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  • Online Resource  (101)
  • Microfilm
  • History and criticism  (101)
  • Musicology  (101)
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Language
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Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Intimate entanglements in the ethnography of performance : race, gender, vulnerability (2023)
    Rochester : University of Rochester Press | Cambridge, UK : Cambridge University Press
    Details
    ISBN: 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 pages)
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    RVK:
    LS 48010
    RVK:
    LB 48465
    Keywords: Kolonialismus ; Unterdrückung ; Rassismus ; Diaspora ; Musikethnologie ; Tanz ; Ethnologie ; Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; Afrika ; Aufsatzsammlung
    Abstract: Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance, in ethnography, and in institutional and disciplinary settings.
    URL: https://www.cambridge.org/core/product/identifier/9781800109520/type/BOOK
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    Online Resource
    HeBIS
  • 2
    Online Resource
    Online Resource
    The Oxford handbook of music in China and the Chinese diaspora (2023)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190661991 , 9780190661984
    Language: English
    Pages: 1 Online-Ressource (xx, 541 Seiten)
    Series Statement: Oxford handbooks series
    Parallel Title: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    LS 41000
    Keywords: Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik
    Abstract: The Oxford Handbook of Music in China and the Chinese Diaspora illuminates new insights into Chinese music studies, musical genres, and contexts. This volume incorporates extensive scholarly insight from China, Taiwan, and the Chinese diaspora, and is arranged into three parts: the historical legacies of Chinese music, evolving practice and musical transformations, and prominent issues in Chinese music studies.
    Note: Includes bibliographical references and index , Description based on publisher supplied metadata and other sources
    DOI: 10.1093/oxfordhb/9780190661960.002.0003
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: Volltext
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    Online Resource
    GBV
    KOBV
  • 3
    Online Resource
    Online Resource
    Intimate entanglements in the ethnography of performance : race, gender, vulnerability (2023)
    Rochester : University of Rochester Press
    Details
    ISBN: 9781800109537 , 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Parallel Title: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
    RVK:
    LS 48010
    Keywords: Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Abstract: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Note: Includes bibliographical references and index
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 4
    Online Resource
    Online Resource
    City of song : music and the making of modern Jerusalem (2022)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197546451
    Language: English
    Pages: 1 Online-Ressource (xiv, 246 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 780.899240569442
    RVK:
    LS 33100
    RVK:
    RR 19633
    Keywords: Geschichte 1880-1977 ; Musik ; Jerusalem ; Jews Music ; History and criticism ; Music Political aspects ; Israel ; Jerusalem Songs and music ; History and criticism
    Abstract: In 'City of Song', author Michael A. Figueroa presents an extensive history of Zionist musical discourses around Jerusalem in the long 20th century (1880-2010s), reorienting our understanding of the city's place in the Israeli-Palestine crisis.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780197546475.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780197546475.001.0001
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  • 5
    Online Resource
    Online Resource
    Jazz à la Creole : French Creole music and the birth of jazz (2022)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496842435
    Language: English
    Pages: 1 Online-Ressource (x, 236 pages) , Illustrations (black and white), music.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.62410763
    RVK:
    LS 48100
    Keywords: Franzosen ; Kreolen ; Jazz ; Creoles Music ; History and criticism ; Jazz History and criticism ; Music ; Music ; Louisiana
    Abstract: This work describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496842404.001.0001
    URL: https://dx.doi.org/10.14325/mississippi/9781496842404.001.0001
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  • 6
    Online Resource
    Online Resource
    The drum is a wild woman : jazz and gender in African diaspora literature (2022)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496836076
    Language: English
    Pages: 1 Online-Ressource (viii, 153 pages).
    Series Statement: Mississippi scholarship online
    DDC: 820.99287096
    RVK:
    LS 48050
    RVK:
    LR 56617
    RVK:
    LR 56618
    Keywords: Schwarze Frau ; Jazz ; Literatur ; English literature Black authors ; History and criticism ; English literature Women authors ; History and criticism ; Jazz in literature ; Women, Black, in literature ; Music and literature
    Abstract: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse - jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. This book challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496836038.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496836038.001.0001
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  • 7
    Online Resource
    Online Resource
    Half sound, half philosophy : aesthetics, politics, and history of China's sound art (2021)
    [New York] : Bloomsbury Academic
    Details
    ISBN: 9781501333507
    Language: English
    Pages: 1 Online-Ressource (xii, 233 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.951
    RVK:
    LQ 94008
    RVK:
    LS 41100
    Keywords: Music China ; 21st century ; History and criticism ; Music China ; 20th century ; History and criticism ; Music China ; Philosophy and aesthetics
    DOI: 10.5040/9781501333514
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    München BSB
    BVB
  • 8
    Online Resource
    Online Resource
    Jüdische Musik im süddeutschen Raum : Mapping jewish music of southern Germany (2021)
    München : Allitera Verlag
    Details
    ISBN: 9783962332754 , 9783962332747
    Language: German
    Pages: 1 Online-Ressource (271 Seiten)
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München 16
    Parallel Title: Erscheint auch als Jüdische Musik im süddeutschen Raum: Geschichte, Exil, Fortleben (Veranstaltung : 2019 : München) Jüdische Musik im süddeutschen Raum
    DDC: 780.899240434
    RVK:
    LS 33120
    Keywords: Jews Congresses Music ; History and criticism ; Jews Music History and criticism 19th century ; Congresses ; Jews Music History and criticism 20th century ; Congresses ; Music Congresses History and criticism ; Electronic books ; Süddeutschland ; Juden ; Musik ; Geschichte
    URL: lizenzpflichtig
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  • 9
    Online Resource
    Online Resource
    Sound relations : native ways of doing music history in Alaska (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190869175
    Language: English
    Pages: 1 Online-Ressource (336 pages) , Illustrations (black and white, and colour).
    Series Statement: American musicspheres
    Series Statement: Oxford scholarship online
    DDC: 780.8997120798
    RVK:
    LS 49780
    Keywords: Indigenes Volk ; Musik ; Inuit Music ; History and criticism ; Music History and criticism ; Music Historiography ; Inuit Social life and customs ; Alaska
    Abstract: 'Sound Relations' delves into histories of Inuit musical life in Alaska to trace the ways in which sound is integral to self-determination and sovereignty. Offering radical and relational ways of listening to Inuit performances across genres - from hip hop to Christian hymnody and traditional drumsongs to funk and R&B - author Jessica Bissett Perea shows how Indigenous ways of musicking amplify possibilities for more just and equitable futures.
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index
    DOI: 10.1093/oso/9780190869137.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780190869137.001.0001
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  • 10
    Online Resource
    Online Resource
    Transcending dystopia : music, mobility, and the Jewish community in Germany, 1945-1989 (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197533000
    Language: English
    Pages: 1 Online-Ressource (644 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    RVK:
    LS 33100
    RVK:
    LS 33260
    Keywords: Geschichte 1945-1989 ; Juden ; Musiker ; Musikleben ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Deutschland
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. 'Transcending Dystopia' tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Tina Fruhauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780197532973.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780197532973.001.0001
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  • 11
    Online Resource
    Online Resource
    Transcending dystopia : music, mobility, and the Jewish community in Germany, 1945-1989 (2021)
    Oxford : Oxford University Press USA - OSO
    Details
    ISBN: 9780197532997
    Language: English
    Pages: 1 online resource (645 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Frühauf, Tina, 1972 - Transcending dystopia
    DDC: 780.8992404309045
    RVK:
    LS 33260
    Keywords: Jews-Germany-Music-History and criticism ; Music-Germany-20th century-History and criticism ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Electronic books ; Deutschland ; Musiker ; Juden ; Musikleben ; Geschichte 1945-1989
    Abstract: Transcending Dystopia tells the story of the remarkable revival of Jewish music in postwar and Cold War Germany. Covering a wide spectrum of musical activities and geographies across the country, this book provides a panoramic view on how music contributed to transformations within and beyond Jewish communities after the Holocaust.
    Abstract: cover -- Transcending Dystopia -- Copyright -- Dedication -- Contents -- Acknowledgments -- Prologue: Moving Toward Silence -- On Transliteration and Translation, Spelling, and Names -- Abbreviations -- Introduction: Against All Odds-The Jewish Gemeinde as Sonic Community in an Age of Mobility -- Part 1 -- 1 In the Midst of Rubble: Rebuilding a Musical Life in Berlin -- 2 Out of the Depths: The Case of Munich and the South -- 3 Communal Encounters: Frankfurt am Main and the North -- 4 Remnants in the Soviet and French Zones and Beyond -- 5 Remembering the Holocaust: Mourning and Celebration -- 6 Disseminating Survival: Jews, Music, and the Media -- 7 The End of Dystopia? -- Part II -- 8 Returning and Leaving: Frankfurt in Flux -- 9 Rebuilding with or without Organ -- 10 Cantors on the Move -- 11 Regenerating a Choral Music Culture -- 12 Music in Social Life -- Part III -- 13 Dystopia under Communism: Communities in the Crossfire of Politics -- 14 Werner Sander and the Formation of the Leipziger Synagogalchor -- 15 Facing Cultural Stagnation: Musical Life after Sander -- 16 "Making Antifascist Politics Visible": Jewish Heritage Music and Cold War Politics -- 17 The Leipziger Synagogalchor in the Service of State Propaganda -- 18 Jewish Culture in Public Diplomacy, Memory Politics, and the Curious Case of Halle -- 19 Projecting Utopia: Jewish Heritage Music Abroad -- 20 The Politics of Commemoration and Reorientation -- Part IV -- 21 The Establishment of the Jüdische Gemeinde von Groß-​Berlin -- 22 The Anniversary Year of 1971 and the Dawn of Détente -- 23 The Rise of the Jüdische Gemeinde zu Berlin -- 24 Deterioration and Recovery: The Jüdische Gemeinde Berlin, Hauptstadt der DDR -- 25 Toward a New Communal Future: Parallel Sound Worlds and Rapprochement -- Notes -- Bibliography -- Index -- oso-9780197532973_BM.pdf.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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  • 12
    Online Resource
    Online Resource
    Arab music : a survey of its history and its modern practice (2021)
    Oxford : Archaeopress Publishing Ltd
    Details
    ISBN: 9781789699333
    Language: English
    Pages: 1 Onliner-Ressource (viii, 200 Seiten) , Notenbeispiele, Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.9174927
    RVK:
    LS 34120
    Keywords: Arabs Music ; History and criticism ; Songs, Arabic History and criticism ; Electronic books
    Abstract: Offering a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, this book also offers a discussion of the major genres and forms practiced today, such as the Egyptian gil, the Algerian raï and Palestinian hip hop; it also touches upon musical instruments and folk music
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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  • 13
    Online Resource
    Online Resource
    Liner notes for the revolution : the intellectual life of black feminist sound (2021)
    Cambridge, Massachuesetts ; London, England : The Belknap Press of Harvard University Press
    Details
    ISBN: 9780674258808 , 9780674258815
    Language: English
    Pages: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.82/0973
    RVK:
    LS 48015
    RVK:
    HD 474
    Keywords: Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Abstract: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    DOI: 10.4159/9780674258808
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 14
    Online Resource
    Online Resource
    Theological stains : art music and the Zionist project (2020)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197504673
    Language: English
    Pages: 1 Online Ressource (xx, 459 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.8992405694
    RVK:
    LS 33100
    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature ; Music ; Israel ; 20th century ; History and criticism ; Music by Jewish composers ; Israel ; 20th century ; History and criticism ; Jews ; Music ; History and criticism ; Zionism ; Zionism in literature ; Israel ; Kunstmusik ; Literatur ; Zionismus ; Juden ; Ethnische Identität ; Geschichte 1950-2000
    Abstract: In this in-depth study of Israeli art music in the second half of the twentieth century, author Assaf Shelleg explores how art music and modern Hebrew literature engaged with Zionism and competing diasporic Jewish histories that are not grounded in notions of territory.
    Note: Also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 9, 2020)
    DOI: 10.1093/oso/9780197504642.001.0001
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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    URL: Inhaltsverzeichnis
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  • 15
    Online Resource
    Online Resource
    Move on up : Chicago soul music and black cultural power (2020)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226653174
    Language: English
    Pages: 1 Online-Ressource (272 pages) , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
    LS 48640
    RVK:
    HD 370
    Keywords: Soulmusiker ; Soul ; Schwarze ; Soul music History and criticism ; Soul music Social aspects ; Soul music Political aspects ; Soul musicians ; African Americans Music ; History and criticism ; Chicago, Ill.
    Abstract: Chicago's place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like 'We're a Winner' and 'I Plan to Stay a Believer.' Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226653174.001.0001
    URL: https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226653174.001.0001/upso-9780226176079
    URL: https://doi.org/10.7208/chicago/9780226653174.001.0001
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  • 16
    Online Resource
    Online Resource
    Music and modernity among first peoples of North America (2019)
    Middletown, Connecticut : Wesleyan University Press
    Details
    ISBN: 9780819578648
    Language: English
    Pages: 1 Online-Ressource (xviii, 330 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/97
    RVK:
    LS 49700
    Keywords: Geschichte 1900- ; Indians of North America Music ; History and criticism ; Music North America ; History and criticism ; Indians of North America Social life and customs ; Ethnomusicology ; Musikethnologie ; Identität ; Indianer ; Kulturaustausch ; Musik ; Moderne ; Nordamerika ; Aufsatzsammlung ; Konferenzschrift 2013 ; Nordamerika ; Indianer ; Musik ; Identität ; Moderne ; Kulturaustausch ; Musikethnologie ; Geschichte 1900-
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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    HeBIS
    BVB
    HBZ
  • 17
    Online Resource
    Online Resource
    Greek music in America (2019)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496819758
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    LS 20100
    RVK:
    LS 20980
    Keywords: Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; Greek Americans Music ; History and criticism ; Folk music History and criticism ; Folk music History and criticism ; Greek Americans Social life and customs ; USA ; Griechenland ; Aufsatzsammlung
    Abstract: 'Greek Music in America' provides a foundation for understanding the scope, practice, and development of Greek music in America through essays by the principal scholars in the field. This text offers a comprehensive view of the subject; despite the richness, diversity, and longevity of Greek music in America, there has been relatively little available on the topic. The volume includes several previously published essays, as well as recent work by contemporary specialists on the Greek diaspora.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496819703.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496819703.001.0001
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  • 18
    Online Resource
    Online Resource
    Making music indigenous : popular music in the Peruvian Andes (2019)
    Chicago : University of Chicago Press
    Details
    ISBN: 9780226607474
    Language: English
    Pages: 1 Online-Ressource (x, 279 Seiten) , Illustrationen
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als Tucker, Joshua Making music indigenous
    DDC: 781.62/9832308529
    RVK:
    LS 49800
    Keywords: Indians of South America Music History and criticism ; Indians of South America Social life and customs ; Popular music History and criticism ; Songs, Quechua History and criticism ; Indians of South America Social life andcustoms ; Indians of South America Music ; History and criticism ; Indians of South America Social life and customs ; MUSIC / General
    Abstract: When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music
    Abstract: Frontmatter -- Contents -- Prologue -- Introduction: Making Music Indigenous -- 1. Setting a Scene -- 2. Landscape, Performance, and Social Structure -- 3. Song and Sound -- 4. Tradition and Folklore -- 5. Broadcasting and Building Publics -- 6. Success and Sentiment -- 7. Wood and Work -- Epilogue -- Acknowledgments -- Online Resources -- Glossary -- Notes -- References -- Index
    Note: restricted access online access with authorization star , Mode of access: Internet via World Wide Web.
