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  • Book  (4,728)
  • USA  (3,924)
  • Rockmusik
  • Musicology  (2,350)
  • General works  (2,293)
  • Engineering  (129)
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  • 1
    Language: English
    Pages: 29 cm
    DDC: 303.6/0973
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    Keywords: Violence in television ; United States ; Violence in television ; United States ; Statistics ; USA ; Fernsehen ; Fernsehsendung ; Gewaltdarstellung
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  • 2
    Language: English
    Pages: 29 cm
    DDC: 303.6/0973
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    Keywords: Violence in television ; United States ; Violence in television ; United States ; Statistics ; USA ; Fernsehen ; Fernsehsendung ; Gewaltdarstellung
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  • 3
    Book
    Book
    Frankfurt am Main : Fischer-Taschenbuch-Verl.
    Show associated volumes/articles
    Language: German
    Series Statement: Fischer-Taschenbuch ...
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    Keywords: Rockmusik ; Lexikon
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  • 4
    ISBN: 3922542301
    Language: German
    Edition: Orig.-Ausg.
    DDC: 016.78166/026/6
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    Keywords: Wörterbuch ; Verzeichnis ; Biografie ; Rockmusiker ; Rockmusik ; Langspielplatte ; Rockmusiker
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  • 5
    Book
    Book
    New Brunswick : Rutgers University Press
    ISBN: 9781978828254 , 9781978828261
    Language: English
    Pages: vii, 233 Seiten , Illustrationen
    DDC: 306.76/63
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    Keywords: Lesbians in popular culture ; Camp (Style) in popular culture ; Popular culture History ; USA ; Popkultur ; Camp ; Lesbe
    Abstract: "An ever-expanding and panicked Wonder Woman crashes through a city skyline begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era's most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture. Offering the first major consideration of lesbian camp in American popular culture, Suffering Sappho! traces a larger-than-life lesbian menace across mid-century media forms to propose five prototypical queer icons-the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire"--
    Note: Includes bibliographical references and index
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  • 6
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 7
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 8
    Book
    Book
    New York, NY ; London : Routledge, Taylor & Francis Group
    ISBN: 9780367568245 , 0367568241 , 9780367568283 , 0367568284
    Language: English
    Pages: X, 450 Seiten , Illustrationen
    Edition: Second edition
    Parallel Title: Erscheint auch als
    DDC: 302.23/45
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    Keywords: Streaming ; Fernsehanstalt ; Fernsehkanal ; USA ; Television viewers / Effect of technological innovations on ; Television broadcasting / Technological innovations / United States ; Streaming technology (Telecommunications) ; Streaming technology (Telecommunications) ; Television broadcasting / Technological innovations ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Fernsehanstalt ; Fernsehkanal ; Streaming
    Note: Includes bibliographical references and index
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  • 9
    ISBN: 9781324064473 , 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Notenbeispiele, Karte
    Edition: Norton paperback
    Parallel Title: Erscheint auch als
    DDC: 782.4215990973
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    Keywords: The star-spangled banner ; Nationalhymne ; USA
    Note: Literaturangaben, Index
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  • 10
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Language: English
    Pages: x, 180 Seiten , 19,8 cm
    Series Statement: Genre, a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.630968
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    Keywords: Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 11
    ISBN: 9780197536261 , 9780197536254
    Language: English
    Pages: xviii, 220 Seiten , Illustrationen
    DDC: 791.45097309045
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    Keywords: Geschichte 1950-1969 ; Rock 'n' Roll ; Fernsehsendung ; Jugendkultur ; Rassendiskriminierung ; USA
    Note: Literaturverzeichnis: Seite 205-207
    URL: Cover  (lizenzpflichtig)
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  • 12
    Book
    Book
    London : Louder Than War Books
    ISBN: 9781526173201
    Language: English
    Pages: viii, 539 Seiten , Illustrationen
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    Keywords: Sozialgeschichte ; Rockmusik ; Subkultur ; Gothic Rock ; Gothic rock music ; Goth culture (Subculture) ; Goth culture (Subculture) ; Gothic rock music ; Rockmusik ; Gothic Rock ; Subkultur ; Sozialgeschichte
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  • 13
    ISBN: 3-8252-5704-5 , 978-3-8252-5704-0
    Language: German
    Pages: 344 Seiten : , Diagramme ; , 21.5 cm x 15 cm.
    Series Statement: UTB utb-Nr. 5704
    Series Statement: UTB
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.230973
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    Keywords: Medien. ; Social Media. ; Massenmedien. ; Medienpolitik. ; Medienrecht. ; Medienökonomie. ; Medienkonsum. ; USA. ; 1050: Einführungen und Grundlegungen ; 1100: Studien- und Arbeitsbücher ; 1550: Grundlagen (Bachelor) ; 1600: Vertiefung (Master) ; 2240: Medien- und Kommunikationswissenschaft ; 2246: Mediensystem/-struktur ; 2320: Politikwissenschaft ; 2328: Internationale Beziehungen ; 2460: Soziologie ; 2468: Sozialstrukturen ; Medien ; Mediensystem ; USA ; Aufsatzsammlung ; Medien ; Social Media ; Massenmedien ; Medienpolitik ; Medienrecht ; Medienökonomie ; Medienkonsum
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 14
    ISBN: 9780306826436 , 9780306826429
    Language: English
    Pages: xii, 256 Seiten
    DDC: 782.421660922
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    Keywords: Pearl Jam ; Geschichte 1990- ; Rockgruppe ; Grungerock ; USA
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  • 15
    ISBN: 9780262048668
    Language: English
    Pages: xvii, 243 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Anthology of Blackness
    Parallel Title: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Description / Table of Contents: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Note: Bibliographie (Seite 234 - 243)
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  • 16
    ISBN: 9783170434356 , 3170434357
    Language: German
    Pages: 193 Seiten , Illustrationen
    Edition: 1. Auflage
    Additional Information: Rezensiert in Hergenröder, Curt Wolfgang, 1955 - [Rezension von: Scheller, Jörg; Neuffer, Jochen, Make metal small again] 2023
    Additional Information: Rezensiert in Clostermeyer, Claus-Peter [Rezension von: Scheller, Jörg, Make metal small again], in: Schwäbische Heimat 75. Jahrgang (2024), 1, Seite 83-84
    Series Statement: Metalbook Vol. 2
    Series Statement: Metalbook
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    Keywords: Geschichte 2000-2020 ; Geschichte 2020-2040 ; 21. Jahrhundert (2000 bis 2100 n. Chr.) ; 21st century ; 21. Jahrhundert 2000-2020 ; 21. Jahrhundert 2020-2040 ; Rockmusik ; Musikgruppe ; 21st century history: from c 2000 - ; General & world history ; Geschichte allgemein und Weltgeschichte ; HISTORY / Modern / 21st Century ; Stuttgart
    Abstract: Metalbands stehen auf gewaltigen Bühnen, vor Verstärkertürmen und Tausenden wilder Fans. Sie trinken kübelweise Bier, rauschen in Tourbussen durch die Nacht und besingen Sex, Drogen und den Tod. Ihr größtes Ziel: Wacken. Alle Metalbands? Nein! Eine kleine Metalband tingelt seit zwei Jahrzehnten über Dorffeste, Vereinsfeiern, Hochzeiten, Vernissagen und durch Geburtstagspartys. Sie hat keine Verstärker, keine Plattenfirma. Sie liefert annähernd CO2-neutralen Metal wie Pizza auf Bestellung und hätte einmal beinahe Angela Merkel beschallt. Sie singt nur übers Wetter und spielt im Sitzen, gediegen gekleidet und teetrinkend. Sie richtet sich gleichermaßen an Bildungsbürger, Mutbürger, Spießbürger. Ihr Name: Malmzeit. Ihr Genre: Kammermetal. Ihr Motto: Make Metal Small Again! Tauchen Sie ein in die völlig irre Bandbiographie der kleinsten Metalband der Welt, verfasst von den Musikern selbst. Ein Buch voller bizarrer Ereignisse, das komplett erfunden sein könnte, wäre nicht jedes Wort wahr!
