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  • Online Resource  (29)
  • 2000-2004  (29)
  • Film
  • General works  (27)
  • Ethnology  (6)
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  • 1
    Online Resource
    Online Resource
    The new German cinema : music, history, and the matter of style (2004)
    Berkeley : University of California Press
    Details
    ISBN: 1417520027 , 9781417520022 , 9780520937154 , 0520937155 , 0520228952 , 9780520228955
    Language: English
    Pages: VIII, 323 S. , Ill. , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2004 E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version New German cinema
    RVK:
    AP 44910
    RVK:
    AP 59711
    Keywords: Motion picture music Germany ; History and criticism ; Motion pictures ; Motion picture music History and criticism. ; Motion pictures Germany ; Motion picture music History and criticism ; Germany ; Germany ; Motion pictures ; Motion picture music History and criticism ; Motion picture music History and criticism ; Motion pictures ; Motion pictures ; Motion picture music History and criticism. ; Motion Pictures as Topic ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Motion picture music ; Motion pictures ; Criticism, interpretation, etc ; Filmmusik ; Filmästhetik ; Neuer deutscher Film ; Germany ; Germany ; Electronic books. ; Electronic books. ; Electronic books Criticism, interpretation, etc ; Neuer deutscher Film ; Filmmusik ; Geschichtsdarstellung ; Geschichte ; Deutschland ; Film ; Geschichte 1965-1990
    Abstract: Introduction: "strategies of remembrance" -- Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity
    Description / Table of Contents: Introduction: "strategies of remembrance" -- Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity
    Description / Table of Contents: Introduction: "strategies of remembrance"Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity.
    Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 2
    Online Resource
    Online Resource
    Film and community: Britain and France : from La R̀egle du jeu to Room at the top (2004)
    London [u.a.] : Tauris
    Details
    ISBN: 9781417583669 , 1417583665 , 9780857712646 , 0857712640 , 1282528939 , 9781282528932
    Language: English
    Pages: XI, 252 S.
    Edition: Electronic reproduction, Boulder, Colo : NetLibrary, 2005
    Series Statement: Cinema and Society
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Druckausg. u.d.T. Butler, Margaret Film and community: Britain and France ; from La R̀egle du jeu to Room at the top
    RVK:
    AP 44930
    RVK:
    AP 44935
    Keywords: Motion pictures Great Britain ; History ; Motion pictures France ; History ; War Films Great Britain ; War Films France ; Motion pictures Great Britain ; History ; Motion pictures France ; History ; World War, 1939-1945 Motion pictures and the war ; War Films Great Britain ; War Films France ; World War, 1939-1945 Motion pictures and the war ; Motion pictures History ; France ; Motion pictures History ; Great Britain ; War films Great Britain ; War films France ; Guerre mondiale, 1939-1945 Cinéma et guerre ; Guerre mondiale, 1939-1945 Grande-Bretagne ; Guerre mondiale, 1939-1945 France ; Cinéma Aspect social ; Grande-Bretagne ; Cinéma Aspect social ; France ; Motion pictures France ; History ; Motion pictures Great Britain ; History ; War Films France ; War Films Great Britain ; World War, 1939-1945 Motion pictures and the war ; World War, 1939-1945 Great Britain ; World War, 1939-1945 France ; Motion pictures Social aspects ; Great Britain ; Motion pictures Social aspects ; France ; Electronic books ; Electronic books ; Großbritannien ; Film ; Geschichte ; Frankreich ; Film ; Geschichte
    Abstract: Britain and France and the concept of "community" -- Film industries at war : projecting "community" -- Countryside and city, Paysage et patrie at war -- Countryside, city, and region in post-war film -- Cinema of the return : acceptance and alienation -- Women in Britain : "returned" or renewed? -- "Liberation" and Les femmes françaises
    Abstract: Relations between France and Britain have always been uneasy and ambivalent. But in cinema the WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and div
    Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2005 , Electronic reproduction, Boulder, Colo : NetLibrary, 2005
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 3
    Online Resource
    Online Resource
    City of darkness, city of light : émigré filmmakers in Paris 1929-1939 (2004)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 0585498180
    Language: English
    Pages: 253 S. , Ill. , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2004 E-Books von NetLibrary
    Series Statement: Film culture in transition
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Druckausg. u.d.T. Phillips, Alastair, 1963 - City of darkness, city of light
    DDC: 791.43/0944361
    RVK:
    AP 44911
    Keywords: Motion picture producers and directors ; Germans ; Motion picture producers and directors ; Germans ; Motion picture producers and directors France ; Paris ; Germans France ; Paris ; Deutsche ; Exil ; Filmregisseur ; Filmschaffender ; Paris ; Electronic books ; Electronic books. ; Electronic books. ; Aufsatzsammlung ; Paris ; Deutsche ; Filmschaffender ; Filmregisseur ; Exil ; Geschichte 1929-1939 ; Frankreich ; Film
    Note: Includes bibliographical references (p. [221]-241) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 4
    Online Resource
    Online Resource
    The Power of Film Propaganda : Myth or Reality (2004)
    London : Bloomsbury Publishing | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780826432452
    Language: English
    Pages: 1 Online-Ressource (273 pages)
    Edition: 1st ed.
    DDC: 302.2343094
    RVK:
    AP 49700
    Keywords: Film ; Propaganda ; Europa
    Abstract: Explores five case studies in Britain, the USSR, Germany and Italy to determine whether or not propaganda films reached the audiences at which they were targeted, and where they did, whether the films made the impact on those audiences that the propagandists had expected.
