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  • 1
    Buch
    Buch
    Ashram Patna : Prafulla
    Dazugehörige Bände/Artikel
    Sprache: Englisch
    DDC: 954.133
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    Schlagwort(e): Sculpture ; Art and architecture ; Music ; Oriya literature History and criticism ; Orissa (India) History ; Orissa (India) Religious life and customs ; Orissa ; Kultur
    Anmerkung: Includes bibliographical references and indexes , Erschienen: 1 - 2
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  • 2
    Sprache: Englisch
    Seiten: 29 cm
    DDC: 303.6/0973
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    Schlagwort(e): Violence in television ; United States ; Violence in television ; United States ; Statistics ; USA ; Fernsehen ; Fernsehsendung ; Gewaltdarstellung
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  • 3
    Buch
    Buch
    Ashram Patna : Prafulla
    Sprache: Englisch
    DDC: 954.133
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    Schlagwort(e): Sculpture ; Art and architecture ; Music ; Oriya literature History and criticism ; Orissa (India) History ; Orissa (India) Religious life and customs ; Odisha ; Kultur ; Geschichte
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Includes bibliographical references and indexes , Erschienen: 1 - 2
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  • 4
    Sprache: Englisch
    Seiten: 29 cm
    DDC: 303.6/0973
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    Schlagwort(e): Violence in television ; United States ; Violence in television ; United States ; Statistics ; USA ; Fernsehen ; Fernsehsendung ; Gewaltdarstellung
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  • 5
    ISBN: 817017273X
    Sprache: Englisch
    Seiten: 29 cm
    DDC: 954
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    Schlagwort(e): India ; Civilization ; Art, Indic ; Themes, motives ; Indien ; Kultur
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  • 6
    ISBN: 9781478025160 , 9781478020271
    Sprache: Englisch
    Seiten: 554 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Alvarez, Daniela Future/present
    Paralleltitel: Erscheint auch als FUTURE/PRESENT
    Paralleltitel: Erscheint auch als FUTURE/PRESENT
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    Schlagwort(e): Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Kurzfassung: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Beschreibung / Inhaltsverzeichnis: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Anmerkung: Includes bibliographical references
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  • 7
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    New Haven : Yale University Press
    ISBN: 9780300259247
    Sprache: Englisch
    Seiten: xvii, 517 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Paralleltitel: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Paralleltitel: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Paralleltitel: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    DDC: 306.094309045
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    Schlagwort(e): 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / Germany ; HISTORY / Modern / 20th Century ; HISTORY / Social History ; History ; Sozial- und Kulturgeschichte ; Deutschland ; Westdeutschland ; Sozialgeschichte ; Kultur ; Geschichte 1900-1999 ; Westdeutschland ; Künste ; Gesellschaft ; Geschichte 1945-1990
    Kurzfassung: "After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past - and eventually allow democracy to reemerge"--
    Kurzfassung: A wide-ranging, insightful history of culture in West Germany-from literature, film, and music to theater and the visual arts
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 8
    ISBN: 1912520958 , 9781912520954
    Sprache: Englisch
    Seiten: 141 Seiten
    DDC: 700.8996073
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    Schlagwort(e): 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Kurzfassung: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Anmerkung: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 9
    ISBN: 0691245452 , 9780691245454
    Sprache: Englisch
    Seiten: 175 Seiten , 26 cm
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    Schlagwort(e): 2000-2099 ; Indian art Exhibitions. 21st century ; Indigenous art Exhibitions. 21st century ; Art, American Exhibitions. 21st century ; Art, American ; Indian art ; Indigenous art ; Exhibition catalogs ; United States ; Bildband ; Ausstellungskatalog National Gallery of Art 22.09.2023-15.01.2024 ; Ausstellungskatalog New Britain Museum of American Art 18.04.2024-15.09.2024 ; USA ; Indianer ; Indigenes Volk ; Kunst ; Geschichte 2000-
    Kurzfassung: A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices-including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video-that share the common thread of the land.
    Anmerkung: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index
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  • 10
    Buch
    Buch
    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Sprache: Englisch
    Seiten: xii, 233 Seiten , Illustrationen , 24 cm
    DDC: 700.89/96073
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    Schlagwort(e): Geschichte 1985-2015 ; Kunst ; Schwarze ; USA ; African American art / 20th century ; African American art / 21st century ; Art and society / United States / History / 20th century ; Art and society / United States / History / 21st century ; Art noir américain / 20e siècle ; Art noir américain / 21e siècle ; Artistes noirs américains / 20e siècle ; Artistes noirs américains / 21e siècle ; African American art ; African American artists ; 1900-2099 ; USA ; Kunst ; Schwarze ; Geschichte 1985-2015
    Kurzfassung: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1985 to 2015. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
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  • 11
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    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Sprache: Englisch
    Seiten: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
    RVK:
    Schlagwort(e): African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Kurzfassung: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Anmerkung: Includes bibliographical references and index
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  • 12
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    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Sprache: Englisch
    Seiten: 143 Seiten , Illustrationen , 29 cm
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    Schlagwort(e): Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Kurzfassung: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Beschreibung / Inhaltsverzeichnis: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Anmerkung: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 13
    ISBN: 9780300272963
    Sprache: Englisch
    Seiten: 263 Seiten
    DDC: 702.81/20973
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    Schlagwort(e): African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Kurzfassung: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Beschreibung / Inhaltsverzeichnis: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Anmerkung: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 14
    ISBN: 9780262048668
    Sprache: Englisch
    Seiten: xvii, 243 Seiten , Illustrationen , 23 cm
    Paralleltitel: Erscheint auch als Anthology of Blackness
    Paralleltitel: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
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    Schlagwort(e): Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Kurzfassung: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Beschreibung / Inhaltsverzeichnis: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Anmerkung: Bibliographie (Seite 234 - 243)
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  • 15
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    New York : Columbia University Press
    ISBN: 9780231205023 , 9780231205030
    Sprache: Englisch
    Seiten: xi, 287 Seiten , Illustrationen
    Serie: Literature now
    Paralleltitel: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
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    Schlagwort(e): American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Kurzfassung: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Anmerkung: Includes bibliographical references and index
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  • 16
    Online-Ressource
    Online-Ressource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Serie: Routledge research in art and race
    Paralleltitel: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
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    Schlagwort(e): Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
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  • 17
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Sprache: Englisch
    Seiten: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Schlagwort(e): Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Kurzfassung: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Anmerkung: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 18
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Sprache: Englisch
    Seiten: 267 Seiten , Illustrationen
    Serie: Exhibition histories
    DDC: 704.039604109045
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    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 19
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    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Sprache: Englisch
    Seiten: 133 Seiten , 23 x 28 cm
    DDC: 709.73
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    Schlagwort(e): Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Anmerkung: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
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  • 20
    ISBN: 9783961713066 , 3961713065
    Sprache: Englisch , Deutsch
    Seiten: 174 Seiten , 287 Illustrationen , 30 cm x 23.5 cm
    RVK:
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    Schlagwort(e): Asien ; Tradition ; Peking ; Beijing ; Reportage ; Megacity ; Handwerk ; Hutong ; Wohnhöfe ; Schanghai ; Provinz ; Kultur ; Konfuzius ; Chinesische Mauer ; Porträtfotografie ; Fotografie ; Straßenfotografie ; Asia ; Documentary ; Craft ; Courtyard ; Shanghai ; Province ; Culture ; Confucius ; Chinese Wall ; Portrait photography ; Photography ; Bildband
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  • 21
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781108825122
    Sprache: Englisch
    Seiten: 72 Seiten
    Serie: Cambridge elements
    Serie: Elements in histories of emotions and the senses
    DDC: 304.237
    RVK:
    Schlagwort(e): Geschichte ; Zeit ; Geschichtswissenschaft ; Gefühl ; Spiritismus ; Kultur ; Muslim ; Südasien ; Time / Social aspects / History ; Emotions / Social aspects / History ; Südasien ; Muslim ; Spiritismus ; Gefühl ; Zeit ; Geschichtswissenschaft ; Kultur ; Geschichte
    Anmerkung: Literaturverzeichnis: Seite 59-72
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  • 22
    Online-Ressource
    Online-Ressource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469663067
    Sprache: Englisch
    Seiten: 1 online resource (245 pages)
    Serie: The John Hope Franklin Series in African American History and Culture Ser.
