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  • Oxford [u.a.] : Oxford Univ. Press  (71)
  • New York, NY : Oxford University Press  (62)
  • Stuttgart : Reclam  (39)
  • Bielefeld : transcript Verlag
  • Musik  (106)
  • Jazz  (51)
  • Wörterbuch  (38)
  • Gesellschaft  (29)
  • Musicology  (169)
  • Theology  (21)
  • Psychology  (6)
  • Natural Sciences
Material
Language
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197685914
    Language: English
    Pages: x, 222 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Parallel Title: Erscheint auch als Hild, Elaine Stratton Music in medieval rituals for the end of life
    DDC: 781.5/880902
    RVK:
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    Keywords: Gregorian chants History and criticism ; Death Religious aspects To 1500 ; Christianity ; History ; Death Social aspects To 1500 ; History ; Funeral rites and ceremonies, Medieval History ; Sterben ; Musik ; Liturgie ; Geschichte 600-1500 ; Requiem ; Geschichte 600-1500
    Abstract: "Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--
    Description / Table of Contents: Introduction : Contemporary approaches to medieval rituals for the dying -- Religious elites : Rome, "old Roman" tradition -- Political and religious leaders : Sens, Cathedral of Saint Stephen -- With the laity : Orsières, Switzerland -- Among women : Abbey of Saint Mary the Virgin and Saint Francis without Aldgate (England) -- Analysis : variation and continuity within the liturgical tradition -- Final considerations : Why sing?
    Note: Includes bibliographical references and index
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  • 2
    ISBN: 9780197549285
    Language: English
    Pages: xxvi, 210 Seiten , Illustrationen
    DDC: 781.650946
    RVK:
    Keywords: Montoliu, Tete Criticism and interpretation ; Jazz History and criticism ; Montoliu, Tete 1933-1997 ; Jazz ; Spanien
    Abstract: "At the same time that this chapter continues to introduce readers to Tete Montoliu's life, musical work, and impact, it also challenges certain transnational assumptions regarding Spanish jazz. It is important to attend to ways in which the listening practices of mid-twentieth-century Anglophone audiences were shaped by the popular jazz market. In particular, it is by dispensing with misrepresentations of the connection between jazz and flamenco that readers can move beyond mere sketches of Spain and begin to appreciate the full complexity of Iberian jazz. This effort is further supported by Montoliu's own strong opinion that "Mezclar flamenco con el jazz es como mezclar las almejas con el chocolate. Es una mezcla imposible de digerir" [Mixing flamenco with jazz is like mixing clams with chocolate. It is a mixture that is impossible to digest"--
    Note: Includes bibliographical references and index
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  • 3
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197664100
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 780.96
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    Keywords: Musik ; Instrumentaltechnik ; Einfluss ; Music History and criticism ; Music ; Music ; Afrika
    Abstract: Written by one of the best-known academic writers on African music, this title is a collection of seven essays offering a wide-ranging discussion of the animating structures of African music while reflecting on the scholarship they have elicited.
    Note: Also issued in print: 2023 , Includes bibliographical references and index
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  • 4
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190661991 , 9780190661984
    Language: English
    Pages: 1 Online-Ressource (xx, 541 Seiten)
    Series Statement: Oxford handbooks series
    Parallel Title: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    Keywords: Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik
    Abstract: The Oxford Handbook of Music in China and the Chinese Diaspora illuminates new insights into Chinese music studies, musical genres, and contexts. This volume incorporates extensive scholarly insight from China, Taiwan, and the Chinese diaspora, and is arranged into three parts: the historical legacies of Chinese music, evolving practice and musical transformations, and prominent issues in Chinese music studies.
    Note: Includes bibliographical references and index , Description based on publisher supplied metadata and other sources
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  • 5
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197511541
    Language: English
    Pages: 1 Online-Ressource (xvii, 313 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 306.48420944
    RVK:
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    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Music Social aspects 18th century ; History ; Musicians Social conditions 18th century ; Musicians Economic conditions 18th century ; Frankreich ; France History First Republic, 1792-1804 ; Hochschulschrift
    Abstract: 'From Servant to Savant' exposes the fundamental role that the French Revolution played in the emergence of modern professional musicianship. Geoffroy-Schwinden demonstrates how the French Revolution set the stage for the emergence of so-called musical 'Romanticism' among the likes of Beethoven and the legacies that continue to haunt musical institutions and industries.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 6
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197546451
    Language: English
    Pages: 1 Online-Ressource (xiv, 246 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 780.899240569442
    RVK:
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    Keywords: Geschichte 1880-1977 ; Musik ; Jerusalem ; Jews Music ; History and criticism ; Music Political aspects ; Israel ; Jerusalem Songs and music ; History and criticism
    Abstract: In 'City of Song', author Michael A. Figueroa presents an extensive history of Zionist musical discourses around Jerusalem in the long 20th century (1880-2010s), reorienting our understanding of the city's place in the Israeli-Palestine crisis.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 7
    ISBN: 9783839460573
    Language: German
    Pages: 1 Online-Ressource (182 pages)
    Series Statement: Transdisziplinäre Popkulturstudien 5
    RVK:
    Keywords: Drone Music ; Klang ; Körper ; Körperlichkeit ; Medienkunst ; Musik ; Musikrezeption ; Musikwissenschaft ; Popkultur ; Popmusik ; Resonanz ; Sonische Materialität ; The Haxan Cloak ; MUSIC / History & Criticism
    Abstract: Die Drone Music von »The Haxan Cloak« bespielt den Körper und macht ihn in seiner Tiefenresonanz spürbar. Hörer*innen erleben eine ganze Welt, andere verlieren sich darin, empfinden Angst, Leere oder Ohnmacht. Welche Rezeptionsweisen führen zu so unterschiedlichen Hörerfahrungen? Wie kann Musik, die die Sinne überwältigt, andere Selbst- und Wirklichkeitserfahrungen evozieren? Luise Wolf verschränkt kunst- und kulturwissenschaftliche mit (psycho-)akustischen Perspektiven, um die Resonanz in ihren leiblich-reflexiven und künstlerisch-materiellen Bedingungen zu ergründen
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) , In German
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    ISBN: 9780190947309
    Language: English
    Pages: 1 Online-Ressource (xii, 601 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of time in music
    DDC: 781.22
    RVK:
    RVK:
    Keywords: Time in music ; Musical meter and rhythm ; Music Psychological aspects ; Musik ; Zeit ; Metrik ; Takt ; Rhythmik
    Abstract: As the art that calls most attention to temporality, music provides us with profound insight into the nature of time, and time equally offers us one of the richest lenses through which to interrogate musical practice and thought. In this volume, musical time, arrayed across a spectrum of genres and performance/compositional contexts is explored from a multiplicity of perspectives. The contributions to the volume all register the centrality of time to our understanding of music and music-making and offer perspectives on time in music, particularly though not exclusively attending to contemporary forms of musical work. In sharing insights drawn from philosophy, music theory, ethnomusicology, psychology of performance and cultural studies, the book articulates a range of understandings on the metrics, politics and socialities woven into musical time.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 6, 2021)
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  • 9
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197546437 , 9780197546475
    Language: English
    Pages: xiv, 246 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.899240569442
    RVK:
    RVK:
    Keywords: Geschichte 1880-1977 ; Musik ; Jerusalem ; Israel
    Note: Literaturverzeichnis Seite [225]-237
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  • 10
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190087227
    Language: English
    Pages: 1 Online-Ressource (608 pages) , Illustrations (black and white).
    Edition: Third edition.
    Series Statement: Oxford scholarship online
    DDC: 781.6509
    RVK:
    Keywords: Geschichte ; Jazz ; Jazz History and criticism ; Jazz musicians
    Abstract: In this new edition of his classic 'History of Jazz', author Ted Gioia brings the story to the present day with expanded treatment of women's contributions to the genre, jazz in the digital age, the increasing dialogue between jazz and popular music, and the music's new rise across the globe.
    Note: This edition also issued in print: 2021 , Includes bibliographical references, discography and index
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  • 11
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190869175
    Language: English
    Pages: 1 Online-Ressource (336 pages) , Illustrations (black and white, and colour).
    Series Statement: American musicspheres
    Series Statement: Oxford scholarship online
    DDC: 780.8997120798
    RVK:
    Keywords: Indigenes Volk ; Musik ; Inuit Music ; History and criticism ; Music History and criticism ; Music Historiography ; Inuit Social life and customs ; Alaska
    Abstract: 'Sound Relations' delves into histories of Inuit musical life in Alaska to trace the ways in which sound is integral to self-determination and sovereignty. Offering radical and relational ways of listening to Inuit performances across genres - from hip hop to Christian hymnody and traditional drumsongs to funk and R&B - author Jessica Bissett Perea shows how Indigenous ways of musicking amplify possibilities for more just and equitable futures.
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index
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  • 12
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197549599
    Language: English
    Pages: 1 Online-Ressource (320 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.629608142
    RVK:
    Keywords: Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Afrikanischer Einwanderer ; Schwarze ; Musiksoziologie ; Identität ; Musik ; Bahia ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: In 'Africanness in Action', author Juan Diego D iaz examines musicians' agency, constructions of blackness and Africanness, musical structure, performance practices, and rhetoric in Brazil, and provides a model for the study of African-derived music in other diasporic locales
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 13
    ISBN: 9780197549568 , 9780197549551
    Language: English
    Pages: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 781.6296081/42
    RVK:
    Keywords: Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Description / Table of Contents: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
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  • 14
    ISBN: 9783839455357
    Language: German
    Pages: 1 Online-Ressource (214 p.)
    Edition: 1st ed.
