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  • Book  (195)
  • English  (195)
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  • Musicology  (195)
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  • 1
    Book
    Book
    New York : Dover Publications
    Language: English
    Pages: 25 cm
    Edition: 2. rev. ed
    DDC: 016.398
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    Keywords: Folklore Bibliography ; United States ; African Americans Folklore ; Bibliography ; Indians of North America Folklore ; Bibliography ; Folk songs Bibliography ; United States ; Folk songs Bibliography ; History and criticism ; United States ; Afro-Americans Music ; Bibliography ; Afro-Americans Music ; Bibliography ; History and criticism ; Indians of North America Music ; Bibliography ; Indians of North America Music ; Bibliography ; History and criticism ; Bibliografie ; Nordamerika ; Folksong ; Nordamerika ; Volkskultur ; Nordamerika ; Indianer ; Eskimo ; Folksong ; Volkskultur
    Note: The first ed. of this work appeared in one vol
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  • 2
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    DDC: 781.650973
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 3
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Language: English
    Pages: x, 180 Seiten , 19,8 cm
    Series Statement: Genre, a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.630968
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    Keywords: Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 4
    ISBN: 9783990129807
    Language: English
    Pages: X, 242 Seiten , 24 cm x 17 cm
    Series Statement: Beiträge zur Jazzforschung 16
    Series Statement: Beiträge zur Jazzforschung
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1880-1930 ; Jazz ; Jazz ; United States ; Mississippi ; jazz history ; Maximilian Hendler ; Beiträge zur Jazzforschung ; Studies in Jazz Research ; Jazz ; Geschichte 1880-1930
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  • 5
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 6
    ISBN: 9783948052676
    Language: English , German
    Pages: 184 Seiten , Illustrationen , 29.7 cm x 21 cm
    Edition: 1. Auflage
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    Keywords: Clubs ; Berlin ; Gentrifizierung ; Interviews ; Techno ; Musik ; Stadtentwicklung ; Clubsterben ; Kunst ; Kultur ; Kulturdebatten ; Zweisprachig
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  • 7
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
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    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
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  • 8
    ISBN: 9780197543313
    Language: English
    Pages: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Edition: Sixth edition
    Parallel Title: Online version Starr, Larry American popular music
    RVK:
    Keywords: Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Abstract: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 9
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 10
    ISBN: 9781419749698
    Language: English
    Pages: XII, 306 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
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    Keywords: Houston, Whitney ; Houston, Whitney / https://isni.org/isni/000000011478617X ; African American women singers / United States / Biography ; African American singers / United States / Biography ; Singers / United States / Biography ; Chanteuses noires américaines / États-Unis / Biographies ; Chanteurs noirs américains / États-Unis / Biographies ; Chanteurs / États-Unis / Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; Houston, Whitney ; African American singers ; African American women singers ; United States ; African American women singers / Biography ; African American singers / Biography ; Biography ; Biography ; Biographies ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Houston, Whitney 1963-2012
    Abstract: "A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing. On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers.
    Abstract: She redefined 'The Star-Spangled Banner.' She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life.