    DOI: 10.7208/9780226607474
    URL: lizenzpflichtig
    URL: Volltext
    URL: Cover
    URL: Cover
    URL: http://purl.org/coar/access_right/c_16ec
    URL: lizenzpflichtig
    URL: Volltext
    URL: Cover
    URL: Cover
    URL: http://purl.org/coar/access_right/c_16ec
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  • 19
    Online Resource
    Online Resource
    Turkic soundscapes : from shamanic voices to hip-hop (2018)
    Abingdon, Oxon : Routledge
    Details
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als Turkic soundscapes
    DDC: 780.9174943
    RVK:
    LS 36760
    Keywords: Music Europe, Western x History and criticism ; Music Middle East x History and criticism ; Turkic peoples Music ; History and criticism ; Music Turkish influences ; Electronic books
    Abstract: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of tables -- List of musical examples -- Notes on contributors -- Acknowledgements -- Map of the Turkic-speaking world -- Foreword -- Foreword -- 1 Introduction: traditions and transformations in Turkic musical cultures -- Part I Cultural foundations in music of the twenty-first century -- 2 The concept of makam-based melody and its problematic in musical analysis -- 3 The pedagogical system of Azerbaijani master musician Bahram Mansurov (1911‒1985) -- 4 From popular tradition to pop diffusion: jahrī zikr among teenagers in present-day Kazakhstan -- Part II Turkic music in popular culture and mass media -- 5 Azerbaijani rap music and oral poetry between "the folk" and "the popular" -- 6 Mass music in Kazakhstan: the phenomenon and its interpretation -- 7 Musical images of Istanbul from Fatih Akin's films and stage performances -- Part III Cross-cultural encounters in the Turkic-speaking world and beyond -- 8 From the spiritual to the profane and back: religious melodies and folksongs of Turkic peoples -- 9 The Circumpontic Lezginka dance as a cultural phenomenon -- 10 The impact of Turkic musical culture on the music of Bulgaria -- Part IV Turkic music and national identities -- 11 Debating "national ownership" of musical instruments: the balalaika as a subject of ethnopolitical discourse -- 12 New music of the Crimean Tatars: history and current status -- 13 Ancient roots, modern nation-building: Kazakh spirituality and identity in the music of the Turan ensemble -- References -- Index.
    Note: Includes bibliographical references and index
    URL: Volltext
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  • 20
    Online Resource
    Online Resource
    Fernando Ortiz on music : selected writing on Afro-Cuban culture (2018)
    Philadelphia, Pennsylvania ; Rome, [Italy] ; Tokyo, [Japan] : Temple University Press
    Details
    ISBN: 9781439911754
    Language: English
    Pages: 1 Online-Ressource (282 pages) , illustrations, tables
    Series Statement: Studies in Latin America and Caribbean Music
    Parallel Title: Erscheint auch als Fernando Ortiz on music : selected writing on Afro-Cuban culture
    DDC: 780.97291
    RVK:
    LS 48700
    Keywords: Music History and criticism ; Blacks Music ; History and criticism
    Note: Description based on print version record
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  • 21
    Online Resource
    Online Resource
    Singing Yoruba Christianity : music, media, and morality (2018)
    Bloomington, Indiana : Indiana University Press
    Details
    ISBN: 9780253032089
    Language: English
    Pages: 1 Online-Ressource (236 pages)
    Series Statement: African Expressive Cultures
    Parallel Title: Erscheint auch als Brennan, Vicki L. Singing Yoruba Christianity : music, media, and morality
    DDC: 782.2209669
    RVK:
    BS 4870
    RVK:
    LR 13050
    RVK:
    LS 46775
    Keywords: Cherubim and Seraphim Church Movement ; Cherubim and Seraphim Church Movement ; Church music ; Singing Religious aspects ; Christianity ; Singing Social aspects ; Yoruba (African people) Music ; History and criticism ; Yoruba (African people) Religion ; Gotteslob ; Geistliche Musik ; Yoruba ; Musikpflege ; Lagos ; Nigeria ; Nigeria ; Lagos ; Yoruba ; Cherubim and Seraphim Church Movement ; Geistliche Musik ; Gotteslob ; Musikpflege
    Note: Description based on print version record
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  • 22
    Online Resource
    Online Resource
    Spirituals and the birth of a black entertainment industry (2018)
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    Details
    ISBN: 9780252050305
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    DDC: 782.2530973
    RVK:
    LS 48400
    Keywords: Jubilee Singers ; Geschichte 1870-1900 ; Afroamerikanische Musik ; Minstrel show ; Negrospiritual ; African Americans Music ; History and criticism ; Jubilee singers ; Spirituals (Songs) History and criticism 19th century ; Minstrel shows History 19th century ; USA
    Abstract: Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late 19th-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In this work on postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
    DOI: 10.5622/illinois/9780252041631.001.0001
    URL: https://doi.org/10.5622/illinois/9780252041631.001.0001
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  • 23
    Online Resource
    Online Resource
    Jazz internationalism : literary Afro-modernism and the cultural politics of black music (2018)
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    Details
    ISBN: 9780252099939
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: The new black studies series
    DDC: 810.9/896073
    RVK:
    HU 1728
    RVK:
    LS 48100
    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; American literature African American authors ; History and criticism ; Jazz in literature ; Modernism (Literature) ; African Americans Music ; History and criticism ; Black nationalism History 20th century ; African Americans Social life and customs 20th century ; USA
    Abstract: 'Jazz Internationalism' argues for the critical significance of jazz in Afro-modernist literature, from the beginning of the Great Depression through the radical social movements of the 1960s.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
    DOI: 10.5622/illinois/9780252041334.001.0001
    URL: https://doi.org/10.5622/illinois/9780252041334.001.0001
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  • 24
    Online Resource
    Online Resource
    Mahalia Jackson and the black gospel field (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190634933
    Language: English
    Pages: 1 Online-Ressource (xvi, 472 Seiten)
    DDC: 782.254092
    RVK:
    LS 48400
    RVK:
    LS 48040
    Keywords: Jackson, Mahalia 1911-1972 ; African American gospel singers Biography ; United States ; Gospel singers Biography ; United States ; African Americans Music ; History and criticism ; Gospel music History and criticism ; Jackson, Mahalia 1911-1972 ; Afroamerikanische Musik ; Gospelsong ; USA
    Abstract: Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago gospel pioneers and the influential National Baptist Convention, earned a reputation as a dynamic church singer. Eventually, Jackson achieved unprecedented mass-mediated celebrity, breaking through in the late 1940s as an internationally recognized recording artist for Apollo and Columbia Records who also starred in her own radio and television programs. But the book is also a study of the black gospel field of which Jackson was a part. Over the course of the 1940s and 1950s, black gospel singing, both as musical worship and as pop-cultural spectacle, grew exponentially, with expanded visibility, commercial clout, and forms of prestige. Methodologically informed by a Bourdiean field analysis approach that develops a more granular, dynamic, and encompassing picture of post-war black gospel, the book persistently considers Jackson, however exceptional she may have been, in relation to her fellow gospel artists, raising fresh questions about Jackson, gospel music, and the reception of black vernacular culture.
    DOI: 10.1093/oso/9780190634902.001.0001
    URL: Volltext
    URL: http://dx.doi.org/10.1093/oso/9780190634902.001.0001
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  • 25
    Online Resource
    Online Resource
    Blackface nation : race, reform, and identity in American popular music, 1812 - 1925 (2017)
    Chicago, Illinois ; London, [England] : The University of Chicago Press
    Details
    ISBN: 9780226451787
    Language: English
    Pages: 1 online resource (371 pages)
    Parallel Title: Erscheint auch als Roberts, Brian, 1957- Blackface nation : race, reform, and identity in American popular music, 1812 - 1925
    DDC: 781.64089/96073
    RVK:
    LS 22525
    RVK:
    MS 1235
    Keywords: Geschichte 1812-1925 ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Mittelstand ; Unterhaltungsmusik ; Ethnische Identität ; Nationalismus ; Schwarze ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes index , Description based on print version record
    URL: lizenzpflichtig
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  • 26
    Online Resource
    Online Resource
    Blackface nation : race, reform, and identity in American popular music, 1812-1925 (2017)
    Chicago : University of Chicago Press
    Details
    ISBN: 9780226451787
    Language: English
    Pages: 1 Online-Ressource (x, 360 Seiten) , 16 Illustrationen
    DDC: 781.64089/96073
    RVK:
    LS 22525
    Keywords: African Americans Music ; History and criticism ; Minstrel music History and criticism ; Music and race History ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Schwarze ; Ethnische Identität ; Afroamerikanische Musik ; Mittelstand ; HISTORY / General
    Abstract: As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in Blackface Nation, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast’s most popular middle-class singing group during the mid-nineteenth century, is perhaps the best example of the first strain of music. The group’s songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women’s rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America’s consumer culture while the Hutchinsons’ songs were increasingly regarded as old-fashioned. Blackface Nation elucidates the central irony in America’s musical history: much of the music that has been interpreted as black, authentic, and expressive was invented, performed, and enjoyed by people who believed strongly in white superiority. At the same time, the music often depicted as white, repressed, and boringly bourgeois was often socially and racially inclusive, committed to reform, and devoted to challenging the immoralities at the heart of America’s capitalist order
    Abstract: Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Carnival -- 2. The Vulgar Republic -- 3. Jim Crow’s Genuine Audience -- 4. Black Song -- 5. Meet the Hutchinsons -- 6. Love Crimes -- 7. The Middle-Class Moment -- 8. Culture Wars -- 9. Black America -- 10. Conclusion: Musical without End -- Notes -- Index
    Note: Mode of access: Internet via World Wide Web. , In English
    DOI: 10.7208/9780226451787
    URL: lizenzpflichtig
    URL: Cover
    URL: http://purl.org/coar/access_right/c_16ec
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  • 27
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    The transformation of black music : the rhythms, the songs, and the ships of the African diaspora (2017)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
    RVK:
    LS 46000
    RVK:
    MS 3450
    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780195307245.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.1093/acprof:oso/9780195307245.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 28
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    Listening for Africa : freedom, modernity, and the logic of Black music's African origins (2017)
    Durham ; London : Duke University Press
    Details
    ISBN: 9780822373117
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
    RVK:
    LS 48050
    Keywords: Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Blacks Music ; History and criticism ; Dance music History and criticism ; Music History and criticism ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Rezeption ; Soziale Funktion ; Ethnische Identität ; Afrika ; USA ; Afrika ; USA ; Rezeption ; Afrika ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; Geschichte
    Note: Includes bibliographical references and index
    DOI: 10.1215/9780822373117
    DOI: 10.1515/9781478093251
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: https://doi.org/10.1515/9780822373117?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822373117
    URL: Cover
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  • 29
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    On record : popular Afrikaans music & society : 1900-2017 (2017)
    Stellenbosch, South Africa : SUN MeDIA
    Details
    ISBN: 9781928357124 , 1928357121 , 1928357113 , 9781928357117
    Language: English
    Pages: 1 Online-Ressource (194 pages) , illustrations
    DDC: 306.48423
    RVK:
    LS 47945
    Keywords: Popular music History and criticism ; Popular music Social aspects ; Music Social aspects ; Music Political aspects ; Afrikaners Music ; History and criticism ; Music ; Political aspects ; Music ; Social aspects ; Popular music ; Popular music ; Social aspects ; Criticism, interpretation, etc ; South Africa
    Abstract: Gramophones, "warm patriots" and radio wars -- "Local flavour", tensions, and the rise of Afrikaner nationalism -- WWII, the SABC, FAK, and Boeremusiek? -- The apartheid regime, rock 'n roll and Afrikaner youth -- New voices, changing politics and growing subversion -- Alternative Afrikaans music towards the end of apartheid -- Nostalgia, fear and profit in post-apartheid Afrikaans music.
    Abstract: "Investigates the interplay between popular music and the unfolding of Afrikaans culture politics from the start of the twentieth century to the present. It includes a search for the earliest recorded Afrikaans songs and documents subsequent phases of music development that reflect the agency of ordinary individuals - artists and listeners - against a background of fundamental societal and political change. Regards both the music mainstream and the alternative, and reveals, among other things, historical cases of compliance and resistance regarding the master narrative of Afrikaner nationalist ideology, the attempts by cultural entrepreneurs to establish authority over popular Afrikaans culture, class tension, lasting racial exclusivity, protest and censorship "--
    Note: Includes bibliographical references (pages [167]-179) and index
    URL: kostenfrei registrierungspflichtig
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  • 30
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    Message to our folks : the Art Ensemble of Chicago (2017)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226376011
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 784.4/165
    RVK:
    LS 48050
    RVK:
    LS 48100
    RVK:
    LS 48200
    Keywords: Art Ensemble of Chicago History ; Jazz History and criticism ; African Americans Music ; History and criticism
    Abstract: This year marks the golden anniversary of the Art Ensemble of Chicago, the flagship band of the Association for the Advancement of Creative Musicians. Formed in 1966 and flourishing until 2010, the Art Ensemble distinguished itself by its unique performance practices - members played hundreds of instruments on stage, recited poetry, performed theatrical sketches, and wore face paint, masks, lab coats, and traditional African and Asian dress. The group, which built a global audience and toured across six continents, presented their work as experimental performance art, in opposition to the jazz industry's traditionalist aesthetics. In this book, Paul Steinbeck combines musical analysis and historical inquiry to give us the definitive study of the Art Ensemble.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226376011.001.0001
    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226376011.001.0001/upso-9780226375960
    URL: https://doi.org/10.7208/chicago/9780226376011.001.0001
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  • 31
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    Issues in African American music : power, gender, race, representation (2017)
    New York, N.Y. : Routledge
    Details
    ISBN: 9781315472096 , 9781315472065 , 9781315472089
    Language: English
    Pages: 1 Online-Ressource (433 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Issues in African American music
    DDC: 780.8996073
    RVK:
    LS 48000
    Keywords: African Americans Music ; History and criticism ; African American musicians ; Music African American influences ; African Americans ; Music ; History and criticism ; African American musicians ; Music ; African American influences
    Abstract: pt. I. Interpreting music -- pt. II. Mass mediation -- pt. III. Gender -- pt. IV. Musical agency : African American music as resistance.