    Series Statement: Edition Museum 53
    DDC: 780.74
    RVK:
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    Keywords: Musik ; Museum ; Kulturvermittlung ; Narrativität ; Spezialmuseum ; Ausstellung ; Musikausstellung; Museum; Musik; Europa; Kunstvermittlung; Emotion; Erinnerung; Rezeption; Narration; Kulturmanagement; Museumsmanagement; Praktische Museumskunde; Erinnerungskultur; Museumspädagogik; Music Display; Music; Europe; Art Education; Memory; Perception; Cultural Management; Museum Management; Practical Museography; Memory Culture; Museum Education; ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Musikausstellungen vermitteln historisches und musikalisches Wissen und können darüber hinaus Orte der Erinnerung, Kontemplation und spielerischen Unterhaltung sein. Entsprechend vielfältig sind inhaltliche Ausrichtungen, museale Vermittlungskonzepte sowie Ansprüche und Erwartungen von Seiten des Publikums. Die Autor*innen des Bandes präsentieren Erkenntnisse aus einem mehrjährigen empirischen Studienprojekt, bei dem Museen verschiedener europäischer Länder erstmalig systematisch-vergleichend als musikkulturelle Institutionen untersucht wurden.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
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  • 15
    ISBN: 9780190847579
    Language: English
    Pages: xix, 380 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Whitehead, Kevin Play the way you feel
    DDC: 791.436
    RVK:
    Keywords: Jazz films History and criticism ; Jazz musicians in motion pictures ; Jazz ; Jazzmusiker ; Film ; Geschichte 1927-2016
    Abstract: "This book-both a narrative and a film directory-surveys and analyzes English-language feature films (and a few shorts and TV shows/movies) made between 1927 and 2016 that tell stories about jazz music, its musicians, its history and culture. Play the Way You Feel looks at jazz movies as a narrative tradition with recurring plot points and story tropes, whose roots and development are traced. It also demonstrates how jazz stories cut across diverse genres-biopic, romance, musical, comedy and science fiction, horror, crime and comeback stories, "race movies" and modernized Shakespeare-even as they constitute a genre of their own. The book is also a directory/checklist of such films, 66 of them with extensive credits, plus dozens more shorter/capsule discussions. Where jazz films are based on literary sources, they are examined, and the nature of their adaptation explored: what gets retained, removed, or invented? What do historical films get right and wrong? How does a film's music, and the style of the filmmaking itself, reinforce or undercut the story?--
    Note: Includes bibliographical references and index , Prologue: The "I got rhythm" of jazz movies 1927 & 1946 -- Duke's day & first features 1929-1940 -- Origin stories 1941-1947 -- Bands of brothers 1941-1948 -- Young men with horns : the jazz biopic's golden age 1950-1959 -- The jazz musician (and fan) as character 1951-1961 -- Independents in black and white 1961-1967 -- Spectacles 1972-1984 -- Suffering artists 1984-1989 -- Young lions & historical fictions 1990-2000 -- The jazz musician (and fan) as character 1959-2016 -- Movies within movies & New Orleans comes back 2008-2019 -- Postscript: Print the legend.
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  • 16
    ISBN: 9783839446287
    Language: German
    Pages: 1 Online Ressource (283 Seiten)
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Antisemitismus ; Kultursoziologie ; Musik ; Popkultur ; Literatur ; Geschlechterverhältnisse ; music ; Subkultur ; Sociology of Culture ; Popular Culture ; literature ; Musikwissenschaft ; Musicology ; Popmusik ; Pop Music ; Allgemeine Literaturwissenschaft ; General Literature Studies ; Subculture ; Textanalyse ; Text Analysis ; antisemitism ; Hip-Hop ; Hip Hop ; Gender Relations ; Songtext ; Identitätsdiskurse ; Identity Discourses ; Rap; Hip-Hop; Songtext; Textanalyse; Identitätsdiskurse; Geschlechterverhältnisse; Subkultur; Antisemitismus; Popkultur; Musik; Literatur; Popmusik; Allgemeine Literaturwissenschaft; Kultursoziologie; Musikwissenschaft; Hip Hop; Text Analysis; Identity Discourses; Gender Relations; Subculture; Antisemitism; Popular Culture; Music; Literature; Pop Music; General Literature Studies; Sociology of Culture; Musicology;
    Abstract: Rap ist zuletzt vor allem negativ in die Schlagzeilen geraten. Antisemitismus, Sexismus und Homophobie dominieren nicht ohne Grund die mediale Berichterstattung, wie die vorliegenden Forschungsergebnisse zeigen. Damit ist der deutschsprachige Rap aber nicht abschließend erfasst. Längst ist die Musikrichtung kein Nischenphänomen mehr, sondern die Rap-Szene zeichnet sich durch vielfältige Formen, Stile und Haltungen aus. Der Sammelband widmet sich deutschsprachigem Rap seit 2000 und legt den Fokus erstmals auf Einzeltextanalysen, die sich diesem Musikgenre und seinen Künstler*innen multiperspektivisch und -disziplinär annähern.
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  • 17
    ISBN: 9783839446287
    Language: German
    Pages: 1 Online Ressource (283 Seiten)
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Antisemitismus ; Kultursoziologie ; Musik ; Popkultur ; Literatur ; Geschlechterverhältnisse ; music ; Subkultur ; Sociology of Culture ; Popular Culture ; literature ; Musikwissenschaft ; Musicology ; Popmusik ; Pop Music ; Allgemeine Literaturwissenschaft ; General Literature Studies ; Subculture ; Textanalyse ; Text Analysis ; antisemitism ; Hip-Hop ; Hip Hop ; Gender Relations ; Songtext ; Identitätsdiskurse ; Identity Discourses ; Rap; Hip-Hop; Songtext; Textanalyse; Identitätsdiskurse; Geschlechterverhältnisse; Subkultur; Antisemitismus; Popkultur; Musik; Literatur; Popmusik; Allgemeine Literaturwissenschaft; Kultursoziologie; Musikwissenschaft; Hip Hop; Text Analysis; Identity Discourses; Gender Relations; Subculture; Antisemitism; Popular Culture; Music; Literature; Pop Music; General Literature Studies; Sociology of Culture; Musicology;
    Abstract: Rap ist zuletzt vor allem negativ in die Schlagzeilen geraten. Antisemitismus, Sexismus und Homophobie dominieren nicht ohne Grund die mediale Berichterstattung, wie die vorliegenden Forschungsergebnisse zeigen. Damit ist der deutschsprachige Rap aber nicht abschließend erfasst. Längst ist die Musikrichtung kein Nischenphänomen mehr, sondern die Rap-Szene zeichnet sich durch vielfältige Formen, Stile und Haltungen aus. Der Sammelband widmet sich deutschsprachigem Rap seit 2000 und legt den Fokus erstmals auf Einzeltextanalysen, die sich diesem Musikgenre und seinen Künstler*innen multiperspektivisch und -disziplinär annähern.
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  • 18
    ISBN: 9780190887834
    Language: English
    Pages: xi, 344Seiten , Illustrationen , 24 cm
    Edition: First issued as an Oxford University Press paperback
    DDC: 780.956709051
    RVK:
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    Keywords: Iraq War, 2003-2011 Music and the war ; Music Psychological aspects ; Iraq War, 2003-2011 Psychological aspects ; Music in the army ; Sound Psychological aspects ; Golfkrieg ; Musik ; Geräusch ; Musikpsychologie
    Note: Includes bibliographical references and index
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  • 19
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839454763
    Language: German
    Pages: 1 Online-Ressource (235 pages)
    Edition: 1st ed.
    Series Statement: Kultur und Soziale Praxis Series
    RVK:
    Keywords: Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest ; Deutschland ; Hochschulschrift ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 20
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190938314
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: The new cultural history of music
    Series Statement: Oxford scholarship online
    DDC: 306.48420943809048
    RVK:
    Keywords: NSZZ "Solidarność" ; Geschichte 1980-1990 ; Musik ; Politischer Protest ; Untergrund ; Music Political aspects 20th century ; History ; Polen ; Poland Politics and government 1980-1989
    Abstract: A vibrant study of music and protest that focuses on the Solidarity movement in 1980s Poland, 'Musical Solidarities' explores how and why sound mattered to the opposition to state socialism. Unfurling the rich soundscapes of political action at demonstrations, church services, meetings, and in detention, it offers a nuanced portrait of this pivotal decade of European and global history.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 21
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190847562
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 2010-2011 ; Protest movements / Thailand / Bangkok / History ; Demonstrations / Thailand / Bangkok / History ; Sounds / Social aspects / Thailand / Bangkok ; Music / Social aspects / Thailand / Bangkok ; Politischer Protest ; Musik ; Geräuschkulisse ; Thailand / Politics and government / 1988- ; Bangkok ; Bangkok ; Politischer Protest ; Geräuschkulisse ; Musik ; Geschichte 2010-2011
    Abstract: 'Bangkok Is Ringing' is an on-the-ground sound studies analysis of the political protests that transformed Thailand in 2010-11. Drawing on sixteen months of ethnographic fieldwork with dissidents in Bangkok and beyond, the book analyses how political dissidents must be sensitive to the ways that their sounding is constrained and channeled
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 22
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190604608
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    Series Statement: Oxford scholarship online
    DDC: 781.6550973
    RVK:
    RVK:
    Keywords: Shorter, Wayne ; Hancock, Herbie ; Corea, Chick ; Geschichte 1960-1970 ; Jazz ; Musikalische Analyse ; USA
    Abstract: Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, along with others (Booker Little, Joe Henderson, Woody Shaw) broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The text develops analytical pathways through a number of compositions, including 'El Gaucho,' 'Penelope,' 'Pinocchio,' 'Face of the Deep' (Shorter); 'King Cobra,' 'Dolphin Dance,' 'Jessica' (Hancock); 'Windows,' 'Inner Space,' 'Song of the Wind' (Corea); as well as 'We Speak' (Little); 'Punjab' (Henderson); and 'Beyond All Limits' (Shaw).
