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  • Online Resource  (120)
  • Durham : Duke University Press  (67)
  • Birmingham, AL, USA : EBSCO Industries, Inc.  (53)
  • Musicology  (105)
  • Romance Studies  (15)
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  • 1
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478027058
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2023 ; Nachtleben ; Elektronische Tanzmusik ; Nähe ; Party ; House ; Berlin ; Paris ; Chicago, Ill. ; Chicago, Ill. ; Paris ; Berlin ; Elektronische Tanzmusik ; House ; Nachtleben ; Party ; Nähe ; Geschichte 2000-2023
    Note: Bevorzugte Informationsquelle Landingpage (Duke), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478027058
    Language: English
    Pages: 1 Online-Ressource (314 p.)
    DDC: 306.4846
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    Abstract: In Together, Somehow, Luis Manuel Garcia-Mispireta examines how people find ways to get along and share a dancefloor, a vibe, and a sound. Drawing on time spent in the minimal techno and house music subscenes in Chicago, Paris, and Berlin as the first decade of the new millennium came to a close, Garcia-Mispireta explains this bonding in terms of what he calls stranger-intimacy: the kind of warmth, sharing, and vulnerability between people that happens surprisingly often at popular electronic dance music parties. He shows how affect lubricates the connections between music and the dancers. Intense shared senses of sound and touch help support a feeling of belonging to a larger social world. However, as Garcia-Mispireta points out, this sense of belonging can be vague, fluid, and may hide exclusions and injustices. By showing how sharing a dancefloor involves feeling, touch, sound, sexuality, and subculture, Garcia-Mispireta rethinks intimacy and belonging through dancing crowds and the utopian vision of throbbing dancefloors.
    URL: Cover
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  • 3
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478024040
    Language: English
    Pages: 1 online resource (153 pages)
    Edition: 1st ed.
    Series Statement: Practices Ser.
    Parallel Title: Erscheint auch als
    DDC: 306.109747
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    Keywords: Electronic books
    Abstract: McKenzie Wark takes readers into the undisclosed locations of New York's thriving queer rave scene, showing how raving to techno is an art and technique at which queer and trans bodies might be particularly adept, but which is for anyone who lets the beat seduce them.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
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  • 4
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478022534
    Language: English
    Pages: 1 Online-Ressource (179 p.)
    Series Statement: Thought in the Act : 18
    DDC: 303.48/33
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    Abstract: In Listening in the Afterlife of Data, David Cecchetto theorizes sound, communication, and data by analyzing them in the contexts of the practical workings of specific technologies, situations, and artworks. In a time he calls the afterlife of data-the cultural context in which data's hegemony persists even in the absence of any belief in its validity-Cecchetto shows how data is repositioned as the latest in a long line of concepts that are at once constitutive of communication and suggestive of its limits. Cecchetto points to the failures and excesses of communication by focusing on the power of listening-whether through wearable technology, internet-based artwork, or the ways in which computers process sound-to pragmatically comprehend the representational excesses that data produces. Writing at a cultural moment in which data has never been more ubiquitous or less convincing, Cecchetto elucidates the paradoxes that are constitutive of computation and communication more broadly, demonstrating that data is never quite what it seems.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023500
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Note: Bevorzugte Informationsquelle Ladingpage (Duke), da weder Titelblatt nocht Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478021698
    Language: English
    Pages: 1 Online-Ressource (140 p.)
    Series Statement: Singles
    DDC: 782.42166092
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    Keywords: Popmusik ; USA
    Abstract: Jonathan Richman and the Modern Lovers' 1972 song "Roadrunner" captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates "Roadrunner" at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place-the American era that rock & roll signifies-that becomes a story about love and the modern world.
    URL: Cover
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  • 7
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478021391 , 147802139X
    Language: English
    Pages: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
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    Keywords: Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Abstract: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 8
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012245 , 1478012242
    Language: English
    Pages: 1 Online-Ressource (x, 217 pages)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 781.644
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    Keywords: Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-
    Abstract: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 9
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012771 , 1478012773
    Language: English
    Pages: 1 Online-Ressource (xiv, 392 pages) , illustrations
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als
    DDC: 782.421660820973
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    Keywords: Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990
    Abstract: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 10
    ISBN: 9781478012009 , 1478012005
    Language: English
    Pages: 1 Online-Ressource (xiv, 245 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 781.63089/915507949
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    Keywords: Iranians / Music / California / Los Angeles ; Popular music / History and criticism / California / Los Angeles ; Iranians / Ethnic identity / California / Los Angeles ; Iranian diaspora ; Popular music / History and criticism / Iran ; Music / Political aspects / History / 20th century / Iran ; Iranischer Einwanderer ; Iranier ; Popmusik ; Los Angeles, Calif. ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478008897 , 147800889X
    Language: English
    Pages: 1 Online-Ressource (xii, 329 pages) , illustrations
    Series Statement: Dissident acts
    Parallel Title: Erscheint auch als
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    Keywords: Presence (Philosophy) / Political aspects ; Performative (Philosophy) / Political aspects ; Performance art / Political aspects ; Hispanic Americans in the performing arts ; Performing arts / Political aspects / United States ; Knowledge, Theory of ; Social epistemology ; Eurocentrism ; Decolonization / Latin America ; Hispanic Americans / Race identity ; Politische Kunst ; Entkolonialisierung ; Präsenz ; Erkenntnistheorie ; Amerika ; Amerika ; Präsenz ; Politische Kunst ; Erkenntnistheorie ; Entkolonialisierung
    Abstract: Coming into presence -- Enacting refusal : political animatives -- Camino largo : the Zapatistas' long road toward autonomy -- Making presence -- Traumatic memes -- We have always been queer -- Tortuous routes : four walks through Villa Grimaldi -- Dead capital -- The decision dilemma
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 12
    Online Resource
    Online Resource
    Durham : Duke University Press | Baltimore, Md. : Project MUSE
    ISBN: 9781478090359 , 0822372649
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Refiguring American music
    DDC: 781.2/308996073
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    Keywords: Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Description based on print version record
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  • 13
    ISBN: 9783838271736
    Language: English
    Pages: 1 Online-Ressource (247 Seiten) , Illustrationen
    Series Statement: Soviet and post-Soviet politics and society vol. 203
    DDC: 322.409477
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    Keywords: Geschichte 2013-2017 ; Popmusik ; Internationale Politik ; Politische Bewegung ; Euromaidan ; Ukraine ; Russland
    Note: Literaturverzeichnis, Filmverzeichnis und Verzeichnis von Musikvideos Seite 203-235
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  • 14
    Online Resource
    Online Resource
    Durham : Duke University Press | The Hague : OAPEN FOUNDATION
    ISBN: 9781478090359 , 9780822372646
    Language: English
    Pages: 1 Online-Ressource (288 p.)
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    Keywords: Afroamerikanische Musik ; Klang ; Zuhören ; Theory of music & musicology ; voice ; race ; timbre
    Abstract: In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre—the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way.
    URL: Volltext  (kostenfrei)
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  • 15
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822372653
    Language: English
    Pages: 1 Online-Ressource (256 p.) , 15 illustrations
    Edition: 2018
    Series Statement: Refiguring American Music
    DDC: 780.98
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    Abstract: In On Site, In Sound Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound up in perceptions and constructions of geographic space. Focusing on the hemispheric circulation of South American musical cultures, Dorr shows how sonic production and spatial formation are mutually constitutive, thereby pointing to how people can use music and sound to challenge and transform dominant conceptions and configurations of place. Whether tracing how the evolution of the Peruvian folk song "El Condor Pasa" redefined the boundaries between national/international and rural/urban, or how a pan-Latin American performance center in San Francisco provided a venue through which to challenge gentrification, Dorr highlights how South American musicians and activists created new and alternative networks of cultural exchange and geopolitical belonging throughout the hemisphere. In linking geography with musical sound, Dorr demonstrates that place is more than the location where sound is produced and circulated; it is a constructed and contested domain through which social actors exert political influence.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    URL: Cover
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  • 16
    Online Resource
    Online Resource
    London : Rowman & Littlefield International | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9781786606235
    Language: English
    Pages: 1 Online-Ressource (ix, 277 Seiten) , Illustrationen
    Series Statement: Popular musics matter: social, political and cultural interventions
    DDC: 781.640943
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    Keywords: Geschichte 1945-2016 ; Unterhaltungsmusik ; Nationalbewusstsein ; Kulturelle Identität ; Identität ; Deutschland ; Deutschland ; Hochschulschrift
    Note: Bibliographie: Seite 235-262
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 17
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822371991 , 0822371995
    Language: English
    Pages: 1 Online-Ressource (xii, 298 pages) , illustrations, maps
    Parallel Title: Erscheint auch als
    DDC: 001.30285
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    Keywords: Digital humanities ; Sound / Recording and reproducing / Digital techniques ; Sound ; Sound in mass media ; Forschung ; Sound Studies ; Digital Humanities ; Aufsatzsammlung ; Sound Studies ; Digital Humanities ; Forschung