    Paralleltitel: Erscheint auch als Smethurst, James Edward Behold the land
    DDC: 810.9896073
    RVK:
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    Schlagwort(e): Black Arts movement--Southern States ; American literature--African American authors--History and criticism ; African Americans in literature ; Electronic books ; Geschichte 1960-1985 ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; Geschichte 1960-1985 ; USA ; Black arts movement
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 23
    Buch
    Buch
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469663036 , 9781469663043
    Sprache: Englisch
    Seiten: xii, 224 Seiten , Illustrationen
    Serie: The John Hope Franklin series in African American history and culture
    Paralleltitel: Erscheint auch als Smethurst, James Behold the Land
    DDC: 810.9/896073
    RVK:
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    Schlagwort(e): Black Arts movement ; American literature African American authors ; History and criticism ; African Americans in literature ; Black nationalism in literature ; Black nationalism History 20th century ; African Americans Intellectual life 20th century ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; USA ; Black arts movement ; Geschichte 1960-1985
    Anmerkung: Includes bibliographical references and index
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  • 24
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781108918701
    Sprache: Englisch
    Seiten: 1 Online-Ressource (72 Seiten)
    Serie: Cambridge elements
    Serie: Elements in histories of emotions and the senses
    Paralleltitel: Erscheint auch als
    DDC: 304.23
    RVK:
    Schlagwort(e): Geschichte ; Time / Social aspects / History ; Emotions / Social aspects / History ; Zeit ; Geschichtswissenschaft ; Gefühl ; Spiritismus ; Kultur ; Muslim ; Südasien ; Time / Social aspects / History ; Emotions / Social aspects / History ; Südasien ; Muslim ; Spiritismus ; Gefühl ; Zeit ; Geschichtswissenschaft ; Kultur ; Geschichte
    Kurzfassung: This Element brings together the history of emotions and temporalities, offering a new perspective on both. Time was often imagined as a movement from the past to the future: the past is gone and the future not yet here. Only present-day subjects could establish relations to other times, recovering history as well as imagining and anticipating the future. In a movement paralleling the emphasis on the porous self, constituted by emotions situated not inside but between subjects, this Element argues for a porous present, which is open to the intervention of ghosts coming from the past and from the future. What needs investigating is the flow between times as much as the creation of boundaries between them, which first banishes the ghosts and then denies their existence. Emotions are the most important way through which subjects situate and understand themselves in time
    Anmerkung: Title from publisher's bibliographic system (viewed on 27 Sep 2021)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 25
    Buch
    Buch
    Cambridge, Massachusetts : The MIT Press
    ISBN: 9780262045841
    Sprache: Englisch
    Seiten: 282 Seiten
    DDC: 391.00973
    RVK:
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    Schlagwort(e): Geschichte 1850-1900 ; Haute couture ; Damenmode ; Bekleidungsindustrie ; Kunde ; High-Society ; Paris ; USA
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  • 26
    Buch
    Buch
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469664644 , 9781469664637
    Sprache: Englisch
    Seiten: xiii, 231 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 302.23082
    RVK:
    Schlagwort(e): Künste ; Frau ; Sklaverei ; Gewalt ; USA ; Karibik
    Anmerkung: Literaturverzeichnis Seite 203-220
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  • 27
    Buch
    Buch
    New York : Routledge, Taylor & Francis Group
    ISBN: 9780367553647
    Sprache: Englisch
    Seiten: xxxiv, 487 Seiten , Illustrationen , 25 cm
    Ausgabe: First issued in paperback
    Serie: Routledge companions
    Serie: Visual studies
    DDC: 700.8996073
    RVK:
    Schlagwort(e): African American art ; Art, American Historiography ; Electronic books ; USA ; Schwarze ; Kunst ; Geschichte 1700-2020
    Anmerkung: First published 2020 by Routledge
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  • 28
    Buch
    Buch
    London : Routledge, Taylor & Franci Group
    ISBN: 9780367432652
    Sprache: Englisch
    Seiten: ix, 129 Seiten , Illustrationen
    Serie: Routledge focus on jung, politics and culture
    DDC: 302
    RVK:
    Schlagwort(e): Analytische Therapie ; USA
    Anmerkung: Includes bibliographical references and index.
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  • 29
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781108918701
    Sprache: Englisch
    Serie: Elements in Histories of Emotions and the Senses
    Serie: Cambridge elements. Elements in histories of emotions and the senses
    Paralleltitel: Erscheint auch als Pernau, Margrit, 1962 - Emotions and temporalities
    DDC: 304.23
    RVK:
    Schlagwort(e): Time Social aspects ; History ; Emotions Social aspects ; History ; Südasien ; Muslim ; Spiritismus ; Gefühl ; Zeit ; Geschichtswissenschaft ; Kultur ; Geschichte
    Kurzfassung: This Element brings together the history of emotions and temporalities, offering a new perspective on both. Time was often imagined as a movement from the past to the future: the past is gone and the future not yet here. Only present-day subjects could establish relations to other times, recovering history as well as imagining and anticipating the future. In a movement paralleling the emphasis on the porous self, constituted by emotions situated not inside but between subjects, this Element argues for a porous present, which is open to the intervention of ghosts coming from the past and from the future. What needs investigating is the flow between times as much as the creation of boundaries between them, which first banishes the ghosts and then denies their existence. Emotions are the most important way through which subjects situate and understand themselves in time.
    URL: Volltext  (lizenzpflichtig)
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  • 30
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781108918701
    Sprache: Englisch
    Serie: Elements in Histories of Emotions and the Senses
    Serie: Cambridge elements. Elements in histories of emotions and the senses
    Paralleltitel: Erscheint auch als Pernau, Margrit, 1962 - Emotions and temporalities
    DDC: 304.23
    RVK:
    Schlagwort(e): Time Social aspects ; History ; Emotions Social aspects ; History ; Südasien ; Muslim ; Spiritismus ; Gefühl ; Zeit ; Geschichtswissenschaft ; Kultur ; Geschichte
    Kurzfassung: This Element brings together the history of emotions and temporalities, offering a new perspective on both. Time was often imagined as a movement from the past to the future: the past is gone and the future not yet here. Only present-day subjects could establish relations to other times, recovering history as well as imagining and anticipating the future. In a movement paralleling the emphasis on the porous self, constituted by emotions situated not inside but between subjects, this Element argues for a porous present, which is open to the intervention of ghosts coming from the past and from the future. What needs investigating is the flow between times as much as the creation of boundaries between them, which first banishes the ghosts and then denies their existence. Emotions are the most important way through which subjects situate and understand themselves in time.
    URL: Volltext  (lizenzpflichtig)
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  • 31
    Online-Ressource
    Online-Ressource
    Bielefeld : transcript
    ISBN: 9783839452943
    Sprache: Englisch
    Seiten: 1 Online-Ressource (215 Seiten) , Illustrationen
    Serie: Image volume 180
    Serie: Image
    Paralleltitel: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
    RVK:
    Schlagwort(e): Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Kurzfassung: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
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  • 32
    ISBN: 1934351199 , 9781934351192
    Sprache: Englisch
    Seiten: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
    RVK:
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    Schlagwort(e): African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Kurzfassung: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Kurzfassung: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Anmerkung: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 33
    ISBN: 9781941366325 , 1941366325
    Sprache: Englisch
    Seiten: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
    RVK:
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    Schlagwort(e): African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Kurzfassung: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Anmerkung: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 34
    ISBN: 9783777436883 , 3777436887
    Sprache: Englisch
    Seiten: 255 Seiten , 28 cm
    Paralleltitel: Parallele Sprachausgabe Kirchner und Nolde
    DDC: 709.4307448913
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    Schlagwort(e): Ausstellungskatalog SMK - the National Gallery of Denmark 13.02.2021-24.05.2021 ; Ausstellungskatalog Stedelijk Museum Amsterdam 10.07.2021-17.10.2021 ; Ausstellungskatalog Brücke-Museum 22.11.2021-20.03.2022 ; Bildband ; Afrika ; Ozeanien ; Kultur ; Rezeption ; Kirchner, Ernst Ludwig 1880-1938 ; Nolde, Emil 1867-1956 ; Expressionismus ; Geschichte 1908-1918
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  • 35
    ISBN: 9783777436883 , 3777436887
    Sprache: Englisch
    Seiten: 255 Seiten , 28 cm
    Paralleltitel: Parallele Sprachausgabe Kirchner und Nolde
    DDC: 709.4307448913
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    Schlagwort(e): Ausstellungskatalog SMK - the National Gallery of Denmark 13.02.2021-24.05.2021 ; Ausstellungskatalog Stedelijk Museum Amsterdam 10.07.2021-17.10.2021 ; Ausstellungskatalog Brücke-Museum 22.11.2021-20.03.2022 ; Bildband ; Ausstellungskatalog SMK - the National Gallery of Denmark 13.02.2021-24.05.2021 ; Ausstellungskatalog Stedelijk Museum Amsterdam 10.07.2021-17.10.2021 ; Ausstellungskatalog Brücke-Museum 22.11.2021-20.03.2022 ; Bildband ; Ausstellungskatalog SMK - the National Gallery of Denmark 13.02.2021-24.05.2021 ; Ausstellungskatalog Stedelijk Museum Amsterdam 10.07.2021-17.10.2021 ; Ausstellungskatalog Brücke-Museum 22.11.2021-20.03.2022 ; Bildband ; Afrika ; Ozeanien ; Kultur ; Rezeption ; Kirchner, Ernst Ludwig 1880-1938 ; Nolde, Emil 1867-1956 ; Expressionismus ; Geschichte 1908-1918
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  • 36
    Online-Ressource
    Online-Ressource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Serie: North Carolina scholarship online
    DDC: 302.23082
    RVK:
    Schlagwort(e): Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Kurzfassung: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
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  • 37
    Buch
    Buch
    Princeton ; Oxford : Princeton University Press
    ISBN: 9780691208190
    Sprache: Englisch
    Seiten: VII, 254 Seiten , Illustrationen, Pläne
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    DDC: 745.40973/0904
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    Schlagwort(e): Geschichte 1950-1959 ; ART / History / General ; Decorative arts Marketing ; Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Power (Social sciences) History 20th century ; Geschlecht ; Design ; Rasse ; Industriedesign ; USA ; USA ; Industriedesign ; Geschichte 1950-1959 ; USA ; Design ; Geschlecht ; Rasse
    Kurzfassung: The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced-and were influenced by-Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others. A striking counternarrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture
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  • 38
    ISBN: 9780691208190
    Sprache: Englisch
    Seiten: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
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    Schlagwort(e): Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Anmerkung: Includes bibliographical references and index
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  • 39
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    Bielefeld :transcript Verlag,
    ISBN: 978-3-8376-4902-4
    Sprache: Englisch
    Serie: Culture & theory volume 212
    Serie: Culture & theory
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Film ; Culture ; Media ; Cultural History ; Cultural Theory ; Cultural Studies ; literature ; Literary Studies ; Kultur. ; Bequemlichkeit. ; Diskurs. ; Aufsatzsammlung ; Kultur ; Bequemlichkeit ; Diskurs
    Kurzfassung: Long description: Comfort is a prominent and highly loaded concept, as popular discourses on cozy environments, safe spaces, but also the importance of »getting out of your comfort zone« attest. This volume is the first to investigate »comfort« as a cultural narrative and emotional touchstone in contemporary culture. Taken together, the contributions to the volume offer an overview of different approaches to and conceptualizations of comfort in linguistics, literary, media, and cultural studies and art history. They showcase how »comfort« serves as a valuable lens to analyze contemporary artworks and developments, e.g. live theatre broadcasting or political interventions in the US-American media sphere
    Kurzfassung: Biographical note: Dorothee Birke is a visiting professor of English studies at the University of Innsbruck. Her main research interests include political drama, digital book culture, and the history of the novel. She has held fellowships at the Freiburg Institute for Advanced Studies and the Aarhus Institute of Advanced Studies. Stella Butter is a professor of English and American literature at the University of Koblenz-Landau (Campus Landau). In her research, she is especially interested in representations of home in contemporary Anglophone literature, contingency and literature, and the cultural functions of the British novel in the process of modernization
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  • 40
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    Charlottesville : University of Virginia Press
    ISBN: 9780813943749
    Sprache: Englisch
    Seiten: xviii, 194 Seiten , Illustrationen
    Serie: Midcentury: architecture, landscape, urbanism, and design
    Paralleltitel: Erscheint auch als Grubiak, Margaret M Monumental jesus
    DDC: 306.6/773
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    Schlagwort(e): Christianity and culture ; Cultural landscapes ; Popular culture Religious aspects ; Christianity ; United States Religion ; USA ; Religiöse Kunst ; Architektur ; Monumentalplastik
    Kurzfassung: Touchdown Jesus! -- Dorothy, The Wizard of Oz, and the Mormon Temple -- Adventures in the evangelical theme park -- Charles Darwin's Night at the Creation Museum -- Gumby Jesus.