    Note: Also issued in print: 2019 , Includes bibliographical references, discography and index
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  • 23
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190935498
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 302.1
    RVK:
    Keywords: Soziale Schichtung ; Gesellschaft ; Wettbewerb
    Abstract: Ranking of people, schools, products, countries, and just about everything else is part of our daily lives. But we are in a paradoxical relationship with ranking: we believe that ranking is good because it is informative and objective; and we believe ranking is bad because it is biased and subjective, and occasionally, even manipulated. This text combines the application of scientific theories to everyday experience with entertaining personal stories.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
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  • 24
    ISBN: 9780190604578
    Language: English
    Pages: xx, 169 Seiten , Notenbeispiele
    DDC: 781.655
    RVK:
    RVK:
    Keywords: Shorter, Wayne ; Hancock, Herbie ; Corea, Chick ; Geschichte 1960-1970 ; Jazz ; Musikalische Analyse ; USA
    Note: Diskografie: Seite 157-159 , Literaturverzeichnis: Seite 161-164
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  • 25
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190847524 , 9780190847531
    Language: English
    Pages: xii, 208 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.609593
    RVK:
    RVK:
    Keywords: Geschichte 2010-2011 ; Protest movements History ; Demonstrations History ; Sounds Social aspects ; Music Social aspects ; Musik ; Politischer Protest ; Geräuschkulisse ; Thailand Politics and government 1988- ; Bangkok ; Bangkok ; Politischer Protest ; Geräuschkulisse ; Musik ; Geschichte 2010-2011
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  • 26
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190916756 , 0190916753 , 9780190916749 , 0190916745
    Language: English
    Pages: li, 268 Seiten , Illustrationen , 24 cm
    DDC: 781.599
    RVK:
    RVK:
    Keywords: Crimean War, 1853-1856 Music and the war ; Music Political aspects ; History ; 19th century ; Sound Political aspects ; History ; 19th century ; Music and war ; Music Political aspects ; Aufsatzsammlung ; Krimkrieg ; Musik ; Geräusch ; Geschichte
    Note: Includes bibliographical references and index
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  • 27
    ISBN: 9780190658359 , 9780190658366
    Language: English
    Pages: xxxii, 444 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.89/927
    RVK:
    Keywords: Geschichte 1900-2000 ; Music History and criticism 20th century ; Music theory ; Music Performance ; Maqām ; Musikinstrument ; Araber ; Musik ; Musiktheorie ; Mittlerer Osten ; Mittlerer Osten ; Araber ; Musik ; Musikinstrument ; Musiktheorie ; Geschichte 1900-2000
    Note: Includes bibliographical references and index
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  • 28
    ISBN: 9780190841485 , 9780190841492
    Language: English
    Pages: xvii, 431 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Thought and play in musical rhythm
    DDC: 781.2/24
    RVK:
    RVK:
    Keywords: Musical meter and rhythm ; Musical meter and rhythm ; Musical meter and rhythm ; Aufsatzsammlung ; Afrika ; Asien ; Europa ; Nordamerika ; Musik ; Aufführung ; Rhythmus
    Abstract: Thinking with and about rhythm / Christopher Hasty -- Formative processes of durational projection in free rhythm world music / John Roeder -- Meter and rhythm in the sung poetry of Iranian Khorasan / Stephen Blum -- An approach to musical rhythm in agbadza / David Locke -- Rhythm and the physical / Eugene Montague -- Modern drum solos over ostinatos / Fernando Benadon -- Temporal and density flow in Javanese gamelan / Sumarsam -- Layers and elasticity in the rhythm of noh songs : taking komi and its social background / Takanori Fujita -- Rhythmic metamorphoses : botanical process models on the Atlas Mountains of Morocco / Miriam Rovsing Olsen -- Mapping a rhythmic revolution through eighteenth- and nineteenth-century sources on rhythm and drumming in North India / James Kippen -- Time changes : heterometric rhythm in South Asia / Richard Widdess -- Rhythm, beat, and freedom, in South Asian musical traditions / Richard K. Wolf -- New music - new rhythm / Christopher Hasty
    Note: Includes bibliographical references and index
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  • 29
    ISBN: 9780190462611
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.65071
    RVK:
    RVK:
    Keywords: Jazz Instruction and study ; USA ; Schule ; Musikerziehung ; Jazz
    Abstract: 'Teaching School Jazz' is an edited collection of suggested practices in school jazz education authored by a seasoned and diverse lineup of jazz educators with supporting research-based case studies woven into the narrative. It provides not only a wealth of school jazz teaching strategies but also, and perhaps as important, the jazz perspectives and principles from which they are derived.
    Note: Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 11, 2019)
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  • 30
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190869366
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.62959720597
    RVK:
    Keywords: Hmong (Asian people) / Vietnam / Music / History and criticism ; Hmong (Asian people) / Vietnam / Social life and customs ; Folk music / Vietnam / History and criticism ; Musik ; Soziale Identität ; Miao ; Nordvietnam ; Hochschulschrift ; Hochschulschrift ; Nordvietnam ; Miao ; Musik ; Soziale Identität
    Abstract: 'Musical Minorities' is the first English-language monograph on the performing arts of an ethnic minority in Vietnam. Living primarily in the northern mountains, many of the one million Hmong in Vietnam have strategically maintained their cultural distance from foreign invaders and encroaching state agencies for almost two centuries. They use cultural heritage as a means of maintaining a resilient community identity, malleable to their everyday needs and to negotiations among themselves and with others in the vicinity. Case studies of revolutionary songs, countercultural rock, traditional vocal and instrumental styles, tourist shows, animist and Christian rituals, and light pop from the diaspora illustrate the diversity of their creative outputs
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 31
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 978-0-199374-05-2
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 786.908995073
    RVK:
    Keywords: Taiko ; Taiko (Drum ensemble) / United States ; Music / Social aspects / United States ; Asian American musicians ; Asiaten ; Musik ; Kulturpolitik ; Einfluss ; Soziale Funktion ; Identität ; Performance ; Taiko ; USA ; Asien ; Hochschulschrift ; Hochschulschrift ; USA ; Taiko ; USA ; Musik ; Asien ; Einfluss ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Abstract: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 32
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199392490
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), map (black and white).
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    DDC: 946.07
    RVK:
    Keywords: Geschichte 1850-1930 ; Musik ; Gesellschaft ; Sozialordnung ; Madrid
    Abstract: Based on a study of Madrid (1850-1930), 'Discordant Notes' argues that sound, noise, street music and flamenco have played a key role in structuring the transition to modernity by helping to negotiate social attitudes and legal responses to fundamental problems such as poverty, insalubrity, and crime.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 33
    ISBN: 9780199374014 , 9780199374021
    Language: English
    Pages: xviii, 177 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Ahlgren, Angela K., author Drumming Asian America
    DDC: 786.908995073
    RVK:
    Keywords: Taiko ; Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; Soziale Funktion ; Asiaten ; Identität ; Musik ; Einfluss ; Taiko ; Kulturpolitik ; Performance ; Asien ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik ; USA ; Musik ; Asien ; Einfluss ; USA ; Taiko
    Note: Includes bibliographical references and index
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  • 34
    ISBN: 9780190499679
    Language: English
    Pages: 1 Online-Ressource (xiv, 253 Seiten)
    Additional Information: Rezensiert in Koch, Anne, 1971 - Singing the Congregation 2020
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264.2
    RVK:
    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; United States ; USA ; Evangelikale Bewegung ; Anbetung ; Musik
    Abstract: Singing the Congregation examines how contemporary worship music shapes the way evangelical Christians understand worship and argues that participatory worship-music performances have brought into being new religious social constellations (“modes of congregating”). Through ethnographic investigation of five of these modes—concert, conference, church, public, and networked congregations—this book seeks to reinvigorate the analytic categories of “congregation” and “congregational music.” Drawing from theoretical models in ethnomusicology, congregational studies, and ecclesiology, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice—in this case, the musically structured participatory activity known as “worship.” By extension, “congregational music-making” is recast as a participatory religious musical practice capable of weaving together a religious community inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a potent way to identify with far-flung individuals, institutions, and networks that this global religious community comprises. The unique congregations examined in each chapter include but extend far beyond local churches, revealing widespread conflicts over religious authority and far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
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  • 35
    ISBN: 9780190454524
    Language: English
    Pages: 2 Bände , 26 cm
    Edition: First edition
    DDC: 302.3
    RVK:
    Keywords: Intergroup relations ; Interpersonal communication ; Intercultural communication ; Communication Social aspects ; Enzyklopädie ; Wörterbuch ; Inter-Gruppenbeziehung ; Interpersonale Kommunikation
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  • 36
    ISBN: 9780190499631 , 9780190499648
    Language: English
    Pages: xiii, 253 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264/.2
    RVK:
    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; USA ; Evangelikale Bewegung ; Anbetung ; Musik ; USA ; Evangelikale Bewegung ; Anbetung ; Musik ; Gotteslob ; Neues geistliches Lied ; Gottesdienst ; Evangelikale Bewegung
    Note: Includes bibliographical references and index
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  • 37
    ISBN: 9780190626976 , 9780190626969
    Language: English
    Pages: xxi, 208 Seiten
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Sheffield
    DDC: 781.62/959720597
    RVK:
    Keywords: Soziale Identität ; Musik ; Miao ; Nordvietnam ; Hochschulschrift ; Hochschulschrift ; Nordvietnam ; Miao ; Musik ; Soziale Identität
    Note: Includes bibliographical references and index
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  • 38
    ISBN: 9783839445105
    Language: German
    Pages: 1 Online-Ressource (275 Seiten)
    Series Statement: Kulturen der Gesellschaft Band 37
    Series Statement: Kulturen der Gesellschaft
    Parallel Title: Erscheint auch als Der Kreativitätskomplex
    RVK:
    RVK:
    RVK:
