDC: 493.111
    RVK:
    Keywords: Inscriptions, Egyptian ; Egyptian language Writing, Hieroglyphic ; Inscriptions, Egyptian ; Egyptian language ; Writing, Hieroglyphic ; Aufsatzsammlung ; Ägypten ; Epigraphik ; Paläographie ; Ägyptisch ; Altägyptisch ; Hieroglyphe ; Ägyptisch ; Altägyptisch ; Hieroglyphenschrift
    Abstract: The unique relationship between word and image in ancient Egypt is a defining feature of that ancient culture's records. All hieroglyphic texts are composed of images, and large-scale figural imagery in temples and tombs is often accompanied by texts. Epigraphy and palaeography are two distinct, but closely related, ways of recording, analyzing, and interpreting texts and images. This Handbook stresses technical issues about recording text and art and interpretive questions about what we do with those records and why we do it. It offers readers three key things: a diachronic perspective, covering all ancient Egyptian scripts from prehistoric Egypt through the Coptic era (fourth millennium BCE-first half of first millennium CE), a look at recording techniques that considers the past, present, and future, and a focus on the experiences of colleagues.
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  • 64
    ISBN: 9780197561645
    Language: English
    Pages: 1 online resource (viii, 246 pages) , illustrations, maps.
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.42
    RVK:
    Keywords: Knowledge, Sociology of History ; Learning and scholarship History 18th century ; Learning and scholarship History 19th century ; Information resources History 18th century ; Information resources History 19th century ; Enlightenment ; Europe Intellectual life 18th century ; Europe Intellectual life 19th century
    Abstract: Although the Information Age is often described as a new era, a cultural leap springing directly from the invention of modern computers, it is simply the latest step in a long cultural process. Its conceptual roots stretch back to the profound changes that occurred during the Age of Reason and Revolution. 'When Information Came of Age' argues that the key to the present era lies in understanding the systems developed in the eighteenth and early nineteenth centuries to gather, store, transform, display and communicate information.
    Note: Previously issued in print: 2000. - Includes bibliographical references and index. - Description based on print version record
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  • 65
    ISBN: 9780190864354
    Language: English
    Pages: xvi, 351 Seiten, 8 ungezählte Seiten Bildtafeln , Illustrationen, Karten, Pläne, Diagramm
    Parallel Title: Erscheint auch als Carballo, David M. Collision of worlds
    Parallel Title: Erscheint auch als Carballo, David M. Collision of worlds
    DDC: 972
    RVK:
    RVK:
    Keywords: Aztecs History ; Indians of Mexico History 16th century ; Mexico History Conquest, 1519-1540 ; New Spain History ; Eroberung Mexikos ; Spanier ; Azteken ; Kulturkontakt ; Kolonialismus ; Geschichte
    Abstract: "Mexico of five centuries ago was witness to one of the most momentous encounters between human societies, when a group of Spaniards led by Hernando Cortés joined forces with tens of thousands of Mesoamerican allies to topple the mighty Aztec empire. It served as a template for the forging of much of Latin America and began the globalized world we inhabit today. This violent encounter and the new colonial order it created, a New Spain, was millennia in the making, with independent cultural developments on both sides of the Atlantic and their fateful entanglement during the pivotal Aztec-Spanish war of 1519-1521. Collision of World examines the deep history of this encounter with an archaeological lens-one that considers depth in the richly layered cultures of Mexico and Spain, like the depths that archaeologists reveal through excavation to chart early layers of human history. It offers a unique perspective on the encounter through its temporal depth and focus on the physical world of places and things, their similarities and differences in trans-Atlantic perspective, and their interweaving in an encounter characterized by conquest and colonialism, but also active agency and resilience on the part of Native peoples"--
    Note: Includes bibliographical references and index
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  • 66
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190886912
    Language: English
    Pages: xi, 381 Seiten , Notenbeispiele
    Edition: 20th anniversary edition
    Parallel Title: Erscheint auch als
    DDC: 781.22
    RVK:
    RVK:
    Note: Literaturverzeichnis: Seite 375-377
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  • 67
    ISBN: 9780190083946 , 9780190083953
    Language: English
    Pages: viii, 254 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Whitmore, Aleysia World music and the Black Atlantic
    DDC: 782.4216/3097291
    RVK:
    RVK:
    Keywords: AfroCubism ; Orchestra Baobab ; Geschichte ; Weltmusik ; Globalisierung ; Afrokubanische Musik ; Orchestra Baobab ; AfroCubism (Musical group) ; Music and globalization ; World music / History and criticism ; Popular music / Africa / Cuban influences ; AfroCubism ; Orchestra Baobab ; Afrokubanische Musik ; Weltmusik ; Globalisierung ; Geschichte
    Abstract: ""In the mid-20th century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. This book examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. This book offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange. ""--
    Note: Includes bibliographical references and index
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  • 68
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197619544
    Language: English
    Pages: xii, 575 Seiten , Illustrationen, Diagramme , 25 cm
    Edition: First printed as an Oxford University Press paperback
    DDC: 781.64209
    RVK:
    Keywords: Country music History and criticism ; Countrymusic ; Countrymusic
    Note: Originally published: 2017
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