    Abstract: Musikgruppe aus Stuttgart
    URL: Cover  (lizenzpflichtig)
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  • 17
    ISBN: 9781479812424 , 9781479812400
    Language: English
    Pages: xvii, 309 Seiten , Illustrationen
    Series Statement: America and the long 19th century
    Parallel Title: Erscheint auch als Huerta, Monica, 1981 - The Unintended
    DDC: 770.973
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    Keywords: Images, Photographic Social aspects 19th century ; History ; Racism Economic aspects 19th century ; History ; Portrait photography Appreciation 19th century ; History ; Intellectual property Cases ; Photographs Law and legislation 19th century ; History ; Privacy, Right of Cases ; United States Race relations 19th century ; History ; USA ; Porträtfotografie ; Geistiges Eigentum ; Kapitalismus ; Rassismus ; Geschichte 1840-1900
    Abstract: "Through close attention to the centrality of involuntarity in pivotal nineteenth-century American court cases that created new property relations with photographs, this book offers a historically situated theory of photography in terms of expression and an archivally-supported theory of whiteness as an aesthetics of racial capitalism"--
    Description / Table of Contents: Preface : read, don't move -- Introduction : without intention, the end of this world -- Expression -- Property's proscenium -- Property's horizon -- Property's edge -- Expressionless.
    Note: Includes bibliographical references and index
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  • 18
    ISBN: 9783864893919 , 3864893917
    Language: German
    Pages: 702 Seiten , 23 cm x 17 cm
    Uniform Title: Manufacturing consent
    Parallel Title: Erscheint auch als Herman, Edward S., 1925 - 2017 Die Konsensfabrik
    DDC: 302.2/34
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    Keywords: 1975-1988 ; Mediensektor ; USA ; Mass media Political aspects ; World politics 1975-1985 ; World politics 1985-1995 ; Public opinion ; Mass media Objectivity ; Massenmedien ; Realitätsbezug ; Propaganda ; USA ; Politik ; Massenmedien ; Politische Berichterstattung ; Objektivität
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 19
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 20
    ISBN: 9781509554232 , 9781509554225
    Language: English
    Pages: 200 Seiten
    DDC: 303.6
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    Keywords: Rassismus ; Entkolonialisierung ; Hochschule ; USA ; Großbritannien ; Decolonization ; Culture conflict / History / 21st century ; Universities and colleges / Social aspects ; USA ; Großbritannien ; Hochschule ; Entkolonialisierung ; Rassismus
    URL: Cover
    URL: Cover
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  • 21
    Book
    Book
    New Brunswick : Rutgers University Press
    ISBN: 9781978818804 , 9781978818811
    Language: English
    Pages: vii, 151 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.40973
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    Keywords: Geschichtsbewusstsein ; Nationalbewusstsein ; Massenmedien ; Medien ; Popkultur ; USA
    Note: Literaturverzeichnis Seite 137-144
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  • 22
    ISBN: 9783110774245 , 3110774240
    Language: German
    Pages: VIII, 518 Seiten , Illustrationen , 24 cm
    Series Statement: Quellen und Darstellungen zur Zeitgeschichte Band 135
    Series Statement: Quellen und Darstellungen zur Zeitgeschichte
    Uniform Title: Weapons of persuasion
    Parallel Title: Erscheint auch als Nietzel, Benno, 1978 - Die Massen lenken
    Dissertation note: Habilitationsschrift Universität Bielefeld 2019
    DDC: 303.3750904
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    Keywords: Amerikanische Geschichte ; European history ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / General ; HISTORY / Modern / General ; HISTORY / Social History ; HISTORY / United States / General ; History of the Americas ; Modern history to 20th century: c 1700 to c 1900 ; Naturwissenschaften, allgemein ; SCIENCE / General ; Science: general issues ; Social & cultural history ; Sozial- und Kulturgeschichte ; Europa ; Europe ; USA ; Vereinigte Staaten von Amerika, USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Deutschland ; Sowjetunion ; Propaganda ; Experte ; Massenkommunikationsforschung ; Erster Weltkrieg ; Zweiter Weltkrieg ; Ost-West-Konflikt ; Geschichte 1918-1974 ; Propaganda ; Kommunikationsforschung ; Sozialwissenschaften ; Erster Weltkrieg ; Zweiter Weltkrieg ; Ost-West-Konflikt ; Geschichte 1918-1974
    Abstract: Seit dem Ersten Weltkrieg galten Massenkommunikation und Propaganda als integrale Faktoren des politischen und militärischen Geschehens. Damit wuchs der Bedarf an systematischer Expertise und wissenschaftlicher Erforschung. Während des Zweiten Weltkrieges und im Kalten Krieg wurde die Planung, Beobachtung und Analyse von Propaganda zu einem wichtigen Feld strategischer Wissensproduktion. Im Wege einer dreiseitig verflochtenen Wahrnehmungs- und Beziehungsgeschichte untersucht Benno Nietzel, welche Rolle Kommunikationsexperten und Wissenschaftler in der Propaganda dreier Länder spielten: in den Vereinigten Staaten, in Deutschland und der Sowjetunion. Verschiedene Akteursgruppen konkurrierten jeweils um Gehör, Einfluss und Zuständigkeiten auf dem Gebiet der Propaganda. Aus ihren Erfolgen und ihrem Scheitern ergibt sich eine alternative Geschichte von Verwissenschaftlichungsprozessen und Expertentum im 20. Jahrhundert, die von Ungleichzeitigkeiten, Gegenläufigkeiten und Widersprüchen gekennzeichnet ist.
    Note: Quellen- und Literaturverzeichnis: Seite 469-514 , Enthält ein Personenregister , "Dieses Buch ist die überarbeitete Fassung der Habilitationsschrift, die ich im Januar 2019 unter dem Titel "Weapons of Persuasion. Propaganda, Feindbeobachtung und Kommunikationforschung von den 1920er Jahren bis zum Kalten Krieg" an der Fakultät für Geschichtswissenschaft, Philosophie und Theologie der Universität Bielefeld eingereicht habe." (Dank, Seite 463)
    URL: Cover
    URL: Rezension  (H-Soz-Kult)
    URL: Cover
    URL: Rezension  (H-Soz-Kult)
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  • 23
    Book
    Book
    Cambridge : polity
    ISBN: 9781509546930 , 9781509546923
    Language: English
    Pages: 234 Seiten
    DDC: 302.2310973
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    Keywords: Interdisciplinary studies ; Interdisziplinäre Studien ; SOCIAL SCIENCE / Media Studies ; USA ; Person of Color ; Neue Medien ; Institutioneller Rassismus
    Abstract: Since the early days of the internet, there have been questions about how emerging technologies might one day liberate or further harm communities of color that already face structural inequalities of racism. As reliance on computing technologies increases, it is also important to address questions about racial bias in the design of digital platforms, labor inequalities in tech industries, and digital surveillance on Black and Brown communities.This textbook provides a comprehensive introduction to the theory and research on race and digital media. Focusing on the experiences of people of color in the United States, it explores the various ways that racism and white supremacy have shaped aspects of our digital world - from the infrastructures and policies that support technological development, to algorithms and the collection of data, to the interfaces that shape engagement. Yet it also reveals how communities of color have deployed digital media in ways that expand the public sphere, contest the status quo, and give voice to creativity and joy.Race and Digital Media provides an essential resource for students of communication, media, technology, and society. It shows how to make sense of our ever-changing digital media landscape in a way that centers the continued impact of institutionalized racism and the potential for anti-racist futures
    Description / Table of Contents: Acknowledgments1 Introduction2 The Early Internet3 Labor4 Infrastructures5 Artificial Intelligence6 Surveillance7 Tech Policy8 Activism9 Games10 Communities11 Into the FutureBibliographyIndex
    Note: Literaturverzeichnis: Seiten 198-222, Index
    URL: Cover
    URL: Cover
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  • 24
    ISBN: 9783111245157 , 3111245152
    Language: German
    Pages: VI, 666 Seiten , Illustrationen , 23 cm x 15.5 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Potsdam 2022
    DDC: 781.640943
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    Keywords: Ideal ; Einstürzende Neubauten ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Geschichte 1978-2023 ; Geschichte 1978-1983 ; Kälte ; Rockmusik ; Rezeption ; Neue deutsche Welle ; Kälte ; Popmusik ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Popmusik ; Kälte ; Rezeption ; Geschichte 1978-1983 ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Ideal ; Einstürzende Neubauten ; Rockmusik ; Kälte ; Deutschland ; Popmusik ; Kälte ; Neue deutsche Welle ; Rezeption ; Geschichte 1978-2023
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Unbekannt  (lizenzpflichtig)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Unbekannt  (lizenzpflichtig)
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  • 25