    DOI: 10.4324/9781315472096
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 32
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    Klezmer : music, history and memory (2016)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190244545
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.62924
    RVK:
    LS 33635
    Keywords: Sozialgeschichte ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Musikleben ; Klezmer ; Aschkenasim ; Musik ; Musikalischer Stil ; Tanz ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.1093/acprof:oso/9780190244514.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 33
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    Singing God's words : the performance of biblical chant in contemporary Judaism (2016)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190497071
    Language: English
    Pages: 1 Online-Ressource (293 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.3/6
    RVK:
    LS 33240
    RVK:
    LS 33260
    RVK:
    BD 7230
    Keywords: Juden ; Judentum ; Musik ; Jews Music ; History and criticism ; Judaism Liturgy ; Kirchengesang ; Judentum ; Neue Medien ; Moderne ; Geistliche Musik ; Liturgie ; Judentum ; Geistliche Musik ; Kirchengesang ; Liturgie ; Neue Medien ; Moderne
    Abstract: Singing God's Words is the first in-depth study of the experience and meaning of chanting or "reading" Torah among contemporary American Jews. This experience has been transformed dramatically in recent years by the impact of digital technology, feminism, the empowerment of lay people and a search for self-fulfillment through involvement with community. At a time when worshippers seek deeper spiritual experience, many Jews have found new meaning in the experience of reading Torah, an act that is broadly accessible to Jewish adults even as it requires intensive immersion with the text of the Bible in Hebrew. This book examines why and how growing numbers of American Jews in all denominations see the public chanting of Biblical texts during the synagogue service as one of the most authentic and personal expressions of their religious identity. Drawing on hundreds of interviews with men and women, both professionals and congregants, Jeffrey A. Summit describes how the reading of Torah embodies their understanding of historical religious practice, even as it is shaped by contemporary views of spiritual experience. Through this act, holiness becomes manifest at the intersection of Biblical chant, sacred text, the individual, and the community. - Jeffrey A. Summit is Research Professor in the Department of Music and Judaic Studies at Tufts University, where he also serves as rabbi and Neubauer Executive Director of Tufts Hillel. He is the author of The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship (OUP). His CD Abayudaya: Music from the Jewish People of Uganda was nominated for a Grammy Award.
    DOI: 10.1093/acprof:oso/9780199844081.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
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  • 34
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    The product of our souls : ragtime, race, and the birth of the Manhattan musical marketplace (2016)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469622712
    Language: English
    Pages: 1 Online-Ressource , Illustrations, maps
    DDC: 780.89/9607307471
    RVK:
    LS 48050
    RVK:
    LS 48500
    RVK:
    LS 48210
    RVK:
    LS 48100
    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; African Americans Music ; History and criticism ; Ragtime music History and criticism ; Ragtime music Social aspects 20th century ; History ; Music and race History 20th century ; USA
    Abstract: This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469622699.001.0001
    URL: http://dx.doi.org/10.5149/northcarolina/9781469622699.001.0001
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    Rhythms of race : Cuban musicians and the making of Latino New York City and Miami, 1940-1960 (2016)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469620862
    Language: English
    Pages: 1 Online-Ressource , Illustrations.
    Series Statement: Envisioning Cuba
    DDC: 780.8968729107471
    RVK:
    LQ 89507
    RVK:
    LS 48050
    Keywords: Geschichte 1940-1960 ; Kubanischer Einwanderer ; Musiker ; Cuban Americans Music ; History and criticism ; Cuban Americans Music ; History and criticism ; Music History and criticism ; New York, NY ; Miami, Fla.
    Abstract: Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white. In her history of music and race in midcentury America, Christina D. Abreu argues that these musicians played central roles in the development of Cuban, Afro-Cuban, Latino, and Afro-Latino identities and communities.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469620848.001.0001
    URL: http://dx.doi.org/10.5149/northcarolina/9781469620848.001.0001
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  • 36
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    Krautrock transnational : Die Neuerfindung der Popmusik in der BRD, 1968-1978 (2016)
    Bielefeld : Transcript Verlag
    Details
    Language: German
    Pages: 1 Online-Ressource (369 pages)
    Series Statement: Histoire v. 88
    Parallel Title: Erscheint auch als Simmeth, Alexander Krautrock transnational : Die Neuerfindung der Popmusik in der BRD, 1968-1978
    DDC: 900
    RVK:
    LS 48060
    Keywords: Rock music ; Popular music ; Criticism, interpretation, etc ; Germany (West) Popular music 1971-1980 History and criticism ; Germany (West) Rock music 1971-1980 History and criticism ; Germany (West) Popular music 1961-1970 ; History and criticism ; Germany (West) Rock music 1961-1970 ; History and criticism ; Germany (West)
    Abstract: Archive, Bibliotheken, Sammlungen Diskographie ; Namensregister ; Abbildungsverzeichnis
    Abstract: Cover. Krautrock transnational ; Inhalt ; Vorwort ; Erstes Kapitel: Rahmen ; Einleitung ; Konsum und Wandel ; Krautrock transnational ; Popmusik ; Authentizität ; Krautrock ; Zweites Kapitel: Ende der 1960er Jahre ; „Mama Düül und ihre Sauerkrautband spielt auf" ; Sozialisation und Lebensformen
    Abstract: Kommunikationsräume: Von Festivals und Clubs Popmedien und Rezeption in der Bundesrepublik ; Drittes Kapitel: 1970-1974 ; „Zuckerzeit" ; „Trips & Träume": Neue Wahrnehmungen ; Klang der Revolte? Krautrock und Politik ; Krautrock und die Musikindustrie
    Abstract: Popgeschichte ist dabei, sich als neues Forschungsfeld der Zeitgeschichte zu etablieren. Im Zuge dessen wird zunehmend auch Popmusik als zeitspezifische massenkulturelle Ausdrucksform und damit als Manifestation übergeordneter gesellschaftlicher Wandlungs
    Abstract: „So apart from everything we've ever heard": Im Vereinigten Königreich Viertes Kapitel: Ab 1975 ; „Landed" ; „Schwingungen": Instrumente und Tonstudios ; „The Teutonic Invasion": In den Vereinigten Staaten ; Nach 1978: Wirkung und Ausblick ; Anhang ; Literatur ; Quellen
    Note: Includes bibliographical references (pages 325-356) and index , In German
    URL: lizenzpflichtig
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  • 37
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    Experiencing Armenian music in Turkey : an ethnography of musicultural memory (2016)
    Würzburg : Ergon Verlag Würzburg in Kommission | Istanbul : Orient-Institut Istanbul (Max Weber Stiftung) | Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt
    Details
    ISBN: 9783956502071
    Language: English
    Pages: 1 Online-Ressource (187 Seiten) , Illustrationen
    Series Statement: Istanbuler Texte und Studien Band 35
    Series Statement: Istanbuler Texte und Studien
    Parallel Title: Erscheint auch als Yıldız, Burcu Experiencing Armenian music in Turkey
    DDC: 781.62919920561
    RVK:
    LS 34000
    Keywords: Armenians Music ; History and criticism ; Music History and criticism ; Türkei ; Armenier ; Musik ; Armenien ; Türkei ; Musik
    DOI: 10.25673/110638
    URN: urn:nbn:de:gbv:3:5-1351414153-1859552536-16
    URL: kostenfrei
    URL: kostenfrei
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  • 38
    Online Resource
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    Travels with Frances Densmore : her life, work, and legacy in Native American studies (2015)
    Lincoln : University of Nebraska Press
    Details
    ISBN: 9780803274969 , 0803274963 , 9780803274945
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: UPCC book collections on Project MUSE
    DDC: 781.62/970092
    RVK:
    LB 27800
    RVK:
    LC 87610
    RVK:
    LS 49700
    Keywords: Densmore, Frances Ethnomusicological collections ; Densmore, Frances ; Densmore, Frances ; Musikethnologie ; Sammlung ; Indians of North America Material culture ; Collectors and collecting ; Indians of North America Music ; History and criticism ; Ethnomusicology ; Ethnomusicologists Biography ; Biografie ; Aufsatzsammlung ; Biographie ; Aufsatzsammlung
    URL: https://muse.jhu.edu/book/39898
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  • 39
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    Music and the Armenian diaspora : searching for home in exile (2015)
    Indianapolis : Indiana University Press
    Details
    ISBN: 9780253017765 , 0253017769
    Language: English
    Pages: 1 Online-Ressource
    Edition: Public cultures of the Middle East and North Africa
    Edition: UPCC book collections on Project MUSE
    Series Statement: Ethnomusicology multimedia
    Series Statement: Public cultures of the Middle East and North Africa
    Series Statement: Ethnomusicology multimedia
    DDC: 780.89/91992
    RVK:
    LS 38500
    RVK:
    LR 57736
    Keywords: Geschichte 1890-1980 ; Armenier ; Exil ; Musik ; Kulturelle Identität ; Musicians Social conditions ; Music History and criticism ; Musicians Social conditions ; Expatriate musicians Social conditions ; Armenians Music ; History and criticism
    URL: https://muse.jhu.edu/book/42206
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  • 40
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    Rhythms of race : Cuban musicians and the making of Latino New York City and Miami, 1940-1960 (2015)
    Chapel Hill, NC : University of North Carolina Press
    Details
    ISBN: 9781469620862 , 1469620863
    Language: English
    Pages: 1 Online-Ressource
    Edition: 1st edition.
    Series Statement: Envisioning Cuba
    Series Statement: UPCC book collections on Project MUSE
    DDC: 780.89/68729107471
    RVK:
    LQ 89507
    RVK:
    LS 48050
    Keywords: Geschichte 1940-1960 ; Kubanischer Einwanderer ; Musiker ; Cuban Americans Music ; History and criticism ; Cuban Americans Music ; History and criticism ; Music History and criticism ; New York, NY ; Miami, Fla.
    Abstract: "Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white, who did more than fill dance halls with the rhythms of the rumba, mambo, and cha cha chá. In her history of music and race in midcentury America, Christina D. Abreu argues that these musicians, through their work in music festivals, nightclubs, social clubs, and television and film productions, played central roles in the development of Cuban, Afro-Cuban, Latino, and Afro-Latino identities and communities. Abreu draws from previously untapped oral histories, cultural materials, and Spanish-language media to uncover the lives and broader social and cultural significance of these vibrant performers"--Provided by publisher.
    URL: https://muse.jhu.edu/book/39735
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  • 41
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    Musical exodus : Al-Andalus and its Jewish diasporas (2015)
    Lanham, Maryland : Rowman & Littlefield
    Details
    ISBN: 9780810881761
    Language: English
    Pages: 1 Online-Ressource (260 pages)
    Series Statement: Europea: Ethnomusicologies and Modernities 19
    Parallel Title: Erscheint auch als Musical exodus : Al-Andalus and its Jewish diasporas
    DDC: 780.89/924
    RVK:
    LB 46235
    RVK:
    LC 87235
    RVK:
    LQ 82800
    RVK:
    NM 4000
    Keywords: Geschichte 711-1500 ; Jews Music To 1500 ; History and criticism ; Jews Music History and criticism To 1500 ; Jews Music ; History and criticism ; Identität ; Musik ; Juden ; Musikanthropologie ; Diaspora ; al- Andalus ; Konferenzschrift 2008 ; al- Andalus ; Juden ; Diaspora ; Musik ; Identität ; Musikanthropologie ; Geschichte 711-1500
    Note: Description based on print version record
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    BVB
  • 42
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    Ethnomusicologizing : essays on music in the new paradigms (2015)
    Lanham, Maryland : Rowman & Littlefield
    Details
    ISBN: 9781442229723
    Language: English
    Pages: 1 Online-Ressource (447 pages)
    Series Statement: African American Cultural Theory and Heritage
    Parallel Title: Erscheint auch als Banfield, William C., 1961- Ethnomusicologizing : essays on music in the new paradigms
    DDC: 780.89
    RVK:
    LS 48015
    RVK:
    MR 7100
    RVK:
    MS 3450
    Keywords: African Americans Music ; History and criticism ; Popular music History and criticism ; Jazz History and criticism ; Ethnomusicology ; Kulturleben ; Jazz ; Afroamerikanische Musik ; Musikethnologie ; USA ; USA ; Afroamerikanische Musik ; Jazz ; Kulturleben ; Musikethnologie
    Note: Includes index , Description based on print version record
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  • 43
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    Greeted with smiles : Bukharian Jewish music and musicians in New York (2014)
    Oxford : Oxford University Press
    Details
    ISBN: 9780199379064
    Language: English
    Pages: 1 Online-Ressource (XXV, 227 Seiten)
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/92407471
    RVK:
    LS 33100
    Keywords: Geschichte ; Juden ; Musik ; Jews, Bukharan Music ; History and criticism ; Jews Music ; History and criticism ; Jewish musicians ; Music History and criticism ; Musikleben ; Religiöse Identität ; Juden ; Buchara ; New York, NY ; New York, NY ; Buchara ; Juden ; Musikleben ; Religiöse Identität ; Geschichte
    Abstract: 'Greeted with Smiles' explores the circumstances facing new American immigrants, using the music of the Bukharian Jews to gain entrance into their community and their culture. Author Evan Rapport investigates the transformation of Bukharian identity through an examination of corresponding changes in its music, focusing on three of these distinct but overlapping repertoires - maquom, Jewish religious music and popular music.
    DOI: 10.1093/acprof:oso/9780199379033.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    München BSB
    BVB
    Bayreuth UB
  • 44
    Online Resource
    Online Resource
    Greeted with smiles : Bukharian Jewish music and musicians in New York (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199379064
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    DDC: 780.8992407471
    RVK:
    LS 33100
    Keywords: Jews, Bukharan Music ; History and criticism ; Jews Music ; History and criticism ; Jewish musicians ; Music History and criticism ; New York, NY ; Buchara ; Juden ; Musikleben ; Religiöse Identität
    Abstract: 'Greeted with Smiles' explores the circumstances facing new American immigrants, using the music of the Bukharian Jews to gain entrance into their community and their culture. Author Evan Rapport investigates the transformation of Bukharian identity through an examination of corresponding changes in its music, focusing on three of these distinct but overlapping repertoires - maquom, Jewish religious music and popular music.
    Note: Includes bibliographical references, discography, and index. - Description based on online resource; title from home page (viewed on November 4, 2014)
    DOI: 10.1093/acprof:oso/9780199379033.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 45
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    The black musician and the white city : race and music in Chicago, 1900-1967 (2014)
    Ann Arbor : University of Michigan Press | Berlin : Knowledge Unlatched
    Details
    ISBN: 9780472029983
    Language: English
    Pages: 1 Online-Ressource (xi, 202 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Absher, Amy The black musician and the white city
    RVK:
    LQ 89507
    Keywords: African Americans Illinois ; Chicago ; Music ; History and criticism ; Popular music Illinois ; Chicago ; History and criticism ; Popular music Social aspects ; Illinois ; Chicago ; History ; 20th century ; Music and race Illinois ; Chicago ; History ; 20th century ; African American musicians Illinois ; Chicago ; Music trade Illinois ; Chicago ; History ; 20th century ; African American musicians Labor unions ; Illinois ; Chicago ; History ; 20th century ; Musicians Labor unions ; Illinois ; Chicago ; History ; 20th century
    Abstract: Musicians and the segregated city : Chicago in the early 1900s-1930s -- From south to south side : musicians in 1940s Chicago -- Redefining the music industry : independent music in Chicago, 1948-1953 -- From south side to the south and the nation, 1954-1963 -- "The fact remains ... we are negroes" : dissonance and the desegregation of Chicago's musicians' union, 1963-1967
    Abstract: Amy Absher’s The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s to 1950s. Absher takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city’s music community.
