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  • 2020-2024  (53)
  • 1940-1944  (4)
  • Schwarze  (29)
  • Kunstwerk  (28)
  • Art History  (57)
Material
Language
Years
Year
Keywords
  • 1
    Journal/Serial
    Journal/Serial
    Hong Kong ; 2009 [?]-
    Language: English
    Dates of Publication: 2009 [?]-
    DDC: 700
    RVK:
    RVK:
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    Keywords: Zeitschrift ; Orient ; Traditionale Kultur ; Kunstwerk ; Kunsthandel ; Katalog
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  • 2
    ISSN: 0039-3630 , 0370-9124 , 2047-0584
    Language: English
    Dates of Publication: 1.1952/54 -
    Additional Information: Beil. International Institute for Conservation of Historic and Artistic Works IIC news
    Additional Information: Supplement Studies in conservation. Supplement
    Parallel Title: Online-Ausg. Studies in conservation
    Former Title: Darin aufgeg. Reviews in conservation
    Former Title: Etudes de conservation
    DDC: 700
    RVK:
    Keywords: Zeitschrift ; Konservierung ; Kunstwerk
    Note: Repr.: New York, NY [u.a.] : Johnson , Beteil. Körp. anfangs: International Institute for the Conversation of Museum Objects , Zsfassung in dt. Sprache
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  • 3
    ISSN: 0931-7198
    Language: German , English
    Dates of Publication: 1.1987 -
    Former Title: mit den Mitteilungen des Deutschen Restauratorenverbandes e.V.
    Former Title: Kunsttechnologie, Konservierung
    DDC: 702.8805
    RVK:
    Keywords: Deutscher Restauratoren-Verband ; Zeitschrift ; Restaurierung ; Kunstwerk ; Konservierung ; Konservierung ; Kunstwerk ; Kunst ; Künstlerische Technik ; Konservierung ; Deutscher Restauratoren-Verband ; Deutscher Restauratoren-Verband ; Restaurierung ; Konservierung ; Künstlerische Technik
    Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1
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  • 4
    Journal/Serial
    Journal/Serial
    Hong Kong ; Bangkok ; 2009 [?]-
    Language: English
    Dates of Publication: 2009 [?]-
    RVK:
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    Keywords: Kunstwerk ; Traditionale Kultur ; Orient ; Katalog ; Kunsthandel ; Zeitschrift ; Orient ; Traditionale Kultur ; Kunstwerk ; Kunsthandel ; Katalog
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  • 5
    Journal/Serial
    Journal/Serial
    Venezia : Marcianum Press | Milano : Electa | Venezia : Ed. del Gazzettino | Monfalcone : Ed. della Laguna | Mariano del Friuli : Ed. della Laguna ; 1.1988 -
    ISSN: 1121-0524
    Language: Italian
    Dates of Publication: 1.1988 -
    Former Title: rivista di storia e tutela dei beni culturali
    DDC: 390
    RVK:
    Keywords: Kulturdenkmal ; Kunstwerk ; Kunst ; Geschichte ; Aufsatzsammlung ; Italien ; Italien ; Italien ; Monografische Reihe ; Zeitschrift ; Zeitschrift ; Italien ; Kulturdenkmal ; Zeitschrift ; Italien ; Kunstwerk ; Zeitschrift ; Italien ; Kunst ; Geschichte ; Aufsatzsammlung
    Note: Ab 9.1995 als Schriftenreihe
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  • 6
    Book
    Book
    Bangkok : White Lotus Press
    Language: English
    Additional Information: Rezensiert in Lehnert, Martin, 1968 - [Rezension von: Andreas Gruschke, The cultural monuments of Tibet's outer provinces: Amdo, Vol. 2, The Gansu and Sichuan parts of Amdo, Bangkok, White Lotus Press, 2001, xx, 263 S.] 2002
    DDC: 951.5
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    Keywords: Tibet (China) ; Führer ; Tibet ; Kunstwerk
    Note: Includes bibliographical references and index
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  • 7
    ISSN: 0931-7198
    Language: German , English
    Dates of Publication: 1.1987 -
    Former Title: mit den Mitteilungen des Deutschen Restauratorenverbandes e.V.