    Note: Description based on publisher supplied metadata and other sources
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    HeBIS
  • 5
    Online Resource
    Online Resource
    Defining visual rhetorics (2004)
    Mahwah : Taylor & Francis
    Details
    ISBN: 9781410609977
    Language: English
    Pages: 1 Online-Ressource (xi, 342 Seiten)
    Parallel Title: Erscheint auch als Defining visual rhetorics
    DDC: 302.23
    RVK:
    AP 15040
    Keywords: Rhetoric ; Visual communication ; Aufsatzsammlung ; Rhetorik ; Visuelle Kommunikation ; Visuelle Kommunikation ; Rhetorik ; Film ; Literatur
    Abstract: Images play an important role in developing consciousness and the relationship of the self to its surroundings. In this distinctive collection, editors Charles A. Hill and Marguerite Helmers examine the connection between visual images and persuasion, or how images act rhetorically upon viewers. Chapters included here highlight the differences and commonalities among a variety of projects identified as "visual rhetoric," leading to a more precise definition of the term and its role in rhetorical studies. Contributions to this volume consider a wide variety of sites of image production--from architecture to paintings, from film to needlepoint--in order to understand how images and texts work upon readers as symbolic forms of representation. Each chapter discusses, analyzes, and explains the visual aspect of a particular subject, and illustrates the ways in which messages and meaning are communicated visually. The contributions include work from rhetoric scholars in the English and communication disciplines, and represent a variety of methodologies--theoretical, textual analysis, psychological research, and cultural studies, among others. The editors seek to demonstrate that every new turn in the study of rhetorical practices reveals more possibilities for discussion, and that the recent "turn to the visual" has revealed an inexhaustible supply of new questions, problems, and objects for investigation. As a whole, the chapters presented here demonstrate the wide range of scholarship that is possible when a field begins to take seriously the analysis of images as important cultural and rhetorical forces. Defining Visual Rhetorics is appropriate for graduate or advanced undergraduate courses in rhetoric, English, mass communication, cultural studies, technical communication, and visual studies. It will also serve as an insightful resource for researchers, scholars, and educators interested in rhetoric, cultural studies, and communication studies
    Abstract: Book Cover -- Title -- Copyright -- Dedication -- Contents -- Preface -- Introduction -- Chapter One The Psychology of Rhetorical Images -- Chapter Two The Rhetoric of Visual Arguments -- Chapter Three Framing the Fine Arts Through Rhetoric -- Chapter Four Visual Rhetoric in Pens of Steel and Inks of Silk: Challenging the Great Visual/Verbal Divide -- Chapter Five Defining Film Rhetoric: The Case of Hitchcock's Vertigo -- Chapter Six Political Candidates' Convention Films: Finding the Perfect Image-An Overview of Political Image Making -- Chapter Seven Gendered Environments: Gender and the Natural World in the Rhetoric of Advertising -- Chapter Eight Echoes of Camelot: How Images Construct Cultural Memory Through Rhetorical Framing -- Chapter Nine Doing Rhetorical History of the Visual: The Photograph and the Archive -- Chapter Ten Melting-Pot Ideology, Modernist Aesthetics, and the Emergence of Graphical Conventions: The Statistical Atlases of the United States, 1874-1925 -- Chapter Eleven The Rhetoric of Irritation: Inappropriateness as Visual/Literate Practice -- Chapter Twelve Placing Visual Rhetoric: Finding Material Comfort in Wild Oats Market -- Chapter Thirteen Envisioning Domesticity, Locating Identity: Constructing the Victorian Middle Class Through Images of Home -- Chapter Fourteen Framing the Study of Visual Rhetoric: Toward a Transformation of Rhetorical Theory -- About the Contributors -- Author Index -- Subject Index
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  • 6
    Online Resource
    Online Resource
    The last great American picture show : New Hollywood cinema in the 1970s (2004)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1417521724 , 9053566317 , 9053564934 , 904850368X , 9781417521722 , 9789053566312 , 9789053564936 , 9789048503681
    Language: English
    Pages: 1 Online-Ressource (1 volume)
    Edition: [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Last great American picture show
    Parallel Title: Erscheint auch als The last great American picture show
    RVK:
    AP 44981
    RVK:
    AP 44983
    Keywords: Motion pictures History ; Motion pictures History ; Electronic books ; The arts ; Film, TV and radio ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Motion pictures ; Filmkunst ; Films ; Filmindustrie ; Cinéma ; États-Unis ; 1960-1990 ; Histoire et critique ; United States ; History ; Aufsatzsammlung ; Los Angeles- Hollywood ; Film ; Geschichte 1967-1976 ; USA ; Geschichte 1970-1980 ; Film
    Abstract: Annotation, The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude--these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. The Last Great American Picture Show explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood." Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors--Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis--could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide
    Abstract: The impure cinema : new Hollywood 1967-1976 / Alexander Horwath -- "The last good time we ever had" : remembering the new Hollywood cinema / Noel King -- American auteur cinema : the last -- or first -- great picture show / Thomas Elsaesser -- The decade when movies mattered / David Thomson -- A walking contradiction (partly truth and partly fiction) / Alexander Horwath -- The exploitation generation, or how marginal movies came in from the cold / Maitland McDonagh -- New Hollywood and the sixties melting pot / Jonathan Rosenbaum -- Dinosaurs in the age of the cinemobile / Richard T. Jameson -- "The cylinders were whispering my name" : the films of Monte Hellman / Kent Jones -- Nashville contra Jaws, or "The imagination of disaster" revisited / J. Hoberman -- For Wanda / Bérénice Reynaud -- Everybody knows this is nowhere : the uneasy ride of Hollywood and rock / Howard Hampton -- Auteurism and war-teurism : Terrence Malick's war movie / Dana Polan -- The pathos of failure : American films in the 1970s : notes on the unmotivated hero / Thomas Elsaesser -- Trapped in the affection image : Hollywood's post-traumatic cycle (1970-1976) / Christian Keathley --Grim fascination : Fingers, James Toback and 1970s American cinema / Adrian Martin -- Allegories of post-Fordism in 1970s new Hollywood : countercultural combat films and conspiracy thrillers as genre recycling / Drehli Robnik
    Note: Includes bibliographical references (pages 359-370) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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  • 7
    Online Resource
    Online Resource
    Flying down to Rio : Hollywood, tourists, and Yankee Clippers (2004)
    College Station : Texas A & M University Press
    Details
    ISBN: 1585443824 , 1585444219 , 1603446346 , 9781585443826 , 9781585444212 , 9781603446341
    Language: English
    Pages: 1 Online-Ressource (386 p.)