    ISBN: 9783948486761 , 394848676X
    Language: German
    Pages: 300 Seiten , Illustrationen , 22 cm, 378 g
    Edition: 1. Auflage
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Parallel Title: Erscheint auch als
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    Keywords: Girgsdies, Kornelia ; Musikleben ; Rockmusik ; Musikbranche ; Wacken ; U2 ; David Gilmour ; Udo Lindenberg ; Herbert Grönemeyer ; Extrabreit ; Grobschnitt ; Iron Maiden ; Coldplay ; Motörhead ; Gary Morre ; Die Toten Hosen ; Deep Purple ; Lady Gaga ; Phil Collins ; Rolling Stones ; Bob Dylan ; W:O:A ; Musik ; Else Somebodys ; Bands ; Erlebnisse ; Dublin ; London ; Autobiografie ; Autobiographie ; Trauer ; Tod ; Verlust ; Anker ; Wacken;U2;David Gilmour;Udo Lindenberg;Herbert Grönemeyer;Extrabreit;Grobschnitt;Iron Maiden;Coldplay;Motörhead;Gary Morre;Die Toten Hosen;Deep Purple;Lady Gaga;Phil Collins;Rolling Stones;Bob Dylan;W:O:A;Musik;Else Somebodys;Bands;Erlebnisse;Dublin;London;Autobiografie;Autobiographie;Trauer;Tod;Verlust;Anker ; Erlebnisbericht ; Autobiografie ; Erlebnisbericht ; Autobiografie ; Girgsdies, Kornelia 1960- ; Rockmusik ; Musikbranche ; Musikleben
    Note: Auf dem Umschlag: Autobiografie
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  • 26
    Language: Spanish
    Pages: viii, 342 Seiten , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Katholische Universität Eichstätt-Ingolstadt 2023
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    Keywords: Geschichte 1968-2015 ; Rockmusik ; Spanisch ; Textanalyse ; Korpus ; Popmusik ; Hochschulschrift ; Hochschulschrift ; Spanisch ; Popmusik ; Rockmusik ; Korpus ; Textanalyse ; Geschichte 1968-2015
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 27
    ISBN: 9780197635216
    Language: English
    Pages: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Description / Table of Contents: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 28
    ISBN: 9783830947561 , 3830947569
    Language: English
    Pages: 233 Seiten
    Series Statement: Populäre Kultur und Musik Band 40
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
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    Keywords: Unterhaltungsmusik ; USA ; Hip-Hop ; Tupac Shakur ; German Schlager ; Schlager-Pop ; Middlebrow Musical Theater ; American Opera ; Broadway-Musical ; Creedence Clearwater Revival ; Bill Morrison ; Spike Lee ; U2 ; Rolling Stones ; Steve Earle ; trans identity ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Unterhaltungsmusik
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  • 29
    Book
    Book
    Bielefeld : transcript Verlag | Bielefeld : UTB
    ISBN: 9783825259280
    Language: German
    Pages: 217 Seiten , 22 cm x 15 cm
    Series Statement: Einsichten
    Series Statement: Themen der Soziologie
    Series Statement: utb 5928
    Series Statement: Soziologie
    Parallel Title: Erscheint auch als Fischer, Peter, 1973 - Wissenschaftstheorie der Sozialwissenschaften
    DDC: 300.1
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    Keywords: Verein für Socialpolitik ; Sozialwissenschaften ; Wissenschaftstheorie ; Positivismus ; Marxismus ; Historische Sozialforschung ; Strukturell-funktionale Theorie ; Strukturalismus ; Poststrukturalismus ; Europa ; USA ; Sozialwissenschaften ; Wissenschaftstheorie
    Abstract: Wissenschaftlich produziertes Wissen steht nicht erst seit der Suche nach »alternativen Fakten« in der öffentlichen Kritik. Was als richtiges und wahres Wissen gilt, ist in modernen Gesellschaften häufig vom lebensweltlichen Standpunkt abhängig. Dies zwingt besonders die Sozialwissenschaften zur Selbstreflexion bezüglich ihres Erkenntnisinteresses – aber auch ihres Selbstverständnisses als Wissenschaft. Peter Fischer greift die nach wie vor kontroverse Frage nach der Logik der Sozialwissenschaften auf. Seine Darstellung verfolgt keine Präferenz für einen bestimmten Ansatz, sondern wird der Multiparadigmatik des Fachs gerecht. In den Fokus stellt er dabei die historisch-genetische Rekonstruktion sowie einen fundierten Überblick über die gegenwärtig in den Sozialwissenschaften vertretenen Ansätze.
    Note: Literaturverzeichnis: Seite 205-217
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  • 30
    ISBN: 9783406808272 , 3406808271
    Language: German
    Pages: 278 Seiten , 28 cm x 19.6 cm, 1160 g
    Uniform Title: Stamped from the beginning: A graphic history of racist ideas in America
    DDC: 305.800973
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    Keywords: Geschichte ; Rassentheorie ; Sklaverei ; Rassismus ; USA ; Comic ; Bildband ; Comic ; Comic
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 31
    ISBN: 9783837658583
    Language: German
    Pages: 374 Seiten , Illustrationen
    Series Statement: Edition Museum Band 57
    Series Statement: Edition Museum
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Köln 2022
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    Keywords: Geschichte 1850-1900 ; Repräsentation ; Museum ; Randgruppe ; Grenzgebiet ; Mexiko ; USA ; Grenze ; USA ; Amerikanische Geschichte ; Repräsentation ; Black Seminoles ; Postkolonialismus ; Erinnerungskultur ; Gesellschaft ; Kulturgeschichte ; Museumswissenschaft ; Praktische Museumskunde ; Border ; American History ; Representation ; Postcolonialism ; Memory Culture ; Society ; Cultural History ; Museology ; Practical Museography ; Hochschulschrift ; Hochschulschrift ; Mexiko ; USA ; Grenzgebiet ; Randgruppe ; Repräsentation ; Museum ; Geschichte 1850-1900
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  • 32
    ISBN: 9781496838339 , 9781496838346
    Language: English
    Pages: ix, 286 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 741.53529
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    Keywords: Geschichte 1930-2022 ; Superheld ; Weißsein ; Rassismus ; Comic ; USA ; Comic books, strips, etc / United States / History and criticism ; Comic books, strips, etc / Social aspects / United States ; Racism / United States / Comic books, strips, etc ; Racism and the arts / United States ; White people / Race identity / United States / Comic books, strips, etc ; Outlaws / Comic books, strips, etc ; Superheroes / Comic books, strips, etc ; Comic books, strips, etc ; Criticism, interpretation, etc ; USA ; Comic ; Superheld ; Rassismus ; Weißsein ; Geschichte 1930-2022
    Abstract: "American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations. Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels provides a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. Josef Benson and Doug Singsen identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways"
    Description / Table of Contents: Introduction -- Chapter one: Race and racism in the birth of the superhero -- Chapter two: The Southern outlaw and the white Indian in Western comics -- Chapter three: Colonialism and primitivism in US Comics -- Chapter four: Civil rights and the limits of liberalism -- Chapter five: Robert Crumb's cathartic racism -- Chapter six: Jewish exceptionalism and assimilation in the 1970s and 1980s -- Chapter seven: Racial borderlands in alternative comics -- Chapter eight: The deconstruction of the white superhero in Watchmen -- Chapter nine: Frank Miller's hyper masculine whiteness and the defense of Western culture -- Chapter ten: Reskinning narratives: taking off the mask -- Conclusion -- Notes -- Bibliography -- Index
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  • 33
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316514337
    Language: English
    Pages: xvii, 511 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48420973
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
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  • 34
    ISBN: 9781793633606
    Language: English
    Pages: xi, 139 Seiten
    DDC: 306.70973
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    Keywords: Collegestudent ; Geschlechterverhältnis ; Partnerwahl ; Partnervermittlung ; Social Media ; USA
    Note: Bibliography Seite 121-131
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  • 35
    Book
    Book
    New York, NY : Routledge Taylor & Francis Group
    ISBN: 9780367421687 , 9781032189338 , 1032189339
    Language: English
    Pages: xiv, 203 Seiten , Illustrationen, Diagramme
    Series Statement: Transnational studies in jazz
    Parallel Title: Erscheint auch als
    DDC: 781.6509485
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    Keywords: Geschichte 1947-1963 ; Jazz ; Rezeption ; USA ; Schweden
    Note: Literaturangaben
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  • 36
    ISBN: 9781538155998 , 9781538156001
    Language: English
    Pages: ix, 120 Seiten , Illustrationen
    DDC: 069.1
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    Keywords: Museumskunde ; Vielfalt ; Teilhabe ; Rassismus ; USA
    Note: Includes bibliographical references and index.
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  • 37
    ISBN: 9780190939953 , 9780190939946 , 0190939958 , 019093994X
    Language: English
    Pages: xi, 564 Seiten , Notenbeispiele
    Edition: Third edition
    DDC: 782.421640973
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    Keywords: Lied ; Volkstümliche Musik ; Songwriter ; USA
    Note: 50th anniversary edition, revised , Previous edition: 1990.