    Former Title: Kunsttechnologie, Konservierung
    DDC: 702.8805
    RVK:
    Keywords: Deutscher Restauratoren-Verband ; Zeitschrift ; Restaurierung ; Kunstwerk ; Konservierung ; Kunst ; Künstlerische Technik ; Deutscher Restauratoren-Verband
    Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1
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  • 8
    ISSN: 0931-7198
    Language: German , English
    Dates of Publication: 1.1987 -
    Former Title: mit den Mitteilungen des Deutschen Restauratorenverbandes e.V.
    Former Title: Kunsttechnologie, Konservierung
    DDC: 702.8805
    RVK:
    Keywords: Deutscher Restauratoren-Verband ; Zeitschrift ; Restaurierung ; Kunstwerk ; Konservierung ; Kunst ; Künstlerische Technik ; Deutscher Restauratoren-Verband
    Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1
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  • 9
    Journal/Serial
    Journal/Serial
    Venezia : Marcianum Press | Milano : Electa | Venezia : Ed. del Gazzettino | Monfalcone : Ed. della Laguna | Mariano del Friuli : Ed. della Laguna ; 1.1988 -
    ISSN: 1121-0524
    Language: Italian
    Dates of Publication: 1.1988 -
    Former Title: rivista di storia e tutela dei beni culturali
    DDC: 390
    RVK:
    Keywords: Monografische Reihe ; Italien ; Kulturdenkmal ; Kunstwerk ; Kunst ; Geschichte ; Aufsatzsammlung
    Note: Ab 9.1995 als Schriftenreihe
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  • 10
    Journal/Serial
    Journal/Serial
    Venezia : Marcianum Press | Milano : Electa | Venezia : Ed. del Gazzettino | Monfalcone : Ed. della Laguna | Mariano del Friuli : Ed. della Laguna ; 1.1988 -
    ISSN: 1121-0524
    Language: Italian
    Dates of Publication: 1.1988 -
    Former Title: rivista di storia e tutela dei beni culturali
    DDC: 390
    RVK:
    Keywords: Monografische Reihe ; Italien ; Kulturdenkmal ; Kunstwerk ; Kunst ; Geschichte ; Aufsatzsammlung
    Note: Ab 9.1995 als Schriftenreihe
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  • 11
    Journal/Serial
    Journal/Serial
    London : Routledge, Taylor and Francis Group | London : International Institute for Conservation of Historic and Artistic Works | London : Earthscan | Leeds : Maney ; 1.1952/54 -
    Show associated volumes/articles
    ISSN: 0039-3630 , 2047-0584 , 2047-0584
    Language: English
    Dates of Publication: 1.1952/54 -
    Additional Information: Beil. International Institute for Conservation of Historic and Artistic Works IIC news
    Additional Information: Supplement Studies in conservation. Supplement
    Additional Information: Rezensiert in Wolters, Christian [Rezension von: Studies in (etudes de) conservation, the journal of the International Institute for the Conservation of Museum Objects] Nürnberg : Carl, 1953
    Parallel Title: Erscheint auch als Studies in conservation
    Former Title: Darin aufgeg. Reviews in conservation
    Former Title: Etudes de conservation
    DDC: 700
    RVK:
    Keywords: Zeitschrift ; Konservierung ; Kunstwerk
    Note: Repr.: New York, NY [u.a.] : Johnson , Beteil. Körp. anfangs: International Institute for the Conversation of Museum Objects , Zsfassung in dt. Sprache
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  • 12
    ISSN: 0931-7198
    Language: German , English
    Dates of Publication: 1.1987 -
    Former Title: mit den Mitteilungen des Deutschen Restauratorenverbandes e.V.
    Former Title: Kunsttechnologie, Konservierung
    DDC: 702.8805
    RVK:
    Keywords: Deutscher Restauratoren-Verband ; Zeitschrift ; Restaurierung ; Kunstwerk ; Konservierung ; Kunst ; Künstlerische Technik ; Deutscher Restauratoren-Verband
    Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1
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  • 13
    Image
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    New York, NY : Metropolitan Museum of Art
    Language: English
    Pages: 47 Seiten , Illustrationen , 28 cm
    Series Statement: The Metropolitan Museum of Art bulletin N.S. Band 81, Heft 1
    Series Statement: The Metropolitan Museum of Art bulletin
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    Keywords: Metropolitan Museum of Art ; Sammlung ; Traditionale Kultur ; Kunstwerk ; Korea ; Ausstellungskatalog The Metropolitan Museum of Art 07.11.2023-20.10.2024 ; Korea ; Traditionale Kultur ; Kunstwerk ; Metropolitan Museum of Art ; Sammlung
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  • 14
    Book
    Book
    Durham ; London :Duke University Press,
    ISBN: 9781478019305 , 9781478016663
    Language: English
    Pages: ix, 186 Seiten, 32 ungezählte Seiten Tafeln : , Illustrationen ; , 24 cm.