    Abstract: Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon" --
    Description / Table of Contents: Didn't We Almost Have It All?: A Meditation on Loss and Memory -- Under His Eye, Blessed Be The Sound: Faith, Gospel, and the Almighty Power of Cissy Houston -- Home: Newark and the Black American Dreams That Birthed Whitney Houston -- Stuff That You Want, Thing That You Need: The Brilliance and Influence of Whitney's Voice -- My Lonely Heart Calls: On Sex, Desire, and Sexuality -- Miss America, The Beautiful: The Burden of the National Anthem and the Politics of Whitney's Blackness -- Bolder, Blacker, Badder: The Sisters with Voices That Transformed Whitney -- Tell The Truth And Shame The Devil: How Trauma, Shame, and Tabloid Culture Broke Whitney -- The Undoing Of Whitney Houston: Virtue, Vice, and a Requiem for Redemption -- Won't They Always Love You?: Reflections on Meaning and Legacy
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  • 11
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
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    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 12
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 13
    Book
    Book
    Chicago ; London : University of Chicago Press
    ISBN: 9780226819167 , 9780226819143
    Language: English
    Pages: 248 Seiten , Illustrationen (schwarz-weiß)
    Parallel Title: Erscheint auch als
    DDC: 782.421649
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    Keywords: Hip-Hop ; Rap ; Religion ; Rap (Music) / Religious aspects ; Rap (Music) / History and criticism ; Hip-hop / United States / Religious aspects ; Popular music / Latin America / History and criticism ; Musique populaire / Amérique latine / Histoire et critique ; Hip-hop / Religious aspects ; Popular music ; Rap (Music) ; Latin America ; United States ; Criticism, interpretation, etc ; Hip-Hop ; Rap ; Religion
    Abstract: "The world of hip-hop is saturated with religion, but often this element is glossed over as secondary to hip-hop's other dimensions. In Street Scriptures, Alejandro Nava focuses our attention on this relationship in a fresh way, combining his profound love of hip-hop, his passion for racial and social justice, and his deep theological knowledge. The result is a journey through hip-hop's deep entanglement with the sacred. Street Scriptures examines the reasons behind the rise of a religious heartbeat in hip-hop, looking at the crosscurrents of the sacred and profane in rap, reggaeton, and Latinx hip-hop today. Ranging from Nas, Kendrick Lamar, Chance the Rapper, Lauryn Hill, and Cardi B to St. Augustine and William James, Nava examines the ethical-political, aesthetic-spiritual, and prophetic in hip-hop, probing the pure sonic and aesthetic signatures of music, while also diving deep into the voices that invoke the spirit of protest"--
    Description / Table of Contents: A street theology: between God and hip-hop -- A brief sonic history of hip-hop -- Prophets and emcees: righteous rappers -- The return of God in hip-hop: Kendrick Lamar's street theology -- The dirty Latin South: breaking, reggaeton, and the rise of the global South -- Native tongues
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  • 14
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316514337
    Language: English
    Pages: xvii, 511 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48420973
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
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  • 15
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496837431 , 9781496832221
    Language: English
    Pages: xx, 289 Seiten, 10 ungezählte Seiten Tafeln , Illustrationen , 25 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-2020 ; Jazzmusiker ; Jazz musicians / United States / Interviews ; MUSIC / Genres & Styles / Jazz ; MUSIC / History & Criticism ; Jazz musicians ; Amram, David / Interviews ; Blake, Ran / Interviews ; Cranshaw, Bob / Interviews ; Crow, Bill / 1927- / Interviews ; Davis, Charles / 1933-2016 / Interviews ; Hyman, Dick / 1927- / Interviews ; Jordan, Clifford / Interviews ; Kuhn, Steve / Interviews ; Lateef, Yusef / Interviews ; Owens, Jimmy / 1943- / Interviews ; Pizzarelli, Bucky / Interviews ; Ponomarev, Valery / Interviews ; Porcelli, Bob / Interviews ; Rollins, Sonny / Interviews ; Stewart, Sandy / 1937- / Interviews ; Sudhalter, Carol / Interviews ; Terry, Brad / Interviews ; Terry, Clark / Interviews ; Tucker, Mickey / Interviews ; Turre, Steve / Interviews ; Williams, Buster / Interviews ; Amram, David ; Blake, Ran ; Cranshaw, Bob ; Davis, Charles / 1933-2016 ; Hyman, Dick / 1927- ; Kuhn, Steve ; Lateef, Yusef ; Owens, Jimmy / 1943- ; Pizzarelli, Bucky ; Ponomarev, Valery ; Rollins, Sonny ; Terry, Clark ; Tucker, Mickey ; Turre, Steve ; Williams, Buster ; United States ; Interviews ; Interview