    Kurzfassung: "This book explores how religious doubt is made manifest in the built environment by taking seriously the humorous, satirical, blasphemous, and popular culture responses to religious architecture and image in modern America. It challenges how audiences typically consider religious architecture by shifting the focus from believers to doubters and from architectural producers to architectural consumers. Its chapters explore landscapes of doubt created by "Touchdown Jesus" at the University of Notre Dame in Indiana; the Mormon temple outside Washington, D.C., recast as something from The Wizard of Oz; Jerry Falwell's waterslide plunge photograph and The Simpson's "Praiseland" episode satirizing Jim and Tammy Faye Bakker's Heritage USA evangelical theme park in South Carolina; the doctored photograph making fun of Oral Roberts's claim of seeing a 900-foot Jesus at Oral Roberts University in Tulsa, Oklahoma; MAD magazine's "Charles Darwin's Night at the Creation Museum" parody of the Creation Museum in Kentucky; and the "Gumby Jesus" renaming of the Christ of the Ozarks statue in Eureka Springs, Arkansas. These expressions of doubt activate the religious built environment in ways unanticipated but illuminating, asking Americans to consider and clarify what it is they believe"--
    Anmerkung: Includes bibliographical references and index
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  • 41
    Online-Ressource
    Online-Ressource
    Milton : Taylor & Francis Group
    ISBN: 9781351205146
    Sprache: Englisch
    Seiten: 1 online resource (277 pages)
    Ausgabe: 2nd ed.
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Stevenson, Andrew, 1964 - Cultural issues in psychology
    DDC: 155.82
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    Schlagwort(e): Disziplin ; Kulturpsychologie ; Psychologie ; Relation ; Kultur ; Einflussgröße ; Konzeption ; Forschungsgegenstand ; Wissenschaft ; Methode ; Electronic books ; Ethnopsychology ; Erde
    Kurzfassung: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- 1. How we got here: a short history of psychology across cultures -- 2. Culture and its influence: exploring a key concept in global psychology -- 3. Cross-cultural psychology: epistemology and ontology: Searching for human universals -- 4. Cultural psychology: epistemology and ontology: alternative paradigms in global psychology -- 5. Critical, community and indigenous psychologies -- 6. Culture, cognition and intellect: thinking through cultures -- 7. Culture, social cognition and social influence: social psychology across cultures -- 8. Culture and development: childhood across cultures -- 9. Culture and psychopathology: definitions, diagnoses and treatment across cultures -- 10. Culture, acculturation, biculturalism and cosmopolitanism -- Reflective exercise answers -- Glossary -- References -- Index.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 42
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    Philadelphia : Institute for Contemporary Art, University of Pennsylvania
    ISBN: 0884541495 , 9780884541493
    Sprache: Englisch
    Seiten: 320 Seiten , Illustrationen
    Ausgabe: First edition
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    Schlagwort(e): Ausstellungskatalog ; USA ; Person of Color ; Kunst ; Gesellschaft
    Anmerkung: This book is published on the occasion of the exhibition Colored People Time, curated by Meg Onli, and organized and presented by the Institute of Contemporary Art, University of Pennsylvania, Febuary 1 - December 22, 2019; MIT List Visual Arts Center Febuary 7 - April 12, 2020
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  • 43
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    Dazugehörige Bände/Artikel
    In:  Journal Fünf Kontinente / Museum Fünf Kontinente Band 3 (2018/19), Seite 96-151
    Sprache: Englisch
    Seiten: Illustrationen
    Titel der Quelle: Journal Fünf Kontinente / Museum Fünf Kontinente
    Publ. der Quelle: München, 2020
    Angaben zur Quelle: Band 3 (2018/19), Seite 96-151
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    Schlagwort(e): Indigenes Volk ; Stab ; Prophet ; USA ; Indigenes Volk ; USA ; Prophet ; Stab
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  • 44
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    London ; New York :Routledge, Taylor & Francis Group,
    ISBN: 978-0-367-65966-0
    Sprache: Englisch
    Seiten: xviii, 402 Seiten : , Illustrationen ; , 25 cm.
    Ausgabe: First issued in paperback
    Serie: Routledge international handbooks
    Paralleltitel: Äquivalent
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    Schlagwort(e): People with disabilities ; People with disabilities and the arts ; Kunst. ; Kultur. ; Massenmedien. ; Behinderung. ; Disability Studies. ; Kunst ; Kultur ; Massenmedien ; Behinderung ; Disability Studies
    Anmerkung: First published 2019
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  • 45
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    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271086040
    Sprache: Englisch
    Seiten: 241 Seiten , Illustrationen
    DDC: 759.13
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    Schlagwort(e): Jones, Lois Mailou Criticism and interpretation ; African diaspora in art ; Jones, Loi͏̈s Mailou 1905-1998 ; USA ; Schwarze ; Kunst
    Kurzfassung: Introduction : claiming middle ground -- Seeking success : school, society, and career aspirations -- Routes to roots : from Black Washington to Black Paris -- Diasporic directions : Haiti, collage, and composite aesthetics -- In and out : Africa and the academy -- Conclusion : composite naming practices and art histories.
    Kurzfassung: "A critical analysis of the art and career of African American painter Loïs Mailou Jones (1905-1998). Examines Jones's engagement with African and Afrodiasporic themes as well as the challenges she faced as a black woman artist"--
    Anmerkung: Includes bibliographical references and index
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  • 46
    ISBN: 9781912248667 , 1912248662
    Sprache: Englisch
    Seiten: xii, 431 Seiten , Illustrationen , 20 cm
    Paralleltitel: Erscheint auch als Howell, Patrick Dispatches from the Vanguard
    DDC: 973.933
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    Schlagwort(e): Trump, Donald ; Trump, Donald ; Arts Political aspects ; Art, Black 21st century ; Multiculturalism in art ; Political culture ; Presidents ; African Americans Politics and government 21st century ; American literature African American authors 21st century ; African Americans Intellectual life 21st century ; African Americans ; Intellectual life ; African Americans ; Politics and government ; American literature ; African American authors ; Art, Black ; Arts ; Political aspects ; Multiculturalism in art ; Political culture ; Politics and government ; Presidents ; United States Politics and government 2017- ; United States ; USA ; Politische Kultur ; Trump, Donald 1946- ; Multikulturelle Gesellschaft ; Person of Color ; Geschichte 2017-2021
    Kurzfassung: "A collection of writers, poets, artists, social entrepreneurs and political activists in the Global International African Arts Movement speak about their work in the context of Trump, giving a voice to the voiceless and about the 5th estate of power in this timely and important book" -- Provided by the publisher
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  • 47
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    Los Angeles :SAGE,
    ISBN: 978-1-5063-6442-1
    Sprache: Englisch
    Seiten: xxiii, 556 Seiten : , Illustrationen, Diagramme ; , 24 cm.
    DDC: 155.8/2
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    Schlagwort(e): Ethnopsychology ; Culture ; Ethnopsychologie. ; Kulturpsychologie. ; Sozialpsychologie. ; Kultur. ; Ethnopsychologie ; Kulturpsychologie ; Sozialpsychologie ; Kultur
    Anmerkung: Literaturverzeichnis: Seite 457-519
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  • 48
    Online-Ressource
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    Bielefeld :transcript,
    ISBN: 978-3-8394-4902-8
    Sprache: Englisch
    Seiten: 1 Online-Ressource (252 Seiten) : , Illustrationen.