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  • 38
    ISBN: 9780197543313
    Language: English
    Pages: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Edition: Sixth edition
    Parallel Title: Online version Starr, Larry American popular music
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    Keywords: Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Abstract: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 39
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910402 , 9781517910396
    Language: English
    Pages: 186 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 305.8
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    Keywords: Geschichte 1960-2020 ; Rassismus ; Medienkultur ; USA ; Electronic books ; USA ; Medienkultur ; Rassismus ; Geschichte 1960-2020
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  • 40
    ISBN: 9783982210025 , 398221002X
    Language: German
    Pages: 529 Seiten , Illustrationen , 23.5 cm x 15.9 cm, 912 g
    Edition: 1. Auflage
    Uniform Title: Times & sounds
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
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    Keywords: Rockmusik ; Krautrock ; Schlager ; Unterhaltungsmusik ; Jazz ; Deutschland ; Deutschland ; Unterhaltungsmusik ; Rockmusik ; Jazz ; Krautrock ; Schlager
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 41
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478015642 , 9781478018285
    Language: English
    Pages: x, 315 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Spigel, Lynn TV snapshots
    Parallel Title: Erscheint auch als Spigel, Lynn, 1955 - TV snapshots
    DDC: 302.23/45
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    Keywords: Television Social aspects ; Photography Social aspects ; Television viewers Attitudes ; Popular culture History 20th century ; PERFORMING ARTS / Television / History & Criticism ; USA ; Fotografie ; Fernsehen ; Geschichte 1950-1970
    Abstract: TV portraits : picturing families and household things -- TV performers : a theater of everyday life -- TV dress-up : fashion poses and everyday glamour -- TV pinups : sex and the single TV -- TV memories : snapshots in digital times.
    Abstract: "In TV Snapshots, Lynn Spigel explores snapshots of people posing in front of their television sets in the 1950s through the early 1970s. Like today's selfies, TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture. Drawing on her collection of over 5,000 TV snapshots, Spigel shows that people did not just watch TV: women used the TV set as a backdrop for fashion and glamour poses; people dressed in drag in front of the screen; and, in pinup poses, people even turned the TV setting into a space for erotic display. While the TV industry promoted on-screen images of white nuclear families in suburban homes, the snapshots depict a broad range of people across racial, ethnic, and class backgrounds that do not always conform to the reigning middle-class nuclear family ideal. Showing how the television set became a central presence in the home that exceeded its mass entertainment function, Spigel highlights how TV snapshots complicate understandings of the significance of TV in everyday life"--
    Note: Includes bibliographical references and index
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  • 42
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    ISBN: 978-0-367-62094-3 , 978-0-367-62095-0
    Language: English
    Pages: xxvii, 440 Seiten : , Illustrationen, Karten.
    Edition: 8th edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Landeskunde. ; Gesellschaft. ; USA ; United States Civilization ; United States Civilization ; Study and teaching ; USA. ; Landeskunde ; Gesellschaft
    Abstract: The eighth edition of the hugely successful American Civilization offers students the perfect background and introductory information on contemporary American life, examining the central dimensions of American society from geography and the environment, government and politics, to religion, education, sports, media and the arts.Fully and comprehensively updated throughout with regard to events, processes, attitudes and major figures in society, culture and politics in the United States, this new edition brings the book up to date through:coverage of recent events including the 2020 US election and 2021 presidential inaugurationrevised chapters on geography, women and minorities, and the media that incorporate more information on such themes as environmental legislation, the LGBTQ+ community, social media and people, all key themes in the study of American culture and societythe introduction of ‘topical studies’ that connect small case studies to apposite illustrations to highlight key subjects within the fieldthe inclusion of more discussion questions that require analysis and the use of evidence to substantiate argumentation to enable students to develop their own essay responses to typical questions that they may be asked.Supported by exercises and suggestions for further reading at the end of each chapter, a substantial chronology that covers key events in the history of the United States and a fully integrated companion website (www.routledge.com/cw/mauk), the textbook remains an essential introduction to American civilization, culture and society for American Studies students.
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  • 43
    ISBN: 9780367769055 , 9780367769062
    Language: English
    Pages: xiii, 303 Seiten , Diagramme
    Series Statement: Media and power
    DDC: 305.2350973
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    Keywords: Erwachsener ; Politische Einstellung ; Politische Beteiligung ; USA
    Note: Literaturangaben
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  • 44
    ISBN: 978-3-8376-3533-1 , 3-8376-3533-3
    Language: German
    Pages: 319 Seiten : , Illustrationen ; , 23 cm.
    Series Statement: Locating Media/Situierte Medien Band 15
    Series Statement: Locating Media/Situierte Medien
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Siegen 2014
    DDC: 306.42
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    Keywords: Geschichte 1870-1950 ; Massenmedien. ; Verwaltung. ; Industrieforschung. ; Professionalisierung. ; Bürokratisierung. ; Verrechtlichung. ; Medien. ; Laboratorium. ; USA. ; Medien ; Bürokratie ; Industrialisierung ; Industrieforschung ; Labor ; USA ; Technik ; Massenmedien ; Telekommunikation ; Fotografie ; Patent ; Medientheorie ; Mediengeschichte ; Wissenschaftssoziologie ; Medienwissenschaft ; Media ; Bureaucracy ; Industrialisation ; Lab ; Technology ; Mass Media ; Photography ; Media Theory ; Media History ; Sociology of Science ; Media Studies ; Hochschulschrift ; Hochschulschrift ; Massenmedien ; Verwaltung ; Geschichte 1870-1950 ; Industrieforschung ; Professionalisierung ; Bürokratisierung ; Verrechtlichung ; Medien ; Laboratorium ; Geschichte 1870-1950
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  • 45
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 46
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783031132896 , 9783031132865
    Language: English
    Pages: xiii, 257 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University College Cork 2022
    DDC: 306
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    Keywords: Geschichte 1980-2020 ; Popular Culture ; American Film and TV ; Contemporary Literature ; Popular Culture ; Motion pictures, American ; Literature, Modern-20th century ; Literature, Modern-21st century ; Fernsehserie ; Trauma ; Computerspiel ; Film ; USA ; Hochschulschrift ; USA ; Film ; Fernsehserie ; Computerspiel ; Trauma ; Geschichte 1980-2020
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  • 47
    ISBN: 9781793655639
    Language: English
    Pages: ix, 179 Seiten
    Series Statement: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
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    Keywords: Rock 'n' Roll ; Protest ; USA
    Note: References Seite 159-166
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  • 48
    Book
    Book
    Baltimore, [Maryland] : Johns Hopkins University Press
    ISBN: 9781421444987
    Language: English
    Pages: 400 Seiten , Illustrationen
    DDC: 781.66097309046
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    Keywords: Geschichte 1960-1968 ; Rock 'n' Roll ; Rockmusik ; USA
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  • 49
    ISBN: 9780190906498
    Language: English
    Pages: 718 Seiten , Notenbeispiele
    Edition: second edition
    DDC: 782.421640922
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1940 ; Chansons anglaises - États-Unis - Histoire et critique ; Culture populaire - États-Unis - Histoire - 20e siècle ; Dichters ; Musique populaire - États-Unis - Histoire et critique ; Paralittérature - États-Unis - Histoire et critique ; Paroliers - États-Unis ; Poésie américaine - 20e siècle - Histoire et critique ; Poésie lyrique - Histoire et critique ; Geschichte ; American poetry History and criticism 20th century ; Lyric poetry History and criticism ; Lyricists ; Popular culture History 20th century ; Popular literature History and criticism ; Popular music History and criticism ; Songs, English History and criticism ; Schlager ; United States - Popular culture - History - 20th century ; USA ; USA ; Schlager ; USA ; Geschichte 1920-1940
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  • 50
    ISBN: 9783837662603
    Language: English
    Pages: 264 Seiten
    Series Statement: American culture studies volume 39
    Series Statement: American culture studies
    Parallel Title: Erscheint auch als Schulze, Katja The poetics and politics of invective humor
    Dissertation note: Dissertation Universität Leipzig 2022
    DDC: 791.45617
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    Keywords: Hochschulschrift ; USA ; Situationskomödie ; Fernsehserie ; Frau ; Beleidigung ; Erniedrigung ; USA ; Situationskomödie ; Frau ; Humor ; Beleidigung
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 51
    ISBN: 9783658394455 , 3658394455
    Language: German
    Pages: XVIII, 336 Seiten , Diagramme , 21 cm x 14.8 cm
    Series Statement: Organization & Public Management
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Otto-Friedrich-Universität Bamberg 2021
    DDC: 306.420973
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    Keywords: Hochschulschrift ; USA ; Hochschule ; Elite ; Habitus ; Macht ; Soziales Kapital ; Soziales Netzwerk
    URL: Unbekannt  (lizenzpflichtig)
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  • 52
    ISBN: 978-3-518-12794-0 , 3-518-12794-2
    Language: German
    Pages: 370 Seiten ; , 17.7 cm x 10.8 cm.