    Keywords: capitalism ; Capitalism ; Culture ; Media ; Society ; Social Relations ; Sociology ; Cultural Theory ; Cultural Studies ; Sociology of Culture ; Handbook ; Kulturwissenschaft ; Soziologie ; Medien ; Kultursoziologie ; Creativity ; Kapitalismus ; Gesellschaft ; Kultur ; Handbuch ; Sozialität ; Kulturtheorie ; Kreativität; Medien; Kultur; Kapitalismus; Handbuch; Gesellschaft; Sozialität; Kultursoziologie; Kulturtheorie; Cultural Studies; Kulturwissenschaft; Soziologie; Creativity; Media; Culture; Capitalism; Handbook; Society; Social Relations; Sociology of Culture; Cultural Theory; Sociology; ; Aufsatzsammlung ; Aufsatzsammlung ; Gesellschaft ; Ästhetisierung ; Kreativität ; Dispositiv ; Kreativität ; Ästhetik
    Abstract: 〈p〉Wohin man auch blickt, finden sich kreative Praktiken, Räume, Organisationen und Subjekte: der Kreativitätskomplex. Im Arbeitsalltag, im Stadtraum, in Medien und Werbung, auf den sozialen Plattformen, in Schulen und Universitäten - der Imperativ für alle lautet, neu und besonders, auffallend und einzigartig zu sein.〈br /〉Doch wie ist es dazu gekommen? Mit welchen Begriffen lässt sich der vielgestaltige und in sich widersprüchliche Komplex fassen? Und wo sind seine Grenzen? In 40 kurzen Texten erschließt, untersucht und erklärt dieses Vademecum den Kreativitätskomplex.〈br /〉Mit einem Nachwort von Andreas Reckwitz.〈/p〉
    Abstract: 〈p〉Creative practices, processes, spaces and subjects characterize our times. This vademecum explores this »creativity complex« conceptually and describes its versatile facets.〈/p〉
    Note: Literaturangaben
    URL: Cover
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  • 39
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199984169
    Language: English
    Pages: 1 Online-Ressource (xiii, 676 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and queerness
    DDC: 780.8664
    RVK:
    RVK:
    Keywords: Gender identity in music ; Sex in music ; Homosexuality and music ; Gender identity in music ; Sex in music ; Homosexuality and music ; Musik ; Homosexualität ; Geschlechterforschung ; Musizieren ; Sexuelle Orientierung ; Queer-Theorie
    Abstract: This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
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  • 40
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190636241
    Language: English
    Pages: 1 Online-ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and the body
    DDC: 781.1
    RVK:
    RVK:
    Keywords: Music Psychological aspects ; Music Physiological aspects ; Music Performance ; Psychological aspects ; Music Performance ; Physiological aspects ; Human body in music ; Human body in music ; Music ; Psychological aspects ; Music ; Physiological aspects ; Musik ; Körper
    Abstract: Contextualizing music and the body : an introduction / Youn Kim and Sander Gilman -- The moving and performing body. Musicalities and the moving body in Western concert dance / Byron Suber ; Music and movement : expectations, aesthetics and representation / Jay Schulkin ; The science of voice and the body / Marina Gilman ; The body as musical instrument / Atau Tanaka and Marco Donnarumma -- The musical brain, psyche, and beyond. Music changes the brain / Paul Lennard ; Music and psychoanalysis / Sander Gilman ; Music sociology meets neuroscience / Mia Nakamura -- Embodied mind, embodied rhythm. Sound-motion bonding in body and mind / Rolf Inge Godøy ; Music, Bacchus, and freedom / Hedy Law ; Entrainment and embodiment in musical performance / Eugene Montague ; Rhythm and the performer's body / Daniel B. Stevens ; Embodied rhythm and musical impact of corporal punishment in twentieth-century opera / Shersten R. Johnson -- Music and the disabled and sexual body. Music and the embodiment of disability / Michael B. Bakan ; Musical remediation of disability / Blake Howe ; Virtuosities of deafness and blindness: musical performance and the prized body / Stefan Sunandan Honisch ; Embodied representation in staged opera / Linda Hutcheon and Michael Hutcheon ; Sexuality, dis/ability, and sublimity in grand opera / Hanne Blank ; Is there disabled music? music and the body from Dame Evelyn Glennie's perspective / Evelyn Glennie, Sander Gilman, and Youn Kim -- Music as medicine. Music and the body in the history of medicine / James Kennaway ; Music in body and imagination / H. Martyn Evans -- Music and the multimodal body. Spatial representations common to music and bodily experience / Xuejing Lu and William Forde Thompson ; Multimodal music in infancy and early childhood / Sandra E. Trehub ; Opera as film : multimodal narrative and embodiment / Yayoi U. Everett ; Listening to the musicking body : a cross-disciplinary and historical perspective / Youn Kim
    Note: Includes bibliographical references and index
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  • 41
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199374052
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 786.908995073
    RVK:
    Keywords: Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; USA ; Taiko ; Musik ; Asien ; Einfluss ; Asiaten ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Abstract: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality.
    Note: Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on April 18, 2018)
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  • 42
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190297688
    Language: English
    Pages: 1 Online-Ressource (xxx, 370 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.66081
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Rock music Social aspects ; Sex role in music ; Geschlechterrolle ; Rockmusik ; Rockmusik ; Geschlechterrolle
    Note: Includes index
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  • 43
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190495008 , 9780190495015
    Language: English
    Pages: xxvi, 256 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.6909561
    RVK:
    Keywords: Musik ; Music History and criticism ; Melancholy in music ; Islam ; Heilung ; Affekt ; Klassische Musik ; Melancholie ; Musiker ; Türkei ; Türkei ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Türkei ; Islam ; Klassische Musik ; Musiker ; Melancholie ; Affekt ; Heilung
    Note: Includes bibliographical references and index
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  • 44
    ISBN: 9783150204139
    Language: German
    Pages: 472 Seiten , Illustrationen
    Edition: 5. Auflage
    Series Statement: Reclam-Taschenbuch Nr. 20413
    DDC: 780
    RVK:
    Keywords: Jazz History and criticism ; Jazz Germany ; Jazz ; Geschichte
    Note: Literaturverzeichnis: Seite 449-454 , Hör-Empfehlungen: Seite 455-460
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  • 45
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199359516 , 9780190688660
    Language: English
    Pages: xxvii, 363 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.66081
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Rock music Social aspects ; Sex role in music ; Geschlechterrolle ; Rockmusik ; Rockmusik ; Geschlechterrolle
    Note: Includes index
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  • 46
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839438565
    Language: German
    Pages: 1 Online-Ressource (309 Seiten) , Illustrationen
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    RVK:
    Keywords: Weber, Bernhard ; Unterhaltungsmusik ; Popmusik ; Rezeption ; Unterhaltungsmusik ; Popmusik ; Rezeption ; Lernen ; Informelles Lernen ; Klang ; Musik ; Musik ; Musikwissenschaft ; Popkultur ; Popmusik ; Popular Music,Music,Popular Culture,Pop Music,Musicology ; Populäre Musik ; Systematische Musikpädagogik ; Systematische Musikwissenschaft ; Deutschland ; Deutschland ; Konferenzschrift 2016 ; Aufsatzsammlung ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015
    Abstract: Music, cultural and music pedagogical perspectives on the appropriation of popular music.
    Abstract: Ob Soul in Deutschland, progressive Landdiskotheken in der Provinz oder neue Mixingkonzepte im Loudness War - das Spektrum der Aneignungsformen populärer Musik ist vielfältig. Für die musikwissenschaftliche, kulturwissenschaftliche und musikpädagogische Forschung ist das Thema, das sich weitgehend außerhalb formaler Bildungskontexte abspielt, ein bislang unerschlossenes Gebiet. Der Band ändert dies. Er versammelt theoretische Perspektiven sowie historische und aktuelle Fallbeispiele und spiegelt den aktuellen internationalen Diskussionsstand wider. Daraus ergeben sich maßgebende Impulse für weiterführende Forschungsaktivitäten auch in verwandten Fachdisziplinen.
    Note: Literaturangaben
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 47
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190495039
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.6909561
    RVK:
    Keywords: Musik ; Music History and criticism ; Melancholy in music ; Affekt ; Islam ; Heilung ; Musiker ; Klassische Musik ; Melancholie ; Türkei ; Türkei ; Hochschulschrift ; Hochschulschrift ; Türkei ; Islam ; Klassische Musik ; Musiker ; Melancholie ; Affekt ; Heilung
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 48
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
    RVK:
    RVK:
    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 49
    ISBN: 9780199347650 , 9780199347667
    Language: English
    Pages: XIII, 289 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 791.43/6578
    RVK:
    Keywords: Jazz in motion pictures ; Musicians in motion pictures ; Jazz on television ; Musicians on television ; Jazz ; Film ; Jazzmusiker ; Fernsehsendung ; Rezeption ; Konferenzschrift 2011 ; Konferenzschrift 2011 ; Film ; Fernsehsendung ; Rezeption ; Jazzmusiker ; Jazz
    Note: Includes bibliographical references and index
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  • 50
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190263201 , 9780190263218
    Language: English
    Pages: x, 372 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.967
    RVK:
    Keywords: Musik ; Ethnologie ; Globalisierung ; Musikethnologie ; Afrika
    Note: Dscography Seite 335-342 , Videography Seite 343-344 , Bibliography Seite 345-363
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  • 51
    ISBN: 9780190269425 , 9780195178678
    Language: English
    Pages: X, 299 Seiten , Illustrationen
    Edition: First issued as an...paperback
    Series Statement: American musicspheres
    DDC: 781.62/918073
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Musik ; Folk music History and criticism ; Folk music History and criticism ; Music Balkan Peninsula influences ; Volksmusik ; USA ; USA ; Balkanhalbinsel ; USA ; Volksmusik ; Balkanhalbinsel ; Geschichte ; USA ; Volksmusik ; Balkanhalbinsel
    Note: Includes bibliographical references (p. 265-275) and index
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  • 52
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 978-0-19-024454-5
    Language: English
    Pages: 1 Online-Ressource (xxiv, 412 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Sozialgeschichte ; Klezmer music / History and criticism ; Jews / Music / History and criticism ; Aschkenasim ; Tanz ; Klezmer ; Musikleben ; Musikalischer Stil ; Musik ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 53
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190263232
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford scholarship online
    DDC: 780.967
    RVK:
    Keywords: Musik ; Ethnologie ; Globalisierung ; Musikethnologie ; Afrika
    Abstract: The African Imagination in Music offers a fresh introduction to the vast and complex world of Sub-Saharan African music. Through close readings of traditional music and references to popular music, Agawu considers topics including the place of music in society, musical instruments, language and music, and appropriations of African music.