    URL: Volltext  (kostenfrei)
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    MPI Ethno. Forsch.
  • 46
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    Black popular music in Britain since 1945 (2014)
    Farnham : Ashgate
    Details
    ISBN: 9781315569482 , 9781409469148 , 9781409469155
    Language: English
    Pages: 1 Online-Ressource (XVI, 240 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Black popular music in Britain since 1945
    DDC: 781.6408996041
    RVK:
    LS 48060
    Keywords: Popular music History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Popular music History and criticism ; Great Britain ; MUSIC Instruction & Study ; Theory ; Blacks ; Popular music Great Britain ; Electronic books ; Electronic books Criticism, interpretation, etc ; Music ; Aufsatzsammlung ; Großbritannien ; Afroamerikanische Musik ; Geschichte 1948-2013
    Note: Includes bibliographical references, discography, and index. - Print version record
    URL: Volltext  (lizenzpflichtig)
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  • 47
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    Mixing musics : Turkish Jewry and the urban landscape of a sacred song (2013)
    Stanford, CA : Stanford University Press
    Details
    ISBN: 9780804785662
    Language: English
    Pages: xv, 254 p.
    Series Statement: Stanford studies in Jewish history and culture
    Parallel Title: Erscheint auch als
    DDC: 782.3/600949618
    RVK:
    LS 36460
    RVK:
    LS 36800
    Keywords: Geschichte 1900-2000 ; Geschichte 1900- ; Geschichte ; Juden ; Musik ; Synagogue music History and criticism ; Jews Music ; History and criticism ; Sacred music History and criticism 20th century ; Sacred music History and criticism 21st century ; Juden ; Synagoge ; Gesang ; Geistliche Musik ; Türkei ; Istanbul ; Türkei ; Hochschulschrift ; Türkei ; Istanbul ; Juden ; Synagoge ; Gesang ; Geschichte ; Türkei ; Geistliche Musik ; Geschichte 1900-
    Note: Originally presented as the author's thesis (doctoral)--University of Washington, 2008 , Includes bibliographical references and index
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  • 48
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    My voice is my weapon : music, nationalism, and the poetics of Palestinian resistance (2013)
    Durham : Duke University Press
    Details
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Language: English
    Pages: Online-Ressource
    Edition: Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
    RVK:
    LS 21520
    RVK:
    LS 35340
    Keywords: Music ; Politics ; History ; Palestine ; Music Political aspects ; Music Political aspects ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Abstract: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
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    MPI Ethno. Forsch.
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    The Garland encyclopedia of world music (2013)
    New York, NY : Routledge
    Details
    ISBN: 9780824060350
    Language: English
    Pages: 1 Online-Ressource (7929 pages)
    Series Statement: Garland reference library of the humanities 2.1169, 5.1191, 8.1193
    Series Statement: Music Online Reference
    Series Statement: The Garland encyclopedia of world music
    Parallel Title: Erscheint auch als The Garland encyclopedia of world music
    DDC: 780/.9
    RVK:
    LP 11500
    RVK:
    LP 12000
    RVK:
    LS 14000
    Keywords: World music Encyclopedias ; World music Encyclopedias ; World music Encyclopedias ; Folk music South America ; History and criticism ; Folk music Central America ; History and criticism ; Folk music Caribbean ; History and criticism ; Folk music Encyclopedias ; Music Encyclopedias ; Popular music Encyclopedias ; Wörterbuch ; Wörterbuch ; Musik ; Musikethnologie ; Weltmusik
    Note: Includes bibliographical references, discographies, filmographies, and indexes , Vols. 6-7, 10 published: New York : Routledge, 2002 , v. 1. Africa , v. 2. South America, Mexico, Central America, and the Caribbean , v. 3. The United States and Canada , v. 4. Southeast Asia , v. 5. South Asia : the Indian subcontinent , v. 6. The Middle East , v. 7. East Asia : China, Japan, and Korea , v. 8. Europe , v. 9. Australia and the Pacific Islands , v. 10. The world's music : general perspectives and reference tools
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 50
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    Sound and sentiment : birds, weeping, poetics, and song in Kaluli expression (2012)
    Durham, N.C. : Duke University Press
    Details
    ISBN: 9780822395898 , 0822395894
    Language: English
    Pages: 1 online resource (xli, 300 p. , ill., map, music)
    Edition: 3rd ed.; thirtieth anniversary ed. with a new introduction.
    Parallel Title: Erscheint auch als
    DDC: 305.89/912
    RVK:
    LC 86690
    RVK:
    LS 49500
    RVK:
    RX 70844
    Keywords: Kaluli (Papua New Guinean people) Social life and customs ; Kaluli (Papua New Guinean people) Rites and ceremonies ; Kaluli (Papua New Guinean people) Music ; History and criticism ; Folk music History and criticism ; Folk songs, Kaluli History and criticism ; Birds Mythology ; Birds ; Electronic books ; Forschungsbericht
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822395898
    URL: lizenzpflichtig
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  • 51
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    The accordion in the Americas : klezmer, polka, tango, zydeco, and more! (2012)
    Urbana : University of Illinois Press
    Details
    ISBN: 0252094328 , 9780252094323 , 9781283712620 , 1283712628
    Language: English
    Pages: 1 online resource
    Series Statement: Music in American life
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 788.8/6097
    RVK:
    LS 48070
    Keywords: Geschichte ; MUSIC / Musical Instruments / Woodwinds ; HISTORY / Social History ; Einwanderer ; Geschichte ; Gesellschaft ; Musik ; Accordion History ; Accordionists ; Accordion music Social aspects ; Immigrants Music ; History and criticism ; Akkordeon ; Einwanderer ; Akkordeonmusik ; Akkordeonist ; Volksmusik ; USA ; Amerika ; Aufsatzsammlung ; Aufsatzsammlung ; Amerika ; Einwanderer ; Akkordeonist ; Akkordeon ; Volksmusik ; Geschichte ; Amerika ; Akkordeon ; Akkordeonist ; Akkordeonmusik ; Geschichte
    Description / Table of Contents: From old world to new shores / Helena Simonett -- Accordion jokes : a folklorist's view / Richard March -- From chanky-chank to Yankee chanks : the Cajun accordion as identity symbol / Mark F. DeWitt -- Garde ici et garde lá-bas : Creole accordion in Louisiana / Jared Snyder -- "Tejano and proud" : the accordion traditions of South Texas and the border region / Cathy Ragland -- Preserving territory : the changing language of the accordion in Tohono O'odham waila music / Janet L. Sturman -- Accordions and working-class culture along Lake Superior's South Shore / James P. Leary -- Play me a tarantella, a polka, or jazz : Italian Americans and the currency of piano accordion music / Christine F. Zinni -- The klezmer accordion : an outsider among outsiders / Joshua Horowitz -- Beyond Vallenato : the accordion traditions in Colombia / Egberto Bermúdez -- "A hellish instrument" : the story of the tango bandoneón / Mara Susana Azzi -- No ma' se oye el fuinfuán : the noisy accordion in the Dominican Republic / Sydney Hutchinson -- Between the folds of Luiz Gonzaga's sanfona : forré music in Brazil / Megwen Loveless -- The accordion in new scores : paradigms of authorship and identity in William Schimmel's musical "realities" / Marion Jacobson
    Description / Table of Contents: This collection considers the accordion and its myriad forms, from the concertina, button accordion, and piano accordion familiar in European and North American music to the exotic-sounding South American bandoneón and the sanfoninha. Capturing the instrument's spread and adaptation to many different cultures in North and South America, contributors illuminate how the accordion factored into power struggles over aesthetic values between elites and working-class people who often were members of immigrant and/or marginalized ethnic communities. Specific histories and cultural contexts discussed include the accordion in Brazil, Argentine tango, accordion traditions in Colombia, cross-border accordion culture between Mexico and Texas, Cajun and Creole identity, working-class culture near Lake Superior, the virtuoso Italian-American and Klezmer accordions, Native American dance music, and American avant-garde
    Note: Includes index
    DOI: 10.5406/illinois/9780252037207.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Contemporary Carioca : technologies of mixing in a Brazilian music scene (2012)
    Durham : Duke University Press
    Details
    ISBN: 9780822394884 , 082239488X
    Language: English
    Pages: 1 Online-Ressource (xxv, 289 Seiten) , Illustrationen, Karten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48800
    Keywords: Suzano, Marcos ; Geschichte 1980-2000 ; Popular music Brazil ; History and criticism ; Sound Recording and reproducing ; Digital techniques ; Lokalkolorit ; Popmusiker ; Internationalität ; Popmusik ; Rio de Janeiro ; Electronic books ; Rio de Janeiro ; Popmusiker ; Popmusik ; Lokalkolorit ; Internationalität ; Geschichte 1980-2000
    Note: Includes bibliographical references and index , Marcos Suzano : a Carioca blade runner -- Lenine : pernambuco speaking to the world -- Pedro Luís and the wall : Tupy Astronauts -- Fernanda Abreu : garota carioca -- Paulinho Moska : difference and repetition -- On cannibals and chameleons -- Appendix 1: a note about interviews, with a list of interviews cited -- Appendix 2: introductory aspects of Marcos Suzano's pandeiro method
    DOI: 10.1215/9780822394884
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Volltext  (kostenfrei)
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    Bayreuth UB
    MPI Ethno. Forsch.
  • 53
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    Dichtung und Musik im frühneuzeitlichen Aschkenas : Ms. opp. add. 4° 136 der Bodleian Library, Oxford (das so genannte "Wallich"-Manuskript) und Ms. hebr. oct. 219 der Stadt- und Universitätsbibliothek, Franfurt a. M. (2011)
    Leiden : Brill
    Details
    ISBN: 9789004181953 , 9004181954
    Language: German
    Pages: 1 Online-Ressource (2 Bände)
    Series Statement: Studies in Jewish history and culture 29
    Series Statement: Studies in Jewish history and culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Zugl.: Halle, Wittenberg, Univ., Diss., 2006
    DDC: 782.42162/924
    RVK:
    LS 33120
    Keywords: Wallichmanuskript ; Anonyme Frankfurter Handschrift ; Wallich-Manuskript ; Sammelhandschrift ; Geschichte 1500-1600 ; Geschichte 1580-1620 ; MUSIC / Printed Music / General ; Musik ; Ashkenazim Music Music 16th century ; History and criticism ; Songs, Yiddish History and criticism 16th century ; Folk songs, Yiddish History and criticism 16th century ; Songs, Yiddish Texts ; Folk songs, Yiddish Texts ; Hebräisch ; Volkslied ; Deutsch ; Jiddisch ; Europa ; Hochschulschrift ; Hochschulschrift ; Wallich-Manuskript ; Sammelhandschrift Ms. hebr. oct. 219 ; Jiddisch ; Hebräisch ; Deutsch ; Volkslied ; Geschichte 1580-1620
    Note: Online-Ressource einer mehrteiligen Monografie, die Printausgabe ist in 2 Bänden erschienen: Volume 1. Edition, volume 2. Kommentar , Text in German; song texts in Yiddish and romanized Yiddish, with German translations
    DOI: 10.1163/9789004181953
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Sonic bodies : reggae sound systems, performance techniques, and ways of knowing (2011)
    New York, NY [u.a.] : Continuum
    Details
    ISBN: 9786613307736 , 1283307731 , 9781441149343 , 9781283307734
    Language: English
    Pages: Online-Ressource (XXXVI, 352 S.) , Ill
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Sonic Bodies
    Parallel Title: Druckausg. Henriques, Julian Sonic bodies
    DDC: 781.646097292
    RVK:
    LS 48700
    Keywords: Reggae music History and criticism ; Dancehall (Music) History and criticism ; Dancehall (Music) ; Jamaica ; History and criticism ; Reggae ; Rezeption ; Hören ; Dance hall ; Rezeption ; Hören ; Jamaika ; Kultur ; Hören ; Jamaika ; Reggae ; Performance ; Audiotechnik ; Jamaika ; Dance hall ; Performance ; Audiotechnik
    Abstract: The reggae sound system has exerted a major influence on music and popular culture. Out on the streets of inner city Kingston, Jamaica, every night, sound systems stage dancehall sessions for the crowd to share the immediate, intensive and immersive visceral pleasures of sonic dominance. Sonic Bodies concentrates on the skilled performance of the crewmembers responsible for this signature sound of Jamaican music: the audio engineers designing, building and fine-tuning the hugely powerful "sets" of equipment; the selectors choosing the music tracks to play; and MCs(DJs) on the mic hyp
    Description / Table of Contents: Preface; Acknowledgements; Figures; Preamble: Thinking Through Sound; The time and place of sounding; Body of sound; Body of thought; The argument of Sonic Bodies; Introduction: Practising and Theorising Sounding; Chapter One; The Dancehall Scene; Jamaican auditory culture; Three wavebands of sounding; Three-fold relationships; Theoretical context; Chapter Two; Sound Systems; Instruments; Media; Techniques; Part One; The Audio Engineer and the Material Waveband; Chapter Three; Fine-tuning; Audio engineering; Manipulating; Monitoring; Evaluating; Chapter Four; Learning to Listen
    Description / Table of Contents: Learning to engineerApprenticeship tradition; A research methodology of listening; Sonic engineering; Part Two; The Selector and the Corporeal Waveband; Chapter Five; Juggling; The selector's role and function in the session; Skilled performance techniques; Chapter Six; Cut, Mix 'n' Rewind; Cut and splice; Mixing; Rewind and repetition; Part Three; The MC and the Sociocultural Waveband; Chapter Seven; Voicing; The MC's role in the session; Lyrical techniques; Performance tropes; Personality; Chapter Eight; Rhetoric and the Logic of Practice; An ancient art of communication; Ways of knowing
    Description / Table of Contents: SituatednessThe logic of practice; Measure and value; Chapter Nine; Conclusion: The Sonic Logos; Know-what and know-how; Sounding a critique; Logos as ratio, proportion and patterning; Triangulation; Last Word: Dubwise; Notes; Bibliography; Index;
    Note: Includes bibliographical references (p. 317-348) and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext
    URL: Volltext
    URL: Volltext
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  • 55
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    The politics of post-9/11 music : sound, trauma, and the music industry in the time of terror (2011)
    Farnham, Surrey, England ;Burlington, VT : Ashgate Pub
    Details
    ISBN: 9781283318891 , 1409427854 , 128331889X , 9781409427858
    Language: English
    Pages: Online-Ressource (1 online resource (xix, 211 p.)) , ill.
    Edition: Online-Ausg.