    Abstract: Theories and genealogies -- Ethnodigital sonics and the historical imagination / Richard Cullen Rath -- Performing Zora : critical ethnography, digital sound, and not forgetting / Myron M. Beasley -- Rhetorical folkness: reanimating Walter J. Ong in the pursuit of digital humanity / Jonathan W. Stone -- Digital communities -- The pleasure (is) principle: sounding out! and the digitizing of community / Aaron Trammell, Jennifer Lynn Stoever, and Liana Silva -- Becoming outkasted: archiving contemporary Black Southernness in a digital age / Regina N. Bradley -- Reprogramming sounds of learning: pedagogical experiments with critical making and community-based ethnography / W.F. Umi Hsu -- Disciplinary translations -- Word. spoken. articulating the voice for high-performance sound technologies for access and scholarhip (hipstas) / Tanya E. Clement -- "A foreign sound to your ear" : digital image sonification for historical interpretation / Michael J. Kramer -- Augmenting musical arguments : interdisciplinary publishing platforms and augmented notes / Joanna Swafford -- Points forward -- Digital approaches to historical acoustemologies: replication and reenactment / Rebecca Dowd Geoffroy-Schwinden -- Sound practices for digital humanities / Steph Ceraso -- Afterword: demands of duration: the futures of digital sound scholarship / Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 18
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822372646 , 0822372649
    Language: English
    Pages: 1 Online-Ressource (xiv, 268 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/308996073
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    Keywords: Anderson, Marian 1897-1993 ; Holiday, Billie 1915-1959 ; Scott, Jimmy 1925-2014 ; Vocaloid (Computer file) ; African Americans Music ; Social aspects ; Music and race United States ; Voice culture Social aspects ; United States ; Tone color (Music) Social aspects ; United States ; Music Social aspects ; United States ; Singing Social aspects ; United States ; Zuhören ; Afroamerikanische Musik ; Klang ; Electronic books ; Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822373636
    Language: English
    Pages: 1 Online-Ressource (338 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.62/963986
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    Keywords: Gesellschaft ; Musik ; Ngoma ; Zulu ; Südafrika (Staat) ; Ngoma (Drum) music / Social aspects / South Africa ; Zulu (African people) / Music / Social aspects / South Africa ; Zulu ; Ngoma
    Note: Bevorzugte Informationsquelle Landingpage, da weder Titelblatt noch Impressum vorhanden (Due Univeristy Press)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 20
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822373117
    Language: English
    Pages: 1 Online-Ressource (376 p.) , 23 illustrations
    Edition: 2017
    DDC: 780.89/96073
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    Keywords: Geschichte ; Afroamerikanische Musik ; Rezeption ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; USA ; Afrika
    Abstract: In Listening for Africa David F. Garcia explores how a diverse group of musicians, dancers, academics, and activists engaged with the idea of black music and dance’s African origins between the 1930s and 1950s. Garcia examines the work of figures ranging from Melville J. Herskovits, Katherine Dunham, and Asadata Dafora to Duke Ellington, Dámaso Pérez Prado, and others who believed that linking black music and dance with Africa and nature would help realize modernity’s promises of freedom in the face of fascism and racism in Europe and the Americas, colonialism in Africa, and the nuclear threat at the start of the Cold War. In analyzing their work, Garcia traces how such attempts to link black music and dance to Africa unintentionally reinforced the binary relationships between the West and Africa, white and black, the modern and the primitive, science and magic, and rural and urban. It was, Garcia demonstrates, modernity’s determinations of unraced, heteronormative, and productive bodies, and of scientific truth that helped defer the realization of individual and political freedom in the world.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    URL: Cover
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  • 21
    ISBN: 9780822374015 , 0822374013
    Language: English
    Pages: 1 Online-Ressource (345 pages)
    Series Statement: Improvisation, community, and social practice
    Series Statement: Knowledge Unlatched Frontlist Collection 2016
    Series Statement: Music
    Parallel Title: Erscheint auch als Improvisation and social aesthetics
    DDC: 781.36
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    Keywords: Improvisation (Music) Social aspects ; Music Social aspects ; Aesthetics Social aspects ; Arts and society ; Improvisation ; Soziale Funktion ; Interaktion ; Musik ; Kunst ; Gesellschaft ; Geschichte
    URL: Cover  (Thumbnail cover image)
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  • 22
    ISBN: 9780822375142 , 0822375141
    Language: English
    Pages: 1 Online-Ressource (xviii, 230 pages) , illustrations
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 780.89/9921073
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    Keywords: Geschichte 1945-2015 ; Filipino Americans / Music ; Filipino Americans / Ethnic identity ; Filipino Americans in the performing arts ; Music / Philippines ; Soziale Funktion ; Musikleben ; Unterhaltungsmusik ; Kulturelle Identität ; Filipinos ; USA ; USA ; Filipinos ; Unterhaltungsmusik ; Musikleben ; Soziale Funktion ; Kulturelle Identität ; Geschichte 1945-2015
    Abstract: Flip the beat: an introduction -- Sonic fictions -- The serious work of karaoke -- Jessica Hagedorn's gangster routes -- Pinoise rock -- Rakenrol itineraries
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 23
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822373926
    Language: English
    Pages: 1 Online-Ressource (600 p.) , 115 illustrations
    DDC: 781.64
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    Keywords: Geschichte 1980-1983 ; Popmusik ; Tanzmusik ; Musikleben ; Subkultur ; New York, NY
    Abstract: As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city's subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.
    URL: Cover
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  • 24
    ISBN: 9780822373667 , 0822373661
    Language: English
    Pages: 1 Online-Ressource (xiv, 274 pages) , illustrations, maps
    Parallel Title: Erscheint auch als
    DDC: 327.7307293
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    Keywords: Dominikaner ; Dominican Americans / Race identity ; Blacks / Race identity / Dominican Republic ; Immigrants / Social conditions / United States ; Race in mass media ; Identität ; Volk ; Electronic books ; Electronic books ; Dominikaner ; Volk ; Identität
    Abstract: The Galindo virgins : violence, repetition, and the founding of Dominicanidad -- Of bandits and wenches : the US occupation (1916-1924) and the criminalization of Dominican Blackness -- Speaking in silences : literary interruptions and the massacre of 1937 -- Rayano consciousness : remapping the Haiti-DR border after the earthquake of 2010 -- Writing from El Nié : exile and the poetics of Dominicanidad Ausente -- Postscript: Anti-Haitianism and the global war on Blackness
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 25
    ISBN: 9780822375258 , 0822375257
    Language: English
    Pages: 1 Online-Ressource (xii, 224 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 781.646097295
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    Keywords: Geschichte 1980-2015 ; Reggaetón / History and criticism ; Reggaeton ; Puerto Rico ; Einführung ; Einführung ; Einführung ; Electronic books ; Einführung ; Puerto Rico ; Reggaeton ; Geschichte 1980-2015
    Abstract: Introduction: reggaetón takes its place -- Iron fist against rap -- The perils of perreo -- Loíza -- Fingernails con feeling -- Enter the Hurbans -- Conclusion: reggaetón's limits, possibilities, and futures
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 26
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375425 , 0822375427
    Language: English
    Pages: 1 Online-Ressource (362 pages) , illustrations
    Parallel Title: Erscheint auch als
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    Keywords: Mapfumo, Thomas ; Blacks Unlimited (Musical group) ; Popular music / Political aspects / Zimbabwe ; Popular music / History and criticism / Zimbabwe ; Revolutionary ballads and songs / Zimbabwe
    Abstract: Chimurenga nights -- Rhodesia -- England is the chameleon, and I the fly -- Singing Shona -- When the spirit comes -- Songs for the book of history -- Bishop and pawn -- Agony of victory -- Zimbabwe -- Snakes in the forest -- Corruption -- Big daddy and the Zimbabwe playboys -- Sporting lions -- Too many ghosts -- Breaking the cycle -- America -- Striking at empires -- Dancing with devils -- The land of the horses -- Lions in winter
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 27
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375326
    Language: English
    Pages: 1 Online-Ressource (xiv, 429 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Iowa 2000
    DDC: 782.42164/0811
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    Keywords: Crosby, Bing ; Vallée, Rudy ; Geschichte 1921-1940 ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940 ; Männlichkeit ; Schlagersänger ; Crooning ; Popmusik ; USA ; Hochschulschrift ; USA ; Popmusik ; Schlagersänger ; Männlichkeit ; Crooning ; Geschichte 1921-1940 ; Vallée, Rudy 1901-1986 ; Crosby, Bing 1903-1977
    Abstract: The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners' rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 28
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822376262
    Language: English
    Pages: Online-Ressource (281 p)
    Edition: Online-Ausg.
    Series Statement: Sign, Storage, Transmission
    Series Statement: Sign, Storage, Transmission Ser.
    Parallel Title: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
    RVK:
    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Description / Table of Contents: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 29
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822378907
    Language: English
    Pages: 1 online resource (335 pages)
    Parallel Title: Erscheint auch als
    DDC: 303.6098
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    Keywords: State-sponsored terrorism -- Latin America -- History -- 20th century ; State-sponsored terrorism -- Latin America -- History -- 21st century ; Latin America -- Politics and government -- 20th century ; Latin America -- Politics and government -- 21st century ; State-sponsored terrorism ; Latin America ; History ; 20th century.. ; State-sponsored terrorism ; Latin America ; History ; 21st century.. ; Latin America ; Politics and government ; 20th century.. ; Latin America ; Politics and government ; 21st century ; Electronic books ; Electronic books ; Electronic books
    Abstract: Analyzing the conditions under which dehumanizing cruelty came to be used by states and rogue groups in Latin America, Jean Franco argues that acts of extreme cruelty and the ways they are rationalized are defining features of modernity.
    Abstract: Intro -- Contents -- Acknowledgments -- Introduction -- 1. The "Insignificant Incident" and Its Aftermath -- 2. Alien to Modernity -- 3. Raping the Dead -- 4. Killers, Torturers, Sadists, and Collaborators -- 5. Revolutionary Justice -- 6. Cruel Survival -- 7. Tortured Souls -- 8. The Ghostly Arts -- 9. Apocalypse Now -- Afterword. Hypocrite Modernity -- Notes -- Bibliography -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 30
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822391902 , 0822354152 , 0822354306 , 9780822391906 , 9780822354154 , 9780822354307
    Language: English
    Pages: Online-Ressource (xvii, 364 pages) , illustrations
    Edition: Online-Ausg.