    Note: Includes bibliographical references, discography, filmography and index
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  • 54
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190259105
    Language: English
    Pages: 1 Online-Ressource (xix, 370 Seiten) , Illustrationen, Karten
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Applied ethnomusicology ; Music Social aspects ; Sustainability ; Ecomusicology ; Musikleben ; Weltmusik ; Tradition ; Musikethnologie ; Kulturvergleich ; Nachhaltigkeit ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Musikleben ; Tradition ; Nachhaltigkeit ; Musikethnologie ; Kulturvergleich
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 55
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190263232
    Language: English
    Pages: 1 Online-Ressource (X, 372 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.967
    RVK:
    RVK:
    Keywords: Musik ; Music History and criticism ; Music and globalization ; Musik ; Musikethnologie ; Ethnologie ; Globalisierung ; Afrika ; Afrika ; Afrika ; Musik ; Ethnologie ; Globalisierung ; Afrika ; Musikethnologie
    Abstract: In "The African Imagination in Music", noted music scholar Kofi Agawy offers a fresh introduction to the vast, immensely rich and diverse set of repertoires that comprise the sound worlds of Sub-Saharan African music. Agawu introduces readers to the basic elements of African music and to the values upon which they are built. He then explores the key dimensions and resources of African music, including the place of music in society, musical instruments, the relationship between language and music, rhythm, melody, form, harmony and finally, appropriations of African music by musicians around the world. Written in an accessible styles, "The African Imagination in Music" is poised to renew interest in Black African music, and to engender discussion of its creative underpinnings by Africanists, ethnomusicologists, music theorists and musicologists. - Kofi Agawu was born in Ghana, West Africa where he received his initial education before studying in the UK and the US. He has taught and lectured at numerous universities in Africa, Europe and the United States. Agawu is a wide-ranging scholar and author of numerous articles and books on musical semiotics, the analysis of music, and West African music, which include "Playing with Signs: A Semiotic Interpretation of Classical Music" (Princeton University Press, 1991), "African Rhythm: A Northern Ewe Perspective" (Cambridge University Press, 1995), "Representing African Music: Postcolonial Notes, Queries, Positions" (Routledge, 2003) and "Music as Discourse: Semiotic Adventures in Romantic Music" (Oxford University Press, 2008). Dr. Agawu is currently a professor of music at Princeton University. (Klappentext)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 56
    ISBN: 3837632571 , 9783837632576
    Language: German
    Pages: 315 Seiten , 22.5 cm x 14.8 cm, 393 g
    Series Statement: Musik und Klangkultur [16]
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als Wissenskulturen der Musikwissenschaft
    Parallel Title: Erscheint auch als Musikwissenschaft: Generationen, Netzwerke, Denkstrukturen (Veranstaltung : 2015 : Oldenburg (Oldenburg)) Wissenskulturen der Musikwissenschaft
    RVK:
    RVK:
    Keywords: Musicology ; Music Social aspects ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 2015 ; Musikwissenschaft ; Musik ; Geschichte ; Musiksoziologie ; Methodologie ; Vernetzung ; Musikwissenschaft ; Soziologie ; Musiksoziologie
    Note: "Tagung "Musikwissenschaft: Generationen, Netzwerke, Denkstrukturen" im Januar 2015 an der Universität Oldenburg."(Einleitung)
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  • 57
    Book
    Book
    Stuttgart : Reclam
    ISBN: 9783150110690 , 3150110696
    Language: German
    Pages: 158 Seiten , Illustrationen, Notenbeispiele , 20 cm
    Uniform Title: Folk music
    Parallel Title: Erscheint auch als Slobin Volksmusik der ganzen Welt
    DDC: 781.62
    RVK:
    Keywords: Volksmusik ; Musik ; Musikgeschichte ; Volksmusik ; Einführung ; Einführung ; Volksmusik
    Note: Früheres Copyright: 2011 by Oxford University Press, Inc.
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  • 58
    ISBN: 9783150204139
    Language: German
    Pages: 472 Seiten , 60 Illustrationen , 19 cm
    Edition: 3. Auflage, [vielmehr: 3., erweiterte und aktualisierte Ausgabe, Nachdruck]
    Series Statement: Reclam Taschenbuch Nr. 20413
    DDC: 781.6509
    RVK:
    Keywords: Jazz ; Geschichte ; Jazz
    Note: Literaturverzeichnis Seite 449-454
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  • 59
    ISBN: 9783150204139 , 3150204135
    Language: German
    Pages: 472 Seiten , Illustrationen , 19 cm
    Series Statement: Reclam Taschenbuch Nr. 20413
    DDC: 781.6509
    RVK:
    Keywords: Geschichte ; Jazz
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  • 60
    ISBN: 9783150204139 , 3150204135
    Language: German
    Pages: 472 Seiten , 60 Fotos , 19 cm x 12 cm
    Edition: 3. Auflage, [veränderter Nachdruck]
    Series Statement: Reclam Taschenbuch 20413
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    Keywords: Geschichte ; Jazz ; Geschichte ; Geschichte des Jazz ; Jazz ; Musikgeschichte ; Jazz ; Geschichte ; Jazz ; Geschichte
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  • 61
    ISBN: 9783150110157 , 3150110157
    Language: German
    Pages: 292 Seiten , 20 cm x 12.5 cm
    Uniform Title: The history of rock 'n' roll in ten songs
    DDC: 780
    RVK:
    Keywords: Geschichte 1958-2010 ; Geschichte ; Song ; Rockmusik ; Rock 'n' Roll ; Musik ; Musikgeschichte ; Rock ; Beispielsammlung ; Rockmusik ; Geschichte 1958-2010 ; Song ; Rock 'n' Roll ; Geschichte
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  • 62
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190244514
    Language: English
    Pages: xxiv, 412 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.62/924
    RVK:
    Keywords: Sozialgeschichte ; Juden ; Musik ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Klezmer ; Musikalischer Stil ; Aschkenasim ; Tanz ; Musik ; Musikleben ; Osteuropa ; Bibliografie ; Bibliografie ; Bibliografie ; Aufsatzsammlung ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major sources principally in Russian, Yiddish, Hebrew, and Romanian from the 16th to the 20th centuries, including interviews with authoritative European-born klezmorim conducted over a period of more than thirty years in America, Eastern Europe, and Israel. In its musical analysis, this book draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. - Walter Zev Feldman is a leading researcher in both Ottoman Turkish and Jewish music. During the 1970s he spearheaded the revival of klezmer music. His book, Music of the Ottoman Court (Berlin, 1996) is taught as a basic text world wide. He is also an authority on East European Jewish dance, forming part of his current research on the role of gesture in the performing arts.
    Note: Includes bibliographical references and index
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  • 63
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190259082 , 9780190259075
    Language: English
    Pages: xix, 370 Seiten , Illustrationen, Karten
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 781.6
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Applied ethnomusicology ; Music Social aspects ; Sustainability ; Ecomusicology ; Nachhaltigkeit ; Musikethnologie ; Weltmusik ; Musikleben ; Tradition ; Kulturvergleich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Musikleben ; Tradition ; Nachhaltigkeit ; Musikethnologie ; Kulturvergleich
    Abstract: The sustainability of music and other intangible expressions of culture has been high on the agenda of scholars, governments and NGOs in recent years. However, there is a striking lack of systematic research into what exactly affects sustainability across music cultures. By analyzing case studies of nine highly diverse music cultures against a single framework that identifies key factors in music sustainability, Sustainable Futures for Music Cultures offers an understanding of both the challenges and the dynamics of music sustainability in the contemporary global environment, and breathes new life into the previously discredited realm of comparative musicology, from an emphatically non-Eurocentric perspective. Situated within the expanding field of applied ethnomusicology, this book confirms some commonly held beliefs, challenges others, and reveals sometimes surprising insights into the dynamics of music cultures. By examining, comparing and contrasting highly diverse contexts from thriving to 'in urgent need of safeguarding,' Sustainable Futures for Music Cultures analyzes sustainability across five carefully defined domains. The book identifies pathways to strategies and tools that may empower communities to sustain and revitalize their music heritage on their terms. In this way, this book contributes to greater scholarly insight, new (sub)disciplinary approaches, and pathways to improved practical outcomes for the long-term sustainability of music cultures. As such it will be an essential resource for ethnomusicologists, as well as scholars and activists outside of music, with an interest in the preservation of intangible cultural heritage.
    Abstract: Professor Huib Schippers has broad, hands-on experience of more than forty years in the practice and study of world music, ethnomusicology and music education. He is a recognised leader of action research projects focusing on cultural diversity, and was responsible for establishing the World Music & Dance Centre (Rotterdam, 1996-2006) and the innovative Queensland Conservatorium Research Centre (Brisbane, 2003-2015). Dr Catherine Grant is a former Endeavour Australia Research Fellow and recipient of Australia's Future Justice medal for her work on issues of music endangerment and sustainability. Her book Music Endangerment: How Language Maintenance can Help was published in 2014 by Oxford University Press.
    Note: Includes bibliographical references and index
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  • 64
    Book
    Book
    Stuttgart : Reclam
    ISBN: 9783150110690 , 3150110696
    Language: German
    Pages: 158 Seiten , Illustrationen, Notenbeispiele , 20 cm
    Uniform Title: Folk music
    Parallel Title: Erscheint auch als Slobin Volksmusik der ganzen Welt
    DDC: 781.62
    RVK:
    Keywords: Volksmusik ; Musik ; Musikgeschichte ; Volksmusik ; Einführung ; Einführung ; Volksmusik
    Note: Früheres Copyright: 2011 by Oxford University Press, Inc.
