Pronouncing Shakespeare : the Globe experiment / David Crystal

Englisch

Cambridge ; New York : Cambridge University Press, 2005

xviii, 188 p : ill ; 21 cm

Title from ebook title screen (viewed on June 7, 2005)

Includes index

Electronic reproduction, Boulder, Colo : NetLibrary, 2005

Print version: Pronouncing Shakespeare

0-511-11364-1 electronic bk.

978-0-511-11313-0

978-0-511-48701-9 : electronic bk.

978-0-511-12202-6 : electronic bk.

0-511-48701-0 electronic bk.

0-511-11313-7

978-0-511-11364-2 : electronic bk.

0-511-11213-0 electronic bk. : Adobe Reader

978-0-511-11213-3 : electronic bk. : Adobe Reader

0-511-12202-0 electronic bk.

Weitere Ausgaben: 0-511-11313-7 (Druckausgabe), 0-521-85213-7 (Druckausgabe) hardback, 978-0-511-11313-0 (Druckausgabe), 978-0-521-85213-5 (Druckausgabe) : hardback

Prologue / by Tim CarrollIdea

Proposal; Reaction; Transcription; Meeting ; Evidence; Spelling; Orthoepists; Sound patterns; Decisions; Styles; Challenges; Differences; Features; Consonants; Vowels; Long vowels; Diphthongs; Individual cases; Resonances ; Rehearsal; Meeting; Refining; Finalizing; On stage; PR ; Performance; Interpretations; Dimensions; Talkback ; Consequences; Theatrical; Future; Epilogue; App. 1. Chief distinctive Early Modern English vowels ; App. 2. Extracts from the transcription.

*William Shakespeare's Romeo and Juliet / Aufführung / Phonetik / Online-Publikation

*William Shakespeare's Romeo and Juliet / Aufführung / Phonetik / Geschichte 2004

*Shakespeare, William -- Stage history -- England -- London ; Shakespeare, William -- Stage history -- 1950- ; Shakespeare, William -- Romeo and Juliet ; Shakespeare, William -- Language ; Electronic books ; English language -- Pronunciation -- Early modern, 1500-1700 ; Shakespeare, William 1564-1616 -- Stage history -- England -- London ; Shakespeare, William 1564-1616 -- Stage history -- 1950- ; Shakespeare, William 1564-1616 ; Shakespeare, William 1564-1616 -- Language ; Shakespeare, William -- 1564-1616 -- Stage history -- England -- London ; Shakespeare, William -- 1564-1616 -- Stage history -- 1950- ; Shakespeare, William -- 1564-1616 -- Romeo and Juliet ; Globe Theatre (London, England : 1996- ) ; English language -- Early modern, 1500-1700 -- Pronunciation ; Shakespeare, William -- 1564-1616 -- Language ; Globe Theatre (London, England : 1996- ) ; Shakespeare, William -- 1564-1616 -- Stage history -- England -- London ; Shakespeare, William -- 1564-1616 -- Stage history -- 1950- ; Shakespeare, William -- 1564-1616 -- Romeo and Juliet ; Shakespeare, William -- 1564-1616 -- Language ; English language -- Early modern, 1500-1700 -- Pronunciation ; Shakespeare, William -- Language ; Shakespeare, William -- Stage history -- England -- London ; Shakespeare, William -- Stage history -- 1950- ; Shakespeare, William -- Romeo and Juliet ; Electronic books ; Globe Theatre (London, England : 1996- ) ; English language -- Pronunciation -- Early modern, 1500-1700

*Electronic books / Electronic books ; England ; London ; Globe Theatre (London, England : 1996- ) ; Shakespeare, William ; Shakespeare, William ; Shakespeare, William ; Shakespeare, William ; LITERARY CRITICISM ; Shakespeare ; DRAMA ; Shakespeare ; English language ; Early modern ; Pronunciation ; Language and languages ; Aussprache ; Frühneuenglisch ; Romeo and Juliet (Shakespeare) ; Uitspraak (taalkunde) ; Toneelvoorstellingen ; Globe Theatre ; Literatura inglesa ; Teatro elizabetano ; Romeo and Juliet (Shakespeare, William) ; Romeo and Juliet ; Aufführung ; Phonetik ; William Shakespeare's Romeo and Juliet