    Serie: Culture & theory volume 212
    Serie: Culture & theory
    Paralleltitel: Erscheint auch als
    DDC: 306
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    Schlagwort(e): Cultural History ; Cultural Studies ; Cultural Theory ; Culture ; Film ; Literary Studies ; Literature ; Media ; SOCIAL SCIENCE / Popular Culture ; Kultur. ; Bequemlichkeit. ; Diskurs. ; Aufsatzsammlung ; Kultur ; Bequemlichkeit ; Diskurs
    Kurzfassung: Comfort is a prominent and highly loaded concept, as popular discourses on cozy environments, safe spaces, but also the importance of »getting out of your comfort zone« attest. This volume is the first to investigate »comfort« as a cultural narrative and emotional touchstone in contemporary culture. Taken together, the contributions to the volume offer an overview of different approaches to and conceptualizations of comfort in linguistics, literary, media, and cultural studies and art history. They showcase how »comfort« serves as a valuable lens to analyze contemporary artworks and developments, e.g. live theatre broadcasting or political interventions in the US-American media sphere
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 49
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    London : Phaidon Press Limited | New York, NY : New Museum
    ISBN: 9781838661298 , 1838661298
    Sprache: Englisch
    Seiten: 263 Seiten , 29 x 25 cm
    DDC: 704.9491524
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    Schlagwort(e): Ausstellungskatalog New Museum of Contemporary Art, New York, NY 2020-2021 ; Bildband ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 1964-2020 ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 2016-2020
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Impressum: "In association with New Museum New York, on the occasion of the exhibition "Grief and Grievance: Art and Mourning in America" October 20, 2020-January 24, 2021"
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  • 50
    Buch
    Buch
    Lincoln : University of Nebraska Press
    ISBN: 9781496202123
    Sprache: Englisch
    Seiten: xi, 254 Seiten , Illustrationen , 23 cm
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Rezeption ; Indigenes Volk ; Soziale Verantwortung ; Kunst ; Kunstwerk ; USA ; Indian arts / Study and teaching ; Education, Higher / Aims and objectives ; Museums and Indians ; Cultural awareness ; Cultural awareness ; Education, Higher / Aims and objectives ; Museums and Indians ; USA ; Indigenes Volk ; Kunst ; Soziale Verantwortung ; USA ; Indigenes Volk ; Kunstwerk ; Rezeption
    Kurzfassung: "'Knowing Native Arts' brings Nancy Marie Mithlo's Native, insider perspective to understanding the significance of indigenous arts in national and global milieus"--
    Kurzfassung: "Knowing Native Arts brings Nancy Marie Mithlo's Native insider perspective to understanding the significance of Indigenous arts in national and global milieus. These musings, written from the perspective of a senior academic and curator traversing a dynamic and at turns fraught era of Native self-determination, are a critical appraisal of a system that is often broken for Native peoples seeking equity in the arts. Mithlo addresses crucial issues, such as the professionalization of Native arts scholarship, disparities in philanthropy and training, ethnic fraud, and the receptive scope of Native arts in new global and digital realms. This contribution to the field of fine arts broadens the scope of discussions and offers insights that are often excluded from contemporary appraisals."--book jacket
    Beschreibung / Inhaltsverzeichnis: Introduction: Dangerous for the heart -- 1. "The Manner in Which Knowledge Grows" -- 2. Native Arts' Visual Remix -- 3. Indigenous Arts Movements at Home and Abroad -- 4. On the Other Side of the Ocean -- 5. Postidentity Claims, Realism, and Radical Restructuring -- 6. The Encyclopedic Gaze -- 7. Decentering Durham -- 8. American Indians and Museums: The love/hate relationship -- Conclusion: The good fight -- Notes
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  • 51
    ISBN: 9781478007326
    Sprache: Englisch
    Seiten: 1 Online-Ressource (241 Seiten)
    Paralleltitel: Erscheint auch als Beck, John, 1963 - Technocrats of the imagination
    DDC: 700.1/050973
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    Schlagwort(e): Technology and the arts History 20th century ; Military-industrial complex ; Arts Experimental methods ; Art / Criticism & Theory ; Electronic books ; USA ; Medienkunst ; Militärtechnik ; Geschichte 1960-1969 ; Experiments in Art and Technology ; Laboratorium ; Militär
    Kurzfassung: Science, Art, Democracy -- A Laboratory of Form and Movement: Institutionalizing Emancipatory Technicity at MIT -- The Hands-on Approach: Engineering Collaboration at E.A.T. -- Feedback: Expertise, LACMA and the Think-Tank -- How to Make the World Work -- Heritage of Our Times.
    Kurzfassung: "TECHNOCRATS OF THE IMAGINATION traces the rise of collaborative art and technology labs in the U.S. from WWII to the present. Ryan Bishop and John Beck reveal the intertwined histories of the avant-garde art movement and the military-industrial complex, showing how radical pedagogical practices traveled from Germany's Bauhaus movement to the U.S. art world and interacted with government-funded military research and development in university laboratories. During the 1960s both media labs and studio labs leaned heavily on methods of interdisciplinary collaboration and the power of American modernity to model new modes of social organization. The book's chapters take up MIT's Center for Art, Science, and Technology, Bell Labs's E.A.T. (Experiments in Art and Technology) Salon, and Los Angeles Museum of Art's Art + Technology Program. Their interconnected history illuminates how much of contemporary media culture and aesthetics depends on the historical relationship between military, corporate, and university actors. In light of revived interest in Black Mountain College and other 1960s art and technology labs, this book draws important connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s. The authors situate the rise of collaborative art and technology projects in the 1960s within John Dewey's ideology of scientific democracy, showing how leading thinkers from the Bauhaus movement in Germany immigrated to the U.S. and brought with them a Deweyan model for collaborative and interdisciplinary art and technology research. Over the course of the decade, the U.S. government increased funding to scientific research at university and private laboratories. Beck and Bishop investigate how various art and technology projects incorporated the collaborative and innovative interdisciplinarity of the avant-garde art movement with the corporate funding structure driven by the U.S. government's military and technoscientific interests. Finally, the authors consider the legacy of 1960s art and technology projects. During the 1970s and 80s, defense R&D funding was less motivated by a Cold War corporate state, and was instead restructured according to an entrepreneurial and neoliberal model. At the same time, funding in the art world also became increasingly financialized and globalized. Today's art and technology work happens collaboratively not because of an intellectual commitment to interdis ...
    Anmerkung: A cultural politics book , Includes bibliographical references and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 52
    Online-Ressource
    Online-Ressource
    Cham : Palgrave Macmillan
    ISBN: 9783030371371
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvii, 252 Seiten)
    Serie: New directions in Latino American cultures
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.098
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    Schlagwort(e): Geschichte 2000-2019 ; Latin American Culture ; Arts ; Latino Culture ; Ethnology—Latin America ; Arts ; Künste ; Kunstbetrieb ; Kultur ; Brasília ; Brasília ; Kultur ; Künste ; Kunstbetrieb ; Geschichte 2000-2019
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 53
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    Philadelphia : Temple University Press
    ISBN: 9781439914236
    Sprache: Englisch
    Seiten: x, 235 Seiten , Illustrationen
    Suppl.: Rezensiert in Reynolds, Daniel P. Memory Passages: Holocaust Memorials in the United States and GermanyNatasha Goldman 2021
    Paralleltitel: Erscheint auch als Goldman, Natasha, 1970 - Memory passages
    DDC: 940.5318640943
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    Schlagwort(e): Holocaust memorials ; Holocaust memorials ; Memorialization ; Memorialization ; Art and history ; Art and history ; USA ; Deutschland ; Judenvernichtung ; Denkmal ; Kollektives Gedächtnis ; USA ; Deutschland ; Denkmal ; Judenvernichtung
    Kurzfassung: For decades, artists and architects have struggled to relate to the Holocaust in visual form, resulting in memorials that feature a diversity of aesthetic strategies. In 'Memory Passages', Natasha Goldman analyzes both previously-overlooked and internationally-recognized Holocaust memorials in the United States and Germany from the postwar period to the present, drawing on many historical documents for the first time. From the perspectives of visual culture and art history, the book examines changing attitudes toward the Holocaust and the artistic choices that respond to it.The book introduces lesser-known sculptures, such as Nathan Rapoport's 'Monument to the Six Million Jewish Martyrs' in Philadelphia, as well as internationally-acclaimed works, such as Peter Eisenman's 'Memorial to the Murdered Jews of Europe' in Berlin. Other artists examined include Will Lammert, Richard Serra, Joel Shapiro, Gerson Fehrenbach, Margit Kahl, and Andy Goldsworthy. Archival documents and interviews with commissioners, survivors, and artists reveal the conversations and decisions that have shaped Holocaust memorials. 'Memory Passages' suggests that memorial designers challenge visitors to navigate and activate spaces to engage with history and memory by virtue of walking or meandering. This book will be valuable for anyone teaching-or seeking to better understand-the Holocaust