    Edition: 1st ed
    Series Statement: Centennial of flight series no. 10
    DDC: 303.48/32
    RVK:
    AP 44983
    RVK:
    AP 47900
    Keywords: Flying down to Rio (Motion picture) ; 1900 - 1999 ; Geschichte 1900-2000 ; Tourismus ; Film ; SCIENCE / Philosophy & Social Aspects ; TECHNOLOGY & ENGINEERING / Social Aspects ; Flying down to Rio (Motion picture) ; Aeronautics / Social aspects ; Civilization ; Motion picture industry / Social aspects ; Popular culture ; International relations ; Technological innovations / Social aspects ; Territorial expansion ; Tourism / Social aspects ; Flying down to Rio (Motion picture) ; Geschichte ; Gesellschaft ; Internationale Politik ; Popular culture History 20th century ; Technological innovations Social aspects 20th century ; History ; Motion picture industry Social aspects 20th century ; History ; Aeronautics Social aspects 20th century ; History ; Tourism Social aspects 20th century ; History ; Film ; Tourismus ; USA ; USA ; Lateinamerika ; USA ; Film ; Lateinamerika ; Tourismus
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (p. [357]-373) and index , An entertainment century -- Reflections on wonderlands -- Inventors and entertainers: aviation -- Inventors and entertainers: movies -- Surmountable contradictions -- Lines in the sky -- PAA and RKO: the Rio connection -- Musical fantasies, political realities -- Movies, airplanes, and touristic urges , "In this book, author Rosalie Schwartz uses the 1933 RKO-Radio Pictures production Flying Down to Rio as a point of departure from which to examine the interplay of technology and popular culture that shaped a distinctive twentieth-century sensibility. The musical comedy connected airplanes, movies, and tourism, ending spectacularly with chorus girls dancing on the wings of airplanes high above Rio de Janeiro, Brazil." , "Flying Down to Rio: Hollywood, Tourists, and Yankee Clippers shows the close connection between commerce, aviation, film, and empire. By the end of the twentieth century, reality caught up with and surpassed imagination. Aviation, movies, and mass tourism had become powerful global industries, contributing to an internationally connected, entertainment-oriented culture. What was once unthinkable had now become expected."--BOOK JACKET.
    URL: Volltext
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=3037989
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  • 8
    Online Resource
    Online Resource
    Alltagskultur Ostdeutschland (2003)
    Details
    Language: German
    DDC: 431
    RVK:
    LB 40000
    Keywords: Films ; Filme ; Mass media ; Massenmedien ; Médias ; Everyday life ; Alltag ; Vie quotidienne ; Central Europe ; Mitteleuropa ; visuelle Anthropologie ; visual anthropology ; Audiovisuelle Materialien und Methoden ; Audovisual material and methods ; Kommunikation und Medien ; Communication and media ; Allgemeine Arbeiten zu sozialer und kultureller Identität ; General works of social and cultural Identity ; Alltagskultur ; DDR ; Film ; Northeastern ; Individuelle Publikationen ; Fachbuch, Forschungsbericht, Studie
    Note: Informationen zur Ressource: B 17/2002, 48 S.
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  • 9
    Online Resource
    Online Resource
    Representing religion in world cinema : filmmaking, mythmaking, culture making (2003)
    New York [u.a.] : Palgrave Macmillan
    Details
    ISBN: 9781137100344
    Language: English
    Pages: 1 Online-Ressource (XI, 272 p)
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Religion, culture, critique 2
    Parallel Title: Erscheint auch als Representing religion in world cinema
    RVK:
    LC 13000
    RVK:
    AP 50300
    RVK:
    EC 2410
    Keywords: Culture Study and teaching ; Religion ; Communication ; Motion pictures History ; Philosophy ; Aufsatzsammlung ; Film ; Religion ; Film ; Religion
    Abstract: Religious traditions have provided a seemingly endless supply of subject matter for film, from the Ten Commandments to the Mahabharata . At the same time, film production has engendered new religious practices and has altered existing ones, from the cult following of The Rocky Horror Picture Show to the 2001 Australian census in which 70,000 people indicated their religion to be 'Jedi Knight'. Representing Religion in World Cinema begins with these mutual transformations as the contributors query the two-way interrelations between film and religion across cinemas of the world. Cross-cultural and interdisciplinary by nature, this collection by an international group of scholars draws on work from religious studies, film studies, and anthropology, as well as theoretical impulses in performance, gender, ethnicity, colonialism, and postcolonialism
    DOI: 10.1007/978-1-137-10034-4
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  • 10
    Online Resource
    Online Resource
    Women through the lens : gender and nation in a century of Chinese cinema (2003)
    Honolulu : University of Hawaiʿi Press
    Details
    ISBN: 0585479143 , 9780585479149
    Language: English
    Pages: XXVI, 304 S. , Ill.
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2003 E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Erscheint auch als Cui, Shuqin Women through the lens
    RVK:
    AP 59761
    Keywords: Motion pictures History. ; Women in motion pictures. ; Sex role in motion pictures. ; Motion pictures History ; China ; Cinéma Histoire ; Chine ; Femmes au cinéma ; Rôle selon le sexe au cinéma China ; Women in motion pictures ; Sex role in motion pictures ; Motion pictures History ; Motion pictures History. ; Women in motion pictures. ; Sex role in motion pictures. ; Cinéma Histoire ; Chine ; Femmes au cinéma ; Motion pictures History ; China ; Rôle selon le sexe au cinéma China ; Sex role in motion pictures ; Women in motion pictures ; Motion pictures ; PERFORMING ARTS ; Film & Video ; Reference ; History ; Film ; Geschlechterrolle ; Nation ; China ; Electronic books. ; Electronic books ; Electronic books. ; Electronic books History ; China ; Film ; Geschlechterrolle ; Nation ; Geschichte 1900-2000 ; China ; Film ; Geschlechterverhältnis ; Nationalbewusstsein
    Abstract: Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon
    Description / Table of Contents: Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon
    Note: Includes bibliographical references (p. [287]-297) and index. - Filmography: p. [249]-267 , Filmography: p. [249]-267 , Electronic reproduction, Boulder, Colo : NetLibrary, 2003 , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 11