    Edition: Erste Auflage, Originalausgabe
    Series Statement: edition suhrkamp 2794
    Series Statement: edition suhrkamp
    Parallel Title: Erscheint auch als
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    Keywords: Gesellschaft. ; Kultur. ; Moral. ; Kommunikative Sozialforschung. ; Meinungsfreiheit. ; Political Correctness. ; Kommunikation. ; Social Media. ; Medien. ; Politik. ; #metoo ; Campus ; USA ; call-out ; canceln ; Twitter ; Shitstorm ; Identitätspolitik ; Meinungsfreiheit ; woke ; politisch korrekt ; Thomas Chatterton Williams ; Bari Weiss ; Alte weiße Männer ; Margarete Stokowski ; Redefreiheit ; Me too ; Fox News ; Zynische Theorien ; J. K. Rowling ; Gerücht ; Max Czollek ; Anekdote ; AfD ; Sahra Wagenknecht ; Lisa Eckhardt ; Rufmord ; Ächtung ; Dieter Nuhr ; Svenja Flaßpöhler ; sensibel ; Sprachpolizei ; Judith Sevinç Basad ; Babyboomer ; Boomer ; college ; snowflake ; Sprechverbot ; ausladen ; alter weißer Mann ; cultural appropriation ; Gesellschaft ; Kultur ; Moral ; Kommunikative Sozialforschung ; Meinungsfreiheit ; Political Correctness ; Kommunikation ; Social Media ; Medien ; Politik
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 53
    ISBN: 3406792847 , 9783406792847
    Language: German
    Pages: 346 Seiten , Illustrationen , 23.2 cm x 18.7 cm
    Uniform Title: The philosophy of modern song
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1924-2004 ; Folk music ; Rockmusik ; Song ; Interpretation ; Popmusik ; Popmusik ; Rockmusik ; Folk music ; Song ; Interpretation ; Geschichte 1924-2004
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  • 54
    ISBN: 9780252044403 , 9780252086472
    Language: English
    Pages: xii, 167 Seiten , Illustrationen , 24 cm
    Series Statement: The Asian American experience
    Parallel Title: Erscheint auch als Creef, Elena Tajima Shadow traces
    DDC: 305.48/89956073
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    Keywords: Japanese American women Portraits ; Japanese American women Archives ; Women, Ainu Portraits ; Women, Ainu Archives ; War brides Portraits ; War brides Archives ; Photograph collections Social aspects ; Portrait photography Social aspects ; USA ; Porträtfotografie ; Japanerin ; Ainu ; Geschichte 1940-1960
    Abstract: "Images of Japanese and Japanese American women can teach us what it meant to be visible at specific moments in history. Elena Tajima Creef employs an Asian American feminist vantage point to examine ways of looking at indigenous Japanese Ainu women taking part in the 1904 Louisiana Purchase Exposition; Japanese immigrant picture brides of the early twentieth century; interned Nisei women in World War II camps; and Japanese war brides who immigrated to the United States in the 1950s. Creef illustrates how an against-the-grain viewing of these images and other archival materials offers textual traces that invite us to reconsider the visual history of these women and other distinct historical groups. As she shows, using an archival collection's range as a lens and frame helps us discover new intersections between race, class, gender, history, and photography. Innovative and engaging, Shadow Traces illuminates how photographs shape the history of marginalized people and outlines a method for using such materials in interdisciplinary research"--
    Description / Table of Contents: Those "mysterious little Japanese primitives" -- Looking at Japanese picture brides -- Beauty behind barbed wire -- Filling in the blank spot in an incomplete war bride archive.
    Note: Includes bibliographical references (pages 157-163) and index
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  • 55
    ISBN: 9780367568580 , 9780367568566
    Language: English
    Pages: xviii, 218 Seiten , Illustrationen, Diagramme
    Series Statement: Routledge advances in sociology
    DDC: 306.430973
    RVK:
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    Keywords: Bildungselite ; Universität ; USA
    Note: Literaturangaben
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  • 56
    ISBN: 9783837653236 , 3837653234
    Language: German
    Pages: 236 Seiten , Illustrationen
    Series Statement: Transdisziplinäre Popkulturstudien Band 1
    Series Statement: Transdisziplinäre Popkulturstudien
    Parallel Title: Erscheint auch als Druckwellen
    DDC: 302.24
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Massenkultur ; Populismus ; Provokation ; Eskalation ; Hassrede ; Rockmusik ; Popmusik ; Popkultur ; Provokation ; Tabuverletzung
    Abstract: Von der Weltpolitik eines Trump, Orban und Erdogan über Popmusik von Rammstein und Frei.Wild bis hin zu Hate Speech in sozialen Medien – das Provozieren, das Brechen von Tabus, das Relativieren von bislang gültigen Werten sowie erhitzte öffentliche Debatten prägen längst unseren medialen Alltag. Pop(musik)kulturelle Phänomene und mittlerweile auch medialisierte Politik(er*innen) bewegen sich dabei zwischen bewusstem Tabubruch, dosierter Provokation und medienwirksamen Spielen mit Grenzüberschreitungen und -verschiebungen – mal progressiv, mal regressiv, mal schwer einzuordnen. Die Herausgeber*innen und Autor*innen des Bandes möchten einen Beitrag zu gelassener Analyse und Reflexion leisten.
    Note: Enthält Literaturangaben
    URL: Cover
    URL: Cover
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  • 57
    Book
    Book
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781316519974 , 9781009011532
    Language: English
    Pages: xi, 324 Seiten , Diagramme
    Parallel Title: Erscheint auch als Fight the power
    DDC: 306.4/84249
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    Keywords: Rap (Music) Political aspects ; African Americans Political activity ; African Americans Social conditions ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Rap ; Musiksoziologie
    Abstract: From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby.
    Abstract: "Paul Butler considers NWA's 1988 song, "Fuck tha Police," as an invitation to think about putting the police on trial for crimes against African Americans. It examines the resonance of "Fuck tha Police" over time, up to and including the George Floyd inspired protests. It will also use the song to analyze how civilians should feel about cops in a democracy. Are they a positive good, as many white people might suggest, a necessary evil, as some people of color might suggest, or an unnecessary evil, as suggested by the "defund the police" movement? Butler also will explore the meaning of the trial metaphor in the song - what would it mean for African Americans to put the police on trial? What would be the crime and the appropriate punishment?"--
    Note: Includes bibliographical references and index
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  • 58
    ISBN: 9780520281844 , 9780520281837
    Language: English
    Pages: xvii, 287 Seiten
    Series Statement: Phono
    DDC: 780.8996073
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    Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Note: Includes bibliographical references and index
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  • 59
    ISBN: 9789004428300 , 9789004428317
    Language: English
    Pages: XX, 169 Seiten
    Series Statement: Critical media literacies series volume 10
    Series Statement: Critical media literacies series
    Parallel Title: Erscheint auch als
    DDC: 303.48/40973
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    Keywords: Social Media ; Rechtsradikalismus ; USA ; Right-wing extremists / United States ; Social media / Political aspects / United States ; Communication in politics / United States ; Populism / United States ; Authoritarianism / United States ; United States / Politics and government / 2017-2021 ; USA ; Rechtsradikalismus ; Social Media
    Abstract: "What does the backlash against Critical Race Theory, the Capitol insurrection, Trumpism, Twitter, and neo-Nazis have in common? This book delves deep into conservative social media and far-right extremist platforms to understand the revival and proliferation of far-right authoritarian populist discourses after Trump's ascent to power. After the January 6th Capitol insurrection and the role social media have played in normalizing and promoting far-right populist authoritarianism, there is a renewed interest to study digital discursive aggression. Inspired by Critical Theory, Panayota Gounari masterfully uses Critical Discourse Studies to analyze social media data and articulate a discursive, pedagogical and historical project."
