ISBN:
0511113641
,
9780511113130
,
9780511487019
,
9780511122026
,
0511487010
,
0511113137
,
9780511113642
,
0511112130
,
9780511112133
,
0511122020
Language:
English
Pages:
xviii, 188 p
,
ill
,
21 cm
Edition:
Boulder, Colo NetLibrary 2005 Online-Ressource E-Books von NetLibrary
Series Statement:
EBSCOhost eBook Collection
Parallel Title:
Print version Pronouncing Shakespeare
Keywords:
Shakespeare, William Stage history
;
England
;
London
;
Shakespeare, William Stage history
;
1950-
;
Shakespeare, William Romeo and Juliet
;
Shakespeare, William Language
;
Shakespeare, William 1564-1616 Stage history
;
England
;
London
;
Shakespeare, William 1564-1616 Stage history
;
1950-
;
Shakespeare, William 1564-1616
;
Shakespeare, William 1564-1616 Language
;
Shakespeare, William Stage history
;
Shakespeare, William Stage history
;
Shakespeare, William
;
Shakespeare, William Language
;
Shakespeare, William Stage history
;
Shakespeare, William Stage history
;
Shakespeare, William
;
Shakespeare, William Language
;
Shakespeare, William Language
;
Shakespeare, William Stage history
;
England
;
London
;
Shakespeare, William Stage history
;
1950-
;
Shakespeare, William Romeo and Juliet
;
Shakespeare, William
;
Shakespeare, William
;
Shakespeare, William
;
Shakespeare, William
;
Globe Theatre (London, England : 1996- )
;
Globe Theatre (London, England : 1996- )
;
Globe Theatre (London, England : 1996- )
;
Romeo and Juliet (Shakespeare, William)
;
Romeo and Juliet
;
William Shakespeare's Romeo and Juliet
;
Electronic books
;
English language Pronunciation
;
Early modern, 1500-1700
;
English language Pronunciation Early modern, 1500-1700
;
English language Pronunciation Early modern, 1500-1700
;
Electronic books
;
English language Pronunciation
;
Early modern, 1500-1700
;
LITERARY CRITICISM ; Shakespeare
;
DRAMA ; Shakespeare
;
English language ; Early modern ; Pronunciation
;
Language and languages
;
Aussprache
;
Frühneuenglisch
;
Romeo and Juliet (Shakespeare)
;
Uitspraak (taalkunde)
;
Toneelvoorstellingen
;
Globe Theatre
;
Literatura inglesa
;
Teatro elizabetano
;
Aufführung
;
Phonetik
;
England ; London
;
Globe Theatre (London, England : 1996- )
;
Electronic books Electronic books
;
William Shakespeare's Romeo and Juliet
;
Aufführung
;
Phonetik
;
Geschichte 2004
;
William Shakespeare's Romeo and Juliet
;
Aufführung
;
Phonetik
;
Geschichte 2004
Abstract:
"How did Shakespeare's plays sound when they were originally performed? How canwe know, and could the original pronunciation ever be recreated? For three days in June 2004 Shakespeare's Globe presented their production of Romeo and Juliet in original, Shakespearian pronunciation. This book tells the story of how it happened ... In an unusual blend of autobiography, narrative, and academic content, reflecting the unique nature of the experience, David Crystal recounts the first attempt in over fifty years to mount a Full-length Shakespeare play in original pronunciation. The story begins by introducing the Globe theatre and its approach to 'original practices', which had dealt with all aspects of Elizabethan Stagecraft--except pronunciation. It traces the way the idea developed, from the initial proposal in 2003 through planning and rehearsals to the full-scale production in 2004. A large section is devoted to the nature of the Early Modern English sound system and the evidence for it. Other major sections include reports of how the actors coped with the task of learning the pronunciation, how it affected their performances, and how the audiences reacted."-- Publisher's description
Abstract:
"How did Shakespeare's plays sound when they were originally performed? How canwe know, and could the original pronunciation ever be recreated? For three days in June 2004 Shakespeare's Globe presented their production of Romeo and Juliet in original, Shakespearian pronunciation. This book tells the story of how it happened ... In an unusual blend of autobiography, narrative, and academic content, reflecting the unique nature of the experience, David Crystal recounts the first attempt in over fifty years to mount a Full-length Shakespeare play in original pronunciation. The story begins by introducing the Globe theatre and its approach to 'original practices', which had dealt with all aspects of Elizabethan Stagecraft--except pronunciation. It traces the way the idea developed, from the initial proposal in 2003 through planning and rehearsals to the full-scale production in 2004. A large section is devoted to the nature of the Early Modern English sound system and the evidence for it. Other major sections include reports of how the actors coped with the task of learning the pronunciation, how it affected their performances, and how the audiences reacted."-- Publisher's description
Note:
Title from ebook title screen (viewed on June 7, 2005)
,
Includes index
,
Electronic reproduction, Boulder, Colo : NetLibrary, 2005
,
Prologue
,
Proposal; Reaction; Transcription; Meeting ; Evidence; Spelling; Orthoepists; Sound patterns; Decisions; Styles; Challenges; Differences; Features; Consonants; Vowels; Long vowels; Diphthongs; Individual cases; Resonances ; Rehearsal; Meeting; Refining; Finalizing; On stage; PR ; Performance; Interpretations; Dimensions; Talkback ; Consequences; Theatrical; Future; Epilogue; App. 1. Chief distinctive Early Modern English vowels ; App. 2. Extracts from the transcription.
URL:
Volltext
(Deutschlandweit zugänglich)
URL:
Volltext
(Deutschlandweit zugänglich)
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