    Abstract: "The Jazz Masters: Setting the Record Straight features twenty-one conversations with musicians who have had at least fifty years of professional experience, and several as many as seventy-five. In all, these voices reflect some seventeen hundred years' worth of paying dues. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words. Five of the interviewees-Dick Hyman, Jimmy Owens, Sonny Rollins, Clark Terry, and Yusef Lateef-have received the National Endowment for the Arts' prestigious Jazz Masters Fellowship, attesting to their importance and ability. While not official masters, the rest are veteran performers willing to share their experiences and knowledge. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. The musicians interviewed for the book range in age from their early seventies to mid-nineties. Older musicians started their careers during the segregation of the Jim Crow era, while the youngest came up during the struggle for civil rights. All grapple with issues of race, performance, and jazz's rich legacies. In addition to performing, touring, and recording, many have composed and arranged, and others have contributed as teachers, historians, studio musicians, session players, producers, musicians' advocates, authors, columnists, poets, and artists. The interviews in The Jazz Masters are invaluable primary material for scholars and will appeal to musicians inspired by these veterans' stories and their different approaches to music
    Note: Before words -- , A requiem for Cedar -- , Blowin' in from Chicago : Clifford Jordan, Charles Davis, and Bob Cranshaw -- , The big kahunas : Sonny Rollins and Clark Terry -- , Old school : Sandy Stewart, Dick Hyman, and Bucky Pizzarelli -- , On the scene : Bobby Porcelli and Valery Ponomarev -- , The philosophers : David Amram and Ran Blake , Local 802 : Jimmy Owens and Bill Crow -- , Shells and whistles : Brad Terry and Steve Turre -- , The mutual appreciation society : Mickey Tucker and Carol Sudhalter -- , Something more : Steve Kuhn and Buster Williams -- , The gentle giant : Yusef Lateef -- , RIP, 2012-2020
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  • 16
    ISBN: 9780231191234
    Language: English
    Pages: viii, 149 Seiten , Illustrationen , 22 cm
    Series Statement: Short cuts : introductions to film studies
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; USA ; Musical films / United States / History and criticism ; Popular music / Social aspects / United States / History ; Motion pictures and music ; Musical films ; Popular music / Social aspects ; United States ; Criticism, interpretation, etc ; History
    Note: Bibliography Seite 137-142
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  • 17
    ISBN: 9780802127129 , 0802127126 , 9780802159854 , 0802159850
    Language: English
    Pages: xviii, 364 Seiten, 16 ungezählte Seiten , Illustrationen , 24 cm
    Edition: First edition
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    Keywords: Jones, Rickie Lee ; Jones, Rickie Lee ; Jones, Rickie Lee ; Women rock musicians Biography ; Women singers Biography ; Rock musicians Biography ; Singers Biography ; Musiciennes rock Biographies ; Chanteuses Biographies ; Musiciens rock Biographies ; Chanteurs Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; MUSIC / Genres & Styles / Jazz ; Rock musicians ; Singers ; Women rock musicians ; Women singers ; United States ; Biografie ; collective biographies ; Autobiographies ; Biographies
    Abstract: "A tender and intimate memoir by one of the most remarkable, trailblazing, and tenacious women in music, the two-time Grammy Award-winning "premiere song-stylist and songwriter of her generation" (New Yorker), Rickie Lee Jones. Have you met Ms. Jones? One weekend night on primetime television, a then-unknown singer and vital part of the burgeoning Los Angeles jazz pop scene skyrocketed to fame overnight after a now- iconic performance on Saturday Night Live. The year was 1979, the song "Chuck E's in Love," and the singer, donning her trademark red beret, was the soon-to-be-pronounced "Duchess of Coolsville" (Time), Rickie Lee Jones. Last Chance Texaco is the first-ever no-holds-barred account of the life of one of rock's hardest working women, in her own words. With candor and lyricism Rickie Lee Jones takes us on the journey of her exceptional life: from her nomadic childhood as the granddaughter of vaudevillian performers, to her father's abandonment of the family and her years as a teenage runaway, her beginnings at LA's Troubadour club, to her tumultuous relationship with Tom Waits, her battle with drugs, and longevity as a woman in rock and roll. These are never-before-told stories of the girl in "the raspberry beret," a songwriter who has inspired American culture for decades