    Anmerkung: Literaturverzeichnis: Seite 219-227 , Register
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  • 54
    ISBN: 9789493148413 , 9493148416
    Sprache: Englisch
    Seiten: 381 Seiten , Illustrationen
    Serie: Onomatopee 196
    DDC: 700.411
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    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; Kunst ; Niederlande ; Deutschland ; COVID-19 ; Geschichte ; COVID-19 ; Pandemie ; Gesellschaft ; Kultur ; Zukunft ; Utopie
    Kurzfassung: Sixteen culture makers who are "Zeitzeugen" (contemporary witnesses) of the COVID-19 pandemic sketch how things can be different in the future. Their visions for the future came about as a reaction to the disruption of their plans for 2020, and have one thing in common: the ambition to change and to widen the limits of our imagination.00The visions and recipes of these writers, academics, philosophers, singers, visual artists, theatre makers and designers working in the Netherlands and Germany, paint a heterogeneous picture. They develop through themes such as real utopias, sustainability, the new domesticity, and the role of cultural institutions in our society,00This collection is flavoured with the food recipes that every maker has contributed. The menu ranges from eating earth to corona ice cream, from French toast to Mushrooms at the end of the world, and tastes like more
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  • 55
    ISBN: 9789490153328 , 949015332X
    Sprache: Englisch
    Seiten: 184 Seiten , Illustrationen
    Serie: KA series 32
    Paralleltitel: Parallele Sprachausgabe
    DDC: 700.411
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    Schlagwort(e): 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Kurzfassung: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Anmerkung: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 56
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    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    ISBN: 9780300245745 , 0300245742
    Sprache: Englisch
    Seiten: xii, 228 Seiten , Illustrationen , 26 cm
    DDC: 704.0396073
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    Schlagwort(e): Harrington, Oliver W ; Colescott, Robert ; African American art ; African American artists ; African Americans in art ; Satire, American History and criticism ; USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
    Kurzfassung: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Kurzfassung: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Anmerkung: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
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  • 57
    ISBN: 9783709981191
    Sprache: Deutsch , Englisch
    Seiten: 217 Seiten , 23 cm
    Serie: Studiohefte 38
    Serie: Studiohefte
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    Schlagwort(e): Geschichte 1962-2020 ; Geschichte ; Lyrik ; Liebe ; Kunst ; Fotografie ; Iran ; Sonderausstellung ; Ausstellung ; Ausstellungskatalog ; Studioheft ; Iran ; Persien ; Europa ; Teheran ; Kunstband ; Orient ; Okzident ; Kunst ; Mazdak Ayari ; Reza Bangiz ; Nargess Hashemi ; Jazeh Tabatabai ; Parviz Tanavoli ; Kultur ; Farah Ossouli ; Tarlan Rafiee ; Ausstellungskatalog Tiroler Landesmuseum Ferdinandeum 16.10.2020-31.01.2021 ; Bildband ; Iran ; Kunst ; Fotografie ; Lyrik ; Liebe ; Geschichte ; Iran ; Kunst ; Geschichte 1962-2020
    Anmerkung: Ausgewählte Bibliographie Seite 213 , "Die Publikation erscheint anlässlich der Ausstellung "Solace of lovers/Trost der Liebenden", Tiroler Landesmuseum Ferdinandeum, 16. Oktober 2020-31. Jänner 2021", Seite 214 , Text deutsch und englisch
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  • 58
    ISBN: 9783960988571 , 3960988575
    Sprache: Englisch , Deutsch
    Seiten: 235 Seiten , Illustrationen , 23 cm x 16 cm
    Serie: n.b.k.-Diskurs / Neuer Berliner Kunstverein 14
    Serie: VALIE EXPORT Center Linz Schriften Band 1
    Serie: VALIE EXPORT Center Linz Schriften
    DDC: 306.4613
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    Schlagwort(e): VALIE EXPORT ; Körper ; Virtuelle Realität ; Kultur ; Medien ; Prothese ; Ausstellungskatalog Neuer Berliner Kunstverein 23.11.2019-26.01.2020 ; Ausstellungskatalog Neuer Berliner Kunstverein 23.11.2019-26.01.2020 ; Ausstellungskatalog Neuer Berliner Kunstverein 23.11.2019-26.01.2020 ; VALIE EXPORT 1940- ; Körper ; Prothese ; Virtuelle Realität ; Medien ; Kultur
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  • 59
    ISBN: 9781108484145 , 9781108705967
    Sprache: Englisch
    Seiten: xxiv, 534 Seiten , Illustrationen
    Serie: Current perspectives in social and behavioral sciences
    Paralleltitel: Erscheint auch als
    DDC: 302
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    Schlagwort(e): Sozialwissenschaften ; Kultur ; Forschung ; Social sciences / Research ; Culture ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Sozialwissenschaften ; Forschung ; Kultur
    Kurzfassung: "This book explores current advances in the scientific study of the inter-relationships among culture, mind and brain. The contributors draw from social sciences, psychology and neuroscience to show the interplay of biology, cognition, and social contexts in human experience. Part 1 of the book includes three sections presenting diverse theoretical models lines of research. The first section addresses the dynamic interactions of culture, mind and brain on multiple timescales: evolutionary, co-evolutionary, historical, developmental and everyday contexts. The section section considers ways of thinking about the brain in social context, beginning with an enactivist perspective, and then presenting a constructivist view of emotion, experimental studies of priming effects, and a discussion of emergence of the sense of agency. A third section considers how social coordination and cooperative are achieved through joint action, acquiring social norms, and engaging in ritual practices. Part 2 of the book considers the intersection of neuroscience and social science in specific domains, including history, spatial learning, education, music, literature, film, global mental health, urbanization, the Internet, and neurodiversity. Taken together the chapters contribute to a multilevel, multiscale view of the co-construction of mind, brain and culture. An epilogue considers the challenges and prospects for future interdisciplinary work"--
    Anmerkung: Includes bibliographical references and index
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  • 60
    ISBN: 9789383243266
    Sprache: Englisch
    Seiten: 336 Seiten , Illustrationen
    Serie: Mārg publications vol. 70, nos. 2 and 3
    Serie: Mārg publications
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    Schlagwort(e): Konferenzschrift ; Jahangir Mogulreich, Großmogul 1569-1627 ; Schah Dschahan Mogulreich, Großmogul 1592-1666 ; Kunst ; Kultur ; Architektur ; Islamisches Recht ; Literatur
    Anmerkung: Im Vorwort: "This volume has its origin in the international workshop 'The Mughal Empire under Shah Jahan', that took place on May 26 and 27, 2014, at the Institute of Iranian Studies of the Austrian Academy of Sciences in Vienna."
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  • 61
    Buch
    Buch
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476669496
    Sprache: Englisch
    Seiten: x, 274 Seiten, 8 Seiten , Illustrationen
    DDC: 303.482730969
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    Schlagwort(e): Einfluss ; Massenkultur ; USA ; Hawaii
    Anmerkung: Bibliography Seite 256-264
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  • 62
    Buch
    Buch
    New Haven : Yale University Press in association with the Hutchins Center for African & African American Research, Harvard University
    ISBN: 9780300230383
    Sprache: Englisch
    Seiten: xiii, 134 Seiten , Illustrationen
    Serie: Richard D. Cohen lectures in African and African American Art
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    Schlagwort(e): Kunst ; Moderne ; Rassismus ; Kunst ; Moderne ; Rassismus ; Leonard, Zoe 1961- ; Marshall, Kerry James 1955- ; Pope.L, William 1955- ; USA ; Kunst ; Moderne ; Rassismus ; Geschichte 1950-2016
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  • 63
    Online-Ressource
    Online-Ressource
    Wiesbaden :Springer VS,
    ISBN: 978-3-658-15329-8
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 344 Seiten) : , Illustrationen.
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 300.1
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    Schlagwort(e): Sociological Theory ; Social Structure, Social Inequality ; Political Sociology ; Sociology of Culture ; Political sociology ; Resilienz. ; Kultur. ; Gesellschaft. ; Politik. ; Soziologe. ; Aufsatzsammlung ; Resilienz ; Kultur ; Gesellschaft ; Politik ; Resilienz ; Soziologe
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 64
    Buch
    Buch
    Lanham : Rowman & Littlefield
    ISBN: 9781538101452
    Sprache: Englisch
    Seiten: xxvii, 382 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Mitchell, Verner D., 1957- author Encyclopedia of the Black Arts Movement
    DDC: 700.89/96073
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    Schlagwort(e): Black Arts movement Encyclopedias ; Wörterbuch ; Enzyklopädie ; Wörterbuch ; Black arts movement ; USA ; Schwarze ; Künste ; Black power
    Kurzfassung: "The Black Arts Movement (BAM) was the name given to a group of black poets, artists, dramatists, musicians, and writers who emerged in the wake of the Black Power Movement. The entries in this volume include key contributors to the Black Arts Movement, their major works produced during the period, significant publications, and influential groups and organizations"--
    Anmerkung: Includes bibliographical references and index
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  • 65
    Online-Ressource
    Online-Ressource
    Thousand Oaks, Calif. : SAGE Publications
    ISBN: 9781071872666 , 1071872664 , 9781506364407
    Sprache: Englisch
    Seiten: 1 online resource (585 pages) , Illustrationen, Diagramme
    Ausgabe: 1st ed.