    Parallel Title: Print version Making samba
    DDC: 781.640981
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    Keywords: Blacks Race identity ; Blacks Music ; History ; Music and race History ; Sambas History ; Sambas Social aspects ; History ; Sambas -- Brazil -- History ; Sambas -- Social aspects -- Brazil -- History ; Blacks -- Brazil -- Music -- History ; Music and race -- Brazil -- History ; Blacks -- Race identity -- Brazil ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈DIV〉By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.〈/div〉
    Description / Table of Contents: Contents; A Note about Brazilian Terminology, Currency, and Orthography; Abbreviations; Acknowledgments; Introduction; One. Between Fascination and Fear, Musicians' Worlds in Nineteenth-Century Rio de Janeiro; Two. Beyond the Punishment Paradigm, Popular Entertainment and Social Control after Abolition; Three. Musicians Outside the Circle, Race, Wealth, and Property in Fred Figner's Music Market; Four. "Our Music", "Pelo telefone," the Oito Batutas, and the Rise of "Samba""; Five. Mediators and Competitors, Musicians, Journalists, and the Roda do Samba
    Description / Table of Contents: Six. Bodies and Minds: Mapping Africa and Brazil during the Golden AgeSeven. Alliances and Limits: The SBAT and the Rise of the Entertainment Class; Eight. Everywhere and Nowhere: The UBC and the Consolidation of Racial and Gendered Difference; Nine. After the Golden Age: Reinvention and Political Change; Conclusion; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages [299]-335) and index
    URL: Volltext  (lizenzpflichtig)
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  • 31
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822391929 , 9780822391920
    Language: English
    Pages: 1 Online-Ressource (302 pages) , map
    Parallel Title: Erscheint auch als
    DDC: 781.64098
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    Keywords: Cumbia (Music) / History and criticism / America ; Working class / Songs and music / History and criticism / America ; Musiksoziologie ; Cumbia ; Amerika ; Aufsatzsammlung ; Aufsatzsammlung ; Amerika ; Cumbia ; Musiksoziologie
    Abstract: Cumbia music in Colombia: origins, transformations, and evolution of a coastal music genre / Leonardo D'Amico -- ¿Pa' dónde vas Marioneta? ¿Pa' donde va la gaita? : la Cumbiamba Eneyé returns to San Jacinto / Jorge Arévalo Mateus with Martín Vejarano -- Cumbia in Mexico's northeastern region / José Juan Olvera Gudiño -- Rigo Tovar, cumbia, and the transnational grupero boom / Alejandro L. Madrid -- Communicating the collective imagination : the socio-spatial world of the Mexican sonidero in Puebla, New York and New Jersey / Cathy Ragland -- From the world of the poor to the beaches of Eisha : cumbia, and the search for a popular subject in Peru / Joshua Tucker -- Pandillar in the jungle : regionalism and tecno-cumbia in Amazonian Peru / Kathryn Metz -- Gender tensions in Cumbia villera's lyrics / Pablo Semán and Pablo Vila -- Feliz, feliz / Cristian Alarcón -- El "tú" tropical, el "vos" villero, and places in between : language ideology, music, and the spatialization of difference in Uruguay / Matthew J. Van Hoose -- On music and Colombianess : towards a critique of the history of cumbia / Héctor Fernández L'Hoeste
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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  • 32
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Language: English
    Pages: Online-Ressource
    Edition: Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
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    Keywords: Music ; Politics ; History ; Palestine ; Music Political aspects ; Music Political aspects ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Abstract: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    URL: Cover  (Thumbnail cover image)
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  • 33
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822378877 , 0822378876
    Language: English
    Pages: 1 online resource (xviii, 333 pages)
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Vazquez, Alexandra T., 1976 - Listening in detail
    Parallel Title: Erscheint auch als Vazquez, Alexandra T., 1976 - Listening in detail
    DDC: 780.97291
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    Keywords: Music History and criticism ; Music Performance ; Music ; Cuba ; History and criticism ; Music ; Performance ; Cuba ; Electronic books ; Electronic books ; Aufsatzsammlung ; Electronic books
    Abstract: Introduction -- Performing anthology : the mystical qualities of Alfredo Rodriguez's Cuba linda -- "Una escuela rara" : the Graciela School -- Itinerant outbursts: the grunt of Dámaso Pérez Prado -- Visual arrangements, sonic impressions: the Cuban musical documentaries of Rogelio París and Sara Gómez -- Cold war kids in concert.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 34
    Online Resource
    Online Resource
    Lanham, Md. : Rowman & Littlefield Publishers | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9781442207745 , 1442207744
    Language: English
    Pages: 1 Online-Ressource (xiv, 268 pages) , Illustrations
    Edition: 2nd ed.
    Series Statement: The spectrum series : race and ethnicity in national and global politics
    DDC: 305.868/72073
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    Abstract: "Latinos constitute the fastest-growing population in the United States today, and Latino political participation is growing rapidly. Still, Latino political power is not commensurate with the numbers, and much potential remains to be tapped. In Latino Politics in America, author John A. García examines the development of this vibrant community and points the way toward a future of shared interests and coalitions among the diverse Latino subgroups. This newly revised edition lays out the basic facts of Latino America -- who Latinos are, where they come from, where they reside -- and then connects these facts to political realities of immigration, citizenship, voting, education, organization, and leadership. García's nuanced portrait of contemporary Latino political life, first published in 2003, has been updated throughout to include data from the 2010 census and the 2008 and 2010 elections."--Provided by publisher.
    Note: Previous edition under title: Latino politics in America , Includes bibliographical references and index
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  • 35
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780252094200 , 0252094204 , 9780252036323 , 0252036328
    Language: English
    Pages: 1 Online-Ressource (xi, 280 pages)
    Series Statement: Music in American life
    DDC: 782.421642092
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    Keywords: Robbins, Marty ; Geschichte 1925-1981 ; Country-Musiker ; Rennfahrer ; USA ; Biographie
    Note: Includes bibliographical references and index
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  • 36
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822394884 , 082239488X
    Language: English
    Pages: 1 Online-Ressource (xxv, 289 Seiten) , Illustrationen, Karten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Suzano, Marcos ; Geschichte 1980-2000 ; Popular music Brazil ; History and criticism ; Sound Recording and reproducing ; Digital techniques ; Lokalkolorit ; Popmusiker ; Internationalität ; Popmusik ; Rio de Janeiro ; Electronic books ; Rio de Janeiro ; Popmusiker ; Popmusik ; Lokalkolorit ; Internationalität ; Geschichte 1980-2000
    Note: Includes bibliographical references and index , Marcos Suzano : a Carioca blade runner -- Lenine : pernambuco speaking to the world -- Pedro Luís and the wall : Tupy Astronauts -- Fernanda Abreu : garota carioca -- Paulinho Moska : difference and repetition -- On cannibals and chameleons -- Appendix 1: a note about interviews, with a list of interviews cited -- Appendix 2: introductory aspects of Marcos Suzano's pandeiro method
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Volltext  (kostenfrei)
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  • 37
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822352117 , 0822395207 , 9780822352112 , 0822352001 , 9780822395201 , 9780822352006 , 9781280487163
    Language: English
    Pages: 1 online resource (xvi, 214 p.
    Edition: Online-Ausg. 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: e-Duke books scholarly collection
    Parallel Title: Print version Go-Go Live
    DDC: 306.4/84240975309045
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    Keywords: African Americans Social life and customs 20th century ; Go-go (Music) History and criticism ; African Americans Music 20th century ; Go-go (Music) Social aspects ; Go-go (Music) -- Washington (D.C.) -- History and criticism ; Go-go (Music) -- Social aspects -- Washington (D.C.) ; African Americans -- Washington (D.C.) -- Music -- 20th century ; African Americans -- Washington (D.C.) -- Social life and customs -- 20th century ; Electronic books ; Electronic books
    Abstract: Includes bibliographical references and index
    Abstract: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986
    Abstract: Go-go is an upbeat, funky Black popular music from Washington, D.C. with a history as long as that of house or hip-hop. Natalie Hopkinson is the Media and Culture Critic for The Root, with access to clubs, producers, and artists, and is therefore well-placed to tell the story of the music from the 70s to the present. With the regentrification of the District, more of the Black population and the go-go industry have moved to the Maryland suburbs. In Go-Go Live, Hopkinson gives a critical, inside account of the scene and how it survives in a changing city
    Description / Table of Contents: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986.
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 38
    Online Resource
    Online Resource
    New York : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780199875573 , 019987557X , 9780195399714 , 0195399714
    Language: English
    Pages: 1 Online-Ressource (xvii, 264 pages) , Illustrations, music
    DDC: 780.9/02
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    Keywords: Geschichte 1000-1600 ; Marienverehrung ; Marienlied ; Vokalmusik ; Weltliche Musik
    Abstract: There is a striking similarity between Marian devotional songs and secular love songs of the late Middle Ages and Renaissance. Two disparate genres-one sacred, the other secular; one Latin, the other vernacular-both praise an idealized, impossibly virtuous woman. Each does so through highly stylized derivations of traditional medieval song forms-Marian prayer derived from earlier Gregorian chant, and love songs and lyrics from medieval courtly song. Yet despite their obvious similarities, the two musical and poetic traditions have rarely been studied together. Author David J. Rothenberg takes.
    Note: Includes bibliographical references (pages 241-256) and index
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  • 39
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822394174
    Language: English
    Pages: 1 online resource (352 p.) , 32 illustrations
    DDC: 781.64
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    Keywords: Popular music / History and criticism / 1981-1990 ; Popular music / History and criticism / 1991-2000 ; Popular music / History and criticism / 2001-2010 ; Rock music / History and criticism / 1981-1990 ; Rock music / History and criticism / 1991-2000 ; Rock music / History and criticism / 2001-2010 ; MUSIC / Genres & Styles / Rock ; Aufsatzsammlung
    Abstract: Chuck Eddy is one of the most entertaining, idiosyncratic, influential, and prolific music critics of the past three decades. His byline has appeared everywhere from the Village Voice and Rolling Stone to Creem, Spin, and Vibe. Eddy is a consistently incisive journalist, unafraid to explore and defend genres that other critics look down on or ignore. His interviews with subjects ranging from the Beastie Boys, the Pet Shop Boys, Robert Plant, and Teena Marie to the Flaming Lips, AC/DC, and Eminem’s grandmother are unforgettable. His review of a 1985 Aerosmith album reportedly inspired the producer Rick Rubin to pair the rockers with Run DMC. In the eighties, Eddy was one of the first critics to widely cover indie rock, and he has since brought his signature hyper-caffeinated, hyper-hyphenated style to bear on heavy metal, hip-hop, country—you name it. Rock and Roll Always Forgets features the best, most provocative reviews, interviews, columns, and essays written by this singular critic. Essential reading for music scholars and fans, it may well be the definitive time-capsule comment on pop music at the turn of the twenty-first century
    URL: Cover
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  • 40
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822393931 , 082239393X
    Language: English
    Pages: 1 online resource (xii, 410 p.)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als Baker, Geoffrey, 1970 - Buena Vista in the club
    DDC: 782.421649097291
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    Keywords: Buena Vista Social Club (Musical group) ; Rap (Music) ; Reggaetón ; Music Political aspects ; Buena Vista Social Club (Musical group) ; Rap (Music) ; Cuba ; Havana ; Reggaetón ; Cuba ; Havana ; Music ; Political aspects ; Cuba ; Electronic books ; Electronic books ; Electronic books ; Kuba ; Hip-Hop ; Rap
    Abstract: Hip hop, revolución! : nationalizing rap in Cuba -- The revolution of the body : reggaetón and the politics of dancing -- The Havana you don't know : urban music and the late socialist city -- Cuban hip hop all stars: transnationalism and the politics of representation -- Conclusion: the rise and fall of Havana hip hop.
    Note: Description based on print version record. - Includes bibliographical references and index
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  • 41
    Online Resource
    Online Resource
    Bristol [u.a.] : Multilingual Matters | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9781847693419 , 1847693415
    Language: English
    Pages: 1 Online-Ressource (xxii, 236 pages)
    Series Statement: Multilingual matters 144
    DDC: 306.44/959
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    Abstract: Language is a sensitive issue in the developing world, because language choice and behaviour are integral to the social, economic and political stability of multicultural societies. To what extent does this argument hold? Does language make a difference when it comes to development, and is there a perceptible difference in development between countries that is attributable to their choice of language? This book sets out to answer these questions by investigating how language has been and is being used in four countries of the Greater Mekong Sub-region (i.e. Cambodia, the Lao PDR, Myanmar and V.
    Note: Includes bibliographical references and index
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  • 42
    Online Resource
    Online Resource
    Amsterdam : Editions Rodopi | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9789042032101 , 9042032103 , 904203209X , 9789042032095
    Language: English
    Pages: 1 Online-Ressource (276 pages)
    Series Statement: Nature, culture and literature 07
    DDC: 781
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    Keywords: Geschichte 1960-2010 ; Popmusik ; USA
    Abstract: Since the rise of the contemporary ecology movement in the 1960s, American songwriters and composers, from folk singer Pete Seeger to jazz saxophonist Paul Winter, have lamented, and protested against, environmental degradation and injustice. The Jukebox.