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  • 65
    ISBN: 9783150110720 , 3150110726
    Language: German
    Pages: 392 Seiten , Illustrationen , 21.5 cm x 15 cm
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    Keywords: Geschichte 1900-2016 ; Jazz ; 20. Jahrhundert ; 21. Jahrundert ; Jazzgeschichte ; Jazz ; Geschichte 1900-2016
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  • 66
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190497071
    Language: English
    Pages: 1 Online-Ressource (293 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.3/6
    RVK:
    RVK:
    RVK:
    Keywords: Juden ; Judentum ; Musik ; Jews Music ; History and criticism ; Judaism Liturgy ; Kirchengesang ; Judentum ; Neue Medien ; Moderne ; Geistliche Musik ; Liturgie ; Judentum ; Geistliche Musik ; Kirchengesang ; Liturgie ; Neue Medien ; Moderne
    Abstract: Singing God's Words is the first in-depth study of the experience and meaning of chanting or "reading" Torah among contemporary American Jews. This experience has been transformed dramatically in recent years by the impact of digital technology, feminism, the empowerment of lay people and a search for self-fulfillment through involvement with community. At a time when worshippers seek deeper spiritual experience, many Jews have found new meaning in the experience of reading Torah, an act that is broadly accessible to Jewish adults even as it requires intensive immersion with the text of the Bible in Hebrew. This book examines why and how growing numbers of American Jews in all denominations see the public chanting of Biblical texts during the synagogue service as one of the most authentic and personal expressions of their religious identity. Drawing on hundreds of interviews with men and women, both professionals and congregants, Jeffrey A. Summit describes how the reading of Torah embodies their understanding of historical religious practice, even as it is shaped by contemporary views of spiritual experience. Through this act, holiness becomes manifest at the intersection of Biblical chant, sacred text, the individual, and the community. - Jeffrey A. Summit is Research Professor in the Department of Music and Judaic Studies at Tufts University, where he also serves as rabbi and Neubauer Executive Director of Tufts Hillel. He is the author of The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship (OUP). His CD Abayudaya: Music from the Jewish People of Uganda was nominated for a Grammy Award.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 67
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199347698 , 9780199347674 , 9780199347681 , 9780190456825
    Language: English
    Pages: 1 Online-Ressource (xiii, 289 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 791.43/6578
    RVK:
    Keywords: Jazz in motion pictures ; Musicians in motion pictures ; Jazz on television ; Musicians on television ; Rezeption ; Jazz ; Fernsehsendung ; Jazzmusiker ; Film ; Konferenzschrift 2011 ; Konferenzschrift 2011 ; Film ; Fernsehsendung ; Rezeption ; Jazzmusiker ; Jazz
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 68
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190244545
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.62924
    RVK:
    Keywords: Sozialgeschichte ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Musikleben ; Klezmer ; Aschkenasim ; Musik ; Musikalischer Stil ; Tanz ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 69
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190263232
    Language: English
    Pages: 1 online resource.
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.967
    RVK:
    Keywords: Music History and criticism ; Music and globalization ; Afrika ; Musik ; Ethnologie ; Globalisierung
    Abstract: The African Imagination in Music offers a fresh introduction to the vast and complex world of Sub-Saharan African music. Through close readings of traditional music and references to popular music, Agawu considers topics including the place of music in society, musical instruments, language and music, and appropriations of African music.
    Note: Includes bibliographical references, discography, filmography and index. - Description based on online resource; title from home page (viewed on February 10, 2016)
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  • 70
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190467845
    Language: English
    Pages: 1 Online-Ressource (xiv, 263 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 781.64094965
    RVK:
    RVK:
    Keywords: Geschichte 1945-2010 ; Popular music / Political aspects / Albania ; Music and state ; Popular music / Albania / History and criticism ; Musikpolitik ; Entwicklung ; Gesellschaft ; Soziologie ; Staat ; Popmusik ; Albanien ; Hochschulschrift ; Hochschulschrift ; Albanien ; Popmusik ; Staat ; Musikpolitik ; Gesellschaft ; Soziologie ; Entwicklung ; Geschichte 1945-2010
    Abstract: In 'Audible States', Nicholas Tochka traces an aural history of Albania's government through a close examination of the development and reception of light music as it has long been broadcast at an annual song competition, Radio-Television Albania's Festival of Song. Drawing on a wide range of archival resources and over 40 interviews with composers, lyricists, singers, and bureaucrats, Tochka describes how popular music became integral to governmental projects to improve society and a major concern for both state-socialist and post-socialist regimes between 1945 and the present
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 71
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190454951
    Language: English
    Pages: 1 Online-Ressource (xvii, 433 Seiten) , Notenbeispiele, Illustrationen, Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.5/920952090512
    RVK:
    RVK:
    Keywords: Kernkraftwerk Fukushima ; Geschichte 2011-2015 ; Geschichte ; Politik ; Popular music Political aspects 21st century ; History ; Protest songs History and criticism 21st century ; Fukushima Nuclear Disaster, Japan, 2011 Songs and music ; Nuclear power plants Public opinion ; Protest movements History 21st century ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Japan ; Japan ; Kernkraftwerk Fukushima ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Geschichte 2011-2015
    Note: Published to Oxford Scholarship Online: October 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 72
    ISBN: 9780199361496
    Language: English
    Pages: IX, 344 S. , Ill., graph. Darst.
    DDC: 780.956709051
    RVK:
    RVK:
    Keywords: Golfkrieg ; Musik ; Geräusch ; Musikpsychologie
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  • 73
    Online Resource
    Online Resource
    Berlin : de Gruyter | Bielefeld : transcript Verlag
    ISBN: 9783839422328
    Language: German
    Pages: 1 Online-Ressource (475 Seiten)
    Series Statement: Human-Animal Studies [1]
    Series Statement: Human-Animal Studies
    Parallel Title: Erscheint auch als
    DDC: 179.3
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Mensch ; Sozialwissenschaften, Soziologie, Anthropologie ; Tiere ; Tiere ; Mensch ; Beziehung ; Wörterbuch ; Enzyklopädie ; Wörterbuch ; Enzyklopädie ; Wörterbuch ; Enzyklopädie ; Mensch ; Tiere ; Beziehung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 74
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag
    ISBN: 3839409985 , 9783839409985
    Language: English
    Pages: Online-Ressource , zahlr. z.T. farb. Abb
    Series Statement: Studien zur Popularmusik
    Parallel Title: Druckausg
    Parallel Title: Erscheint auch als Stimme im HipHop
    DDC: 782.421649
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    Keywords: Rap ; Rhythmus ; Stimme ; Stimme ; Rap ; Rhythmus ; Aesthetics ; Ästhetik ; Beats ; Flow ; HipHop ; Klang ; Music ; Musicology ; Musik ; Musikvideo ; Musikwissenschaft ; Pop Music ; Popkultur ; Popmusik ; Popular Culture ; Sound ; Stimme ; Konferenzschrift 2008 ; Konferenzschrift 2008 ; Konferenzschrift 2008 ; Konferenzschrift 2008 ; Konferenzschrift 2008 ; Rap ; Stimme ; Rhythmus
    Abstract: In diesem Buch widmet sich die HipHop-Forschung erstmals eingehend dem intermedialen Phänomen der Rap-Stimme, in der sich verschiedene Medien kreuzen: Sound, Text und visuelle Inszenierungen. Aus unterschiedlichen wissenschaftlichen Perspektiven werden Stimmen US-amerikanischer, afrikanischer, französischer und deutscher Rapperinnen und Rapper untersucht.Musikwissenschaftliche Ansätze, die den konkreten Klang der Stimme in den Vordergrund stellen, werden kombiniert mit kulturwissenschaftlichen Fragestellungen nach der abstrakten Seite der Stimme, um die Zusammenhänge zwischen Rap-Stimmen und kulturellen Konzepten wie Macht, Autorität oder Selbstbehauptung zu analysieren
    Abstract: »Es ist beachtenswert, von wie vielen verschiedenen wissenschaftlichen Seiten sich der interdisziplinäre Sammelband dem Phänomen Stimme des HipHop nähert. Dabei sind die meisten Aufsätze absolut lesenswert.«Martin Lücke, DIE TONKUNST, 2/4 (2010)»Eine hochinteressante Veröffentlichung, die nicht nur für wissenschaftlich interessierte Menschen, sondern auch für HipHop-Fans fundierte und aufschlussreiche Informationen bietet.«Arthur Thömmes, www.lehrerbibliothek.de, 24.11.2009»[T]rotz seines überschaubaren Umfangs nähert sich dieser Band von beachtenswert vielen Seiten einem kaum erschlossenen Aspekt von HipHop.«Stefan Niederwieser, thegap, 101 (2009)»Ein spannendes Buch und ein exzellentes Nachschlagewerk zur Idee des ›Pop‹-Konzepts, das historisch erläutert und doch auch laufend zum Hinterfragen und zum Selbst-Stellungnehmen auffordert.«www.jazzinstitut.de, 24.11.2009Besprochen in:Lied und populäre Kultur, 55 (2009), Michael Rappewww.satt.org, 20.04.2010
    Description / Table of Contents: Frontmatter 1INHALT 5MOSTLY THA VOICE! ZUR EINLEITUNG 7MACHTVOLLE KONSTRUKTIONEN: STIMME UND AUTORITÄT IM HIPHOP 23BLACK DANDY UND BAD NIGGA: ZUR GESCHICHTE ZWEIER VOKALER NARRATIVE IM RAP 51BARFUSSÄSTHETIK EINER AFRIKANISCHEN DIASPORA: DAS KÖRNIGE DER STIMME K'NAANS 73JE SUIS AUTHENTIQUE. DIE ROLLE DER STIMME FÜR DIE BEHAUPTUNG VON AUTHENTIZITÄT 89HIPHOP-SKITS -- GRUNDLEGENDE BETRACHTUNGEN ZU EINER RANDERSCHEINUNG 121RIDIN' THE BEAT. ANNÄHERUNGEN AN DAS PHÄNOMEN FLOW 141MOSTLY THA VOICE? ZUM VERHÄLTNIS VON BEAT, SOUND UND STIMME IM HIPHOP 171ABSTRACTS 195ZU DEN AUTORINNEN UND AUTOREN 199Backmatter 202
    Note: Lizenzpflichtig
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 75
    ISBN: 3150109329 , 9783150109328
    Language: German
    Pages: 250 S , Ill , 215 mm x 160 mm
    DDC: 641.09
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    Keywords: Musik ; Speise ; Ess- und Trinksitte ; Geschichte
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  • 76
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199334681 , 9780199334698
    Language: English
    Pages: xvii, 433 Seiten , Illustrationen
    DDC: 781.5/920952090512
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    Keywords: Kernkraftwerk Fukushima ; Geschichte 2011-2015 ; Antikernkraftbewegung ; Protestsong ; Popmusik ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Japan
    Note: Literaturverzeichnis: Seite 403-417
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  • 77
    ISBN: 9783150109328 , 3150109329
    Language: German
    Pages: 250 Seiten , Illustrationen
    DDC: 780
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    Keywords: Musik ; Speise ; Ess- und Trinksitte ; Geschichte
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  • 78
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag
    ISBN: 9783839429051
    Language: German
    Pages: 1 Online-Ressource (226 Seiten) , Illustrationen
    Series Statement: Musik und Klangkultur 10
    Series Statement: Musik und Klangkultur
    Dissertation note: Dissertation Philosophische Fakultät der Universität zu Köln
    DDC: 303.482
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    Keywords: Geschichte ; Globalization ; Music ; Sozialwissenschaften, Soziologie, Anthropologie ; Globalisierung ; Musik ; Musik ; Komposition ; Kulturvergleich ; Globalisierung ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Musik ; Globalisierung ; Kulturvergleich ; Komposition ; Globalisierung ; Geschichte
    Description / Table of Contents: On the globalization of music culture: What are its effects? Can globalization be perceived through music? This study provides answers
    Note: Description based on online resource; title from PDF title page (ACM, viewed April 03 2015) , In German
    URL: Cover
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  • 79
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839431689
    Language: German
    Pages: 1 Online-Ressource (170 p.)