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    Online Resource
    The cinematic imagination : Indian popular films as social history (2003)
    New Brunswick, N.J : Rutgers University Press
    Details
    ISBN: 9780813535289 , 081353528X
    Language: English
    Pages: Online-Ressource
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Druckausg. Virdi, Jyotika, 1962 - The cinematic imagination
    RVK:
    AP 44965
    RVK:
    AP 59765
    Keywords: Motion pictures Social aspects ; Motion pictures ; Motion pictures ; Motion pictures Social aspects ; Motion pictures India ; Motion pictures Social aspects ; India ; Motion pictures ; Motion pictures Social aspects ; Motion pictures Social aspects ; India ; India ; Filmkunst ; Films ; Sociale aspecten ; Nation ; Motiv ; Film ; Indien ; Film ; Gesellschaft ; Indien ; Geschichte 1947-2000 ; Film ; Gesellschaft ; Indien ; Geschichte ; Film ; Motiv ; Nation ; Indien ; Film ; Sozialgeschichte ; Indien ; 1950-2002 ; PERFORMING ARTS ; Film & Video ; Reference ; Motion pictures ; Motion pictures ; Social aspects ; Motion pictures India ; Motion pictures Social aspects ; India ; Film ; Sozialgeschichte ; Indien ; Film ; Sozialgeschichte ; 1950-2002 ; India ; Indien ; Electronic books ; Electronic book ; Electronic books. ; Electronic books ; Indien ; Film ; Sozialgeschichte ; Indien ; Film ; Sozialgeschichte ; Indien ; Film ; Sozialgeschichte
    Abstract: Nation and its discontents. The nation, in theory ; The creative ImagiNation ; Theorizing national cinema ; Nation and its embodiments ; Pleasure and terror of the feminine. -- The idealized woman. Fixing the figure of the woman ; Woman, community, nation ; The "social butterfly." -- Heroes and villains: narrating the nation. Masculinity ; Heroes and villains ; Sons and mothers. -- Heroines, romance, and social history. Reading resistance ; Contesting the Laxman Rekha ; Film/star text: reading social change. -- The sexed body. Filmic love ; Victims to vigilantes ; Rape and the rape threat ; The sexed body and specular pleasure ; Double-speak about the body ; Unsettled scores. -- Re-reading romance. Transgressions of "true love" ; Reinstating "family values" ; Romantic love and the culture of consumption ; The end of the Nehruvian Era
    Description / Table of Contents: ""Contents""; ""Preface""; ""Acknowledgments""; ""Introduction""; ""Chapter 1: Nation and Its Discontents""; ""Chapter 2: The Idealized Woman""; ""Chapter 3: Heroes and Villains: Narrating the Nation""; ""Chapter 4: Heroines, Romance, and Social History""; ""Chapter 5: The Sexed Body""; ""Chapter 6: Re-reading Romance""; ""Conclusion""; ""Notes""; ""Index""
    Description / Table of Contents: Nation and its discontents. The nation, in theory ; The creative ImagiNation ; Theorizing national cinema ; Nation and its embodiments ; Pleasure and terror of the feminine. -- The idealized woman. Fixing the figure of the woman ; Woman, community, nation ; The "social butterfly." -- Heroes and villains: narrating the nation. Masculinity ; Heroes and villains ; Sons and mothers. -- Heroines, romance, and social history. Reading resistance ; Contesting the Laxman Rekha ; Film/star text: reading social change. -- The sexed body. Filmic love ; Victims to vigilantes ; Rape and the rape threat ; The sexed body and specular pleasure ; Double-speak about the body ; Unsettled scores. -- Re-reading romance. Transgressions of "true love" ; Reinstating "family values" ; Romantic love and the culture of consumption ; The end of the Nehruvian Era
    Description / Table of Contents: Nation and its discontents. The nation, in theory ; The creative ImagiNation ; Theorizing national cinema ; Nation and its embodiments ; Pleasure and terror of the feminine.The idealized woman. Fixing the figure of the woman ; Woman, community, nation ; The "social butterfly." -- Heroes and villains: narrating the nation. Masculinity ; Heroes and villains ; Sons and mothers. -- Heroines, romance, and social history. Reading resistance ; Contesting the Laxman Rekha ; Film/star text: reading social change. -- The sexed body. Filmic love ; Victims to vigilantes ; Rape and the rape threat ; The sexed body and specular pleasure ; Double-speak about the body ; Unsettled scores. -- Re-reading romance. Transgressions of "true love" ; Reinstating "family values" ; Romantic love and the culture of consumption ; The end of the Nehruvian Era.
    Note: Includes bibliographical references and index
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 12
    Online Resource
    Online Resource
    The new Brazilian cinema (2003)
    London : I.B. Tauris in association with the Centre for Brazilian Studies, University of Oxford
    Details
    ISBN: 1417519797 , 9781417519798 , 1860648789 , 9781860648786 , 1860649289 , 9781860649288
    Language: English
    Pages: XXVI, 296 S. , Ill. , 22 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2004 E-Books von NetLibrary
    Edition: New York In the United States of America distributed by Palgrave Macmillan
    Series Statement: EBSCOhost eBook Collection
    RVK:
    AP 59789
    Keywords: Motion pictures Congresses ; Brazil ; Cinéma Congrès ; Brésil ; Brazil ; Brasilien ; Motion pictures Congresses. ; Motion pictures Brazil ; History ; Utopias in motion pictures ; Motion pictures History ; Brazil ; Motion pictures Brazil ; Brasilien ; Electronic books. ; Electronic books Conference proceedings ; Konferenzschrift ; Brasilien ; Brasilien ; Film
    Abstract: A new policy for Brazilian cinema / José Álvaro Moisés -- The cinema that Brazil deserves / Carlos Diegues -- Brazilian cinema in the 1990s : the unexpected encounter and the resentful character / Ismail Xavier -- Humility, guilt and narcissism turned inside out in Brazil's film revival / Fernão Pessoa Ramos -- Chronically unfeasible : the political film in a depoliticized world / João Luiz Vieira -- It's all Brazil / Amir Labaki -- A cinema of conversation - Eduardo Coutinho's Santo Forte and Babilônia 2000 / Verónica Ferreira Dias -- The sertão and the favela in contemporary Brazilian film / Ivana Bentes -- The sertão in the Brazilian imaginary at the end of the millennium / Luiz Zanin Oricchio -- Death on the beach - the recycled utopia of Midnight / Lúcia Nagib -- Nelson Rodrigues in the 1990s : two recent screen adaptations / Stephanie Dennison -- An oblique gaze : irony and humour in Helvécio Ratton's Love & Co / Maria Esther Maciel -- Cabral and the Indian....