    Series Statement: The visual arts of Africa and its diasporas
    Parallel Title: Erscheint auch als
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    Keywords: Black Panther Party ; Black Panther Party. ; Geschichte 1967-1972 ; Black power / United States / History / 20th century ; Black Arts movement / United States / History / 20th century ; Political art / United States / History / 20th century ; African American art / History / 20th century ; Schwarze. ; Tod ; USA. ; Schwarze ; Tod ; Geschichte 1967-1972
    Abstract: "Art historian and critic Sampada Aranke's Death's Futurity considers the importance of visual representations of death and corpses to the project of Black liberation, specifically for the Black Panther Party. Aranke uses photography, documentary films, journalistic print media, and political posters to construct a visual history of 1960s and 1970s Black radicalism. These archival objects all center death in some way-sometimes graphically-and she considers how these objects put forward a way of imagining Black futurity and liberation from the position of death. The book consists of three main chapters that critically analyze the murders of three Black Panther Party members-Bobby Hutton (1968), Fred Hampton (1969), and George Jackson (1971)"--
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  • 15
    Book
    Book
    Tokyo : Tokyo Metropolitan Edo-Tokyo Museum
    Language: English
    Pages: 71 Seiten , Illustrationen
    Additional Information: Ergänzung zu Tōkyōto Edo Tōkyō hakubutsukan Edward Sylvester Morse Originalausgabe (auf Japanisch)
    Series Statement: Research report / Tokyo Metropolitan Edo-Tokyo Museum 35
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    Keywords: Morse, Edward S. ; Peabody Museum ; Sachkultur ; Traditionale Kultur ; Kunstwerk ; Japan ; Katalog ; Morse, Edward S. 1838-1925 ; Japan ; Traditionale Kultur ; Japan ; Sachkultur ; Kunstwerk ; Peabody Museum E. S. Morse Collection
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  • 16
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
    RVK:
    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 17
    Image
    Image
    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
    RVK:
    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 18
    ISBN: 9780262048668
    Language: English
    Pages: xvii, 243 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Anthology of Blackness
    Parallel Title: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Description / Table of Contents: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Note: Bibliographie (Seite 234 - 243)
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  • 19
    Language: German
    RVK:
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    Keywords: Gefäß ; Indigenes Volk ; Kunstwerk ; Afrika ; Ausstellungskatalog Städtischen Sammlungen 04.03.2023-15.09.2023 ; Afrika ; Indigenes Volk ; Gefäß ; Kunstwerk
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  • 20
    Image
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    V Praze : Národní muzeum | K-A-V-K-A - knižní a výtvarná kultura
    ISBN: 9788070368008 , 9788090905214
    Language: Czech
    Pages: 213 Seiten , Karte, Porträts , 27 cm
    RVK:
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    Keywords: Národní muzeum ; Geschichte 1950-1970 ; Sammler ; Sachkultur ; Tschechen ; Sammlung ; Kunstwerk ; Mongolei ; Aufsatzsammlung ; Bildband ; Mongolei ; Sachkultur ; Kunstwerk ; Tschechen ; Sammler ; Geschichte 1950-1970 ; Národní muzeum Náprstkovo muzeum asijských, afrických a amerických kultur ; Sammlung
    Note: Zusammenfassungen tschechisch und englisch
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  • 21
    ISBN: 9780262377249 , 0262377241 , 9780262377256 , 026237725X
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: The MIT Press
    Parallel Title: Erscheint auch als An anthology of blackness
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
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  • 22
    ISBN: 9780774890649
    Language: English
    Pages: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
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    Keywords: Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Abstract: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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  • 23
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
    RVK:
    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 24
    Image
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    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
    RVK:
    Keywords: African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Note: Includes bibliographical references and index
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  • 25
    Book
    Book
    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen , 24 cm
    DDC: 700.89/96073
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    Keywords: Geschichte 1985-2015 ; Kunst ; Schwarze ; USA ; African American art / 20th century ; African American art / 21st century ; Art and society / United States / History / 20th century ; Art and society / United States / History / 21st century ; Art noir américain / 20e siècle ; Art noir américain / 21e siècle ; Artistes noirs américains / 20e siècle ; Artistes noirs américains / 21e siècle ; African American art ; African American artists ; 1900-2099 ; USA ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1985 to 2015. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