    Edition: 1st ed.
    Series Statement: Edition Kulturwissenschaft 76
    DDC: 900
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    Keywords: Geschichte ; Musiker ; Jazz ; Massenkultur ; Interdisziplinarität ; Avantgarde
    Abstract: »Man muß absolut modern sein!« - Diese Prämisse stand wie ein Leitstern über zahlreichen Avantgarde-Bewegungen der 1910er- und 1920er-Jahre. Vom Salon auf die Straße, aus den esoterischen Zirkeln ins Leben, bevorzugt ins Nachtleben: Als Grenzgänger zwischen den kulturellen Lebenswelten ging der neue Künstlertypus im legeren Anzug und mit eingeklemmtem Augenzwickel zum proletarischen Boxkampf oder ins populäre Varieté. Er spielte in einer Jazzband, sammelte Schallplatten, tanzte Foxtrott sowie Charleston und erhob mithin nicht nur die Reklame zum künstlerischen Prinzip, sondern verstand es auch geschickt, die erprobten PR-Strategien der Unterhaltungsindustrie für seine eigenen Zwecke zu nutzen. Auf diesen Spuren folgt Anke J. Hübel den Protagonisten der damaligen Avantgarde-Bewegungen und widmet sich dabei insbesondere der vielschichtigen Beziehung, die die Künstler mit der seinerzeit äußerst populären Jazzmusik eingingen. Der interdisziplinär angelegte Essay ist gleichermaßen ein Stück Medien- wie auch Zeitgeschichte.
    URL: Cover
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  • 80
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199984183
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: Oxford handbooks online
    DDC: 303.376
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    Keywords: Musik ; Zensur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This volume is a collection of thirty in-depth studies of music censorship from the eighth century to the present and covers music ranging from Gregorian chant to eighteenth-century opera to contemporary pop music. It includes studies from every continent and consists of six sections: Censorship and Religion; Censorship During the Enlightenment; Censorship in Transitional Governments; Censorship in Totalitarian States; Censorship in Democracies; and Censoring Race, Gender, and Sexual Orientation.
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 81
    ISBN: 9780199377060 , 0199377065
    Language: English
    Pages: xi, 226 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Briggs, Jonathyne, 1970 - Sounds French
    Dissertation note: Dissertation Emory University, Atlanta, Ga. 2006
    DDC: 781.640944/09045
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    Keywords: Popular music History and criticism 1951-1960 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; Music and globalization ; Kultur ; Musik ; Popkultur ; Nationalbewusstsein ; Gesellschaft ; Entwicklung ; Künstler ; Frankreich ; Hochschulschrift ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben ; Geschichte 1950-1980
    Abstract: Sounds young : copains and the community of youth -- Sounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization
    Abstract: Sounds French examines the history of popular music in France between the arrival of rock and roll in 1958 and the collapse of the first wave of punk in 1980, and the connections between musical genres and concepts of community in French society. During this period, scholars have tended to view the social upheavals associated with postwar reconstruction as part of debates concerning national identity in French culture and politics, a tendency that developed from political figures' and intellectuals' concerns with French national identity. In this book, the author reorients the scholarship away from an exclusive focus on national identity and instead towards an investigation of other identities that develop as a result of the increased globalization of culture
    Description / Table of Contents: Sounds young : copains and the community of youthSounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization.
    Note: Includes bibliographical references (pages 207-220), discography (page 208) and index
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  • 82
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839429051
    Language: German
    Pages: 1 Online-Ressource (228 p.)
    Edition: 1st ed.
    Series Statement: Musik und Klangkultur 10
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    Keywords: Geschichte ; Komposition ; Musik ; Kulturvergleich ; Globalisierung
    Abstract: Der Begriff Globalisierung ist sowohl populär als auch wissenschaftlich interdisziplinär anwendbar und gewissermaßen ein »Zauberwort« für alle gesellschaftlichen Veränderungen der letzten 50 Jahre. Doch wie wird Globalisierung musikalisch erfahrbar und was ist im gegenwärtigen »Zeitalter der Globalisierung« das signifikant »Neue« bezogen auf die Entstehung kultureller Hybridformen? Anhand dreier musikalischer Beispiele unterschiedlicher Kontexte, Szenen und Stilhöhen geht Daniel Siebert einerseits den Differenzen nach, die sich in den Auswirkungen der Globalisierung abzeichnen, und arbeitet andererseits szene- und subkulturübergreifende Mechanismen der Globalisierung heraus.
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  • 83
    Book
    Book
    Stuttgart : Reclam
    ISBN: 9783150203590 , 3150203597
    Language: German
    Pages: 209 S. , graph. Darst. , 190 mm x 120 mm
    Uniform Title: Why jazz?
    DDC: 781.65
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    Keywords: Geschichte ; Jazz ; Musikästhetik ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Geschichte ; Jazz ; Musikästhetik
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  • 84
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199367481
    Language: English
    Pages: XVII, 302 S. , Ill.
    DDC: 780.89924043
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    Keywords: Geschichte ; Juden ; Musikleben ; Nachkriegszeit ; Judentum ; Musik ; Kultur ; Kollektives Gedächtnis ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 85
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199354092 , 9780195341867
    Language: English
    Pages: XVII, 586 S. , Ill., graph. Darst., Notenbeisp.
    DDC: 306.4842
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    Keywords: Geschichte ; Musik ; Kulturgeschichtsschreibung ; Geschichte ; Musik ; Kulturgeschichtsschreibung ; Enzyklopädie ; Musicology. ; Music--Philosophy and aesthetics. ; Wörterbuch ; Aufsatzsammlung ; Musik ; Kulturgeschichtsschreibung ; Geschichte
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  • 86
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839418789
    Language: German
    Pages: 1 Online-Ressource (284 Seiten)
    Edition: 1st edition
    Series Statement: Beiträge zur Popularmusikforschung 38
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    Keywords: Popmusik ; Rockmusik ; Jazz ; Musikalische Analyse ; Konferenzschrift 2010
    Abstract: Wie analysiert man eigentlich populäre Musik? Nach zwei Jahrzehnten eines überwiegend kulturwissenschaftlichen Blicks auf den Gegenstand besinnt sich die Popularmusikforschung wieder auf ihre Kernkompetenz: auf die Beschreibung von Musik als akustisches Phänomen. Die etablierten Techniken der Untersuchung von Kunstmusik erweisen sich hier jedoch als nur bedingt transferierbar. Die Beiträge dieses Bandes diskutieren daher alternative Methoden zur Analyse populärer Musik und erproben sie am Beispiel von Songs aus Pop, Rock und Jazz.
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  • 87
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag
    ISBN: 9783839419304
    Language: German
    Pages: Online Ressource
    Edition: 1., Aufl.
    Series Statement: Sozialtheorie
    Parallel Title: Druckausg. Ingenkamp, Konstantin, 1965 - Depression und Gesellschaft
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    Keywords: sociology ; Sociology ; Gesellschaft ; Kulturwissenschaft ; Soziologie ; Wissenschaftsgeschichte ; Medizin ; Medizinsoziologie ; Therapie ; Medizingeschichte ; Cultural Studies ; History of Science ; Medicine ; Sociology of Medicine ; History of Medicine ; Psychopharmaka ; Society ; Melancholie ; Gesundheitsgesellschaft ; Pathologisierung ; Depression; Gesundheitsgesellschaft; Therapie; Psychopharmaka; Melancholie; Pathologisierung; Gesellschaft; Medizin; Medizinsoziologie; Medizingeschichte; Wissenschaftsgeschichte; Kulturwissenschaft; Soziologie; Society; Medicine; Sociology of Medicine; History of Medicine; History of Science; Cultural Studies; Sociology; ; Depression ; Gesellschaft ; Gesundheit ; Melancholie ; Pathologisierung ; Volkskrankheit ; Melancholie ; Depression ; Vorstellung ; Volkskrankheit ; Soziale Konstruktion ; Geschichte
    Abstract: Wie und warum wurde Depression zur Volkskrankheit? Vor dem Hintergrund einer Ideengeschichte von Melancholie und Depression entwickelt Konstantin Ingenkamp dazu eine eigene, kulturwissenschaftlich informierte Perspektive, die sich sowohl gegen die immer stärkere Pathologisierung als auch gegen die verbreitete These wendet, dass psychische Erkrankungen immer weiter zunehmen.Stattdessen wird Depression als ein zur Conditio humana gehörender Gemütszustand beleuchtet, der sich als Kehrseite des »Positiven Denkens« in den protestantischen Erweckungsbewegungen des 19. Jahrhunderts ebenso wiederfinden lässt wie als Gegenbegriff zur »mentalen Gesundheit« während des Kalten Krieges. Erst mit dem Boom der Psychopharmaka in der zeitgenössischen »Gesundheitsgesellschaft«, so zeigt der Autor, wird die Depression zur Volkskrankheit.
    Abstract: How and why did depression become an epidemic disease? Based on a conceptual history of melancholy and depression, Konstantin Ingenkamp develops his own perspective, which is well-founded in cultural science. It is directed against the increasing pathologizing as well as against the wide-spread thesis that mental illnesses are constantly increasing.Instead, depression is viewed as a state of mind that is part of the human condition and that can be found as the opposite of »positive thinking« in protestant awakening movements of the 19th century, and also as a counter term of »mental health« during the cold war. Only with the boom of psychotropic drugs in the contemporary »health society« does depression become an epidemic disease, as the author shows.