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Includes discography (pages 361-364)
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  • 18
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057549 , 9780253057532
    Language: English
    Pages: xi, 309 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikwirtschaft ; Kultur ; Politik ; Musik ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
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  • 19
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
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    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 20
    ISBN: 9781469660783 , 9781469660776
    Language: English
    Pages: xi, 222 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Fahey, John ; Fahey, John / 1939-2001 / Criticism and interpretation ; Guitarists / United States ; Musicologists / United States ; Music / Social aspects / United States ; Music / Political aspects / United States ; Fahey, John / 1939-2001 ; Guitarists ; Music / Political aspects ; Music / Social aspects ; Musicologists ; United States ; Criticism, interpretation, etc ; Fahey, John 1939-2001
    Abstract: "For over sixty years, American guitarist John Fahey (1939-2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with African American blues, including his own. In this book, George Henderson mines Fahey's parallel careers as essayist, notorious liner note stylist, musicologist, and fabulist for the first time. These vocations, inspired originally by Cold War educators' injunction to creatively express rather than suppress feelings, took utterly idiosyncratic and prescient turns"--
    Description / Table of Contents: Manufacturing discontent -- The puberty of political economy, or communism -- The politics of the songster -- The great liner note breakdown -- Performance as war -- Some music. Some dancing. Some unusual intermingling
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  • 21
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 22
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 23
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 24
    Book
    Book
    Cambridge, United Kingdom ; New York, NY, USA : Cambridge University Press
    ISBN: 9781108409520
    Language: English
    Pages: xx, 351 Seiten , Illustrationen
    Edition: First paperback edition
    Series Statement: Composers in context
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: The Beatles ; Rezeption ; Kultur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; The Beatles ; Rezeption ; Kultur
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Klappentext  (lizenzpflichtig)
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  • 25
    Book
    Book
    [Los Angeles] : Michael Stradford
    ISBN: 9781647865573 , 1647865573
    Language: English
    Pages: xii, 200 Seiten , Illustrationen , 23 cm
    Edition: First edition
    RVK:
    Keywords: Davis, Miles ; Davis, Miles Clothing ; Davis, Miles ; Jazz musicians Biography ; Clothing and dress ; Jazz musicians ; Biographies ; Biographies ; United States ; Davis, Miles 1926-1991
    Abstract: "...examines the fashion of Miles Davis, one of the best dressed men of the 20th century (GQ & Esquire) through biography, photos and exclusive interviews with friends, bandmates, designers, photographers ex-wives and fashionistas like Quincy Jones, Lenny Kravitz, Bryan Ferry, Ron Carter and many more."--
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  • 26
    Book
    Book
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    ISBN: 9780062914705
    Language: English
    Pages: 256 Seiten
    RVK:
    Keywords: Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Abstract: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Description / Table of Contents: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
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  • 27
    Book
    Book
    Amherst ; Boston : University of Massachusetts Press
    ISBN: 9781625345301 , 9781625345295
    Language: English
    Pages: xii, 220 Seiten
    Series Statement: American popular music