    Description / Table of Contents: A new policy for Brazilian cinema / José Álvaro Moisés -- The cinema that Brazil deserves / Carlos Diegues -- Brazilian cinema in the 1990s : the unexpected encounter and the resentful character / Ismail Xavier -- Humility, guilt and narcissism turned inside out in Brazil's film revival / Fernão Pessoa Ramos -- Chronically unfeasible : the political film in a depoliticized world / João Luiz Vieira -- It's all Brazil / Amir Labaki -- A cinema of conversation - Eduardo Coutinho's Santo Forte and Babilônia 2000 / Verónica Ferreira Dias -- The sertão and the favela in contemporary Brazilian film / Ivana Bentes -- The sertão in the Brazilian imaginary at the end of the millennium / Luiz Zanin Oricchio -- Death on the beach - the recycled utopia of Midnight / Lúcia Nagib -- Nelson Rodrigues in the 1990s : two recent screen adaptations / Stephanie Dennison -- An oblique gaze : irony and humour in Helvécio Ratton's Love & Co / Maria Esther Maciel -- Cabral and the Indians : filmic representations of Brazil's 500 years / Robert Stam -- For all and traditions of popular musical comedy / Lisa Shaw -- ImagiNation / José Carlos Avellar -- Then and now : cinema as history in the light of new media and new technologies / Laura Mulvey
    Note: Based on a conference on contemporary Brazilian cinema organized by the Centre for Brazilian Studies and held at Wadham College, Oxford in June 2000. - Includes bibliographical references and index , Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004 , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 13
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    British cinema of the 1950s : a celebration (2003)
    Manchester : Manchester University Press
    Details
    ISBN: 141757643X , 9781417576432
    Language: English
    Pages: XI, 236 S. , 23 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2005 E-Books von NetLibrary
    Edition: New York Distributed exclusively in the U.S.A. by Palgrave
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Erscheint auch als British cinema of the 1950s
    Parallel Title: Druckausg. u.d.T. British cinema of the 1950s
    RVK:
    AP 44930
    Keywords: Motion pictures History ; Great Britain ; Motion pictures History. ; Motion pictures History. ; Motion pictures History ; Motion pictures Great Britain ; History ; Motion pictures History ; Great Britain ; Great Britain ; Großbritannien ; Motion pictures History ; Great Britain ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; History & Criticism ; Motion pictures ; Aufsatzsammlung ; Films ; History ; Film ; Great Britain ; Großbritannien ; Electronic books ; Electronic books. ; Electronic book ; Electronic books. ; Electronic books History ; Aufsatzsammlung ; Großbritannien ; Film ; Geschichte 1950-1960 ; Großbritannien ; Film ; Geschichte 1950-1960
    Abstract: Celebrating British cinema of the 1950s / Ian MacKillop and Neil Sinyard -- Raymond Durgnat and A mirror for England / Robert Murphy -- Lindsay Anderson : Sequence and the rise of auteurism in 1950s Britain / Erik Hedling -- National snapshots : fixing the past in English war films / Fred Inglis -- Film and the Festival of Britain / Sarah Easen -- The national health : Pat Jackson's White corridors / Charles Barr -- The long shadow : Robert Hamer after Ealing / Philip Kemp -- 'If they want culture, they pay' : consumerism and alienation in 1950s comedies / Dave Rolinson -- Boys, ballet and begonias : The Spanish gardener and its analogues / Alison Platt -- Intimate stranger : the early British films of Joseph Losey / Neil Sinyard -- Women of twilight / Kerry Kidd -- Yield to the night / Melanie Williams -- From script to screen : Serious charge and film censorship / Tony Aldgate -- Housewife's choice : Woman in a dressing gown / Melanie Williams -- Too theatrical by half? T....
    Description / Table of Contents: Celebrating British cinema of the 1950s / Ian MacKillop and Neil Sinyard -- Raymond Durgnat and A mirror for England / Robert Murphy -- Lindsay Anderson : Sequence and the rise of auteurism in 1950s Britain / Erik Hedling -- National snapshots : fixing the past in English war films / Fred Inglis -- Film and the Festival of Britain / Sarah Easen -- The national health : Pat Jackson's White corridors / Charles Barr -- The long shadow : Robert Hamer after Ealing / Philip Kemp -- 'If they want culture, they pay' : consumerism and alienation in 1950s comedies / Dave Rolinson -- Boys, ballet and begonias : The Spanish gardener and its analogues / Alison Platt -- Intimate stranger : the early British films of Joseph Losey / Neil Sinyard -- Women of twilight / Kerry Kidd -- Yield to the night / Melanie Williams -- From script to screen : Serious charge and film censorship / Tony Aldgate -- Housewife's choice : Woman in a dressing gown / Melanie Williams -- Too theatrical by half? The admirable Crichton and Look back in anger / Stephen Lacey -- A tale of two cities and the Cold War / Robert Giddings -- Value for money : Baker and Berman, and Tempean films / Brian McFarlane -- Adaptable Terence Rattigan : Separate tables, separate entities? / Dominic Shellard -- Archiving the 1950s / Bryony Dixon -- Being a film reviewer in the 1950s / Isabel Quigly -- Michael Redgrave and The Mountebank's tale / Corin Redgrave
    Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2005 , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 14
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    Ciné-ethnography (2003)
    Minneapolis : University of Minnesota Press
    Details
    ISBN: 081664103X , 0816641048
    Language: English
    Pages: viii, 400 p.
    Series Statement: Visible evidence v. 13
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8
    RVK:
    LC 96000
    RVK:
    LC 96185
    RVK:
    LC 96465
    Keywords: Rouch, Jean ; Rouch, Jean ; Motion pictures in ethnology ; Ethnology ; Film ; Ethnologie ; Frankreich ; Rouch, Jean 1917-2004 ; Ethnologie ; Film
    Note: Essays and interviews translated from French , Includes bibliographical references (p. 385-389) and index
    URL: Volltext
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    URL: Volltext
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    BSZ
    GBV
  • 15
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    Medientheorie 1888–1933 : Texte und Kommentare (2002)
    Berlin :Suhrkamp Verlag,
    Details
    ISBN: 978-3-518-77182-2
    Language: German
    Pages: 1 Online-Ressource (567 Seiten) : , Illustrationen.