    Note: Includes bibliographical references and index
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  • 60
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 61
    ISBN: 9783631867723 , 3631867727
    Language: English
    Pages: 447 Seiten , Illustrationen , 21 cm x 14.8 cm, 646 g
    Series Statement: American Culture Vol. 16
    Parallel Title: Erscheint auch als
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    Keywords: Lomax, Alan ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 62
    Book
    Book
    New Haven, CT : Yale University Press
    ISBN: 9780300255317
    Language: English
    Pages: 273 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    DDC: 782.42164
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    Keywords: Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Abstract: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
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  • 63
    ISBN: 9781800886889
    Language: English
    Pages: xi, 330 Seiten , 24 cm
    Series Statement: Elgar studies in climate law
    Parallel Title: Erscheint auch als de Vilchez Moragues, Paul Climate in court
    DDC: 344.7304633
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    Keywords: Climatic changes Law and legislation ; Climatic changes Law and legislation ; Cases ; Environmental law Cases ; USA ; Klimaschutz ; Klimaschutzrecht ; Inland ; Verantwortlichkeit
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  • 64
    ISBN: 9780226720425
    Language: English
    Pages: XI, 203 Seiten , Diagramme
    Parallel Title: Erscheint auch als Eaton, Charlie Bankers in the Ivory Tower
    DDC: 378.1/06
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    Keywords: Education, Higher Finance ; Education, Higher Finance ; Social aspects ; Education, Higher Economic aspects ; Capitalists and financiers ; Elite (Social sciences) ; USA ; Bildungswesen ; Universität ; Finanzierung ; Soziale Ungleichheit ; Soziale Mobilität
    Abstract: Universities and the social circuitry of finance -- Our new financial oligarchy -- Bankers to the rescue : the political turn to student debt -- The top : how universities became hedge funds -- The bottom : a Wall Street takeover of for-profit colleges -- The middle : a hidden squeeze on public universities -- Reimagining (higher education) finance from below -- Methodological appendix : a comparative, qualitative, and quantitative study of elites.
    Abstract: "Higher education has always played a crucial role in maintaining elite status in American culture. Historically, it has also been a way for Americans to transform their social and class status, and public universities have been a major stepping stone to new economic opportunities. However, as Charlie Eaton reveals in Bankers in the Ivory Tower, finance is playing a central role in widening inequality both in American higher education and in American society at large. With federal and state funding falling short, the US higher education system has become increasingly dependent on financial markets and the financial organizations which mediate them. At the same time, the nation's most exclusive colleges have embedded America's ascendant financiers in social networks, a common culture, and shared identities with the country's broader elite. Financiers leveraged these elite ties in pushing for policy and organizational changes that would lead to profits for the top 1% such as the expansion student loans, hedge funds marketed to college endowments, investor-owned for-profit colleges, and bond borrowing by not-for-profit universities. Beginning in the 1980s, government, colleges, students, and their families took on multiple new roles as financial investors, borrowers, and brokers. The turn to finance, however, has yielded wildly unequal results. At the top, ties to Wall Street helped the most elite private schools achieve the greatest endowment growth through hedge fund investments and the support of wealthy donors. At the bottom, takeovers by private equity transformed for-profit colleges into predatory organizations that leave disadvantaged students with massive loan debt and few educational benefits. And in the middle, public universities like the University of California system were squeezed between incentives to increase tuition and pressures to maintain access and affordability. Eaton chronicles these processes with rich history, interviews, and numbers, making clear for the first time just how tight the links are between big finance and America's highly unequal system of higher education"--
    Note: Includes bibliographical references and index
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  • 65
    Book
    Book
    New York, NY, United States of America : Oxford University Press | 2022
    ISBN: 9780190908867 , 9780190908850
    Language: English
    Pages: x, 261 Seiten
    Parallel Title: Erscheint auch als
    DDC: 303.48/3
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    Keywords: Nachricht ; Journalismus ; Zeitungsverlag ; Internet ; Rezeption ; Großbritannien ; USA ; Frankreich ; Deutschland ; Technology / Sociological aspects ; Social media and society ; Information technology / Psychological aspects ; Information technology / Social aspects ; Technologie / Aspect sociologique ; Médias sociaux et société ; Technologie de l'information / Aspect psychologique ; Technologie de l'information / Aspect social ; Information technology / Psychological aspects ; Information technology / Social aspects ; Social media and society ; Technology / Sociological aspects ; Frankreich ; Deutschland ; Großbritannien ; USA ; Journalismus ; Zeitungsverlag ; Nachricht ; Rezeption ; Internet
    Abstract: "This chapter focuses on how the rise of platforms is changing our media environment, where publishers still control the production of news content, but platform companies increasingly control the channels through which people access it. It identifies the new, distinct, generative and relational forms of power that platforms including Facebook, Google, and Twitter exercise and examines how news publishers have responded. It argues that previously powerful and relatively independent institutions like the news media are increasingly in a position akin to that of ordinary users-they are simultaneously increasingly empowered by and dependent upon a small number of powerful platforms"--
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  • 66
    ISBN: 9783030977955 , 9783030977924
    Language: English
    Pages: xii, 293 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 302.23
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    Keywords: Geschichte 1960-2020 ; Media and Gender ; American Film and TV. ; Gender Studies ; Gender identity in mass media ; Motion pictures, American ; Sex ; Transgender ; Fernsehserie ; Film ; USA ; USA ; Film ; Fernsehserie ; Transgender ; Geschichte 1960-2020
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  • 67
    ISBN: 9780226810027 , 022681002X , 9780226810164
    Language: English
    Pages: xxx, 438 Seiten , Illustrationen, Karten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 780.89928073
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    Keywords: Äthiopischer Einwanderer ; Musik ; USA
    Note: Bibliography Seite 391-416
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  • 68
    ISBN: 9783030977955 , 9783030977924
    Language: English
    Pages: xii, 293 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 302.23
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    Keywords: Geschichte 1960-2020 ; Media and Gender ; American Film and TV. ; Gender Studies ; Gender identity in mass media ; Motion pictures, American ; Sex ; Film ; Fernsehserie ; Transgender ; USA ; USA ; Film ; Fernsehserie ; Transgender ; Geschichte 1960-2020
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  • 69
    ISBN: 9781433191916 , 1433191911
    Language: English
    Pages: xxiv, 317 Seiten , 23 cm, 488 g
    Series Statement: Communication, sport, and society vol. 5
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als American Sport in the Shadow of a Pandemic
    DDC: 306.4830973
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; COVID-19 ; Pandemie ; Sport ; Medien ; Sportberichterstattung
    Note: Literaturangaben
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Unbekannt  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 70
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
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    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
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  • 71
    ISBN: 9783825349271
    Language: English
    Pages: 563 Seiten , Illustrationen , 21 cm x 13.5 cm
    Series Statement: American Studies - a monograph series volume 318
    Series Statement: American Studies - a monograph series
    Parallel Title: Erscheint auch als
    DDC: 306.0973
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    Keywords: Popular culture studies ; Popkultur ; Massenkultur ; USA ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; USA ; Massenkultur ; Popkultur ; USA ; Popkultur
    Note: S.20: "This volume would not exist without the conference 'U.S.-American Culture as Popular Culture' (...) took place from June 13-15,2019 at the University of Hamburg."
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 72
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
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    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 73
    Book
    Book
    New Brunswick : Rutgers University Press
    ISBN: 9781978824348 , 9781978824355
    Language: English
    Pages: vii, 171 Seiten , Illustrationen
    DDC: 302.23/4
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    Keywords: Documentary films Social aspects ; Documentary films Political aspects ; Radicalism in mass media ; USA ; Aktivismus ; Neue Medien ; Dokumentarfilm
    Abstract: "Activist Media: Documenting Movements and Networked Solidarity is a first-person account of Gino Canella's documentary filmmaking with Black Lives Matter 5280 and Service Employees International Union (SEIU) Local 105 in Denver, Colorado. Activist media are social practices, rooted in communication and democracy, that have the potential to foster meaningful relationships among community members. These relationships, in turn, politicize the narratives and aesthetics that organizers use in their media, and create spaces for people to navigate and embrace their political and ideological differences; articulate and amplify their values; and practice empathic listening and "care-full" organizing. Activist media rewrite the script on tired narratives that racialize and dehumanize working people, and offer alternative visions for an equitable and just society. Activist Media also provides evidence for how collaborative media projects create opportunities for scholars to contribute to social movements' communication and organizing strategies, and highlight the grassroots knowledge emanating from the streets"--
    Note: Literaturverzeichnis: Seite 153-164 und Index
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  • 74
    Book
    Book
    Thousand Oaks, California : SAGE, CQ Press
    ISBN: 9781544385143
    Language: English
    Pages: xvii, 381 Seiten , Illustrationen, Diagramme
    DDC: 302.230973
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    Keywords: Mass media Political aspects ; Press and politics ; Lehrbuch ; USA ; Politik ; Massenmedien
    Abstract: The landscape of media and politics today -- Underlying concepts & historical foundations -- Political advertising : persuasion and deception -- Reporting the news : cultural bias, trust, and accountability -- Politicians, the media, and social media : the push-pull relationship -- Race and immigration in media and politics : protests, policies, and reform -- Global media : the international influencer -- The media and women in politics.