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  • 26
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    Berlin : Hatje Cantz
    ISBN: 9783775755528
    Language: German
    Pages: 269 Seiten , Illustrationen, 1 Diagramm, 1 Karte
    Edition: leicht adaptierte 2. Auflage
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    Keywords: Sachkultur ; Rückerstattung ; Provenienzforschung ; Bronzekunst ; Restitution ; Kunstraub ; Kunstwerk ; Benin ; Hamburg ; Königreich Benin ; Ausstellungskatalog Museum am Rothenbaum - Kulturen und Künste der Welt 16.12.2021-31.12.2022 ; Ausstellungskatalog Museum am Rothenbaum - Kulturen und Künste der Welt 16.12.2021-31.12.2022 ; Ausstellungskatalog Museum am Rothenbaum - Kulturen und Künste der Welt 16.12.2021-31.12.2022 ; Benin ; Hamburg ; Kunstraub ; Rückerstattung ; Bronzekunst ; Königreich Benin ; Sachkultur ; Kunstwerk ; Provenienzforschung ; Restitution
    Note: Impressum: "Dieses Buch erscheint zur Ausstellung Benin. Geraubte Geschichte, 16. Dezember 2021 bis 31. Dezember 2023, Museum Am Rothenbaum - Kulturen und Künste der Welt (MARKK)"
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  • 27
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    Washington : National Gallery of Art | New Haven : Yale University Press
    ISBN: 9780300267105
    Language: English
    Pages: 356 Seiten , Illustrationen , 29 cm
    Series Statement: Studies in the history of art 83
    Series Statement: Symposium papers 60
    Series Statement: Studies in the history of art
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    Keywords: Snowden, Sylvia - 1942- ; Stovall, Lou - 1937- ; Thomas, Alma - 1891-1978 ; Donaldson, Jeff - 1932-2004 ; Porter, James A. (James Amos) - 1905-1970 ; Burwell, Lilian Thomas - 1927- ; Coleman, Floyd W - 1939- ; Driskell, David C - 1931-2020 ; Gilliam, Sam - 1933-2022 ; Morrison, Keith - 1942- ; Puryear, Martin - 1941- ; Howard University - United States ; The Phillips Collection - United States ; African American Art - United States ; Konferenzschrift National Gallery of Art, Washington, DC ; Konferenzschrift National Gallery of Art, Washington, DC ; Washington, DC ; Schwarze ; Kunst ; Ästhetik ; Geschichte 1920-
    Abstract: In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city's communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The fifteen essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall
    Note: Titelblattrückseite: This volume includes proceedings of the symposium "The African American Art World in Twentieth-Century Washington, DC", organized by the Center for Advanced Study in the Visual Arts, National gallery of Art, and sponsored by the Wyeth Foundation for American Art and the Arthur Vining Davis Foundations. The symposium was held March 16-17, 2017, in Washington , Includes bibliography and index , English
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  • 28
    ISBN: 9780231205023 , 9780231205030
    Language: English
    Pages: xi, 287 Seiten , Illustrationen
    Series Statement: Literature now
    Parallel Title: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
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    Keywords: American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Abstract: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Note: Includes bibliographical references and index
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  • 29
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    Tōkyō : Tōkyōto rekishi bunka zaidan Tōkyōto Edo Tōkyō hakubutsukan
    ISBN: 9784909155207 , 4909155201
    Language: Japanese
    Pages: 223 Seiten , Illustrationen, Karten , 30 cm
    Additional Information: Ergänzung Tokyo Metropolitan Edo-Tokyo Museum Edward Sylvester Morse
    Series Statement: Tōkyōto Edo Tōkyō hakubutsukan chōsa hōkokusho dai35shū
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    Keywords: Peabody Museum ; Sachkultur ; Traditionale Kultur ; Kunstwerk ; Japan ; Morse, Edward Sylvester / 1838-1925 ; Katalog ; Traditionale Kultur ; Japan ; Sachkultur ; Kunstwerk ; Peabody Museum E. S. Morse Collection
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  • 30
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    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Language: English
    Pages: 133 Seiten , 23 x 28 cm
    DDC: 709.73
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    Keywords: Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
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  • 31
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 32
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    London : Book Works | Southend-on-Sea : Focal Point Gallery
    ISBN: 9781912570140 , 1912570149
    Language: English
    Pages: 141 Seiten , Illustrationen , 20 cm
    Additional Material: 2 Beilagen (1 Leporello, 1 Blatt mit Stickern)
    Series Statement: Co-series no. 22
    Series Statement: Printet matter / Focal Point Gallery #107
    Series Statement: Co-Series
    Series Statement: Printed matter