    Note: Includes bibliographical references and index
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  • 43
    Online Resource
    Online Resource
    Baton Rouge : Louisiana State University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780807138106 , 080713810X
    Language: English
    Pages: 1 Online-Ressource (xiii, 275 pages) , Illustrations
    Series Statement: Making the modern South
    DDC: 781.6430975/09041
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    Keywords: Geschichte 1890-1945 ; Blues ; Tonträger ; USA Südstaaten ; Verzeichnis
    Abstract: In the late nineteenth century, black musicians in the lower Mississippi Valley began to create a new musical form that lamented Jim Crow's social, legal and economic restrictions--the blues. In Jim Crow's Counterculture, R.A. Lawson offers a cultural history of blues musicians in the segregation era, explaining how by both accommodating and resisting Jim Crow life, blues musicians created a counterculture to incubate and nurture ideas of black individuality and citizenship. These individuals, Lawson shows, collectively demonstrate the African-American struggle during early twentieth century.
    Note: Includes bibliographical references (pages 245-265) and index , Includes discography (pages 201-210)
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  • 44
    ISBN: 9780822393108
    Language: English
    Pages: 1 online resource (352 p.) , 51 b&w photos
    Series Statement: A John Hope Franklin Center Book
    DDC: 781.65092
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    Keywords: Composers / United States / Biography ; Jazz musicians / United States / Biography ; MUSIC / Individual Composer & Musician ; Verzeichnis ; Autobiografie
    Abstract: African Rhythms is the autobiography of the important jazz pianist, composer and band leader Randy Weston. He tells of his childhood in Brooklyn, his six decades long musical career, his time living in Morocco, and his lifelong quest to learn about the musical and cultural traditions of Africa
    URL: Cover
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  • 45
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780199708246 , 019970824X
    Language: English
    Pages: 1 Online-Ressource (viii, 243 pages)
    DDC: 305.800947
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    Keywords: Politischer Konflikt ; Gewalt ; Nationalismus ; Minderheitenfrage ; Ethnische Identität ; Osteuropa ; Aufsatzsammlung
    Abstract: Why do some violent conflicts endure across the centuries, while others become dimly remembered ancient struggles among forgotten peoples? Is nationalism really the powerful force that it appeared to be in the 1990s? In this wide-ranging and readable set of essays, Charles King examines the conceptual intersection of nationalist ideology, social violence, and the political transformation of Europe and Eurasia over the last two decades. The end of communism seemed to usher in a period of radical change-an era of "extreme politics" that pitted nations, ethnic groups, and violent entrep.
    Note: Includes bibliographical references (pages 215-233) and index
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  • 46
    Online Resource
    Online Resource
    Farnham, England [u.a.] : Ashgate | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780754699606 , 0754699609 , 0754658724 , 9780754658726 , 9781409400493 , 1409400492 , 1282261460 , 9781282261464
    Language: English
    Pages: 1 Online-Ressource (xiv, 238 pages)
    Series Statement: Ashgate popular and folk music series
    DDC: 781.64
    RVK:
    RVK:
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    Keywords: Unterhaltungsmusik ; Gewalt
    Abstract: This book focuses on the 'dark side' of popular music by examining the ways in which popular music has been deployed in association with violence. Cloonan and Johnson address the physiological and cognitive foundations of sounding/hearing and provide a historical survey of examples of the nexus between music and violence, from (pre)Biblical times to the late nineteenth century. The book also concentrates on the emergence of technologies by which music can be electronically augmented, generated, and disseminated. The authors investigate the implications of this nexus both for popular music stud.
    Note: Includes bibliographical references (pages 195-221), filmography (p
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  • 47
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780199718702 , 0199718709
    Language: English
    Pages: 1 Online-Ressource (xvi, 425 pages) , Illustrations
    DDC: 781.66/09046
    RVK:
    Keywords: Rockmusik
    Abstract: Preface; Acknowledgements; Note on Website; List of Text's Figures, Tables, and Photographs. 1. Drums, Other Percussion, and a Bit About Rhythm. 2. Guitars, the Bass, and an Introduction to Harmony. n3. Keyboards and a Summary of Early-Rock. 5. Vocal Color, Technique, and Arrangement. 6. Forms: Phrases and Sections. 7. Melody: Materials and Patterns. 8. Chord Construction. 9. Diatonic Harmonic Function. 10. Harmony in Minor and Other Non-Major Modes. 11. Chromatic Harmony. 12. Musical Time: Rhythm, Meter and Tempo. 13. Engineering the Master. 14. Creating an Interpretation. Appendix: Lexicon o.
    Note: Includes bibliographical references (pages 407-410) and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 48
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822392071
    Language: English
    Pages: 1 Online-Ressource (365 pages)
    Edition: 1st ed.
    DDC: 780.89/96
    RVK:
    RVK:
    Keywords: Afrikaner ; Musik ; Electronic books ; Electronic books. ; Electronic books.
    Abstract: Samuel Charters recounts experiences from a half-century spent following, documenting, recording, and writing about the Africa-influenced music of the United States, Brazil, and the Caribbean.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
    URL: JSTOR
    URL: Image  (Thumbnail cover image)
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  • 49
    Online Resource
    Online Resource
    Chicago : University of Chicago Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780226265063 , 0226265064
    Language: English
    Pages: 1 Online-Ressource (xvi, 254 pages, [2] pages of plates) , Illustrations (some color), music
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.7/9683374
    RVK:
    Keywords: Ewe ; Religion ; Musik
    Abstract: "Remains of Ritual, Steven M. Friedson's second book on musical experience in African ritual, focuses on the Brekete/Gorovodu religion of the Ewe people. Friedson presents a multifaceted understanding of religious practice through a historical and ethnographic study of one of the dominant ritual sites on the southern coast of Ghana: a medicine shrine whose origins lie in the northern region of the country. Each chapter of this fascinating book considers a different aspect of ritual life, demonstrating throughout that none of them can be conceived of separately from their musicality--in the Brekete world, music functions as ritual and ritual as music. Dance and possession, chanted calls to prayer, animal sacrifice, the sounds and movements of wake keeping, the play of the drums all come under Friedson's careful scrutiny, as does his own position and experience within this ritual-dominated society"--Provided by publisher.
    Note: Includes bibliographical references (pages 219-229) and index
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  • 50
    Online Resource
    Online Resource
    Durham : Duke University Press | The Hague : OAPEN Foundation
    ISBN: 9781478090717
    Language: English
    Pages: 1 Online-Ressource (x, 352 Seiten) , Illustrationen
    DDC: 780.89/96
    RVK:
    RVK:
    Keywords: Afrikaner ; Musik
    Note: Literaturverzeichnis: Seite 339-342
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 51
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822389262 , 0822389266
    Language: English
    Pages: xxiii, 300 p , ill
    DDC: 306.4/8423096751
    RVK:
    RVK:
    Keywords: Mobutu Sese Seko / 1930-1997 ; Popular music / Political aspects / Congo (Democratic Republic) ; Popular music / Social aspects / Congo (Democratic Republic) ; Music and state / History / 20th century / Congo (Democratic Republic) ; Electronic books ; Electronic books
    Abstract: Popular culture's politics -- The Zairian sound -- Made in Zaire -- Live time -- Musicians and mobility -- Live texts -- The political life of dance bands -- In the skin of a chief
    Note: Includes bibliographical references (p. [271]-285) and index. - Includes discography (p. 287-288)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 52
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520940963 , 0520940962 , 9781435611382 , 1435611381
    Language: English
    Pages: 1 Online-Ressource (xi, 239 pages) , music
    DDC: 786.2165092
    RVK:
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    Keywords: Monk, Thelonious ; Biografie ; Biografie
    Abstract: This study combines cultural theory, biography and musical analysis to shed light on Theolonius Monk's music and on the jazz canon itself, Solis showing how Monk's work emerged from the jazz world's fringes to find a central place in its history.
    Note: "Roth Family Foundation music in America imprint , Includes bibliographical references (pages 219-231) and index
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  • 53
    Online Resource
    Online Resource
    New York, N.Y. : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780199720859 , 0199720851
    Language: English
    Pages: 1 Online-Ressource (xxxiii, 280 pages) , Illustrations
    Series Statement: AMS studies in music
    DDC: 780.89/924
    RVK:
    Keywords: Geschichte ; Judentum ; Musik ; Modernität
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references (pages 247-263), discography (p , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 54
    ISBN: 9780822388746 , 082238874X
    Language: English
    Pages: xiv, 258 p , 24 cm
    DDC: 780.972983
    RVK:
    Keywords: Folk music / History and criticism / Trinidad and Tobago ; Music / Social aspects / Trinidad and Tobago ; Electronic books ; Electronic books
    Abstract: Initial connections -- Governmental organization of spontaneity -- Bacchanalian counterpoints to the state -- Parang : Christmas in Anamat -- Bakrnal : an example of changing opinions -- "Chukaipan," "lootala," and the counterpoint of "mix up" -- Concluding relations
    Note: Includes bibliographical references (p. [229]-247) and index
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  • 55
    ISBN: 9780822389385 , 082238938X
    Language: English
    Pages: xvi, 383 p.
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als Macías, Anthony F., 1969 - Mexican American mojo
    DDC: 781.6408968/72079494
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Mexican Americans Music ; History and criticism ; Mexican Americans Social life and customs ; Popular music ; California ; Los Angeles ; History and criticism ; Mexican Americans ; California ; Los Angeles ; Music ; History and criticism ; Mexican Americans ; California ; Los Angeles ; Social life and customs ; Electronic books ; Electronic books ; Electronic books ; Los Angeles, Calif. ; Chicanos ; Musikleben ; Sozialgeschichte 〈1935-1968〉 ; Los Angeles, Calif. ; Rockmusik ; Geschichte 〈1935-1968〉 ; Los Angeles, Calif. ; Jazz ; Geschichte 〈1935-1968〉
    Abstract: Mojo in motion : the swing era -- The drape shape : intercultural style politics -- Boogie woogie breakthrough : the rhythm and blues era -- Come on, let's go : the rock and roll era -- Con sabor Latino : Latin jazz, the mambo, and Latin holidays.