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Gellert, Lawrence ; Geschichte ; Protestbewegung ; Folk music ; Afroamerikanische Musik ; African Americans / Music / History and criticism ; Folk music / United States / History and criticism ; Protest songs / United States / History and criticism ; Gellert, Lawrence / 1898-1979 ; Music / Historiography ; African Americans / Historiography ; Music / Political aspects / United States / History / 20th century ; Gellert, Lawrence / 1898-1979 ; African Americans / Historiography ; African Americans / Music ; Folk music ; Music / Historiography ; Music / Political aspects ; Protest songs ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Gellert, Lawrence 1898-1979 ; Afroamerikanische Musik ; Folk music ; Protestbewegung ; Geschichte
    Abstract: "Lawrence Gellert has long been a mysterious figure in American folk and blues studies, gaining prominence in the left-wing folk revival of the 1930s for his fieldwork in the U.S. South. A "lean, straggly-haired New Yorker," as Time magazine called him, Gellert was an independent music collector, without formal training, credentials, or affiliation. At a time of institutionalized suppression, he worked to introduce white audiences to a tradition of black musical protest that had been denied and overlooked by prior white collectors. By the folk and blues revival of the 1960s, however, when his work would again seem apt in the context of the civil rights movement, Gellert and his collection of Negro Songs of Protest were a conspicuous absence. A few leading figures in the revival defamed Gellert as a fraud, dismissing his archive of black vernacular protest as a fabrication-an example of left-wing propaganda and white interference. A Sound History is the story of an individual life, an excavation of African American musical resistance and dominant white historiography, and a cultural history of radical possibility and reversal in the defining middle decades of the U.S. twentieth century"--
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  • 28
    Language: English
    Pages: x, 234 Seiten , Illustrationen
    Dissertation note: Dissertation Universität Bayreuth 2020
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    Keywords: Kultur ; Hip-Hop ; Aufführung ; Daressalam ; Hochschulschrift ; Hochschulschrift ; Daressalam ; Hip-Hop ; Aufführung ; Kultur
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  • 29
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910037 , 9781517910044
    Language: English
    Pages: 192 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-2020 ; Afroamerikanische Musik ; Kulturkontakt ; Musik ; USA ; Südasien ; African Americans / Music / History and criticism ; Popular music / United States / South Asian influences ; Popular music / United States / History and criticism ; African Americans / Music ; Popular music ; United States ; Criticism, interpretation, etc ; USA ; Afroamerikanische Musik ; Südasien ; Musik ; Kulturkontakt ; Geschichte 1960-2020
    Abstract: "A sixty-year history of Afro-South Asian musical collaborations"--
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 30
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496831224 , 9781496831217
    Language: English
    Pages: x, 351 Seiten , Illustrationen, Porträt
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; USA ; Punk rock music / United States / History and criticism ; Music and race / United States / History / 20th century ; Music and race ; Punk rock music ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History
    Note: Literaturverzeichnis Seite 305-321
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  • 31
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108419116
    Language: English
    Pages: xx, 351 Seiten , Illustrationen
    Series Statement: Composers in context
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: The Beatles ; Rezeption ; Kultur ; Beatles ; Beatles / Influence ; Popular music / 1961-1970 / History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; The Beatles ; Rezeption ; Kultur
    Abstract: Since their first performances in 1960, The Beatles' cultural influence grew in unparalleled ways. From Liverpool to Beatlemania, and from dance halls to Abbey Road Studios and the digital age, the band's impact exploded during their heyday, and has endured in the decades following their disbandment. Beatles fashion and celebrity culture, politics, psychedelia and the Summer of Love, all highlight different aspects of the band's complex relationship with the world around them. With a wide range of short, snapshot chapters, The Beatles in Context brings together key themes in which to better explore The Beatles' lives and work and understand their cultural legacy, focusing on the people and places central to The Beatles' careers, the visual media that contributed to their enduring success, and the culture and politics of their time