    Abstract: "Politics and the Media: Intersections and New Directions examines how media and political institutions interact to shape public thinking and debates around social problems, cultural norms, and policies. From the roles of race and gender in American politics to the 2020 elections and global coronavirus pandemic, this is an extraordinary moment for politicians, the news media, and democracy itself. Hall explores how media technologies, practices, and formats shape political decision making; how political forces influence media institutions; and how public opinion and media audiences are formed. Students will gain an understanding of these issues through in-depth interviews and case studies to help develop their own informed views and to learn to express them constructively"--
    Note: Index
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  • 75
    Book
    Book
    Mainz : Ventil
    ISBN: 9783955751692 , 3955751694
    Language: German
    Pages: 301 Seiten , Illustrationen , 23 cm x 15.5 cm
    Edition: 1. Auflage
    RVK:
    RVK:
    Keywords: Geschichte 1920-2020 ; Musik ; Frau ; Musikerin ; Moe Tucker ; Mainstream ; Musikerinnen ; Joan Jett ; Billie Eilish ; Stevie Nicks ; Mercedes Sosa ; Frauenbewegung ; Independent ; Little Simz ; Gianna Nannini ; Gudrun Gut ; Amy Winehouse ; Vashti Bunyan ; Alternative ; Popkultur ; Rockmusik ; Role Model ; Britney Spears ; Feminismus ; Künstlerinnen ; Underground ; Sibylle Baier ; Sängerinnen ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Geschichte 1920-2020 ; Musik ; Frau ; Musikerin
    URL: Cover
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  • 76
    ISBN: 9780472055685 , 9780472075683
    Language: English
    Pages: xi, 151 Seiten , 23 cm
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; Rap (Music) / History and criticism ; Hip-hop / History and criticism ; Gay musicians / United States ; Lesbian musicians / United States ; Transgender musicians / United States ; African American gays ; African American lesbians ; African American bisexuals ; African American transgender people ; Gender-nonconforming people / United States ; Queer musicology ; Gender identity in music ; Queer theory ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    Abstract: "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. In Queer Voices in Hip Hop, Lauron Kehrer turns our attention to openly queer and trans rappers and positions them within a longer Black queer musical lineage. Combining musical, textual, and visual analysis with reception history, this book reclaims queer involvement in hip hop by tracing the genre's beginnings within Black and Latinx queer music-making practices and spaces, demonstrating that queer and trans rappers draw on Ballroom and other cultural expressions particular to queer and trans communities of color in their work in order to articulate their subject positions. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the of hip hop's queer roots"
    Description / Table of Contents: Introduction. "I don't have any secrets I need kept anymore": Out in hip-hop -- Hip-hop's queer roots: Disco, house, and early hip-hop -- Queer articulations in ballroom rap -- "The bro code"" Black queer women and female masculinity in rap -- "Nice for what": New Orleans bounce and disembodied queer voices in the mainstream -- Outro. "Call me by your name": Demarginalizing queer hip-hop
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  • 77
    Book
    Book
    New York ; London : Routledge
    ISBN: 9780367546977 , 9780367547028
    Language: English
    Pages: ix, 201 Seiten , Illustrationen (schwarz-weiß)
    Parallel Title: Erscheint auch als
    DDC: 305.3
    RVK:
    RVK:
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    Keywords: Geschichte 1920- ; Medien ; Frauenfeindlichkeit ; USA ; Sexism ; Anti-feminism ; Mass media ; Sexisme ; Antiféminisme ; Médias ; mass media ; Anti-feminism ; Mass media ; Sexism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Medien ; Frauenfeindlichkeit ; Geschichte 1920-
    Abstract: "This important and timely collection examines the troubling proliferation of anti-feminist language and concepts in contemporary media culture. Edited by Michele White and Diane Negra, these curated essays offer a critical means of considering how contemporary media, politics and digital culture function, especially in relation to how they simultaneously construct and displace feminist politics, women's bodies, and the rights of women and other disenfranchised subjects. The collection explores the simplification and disparagement of feminist histories and ongoing feminist engagements, the consolidation of all feminisms into a static and rigid structure, and tactics that are designed to disparage women and feminists as a means of further displacing disenfranchised people's identities and rights. The book also highlights how it is becoming more imperative to consider how anti-feminisms, including hostilities towards feminist activism and theories, are amplified in times of political and social unrest and used to instigate violence against women, people of color, and LGBTQIA+ individuals. A must read for students and scholars of media, culture and communication studies, gender studies, and critical race studies, with an interest in feminist media studies"--
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  • 78
    ISBN: 9781493060603
    Language: English
    Pages: xi, 275 Seiten , Fotografien
    Parallel Title: Erscheint auch als
    DDC: 781.6430973
    RVK:
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    Keywords: Blues ; Musik ; USA
    Note: Literaturverzeichnis Seite 259-261 , Impressum: Backbeat Books is "an imprint of Globe Pequot, the trade division of The Rowman & Littlefield Publishing Group, Inc."
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  • 79
    ISBN: 9783825347284 , 3825347281
    Language: English
    Pages: viii, 235 Seiten , 22 cm x 14 cm
    Series Statement: American studies volume 310
    Series Statement: American studies
    Parallel Title: Erscheint auch als Schäfer, Rebecca Time(s) of Lives
    Parallel Title: Erscheint auch als Schäfer, Rebecca Time(s) of lives
    Dissertation note: Dissertation Johannes Gutenberg-Universität Mainz 2019
    DDC: 303.370973
    RVK:
    RVK:
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Film ; Fernsehserie ; LGBT ; Altern ; Verwandtschaft ; Soziale Norm ; Zeit ; Heteronormativität ; USA ; Film ; Kultur ; Zeit ; Alter ; Altern ; Verwandtschaft ; LGBT ; Geschlechterforschung
    Note: Literaturverzeichnis: Seite 209-235
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  • 80
    ISBN: 9781032090030 , 9780367182984
    Language: English
    Pages: x, 198 Seiten
    Edition: issued in paperback
    Series Statement: Routledge advances in international relations and global politics 144
    DDC: 306.48425
    RVK:
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    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; USA
    Note: Originally published: 2020. , Literaturverzeichnis Seite 169-183
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  • 81
    ISBN: 9780231191234
    Language: English
    Pages: viii, 149 Seiten , Illustrationen , 22 cm
    Series Statement: Short cuts : introductions to film studies
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; USA ; Musical films / United States / History and criticism ; Popular music / Social aspects / United States / History ; Motion pictures and music ; Musical films ; Popular music / Social aspects ; United States ; Criticism, interpretation, etc ; History
    Note: Bibliography Seite 137-142
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  • 82
    ISBN: 1725272261 , 9781725272262 , 1725272253 , 9781725272255
    Language: English
    Pages: xvii, 215 Seiten , 24 cm
    RVK:
    Keywords: Sting ; Rockmusik ; Spiritualität ; Katholizismus
    Note: Literaturverzeichnis Seite 201-207
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  • 83
    Book
    Book
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780197551226 , 9780197551219
    Language: English
    Pages: xi, 252 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Krzych, Scott Beyond bias
    Parallel Title: Erscheint auch als Krzych, Scott Beyond bias
    DDC: 302.23/0973
    RVK:
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    Keywords: Motion pictures Political aspects ; Conservatism in motion pictures ; Documentary films History and criticism ; Communication in politics ; Politische Kommunikation ; USA ; Dokumentarfilm
    Abstract: ""Bias" is a term that circulates frequently in the contemporary landscape of political media, a term intended to diagnose a failure when media outlets fail to maintain journalistic objectivity. Beyond Bias interrogates what would seem, at first glance, to be cases of utterly biased examples of political media-contemporary conservative documentary films. However, rather than dismiss such examples of political representation as exemplars of ideological nonsense, reactionary propaganda, etc., Beyond Bias locates in such examples of conservative media a mode of discourse central to contemporary democratic debate in the US. Specifically, this book identifies conservative media as a mode of hysterical discourse. As the book makes clear, hysterical political discourse occurs when debate is simulated as a means to avoid a more substantive exchange; when appeals to compromise function as a screen to blur the distinctions between opposing sides or viewpoints; as recourse to any and all opinions or "alternative facts" conducive to conservatism's ideological priorities, no matter how divorced from reality; through the reduction of complex issues into moral binaries; through the depoliticizing emphasis on form over content; and, ultimately, as a sustained means to "police" the political with excess nonsense and noise that drowns out any alternative voices. Drawing from psychoanalytic theories of hysteria (Jacques Lacan, Juliet Mitchell, Teresa Brennan, Christopher Bollas, and others) and Jacques Rancière's aesthetic politics, and likewise by placing conservative documentaries in the context of many concerns central to Documentary Studies (participation, observation, representation, the archive, etc.), Beyond Bias views conservative documentary, and conservative media and politics more generally, not as the biased excesses of the contemporary political landscape but rather as texts central to understanding the implicit, though sometimes affectively traumatic, antagonisms inevitable in democracy and constitutive of democratic debate"--