    Edition: 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Druckausg. The politics of post-9/11 music
    Parallel Title: Print version The Politics of Post-9/11 Music : Sound, Trauma, and the Music Industry in the Time of Terror
    DDC: 781.64097309051
    RVK:
    LR 57728
    RVK:
    LS 48015
    Keywords: Popular music Political aspects ; United States ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Electronic books ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Popular music History and criticism 2001-2010 ; September 11 Terrorist Attacks, 2001 Influence ; Popular music Social aspects ; Popular music Political aspects ; USA ; Attentat ; Elfter September ; Rezeption ; Musikwissenschaften ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Attentat ; Elfter September ; Rezeption ; Popmusik ; Musikwirtschaft
    Abstract: Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors articulate the role that lesser-known contemporary musicians have played - or have refused to play - in constructing a politics of protest in direct response to the trauma inflicted that day. The Politics of Post- 9/11 Music encourages new conceptualizations of what constitutes "political music&quot
    Description / Table of Contents: Cover; Contents; General Editor's Preface; Notes on Contributors; Foreword; Acknowledgments; Introduction; Part I Electric Dreams: The Medium and the Message; 1 Rock, Enroll: Music and Militarization since 9/11; 2 Music, Terrorism, Response: The Conditioning Logic of Code and Networks; 3 Technostalgia and the Resurgence of Cassette Culture; Part II Hail to the Thief: Post-9/11 Experimental Music; 4 Why Protest Albums Can't Teach Dissent: The Emergent Complexity of Post-9/11 Protest; 7 Nine Inch Nails' Year Zero and the Biopolitics of Media Convergence
    Description / Table of Contents: 8 Casualties of War: Hip-Hop and the Old Racial Politics of the Post-9/11 Era9 That Was Now, This Is Then: Recycling Sixties Style in Post-9/11 Music; 10 A New Morning in Amerika: Conservative Politics and Punk Rock in the 2000s; 11 "Agony & Irony": Indie Culture's Sardonic Response to America's Post-9/11 Devolution; Part IV Idle American, American Idol: Mainstream Media and Ideology; 12 Post-Dixie Chicks Country: Carrie Underwood and the Negotiation of Feminist Country Identity; 13 Walking the Great Line: Underoath and Christian Fundamentalism in Punk Rock after 9/11
    Description / Table of Contents: 14 War Is Heavy Metal: Soundtracking the US War in IraqIndex;
    Note: Series information from general editor's preface. - Includes bibliographical references and index. - Description based on print version record , Series from dust jacket , Electronic reproduction; Available via World Wide Web
    URL: Volltext
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    Sonic spaces of the Karoo : the sacred music of a South African coloured community (2011)
    Philadelphia : Temple University Press
    Details
    ISBN: 9781439902394
    Language: English
    Pages: xviii, 201 p.
    Series Statement: African soundscapes
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.27/08905960068754
    RVK:
    LS 47933
    Keywords: Evangelische Kirche ; Geschichte ; Musik ; Church music ; Church music Protestant churches ; Colored people (South Africa) Music ; History and criticism ; Kirchenmusik ; Schwarze ; Südafrika (Staat) ; Graaff-Reinet ; Graaff-Reinet ; Schwarze ; Kirchenmusik ; Geschichte
    Description / Table of Contents: Introduction : the challenges of inscribing coloured voices -- Karoo people and places -- Hidden transcripts : how hymns reveal history -- Senzeni na : interrelationships between the music of mission and independent African church denominations -- Singing the "Queen's English" : church choirs in Kroonvale -- Mothers of the church : women's society music and the politics of gender -- Conclusion : reflections on Karoo sonic spaces
    Note: Includes bibliographical references (p. [169]-189) and index
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  • 57
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    Analytical and cross-cultural studies in world music (2011)
    New York ; : Oxford University Press
    Details
    ISBN: 9780199918331
    Language: English
    Pages: 1 online resource (viii, 461 p.) , ill., music.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Analytical and cross-cultural studies in world music
    DDC: 780.9
    RVK:
    LS 48605
    Keywords: World music History and criticism ; World music Analysis, appreciation ; World music ; History and criticism ; World music ; Analysis, appreciation ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik
    Abstract: This text presents intriguing explanations of extraordinary musical creations from diverse cultures across the world. It recounts the contexts in which the music is created and performed and then hones in on elucidating how the music works as sound in process.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1093/acprof:oso/9780195384581.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 58
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    Jewry in Music : Entry to the Profession from the Enlightenment to Richard Wagner (2011)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781139058483
    Language: English
    Pages: Online-Ressource (1 online resource (356 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Conway, David, 1950 - Jewry in music
    DDC: 780.89924
    RVK:
    LS 33120
    Keywords: Jews Music ; History and criticism ; Jews in music ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews in music ; Jewish musicians ; History ; Jewish composers ; History ; Jews ; Music ; Judentum ; Musik ; Geschichte
    Abstract: David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures – not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    DOI: 10.1017/CBO9781139058483
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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    Prince : the making of a pop music phenomenon (2011)
    Farnham, Surrey : Ashgate
    Details
    ISBN: 9781283297479 , 9781315602134
    Language: English
    Pages: 1 Online-Ressource (xii, 195 Seiten)
    Parallel Title: Erscheint auch als Hawkins, Stan Prince
    DDC: 781.66092
    RVK:
    LS 48040
    Keywords: Prince ; Criticism and interpretation ; Rock music ; United States ; History and criticism ; Verzeichnis ; Prince Musiker 1958-2016
    Note: Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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  • 60
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    Women, the recited Qur'an, and Islamic music in Indonesia (2010)
    Berkeley : University of California Press
    Details
    ISBN: 0520947428 , 9780520947429
    Language: English
    Pages: 1 Online-Ressource (xx, 312 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.7/7008209598
    RVK:
    LR 56600
    RVK:
    LR 57740
    RVK:
    LS 45000
    Keywords: Qurʼan Recitation ; History and criticism ; Indonesia ; Islamic music ; Koran ; Muslim women ; Recitation ; Social conditions ; Women in Islam ; Fine Arts ; MUSIC / Religious / Muslim ; MUSIC / Ethnomusicology ; Islamic music History and criticism ; Muslim women Social conditions ; Women in Islam ; Islam ; Musik ; Muslimin ; Koranrezitation ; Frau ; Indonesien ; Indonesien ; Musik ; Frau ; Indonesien ; Islam ; Musik ; Indonesien ; Muslimin ; Koranrezitation
    Note: Includes bibliographical references (pages 279-295) and index , Setting the scene -- Hearing Islam in the atmosphere -- Learning recitation : the institutionalization of the recited Qur'an -- Celebrating religion and nation : the festivalization of the Qur'an -- Performing piety through Islamic musical arts -- Rethinking women, music, and Islam , Women, the Recited Qur'an, and Islamic Music in Contemporary Indonesia takes readers to the heart of religious musical praxis in Indonesia, home to the largest Muslim population in the world. Anne K. Rasmussen explores a rich public soundscape, where women recite the divine texts of the Qur'an, and where an extraordinary diversity of Arab-influenced Islamic musical styles and genres, also performed by women, flourishes. Based on unique and revealing ethnographic research beginning at the end of Suharto's "New Order" and continuing into the era of "Reformation," the book considers the powerful
    URL: Volltext
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    Music and displacement : diasporas, mobilities, and dislocations in Europe and beyond (2010)
    Lanham, Md. : Scarecrow Press, Inc.
    Details
    ISBN: 9780810874107
    Language: English
    Pages: viii, 207 p
    Series Statement: Europea no. 10
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9
    RVK:
    LP 19500
    RVK:
    LR 56600
    RVK:
    LS 12100
    Keywords: Migration ; Musik ; Music History and criticism ; Emigration and immigration Songs and music ; History and criticism ; Musik ; Migration ; Aufsatzsammlung ; Musik ; Migration
    Description / Table of Contents: The silence of displacement -- Displacement and acculturation -- Theories and/of displacement
    Note: Includes bibliographical references and index
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    In the heart of the beat : the poetry of rap (2010)
    Lanham, Md. : Scarecrow Press
    Details
    ISBN: 9780810861459 , 0810861453
    Language: English
    Pages: xxxiii, 142 p
    Series Statement: African American cultural theory and heritage
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
    HU 1761
    RVK:
    LS 48650
    Keywords: Geschichte ; Rap (Music) Texts ; Rap (Music) History and criticism ; American poetry African American authors ; History and criticism ; Lyrik ; Rap ; USA ; USA ; Rap ; Lyrik ; Geschichte
    Description / Table of Contents: Say what? -- A matter of life : a brief discussion -- From the streets : coloring the multicultural black -- Defining rap/poetry -- Where you from? : local, young, and uncensored -- Toward a critical reading of rap/poetry -- The elements of rap/poetry -- The aesthetics : a summary
    Note: Includes bibliographical references and index
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    Sukuma labor songs from Western Tanzania : we never sleep, we dream of farming (2010)
    Leiden : Brill
    Details
    ISBN: 9789004187603
    Language: English
    Pages: xxxi, 535 p.
    Series Statement: African sources for African history v. 11
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42/159309678
    RVK:
    LS 47508
    Keywords: Musik ; Work songs History and criticism ; Work songs Texts ; Folk songs, Sukuma History and criticism ; Folk songs, Swahili History and criticism ; Sukuma (African people) Music ; History and criticism ; Sukuma ; Arbeitslied ; Swahili ; Tansania ; Tansania ; Swahili ; Sukuma ; Arbeitslied
    Description / Table of Contents: Songs of the Bayeye (snake hunters) and the Banuunguli (porcupine hunters) -- Songs of the Bayege (elephant hunters) -- Songs of the Baja Nyalaja (Lake Eyasi salt caravaners) -- Songs of the Bapagati (long-distance porters) -- Songs of the Balugu (warriors) and Barugaruga (mercenaries) -- Songs of Askaris (conscripted soldiers) -- Songs of reciprocal village labor -- Songs of the Bagobogobo ("skin wearers") and Bakomyaluume ("dew steppers") competitive farming associations -- Songs of the Bagobogobo in praise of the hoe -- Songs of the Balimi (farmers) concerning disease, drought, and famine -- Songs of nationalist praise for TANU, Julius Nyerere, and Uhuru -- Songs of political discourse during the Ujamaa Epoch (1967-1985) -- Songs concerning the war against Idi Amin -- Songs of praise for the CCM since Julius Nyerere's presidency (1985-1995) -- Songs of the Basungusungu (village vigilante associations)
    Note: Texts of labor songs with translation into English, musical transcriptions, and commentary , Includes bibliographical references and indexes , Text in English, Sukuma and Swahili
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    The republic of love : cultural intimacy in Turkish popular music (2010)
    Chicago : University of Chicago Press
    Details
    ISBN: 0226775070 , 9780226775074
    Language: English
    Pages: 1 Online-Ressource (xviii, 219 pages)
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6309561/09045
    RVK:
    LS 36060
    RVK:
    LS 36760
    RVK:
    LS 48060
    Keywords: Müren, Zeki ; Gencebay, Orhan ; Aksu, Sezen ; Yahya Kemal ; Yahya Kemal Musical settings ; History and criticism ; Geschichte 1900-2000 ; Geschichte 1900-2000 ; Musical settings ; Popular music ; Songs, Turkish ; Fine Arts ; MUSIC / Genres & Styles / International ; MUSIC / Genres & Styles / Pop Vocal ; MUSIC / Genres & Styles / New Age ; Popular music History and criticism 20th century ; Songs, Turkish History and criticism 20th century ; Singers ; Unterhaltungsmusik ; Türkei ; Türkei ; Online-Publikation ; Türkei ; Unterhaltungsmusik ; Geschichte 1900-2000
    Note: Includes bibliographical references (pages 195-210) , filmography (p. 211) and index , Zeki Müren: sun of art, ideal citizen -- The affectionate modernism of Orhan Gencebay -- Why cry? Sezen Aksu's diva citizenship -- Three versions of "Beloved Istanbul." , At the heart of The Republic of Love are the voices of three musicians -- queer nightclub star Zeki Muren, arabesk originator Orhan Gencebay, and pop diva Sezen Aksu -- who collectively have dominated mass media in Turkey since the early 1950s. Their fame and ubiquity have made them national icons -- but, Martin Stokes here contends, they do not represent the official version of Turkish identity propagated by anthems or flags; instead they evoke a much more intimate and ambivalent conception of Turkishness. Using these three singers as a lens, Stokes examines Turkeyʹs repressive politics and civil violence as well as its uncommonly vibrant public life in which music, art, literature, sports, and journalism have flourished. However, Stokesʹs primary concern is how Muren, Gencebay, and Aksuʹs music and careers can be understood in light of theories of cultural intimacy. In particular, he considers their contributions to the development of a Turkish concept of love, analyzing the ways these singers explore the private matters of intimacy, affection, and sentiment on the public stage. -- Publisher description
    URL: Volltext
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    Different drummers : rhythm and race in the Americas (2010)
    Berkeley : University of California Press
    Details
    ISBN: 9780520262829 , 9780520262836
    Language: English
    Pages: ix, 280 p
    Series Statement: Music of the African diaspora 14
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/960729
    RVK:
    LS 48015
    RVK:
    LS 48700
    Keywords: Brown, James Criticism and interpretation ; Brown, James ; Geschichte ; Musik ; Schwarze. USA ; Blacks Music ; History and criticism ; African Americans Music ; History and criticism ; Musik ; Schwarze ; Karibik ; Karibik ; Schwarze ; Musik ; Geschichte ; Brown, James 1933-2006
    Note: Includes bibliographical references and index
    URL: http://dx.doi.org/10.1525/california/9780520262829.001.0001
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    Rhythms of the Afro-Atlantic world : rituals and remembrances (2010)
    Ann Arbor : The University of Michigan Press
    Details
    ISBN: 0472027476 , 0472901206 , 9780472027477 , 9780472901203
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als Rhythms of the Afro-Atlantic world
    RVK:
    LS 48900
    Keywords: Geschichte ; Danse ; Hip-hop ; Musique populaire ; Black people ; Dance ; Hip-hop ; HISTORY ; MUSIC ; Popular music ; Black people Music ; History and criticism ; Dance History ; Hip-hop ; Popular music History and criticism ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Karibik ; Amerika ; Africa ; Caribbean Area ; Electronic books ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Amerika ; Karibik ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Geschichte
    Abstract: Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic peoples have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic---Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others---highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures
    Description / Table of Contents: The economic vitamins of Cuba : sacred and other dance performances / Yvonne Daniel -- Performing pentecostalism : music, identity, and the interplay of Jamaican and African American styles / Melvin L. Butler -- "The women have on all their clothes" : reading the texts of holy hip-hop / Deborah Smith Pollard -- Rhythmic remembrances / Yvonne Daniel -- Citizenship and dance in urban Brazil : Grupo Corpo, a case study / Lucía M. Suárez -- Muscle/memories : how Germaine Acogny and Diane McIntyre put their feet down / Susan Leigh Foster -- "To carry the dance of the people beyond" : Jean Léon Destiné, Lavinia Williams, and Danse Folklorique Haïtienne / Millery Polyné -- Motherland hip-hop : connective marginality and African American youth culture in Senegal and Kenya / Halifu Osumare -- New York bomba : Puerto Ricans, Dominicans, and a bridge called Haiti / Raquel Z. Rivera -- Talking drums : soca and go-go music as grassroots identity movements / Deidre R. Gantt -- Warriors of the world : rapso in Trinidad's festival culture / Patricia van Leeuwaarde Moonsammy -- Timba Brava : Maroon music in Cuba / Umi Vaughan -- Salsa memory : revisiting Grupo Folklórico y experimental nuevayorquino / Juan Flores and René López -- Performing memories : the atlantic theater of cultural production and exchange / Carrol Smith-Rosenberg
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    Soul music : tracking the spiritual roots of pop from Plato to Motown (2010)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 9780472022793
    Language: English
    Pages: xiii, 250 p
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6401
    RVK:
    LS 48640
    Keywords: Geschichte ; Musik ; Religion ; Schwarze. USA ; African Americans Music ; History and criticism ; Soul music History and criticism ; Blues (Music) History and criticism ; Music Religious aspects ; Music and philosophy ; Soul ; Religion ; Musikphilosophie ; Schwarze ; Musikästhetik ; Musik ; Blues ; Spiritualität ; Popmusik ; USA ; Electronic books ; USA ; Schwarze ; Popmusik ; Musikphilosophie ; Musikästhetik ; Spiritualität ; USA ; Schwarze ; Musik ; Geschichte ; USA ; Popmusik ; Religion ; Spiritualität ; Soul ; Blues ; Spiritualität ; Geschichte
    Note: Includes bibliographical references and index
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  • 68
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    Music, Culture and Social Reform in the Age of Wagner (2010)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781139042758
    Language: English
    Pages: Online-Ressource (1 online resource (306 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Garratt, James, 1974 - Music, culture and social reform in the age of Wagner
    Parallel Title: Print version
    DDC: 306.4/842094309034
    RVK:
    LQ 80300
    RVK:
    LR 57725
    RVK:
    LP 63020
    Keywords: Wagner, Richard ; Music Political aspects ; History ; 19th century ; Germany ; Music Social aspects ; History ; 19th century ; Germany ; Music Social aspects 19th century ; History ; Music Political aspects 19th century ; History ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Music ; Germany ; 19th century ; History and criticism ; Socialism and music ; Germany ; History ; 19th century ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1815-1870 ; Deutschland ; Musikästhetik ; Politik ; Geschichte 1815-1870 ; Deutschland ; Musik ; Politik ; Geschichte 1800-1900 ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1800-1900
    Abstract: Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic
    Abstract: Liberalism, autonomy and the social functions of art. Liberal individualism, perfectionism and aesthetic autonomy ; Music and Schillerian autonomy ; Choral music and socialization in the early nineteenth century: Nägeli and Zelter -- Radical and social aesthetics in the Vormärz. The trouble with Tannhäuser: artistic discourse as oppositional politics ; Left Hegelians and the politicization of literature and music ; Socialism in Vormärz literary and musical discourse -- Speaking for the Volk: music, politics and Vormärz festivals. Commemorative festivals and the cult of genius ; Lortzing, Mendelssohn and the Leipzig Gutenberg Festival ; An equal music? Singing festivals as mass and counter-culture ; To the artists (i): Mendelssohn and the German-Flemish singing festival -- Revolutionary voices: blueprints for an aesthetic state. Musical reform and the state ; Wagner, Lortzing and the music of revolution -- Music and the politics of post-revolutionary culture. Between anarchism and socialism: Wagner's Zurich essays ; The politics of progressivism: Liszt and the New German School ; To the artists (ii): Liszt and the Karlsruhe music festival ; Citizen Sachs? A Wagnerian coda -- The song of the workers: idylls and activism. Socialization and self-help: workers' education societies ; Lassalle, Bülow and the end of bourgeois music ; Schiller's heirs: art, Bildung and proletarian identity
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    DOI: 10.1017/CBO9781139042758
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    URL: Inhaltsverzeichnis
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    Give my poor heart ease : voices of the Mississippi blues (2009)
    Chapel Hill [N.C.] : University of North Carolina Press
    Details
    ISBN: 080789852X , 1469605295 , 9780807898529 , 9781469605296
    Language: English
    Pages: 1 Online-Ressource (xiv, 302 pages)
    Series Statement: H. Eugene and Lillian Youngs Lehman series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64309762
    RVK:
    LQ 89407
    RVK:
    LS 48500
    Keywords: MUSIC / Genres & Styles / Blues ; MUSIC / Genres & Styles / Soul & R 'n B. ; African Americans / Music ; Blues (Music) ; Blues musicians ; Blues ; Musik ; Schwarze. USA ; Blues musicians Interviews ; Blues (Music) History and criticism ; African Americans Music ; History and criticism ; Blues ; Bluesmusiker ; Staat Mississippi ; Interview ; Staat Mississippi ; Bluesmusiker ; Staat Mississippi ; Blues
    Note: "This book was published with the assistance of the H. Eugene and Lillian Youngs Lehman Fund of the University of North Carolina Press"--Title page verso , Includes bibliographical references (pages 259-269) , discography (p. 269-284) , filmography (p. 284-289) and index , Blues roots - Rose Hill - Mary Gordon - Reverend Isaac Thomas -- - Lake Mary - Martha Dunbar - Scott Dunbar -- - Lorman - Louis Dotson -- - Centreville - Fannie Bell Chapman -- - Gravel Springs - Otha Turner -- - Parchman Penitentiary - Johnny Lee "Have Mercy" Thomas - Camp B work chant - James "Blood" Shelby - Ben Gooch - Sergeant Webb - Roosevelt Stewart, Jr. -- - Tutwiler - Tom Dumas - Lee Kizart -- - A delta road in Coahoma County - C.L. Redwine - Corine Gardner -- - Blues towns and cities - Leland - James "Son Ford" Thomas - Gussie Tobe - Shelby "Poppa Jazz" Brown -- - Clarksdale - Jasper Love - Wade Walton -- - WOKJ, Jackson - Joe "Poppa Rock" Louis : The Big Daddy Show - Bruce Payne, news - Reverend Marcus Butler : gospel music - Gary's Meat House ad - Bruce Payne -- - Beale Street - Robert Shaw -- - Looking back - Willie Dixon - B.B. King -- - Sacred and secular worlds - Rose Hill Church : Rose Hill Church service - Clarksdale : house party , Throughout the 1960s and 1970s, folklorist William Ferris toured his home state of Mississippi, documenting the voices of African Americans as they spoke about and performed the diverse musical traditions that form the authentic roots of the blues. Illustrated with Ferris's photographs of the musicians and their communities and including a dual CD/DVD that presents his original field recordings and films, this book features more than 20 interviews relating frank, dramatic, and engaging narratives about black life and blues music in the heart of the American South. Oversize, with 45 halftones a
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  • 70
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    Digging : the Afro-American soul of American classical music (2009)
    Berkeley : University of California Press
    Details
    ISBN: 9780520943094
    Language: English
    Pages: 411 p., [14] p.
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
    RVK:
    LQ 89307
    RVK:
    LS 48050
    RVK:
    LS 48100
    Keywords: Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Music History and criticism ; African American musicians ; Musik ; Schwarze ; USA ; USA ; Musik ; Schwarze
    Note: "George Gund Foundation imprint in African American studies" , Includes discographies
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    Jews, race and popular music (2009)
    Farnham : Ashgate
    Details
    Language: English
    Pages: 1 Online-Ressource (x, 227 Seiten) , 24 cm
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Stratton, Jon, 1950 - Jews, race and popular music
    DDC: 781.64089924
    RVK:
    LS 48000
    Keywords: Popular music ; History and criticism ; Jews ; Music ; History and criticism ; Jewish singers ; History ; 20th century ; Jewish singers ; History ; 21st century ; Juden ; Englisches Sprachgebiet ; Popmusik ; Geschichte
    Note: Formerly CIP Uk. - Includes bibliographical references (p. [201]-214) and index. - Moanin' low -- Jews dreaming of acceptance -- Stay with me -- Jews and blues -- The Beastie Boys -- A Jew singing like a Black woman in Australia -- Not quite English -- Visibly Jewish
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  • 72
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    Playing across a divide : Israeli-Palestinianmusical encounters (2009)
    Oxford : Oxford University Press
    Details
    ISBN: 9780199852666
    Language: English
    Pages: 1 online resource (360 p.) , ill.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Brinner, Benjamin, 1954 - Playing across a divide
    DDC: 780.9569409049
    RVK:
    LS 33600
    RVK:
    LS 33630
    RVK:
    LS 34000
    Keywords: Music History and criticism ; Palestinian Arabs Music ; History and criticism ; Music Social aspects ; Music ; Israel ; History and criticism ; Palestinian Arabs ; Music ; History and criticism ; Music ; Social aspects ; Israel ; Israeli ; Palästinenser ; Musiker ; Kulturkontakt ; Konfliktregelung ; Musikethnologie
    Abstract: Following the bands Bustan Abraham and Alei Hazayit from their creation and throughout their careers, as well as the collaborative projects of Israeli artist Yair Dalal, this book demonstrates the possibility of musical alternatives to violent conflict and hatred in an intensely contested, multicultural environment.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1093/acprof:oso/9780195395945.001.0001
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  • 73
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    The shadow and the act : black intellectual practice, jazz improvisation, and philosophical pragmatism (2009)
    Chicago : University of Chicago Press
    Details
    ISBN: 0226554252 , 9780226554259
    Language: English
    Pages: 1 Online-Ressource (xi, 216 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 810.9/3578
    RVK:
    LS 48200
    Keywords: Baldwin, James / 1924-1987 ; Baraka, Amiri / 1934-2014 ; Ellison, Ralph ; Ellison, Ralph Criticism and interpretation ; Baldwin, James Criticism and interpretation ; Baraka, Amiri Criticism and interpretation ; American literature ; Ellison, Ralph ; Jazz ; LITERARY CRITICISM / American / General ; American literature / African American authors ; Improvisation (Music) ; Jazz ; Jazz in literature ; Jazz ; Improvisation ; Intellektuelle Anschauung ; American literature African American authors ; History and criticism ; Jazz in literature ; Jazz History and criticism ; Improvisation (Music) ; Improvisation ; Jazz ; Intellektuelle Anschauung ; Jazz ; Improvisation ; Jazz ; Intellektuelle Anschauung
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 189-196) and index , Introduction: Vamping 'til ready -- Three ways of looking at a yardbird : Charlie Parker and the theorization of jazz improvisation in the work of Ralph Ellison, James Baldwin, and LeRoi Jones/Amiri Baraka -- Black is, black ain't : violence, black masculinity, and the novel as democratic symbol -- Cutting session : Baldwin as prizefighting intellectual, Baldwin as improvising intellectual -- Improvising over the changes : improvisation as intellectual and aesthetic practice in the transitional poems of LeRoi Jones/Amiri Baraka -- Coda , Though often thought of as rivals, Ralph Ellison, James Baldwin, and Amiri Baraka shared a range of interests, especially a passion for music. Jazz, in particular, was a decisive influence on their thinking, and, as The Shadow and the Act reveals, they drew on their insights into the creative process of improvisation to analyze race and politics in the civil rights era. In this inspired study, Walton M. Muyumba situates them as a jazz trio, demonstrating how Ellison, Baraka, and Baldwin's individual works form a series of calls and responses with each other. Muyumba connects their writings on
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    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226554259.001.0001/upso-9780226554235
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    Jewish music and modernity (2009)
    New York, NY [u.a.] : Oxford Univ. Press
    Details
    ISBN: 9780195178326
    Language: English
    Pages: 1 Online-Ressource (XXXIII, 280 S.) , Ill.
    Series Statement: Oxford scholarship online
    Series Statement: AMS studies in music
    Parallel Title: Erscheint auch als
    DDC: 780.89/924
    RVK:
    LS 33120
    RVK:
    LR 57730
    RVK:
    LS 33100
    Keywords: Geschichte 1890-1933 ; Geschichte ; History and criticism ; Jews - Music ; Modernism (Music) ; Juden ; Musik ; Jews Music ; History and criticism ; Modernism (Music) ; Zionismus ; Judentum ; Urbanität ; Musik ; Modernität ; Deutschland ; Judentum ; Musik ; Urbanität ; Geschichte ; Zionismus ; Musik ; Judentum ; Musik ; Modernität ; Urbanität ; Geschichte 1890-1933 ; Deutschland ; Judentum ; Musik ; Geschichte
    Note: Includes bibliographical references, discography, and index
    DOI: 10.1093/acprof:oso/9780195178326.001.0001
    URL: Volltext
    URL: Volltext
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  • 75
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    Theorizing the local : music, practice, and experience in South Asia and beyond (2009)
    New York ; : Oxford University Press
    Details
    ISBN: 9780199868087
    Language: English
    Pages: 1 online resource (336 p.) , ill.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Theorizing the local
    DDC: 780.954
    RVK:
    LS 39000
    Keywords: Music History and criticism ; Music ; Southeast Asia ; History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Südasien ; Musik ; Globalisierung ; Südostasien ; Musik ; Globalisierung
    Abstract: 'Theorizing the Local' rethinks South Asian music in light of diverse regional practices. Using comparative microstudies to cross the traditional borders of scholarship on Nepal, India, Sri Lanka, Pakistan, and Iran, the book provides new footing for South Asia in the study of today's musical world.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1093/acprof:oso/9780195331370.001.0001
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    The Garland handbook of Southeast Asian music (2008)
    New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780203931448
    Language: English
    Pages: 1 Online-Ressource (xx, 496 Seiten)
    Uniform Title: The Garland encyclopedia of world music
    Parallel Title: Erscheint auch als The Garland handbook of Southeast Asian music
    DDC: 780.959
    RVK:
    LS 40000
    Keywords: Music Southeast Asia ; History and criticism ; Enzyklopädie ; Südostasien ; Musik
    Note: "The Garland handbook of Southeast Asian music is an abridged paperback edition of Southeast Asia, volume 4 of The Garland encyclopedia of world music, with revised essays" -- T.p. verso , Discography: p.473-482. - Includes bibliographical references (p. 465-472) and index
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  • 77
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    Mexican American mojo : popular music, dance, and urban culture in Los Angeles, 1935-1968 (2008)
    Durham : Duke University Press
    Details
    ISBN: 9780822389385 , 082238938X
    Language: English
    Pages: xvi, 383 p.
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als Macías, Anthony F., 1969 - Mexican American mojo
    DDC: 781.6408968/72079494
    RVK:
    HD 475
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Mexican Americans Music ; History and criticism ; Mexican Americans Social life and customs ; Popular music ; California ; Los Angeles ; History and criticism ; Mexican Americans ; California ; Los Angeles ; Music ; History and criticism ; Mexican Americans ; California ; Los Angeles ; Social life and customs ; Electronic books ; Electronic books ; Electronic books ; Los Angeles, Calif. ; Chicanos ; Musikleben ; Sozialgeschichte 〈1935-1968〉 ; Los Angeles, Calif. ; Rockmusik ; Geschichte 〈1935-1968〉 ; Los Angeles, Calif. ; Jazz ; Geschichte 〈1935-1968〉
    Abstract: Mojo in motion : the swing era -- The drape shape : intercultural style politics -- Boogie woogie breakthrough : the rhythm and blues era -- Come on, let's go : the rock and roll era -- Con sabor Latino : Latin jazz, the mambo, and Latin holidays.