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    Keywords: 2000-2099 ; Art, Modern 21st century ; Feminism ; Women, Black ; Popular culture ; Women artists, Black ; Black people in art Exhibitions ; Performance art ; Art, Modern ; Feminism ; Popular culture ; Women, Black ; Great Britain ; Großbritannien ; Schwarze ; Frauenkunst ; Performance ; Geschichte 2000-
    Abstract: "Comprising of new writing and works drawn from, and a part of, Uddoh's 2021 exhibition at Focal Point Gallery, Practice Makes Perfect focuses on themes of radical self-love, inspired by black feminist practice and writing. Through performance, film, installation and sound, Uddoh explores an infatuation with places, objects and celebrities in British popular culture, and the effects of these on self-formation. She is influenced by her architectural background, rooting stories in specific spaces and materials. Co-published by Book Works and Focal Point Gallery as part of our Co-Series, in association with the Bluecoat, and The Bower." -- publisher's description
    Note: Umschlagtitel
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  • 33
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    London : Thames and Hudson
    ISBN: 9780500024621 , 0500024626
    Language: English
    Pages: 303 Seiten , 25 cm
    DDC: 700.8996041
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    Keywords: Arts, Black Exhibitions 21st century ; Arts, Black ; History ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Afrikaner ; Fotografie ; Malerei ; Videokunst ; Plastik ; Mixed media ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Note: Titelblattrückseite: This book was published on the occasion of the exhibition In the Black Fantastic" at the Hayward Gallery, London (29 June-18 September 2022) , Includes bibliographical references, filmography, discography and index
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  • 34
    ISBN: 9783990202289
    Language: German , English
    Pages: 118 Seiten , Illustrationen
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    Keywords: Nuku, George ; Sachkultur ; Kunstwerk ; Ozeanien ; Ausstellungskatalog Weltmuseum 23.06.2022-31.01.2023 ; Ausstellungskatalog ; Bildband ; Nuku, George 1964- ; Kunstwerk ; Ozeanien ; Sachkultur
    Note: "Dieses Buch erscheint anlässlich der Ausstellung Oceans. Collections. Reflections. Georg Nuku, Weltmuseum Wien, 23. Juni 2022 bis 31. Januar 2023" (Titelblatt-Rückseite) , Licht und Wasser : George Nukus Reisen , Oceans. Collections. Refleftions. , George Nuku im Gespräch mit Reinhard Blumauer , Perspektiven aus dem Manufaktorum , Text parallel auf Deutsch und Englisch
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  • 35
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Language: English
    Pages: 267 Seiten , Illustrationen
    Series Statement: Exhibition histories
    DDC: 704.039604109045
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 36
    ISBN: 9780141998213
    Language: English
    Pages: xxviii, 316 Seiten , 19 cm
    Series Statement: Penguin classics
    Series Statement: Art & design
    Parallel Title: Erscheint auch als
    DDC: 704.039604109048
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    Keywords: Art, Black History 20th century ; Artists, Black History 20th century ; Art, British 20th century ; Aufsatzsammlung ; Großbritannien ; Kunst ; Schwarze ; Geschichte 1981-1989
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  • 37
    ISBN: 9783927270817
    Language: English
    Pages: 131 Seiten , Illustrationen, Karte
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    Keywords: Indigenes Volk ; Sachkultur ; Kunstwerk ; Aitutaki ; Aitutaki ; Indigenes Volk ; Sachkultur ; Aitutaki ; Indigenes Volk ; Kunstwerk
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  • 38
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    New York : Routledge, Taylor & Francis Group
    ISBN: 9780367553647
    Language: English
    Pages: xxxiv, 487 Seiten , Illustrationen , 25 cm
    Edition: First issued in paperback
    Series Statement: Routledge companions
    Series Statement: Visual studies
    DDC: 700.8996073
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    Keywords: African American art ; Art, American Historiography ; Electronic books ; USA ; Schwarze ; Kunst ; Geschichte 1700-2020
    Note: First published 2020 by Routledge
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  • 39
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    Book
    Cambridge, Massachusetts : The MIT Press
    ISBN: 9780262045872 , 9780262546058
    Language: English
    Pages: 219 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Campt, Tina, 1964 - A black gaze
    Parallel Title: Erscheint auch als Campt, Tina, 1964 - A black gaze
    Parallel Title: Erscheint auch als Campt, Tina, 1964 - A black gaze
    DDC: 704.03/96073
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    Keywords: Aesthetics, Black ; Arts, Black 21st century ; Arts and society History 21st century ; Künstler ; Künstlerin ; Schwarze ; Kunst ; Wahrnehmung ; Ästhetik ; Geschichte
    Abstract: Intimate Strangers -- Black (Counter)Gravity -- Ode to the Visual Frequency of Black Life -- The Slow Lives of Still-Moving-Images -- Sounding A Black Feminist Chorus -- Adjacency and the Poethics of Care -- The Haptic Frequencies of Radical Black Joy.