    Note: Includes bibliographical references and index
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  • 56
    ISBN: 9780822388425 , 0822388421
    Language: English
    Pages: x , 271 p , ill , 25 cm
    DDC: 305.48891411
    RVK:
    Keywords: Women / Social conditions / Trinidad and Tobago / Trinidad ; Women singers / Social conditions / Trinidad and Tobago / Trinidad ; Gender identity / Trinidad and Tobago / Trinidad ; East Indians / Ethnic identity / Trinidad and Tobago / Trinidad ; Electronic books ; Filmografie ; Electronic books ; Filmografie
    Abstract: 1 "The Indian in Me": Studying the Subaltern Diaspora -- 2 "Left to the Imagination": Indian Nationalism and Female Sexuality -- 3 "Take a Little Chutney, Add a Touch of Kaiso": The Body in the Voice -- 4 Jumping out of Time: The Indian in Calypso -- 5 "Suku Suku What Shall I Do?": Hindi Cinema and the Politics of Music -- Afterword: A Semi-Lime
    Note: Includes bibliographical references, ( p. [253]-265 ) and index
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  • 57
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822389972 , 0822389975
    Language: English
    Pages: xv, 304 p , ill., music , 24 cm
    Series Statement: Refiguring American music
    DDC: 780.9
    RVK:
    RVK:
    Keywords: Music / Social aspects ; Exoticism in music ; Music and globalization
    Abstract: Colonialism and imperialism. Colonialism, modernity, and music : preliminary notes on the rise of tonality and opera ; Peopling the stage : opera, otherness, and new musical representations in the Enlightenment ; The rise of imperialism and new forms of representation -- Globalization. Globalization as a cultural system ; Consumption, globalization, and music in the 1980s and after ; Some versions of difference : discourses of hybridity in transnational musics ; You can take "country" out of the country, but it will never be "world" ; World music in television ads -- Conclusions : selves/others, history, and culture
    Note: Includes bibliographical references (p. [261]-289) and index
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 58
    ISBN: 9780822390206
    Language: English
    Pages: 1 Online-Ressource (VI, 351 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Medium cool
    DDC: 780.267
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Music videos History and criticism ; Musikvideo
    Description / Table of Contents: Introduction / Jason Middleton and Roger Beebe -- Music video and synaesthetic possibility / Kay Dickinson -- Illustrating music: the impossible embodiments of the jukebox film / Amy Herzog -- The audio-vision of found-footage film and video / Jason Middleton -- Art/music/video.com / Maureen Turim -- Strange people, weird objects: the nature of narrativity, character, and editing in music videos / Carol Vernallis -- Dancing to a pacific beat: music video in Papua New Guinea / Philip Hayward -- Visions of a sound nation: Finnish music videos and secured otherness / Antti-Ville Kärjä -- "Coming to you wherever you are": exploring the imagined communities of MuchMusic (Canada) and MTV (United States) / Kip Pegley -- Elvis from the waist up and other myths: 1950s music television and the gendering of rock discourse / Norma Coates -- Elvis goes global: aloha! Elvis live via satellite and music/tourism/television / Lisa Parks and Melissa McCartney -- Video and the theater of purity / Warren Zanes -- "I'm from rags to riches": the death of Jay-Z / Cynthia Fuchs -- Paradoxes of pastiche: Spike Jonze, Hype Williams, and the race of the postmodern auteur / Roger Beebe
    Note: Includes bibliographical references (p. [329]-339) and index
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  • 59
    Online Resource
    Online Resource
    Aldershot, Hants, England [u.a.] : Ashgate | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780754681571 , 0754681572 , 9780754640561 , 0754640566 , 9780754640578 , 0754640574
    Language: English
    Pages: 1 Online-Ressource (xvi, 205 pages)
    Series Statement: Ashgate popular and folk music series
    DDC: 781.64/078
    RVK:
    Keywords: Geschichte 1964-1992 ; Popmusiker ; Popmusikerin ; Live-Auftritt
    Note: Includes bibliographical references (pages 188-197) and index
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  • 60
    Online Resource
    Online Resource
    Berkeley, Calif. : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520941427 , 052094142X , 1423752651 , 9781423752653
    Language: English
    Pages: 1 Online-Ressource (xviii, 264 pages)
    DDC: 781.65/092
    RVK:
    Keywords: Silver, Horace ; Geschichte 1928-2001 ; Jazzmusiker ; Pianist ; USA ; Autobiographie
    Abstract: Horace Silver is one of the giants from the incredible flowering and creative extension of bebop music that became known as "hard bop" in the 1950s. This autobiography of the great composer, pianist, and bandleader takes us from his childhood in Norwalk, Connecticut, through his rise to fame as a musician in New York.
    Note: Includes discography, bibliographical references and index
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  • 61
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822387688 , 0822387689
    Language: English
    Pages: xiii, 352 p , 25 cm
    RVK:
    RVK:
    Keywords: Working class / Songs and music / History and criticism ; Work songs / History and criticism
    Note: Includes bibliographical references (p. [313]-335) and index
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  • 62
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 1423789660 , 9781423789666 , 9780520939462 , 0520939468
    Language: English
    Pages: 1 Online-Ressource (xvi, 350 pages) , Illustrations, music
    Series Statement: Music of the African diaspora 9
    DDC: 780/.97291/0904
    RVK:
    RVK:
    Keywords: Geschichte 1951-2001 ; Politik ; Musik ; Kuba
    Abstract: Provides an introduction to the most prominent artists and musical styles that have emerged in Cuba since 1959, and to the policies that have shaped artistic life. Tracing the development of dance styles, nueva trova, folkloric drumming, and other forms, this book describes how the arts have become a point of negotiation between individuals.
    Note: Includes bibliographical references (pages 317-339) and index
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  • 63
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822387480 , 0822387484
    Language: English
    Pages: 385 p.
    Parallel Title: Erscheint auch als Cultural agency in the Americas
    DDC: 306.098
    RVK:
    Keywords: Arts and society ; Art and state ; Social change ; Globalization Social aspects ; Arts and society ; Latin America ; Art and state ; Latin America ; Social change ; Latin America ; Globalization ; Social aspects ; Latin America ; Latin America ; Cultural policy ; Electronic books ; Latin America Cultural policy ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Lateinamerika ; Kulturpolitik ; Sozialer Wandel ; Globalisierung
    Abstract: Introduction : Wiggle room / Doris Sommer -- Intervening from and through research practice : meditations on the Cuzco workshop / Jesús Martín Barbero -- Between technology and culture : communication and modernity in Latin America / Jesús Martín Barbero -- DNA of performance / Diana Taylor -- A city that improvises its globalization / Néstir García Canclini -- The cultural agency of wounded bodies politic : ethnicity and gender as prosthetic support in postwar Guatemala / Diane M. Nelson -- Tradition, transnationalism, and gender in the Afro-Brazilian Candomblé / J. Lorand Matory -- The discourses of diversity : language, ethnicity, and interculturality in Latin America / Juan Carlos Godenzzi -- Conspiracy on the sidelines : how the Maya won the war / Arturo Arias -- Radio Taino and the Cuban quest for identi...qué? / Ariana Hernández-Reguant -- Olodum's transcultural spaces : community and difference in Afro-Brazilian contemporary performance / Denise Corte -- Political construction and cultural instrumentalities of indigenism in Brazil, with echoes from Latin America / Alcida Rita Ramos -- Questioning state geographies of inclusion in Argentina : the cultural politics of organizations with Mapuche leadership and philosophy / Claudia Briones -- Cultural agency and political struggle in the era of the indio permitido / Charles R. Hale and Rosamel Millamán -- The crossroads of faith : heroism and melancholia in the Columbian "violentologists" (1980-2000) / Santiago Villaveces-Izquierdo -- Afterword : a fax, two moles, a consul, and a judge / Mary Louise Pratt -- Afterword : spread it around! / Claudio Lomnitz.
    Note: Includes bibliographical references (p. 341-369) and index
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 64
    Online Resource
    Online Resource
    New Haven : Yale University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780300127386 , 0300127383
    Language: English
    Pages: 1 Online-Ressource (xiii, 214 pages)
    DDC: 781.65/0944/361
    RVK:
    Keywords: Geschichte 1980-2000 ; Jazz ; Paris ; Aufsatzsammlung
    Abstract: 'The Parisian Jazz Chronicles' offers an engaging personal account of the jazz scene in Paris in the 1980's and 1990's. Zwerin writes about figures he knew and interviewed and about his own life, split allegiances to journalism and music, and to America and France, and his solitary battle for sobriety.
    Note: Includes index
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  • 65
    Online Resource
    Online Resource
    Bristol [u.a.] : Intellect Books | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 184150906X , 9781841509068 , 9781841500782 , 184150078X , 1280476745 , 9781280476747
    Language: English
    Pages: 1 Online-Ressource
    DDC: 781.542
    RVK:
    RVK:
    Abstract: Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, this offers instead a close examination of two pervasive and significant mediums in combination. The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in cinematic moments. The song as: role-play, memory trigger, narrator, ghost, marketing device, translator, alienator, membership rite etc. All provide.
    Note: Includes bibliographical references and index
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  • 66
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822386933 , 0822386933
    Language: English
    Pages: 1 Online-Ressource (xii, 286 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1900-2000 ; Popular music Social aspects ; History ; 20th century ; Sound Recording and reproducing ; Social aspects ; Blacks Music ; 20th century ; History and criticism ; African Americans Music ; History and criticism ; Music and literature History ; 20th century ; Musik ; Sound ; Schwarze ; USA ; Electronic books ; USA ; Schwarze ; Musik ; Sound ; Geschichte 1900-2000
    Note: Includes bibliographical references (pages [257]-278) and index , Intro : It's beginning to feel like -- Hearing sonic Afro-modernity -- "I am I be" : a subject of sonic Afro-modernity -- In the mix -- Consuming sonic technologies -- Sounding diasporic citizenship -- Outro : thinking sound/sound thinking (slipping into the breaks remix)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 67
    Online Resource
    Online Resource
    Nashville : Vanderbilt University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 1423731433 , 9781423731436 , 1282267256 , 9781282267251
    Language: English
    Pages: 1 Online-Ressource (xvi, 264 pages) , Illustrations
    Edition: 1st ed.
    DDC: 781.64/09
    RVK:
    Keywords: Popmusik ; Subkultur ; Rockmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: The fascinating world of “music scenes, â€₊ where local musicians and fans explore common musical tastesand create distinctive lifestyles.
    Note: Includes bibliographical references, discographies, and index
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  • 68
    Online Resource
    Online Resource
    New York : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780195348804 , 019534880X , 160256843X , 9781602568433 , 9780195149722 , 0195149726 , 1280482044 , 9781280482045
    Language: English
    Pages: 1 Online-Ressource (xii, 338 pages, [16] pages of plates) , Illustrations
    DDC: 782.421644/092/2
    RVK:
    Keywords: Soul ; Schallplattenindustrie
    Abstract: Gamble, Huff, and Bell were the pre-eminent soul music producers of the 1970s. This book tells the story of their meteoric rise, their years of unstoppable success, and their demise from payola, competition, a tough economy, and the inevitability of changing popular tastes.