    Note: Includes bibliographical references and index
    DOI: 10.1215/9780822389385
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822389385
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822389385?locatt=mode:legacy
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    Jewish music and modernity : music and cultural contestation in Central Europe (2008)
    New York : Oxford University Press
    Details
    ISBN: 9780199869992
    Language: English
    Pages: 1 online resource (368 p.)
    Series Statement: AMS studies in music
    Parallel Title: Erscheint auch als Bohlman, Philip V., 1952 - Jewish music and modernity
    Parallel Title: Print version
    Parallel Title: Erscheint auch als Bohlman, Philip V., 1952 - Jewish music and modernity
    DDC: 780.89/924
    RVK:
    LS 33120
    RVK:
    LR 57736
    Keywords: Jews History ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews ; Germany ; History ; Jews Music ; History and criticism ; Jews Germany ; History ; Jews ; Germany ; Music ; Jews ; Germany ; History ; Deutschland ; Juden ; Musik ; Moderne ; Geschichte ; Judentum ; Musik ; Modernität ; Urbanität ; Geschichte 1890-1933 ; Zionismus ; Musik
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1093/acprof:oso/9780195178326.001.0001
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    URL: Volltext  (lizenzpflichtig)
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    Jewish music and modernity : music and cultural contestation in Central Europe (2008)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780199869992
    Language: English
    Pages: 1 Online-Ressource (368 p.) , Ill.
    Series Statement: AMS studies in music
    DDC: 780.89924
    RVK:
    LS 33120
    Keywords: Geschichte ; Judentum ; Musik ; Modernität ; Jews Music ; History and criticism ; Jews History
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780195178326.001.0001
    URL: http://dx.doi.org/10.1093/acprof:oso/9780195178326.001.0001
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  • 80
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    Sizhu instrumental music of South China : ethos, theory and practice (2008)
    Leiden : Brill
    Details
    ISBN: 9789047432777
    Language: English
    Pages: Online-Ressource (xviii, 218 p) , ill , 25 cm
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2011 Electronic reproduction; Available via World Wide Web
    Series Statement: Sinica Leidensia v. 84
    Series Statement: Brill eBook titles 2008
    Parallel Title: Erscheint auch als Thrasher, Alan R., 1944 - Sizhu instrumental music of South China
    DDC: 784.0951/2
    RVK:
    LS 41500
    Keywords: Instrumental music History and criticism ; Music theory History ; Music theory History ; Instrumental music History and criticism ; Folk music China ; Chaozhou Shi ; History and criticism ; Instrumental music China ; Chaozhou Shi ; History and criticism ; Folk music China ; Guangzhou ; History and criticism ; Instrumental music China ; Guangzhou ; History and criticism ; Hakka (Chinese people) Music ; China Südost ; Ensemblemusik ; Instrumentalmusik ; Aufführung ; Repertoire ; Ethos ; Musiktheorie
    Abstract: A study on Chinese music, based on the author's extensive fieldwork and a thorough knowledge of the scholarly literature. Itexamines the theoretical underpinnigs
    Description / Table of Contents: Contents ; Preface; Conventions; Acknowledgments; Chapter One Sizhu Music in South China; Chapter Two Yuelun: the Confucian Foundation; Chapter Three Qingshang Music and the Historic Legacy; Chapter Four Yuelü: Music Theory and Practice; Chapter Five Baban and the Sizhu Repertoire; Chapter Six Bianzou: Performance Practice and Aesthetics; Postscript; Appendix A: Gongche Notation System and Selected R epertoire; Appendix B: Cipher Notation System and Selected R epertoire; Glossary of Chinese Technical Terms and Repertoire; Bibliography; Index
    Note: Includes bibliographical references (p. [205]-211) and index , Electronic reproduction; Available via World Wide Web
    DOI: 10.1163/ej.9789004165007.I-218
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    Cross the water blues : African American music in Europe (2007)
    Jackson : University Press of Mississippi
    Details
    ISBN: 1578069602 , 9781578069606
    Language: English
    Pages: xii, 289 p.
    Edition: 1st ed
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.899607304
    RVK:
    LS 48000
    Keywords: Geschichte ; Musik ; Schwarze. USA ; African Americans Music Influence ; African Americans Music ; History and criticism ; Popular music History and criticism ; Rezeption ; Musik ; Schwarze ; Popmusik ; Europa ; USA ; Europa ; Europa ; Popmusik ; Schwarze ; Geschichte ; USA ; Schwarze ; Musik ; Rezeption
    Note: Includes bibliographical references and index
    URL: Volltext
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  • 82
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    Rockmusik in den 50er und 60er Jahren : von der jugendlichen Rebellion zum Protest einer Generation (2007)
    Baden-Baden : Nomos Verlag
    Details
    ISBN: 9783845202242 , 9783832925222
    Language: German
    Pages: Online-Ressource (1 online resource)
    Edition: 1. Auflage 2007 (Online-Ausg.)
    Parallel Title: Druckausg. Fifka, Matthias S., 1974 - Rockmusik in den 50er und 60er Jahren
    RVK:
    LS 48000
    Keywords: Allgemeines und Geschichte der Medien ; Media Studies: General & History ; Fundamentals, History of the Media ; Allgemeines und Geschichte der Medien ; Popular culture United States ; Popular music United States ; History and criticism ; Rock music United States ; History and criticism ; Medienwissenschaft ; Allgemeines und Geschichte der Medien ; Kommunikationsforschung ; Rock and Roll ; amerikanische Jugendkultur ; politischer Protest ; The Beatles ; Rockmusik ; 50er Jahre ; 60er Jahre ; Beatles ; Rolling Stones ; The Who ; Bob Dylan ; Elvis ; Chuck Berry ; Anti Establishment ; Hippies ; Gegenkultur ; Rockmusik ; Geschichte 1950-1970
    Abstract: Abstract AbstractRock and Roll entwickelte sich in den 50er Jahren zu einer Ausdrucksform jugendlicher Rebellion gegen elterliche Vorstellungen von Moral und Disziplin. Künstler wie Chuck Berry, Jerry-Lee Lewis und Elvis Presley verkörperten diesen Wunsch nach der Befreiung von konservativen Werten und Traditionen. In den 60er Jahren weitete sich der Protest gegen das gesamte gesellschaftliche, politische und wirtschaftliche System aus, den die Rockmusik dieser Zeit widerspiegelte. Bob Dylan, die Beatles, die Rolling Stones und andere Idole bewegten mit ihren Liedern eine ganze Generation. Das Buch zeichnet in Form einer musikalischen Zeitreise die Entwicklung der Rockmusik in den 50er und 60er Jahren nach. Dabei wird ihre Bedeutung und die ihrer wichtigsten Vertreter unter musikalischen und gesellschaftlichen Aspekten untersucht
    Abstract: Abstract AbstractRock and Roll entwickelte sich in den 50er Jahren zu einer Ausdrucksform jugendlicher Rebellion gegen elterliche Vorstellungen von Moral und Disziplin. Künstler wie Chuck Berry, Jerry-Lee Lewis und Elvis Presley verkörperten diesen Wunsch nach der Befreiung von konservativen Werten und Traditionen. In den 60er Jahren weitete sich der Protest gegen das gesamte gesellschaftliche, politische und wirtschaftliche System aus, den die Rockmusik dieser Zeit widerspiegelte. Bob Dylan, die Beatles, die Rolling Stones und andere Idole bewegten mit ihren Liedern eine ganze Generation. Das Buch zeichnet in Form einer musikalischen Zeitreise die Entwicklung der Rockmusik in den 50er und 60er Jahren nach. Dabei wird ihre Bedeutung und die ihrer wichtigsten Vertreter unter musikalischen und gesellschaftlichen Aspekten untersucht
    DOI: 10.5771/9783845202242
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Rezension
    URL: Inhaltsverzeichnis
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  • 83
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    The games black girls play : learning the ropes from Double-dutch to Hip-hop (2006)
    New York : New York University Press
    Details
    ISBN: 1435600312 , 9781435600317
    Language: English
    Pages: 1 Online-Ressource (xv, 221 p.)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780/.89/96073
    RVK:
    LC 86610
    RVK:
    LS 48050
    Keywords: MUSIC / Ethnomusicology ; Muziek ; Kinderspel ; Seilspringen ; Abzählreim ; Kinderspiel ; Mädchen ; Rap ; Gesellschaft ; Alltag, Brauchtum ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; African American girls Social life and customs ; Rap (Music) History and criticism ; Singing games ; Double dutch (Rope skipping) ; Kinderspiel ; Schwarze ; Rap ; Mädchen ; Abzählreim ; Gesellschaft ; Seilspringen ; USA ; USA ; USA ; Mädchen ; Seilspringen ; Abzählreim ; Kinderspiel ; USA ; Mädchen ; Schwarze ; USA ; Rap ; Gesellschaft
    Note: Includes bibliographical references (p. 197-210) and index , Slide : games as lessons in black musical style -- Education, liberation : learning the ropes of a musical blackness -- Mary Mack dressed in black : the earliest formation of a popular music -- Saw you with your boyfriend : music between the sexes -- Whose got next game? : women, hip-hop, and the power of language -- Double forces has got the beat : reclaiming girls' music in the sport of double-dutch -- Let a woman jump : dancing with the Double Dutch Divas
    URL: Volltext
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  • 84
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    Online Resource
    Caribbean currents : caribbean music from rumba to reggae (2006)
    Philadelphia PA : Temple University Press
    Details
    ISBN: 9781592134632
    Language: English
    Edition: Rev. and expanded ed.
    Edition: Online-Ausg. [s.l.] eblib 2012 Online Ressource
    Parallel Title: Druck-Ausg. Manuel, Peter, 1952 - Caribbean currents
    DDC: 780.9729
    RVK:
    LS 48700
    Keywords: Music West Indies ; History and criticism ; Music Caribbean Area ; History and criticism ; Bibliografie ; Karibik ; Musik ; Geschichte Anfänge-2004
    URL: Volltext
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  • 85
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    Phonographies : grooves in sonic Afro-modernity (2005)
    Durham : Duke University Press
    Details
    ISBN: 9780822386933 , 0822386933
    Language: English
    Pages: 1 Online-Ressource (xii, 286 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48050
    Keywords: Geschichte 1900-2000 ; Popular music Social aspects ; History ; 20th century ; Sound Recording and reproducing ; Social aspects ; Blacks Music ; 20th century ; History and criticism ; African Americans Music ; History and criticism ; Music and literature History ; 20th century ; Musik ; Sound ; Schwarze ; USA ; Electronic books ; USA ; Schwarze ; Musik ; Sound ; Geschichte 1900-2000
    Note: Includes bibliographical references (pages [257]-278) and index , Intro : It's beginning to feel like -- Hearing sonic Afro-modernity -- "I am I be" : a subject of sonic Afro-modernity -- In the mix -- Consuming sonic technologies -- Sounding diasporic citizenship -- Outro : thinking sound/sound thinking (slipping into the breaks remix)
    DOI: 10.1215/9780822386933
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 86
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    Online Resource
    Real country : music and language in working-class culture (2004)
    Durham : Duke University Press
    Details
    ISBN: 9780822385998 , 0822385996
    Language: English
    Pages: 1 Online-Ressource (xv, 363 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LC 87610
    RVK:
    LS 48610
    RVK:
    MS 1420
    Keywords: Country music Texas ; Lockhart ; History and criticism ; Working class Texas ; Lockhart ; Songs and music ; History and criticism ; Music and language ; Arbeiterklasse ; Countrymusic ; Texas ; Electronic books ; Texas ; Countrymusic ; Arbeiterklasse
    Note: Includes bibliographical references (pages [349]-356) and indexes , "Turns" -- Voicing working-class culture -- Knowing Lockhart: two perspectives -- Out the country : space, time, and stereotype -- The fool in the mirror : self, person, and subjectivity -- "Feeling" and "relating" : speech, song, story, and emotion -- Bring me up in a beer joint : the poetics of speech and song -- The women take care of that : engendering working-class culture -- The art of singing : speech and song in performance -- "I hang my head and cry" : the character of the voice
    DOI: 10.1215/9780822385998
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 87
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    The Cambridge companion to jazz (2004)
    Cambridge [u.a.] : Cambridge University Press
    Details
    ISBN: 9781139002233 , 9780521663205 , 9780521663885
    Language: English
    Pages: 1 Online-Ressource (XXII, 403 S.) , Ill.
    Edition: Repr.
    Edition: New York Cambridge Collections Online 2011 Cambridge companions online
    Edition: The Cambridge companions complete collection
    Edition: The Cambridge companions to music
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als The Cambridge companion to jazz
    DDC: 781.65
    RVK:
    LS 48200
    RVK:
    AE 55000
    Keywords: Jazz ; History and criticism ; Jazz ; History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Jazz
    Abstract: The vibrant world of jazz may be viewed from many perspectives, from social and cultural history to music analysis, from economics to ethnography. It is challenging and exciting territory. This volume of nineteen specially commissioned essays provides informed and accessible guidance to the challenge, offering the reader a range of expert views on the character, history and uses of jazz. The book starts by considering what kind of identity jazz has acquired and how, and goes on to discuss the crucial practices that define jazz and to examine some specific moments of historical change and some important issues for jazz study. Finally, it looks at a set of perspectives that illustrate different 'takes' on jazz - ways in which jazz has been valued and represented.
    Note: Bibliogr. S. 357 - 376 , pt. 1 A brief chronology of jazz ; The word 'jazz' , Jazz times. The identity of jazz , The jazz diaspora , The jazz audience , Jazz and dance , Jazz as cultural practice , Jazz improvisation , Spontaneity and organisation , Jazz among the classics, and the case of Duke Ellington , Free jazz and the avant-garde , Fusions and crossovers , History, myth, and legend: the problem of early jazz , Analysing jazz , The jazz market , Images of jazz
    DOI: 10.1017/CCOL9780521663205
    URL: Volltext
    URL: Volltext
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  • 88
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    Singing in my soul : black gospel music in a secular age (2004)
    Chapel Hill : University of North Carolina Press
    Details
    ISBN: 0807863610
    Language: English
    Pages: xii, 193 p.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.25/4
    RVK:
    LS 48400
    Keywords: Geschichte ; Gesellschaft ; Musik ; Schwarze. USA ; Gospel music History and criticism ; African Americans Music ; History and criticism ; Popular music Social aspects ; Gospelsong ; USA ; Gospelsong ; Geschichte
    Description / Table of Contents: Restraint or exuberance : music and religion after Reconstruction -- I just do what the Lord say : gospel as women's missionary work -- Choirs, studios, and unions : the grassroots campaign for gospel -- With her spirituals in swing : Sister Rosetta Tharpe, gospel, and popular culture -- Between religion and commerce : gospel in the postwar era
    Note: Includes bibliographical references (p. [167]-184) and index
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  • 89
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    Holy brotherhood : Romani music in a Hungarian Pentecostal church (2003)
    Oxford : Oxford University Press
    Details
    ISBN: 0195343948 , 9780195343946
    Language: English
    Pages: 1 Online-Ressource (xiii, 205 p.)