Klassifikation der Library of Congress: PR3081 ; PR3081.C93 2005

Dewey Dezimal-Klassifikation: 822.33; ; 822.3/3 22;

Regensburger Verbund-Klassifikation: HI 3331: H Anglistik. Amerikanistik / HG-HO Englische Literatur / HI Renaissance, Elisabethanische Zeit (1500-1640) / HI 1130-HI 4000 Literaturgeschichte / HI 1350-HI 3975 Einzelne Autoren und Denkmäler / HI 3240-HI 3795 Autoren und Denkmäler S / HI 3269-HI 3583 Shakespeare, William / HI 3300-HI 3583 Sekundärliteratur / HI 3320-HI 3370 Geistige Welt / HI 3330-HI 3370 Wirkung; Nachwirkung / In England

Regensburger Verbund-Klassifikation: HI 3381: H Anglistik. Amerikanistik / HG-HO Englische Literatur / HI Renaissance, Elisabethanische Zeit (1500-1640) / HI 1130-HI 4000 Literaturgeschichte / HI 1350-HI 3975 Einzelne Autoren und Denkmäler / HI 3240-HI 3795 Autoren und Denkmäler S / HI 3269-HI 3583 Shakespeare, William / HI 3300-HI 3583 Sekundärliteratur / HI 3375-HI 3583 Das Werk / Sprache; Stil; Struktur und Form; Glossare

Regensburger Verbund-Klassifikation: HI 3560: H Anglistik. Amerikanistik / HG-HO Englische Literatur / HI Renaissance, Elisabethanische Zeit (1500-1640) / HI 1130-HI 4000 Literaturgeschichte / HI 1350-HI 3975 Einzelne Autoren und Denkmäler / HI 3240-HI 3795 Autoren und Denkmäler S / HI 3269-HI 3583 Shakespeare, William / HI 3300-HI 3583 Sekundärliteratur / HI 3375-HI 3583 Das Werk / HI 3550-HI 3583 Shakespeare-Kritik / Shakespeare-Bühne

bcl: 18.04

bisacsh: LIT015000

bisacsh: DRA010000

bisacsh: DRA 010000

Book Industry Communication: CSGD1

bisacsh: LIT 015000

"How did Shakespeare's plays sound when they were originally performed? How canwe know, and could the original pronunciation ever be recreated? For three days in June 2004 Shakespeare's Globe presented their production of Romeo and Juliet in original, Shakespearian pronunciation. This book tells the story of how it happened ... In an unusual blend of autobiography, narrative, and academic content, reflecting the unique nature of the experience, David Crystal recounts the first attempt in over fifty years to mount a Full-length Shakespeare play in original pronunciation. The story begins by introducing the Globe theatre and its approach to 'original practices', which had dealt with all aspects of Elizabethan Stagecraft--except pronunciation. It traces the way the idea developed, from the initial proposal in 2003 through planning and rehearsals to the full-scale production in 2004. A large section is devoted to the nature of the Early Modern English sound system and the evidence for it. Other major sections include reports of how the actors coped with the task of learning the pronunciation, how it affected their performances, and how the audiences reacted."-- Publisher's description

"How did Shakespeare's plays sound when they were originally performed? How canwe know, and could the original pronunciation ever be recreated? For three days in June 2004 Shakespeare's Globe presented their production of Romeo and Juliet in original, Shakespearian pronunciation. This book tells the story of how it happened ... In an unusual blend of autobiography, narrative, and academic content, reflecting the unique nature of the experience, David Crystal recounts the first attempt in over fifty years to mount a Full-length Shakespeare play in original pronunciation. The story begins by introducing the Globe theatre and its approach to 'original practices', which had dealt with all aspects of Elizabethan Stagecraft--except pronunciation. It traces the way the idea developed, from the initial proposal in 2003 through planning and rehearsals to the full-scale production in 2004. A large section is devoted to the nature of the Early Modern English sound system and the evidence for it. Other major sections include reports of how the actors coped with the task of learning the pronunciation, how it affected their performances, and how the audiences reacted."-- Publisher's description

 

Boulder, Colo : NetLibrary, 2005

Boulder, Colo : NetLibrary

Online-Ressource

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