    Note: Includes bibliographical references (pages 319-328) and index
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  • 69
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822385462 , 0822385465
    Language: English
    Pages: 1 Online-Ressource (818 pages) , illustrations, maps
    Parallel Title: Erscheint auch als
    DDC: 980
    RVK:
    RVK:
    Keywords: Culture / Study and teaching ; Kulturwissenschaften ; Lateinamerika ; Einführung ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Lateinamerika ; Kulturwissenschaften
    Abstract: Forerunners : introduction / Alicia Ríos -- Foundations : introduction / Ana Del Sarto -- Practices : introduction / Abril Trigo -- Positions and polemics
    Note: Includes bibliographical references (pages [765]-804) and index. - Description based on print version record
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  • 70
    Online Resource
    Online Resource
    Cambridge, Mass. : Harvard University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780674045125 , 0674045122
    Language: English
    Pages: 1 Online-Ressource (260 pages) , Illustrations
    DDC: 810.9/0054
    RVK:
    RVK:
    Keywords: Literatur ; Beatgeneration ; Jazz ; Kulturwandel ; USA
    Note: Includes bibliographical references (pages 203-250) and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 71
    Online Resource
    Online Resource
    New Haven : Yale University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780300127478 , 0300127472 , 1281740918 , 9781281740915
    Language: English
    Pages: 1 Online-Ressource (xiv, 242 pages) , Illustrations
    DDC: 781.65/092/2
    RVK:
    Keywords: Armstrong, Louis ; Whiteman, Paul ; Jazz ; USA
    Abstract: Joshua Berrett offers a revision of the history of early jazz focusing on two legendary performers. Through this dual biography he explores the influence that issues of race & commercialism have had on our perceptions of early jazz history & how these have distorted what was a collective experience.
    Note: Includes bibliographical references and indexes
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  • 72
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822386131 , 0822386135
    Language: English
    Pages: 1 Online-Ressource (xi, 317 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Black Rock Coalition ; Rock music Social aspects ; United States ; African American musicians ; Music and race ; Rockmusik ; Schwarze ; USA ; Electronic books ; USA ; Rockmusik ; Schwarze
    Note: Includes discography (pages [267]-271), bibliographical references (pages [285]-298) and index , Reclaiming the right to rock -- The "postliberated generation" -- Saturday go to meeting -- Black rock manifesting -- Black rock aesthetics -- Living colored in the music industry -- Media interventions -- Playing rock, playing roles -- Jimi Hendrix experiences -- Until the levee breaks
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 73
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822385998 , 0822385996
    Language: English
    Pages: 1 Online-Ressource (xv, 363 Seiten) , Illustrationen
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    Keywords: Country music Texas ; Lockhart ; History and criticism ; Working class Texas ; Lockhart ; Songs and music ; History and criticism ; Music and language ; Arbeiterklasse ; Countrymusic ; Texas ; Electronic books ; Texas ; Countrymusic ; Arbeiterklasse
    Note: Includes bibliographical references (pages [349]-356) and indexes , "Turns" -- Voicing working-class culture -- Knowing Lockhart: two perspectives -- Out the country : space, time, and stereotype -- The fool in the mirror : self, person, and subjectivity -- "Feeling" and "relating" : speech, song, story, and emotion -- Bring me up in a beer joint : the poetics of speech and song -- The women take care of that : engendering working-class culture -- The art of singing : speech and song in performance -- "I hang my head and cry" : the character of the voice
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 74
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822386155 , 0822386151
    Language: English
    Pages: 1 Online-Ressource (x, 236 Seiten)
    Parallel Title: Erscheint auch als
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    Keywords: Rap (Music) History and criticism ; Rap (Music) Political aspects ; Hip-hop Social aspects ; Hip-Hop ; Rap ; Electronic books ; Hip-Hop ; Rap
    Note: Includes bibliographical references and index , Hip hop's mama : originalism and identity in the music -- My mic sound nice : art, community, and consciousness -- Stinging like Tabasco : structure and format in hip hop compositions -- The glorious outlaw : hip hop narratives, American law and the court of public opinion -- B-boys, players and preachers : reading masculinity -- The venus hip hop and the pink ghetto : negotiating spaces for women -- Bling bling-- and going pop : consumerism and co-optation in hip hop
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 75
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822385639 , 0822385635
    Language: English
    Pages: 1 online resource (ix, 296 p.)
    Parallel Title: Erscheint auch als McCann, Bryan, 1968 - Hello, hello Brazil
    DDC: 781.640981
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    Keywords: Popular music History and criticism ; Music Social aspects ; Popular music ; Brazil ; History and criticism ; Music ; Social aspects ; Brazil ; Electronic books ; Electronic books ; Electronic books ; Brasilien ; Unterhaltungsmusik ; Geschichte ; Brasilien ; Unterhaltungsmusik ; Geschichte
    Abstract: Radio and estado novo -- Samba and national identity -- The rise of Northeastern regionalism -- American seduction -- Inventing the old guard of Brazilian popular music -- Fan clubs and auditorium programs -- Advertising and audience fragmentation.
    Note: Description based on print version record. - Includes bibliographical references (p. [281]-290) and index
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  • 76
    Online Resource
    Online Resource
    Aldershot, Hants, England [u.a.] : Ashgate | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780754681694 , 0754681696 , 9780754632818 , 0754632814 , 9780754632825 , 0754632822
    Language: English
    Pages: 1 Online-Ressource (xii, 236 pages)
    Series Statement: Ashgate popular and folk music series
    DDC: 781.62/21
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    Keywords: Folk-Pop ; Großbritannien
    Note: Includes discography (pages 146-216), bibliographical references (p , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 77
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520938434 , 0520938437
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    DDC: 781.6408996073
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    Keywords: Geschichte ; Afroamerikanische Musik
    Abstract: Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.
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  • 78
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780198031918 , 0198031912 , 9780195139433 , 0195139437 , 0195183908 , 9780195183900
    Language: English
    Pages: 1 Online-Ressource (xiv, 226 pages) , Illustrations
    Series Statement: Pivotal moments in American history
    DDC: 781.66/0973
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    Keywords: Rockmusik ; Sozialgeschichte ; USA
    Abstract: "The birth of rock 'n roll ignited a firestorm of controversy--one critic called it 'musical riots put to a switchblade beat'--but if it generated much sound and fury, what, if anything, did it signify? As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's 'switchblade beat' opened up wide fissures in American society along the fault-lines of family, sexuality, and race. For instance, the birth of rock coincided with the Civil Rights movement and brought 'race music' into many white homes for the first time. Elvis freely credited blacks with originating the music he sang and some of the great early rockers were African American, most notably, Little Richard and Chuck Berry. In addition, rock celebrated romance and sex, rattled the reticent by pushing sexuality into the public arena, and mocked deferred gratification and the obsession with work of men in gray flannel suits. And it delighted in the separate world of the teenager and deepened the divide between the generations, helping teenagers differentiate themselves from others. Altschuler includes vivid biographical sketches of the great rock 'n rollers, including Elvis Presley, Fats Domino, Chuck Berry, Little Richard, Jerry Lee Lewis, and Buddy Holly--plus their white-bread doppelgangers such as Pat Boone. Rock 'n roll seemed to be everywhere during the decade, exhilarating, influential, and an outrage to those Americans intent on wishing away all forms of dissent and conflict. As vibrant as the music itself, All Shook Up reveals how rock 'n roll challenged and changed American culture and laid the foundation for the social upheaval of the sixties."--Publisher description.
    Note: Includes bibliographical references and index
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  • 79
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822384632 , 0822384639
    Language: English
    Pages: 1 Online-Ressource (xv, 335 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
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    DDC: 781.63/0968
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    Keywords: Popular music Social aspects ; South Africa ; Sound recording industry South Africa ; Musik ; Zulu ; Schallaufzeichnung ; Electronic books ; Electronic books ; Zulu ; Musik ; Schallaufzeichnung
    Note: Includes bibliographical references (pages [297]-312), discography (pages [313]-317), and index , Demo tape: about Sound of Africa! -- Cut one: mbaqanga -- Cut two: the recording studio as fetish -- Cut three: producing liveness -- Cut four: sounding figures -- Cut five: performing zuluness -- Cut six: imagining overseas -- A final mix: mediating difference
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 80
    Online Resource
    Online Resource
    Chicago : University of Chicago Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780226536712 , 0226536718 , 9780226536682 , 0226536688 , 9780226536699 , 0226536696
    Language: English , English
    Pages: 1 Online-Ressource (xxxiii, 275 pages)
    Series Statement: The other voice in early modern Europe
    Uniform Title: Works
    DDC: 305.42/0945/09031
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    Keywords: Morata, Olympia Fulvia ; Biografie
    Abstract: Winner of the 2004 Josephine Roberts Edition Prize from the Society for the Study of Early Modern Women. A brilliant scholar and one of the finest writers of her day, Olympia Morata (1526-1555) was attacked by some as a "Calvinist Amazon" but praised by others as an inspiration to all learned women. This book publishes, for the first time, all her known writings?orations, dialogues, letters, and poems?in an accessible English translation. Raised in the court of Ferrara in Italy, Morata was educated alongside the daughters of the nobility. As a youth she gave public lectures on Cicero.
    Note: Includes bibliographical references (pages 227-255) and indexes
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  • 81
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822385110
    Language: English
    Pages: 1 Online-Ressource (528 p.) , 73 photos and Illustrations
    Edition: 2004
    DDC: 306.4/84
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    Abstract: Opening with David Mancuso's seminal "Love Saves the Day" Valentine's party, Tim Lawrence tells the definitive story of American dance music culture in the 1970s-from its subterranean roots in NoHo and Hell's Kitchen to its gaudy blossoming in midtown Manhattan to its wildfire transmission through America's suburbs and urban hotspots such as Chicago, Boston, San Francisco, Los Angeles, Newark, and Miami.Tales of nocturnal journeys, radical music making, and polymorphous sexuality flow through the arteries of Love Saves the Day like hot liquid vinyl. They are interspersed with a detailed examination of the era's most powerful djs, the venues in which they played, and the records they loved to spin-as well as the labels, musicians, vocalists, producers, remixers, party promoters, journalists, and dance crowds that fueled dance music's tireless engine.Love Saves the Day includes material from over three hundred original interviews with the scene's most influential players, including David Mancuso, Nicky Siano, Tom Moulton, Loleatta Holloway, Giorgio Moroder, Francis Grasso, Frankie Knuckles, and Earl Young. It incorporates more than twenty special dj discographies-listing the favorite records of the most important spinners of the disco decade-and a more general discography cataloging some six hundred releases. Love Saves the Day also contains a unique collection of more than seventy rare photos.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 82
    Online Resource
    Online Resource
    Cambridge [u.a.] : Cambridge University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780511489495 , 0511489498 , 0511019890 , 9780511019890 , 0511047711 , 9780511047718
    Language: English
    Pages: 1 Online-Ressource (vii, 294 pages)
    DDC: 781.65/09
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    Abstract: This book presents a unique sociological vision of the evolution of jazz music in the twentieth century. Analysing organizational structures and competing discourses in the field of American music, Paul Lopes shows how musicians and the art world that grew around them transformed the meaning and practice of jazz.