    Parallel Title: Erscheint auch als
    DDC: 781.71/89
    RVK:
    LB 46275
    RVK:
    LC 86275
    RVK:
    LS 20970
    Keywords: Isten Gyülekezet (Pécs, Hungary) ; Isten Gyülekezet (Pécs, Hungary) ; MUSIC / Religious / Christian ; MUSIC / Religious / Contemporary Christian ; Geschichte ; Musik ; Romanies Music History and criticism ; Pentecostals Hymns ; History and criticism ; Pentecostals History ; Pentecostals History ; Romanies Religion ; Kirchenmusik ; Rumänen ; USA ; Ungarn ; Ungarn ; Ungarn ; Rumänen ; Kirchenmusik
    Note: Includes bibliographical references (p. 187-198) and index
    URL: Volltext
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  • 90
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    Online Resource
    Race Music : black cultures from Bebop to Hip-Hop (2003)
    Berkeley : University of California Press
    Details
    ISBN: 0520938437 , 9780520938434
    Language: English
    Pages: 1 online resource (297 pages)
    Parallel Title: Erscheint auch als
    DDC: 781.64/089/96073
    RVK:
    LS 48050
    Keywords: Geschichte ; MUSIC / Genres & Styles / Pop Vocal ; MUSIC / General ; African Americans in popular culture ; African Americans / Music ; Popular music / Social aspects ; Gesellschaft ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Popular music Social aspects ; African Americans in popular culture ; Musik ; Schwarze ; USA ; USA ; USA ; Musik ; Schwarze ; Geschichte
    Description / Table of Contents: Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music
    Note: Print version record
    URL: Volltext
    URL: Volltext
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  • 91
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    Tejano proud : Tex-Mex music in the twentieth century (2002)
    College Station : Texas A & M University Press
    Details
    ISBN: 1585449644 , 9781585449644
    Language: English
    Pages: 1 Online-Ressource (xv, 192 pages)
    Edition: 1st ed
    Series Statement: Fronteras series no. 1
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64/089/68720764
    RVK:
    LS 48900
    Keywords: Geschichte 1927-2000 ; MUSIC / Genres & Styles / Pop Vocal ; Mexican Americans / Music ; Tejano music ; Volksmuziek ; Beïnvloeding ; Musik ; Tejano music History and criticism ; Mexican Americans Music Music ; History and criticism ; Tex Mex Music ; Tex Mex Music ; Geschichte 1927-2000
    Note: Discography: pages 137-142 , Includes bibliographical references (pages 183-184) , and index , Música tejana : its essential elements -- Diversity and change in the initial recordings, 1927-41 -- Post-World War II developments, 1946-64 -- Before the arrival of the major record labels, 1964-89 -- The era of corporate involvement, 1989-99 -- Trends in música tejana during the 1990s
    URL: Volltext
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  • 92
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    Seems like murder here : southern violence and the blues tradition (2002)
    Chicago : University of Chicago Press
    Details
    ISBN: 0226311007 , 9780226310985 , 9780226311005
    Language: English
    Pages: 1 Online-Ressource (xiv, 341 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.643/0975
    RVK:
    LS 48500
    Keywords: Fine Arts ; MUSIC / Genres & Styles / Blues ; MUSIC / Genres & Styles / Soul & R 'n B. ; African Americans / Intellectual life ; African Americans / Social conditions ; American literature / African American authors ; Blues (Music) ; Intellectual life ; Literature ; Race relations ; Violence ; Blues ; Rassenkonflikt ; Blues ; Gewalttätigkeit ; Geschichte ; Literatur ; Schwarze. USA ; African Americans Intellectual life ; African Americans Social conditions ; Blues (Music) History ; Blues (Music) in literature ; Violence in literature ; Race relations in literature ; American literature African American authors ; History and criticism ; Violence History ; Gewalt ; Blues ; USA Südstaaten ; USA Südstaaten ; Gewalt ; Blues
    Note: Includes bibliographical references (pages 313-326) and index , "I'm tore down" -- Lynching and the birth of a blues tradition -- "Make my getaway" -- Southern violence and blues entrepreneurship in W.C. Handy's Father of the blues -- Dis(re)memberment blues -- Narratives of abjection and redress -- "Shoot myself a cop" -- Mamie Smith's "Crazy blues" as social text -- Guns, knives, and buckets of blood -- The predicament of blues culture -- "The blade already crying in my flesh" -- Zora Neale Hurston's blues narratives , Winner of the 2004 C. Hugh Holman Award from the Society for the Study of Southern Literature. Seems Like Murder Here offers a revealing new account of the blues tradition. Far from mere laments about lost loves and hard times, the blues emerge in this provocative study as vital responses to spectacle lynchings and the violent realities of African American life in the Jim Crow South. With brilliant interpretations of both classic songs and literary works, from the autobiographies of W.C. Handy, David Honeyboy Edwards, and B.B. King to the poetry of Langston Hughes and the novels of Zora Neal
    URL: Volltext
    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226311005.001.0001/upso-9780226310978
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  • 93
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    Performing Africa (2002)
    Princeton, N.J. : Princeton University Press
    Details
    ISBN: 0691074887 , 0691074895
    Language: English
    Pages: 1 Online-Ressource (xviii, 244 p.)
    Edition: Sekundärausgabe Alexandria, VA Alexander Street Press 2012 (Anthropology online)
    Parallel Title: Reproduktion von Ebron, Paulla A. Performing Africa
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.62/96345
    RVK:
    LS 46525
    RVK:
    LS 47940
    Keywords: Musik ; Folklore Performance ; Griots Music ; History and criticism ; Mandingo (African people) Music ; History and criticism ; Music History and criticism ; Musik ; Afrika ; Malinke ; Gambia ; Gambia ; Musik ; Afrika ; Malinke ; Musik
    Note: Includes bibliographical references (p. 225-235) and index
    URL: Volltext
    URL: Volltext
    URL: Volltext
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  • 94
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    Deep river : music and memory in Harlem Renaissance thought (2001)
    Durham : Duke University Press
    Details
    ISBN: 9780822383048 , 0822383047
    Language: English
    Pages: 1 Online-Ressource (x, 335 Seiten) , Illustrationen
    Series Statement: New Americanists
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    HU 1728
    RVK:
    LS 48050
    Keywords: African Americans New York (State) ; New York ; Music ; History and criticism ; Harlem Renaissance ; Harlem renaissance ; Musik ; Geschichte ; Schwarze ; Harlem (New York, N.Y.) Intellectual life ; 20th century ; USA ; New York, NY ; Electronic books ; New York, NY ; Musik ; Schwarze ; Geschichte ; USA ; Musik ; Schwarze ; Harlem renaissance ; Musik
    Note: Includes bibliographical references (pages [311]-323) and index , "Unvoiced longings": Du Bois and the "sorrow songs" -- Swan songs and art songs: the spirituals and the "new Negro" in the 1920s -- "The twilight of aestheticism": Locke on cosmopolitanism and musical evolution -- "Beneath the seeming informality": Hughes, Hurston, and the politics of form -- Saving jazz from its friends: the predicament of jazz criticism in the swing era
    DOI: 10.1215/9780822383048
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 95
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    Africa and the blues (1999)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781578061464 , 9781604737288
    Language: English
    Pages: xviii, 240 p.
    Edition: Print-on-demand ed
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.643/096
    RVK:
    LS 46000
    RVK:
    LS 48500
    Keywords: Musik ; Blues (Music) African influences ; Blacks Music ; History and criticism ; Music History and criticism ; Entstehung ; Blues ; Schwarze ; Afrika ; Afrika ; Amerika ; Afrika ; Blues ; Amerika ; Schwarze ; Afrika ; Blues ; Entstehung
    Description / Table of Contents: pt. 1. Out of Africa -- pt. 2. Return to Africa
    Note: Includes bibliographical references and indexes
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  • 96
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    Songs of the women migrants : performance and identity in South Africa (1999)
    Edinburgh : Edinburgh University Press for the International African Institute
    Details
    ISBN: 9781474469579 , 1474469574
    Language: English
    Pages: 1 Online-Ressource (x, 238 pages) , illustrations, maps, portraits
    Series Statement: International African library 22
    Parallel Title: Erscheint auch als James, Deborah Songs of the women migrants
    RVK:
    LS 47974
    Keywords: Blacks Music ; History and criticism ; Music History and criticism ; Working class Songs and music History and criticism ; Women singers ; Music Social aspects ; Migrant labor ; Women employees ; Black people Music ; History and criticism ; Blacks ; Music ; Frau ; Migration ; Musik ; Frau ; SOCIAL SCIENCE / Ethnic Studies / General ; Manners and customs ; Migrant labor ; Music ; Music ; Social aspects ; Women employees ; Women singers ; Working class ; Travailleuses ; Afrique du Sud ; Moeurs et coutumes ; Travailleurs migrants ; Afrique du Sud ; Moeurs et coutumes ; Chanteuses ; Afrique du Sud ; Musique ; Aspect social ; Afrique du Sud ; Tradition orale ; Afrique du Sud ; Criticism, interpretation, etc ; Songs and music ; Chanteuses - Afrique du Sud ; Musique - Aspect social - Afrique du Sud ; Travailleurs migrants - Afrique du Sud ; Personnel féminin - Afrique du Sud ; Personnes noires - Afrique du Sud - Musique - Histoire et critique ; Musique - Afrique du Sud - Histoire et critique ; Black people - Music ; Travailleurs - Afrique du Sud - Chants et musique - Histoire et critique ; South Africa Social life and customs ; Südafrika ; South Africa ; Afrique du Sud ; Moeurs et coutumes ; Südafrika (Staat)
    Abstract: 1. Home Boys, Home Dances: Migrants Create Past and Place -- 2. 'Those of My Home': Migrant Women on the Reef -- 3. 'We are Visitors': Men's and Women's Kiba -- 4. Women as Brothers, Women as Sons: Domestic Predicaments Unravelled -- 5. 'I Dress in This Fashion': Rural Women Singers and the Sotho Life-Course -- 6. Dislocations and Continuities: Disrupted Youth and Adolescence -- 7. Family Gifts, Family Spirits -- App. 1. Lists of Discussions and Interpreters -- App. 2. List of Kiba Performances -- App. 3. Select Discography.
    Note: "Select discography": pages 200-202 -- Includes bibliographical references (pages 218-230) and index
    URL: lizenzpflichtig
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  • 97
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    California soul : music of African Americans in the West (1998)
    Berkeley : University of California Press
    Details
    ISBN: 0520206274 , 0520206282
    Language: English
    Pages: x, 507 p.
    Series Statement: Music of the African diaspora 1
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780/.89/960730794
    RVK:
    LS 48050
    Keywords: Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Popular music History and criticism ; Afroamerikanische Musik ; Geschichte ; Kalifornien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Kalifornien ; Afroamerikanische Musik ; Geschichte
    Description / Table of Contents: Music in an urban environment -- Music and the media -- The musician as innovator -- Source materials
    Note: Includes bibliographical references and index
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  • 98
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    The power of black music : interpreting its history from Africa to the United States (1997)
    New York ; : Oxford University Press
    Details
    ISBN: 9780199853243
    Language: English
    Pages: 1 online resource (316 p.) , ill., music.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Floyd, Samuel A. The power of black music
    DDC: 780.8996073
    RVK:
    HD 570
    RVK:
    LQ 89300
    RVK:
    LR 56600
    RVK:
    LS 48050
    Keywords: African Americans Music ; History and criticism ; Music History and criticism ; Schwarze ; Musik ; USA ; Afrika ; USA ; Schwarze ; Musik ; USA ; Jazz ; Afroamerikanische Musik
    Abstract: The author offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. By breaking down the barriers that remain between high art and low art, it illuminates the centuries-old linkage between the music, myths and rituals of Africa and the continuing evolution and enduring vitality of African-American music.
    Note: Includes bibliographical references, discography, filmography and index. - Description based on print version record
    DOI: 10.1093/acprof:oso/9780195109757.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 99
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    My music is my flag : Puerto Rican musicians and their New York communities, 1917-1940 (1997)
    Berkeley, Calif. : University of California Press
    Details
    ISBN: 0520919114 , 0585249709 , 9780520919112 , 9780585249704
    Language: English
    Pages: 1 Online-Ressource (xxiv, 253 pages)
    Edition: [Pbk. ed., 1997]
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780/.8968729507471
    RVK:
    LQ 89307
    RVK:
    LS 48700
    Keywords: Geschichte 1917-1940 ; MUSIC / Ethnomusicology ; Popular music ; Puerto Ricans / Ethnic identity ; Puerto Ricans / Music ; Musik ; Puerto Ricans Music ; History and criticism ; Popular music History and criticism ; Popular music History and criticism ; Puerto Ricans Ethnic identity ; Musik ; Puerto Ricaner ; New York, NY ; New York, NY ; Musik ; Puerto Ricaner ; Geschichte 1917-1940
    Note: Includes bibliographical references (pages 227-244) , discography (p. 245) , and index
    URL: Volltext
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  • 100
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    al-Ibtihālāt ad dīnīya : eine Form der islamischen, religiösen Vokalmusik Ägyptens ; Untersuchungen zu Ursprung und Gestalt der heutigen Praxis (1995)
    Berlin : Schwarz
    Details
    ISBN: 3879972435
    Language: German
    Pages: XIII, 254 S. , graph. Darst., Noten , 24 cm
    Edition: Online-Ausg. Halle, Saale Universitäts- und Landesbibliothek Sachsen-Anhalt 2010 Online-Ressource (Text) Vorderer Orient/Nordafrika digital aus der Universitäts- und Landesbibliothek Sachsen-Anhalt
    Series Statement: Islamkundliche Untersuchungen Bd. 192
    Series Statement: Islamkundliche Untersuchungen
    Parallel Title: Druckausg. Bruns, Peter, 1961 - al-Ibtihālāt ad dīnīya
    Dissertation note: Zugl.: Bonn, Univ., Diss., 1995
    DDC: 782.2/9
    RVK:
    LS 34480
    RVK:
    LS 34420
    Keywords: Ägypten Musik ; Islam ; Kulturgeschichte ; Musikwissenschaft ; Islamic music ; Egypt ; History and criticism ; Hochschulschrift ; Hochschulschrift ; Ägypten ; Islam ; Vokalmusik
    Note: Includes bibliographical references (p. 244-254) , ULB Sachsen-Anhalt, Halle (Saale)
    URN: urn:nbn:de:gbv:3:5-6474
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
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