    Edition: Erste Auflage
    Series Statement: Suhrkamp-Taschenbuch Wissenschaft 1604
    Series Statement: Suhrkamp-Taschenbuch Wissenschaft
    Parallel Title: Erscheint auch als
    RVK:
    AP 12300
    RVK:
    CC 8400
    RVK:
    MS 7850
    RVK:
    AP 13550
    RVK:
    AP 13500
    Keywords: Geschichte 1888-1933 ; Electronic books ; Massenmedien. ; Theorie. ; Film. ; Ästhetik. ; Fotografie. ; Rundfunk. ; Kunst. ; Medien. ; Medientheorie. ; Quelle ; Massenmedien ; Theorie ; Geschichte 1888-1933 ; Film ; Ästhetik ; Geschichte 1888-1933 ; Fotografie ; Ästhetik ; Geschichte 1888-1933 ; Rundfunk ; Kunst ; Geschichte 1888-1933 ; Medien ; Theorie ; Geschichte 1888-1933 ; Massenmedien ; Medientheorie ; Geschichte 1888-1933
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=6803753
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    HU Berlin
  • 16
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    Teenagers and teenpics : the juvenilization of American movies in the 1950s (2002)
    Philadelphia : Temple University Press
    Details
    ISBN: 9781592137879
    Language: English
    Pages: x, 266 p.
    Edition: Rev. and expanded ed
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23/43/0973
    RVK:
    AP 44983
    Keywords: Geschichte 1950-1960 ; Film ; Geschichte ; Motion pictures History ; Motion pictures and youth ; Teen films History and criticism ; Teenagers in motion pictures ; Jugend ; Film ; USA ; USA ; Hochschulschrift ; USA ; Film ; Jugend ; Geschichte 1950-1960
    Note: Filmography: p. 237-250 , Includes bibliographical references (p. 213-236) and indexes
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    BVB
  • 17
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    Online Resource
    Narrative literature, theater, cinema, translation (2002)
    Philadelphia : John Benjamins Publishing Company | Amsterdam : John Benjamins Publishing Company
    Details
    ISBN: 9789027297105
    Language: English
    Pages: 1 Online-Ressource (XI, 287 Seiten)
    Series Statement: Nonverbal communication across disciplines / Fernando Poyatos 3
    Series Statement: Poyatos, Fernando 1933- Nonverbal communication across disciplines
    DDC: 302.2/22
    RVK:
    AP 74100
    RVK:
    AP 76000
    Keywords: Nichtverbale Kommunikation ; Theater ; Film ; Stimme ; Gestik ; Mimik ; Körpersprache ; Übersetzung ; Communication and culture ; Nonverbal communication ; Oral communication
    Abstract: This volume, based on the first two, identifies the verbal and nonverbal personal and environmental components of narrative and dramaturgic texts and the cinema - recreated in the first through the 'reading act' according to gaze mechanism and punctuation - and traces the coding-decoding processes of the characters' semiotic-communicative itinerary between writer-creator and reader-recreator. In our total experience of a play or film we depend on the sensory and intellectual relationships between performers, audience and the environment of both, in a temporal dimension starting on the way to the theater and ending as one comes out. Two chapters discuss the speaking face and body of the characters and the explicit and implicit (at times 'unstageable') paralanguage, kinesics and quasiparalinguistic and extrasomatic and environmental sounds in the novel, the theater and the cinema, and the functions of personal and environmental silences. Another shows the functions, limitations and problems of punctuation systems in the creative-recreative processes and how a few new symbols and modifications would avoid some ambiguities. The stylistic, communicative and technical functions of nonverbal repertoires in the literary text are then identified as enriching critical analysis and offering new perspectives in translation. Finally, 'literary anthropology' (developed by the author in the 1970s) is is presented as an interdisciplinary area based on synchronic and diachronic analyses of the literatures of the different cultures as a source of anthropological and ethnological data. Nearly 1200 quotes from 170 authors and 291 works are added to those in the first two volumes.
    Note: Description based on publisher supplied metadata and other sources
    DOI: 10.1075/z.ncad3
    URL: http://www.jbe-platform.com/content/books/9789027297105
    URL: https://doi.org/10.1075/z.ncad3
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    HeBIS
  • 18
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    Reading race : Hollywood and the cinema of racial violence (2002)
    London : SAGE | [London] : [Sage Publishing]
    Details
    ISBN: 9781446221679
    Language: English
    Pages: 1 online resource (240 p.).
    Series Statement: Theory, culture & society
    DDC: 302.2343
    RVK:
    AP 50300
    Keywords: Film ; Rassismus ; Gewalt ; Ethnische Beziehungen ; USA
    Abstract: Norman Denzin argues that the cinema, like society, treats all persons as equals but struggles to define and implement diversity, pluralism and multiculturalism. This is manifested in American cinema by its treatment of racial issues in films.
    Note: Description based on print version record
    URL: http://sk.sagepub.com/books/reading-race
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  • 19
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    French cinema : a student's guide (2002)
    London : Arnold
    Details
    ISBN: 0585497095 , 9780585497099
    Language: English
    Pages: vi, 212 p , ill , 24 cm
    Edition: Boulder, Colo NetLibrary 2004 Online-Ressource E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version French cinema
    DDC: 791.430944
    RVK:
    AP 59735
    RVK:
    IH 2000
    Keywords: Motion pictures History. ; Motion pictures History ; France ; France ; Motion pictures History ; Motion pictures History. ; Film ; Geschichte ; Frankreich ; Electronic books. ; Electronic books. ; Electronic books History ; Frankreich ; Film ; Geschichte ; Frankreich ; Film ; Geschichte
    Note: Includes bibliographical references (p. 199-208) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 20
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    The triumph of the ordinary : depictions of daily life in the East German cinema, 1949-1989 (2002)
    Chapel Hill, NC [u.a.] : Univ. of North Carolina Press
    Details
    ISBN: 0807861456 , 9780807861455
    Language: English
    Pages: Online-Ressource
    Series Statement: EBSCOhost eBook Collection
    Dissertation note: Zugl: Stanford, Univ., Diss.