    Abstract: "A groundbreaking, radical new study of the transformative cultural, aesthetic, & political shifts initiated by black contemporary artists inc. Arthur Jafa, Deanna Lawson, Dawoud Bey, etc. who are dismantling the white gaze and demanding that we see-and see blackness in particular-anew"--
    Note: Includes bibliographical references and index
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  • 40
    ISBN: 9783837652949 , 3837652947
    Language: English
    Pages: 215 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 618 g
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 701.03
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    Keywords: Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; Kunst ; Rassismus ; Postkolonialismus ; Hewitt, Leslie 1977- ; Kunst ; Rassismus ; Geschlechterforschung ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976-
    Note: Literaturverzeichnis: Seite 193-215
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  • 41
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    New Delhi : Lustre Press | New Delhi : Roli books
    ISBN: 9788194969174 , 8194969174
    Language: English
    Pages: 279 Seiten , Illustrationen , 27 cm
    DDC: 745.0954
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    Keywords: Art objects History ; Art, Indic ; Art, Indic ; Art objects ; Civilization ; History ; India Civilization ; India ; Indien ; Kunstwerk
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  • 42
    ISBN: 9781946433275 , 1946433276
    Language: English
    Pages: 215 Seiten , Illustrationen
    Edition: First edition
    DDC: 709.47
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    Keywords: Rudd, Wayland ; Art ; Mass media ; Black people in art ; Black people in mass media ; Black people ; Art - URSS ; Médias - URSS ; Personnes noires dans l'art ; Personnes noires dans les médias ; Noirs - URSS ; Art ; Mass media ; Race relations ; Soviet Union Race relations ; Soviet Union ; Sowjetunion ; Kunst ; Massenmedien ; Person of Color ; Rassismus ; Geschichte 1923-1980 ; Schwarze
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  • 43
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
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    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 44
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 45
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    London : Tate Publishing
    ISBN: 9781849767569
    Language: English
    Pages: 160 Seiten , Illustrationen , 18 cm
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    Keywords: Großbritannien ; Künstler ; Künstlerin ; Person of Color ; Geschichte 1945- ; Großbritannien ; Schwarze ; Kunst ; Geschichte 1937-2021
    Abstract: Black artists have been making major contributions to the global art scene since at least the middle of the twentieth century. While some of these artists - of African and Caribbean descent - have been embraced at times by the art world, they have mostly been neglected or have not received the recognition they deserve. Taking its starting point as the Windrush-era Caribbean Artists Movement, and considering and contextualising the political, cultural, and artistic climate from which it emerged, this concise introduction showcases the work of seventy Black-British artists from the 1930s until the present. Artworks in a range of media offer a lens through which to understand some of the events and issues confronted and explored, shedding light on the unique Black-British experience. Constructed around contemporary ideas on race, national identity, citizenship, gender, class, sexuality and aesthetics in Britain, this book interrogates themes at the heart of Black-British Art, revealing art in dialogue with a complex past and present. Featuring some of the most prominent and influential Black-British artists of recent decades, as well as less well-known artists, it also includes work from a new generation of artists at the forefront of contemporary art. At a time when visibility within the art world has taken on a renewed urgency, this is a timely and accessible introduction celebrating Black-British artists and their outstanding contribution to art history
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  • 46
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839452943
    Language: English
    Pages: 1 Online-Ressource (215 Seiten) , Illustrationen
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
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    Keywords: Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Abstract: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
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  • 47
    Online Resource
    Online Resource
    Cambridge, Massachusetts : The MIT Press
    ISBN: 9780262365666
    Language: English
    Pages: 1 Online-Ressource (219 Seiten)
    Parallel Title: Erscheint auch als Campt, Tina, 1964 - A black gaze
    DDC: 704.0396073
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    Keywords: Electronic books ; Künstler ; Künstlerin ; Schwarze ; Kunst ; Wahrnehmung ; Ästhetik ; Geschichte
    Abstract: Examining the work of contemporary Black artists who are dismantling the white gaze and demanding that we see--and see Blackness in particular--anew.