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Sozialpsychologie ; Ethnopsychologie ; Kulturpsychologie ; Kultur ; Electronic books ; Ethnopsychologie ; Kulturpsychologie ; Sozialpsychologie ; Kultur
    Kurzfassung: Using an engaging storytelling approach, Culture and Psychology introduces students to culture from a scientific yet accessible point of view. Author Stephen Fox integrates art, literature, and music into each chapter to offer students a rich and complete picture of cultures from around the world
    Kurzfassung: CULTURE AND PSYCHOLOGY - FRONT COVER -- CULTURE AND PSYCHOLOGY -- COPYRIGHT -- BRIEF CONTENTS -- DETAILED CONTENTS -- PREFACE -- ACKNOWLEDGMENTS -- ABOUT THE AUTHOR -- CHAPTER 1 - INTRODUCTION TO THE PSYCHOLOGICAL STUDY OF CULTURE -- CHAPTER 2 - CULTURAL PROCESSES -- CHAPTER 3 - RESEARCH CONSIDERATIONS AND METHODS FOR CULTURAL CONTEXT -- CHAPTER 4 - THE SELF ACROSS CULTURES -- CHAPTER 5 - LIFESPAN DEVELOPMENT AND SOCIALIZATION -- CHAPTER 6 - CLOSE RELATIONSHIPS -- CHAPTER 7 - COGNITION AND PERCEPTION -- CHAPTER 8 - COMMUNICATION AND EMOTION -- CHAPTER 9 - MOTIVATION AND MORALITY -- CHAPTER 10 - ADAPTATION AND ACCULTURATION IN A CHANGING WORLD -- CHAPTER 11 - HEALTH AND WELL-BEING -- CHAPTER 12 - LIVING IN A MULTICULTURAL WORLD -- REFERENCES -- NAME INDEX -- SUBJECT INDEX.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 66
    ISBN: 9783631771457
    Sprache: Englisch
    Seiten: 331 Seiten , 22 cm, 499 g
    Serie: American culture Band 14
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 303.66
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    Schlagwort(e): Veteran ; Posttraumatisches Stresssyndrom ; Sozialtherapie ; Erzählen ; Ritual ; Reintegration ; Projekt ; Krieg ; Diskurs ; USA
    Anmerkung: Works cited Seite 295-331
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  • 67
    ISBN: 9781138605923
    Sprache: Englisch
    Seiten: XX, 211 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
    Paralleltitel: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
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    Schlagwort(e): USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
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  • 68
    ISBN: 9781478001874 , 9781478003007
    Sprache: Englisch
    Seiten: xvi, 534 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Chicano and Chicana art
    Paralleltitel: Erscheint auch als Chicano and Chicana art
    DDC: 704.03/6872073
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    Schlagwort(e): Mexican American art ; Mexican American artists ; Art Political aspects ; Art and society ; Aufsatzsammlung ; USA ; Chicanos ; Kunst
    Anmerkung: Includes bibliographical references and index
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  • 69
    ISBN: 9781138308107 , 9781138308091
    Sprache: Englisch
    Seiten: xvii, 332 Seiten , Diagramme
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.44
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    Schlagwort(e): Sprache ; Kultur ; Inter-Gruppenbeziehung ; Interpersonale Kommunikation ; Festschrift ; Aufsatzsammlung
    Anmerkung: Literaturangaben
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  • 70
    Bild
    Bild
    Årsta, Sweden : Dokument Press
    ISBN: 9188369196 , 9789188369192
    Sprache: Englisch
    Seiten: 93 Seiten , 22 cm
    DDC: 700.411
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    Schlagwort(e): Rap (Music) Pictorial works ; Rap (Music) Maps ; Bildband ; USA ; Installation ; Rap
    Kurzfassung: A visual catalog of site-specific rap lyrics in New York, Los Angeles, Philadelphia, Atlanta, Houston and more. Since 2013, multi-disciplinary artist Jay Shells (Jason Shelowitz) has been travelling to major US cities, installing his Rap Quotes campaign. At the time of this publication, the campaign has touched down in New York, Los Angeles, Philadelphia, Atlanta, Houston and the Bay Area. 0Part art book and part guide book, 'The Rap Quotes Coast to Coast' takes you on a new kind of journey, with gorgeous photography by Aymann Ismail to offer context for the hip hop lyrics that mark locations in these major cities. Each city/chapter opens with remarks by local hip hop journalists and ends with a map plotting every site-specifc rap lyric for that city, giving the reader the ability to take their own hip hop-specific tour of the city they love. The Rap Quotes campaign is ongoing, and in the next few years will launch in Chicago, New Orleans, Miami and other cities around the globe
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  • 71
    ISBN: 0892075481 , 9780892075485
    Sprache: Englisch
    Seiten: 153 Seiten , 25 cm
    DDC: 759.13
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    Schlagwort(e): Basquiat, Jean-Michel Exhibitions ; Basquiat, Jean-Michel Political and social views ; Police brutality Art ; Racism Art ; Basquiat, Jean-Michel ; Basquiat, Jean Michel ; Exhibition catalogs ; Exhibition catalogs ; Ausstellungskatalog Solomon R. Guggenheim Museum 2019 ; Basquiat, Jean Michel 1960-1988 ; USA ; Politische Kunst ; Antirassismus
    Kurzfassung: Defacement: moment, history, and memory / Chaédria LaBouvier -- The man nobody killed / Nancy Spector -- The art of Basquiat belongs to the people / J. Faith Almiron -- Black like B. / Greg Tate -- Recollections / compiled by Chaédria LaBouvier.
    Kurzfassung: Jean-Michel Basquiat painted 'Defacement' (The Death of Michael Stewart) in 1983 to commemorate the death of a young, black artist who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway station. Published to accompany a focused exhibition of Basquiat's response to anti-black racism and police brutality, this catalogue explores a chapter in the artist's career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s
    Anmerkung: Includes bibliographical references
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  • 72
    Buch
    Buch
    Wiesbaden, Germany : Springer VS
    ISBN: 9783658153281
    Sprache: Englisch
    Seiten: viii, 344 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 301
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    Schlagwort(e): Kultur ; Gesellschaft ; Soziologe ; Politik ; Resilienz ; Poverty ; Resilience ; Security ; Social Constructedness of Resilience ; Sociological Theory ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Resilienz ; Soziologe ; Kultur ; Gesellschaft ; Politik ; Resilienz
    URL: Cover
    URL: Cover
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  • 73
    Online-Ressource
    Online-Ressource
    Boca Raton, FL : Routledge,
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Sprache: Englisch
    Seiten: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Ausgabe: First edition.
    Serie: Routledge Research in Art and Race
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Schlagwort(e): Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Kurzfassung: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Anmerkung: Includes bibliographical references and index
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  • 74
    ISBN: 9789383221219
    Sprache: Englisch
    Seiten: xvi, 120 Seiten, [32] Tafelseiten , Illustrationen , 25 cm
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    Schlagwort(e): Pandya Familie ; Kunst ; Kultur ; Geschichte
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  • 75
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781107087156
    Sprache: Englisch
    Seiten: x, 270 Seiten , Illustrationen
    Serie: Culture and psychology
    Paralleltitel: Erscheint auch als Fischer, Ronald, - 1976- Personality, values, culture
    DDC: 155.8/2
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    Schlagwort(e): Ethnopsychology ; Personality and culture ; Values ; Evolutionary psychology ; Sozialpsychologie ; Ethnopsychologie ; Evolutionspsychologie ; Kultur
    Anmerkung: Literaturverzeichnis: Seite 231-255
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  • 76
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479832774 , 9781479890170
    Sprache: Englisch
    Seiten: xxii, 299 Seiten , Illustrationen
    Serie: Sexual cultures
    Paralleltitel: Erscheint auch als
    DDC: 306.7601
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    Schlagwort(e): Ishioka, Eiko ; González-Torres, Félix ; Bustamante, Nao ; Tseng, Kwong Chi ; Simone, Nina ; Danh Vo ; Queer theory ; Performance art ; Minorities Social conditions ; Performance ; Kleinkunst ; Identität ; Soziale Situation ; Darstellender Künstler ; Queer-Theorie ; USA ; USA ; Kleinkunst ; Performance ; Darstellender Künstler ; Soziale Situation ; Identität ; Queer-Theorie ; Bustamante, Nao 1963- ; Simone, Nina 1933-2003 ; Danh Vo 1975- ; Ishioka, Eiko 1939-2012 ; Tseng, Kwong Chi 1950-1990 ; González-Torres, Félix 1957-1996
    Anmerkung: Includes bibliographical references and index
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  • 77
    ISBN: 9789004387836
    Sprache: Englisch
    Seiten: 1 Online-Ressource (339 Seiten)
    Serie: East and West: culture, diplomacy and interactions volume 4
    DDC: 909/.09821
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    Schlagwort(e): Kunst ; Rezeption ; China ; Europa ; USA
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 78
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479858088
    Sprache: Englisch
    Seiten: vii, 184 Seiten , Illustrationen, Diagramme
    DDC: 306.76/80973
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    Schlagwort(e): Transgender people ; Gender identity ; Sexism ; Sex role ; Gender identity ; Sex role ; Sexism ; Transgender people ; USA ; Transgender ; Sexismus ; Identität
    Kurzfassung: Introduction: sex stickers -- The sex markers we carry: sex-marked identity documents -- Bathroom bouncers: sex-segregated restrooms -- Checking a sex box to get into college: single-sex admissions -- Seeing sex in the body: sex-segregated sports -- Conclusion: silence on the bus
    Anmerkung: Includes bibliographical references and index
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  • 79
    ISBN: 9780199959723
    Sprache: Englisch
    Seiten: XXVIII, 290 Seiten , Illustrationen, Diagramme
    Serie: Child development in cultural context
    DDC: 306.874097309051
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    Schlagwort(e): Erziehung ; Selbstbewusstsein ; Kind ; USA
    Anmerkung: Literaturangaben: Seite 261-277
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  • 80
    Buch
    Buch
    New York : Routledge
    ISBN: 9781138500914 , 9781138500686
    Sprache: Englisch
    Seiten: xvii, 328 Seiten , Illustrationen
    Ausgabe: revised edition
    Paralleltitel: Erscheint auch als
    DDC: 306.874/2
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    Schlagwort(e): Fatherhood History ; Fatherhood Psychological aspects ; Vaterschaft ; Kultur ; Psychologie ; Geschichte ; Vaterschaft ; Psychologie ; Vaterschaft ; Kultur ; Geschichte
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  • 81
    ISBN: 9780307908759
    Sprache: Englisch
    Seiten: XI, 310 Seiten
    Ausgabe: First edition
    DDC: 306.019
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    Schlagwort(e): Homeostasis ; Neurosciences ; Neurowissenschaften ; Kulturwissenschaften ; Kultur ; Homöostase
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  • 82
    ISBN: 9781943263141 , 9781943263141
    Sprache: Englisch
    Seiten: 149 Seiten , Illustrationen , 23 cm
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    Schlagwort(e): Art and race History ; Freedom and art 20th century ; United States ; Art and race History ; Freedom and art 20th century ; United States ; Art and race ; Freedom and art ; Nonfiction ; Rassismus ; Kunst ; USA ; Geschichte 1969-2017 ; Rassismus ; Kunst ; USA
    Kurzfassung: In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York's Artists Space entitled Nigger Drawings. In 1969, the Metropolitan Museum of Art's exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. 'Whitewalling: Art, Race, & Protest in 3 Acts' reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world - no less than the country at large - has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. 'Whitewalling' takes a critical and intimate look at these three "acts" in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak?
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Setting the stage , Act 1: Open casket, Whitney Biennial, 2017 , Act 2: The nigger drawings, Artists Space, 1979 , Act 3: Harlem on my mind, Metropolitan Museum of Art, 1969
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  • 83
    Online-Ressource
    Online-Ressource
    Hoboken, NJ : Wiley
    ISBN: 9781119181347 , 9781119181354 , 9781119181361
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxix, 528 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 599.9
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    Schlagwort(e): Physical anthropology ; Sociobiology ; Evolutionary psychology ; Soziobiologie ; Humanbiologie ; Evolutionspsychologie ; Kultur ; Humanbiologie ; Soziobiologie ; Evolutionspsychologie ; Kultur
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 84
    ISBN: 9781506361659
    Sprache: Englisch
    Seiten: xxv, 425, G-7, R-24, I-13 Seiten , Illustrationen , 24 cm
    Ausgabe: Ninth Edition
    DDC: 303.48/2
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    Schlagwort(e): Intercultural communication ; Intercultural communication ; Communication, International ; Communication, International ; Intercultural communication ; Interkulturelle Kommunikation ; USA ; Einführung ; Kulturkontakt ; Internationale Kommunikation ; Interkulturelle Kompetenz ; Kulturkontakt ; Multikulturelle Gesellschaft
    Anmerkung: Includes bibliographical references and index
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  • 85
    Buch
    Buch
    Hoboken, NJ :John Wiley & Sons, Inc.,
    ISBN: 978-1-119-18132-3
    Sprache: Englisch
    Seiten: xxix, 528 Seiten : , Illustrationen.