    DDC: 791.4309431
    RVK:
    AP 44918
    Keywords: Motion pictures Germany East ; History ; Motion pictures History ; Motion pictures History ; Germany (East) ; Motion pictures History ; Germany (East) ; Deutschland ; Film ; Alltag ; Geschichte
    Abstract: This work confronts the question of whether movies in the Eastern Bloc were propaganda or secretly veiled dissent. From the late 1960s East German films focused on everyday life, it could be said that filmmakers presented a static image to show an East Germany that accepted the GDR as it was
    Description / Table of Contents: Contents; Acknowledgments; Abbreviations; Introduction: Back to the Future; 1. Conquering the Past and Constructing the Future: The DEFA Film Studio and the Contours of East German Cultural Policy, 1946-1956; 2. The Discovery of the Ordinary: Berlin-Ecke Schönhauser and the Twentieth Congress of the CPSU; 3. A Case of Love Confused?: Slatan Dudow's Verwirrung der Liebe as a Meditation on Art and Industry; 4. Straddling the Wall: Socialist Realism Meets the Nouvelle Vague in Der geteilte Himmel; 5. The Eleventh Plenum and Das Kaninchen bin ich
    Description / Table of Contents: 6. A Dream Deferred?: Spur der Steine and the Aftermath of the Eleventh Plenum7. The Triumph of the Ordinary: East German Alltag Films of the 1970s; Conclusion; Epilogue: Arrested Alltag?: East German Film from the Biermann Affair to DEFA's Final Dissolution, 1976-1993; Notes; Selected Bibliography; Selected Filmography; Index;
    Description / Table of Contents: 6. A Dream Deferred?: Spur der Steine and the Aftermath of the Eleventh Plenum7. The Triumph of the Ordinary: East German Alltag Films of the 1970s; Conclusion; Epilogue: Arrested Alltag?: East German Film from the Biermann Affair to DEFA's Final Dissolution, 1976-1993; Notes; Selected Bibliography; Selected Filmography; Index;
    Note: Includes bibliographical references and index
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Inhaltsverzeichnis
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  • 21
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    The dark mirror : German cinema between Hitler and Hollywood (2002)
    Berkeley : University of California Press
    Details
    ISBN: 0585466238 , 9780585466231 , 0520233115 , 9780520233119 , 9780520936355 , 0520936353 , 0520233107 , 9780520233102
    Language: English
    Pages: XII, 322 S. , Ill. , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2003 E-Books von NetLibrary
    Series Statement: Weimar and now 32
    Series Statement: EBSCOhost eBook Collection
    Series Statement: Weimar and now
    Parallel Title: Print version Dark mirror
    RVK:
    AP 44910
    Keywords: Motion pictures Germany ; History ; Motion picture producers and directors Germany ; Biography ; Motion pictures History. ; Motion picture producers and directors Biography. ; Germans ; Cinéma Histoire. ; Producteurs et réalisateurs de cinéma Biographies. ; Allemands ; Germans California ; Los Angeles ; Motion picture producers and directors Biography ; Germany ; Motion pictures History ; Germany ; Cinéma Histoire ; Allemagne ; Producteurs et réalisateurs de cinéma Biographies ; Allemagne ; Allemands Californie ; Los Angeles ; California ; Los Angeles ; Germany ; Motion pictures History ; Motion picture producers and directors Biography ; Germans ; Germans ; Motion picture producers and directors Biography ; Motion pictures History ; Motion pictures History. ; Motion picture producers and directors Biography. ; Germans ; Cinéma Histoire. ; Producteurs et réalisateurs de cinéma Biographies. ; Allemands ; Motion picture producers and directors Germany ; PERFORMING ARTS ; Film & Video ; Reference ; Germans ; Motion picture producers and directors ; Motion pictures ; Music, Dance, Drama & Film ; Film ; Biographies ; History ; California ; Los Angeles ; Germany ; Electronic books. ; Electronic books ; Electronic books. ; Electronic books Biography ; History ; USA ; Film ; Nationalsozialismus ; Geschichte 1933-1955 ; Deutschland ; Film ; USA ; Geschichte 1933-1955 ; Berlin ; Film ; Geschichte 1933-1939 ; Los Angeles- Hollywood ; Exil ; Deutsche ; Filmschaffender ; Geschichte 1939-1955
    Abstract: "Lutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema." http://www.loc.gov/catdir/description/ucal042/2001007068.html
    Abstract: Introduction: The Dark Mirror -- pt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany
    Description / Table of Contents: Introduction: The Dark Mirrorpt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany."
    Note: Includes bibliographical references (p. 273-307) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2003
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 22
    Online Resource
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    Reading race : Hollywood and the cinema of racial violence (2002)
    London : SAGE
    Details
    ISBN: 9781446221679 , 9781446221679 , 9780803975453
    Language: English
    Pages: Online Ressource (240 p.)
    Edition: Online-Ausg.
    Series Statement: Theory, culture & society
    Parallel Title: Druckausg. Denzin, Norman K., 1941 - Reading race
    DDC: 302.2343
    RVK:
    AP 50300
    Keywords: Race relations in motion pictures ; Motion pictures Social aspects ; California ; Los Angeles ; Race relations in motion pictures ; Motion pictures ; Social aspects ; California ; Los Angeles ; USA ; Film ; Rassismus ; Gewalt
    Abstract: Norman Denzin argues that the cinema, like society, treats all persons as equals but struggles to define and implement diversity, pluralism and multiculturalism. This is manifested in American cinema by its treatment of racial issues in films
    Note: Includes bibliographical references and index. - Description based on print version record , Norman Denzin argues that the cinema, like society, treats all persons as equals but struggles to define and implement diversity, pluralism and multiculturalism. This is manifested in American cinema by its treatment of racial issues in films
    URL: Volltext
    URL: lizenzpflichtig
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    GBV
  • 23
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    Film cultures (2002)
    London : SAGE
    Details
    ISBN: 9781446219591 , 9780761965213
    Language: English
    Pages: 1 Online-Ressource (182 S.)
    Parallel Title: Erscheint auch als Film cultures
    DDC: 302.2343
    RVK:
    AP 45000
    RVK:
    AP 47400
    RVK:
    AP 47700
    Keywords: Film ; Gesellschaft ; Motion pictures Social aspects ; Kulturtheorie ; Film ; Film ; Kulturtheorie
    Note: Includes bibliographical references and index , Questioning how film connects us to social status, and national and global affiliations, this book argues that our tastes for film connect us to social, spatial and temporal networks of exchange and meaning
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://sk.sagepub.com/books/film-cultures
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  • 24
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    Film Front Weimar : Representations of the First World War in German Films from the Weimar Period (1919-1933) (2002)
    [Erscheinungsort nicht ermittelbar] : Amsterdam University Press
    Details
    ISBN: 9789053565988
    Language: English
    Pages: 1 Online-Ressource (332 p.)