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  • 48
    Book
    Book
    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271086040
    Language: English
    Pages: 241 Seiten , Illustrationen
    DDC: 759.13
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    Keywords: Jones, Lois Mailou Criticism and interpretation ; African diaspora in art ; Jones, Loi͏̈s Mailou 1905-1998 ; USA ; Schwarze ; Kunst
    Abstract: Introduction : claiming middle ground -- Seeking success : school, society, and career aspirations -- Routes to roots : from Black Washington to Black Paris -- Diasporic directions : Haiti, collage, and composite aesthetics -- In and out : Africa and the academy -- Conclusion : composite naming practices and art histories.
    Abstract: "A critical analysis of the art and career of African American painter Loïs Mailou Jones (1905-1998). Examines Jones's engagement with African and Afrodiasporic themes as well as the challenges she faced as a black woman artist"--
    Note: Includes bibliographical references and index
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  • 49
    Book
    Book
    Lincoln : University of Nebraska Press
    ISBN: 9781496202123
    Language: English
    Pages: xi, 254 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Rezeption ; Indigenes Volk ; Soziale Verantwortung ; Kunst ; Kunstwerk ; USA ; Indian arts / Study and teaching ; Education, Higher / Aims and objectives ; Museums and Indians ; Cultural awareness ; Cultural awareness ; Education, Higher / Aims and objectives ; Museums and Indians ; USA ; Indigenes Volk ; Kunst ; Soziale Verantwortung ; USA ; Indigenes Volk ; Kunstwerk ; Rezeption
    Abstract: "'Knowing Native Arts' brings Nancy Marie Mithlo's Native, insider perspective to understanding the significance of indigenous arts in national and global milieus"--
    Abstract: "Knowing Native Arts brings Nancy Marie Mithlo's Native insider perspective to understanding the significance of Indigenous arts in national and global milieus. These musings, written from the perspective of a senior academic and curator traversing a dynamic and at turns fraught era of Native self-determination, are a critical appraisal of a system that is often broken for Native peoples seeking equity in the arts. Mithlo addresses crucial issues, such as the professionalization of Native arts scholarship, disparities in philanthropy and training, ethnic fraud, and the receptive scope of Native arts in new global and digital realms. This contribution to the field of fine arts broadens the scope of discussions and offers insights that are often excluded from contemporary appraisals."--book jacket
    Description / Table of Contents: Introduction: Dangerous for the heart -- 1. "The Manner in Which Knowledge Grows" -- 2. Native Arts' Visual Remix -- 3. Indigenous Arts Movements at Home and Abroad -- 4. On the Other Side of the Ocean -- 5. Postidentity Claims, Realism, and Radical Restructuring -- 6. The Encyclopedic Gaze -- 7. Decentering Durham -- 8. American Indians and Museums: The love/hate relationship -- Conclusion: The good fight -- Notes
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  • 50
    ISBN: 9789490153328 , 949015332X
    Language: English
    Pages: 184 Seiten , Illustrationen
    Series Statement: KA series 32
    Parallel Title: Parallele Sprachausgabe
    DDC: 700.411
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    Keywords: 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Abstract: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Note: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 51
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    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    ISBN: 9780300245745 , 0300245742
    Language: English
    Pages: xii, 228 Seiten , Illustrationen , 26 cm
    DDC: 704.0396073
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    Keywords: Harrington, Oliver W ; Colescott, Robert ; African American art ; African American artists ; African Americans in art ; Satire, American History and criticism ; USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