    Note: Includes bibliographical references (pages 279-286) and index
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  • 83
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520926967 , 052092696X , 0585465886 , 9780585465883 , 0520228871 , 9780520228870 , 0520228898 , 9780520228894 , 159734690X , 9781597346900 , 1282758934 , 9781282758933
    Language: English
    Pages: 1 Online-Ressource (xiii, 223 pages) , Illustrations
    DDC: 781.65
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    Keywords: Jazz ; USA
    Abstract: From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and audiences experience and understand themselves, their music, their communities, and the world at large. Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals--as well as the sounds--that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musicians' postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsalis and Bill Frisell. Jazz cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate--and oftentimes conflicting--actions, ideals, and attitudes.
    Note: Includes bibliographical references (pages 177-208) and index
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  • 84
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822386957 , 082238695X
    Language: English
    Pages: 1 Online-Ressource (xiv, 326 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Wesley, Fred ; Wesley, Fred ; Trombonists United States ; Biography ; Funk musicians United States ; Biography ; Autobiografie ; Electronic books ; Wesley, Fred 1943- ; Autobiografie
    Note: "Foreword by Rickey Vincent"--Jacket. - Includes discography (pages [313]-316) and index , A musical upbringing -- Higher education -- Uncle Sam's army -- James Brown -- California -- James Brown again -- Bootsy's rubber band and Parliament/Funkadelic -- Count Basie -- Hollywood, Hollywood -- Mile high in Denver -- JB horns -- Star time
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 85
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 082238003X , 0822327104 , 082232721X , 9780822380030 , 9780822327103 , 9780822327219
    Language: English
    Pages: Online-Ressource (xiv, 366 p) , ill , 25 cm
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Blue Nippon : Authenticating Jazz in Japan
    DDC: 781.65/0952
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    Keywords: Jazz History and criticism ; Japan ; Jazz ; Geschichte
    Abstract: The history and culture of jazz in Japan
    Description / Table of Contents: Contents; List of Illustrations; Acknowledgments; Prelude: Plenty Plenty Soul; 1. The Japanese Jazz Artist and the Authenticity Complex; 2. The Soundtrack of Modern Life: Japan's Jazz Revolution; 3. Talkin' Jazz: Music, Modernism, and Interwar Japan's Culture Wars; 4. ""Jazz for the Country's Sake"": Toward a New Cultural Order in Wartime Japan; 5. Bop, Funk, Junk, and That Old Democracy Boogie: The Jazz Tribes of Postwar Japan; 6. Our Thing: Defining ""Japanese Jazz""; Postlude: J-Jazz and the Fin de Siecle Blues; Notes; References; Discography; Index
    Note: Includes bibliographical references (p. [329]-350), discography (p. [351]-355), and index , Electronic reproduction; Available via World Wide Web
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  • 86
    Online Resource
    Online Resource
    Westport, Conn. : Greenwood Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 0313007179 , 9780313007170
    Language: English
    Pages: 1 Online-Ressource (xxi, 191 pages) , Illustrations, 1 map
    Series Statement: Culture and customs of Latin America and the Caribbean,
    DDC: 972.9106
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    Abstract: Annotation
    Note: Includes bibliographical references (pages 177-181) and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 87
    Online Resource
    Online Resource
    New York : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780198025191 , 019802519X
    Language: English
    Pages: 1 Online-Ressource (x, 422 pages) , Illustrations
    DDC: 788.9/2165/092
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    Abstract: A biography of the American jazz trumpeter follows his career from the swing, bebop, and big band performances of the 30s, 40s, and 50s, through his recordings in the early 1990s.
    Note: Reprint. Originally published: 1999 , Includes bibliographical references and index
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  • 88
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822383048 , 0822383047
    Language: English
    Pages: 1 Online-Ressource (x, 335 Seiten) , Illustrationen
    Series Statement: New Americanists
    Parallel Title: Erscheint auch als
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    Keywords: African Americans New York (State) ; New York ; Music ; History and criticism ; Harlem Renaissance ; Harlem renaissance ; Musik ; Geschichte ; Schwarze ; Harlem (New York, N.Y.) Intellectual life ; 20th century ; USA ; New York, NY ; Electronic books ; New York, NY ; Musik ; Schwarze ; Geschichte ; USA ; Musik ; Schwarze ; Harlem renaissance ; Musik
    Note: Includes bibliographical references (pages [311]-323) and index , "Unvoiced longings": Du Bois and the "sorrow songs" -- Swan songs and art songs: the spirituals and the "new Negro" in the 1920s -- "The twilight of aestheticism": Locke on cosmopolitanism and musical evolution -- "Beneath the seeming informality": Hughes, Hurston, and the politics of form -- Saving jazz from its friends: the predicament of jazz criticism in the swing era
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 89
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822380030
    Language: English
    Pages: 1 online resource (384 p.) , 17 b&w photos
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    Keywords: Jazz / Japan / History and criticism ; MUSIC / Genres & Styles / Jazz
    Abstract: Japan’s jazz community—both musicians and audience—has been begrudgingly recognized in the United States for its talent, knowledge, and level of appreciation. Underpinning this tentative admiration, however, has been a tacit agreement that, for cultural reasons, Japanese jazz "can’t swing." In Blue Nippon E. Taylor Atkins shows how, strangely, Japan’s own attitude toward jazz is founded on this same ambivalence about its authenticity.Engagingly told through the voices of many musicians, Blue Nippon explores the true and legitimate nature of Japanese jazz. Atkins peers into 1920s dancehalls to examine the Japanese Jazz Age and reveal the origins of urban modernism with its new set of social mores, gender relations, and consumer practices. He shows how the interwar jazz period then became a troubling symbol of Japan’s intimacy with the West—but how, even during the Pacific war, the roots of jazz had taken hold too deeply for the "total jazz ban" that some nationalists desired. While the allied occupation was a setback in the search for an indigenous jazz sound, Japanese musicians again sought American validation. Atkins closes out his cultural history with an examination of the contemporary jazz scene that rose up out of Japan’s spectacular economic prominence in the 1960s and 1970s but then leveled off by the 1990s, as tensions over authenticity and identity persisted.With its depiction of jazz as a transforming global phenomenon, Blue Nippon will make enjoyable reading not only for jazz fans worldwide but also for ethnomusicologists, and students of cultural studies, Asian studies, and modernism
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 90
    ISBN: 9780822383185 , 0822383187
    Language: English
    Pages: 1 Online-Ressource (xvi, 253 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Tapscott, Horace ; Pianists United States ; Biography ; Jazz musicians United States ; Biography ; African American musicians Biography ; Autobiografie ; Electronic books ; Biografie ; Biografie ; Autobiografie
    Note: Preface -- 1 Early Years in Houston -- 2 California -- 3 Setting the Pace -- 4 Central Avenue -- 5 Military Service -- 6 On the Road with Lionel Hampton -- 7 To Preserve and Develop Black Culture -- 8 The Fire This Time -- 9 In the Middle of It -- 10 Stayin' Alive -- 11 The Union of God's Musicians and Artists Ascension -- 12 Settling into the Community -- 13 Movements to the Present -- 14 Reflections and Directions -- Postscript: From the Funeral Service -- Appendix: A Partial List of UGMAA Artists, 1961-1998 -- Discography 1: Horace Tapscott -- Discography 2: Music from the Ark. - Includes discographies and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 91
    ISBN: 9780822380986 , 0822380986
    Language: English
    Pages: 1 Online-Ressource (x, 491 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Soundtrack available
    DDC: 781.54209
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    Keywords: Motion pictures and music ; Motion picture music History and criticism ; Popular music History and criticism ; Motion pictures and music ; Motion picture music ; History and criticism ; Popular music ; History and criticism ; Electronic books ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Filmmusik ; Unterhaltungsmusik ; Geschichte
    Abstract: Overture / Arthur Knight and Pamela Robertson Wojcik -- Cinema and popular song : the lost tradition / Rick Altman -- Surreal symphonies : l'age d'or and the discreet charms of classical music / Priscilla Barlow -- "The future's not ours to see" : song, singer, labyrinth in Hitchcock's The man who knew too much / Murray Pomerance -- "You think they call us plastic now--" : the Monkees and Head / Paul B. Ramaeker -- Real men don't sing ballads : the radio crooner in Hollywood, 1929-1933 / Allison McCracken -- Flower of the asphalt : the chanteuse réaliste in 1930s French cinema / Kelley Conway -- The embodied voice : song sequences and stardom in popular Hindi cinema / Neepa Majumdar -- Music as ethnic marker in film : the "Jewish" case / Andrew P. Killick -- Sounding the American heart : cultural politics, country music, and contemporary American film / Barbara Ching -- Crossing musical borders : the soundtrack for Touch of evil / Jill Leeper -- Documented/documentary Asians : Gurinder Chadha's I'm British but-- and the musical mediation of sonic and visual identities / Nabeel Zuberi -- Class swings : music, race, and social mobility in Broken strings / Adam Knee -- Borrowing black masculinity : the role of Johnny Hartman in The bridges of Madison County / Krin Gabbard -- "It ain't necessarily so that it ain't necessarily so" : African American recordings of Porgy and Bess as film and cultural criticism / Arthur Knight -- "Hollywood has taken on a new color" : the Yiddish blackface of Samuel Goldwyn's Porgy and Bess / Jonathan Gill -- Picturizing American cinema : Hindi film songs and the last days of genre / Corey K. Creekmur -- Popular songs and comic allusion in contemporary cinema / Jeff Smith -- The girl and the phonograph, or the vamp and the machine revisited / Pamela Robertson Wojcik.