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  • 32
    Book
    Book
    [Erscheinungsort nicht ermittelbar] : Jazz Internationale
    ISBN: 9781527278059 , 1527278050
    Language: English
    Pages: xxv, 345 Seiten , Illustrationen , 25 cm
    Edition: [Revised edition]
    RVK:
    Keywords: Russell, George ; Russell, George, - 1923-2009 ; Jazz musicians Biography. ; Composers Biography. ; Jazzmusiker ; Composers ; Jazz musicians ; Biographies ; United States ; Biografie
    Note: Previous edition: ©2010 , Includes bibliographical references and index
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 33
    ISBN: 9781483317755
    Language: English
    DDC: 306.484203
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    Keywords: Music Encyclopedias Social aspects ; Enzyklopädie ; Musik ; Kultur ; Musikethnologie
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  • 34
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476674698
    Language: English
    Pages: viii, 169 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42165092
    RVK:
    Keywords: Holiday, Billie ; Holiday, Billie / 1915-1959 ; Holiday, Billie / 1915-1959 / Influence ; Holiday, Billie / 1915-1959 / Criticism and interpretation ; Civil rights movements / United States / History / 20th century ; Civil rights movements / United States / History / 21st century ; African American women jazz singers / Biography ; Women jazz singers / Biography ; Jazz singers / United States / Biography ; Holiday, Billie / 1915-1959 ; African American women jazz singers ; Civil rights movements ; Influence (Literary, artistic, etc.) ; Jazz singers ; Women jazz singers ; United States ; 1900-2099 ; Biography ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Holiday, Billie 1915-1959
    Abstract: ""Eleanora "Lady Day" Fagan, better known as Billie Holiday, played a primary role in the development of American jazz culture and in African American history. Devoted to the enduring jazz icon, covering many aspects of her career, image and legacy, these essays range from musical and vocal analyses, to critical assessments of film depictions of the singer, to analysis of the social movements and protests addressed by her signature songs, including her impact on contemporary movements such as #BlackLivesMatter. More than a century after her birth, Billie Holiday's abiding relevance and impact is a testament to the power of musical protest. This collection pays tribute to her creativity, bravery and lasting legacy."--
    Description / Table of Contents: Introduction / Jessica McKee and Michael V. Perez -- In stereotragic hi-fidelity : performing Billie Holiday / Michael V. Perez -- Billie reverberates her blues : advertising Love for sale that costs More than you know / Tammie Jenkins -- Lady sings the blues? : tragedy, autobiography and reassessment / Anna Maria Barry -- Merging artists : the legacy of Motown's Lady sings the blues / Claudius Stemmler -- "Owning" Billie Holiday in several representative jazz poems / William Levine -- Brigitte loves Billie : channeling Holiday in Domino (1988) / Fernando Gabriel Pagnoni Berns -- Seeing is believing? : reading Billie Holiday through photography / Matthew Duffus -- Shouting back : cohering Lady Day through Kevin Young's jazz poem anthology / Taylor Joy Mitchell -- Reevaluating Lady sings the blues and What's love got to do with it : ambivalent representations of black female artistry / Jesse Schlotterbeck -- Easy to love : representations of Billie Holiday in contemporary American poetry / Tara Betts -- The fruit is on the ground : the impact of "Strange fruit" on Black Lives Matter / Devona Mallory
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  • 35
    ISBN: 1138062405 , 9781138062405 , 0367888998 , 9780367888992
    Language: English
    Pages: XXII, 255 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    Series Statement: SOAS musicology series
    Series Statement: An Ashgate book
    DDC: 780.9174943
    RVK:
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    Keywords: Geschichte 1900- ; Musik ; Kultur ; Türkei ; Kaukasus ; Zentralasien
    Note: References Seite [231] - 250
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  • 36
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    ISBN: 978-1-138-06240-5
    Language: English
    Pages: xxii, 255 Seiten : , Illustrationen, Notenbeispiele.