    Abstract: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Abstract: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Note: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
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  • 52
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    New York : The Metropolitan Museum of Art
    Language: English
    Pages: 47 Seiten , Illustrationen, Karte
    Series Statement: The Metropolitan Museum of Art bulletin volume 77, number 3 (Winter 2020)
    Series Statement: The Metropolitan Museum of Art bulletin
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    Keywords: Sachkultur ; Kunstwerk ; Karibik ; Ausstellungskatalog The Metropolitan Museum of Art 16.12.2019-10.01.2021 ; Karibik ; Sachkultur ; Kunstwerk
    Note: "This publication is issued in conjunction with the exhibition "Arte del mar: artistic exchange in the Caribbean", on view at The Metropolitan Museum of Art, New York, from December 16, 2019, through January 10, 2021"
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  • 53
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    New York : The Metropolitan Museum of Art
    Language: English
    Pages: 47 Seiten , Illustrationen, Karte
    Series Statement: The Metropolitan Museum of Art bulletin volume 77, number 3 (Winter 2020)
    Series Statement: The Metropolitan Museum of Art bulletin
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    Keywords: Sachkultur ; Kunstwerk ; Karibik ; Ausstellungskatalog The Metropolitan Museum of Art 16.12.2019-10.01.2021 ; Karibik ; Sachkultur ; Kunstwerk
    Note: "This publication is issued in conjunction with the exhibition "Arte del mar: artistic exchange in the Caribbean", on view at The Metropolitan Museum of Art, New York, from December 16, 2019, through January 10, 2021"
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  • 54
    Book
    Book
    Berlin : Dt. Kunstverl. | Wien : Schroll | Berlin : Wasmuth
    Show associated volumes/articles
    Language: German
    Parallel Title: Online-Ausg. Dehio, Georg, 1850 - 1932 Handbuch der deutschen Kunstdenkmäler
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    Keywords: Kunstführer ; Führer ; Deutschland ; Kunstwerk ; Deutschland ; Deutschland ; Deutschland ; Architektur
    Note: Anfangs mit der Ang.: Begr. vom Tage für Denkmalpflege. - Teilw. mit der Ang.: Deutscher Verein für Kunstwissenschaft. Begr. vom Tag für Denkmalpflege , 1 (1905) -
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  • 55
    Book
    Book
    München [u.a.] : Dt. Kunstverl [u.a.]
    Language: German
    Parallel Title: Elektronische Reproduktion Handbuch der Deutschen Kunstdenkmäler
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    Keywords: Kunstführer ; Fiktionale Darstellung ; Deutschland ; Kunstwerk ; Baudenkmal ; Kulturdenkmal ; Architektur
    Note: Anfangs im Dt. Kunstverl., Berlin erschienen. - Abt. 2 im Dt. Kunstverl., Berlin und im Verl. Schroll, Wien erschienen
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  • 56
    Book
    Book
    München [u.a.] : Dt. Kunstverl [u.a.]
    Language: German
    Parallel Title: Elektronische Reproduktion Handbuch der Deutschen Kunstdenkmäler
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    Keywords: Kunstführer ; Fiktionale Darstellung ; Deutschland ; Kunstwerk ; Baudenkmal ; Kulturdenkmal ; Architektur
    Note: Anfangs im Dt. Kunstverl., Berlin erschienen. - Abt. 2 im Dt. Kunstverl., Berlin und im Verl. Schroll, Wien erschienen
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  • 57
    Book
    Book
    Berlin : Dt. Kunstverl.
    Language: German
    Pages: 365 S. , zahlr. Ill., graph. Darst., Kt. , Lex. 8° (4°)
    Series Statement: Die Kunstdenkmäler der Provinz Brandenburg / hrsg. vom Brandenburgischen Provinzialverbande Bd. 4, Teil 1
    Series Statement: Die Kunstdenkmäler der Provinz Brandenburg
    Parallel Title: Elektronische Reproduktion Die Kunstdenkmäler der Provinz Brandenburg ; Band 4, Teil 1: Die Kunstdenkmäler des Kreises Teltow
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    Keywords: Kreis Teltow ; Architektur ; Kunst ; Kunstwerk ; Geschichte
    Note: In Fraktur
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