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  • 88
    ISBN: 9783150203590
    Language: German
    Pages: 209 S. , Ill., Notenbeisp. , 190 mm x 120 mm
    Series Statement: Reclam-Taschenbuch Nr. 20359
    Uniform Title: Why jazz? 〈dt〉
    DDC: 781.65
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    Keywords: Aufsatzsammlung ; Jazz ; Geschichte ; Jazz ; Geschichte 1900-2014
    Abstract: "Warum Jazz?" ist so etwas wie ein Schnellkurs in Sachen Jazz. Der amerikanische DJ und Musikkritiker K. Whitehead erzählt nach einigen grundlegenden Bemerkungen zum Thema Jazz die Geschichte dieser Musik chronologisch in 4 Kapiteln von den Anfängen Ende des 19. Jahrhunderts bis in die Gegenwart. Indem er 111 Fragen beantwortet, lernt man die wichtigsten Jazzstile und die wichtigsten Musiker kennen. Man lernt die Instrumente kennen und Verbindungen zu anderen Musikrichtungen, erfährt etwas über Bridges sowie Blue Notes und lernt einige der repräsentativen und klassischen Aufnahmen kennen. Das Buch kann von Anfang bis zum Ende gelesen werden, aber die einzelnen Essays stehen auch jeder für sich. Im Anhang finden sich zu jedem Kapitel eine Auswahldiskografie und weiterführende Literatur. Eine lesenswerte Jazzgeschichte, mit Schwerpunkt auf amerikanischem Jazz, sowohl für Anfänger als auch Jazzfreunde nach dem Klassiker von J. Berendt: "Das Jazzbuch" und neben dem umfangreicheren Band von M. Jacobs: "All that Jazz" und dem Text-Bild-Band Chronik des Jazz" empfohlen
    Note: Literaturverz. und Diskogr. S. [188] - 195
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  • 89
    Book
    Book
    Stuttgart : Reclam
    ISBN: 3150203597 , 9783150203590
    Language: German
    Pages: 209 Seiten , Notenbeispiele , 190 mm x 120 mm
    Series Statement: Reclam-Taschenbuch 20359
    Series Statement: Reclam Taschenbuch
    Uniform Title: Why Jazz? : a concise guide
    DDC: 781.65
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    Keywords: Geschichte ; Jazz ; Aufsatzsammlung
    Note: Diskografie und Literaturverzeichnis Seite [188] -195
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  • 90
    ISBN: 9783839425909
    Language: German
    Pages: 1 Online-Ressource (270 Seiten)
    Edition: 1. Aufl
    Series Statement: Globaler lokaler Islam
    Parallel Title: Erscheint auch als
    DDC: 306.697820955
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    Keywords: Iran ; Islam ; Islamwissenschaft ; Kulturwissenschaft ; Postkolonialismus ; Religion ; SOCIAL SCIENCE / Jewish Studies ; Islam ; Postcolonialism ; Postcolonialism ; Politik ; Postkolonialismus ; Moderne ; Intellektueller ; Islam ; Diskurs ; Religiosität ; Gesellschaft ; Iran ; Iran ; Postkolonialismus ; Moderne ; Intellektueller ; Religiosität ; Politik ; Gesellschaft ; Islam ; Diskurs
    Abstract: In den bisherigen Forschungen zu »muslimischen« Denkerinnen und Denkern sind die dichotomisch verwendeten Begriffe »Moderne« und »Islam« zentral. Dabei wird »Moderne« meist mit »westlich«, »säkular«, »reformerisch« und neuerdings »global« gleichgesetzt - und »Islam« mit »orientalisch«, »religiös«, »traditionell« und »partikular«.Abbas Poya nimmt einen Wechsel der »Erzählperspektive« vor. Anhand von vier gegenwärtig wichtigen iranischen Autoren - Al-e Ahmad, Shari'ati, Sorush und Malekyan - untersucht er den Transformationsprozess in den heutigen islamisch-intellektuellen Diskursen im Lichte global vorherrschender postkolonialer Zustände und zeigt, dass ihre Gedankengänge durch die sogenannten islamischen/orientalischen Ideen ebenso geformt sind wie durch die vermeintlich säkularen/westlichen Vorstellungen
    Abstract: In previous research on »Muslim« thinkers and philosophers, the dichotomously applied terms »modern« and »Islam« are central. Therein, »modern« is mostly equated with »Western«, »secular«, »reformist«, and, most recently, »global«, whereas »Islam« is equated with »oriental«, »religious«, »traditional«, and »particular«.Abbas Poya breaks from the »narrative perspective«: On the basis of four current and important Iranian writers - Al-e Ahmad, Shari'ati, Sorush, and Malekyan - he examines the transformation process in today's Islamic intellectual discourses in the light of global dominant post-colonial conditions and shows that the thought processes are shaped by so-called Islamic/oriental ideas as well as by supposed secular/western ideas
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) , In German
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 91
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199984619
    Language: English
    Pages: 1 Online-Ressource (xii, 701 Seiten)
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of music revival
    DDC: 780.9
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    Keywords: Music History and criticism ; Music ; History and criticism ; Aufsatzsammlung ; Musik ; Tradition ; Erneuerung ; Kulturvergleich ; Geschichte
    Abstract: Why is music from the past significant today and how has it been transformed to suit new values and agendas? This volume examines the globally recurrent cultural processes of revival, resurgence, restoration, and renewal.
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  • 92
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199367504
    Language: English
    Pages: 1 Online-Ressource (XVII, 302 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/924043
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    Keywords: Geschichte 1900-2000 ; Geschichte 1945-2014 ; Juden ; Musik ; Jews Music History and criticism ; Music History and criticism 20th century ; National socialism and music ; Judentum ; Kollektives Gedächtnis ; Musik ; Deutschland ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Judentum ; Musik ; Kollektives Gedächtnis ; Geschichte 1945-2014
    Abstract: This title draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music - a highly debated topic - encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even 'German (Jewish) memory,' which is not necessarily physically bound to Germany.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 93
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195367362 , 9780195367379
    Language: English
    Pages: XI, 323 S. , Ill., Notenbeisp.
    Series Statement: The Oxford music/media series
    DDC: 780/.07
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    Keywords: Geschichte 2000-2011 ; Musik ; Music Philosophy and aesthetics ; Motion picture music Philosophy and aesthetics ; Surrealism and music ; Postmoderne ; Surrealismus ; Ästhetik ; Filmmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Filmmusik ; Postmoderne ; Surrealismus ; Ästhetik ; Geschichte 2000-2011
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  • 94
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0199937397 , 9780199937394
    Language: English
    Pages: XV, 527 S. , 25 cm
    DDC: 016.78165
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    Keywords: Jazz ; Komposition ; Wörterbuch ; Bibliografie ; Führer ; Bibliografie ; Führer ; Bibliografie ; Führer ; Führer ; Wörterbuch ; Führer ; Wörterbuch
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  • 95
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195395631 , 0195395638
    Language: English
    Pages: XI, 626 S. , Ill.
    Edition: 2. ed.
    DDC: 781.64203
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    Keywords: Countrymusic ; Wörterbuch ; Enzyklopädie ; Wörterbuch ; Aufsatzsammlung ; Verzeichnis
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  • 96
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199946846 , 9780195178326
    Language: English
    Pages: XXXIII, 280 S. , Ill., Notenbeisp.
    Edition: 1. publ. as an Oxford Univ. Press pbk.
    Series Statement: AMS studies in music
    DDC: 780.89924
    RVK:
    Keywords: Geschichte 1890-1933 ; Geschichte ; Jews / Germany / Music ; Jews / Germany / History ; Geschichte ; Juden ; Musik ; Zionismus ; Modernität ; Musik ; Judentum ; Urbanität ; Deutschland ; Deutschland ; Deutschland ; Judentum ; Musik ; Geschichte ; Judentum ; Musik ; Modernität ; Urbanität ; Geschichte 1890-1933 ; Zionismus ; Musik ; Judentum ; Musik ; Urbanität ; Geschichte
    Library Location Call Number Volume/Issue/Year Availability
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  • 97
    ISBN: 3837613585 , 9783837613582
    Language: German , English
    Pages: 221 Seiten , Notenbeispiele , 225 mm x 135 mm, 386 gr.
    Series Statement: Kultur- und Medientheorie
    Parallel Title: Online.-Ausg. Böse Macht Musik
    Parallel Title: Online-Ausg. Böse Macht Musik
    Parallel Title: Erscheint auch als Böse Macht Musik
    DDC: 780
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Music Congresses Social aspects ; Emotions in music Congresses ; Music Congresses 20th century ; Music Congresses Philosophy and aesthetics 20th century ; Good and evil Congresses ; Power (Social sciences) Congresses ; Konferenzschrift 2008 ; Konferenzschrift 2008 ; Musikästhetik ; Das Böse ; Geschichte ; Musik ; Ästhetik ; Das Böse
    Note: 22. Internationales Studentisches Symposiums des DVSM e.V., welches vom 09. - 12. Oktober 2008 in Oldenburg mit dem Titel Böse.Macht.Musik stattfand - Vorwort
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  • 98
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195368284 , 9780195368277
    Language: English
    Pages: XXII, 202 S. , Ill., Notenbeisp.
    Additional Material: 1 CD (12 cm)
    Series Statement: Global music series
    DDC: 780.9519
    RVK:
    Keywords: Geschichte ; Musik ; Music History and criticism ; Musik ; Korea ; Korea ; Musik ; Geschichte
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  • 99
    ISBN: 9780199759569 , 9780199759576
    Language: English
    Pages: XV, 191 S. , Ill.
    DDC: 782.42082/09519
    RVK:
    Keywords: Geschichte ; Gesellschaft ; Musik ; Songs, Korean History and criticism ; Women singers ; Music Social aspects ; Comfort women History ; Comfort women History ; Identität ; Lied ; Zwangsprostituierte ; Koreanerin ; Koreanerin ; Zwangsprostituierte ; Lied ; Identität
    Note: Includes bibliographical references and index
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  • 100
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199746408
    Language: English
    Pages: 234 S. , Ill.
    Series Statement: The new cultural history of music series
    DDC: 781.5/9909599
    RVK:
    Keywords: Geschichte 1900-2011 ; Music Political aspects 20th century ; History ; Nationalism in music ; Music and state ; Music History and criticism 20th century ; Musik ; Nationalbewusstsein ; Gesellschaft ; Philippinen ; Philippinen ; Gesellschaft ; Nationalbewusstsein ; Musik ; Geschichte 1900-2011
    Note: Includes bibliographical references and index
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