    Paralleltitel: Erscheint auch als
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    DDC: 599.9
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    Schlagwort(e): Physical anthropology ; Sociobiology ; Evolutionary psychology ; Humanbiologie. ; Soziobiologie. ; Evolutionspsychologie. ; Kultur. ; Humanbiologie ; Soziobiologie ; Evolutionspsychologie ; Kultur
    Anmerkung: Includes bibliographical references and index
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  • 86
    ISBN: 9781883015497 , 1883015499
    Sprache: Englisch
    Seiten: 384 Seiten , Illustrationen, Karten , 24 cm
    DDC: 016.7096
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    Schlagwort(e): Art ; Art ; Art ; Ausstellungskatalog ; Ausstellungskatalog ; Ostafrika ; Swahili ; Kultur ; Kunst
    Kurzfassung: The multiauthored book accompanying the World on the Horizon exhibition organized by Krannert Art Museum is the first interdisciplinary study of Swahili visual arts and their historically deep and enduring connections to eastern and central Africa, the port towns of the western Indian Ocean, Europe, and the United States. At once exhibition catalogue and scholarly inquiry, the publication features eighteen essays in a mix of formats - personal reflections, object biographies, as well as more in-depth critical treatments - and includes never before published images of works from the National Museums of Kenya and Bait Al Zubair Museum in Oman. By approaching the east African coast as a vibrant arena of global cultural convergence, these essays offer compelling new perspectives on the situated yet mobile and deeply networked social lives of Swahili objects. Moving between the broader structural relations of political economic change to more intimate narratives through which such change is experienced, the essays throw light on the ways in which the material fabric of the arts structure Swahili people's sense of self and community in an ever-changing world of oceanic and terrestrial movement. Exhibition: Krannert Art Museum, Champaign, USA (31.08.2017-24.03.2018)
    Anmerkung: Catalog from an exhibition organized by Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign, held at the Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign, Champaign, Illinois, September 1, 2017-March 24, 2018; National Museum of African Art, Smithsonian Institution, Washington, DC, May 9-September 3, 2018; and Fowler Museum, University of California, Los Angeles, Los Angeles, California, October 21, 2018-February 10, 2019 , Includes bibliographical references , Acknowledgments / Kathleen Harleman, Prita Meier and Allyson Purpura , Guest foreword / His Excellency Ambassador Robinson Njeru Githae , Provocations from the coast: toward a networked history of Swahili Coast Arts / Prita Meier and Allyson Purpura , At home, at sea: onboard a dhow in the Western Indian Ocean / Nidhi Mahajan , Through the Black Country, the sources of the Thames around the Great Shires of Lower England and down the Severn River to the Atlantic Ocean / Allan deSouza , The Waraqa: the biography of an obligation / Fahad Bishara , From shore to shore: people, places, and objects between the Swahili Coast and Lake Tanganyika / Stephen J. Rockel , Thoughts on navigating Swahili horizons / Edward A. Alpers , The Sultana in New York: a Zanaibari vessel between two worlds / Jeremy Prestholdt , The "Colonial Moment" in the lives of objects from the Swahili Coast / Sarah Longair , The many narratives of the Kiti cha enzi: unresolved strands of dispersal and meaning around the Indian Ocean / Nancy Um , Reflections on the artistry and history of Swahili carved doorframes in the collection of the Lamu Museum / Athman Hussein , Plural semiotic visions on the Swahili Coast / Janet McIntosh , Swahili permutations: ngoma and identity in the Lamu Archipelago / Rebecca Gearhart Mafazy , Beyond consumption: aesthetic glorious deeds and the generation of translocal society on the Swahili Coast / Paola Ivanov , On the mimetic qualities of bowls on the medieval Swahili Coast / Jeffrey Fleisher , Beyond the betweens: the Swahili Coast as sensed from the hinterland / Allen F. Roberts , Cloth's many waterways: Indian Ocean textiles and the deep histories of exchange / Pedro Machado , The art of the trade: merchant and production networks of kanga cloth in the colonial era / MacKenzie Moon Ryan , The inscribed object: the textures and textuality of writing in Eastern Africa / Ann Biersteker , Photography as a wish-fulfilling machine: photo studios on the East African Coast / Heike Behrend , The Swahili world: where the horizons meet / Abdul Sheriff , Checklist of the exhibition ; Contributor biographies.
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  • 87
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520286535
    Sprache: Englisch
    Seiten: xx, 318 Seiten , Illustrationen , 28 cm
    Serie: Ahmanson Murphy Fine Arts imprint
    DDC: 709.2/396073
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    Schlagwort(e): African American artists 20th century ; African American artists 21st century ; Artists, Black 20th century ; Artists, Black 21st century ; Großbritannien ; USA ; Kunst ; Künstler ; Künstlerin ; Person of Color ; Geschichte 1965-2015 ; Großbritannien ; USA ; Schwarze ; Kunst ; Geschichte 1965-2015
    Anmerkung: Includes bibliographical references and index
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  • 88
    ISBN: 9780872731844 , 0872731847
    Sprache: Englisch
    Seiten: 152 Seiten , Illustrationen , 27 cm
    DDC: 305.48/896073
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    Schlagwort(e): African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism and the arts Exhibitions History 20th century ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism and the arts Exhibitions ; History ; 20th century ; United States ; African American feminists ; African American radicals ; African American women authors ; African American women Political activity ; Feminism and the arts ; Feminist literature United States ; African American feminists ; African American feminists ; African American radicals ; African American radicals ; African American women ; African American women ; African American women authors ; African American women authors ; Feminism and the arts ; Feminism and the arts ; Feminist literature ; Feminist literature ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California Afro-American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Schwarze ; Frauenkunst ; Geschichte 1965-1985
    Kurzfassung: Illustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page
    Anmerkung: Includes bibliographical references , Impressum: "Published on the occasion of the exhibition We Wanted a Revolution: Black Radical Women, 1965-85, organized by the Brooklyn Museum. Itinerary Brooklyn Museum, April 21-September 17, 2017, California African American Museum, Los Angeles, October 13, 2017-January 14, 2018, Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018, The Institute of Contemporary Art/Boston, June 26-September 30, 2018."
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  • 89
    Bild
    Bild
    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Sprache: Englisch
    Seiten: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
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    Schlagwort(e): Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Kurzfassung: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Anmerkung: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 90
    ISBN: 178914003X , 9781789140033
    Sprache: Englisch
    Seiten: 397 Seiten , Illustrationen, Pläne
    DDC: 069
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    Schlagwort(e): East India Company ; Indien ; Kunst ; Kultur ; Sammlung ; Ausstellung ; Geschichte 1600-1874 ; Indien ; Natur ; Rezeption ; England ; Naturgeschichte ; Geschichte 1600-1874 ; England ; Indienbild
    Kurzfassung: For nearly three hundred years, the East India Company dominated British trade and relations with Asia. It made handsome profits for shareholders but also provided collectors in Europe with natural specimens and man-made rarities that were prized for their scientific, aesthetic or cultural value. An array of administrators, soldiers, surveyors spent much of their lives attempting to inventory and to comprehend India's vast country, its teeming populations and its myriad rituals and wildlife: nearly forty species of mammals and over 120 species of birds were discovered in the Katmandu valley alone; astonishing wall paintings from the fifth-century were unearthed in caves at Ajanta; and spectacular fossil fauna arrived from the Siwalik Hills. Company Curiosities: Nature, Culture and the East India Company, 1600-1874 offers the first-ever overview of the remarkable role of the East India Company and its servants in collecting and showcasing a treasure-house of natural specimens and man-made objects - craft materials, paintings and sculptures, weapons, costumes, jewels and ornaments - that established the look and the feel of India for those who had never ventured abroad. Arthur MacGregor tells the stories behind the remarkable discoveries and collections, and those responsible for them, and their impact on natural science, commerce and industry, and personal taste
    Anmerkung: Literaturverzeichnis: Seite 355-369
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  • 91
    ISBN: 9781557661975 , 1557661979
    Sprache: Englisch
    Seiten: xxix, 268 Seiten , Diagramme
    DDC: 305.230973
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    Schlagwort(e): USA ; Kleinstkind ; Intelligenz ; Entwicklung ; Familie
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  • 92
    ISBN: 9780262035552
    Sprache: Englisch
    Seiten: viii, 441 Seiten , Illustrationen, Diagramme
    Paralleltitel: Erscheint auch als Embodiment, enaction, and culture
    DDC: 128/.2
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    Schlagwort(e): Mind and body ; Cognition ; Culture ; Social psychology ; Aufsatzsammlung ; Körper ; Geist ; Kognition ; Kultur
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  • 93
    Online-Ressource
    Online-Ressource
    Wiesbaden : Harrassowitz Verlag
    ISBN: 9783447195867
    Sprache: Englisch
    Seiten: 1 Online-Ressource (372 Seiten) , Illustrationen
    Serie: Abhandlungen für die Kunde des Morgenlandes Band 101
    Serie: Abhandlungen für die Kunde des Morgenlandes