    RVK:
    AP 44910
    RVK:
    AP 52700
    Keywords: Film, TV & radio ; History ; Society & culture: general ; Electronic books ; Film
    Abstract: This first book-length study shows how Germany tried to reconcile the horrendous experiences of the FirstWorld War through the films made in 1919-1933. Drawing on the analysis of twenty-five such films, and covering a wide range of documentaries as well as feature films on the reasons for the outbreak of the war, life at the front,war at sea and the home front, the author sketches out the historical and cultural context, including reviews and censors' reports, in which these films were made and viewed
    Abstract: De Republiek van Weimar staat vooral bekend als een aanloop naar het nazi-tijdperk en als een vernieuwende periode waarin jazz, Bauhaus en expressionistische films de dominante cultuur verdrongen. Minder bekend is de manier waarop Duitsland omging met de nasleep van de Eerste Wereldoorlog. Filmfront Weimar beschrijft hoe Duitsland de ingrijpende ervaring van de oorlog verwerkte in oorlogsfilms uit de periode 1919-1933. Uit een analyse van vijfentwintig films rijst het beeld op van de manier waarop Duitsland zich het oorlogsverleden wilde herinneren. Een beschouwing van de talrijke filmkritieken, censuurverslagen en historiografie geven de lezer bovendien zicht op de context waarin deze films werden bekeken en beoordeeld. Niet eerder zijn deze veelal onbekende films zo grondig onderzocht. De thematische hoofdstukken besteden behalve aan oorlogsdocumentaires aandacht aan films over de oorzaken van de oorlog, het frontleven, de zee-oorlog en het thuisfront
    Note: English
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
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  • 25
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    Cinema and the city : film and urban societies in a global context (2001)
    Oxford :Blackwell,
    Details
    ISBN: 978-0-470-71294-8 , 0-470-71294-5 , 978-0-470-71269-6 , 0-470-71269-4 , 978-0-631-22243-9
    Language: English
    Pages: 1 Online-Ressource (xxi, 297 pages) : , Illustrationen.
    Series Statement: Studies in urban and social change
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 791.43/621732
    RVK:
    AP 45700
    RVK:
    AP 46700
    RVK:
    MS 1750
    RVK:
    RB 10636
    Keywords: Villes au cinéma ; Cinéma / Aspect social ; Vie urbaine ; PERFORMING ARTS / Film & Video / Reference ; Cities and towns in motion pictures ; City and town life ; Motion pictures / Social aspects ; Filmkunst ; Stadscultuur ; Sociale aspecten ; Villes au cinéma ; Cinéma / Aspect social ; Vie urbaine ; Film ; Gesellschaft ; Cities and towns in motion pictures ; Motion pictures / Social aspects ; City and town life ; Kino. ; Stadt. ; Film. ; Aufsatzsammlung ; Kino ; Stadt ; Stadt ; Film
    Note: Includes bibliographical references and index
    DOI: 10.1002/9780470712948
    URL: Volltext  (URL des Erstveröffentlichers)
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    HU Berlin
  • 26
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    Kulturwissenschaftliches Filmen im Umbruch: Die Filmarbeit von Edmund Ballhaus (2000)
    Details
    Language: German
    Pages: Online-Ressource (6,7 MB)
    Dissertation note: Mainz, Univ., Diss., 2000
    DDC: 390.0208
    RVK:
    AP 51400
    RVK:
    LC 96000
    RVK:
    AP 49400
    Keywords: Ballhaus, Edmund ; Geschichte 1986-1996 ; Kulturwissenschaften ; Dokumentarfilm ; Film
    Note: Systemvoraussetzungen: PDF-Version: 1.3 (Acrobat 4.x), erzeugt mit Acrobat PDFWriter 4.0 für Windows NT
    URN: urn:nbn:de:hebis:77-16164
    URL: kostenfrei
    URL: kostenfrei
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  • 27
    Online Resource
    Online Resource
    Kulturwissenschaftliches Filmen im Umbruch : die Filmarbeit von Edmund Ballhaus (2000)
    Details
    Language: German
    Pages: Online-Ressource
    Parallel Title: Druckausgabe Gürge, Peter Kulturwissenschaftliches Filmen im Umbruch
    Dissertation note: Mainz, Univ., Diss., 2000
    DDC: 390.0208
    RVK:
    AP 51400
    RVK:
    LC 96000
    RVK:
    AP 49400
    Keywords: Hochschulschrift ; Ballhaus, Edmund 1954- ; Dokumentarfilm ; Geschichte 1986-1996 ; Kulturwissenschaften ; Film ; Geschichte 1986-1996
    URN: urn:nbn:de:hebis:77-16164
    URL: Volltext  (kostenfrei)
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: Volltext
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  • 28
    Online Resource
    Online Resource
    Christmas at the movies : images of Christmas in American, British and European cinema (2000)
    London [u.a.] : I.B. Tauris Publishers ; | Birmingham, AL, USA : EBSCO Industries, Inc.
    Details
    ISBN: 1417546735 , 9781417546732 , 9781860643972 , 1860643973 , 9780857711359 , 0857711350
    Language: English
    Pages: 1 Online-Ressource (242 pages) , Illustrations
    Series Statement: Cinema and society series
    DDC: 791.43/634
    RVK:
    AP 50300
    RVK:
    LB 59000
    Keywords: Weihnachten ; Film
    Abstract: Contains essays about the role of Christmas film and highlights the celebrations of Christmas as depicted in cinema throughout different parts of the world.
    Note: Includes bibliographical references and indexes , Filmography: pages (223-232)
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  • 29
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    Online Resource
    Medienkulturen (2000)
    München : Fink
    Details
    Language: German
    Pages: 228 S. , Ill., graph. Darst., Notenbeisp
    Edition: Reproduction. München Bayerische Staatsbibliothek 2009
    Parallel Title: Druckausg. Faulstich, Werner Medienkulturen
    Parallel Title: Erscheint auch als
    DDC: 302.2321
    RVK:
    AP 14350
    RVK:
    AP 13300
    RVK:
    AP 11850
    RVK:
    MS 7850
    Keywords: Filmästhetik ; Medienkunst ; Kunst ; Film ; Neue Medien ; Kultur ; Medien ; Ästhetik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Medien ; Kultur ; Neue Medien ; Kunst ; Film ; Medienkunst ; Ästhetik ; Filmästhetik
    Note: Volltext // 2009 digitalisiert von: Bayerische Staatsbibliothek, München. Exemplar der Bayerischen Staatsbibliothek mit der Signatur: PVA 2000.4122
    URN: urn:nbn:de:bvb:12-bsb00041124-6
    URL: http://nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:bvb:12-bsb00041124-6
    URL: kostenfrei
    URL: kostenfrei
    URL: kostenfrei
    URL: kostenfrei
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