    Note: Includes bibliographical references and index
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  • 84
    ISBN: 9780807050880
    Language: English
    Pages: xv, 192 Seiten
    DDC: 306.432
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    Keywords: Indianer ; Schwarze ; Tertiärbereich ; Soziale Gerechtigkeit ; Sozialer Wandel ; USA
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  • 85
    ISBN: 9783453677432 , 3453677439
    Language: German
    Pages: 415 Seiten , Fotografien (schwarz-weiß) , 20.6 cm x 13.5 cm
    Edition: Überarbeitete und aktualisierte Ausgabe
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.642092
    RVK:
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    Keywords: Cash, Johnny 1932-2003 ; Countrymusic ; USA
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 86
    ISBN: 9781350107656 , 9781350107663
    Language: English
    Pages: ix, 209 Seiten , Illustrationen
    DDC: 782.42166092
    RVK:
    RVK:
    Keywords: Presley, Elvis ; Pop-Kultur ; Rassismus ; USA
    Note: Bibliography Seite 182-196
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  • 87
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014393 , 9781478013471
    Language: English
    Pages: 132 Seiten , 1 Illustration
    Series Statement: Singles
    DDC: 782.42166092
    RVK:
    Keywords: Popmusik ; USA
    Note: Bibliography Seite 125-126
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  • 88
    ISBN: 9780190881979
    Language: English
    Pages: 266 Seiten , Illustrationen, Notenbeispiele , 27 cm
    Series Statement: Oxford studies in music theory
    DDC: 782.4216213
    RVK:
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Großbritannien ; USA
    Abstract: As children, many of us learn to sing, 'If you're happy and you know it, clap your hands.' But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the 'Sweet Thing,' has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs 'My Babe' and 'Motherless Children,' country songs 'Peg and Awl' and 'Crawdad Song,' and gospel songs 'Pure Religion' and 'This Train' use this form, along with popular songs like Ray Charles's 'I Got a Woman,' The Beatles's 'One After 909,' and the Velvet Underground's 'I'm Waiting for the Man.' Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the 'Sweet Thing's' long history, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
    Note: Literaturverzeichnis: Seite [249]-255
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  • 89
    ISBN: 9781496832108 , 9781496832115
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele , 23 cm
    Edition: First printing
    DDC: 781.6508996073
    RVK:
    RVK:
    Keywords: Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; USA
    Abstract: In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.
    Note: Literaturangaben
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  • 90
    ISBN: 9780197534892 , 9780197534885
    Language: English
    Pages: ix, 264 Seiten , Notenbeispiele
    RVK:
    Keywords: Geschichte 1990-2000 ; Punk Rock ; USA
    Note: Literaturverzeichnis: Seite [255]-260
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  • 91
    Book
    Book
    Oakland : University of California Press
    ISBN: 9780520303713 , 9780520303706
    Language: English
    Pages: viii, 208 Seiten
    DDC: 781.650973
    RVK:
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    Keywords: Jazzklub ; Jazz ; Konzertsaal ; USA
    Note: Includes bibliographical references and index.
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  • 92
    ISBN: 9781793613073
    Language: English
    Pages: xxv, 129 Seiten , Illustrationen
    DDC: 305.48895073
    RVK:
    Keywords: Asiatin ; Illustrierte ; Frauenbild ; Stereotyp ; USA
    Note: Literaturverzeichnis Seite 115-119
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  • 93
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197548813
    Language: English
    Pages: 203 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Description / Table of Contents: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
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  • 94
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 95
    ISBN: 9781250195753
    Language: English
    Pages: XIX, 535 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1980-1990 ; Musikleben ; Rockmusiker ; Rockmusik ; Rock music / 1981-1990 / Anecdotes ; Heavy metal (Music) / Anecdotes ; Glam metal (Music) / Anecdotes ; Rock musicians / Anecdotes ; Rock musicians / Interviews ; MUSIC / History & Criticism ; Glam metal (Music) ; Heavy metal (Music) ; Rock music ; Rock musicians ; 1981-1990 ; Anecdotes ; Interviews ; Gespräch ; Gespräch ; Rockmusiker ; Rockmusik ; Musikleben ; Geschichte 1980-1990
    Abstract: "The definitive, no-holds-barred oral history of 1980s hard rock and hair metal. 1980s hard rock was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated--and maybe even helped to define--a spectacularly over-the-top decade. Indeed, fist-pumping hits like Twisted Sister's 'We're Not Gonna Take It,' Mötley Crüe's 'Girls, Girls, Girls,' and Guns N' Roses' 'Welcome to the Jungle' are as inextricably linked to the era as Reaganomics, Pac-Man, and E.T. From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's Nothin' But a Good Time captures the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it. Featuring an impassioned foreword by Slipknot and Stone Sour vocalist and avowed glam metal fanatic Corey Taylor, and drawn from over 200 new interviews with members of Van Halen, Mötley Crüe, Poison, Guns N' Roses, Skid Row, Bon Jovi, Ratt, Twisted Sister, Winger, Warrant, Cinderella, Quiet Riot and others, as well as Ozzy Osbourne, Lita Ford and many more, this is the ultimate, uncensored, and often unhinged chronicle of a time where excess and success walked hand in hand, told by the men and women who created a sound and style that came to define a musical era--one in which the bands and their fans went looking for nothin' but a good time...and found it"--
    Abstract: 1980s hard rock was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated-- and maybe even helped to define-- a spectacularly over-the-top decade. From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Beaujour and Bienstock capture the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it. -- adapted from publisher
    Description / Table of Contents: Foreword / by Corey Taylor -- Cast of characters -- Introduction -- Everybody wants some!! -- Feel the noize -- Knock 'em dead, kid -- Youth gone wild -- The last mile -- Shut up, Beavis -- Epilogue
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  • 96
    ISBN: 9781793639004 , 9781793638984
    Language: English
    Pages: ix, 161 Seiten , Illustrationen
    Series Statement: Music, culture, and identity in Latin America
    DDC: 306.484226872064
    RVK:
    Keywords: Unterhaltungsmusik ; Popmusik ; Tex Mex Music ; USA ; Mexiko
    Note: Bibliography Seite 143-155
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  • 97
    Book
    Book
    New Brunswick, NJ : Rutgers University Press
    ISBN: 9781978814592 , 9781978814608
    Language: English
    Pages: viii, 278 Seiten , Illustrationen , Breite 152 mm, Hoehe 229 mm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Comic ; Ethnische Identität ; Film ; Superheld ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Comic ; Film ; Superheld ; Ethnische Identität
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  • 98
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014089 , 9781478011941
    Language: English
    Pages: xxii, 552 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 782.421640973
    RVK:
    Keywords: Volksmusik ; Popmusik ; USA
    Note: Literaturverzeichnis Seite 446-512
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  • 99
    ISBN: 9783848778720 , 3848778726
    Language: English
    Pages: 239 Seiten , Illustrationen, Diagramme , 22.7 cm x 15.3 cm
    Edition: 1st edition
    Uniform Title: The risks of terrorism, demographic change and climate change
    Parallel Title: Erscheint auch als Fischer, Anne-Kathrin, 1989 - Dynamics of public risk perception and media coverage
    Dissertation note: Dissertation Universität Duisburg-Essen 2020
    DDC: 302.120943
    RVK:
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    Keywords: Hochschulschrift ; Deutschland ; USA ; Risikobewusstsein ; Zeitung ; Berichterstattung ; Klimaänderung ; Terrorismus ; Bevölkerungsentwicklung ; Geschichte 1990-2015 ; USA ; Deutschland ; Öffentlichkeit ; Sicherheit ; Terrorismus ; Bevölkerungsentwicklung ; Klimaänderung
    Note: Literaturverzeichnis: Seite 227-239
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  • 100
    ISBN: 9781780769769
    Language: English
    Pages: xi, 288 Seiten
    Series Statement: Library of gender and popular culture
    DDC: 302.2345081
    RVK:
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    Keywords: Television Social aspects ; Television Technological innovations ; Social aspects ; Television and women ; Television viewers Effect of technological innovations on ; Fernsehen ; Rundfunk ; Weibliche Fernsehschaffende ; Filmwirtschaft ; Frauenberuf ; Großbritannien ; USA
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