    Paralleltitel: Erscheint auch als
    DDC: 900
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    Schlagwort(e): Ideengeschichte ; Kreativität ; Religiöse Kunst ; Literatur ; Ideengeschichte ; Sanskrit ; Indische Philosophie ; Verwendung ; Bearbeitung ; Kultur ; Rezeption ; Wiederverwendung ; Zitat ; Ritual ; Anpassung ; Südostasien ; Südasien ; Adaptation Studies ; Adaptive Reuse ; Creativity ; Digital Humanities ; History of Asia ; Indian Philosophy ; Indology ; Intellectual History of India ; Originality ; Quotation Studies ; Ritual Studies ; Sanskrit Literature ; South Asian Literature ; South Asian Religions ; South Asian Studies ; Vedic Studies ; Yoga ; Aufsatzsammlung ; Konferenzschrift 2013 ; Südasien ; Kultur ; Kreativität ; Ideengeschichte ; Sanskrit ; Literatur ; Rezeption ; Bearbeitung ; Südasien ; Literatur ; Verwendung ; Kreativität ; Sanskrit ; Literatur ; Ideengeschichte ; Anpassung ; Indische Philosophie ; Sanskrit ; Rezeption ; Zitat ; Südasien ; Religiöse Kunst ; Ritual ; Wiederverwendung ; Anpassung ; Südostasien ; Kultur ; Kreativität ; Ideengeschichte
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 94
    Buch
    Buch
    New York : Hachette Books
    ISBN: 9780316347846
    Sprache: Englisch
    Seiten: VIII, 339 Seiten , 24 cm
    DDC: 306.76/85
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    Schlagwort(e): Viloria, Hida ; Intersex people Biography ; Intersex people Identity ; Intersexuality ; Autobiografie ; Autobiografie ; Viloria, Hida 1968- ; USA ; Intersexualität
    Kurzfassung: "From Hida Viloria, writer and intersex activist, a candid, provocative, and eye-opening memoir of life, love, and gender identity as an intact intersex person, as well as a call to action for justice for intersex people. Hida Viloria was raised as a girl but discovered early on that he/r body was different. Unlike most people who are born intersex in the first world--meaning they have genitals, reproductive organs, hormones, and/or chromosomal patterns that do not fit standard definitions of male or female--Hida had the freedom to explore the person s/he was born to be because he/r parents did not agree to have he/r sex characteristics surgically altered at birth. It wasn't until s/he was 26 and encountered the term "intersex" in a San Francisco newspaper that s/he finally had a name for he/r difference. That's when s/he began to explore what it means to live in the space between genders--to be both and neither. As s/he began to reach out to others like he/r, however, Hida discovered that most intersex people had been scarred, both physically and psychologically, by infant surgeries and hormone treatments meant to "correct" their bodies. Eager to help end this practice, Hida came out as intersex at a national and then international level. By answering the question "Are you a boy or a girl?" with "I'm both," Hida's helped blaze a trail for people--particularly intersex and genderqueer/non-binary people--to celebrate the middle space where male and female are not separate and opposite but entwined. Born Both is an intimate and powerful account of Hida's search for authentic identity and love in a world that insists on categorizing people into either/or"--
    Anmerkung: Includes bibliographical references (pages 335-339)
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  • 95
    ISBN: 9783837634839 , 3837634833
    Sprache: Deutsch , Englisch
    Seiten: 338 Seiten , Illustrationen, Diagramme , 22.5 cm x 14.8 cm, 543 g
    Serie: Edition Kulturwissenschaft Band 100
    Serie: Edition Kulturwissenschaft
    Paralleltitel: Erscheint auch als
    DDC: 300
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    Schlagwort(e): Kreativität ; Ästhetisches Handeln ; Kommerzialisierung ; Sozialstatus ; Ästhetische Wahrnehmung ; Kind ; Jugend ; Sozialisation ; Geschmack ; Aesthetics ; Bildung ; Childhood ; Consumption ; Cultural Studies ; Culture ; Dinge ; Education ; Gender ; Geschlecht ; Geschmack ; Jugend ; Kommerzialisierung ; Konsum ; Kultur ; Kulturwissenschaft ; Media ; Media Aesthetics ; Medien ; Medienästhetik ; Pedagogy ; Pädagogik ; Stil ; Style ; Taste ; Things ; Youth ; Ästhetik ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift ; Kind ; Jugend ; Geschmack ; Sozialisation ; Kommerzialisierung ; Kreativität ; Sozialstatus ; Ästhetische Wahrnehmung ; Ästhetisches Handeln ; Kind ; Jugend
    Anmerkung: Beiträge überwiegend in deutscher Sprache, 1 Aufsatz in englischer Sprache. - Erscheint auch als Open Access bei De Gruyter
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 96
    ISBN: 9782503575827
    Sprache: Englisch
    Seiten: XVI, 388 Seiten , Illustrationen
    Serie: Studies in European urban history 41
    Serie: Studies in European urban history
    DDC: G:nl S:sg Z:31
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    Schlagwort(e): Aufsatzsammlung ; Konferenzschrift 2012 ; Aufsatzsammlung ; Niederlande ; Stadt ; Gesellschaft ; Kultur ; Geschichte 1500-1600
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  • 97
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781316335369
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxiv, 331 pages)
    DDC: 303.34
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    Schlagwort(e): Geschichte 1870-1940 ; Charisma ; Attraktion ; Gefühl ; Politische Führung ; Sozialer Wandel ; Soziale Bewegung ; USA
    Kurzfassung: An innovative examination of American society, culture, and politics, The Age of Charisma argues that the modern relationship between American leaders and followers grew out of a unique group of charismatic social movements prominent in the late-nineteenth and early-twentieth centuries. Drawing on hundreds of letters and testimonials, Jeremy C. Young illustrates how 'personal magnetism' in public speaking shaped society by enabling a shift from emotionally-inaccessible leadership to emotionally-available leadership. This charismatic speaking style caused a rapid transformation in the leader-follower relationship, creating an emotional link between speakers and listeners, and the effects of this social transformation remain with us today. Young argues that ultimately, charismatic movements enhanced American democracy by encouraging the personalization of leadership - creating a culture in which today's leaders appeal directly to Americans through mass media.
    Anmerkung: Title from publisher's bibliographic system (viewed on 31 Jan 2017)
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    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 98
    ISBN: 9783954901982 , 3954901986
    Sprache: Englisch
    Seiten: 276 Seiten , 1 Karte, Illustrationen , 24 cm x 17 cm, 926 g
    Serie: Studien zur islamischen Kunst und Archäologie Band 2
    Serie: Studien zur islamischen Kunst und Archäologie
    DDC: 930
    RVK:
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    Schlagwort(e): Geschichte 700-1500 ; Islamische Kunst ; Kultur ; Mesopotamien ; Djesire ; islamische Archäologie ; Geschichte ; Mesopotamien ; Religion ; Architektur ; Kultur ; Islamische Kunstgeschichte ; Archäologie ; Kunstgeschichte/Islamische Kunstgeschichte ; Altertumswissenschaften ; Konferenzschrift 31.10.-02.11.2012 ; Mesopotamien Nord ; Geschichte 700-1500 ; Mesopotamien Nord ; Kultur ; Geschichte 700-1500 ; Djesire ; Geschichte 700-1500 ; Djesire ; Islamische Kunst ; Geschichte 700-1500
    Anmerkung: Literaturangaben nach jedem Beitrag
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  • 99
    ISBN: 9780262337120
    Sprache: Englisch
    Seiten: 1 Online-Ressource (451 pages)
    Serie: The MIT Press Ser.
    Paralleltitel: Erscheint auch als Embodiment, enaction, and culture
    Paralleltitel: Print version Durt, Christoph Embodiment, Enaction, and Culture : Investigating the Constitution of the Shared World
    DDC: 128/.2
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    Schlagwort(e): Mind and body ; Electronic books ; Aufsatzsammlung ; Körper ; Geist ; Kognition ; Kultur
    Kurzfassung: The first interdisciplinary investigation of the cultural context of enactive embodiment, offering perspectives that range from the neurophilosophical to the anthropological
    URL: Volltext  (lizenzpflichtig)
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  • 100
    ISBN: 9781942884170
    Sprache: Englisch
    Seiten: 256 Seiten , Illustrationen , 27 cm
    RVK:
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    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1958-1983 ; Rezeption ; Kunst ; Black arts movement ; Black power ; USA ; USA ; Art, Black / Exhibitions ; Black power / United States / Exhibitions ; Art, American / 20th century / Exhibitions ; Ausstellungskatalog ; Ausstellungskatalog Brooklyn Museum 07.09.2018-03.02.2019 ; Ausstellungskatalog Crystal Bridges Museum of American Art 03.02.-23.04.2018 ; Ausstellungskatalog Tate Modern 12.07.2017-22.10.2017 ; Bildband ; USA ; Black arts movement ; Black power ; Kunst ; Rezeption ; Geschichte 1958-1983
    Kurzfassung: In the period of radical change that was 1963-1983, young black artists at the beginning of their careers in the USA confronted key questions and pressures. How could they make art that would stand as innovative, original, formally and materially complex, while also making work that reflected their concerns and experience as black Americans? This significant new publication, accompanying an exhibition at Tate Modern, surveys this crucial period in American art history, bringing to light previously neglected histories of twentieth-century black artists, including Sam Gilliam, Melvin Edwards, Jack Whitten, William T. Williams and Frank Bowling. This book features substantial essays from co-curators Mark Godfrey and Zoe Whitley, writing on abstraction and figuration respectively. It will also explore the art historical and social contexts with subjects including black feminism; AfriCOBRA and other artist-run groups; the role of museums in the debates of the period; and where visual art sat in relation to the Black Arts Movement
    Anmerkung: Published on the occasion of the exhibition "Soul of a Nation : Art in the Age of Black Power", held at Tate Modern, London, 12 July - 22 October 2017; Crystal Bridges Museum of American Art, Bentonville, Arkansas, 3 February - 23 April 2018; Brooklyn Museum, New York, 7 September 2018 - 3 February 2019. - Literaturverzeichnis Seite 254 , Notes on black abstraction , American skin: artists on black figuration
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