    Note: Includes bibliographical references (p. [455]-473) and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 92
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822380773
    Language: English
    Pages: 1 Online-Ressource (xii, 459 Seiten) , 25 cm
    Edition: Online_Ausgabe Boulder, Colo NetLibrary 2003 E-Books von NetLibrary Sonstige Standardnummer des Gesamttitels: 22382847
    Series Statement: Latin America otherwise
    Parallel Title: Reproduktion von The Latin American subaltern studies reader
    DDC: 305.56098
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    Keywords: Hispanoamérica ; Marginación social ; Marginality, Social - Latin America ; Minorities - Latin America ; Minorías ; Pobres ; Poor - Latin America ; Minderheit ; Marginación social ; Hispanoamérica ; Marginality, Social ; Minorities ; Minorías ; Hispanoamérica ; Pobres ; Hispanoamérica ; Poor ; Die Linke ; Armut ; Politik ; Soziale Situation ; Nationale Minderheit ; Lateinamerika ; Lateinamerika ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Electronic books. ; Electronic books Aufsatzsammlung ; Online-Publikation ; Aufsatzsammlung ; Electronic books. ; Electronic books Aufsatzsammlung ; Online-Publikation ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Electronic books. ; Electronic books Aufsatzsammlung ; Online-Publikation ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Lateinamerika ; Nationale Minderheit ; Soziale Situation ; Lateinamerika ; Armut ; Soziale Situation ; Lateinamerika ; Politik ; Die Linke
    Note: Includes bibliographical references , Reading subalterns across texts, disciplines, and theories: from representation to recognition /Ileana Rogdríguez --Subaltern studies : projects for our time and their convergence /Ranajit Guha --The im/possibility of politics : subalternity, modernity, hegemony /John Beverley --Solidarity as event, communism as personal practice, and disencounters in the politics of desire /María Milagros López --A storm blowing from paradise : negative globality and critical regionalism /Alberto Moreiras --Rigoberta Menchú after the Nobel : from militant narrative to postmodern politics /Marc Zimmerman --No perfect world : aboriginal communities' contemporary resource rights /Patricia Seed --Historiography on the ground : the Toledo Circle and Guamán Poma /Sara Castro-Klarén --Slaps and embraces : a rhetoric of particularism /Doris Sommer --Beyond representation? The impossibility of the local (notes on subaltern studies in light of a rebellion in Tepoztlán, Morelos) /José Rabasa --Questi
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    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Full text  (Click to View (Currently Only Available on Campus))
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 93
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822380771
    Language: English
    Pages: 1 Online-Ressource (472 p)
    Series Statement: Latin America otherwise
    DDC: 305.56098
    RVK:
    RVK:
    RVK:
    Keywords: Marginality, Social ; Minorities ; Poor ; HISTORY / Latin America / General ; Lateinamerika ; Nationale Minderheit ; Soziale Situation ; Lateinamerika ; Armut ; Soziale Situation
    Abstract: Frontmatter -- Contents -- Acknowledgments -- About the Series -- Reading Subalterns Across Texts, Disciplines, and Theories: From Representation to Recognition -- I. convergences of times: subaltern studies south asia/latin america, modern/postmodern -- Subaltern Studies: Projects for Our Time and Their Convergence -- The Im/possibility of Politics: Subalternity, Modernity, Hegemony -- Solidarity as Event, Communism as Personal Practice, and Disencounters in the Politics of Desire -- A Storm Blowing from Paradise: Negative Globality and Critical Regionalism -- II. indigenous peoples and the coloniality of power -- Rigoberta Menchú After the Nobel: From Militant Narrative to Postmodern Politics -- No Perfect World: Aboriginal Communities’ Contemporary Resource Rights -- Historiography on the Ground: The Toledo Circle and Guamán Poma -- III. subject positions: dominant and subaltern intellectuals? -- Slaps and Embraces: A Rhetoric of Particularism -- Beyond Representation? The Impossibility of the Local (Notes on Subaltern Studies in Light of a Rebellion in Tepoztlán, Morelos) -- Questions of Strategy as an Abstract Minimum: Subalternity and Us -- IV. ungovernability: authoritarian and democratic hegemonies -- From Glory to Menace II Society: African American Subalternity and the Ungovernability of the Democratic Impulse under Super- Capitalist Orders -- Twenty Preliminary Propositions for a Critical History of International Statecraft in Haiti -- Death in the Andes: Ungovernability and the Birth of Tragedy in Peru -- Outside In and Inside Out: Visualizing Society in Bolivia -- V. citizenship: resistance, transgression, disobedience -- The Teaching Machine for the Wild Citizen -- Apprenticeship as Citizenship and Governability -- The Architectural Relationship between Gender, Race, and the Bolivian State -- Gender, Citizenship, and Social Protest: The New Social Movements in Argentina -- Who’s the Indian in Aztlán? Re-Writing Mestizaje, Indianism, and Chicanismo from the Lacandón -- Coloniality of Power and Subalternity -- Contributors -- Index
    Abstract: Sharing a postrevolutionary sympathy with the struggles of the poor, the contributors to this first comprehensive collection of writing on subalternity in Latin America work to actively link politics, culture, and literature. Emerging from a decade of work and debates generated by a collective known as the Latin American Studies Group, the volume privileges the category of the subaltern over that of class, as contributors focus on the possibilities of investigating history from below.In addition to an overview by Ranajit Guha, essay topics include nineteenth-century hygiene in Latin American countries, Rigoberta Menchú after the Nobel, commentaries on Haitian and Argentinian issues, the relationship between gender and race in Bolivia, and ungovernability and tragedy in Peru. Providing a radical critique of elite culture and of liberal, bourgeois, and modern epistemologies and projects, the essays included here prove that Latin American Subaltern Studies is much more than the mere translation of subaltern studies from South Asia to Latin America.Contributors. Marcelo Bergman, John Beverley, Robert Carr, Sara Castro-Klarén, Michael Clark, Beatriz González Stephan, Ranajit Guha, María Milagros López , Walter Mignolo, Alberto Moreiras, Abdul-Karim Mustapha, José Rabasa, Ileana Rodríguez, Josefina Saldaña-Portillo, Javier Sanjinés, C. Patricia Seed, Doris Sommer, Marcia Stephenson, Mónica Szurmuk, Gareth Williams, Marc Zimmerman
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 94
    Online Resource
    Online Resource
    New York : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 1429403942 , 9781429403948
    Language: English
    Pages: 1 Online-Ressource (xxi, 330 pages) , Illustrations
    Series Statement: Readers on American musicians
    DDC: 782.42166092/2
    RVK:
    Note: Includes index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 95
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520928985 , 0520928989
    Language: English
    Pages: 1 Online-Ressource (362 pages)
    DDC: 781.65
    RVK:
    Keywords: Jazz ; Jazzmusiker ; USA
    Abstract: Floyd Levin, an award-winning jazz writer, has personally known many of the jazz greats who contributed to the music's colorful history. In this collection of his articles, published mostly in jazz magazines over a fifty-year period, Levin takes us into the nightclubs, the recording studios, the record companies, and, most compellingly, into the lives of the musicians who made the great moments of the traditional jazz and swing eras. Brilliantly weaving anecdotal material, primary research, and music analysis into every chapter, Classic Jazz: A Personal View of the Music and the Musicians is a.
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  • 96
    ISBN: 9780822378471 , 0822378477
    Language: English
    Pages: 1 Online-Ressource (xi, 314 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Sun Ra Criticism and interpretation ; Ellington, Duke 1899-1974 ; Criticism and interpretation ; Braxton, Anthony Criticism and interpretation ; Braxton, Anthony ; Sun Ra ; Ellington, Duke ; Jazz History and criticism ; Electronic books ; Hochschulschrift ; Hochschulschrift ; Sun Ra Jazzmusiker 1914-1993 ; Braxton, Anthony 1945- ; Ellington, Duke 1899-1974
    Note: Includes bibliographical references (pages [285]-303) and index , Introduction: Blutopia -- Pt. I. Sun Ra: A Starward Eye. 1. Astro Black: Mythic Future, Mythic Past. 2. Of Aliens and Angels: Mythic Identity -- Pt. II. Duke Ellington: Tone Parallels. 3. In the Jungles of America: History Without Saying It. 4. Zajj: Renegotiating Her Story -- Pt. III. Anthony Braxton: Crossroad Axiums. 5. All the Things You Are: Legba's Legacy. 6. Going to the Territory: Sound Maps of the Meta-Real -- Coda: House of Voices, Sea of Music
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 97
    Online Resource
    Online Resource
    Baton Rouge : Louisiana State University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 0585301875 , 9780585301877
    Language: English
    Pages: 1 Online-Ressource (viii, 227 pages)
    DDC: 821/.914
    RVK:
    RVK:
    Keywords: Larkin, Philip ; Lyrik ; Blues ; Jazz
    Note: Includes bibliographical references (pages (207-214) and index
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  • 98
    Online Resource
    Online Resource
    Hanover, N.H. : University Press of New England | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 0585371245 , 9780585371245 , 0819563579 , 9780819563576
    Language: English
    Pages: 1 Online-Ressource (xi, 495 pages)
    Series Statement: Music/culture
    DDC: 780/.89/96073
    RVK:
    Note: Originally published: London : J. Calder ; New York : Riverrun Press, 1987. With new preface , "Wesleyan University Press , Includes bibliographical references and index
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  • 99
    Online Resource
    Online Resource
    New York : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 1602563276 , 9781602563278 , 9780198029052 , 0198029055 , 9780195118339 , 0195118332 , 9780195125641 , 0195125649
    Language: English
    Pages: 1 Online-Ressource (xiii, 222 pages)
    DDC: 782.42166/092
    RVK:
    Abstract: As rock critics have noted in the past, Bruce Springsteen's songs exist in a world of their own--they have their own settings, characters, words, and images. It is a world that even those who know only a handful of Springsteen's lyrics can instantly recognize, a world of highways and factories, loners and underdogs, hot rods and patrol cars. And it is a world that stretches far beyond the New Jersey state line. Indeed, Springsteen's attention to the ideals and struggles of ordinary Americans has significantly influenced American popular culture and public debate. As a rock-and-roll troubadour,...
    Note: Discography: pages 199-200 , Includes bibliographical references (pages 205-215) and index
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  • 100
    Online Resource
    Online Resource
    Nashville : Vanderbilt University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 0585146837 , 9780585146836
    Language: English
    Pages: 1 Online-Ressource (x, 218 pages, [8] pages of plates) , Illustrations
    Edition: 1st ed.
    DDC: 781.642
    RVK:
    Keywords: Countrymusic ; Musikwirtschaft ; Nashville, Tenn.
    Abstract: "This book is about the value that an audience places on a commercial cultural product like country music. It explores why the concept of authenticity in country music is so crucial to so many of its fans. It does this by examining the dramatic changes that occurred in country music in the 1950s and 1960s, when one popular style - honky-tonk - was effectively supplanted by another - the smoother, more broadly accessible "Nashville Sound" associated with producers Owen Bradley, Chet Atkins, and others." "Author Joli Jensen shows how this change was an inventive compromise, a way to maintain the most important aspects of the music's roots while broadening its appeal. She documents this musical and cultural transition in a chapter focusing on the remarkable recording career of Nashville Sound artist Patsy Cline, the artist who most fully embodies these tensions." "Jensen explores a variety of far-reaching questions: What does it mean when we label a commercial music "authentic" or "traditional"? Why should an audience value one style of music over another? And, ultimately, what does this expression of taste - the choosing of a commercial musical style - tell us about ourselves, not only as consumers but also as human beings trying to find meaning in a transient world?"--Jacket.
    Note: Includes bibliographical references (pages 200-209) and index
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