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als
    DDC: 780.917/4943
    RVK:
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    Keywords: Geschichte 1900- ; Turkic peoples Music ; History and criticism ; Music ; Music ; Music Turkish influences ; Musik. ; Kultur. ; Türkei. ; Kaukasus. ; Zentralasien. ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Kultur ; Geschichte 1900-
    Note: Includes bibliographical references and index
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  • 37
    ISBN: 9780830851812 , 083085181X
    Language: English
    Pages: xv, 286 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Hodge, Daniel White, 1974- Homeland insecurity
    RVK:
    Keywords: Christianity and culture ; Hip-hop Religious aspects ; Christianity ; African Americans Religion ; Missions ; Hip-hop Aspect religieux ; Christianisme ; Noirs américains Religion ; Hip-hop Religious aspects ; Christianity ; African Americans Religion ; Christianity and culture ; Missions ; United States
    Abstract: "Homeland Insecurity is Hodge's finest book to date, a must-read for anyone - especially white Christians of any political persiasion - who find themselves working in and with black and brown communities." -- Back cover
    Abstract: North American domestic missions are now situated in a complex landscape of changing faith, ethnic diversity, and racial unrest. But most missiological approaches continue under colonialist assumptions and lack the cultural competency to navigate new realities. Missiologist Daniel White Hodge explores the contours of post-civil rights contexts and focuses on Hip Hop theology as a framework for radical engagement of emerging adult populations. He critiques the impaired missiology of imperialist and white supremacist approaches to modern urban and short-term missions. With keen cultural exegesis of the wild, he explores the contours of a more contextualized Hip Hop Jesus. Reexamining the importance of race and ethnicity in mission, Hodge offers theological space for protest and social disruption and suggests conceptual models for domestic missions within a growing multiethnic demographic. Grounded in Hip Hop studies and youth ministry, Hodge constructs a hybridity of lived missiology where dissent and disruption open new possibilities for Christian faith in the twenty-first century. -- ‡c From publisher's description
    Note: Bibliographie: Seite 269-286
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  • 38
    ISBN: 1538137666 , 9781538137666
    Language: English
    Pages: xi, 218 Seiten , Illustrationen , 23 cm
    DDC: 781.49092
    RVK:
    Keywords: Schmitt, Al ; Sound recording executives and producers Biography ; Sound recording executives and producers ; Autobiographies ; Biographies ; Autobiographies ; Autobiographies ; United States ; Autobiography
    Note: Includes bibliographical references (pages 205-210) and index
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  • 39
    ISBN: 9781107184800 , 9781316636145
    Language: English
    Pages: xviii, 305 Seiten , Illustrationen , 26 cm
    Series Statement: New perspectives in music history and criticism
    DDC: 941.081092
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    Keywords: Drew, Mary Gladstone ; Gladstone, W. E Family ; Drew, Mary Gladstone 1847-1927 ; Socialites Biography ; Musicians Biography ; Women Political activity 19th century ; History ; Salons History 19th century ; Music History and criticism 19th century ; Private secretaries Biography ; Music Political aspects ; History ; 19th century ; Great Britain ; Liberalism History ; 19th century ; Great Britain ; Salons History ; 19th century ; England ; London ; Great Britain Intellectual life ; 19th century ; Great Britain Politics and government ; 1837-1901 ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Musikleben ; Geistesleben ; Geschichte ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Kultur ; Politik ; Musik ; Geschichte ; Royal College of Music ; Geschichte
    Abstract: "The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--
    Abstract: Machine generated contents note: Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '... there ought to be some melody in poetry': Tennyson's salon readings; 7. '... musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion
    Note: Literaturverzeichnis: Seite 273-294 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 40
    Book
    Book
    Lanham : Rowman & Littlefield
    ISBN: 9780810895041
    Language: English
    Pages: XXXII, 171 Seiten , 24 cm
    DDC: 781.6609410973
    RVK:
    RVK:
    Keywords: Geschichte 1960-1970 ; Rock music / United States / 1961-1970 / History and criticism ; Rock music / Great Britain / 1961-1970 / History and criticism ; Rock music ; Rezeption ; Popmusik ; Great Britain ; United States ; Großbritannien ; USA ; USA ; Großbritannien ; Großbritannien ; Popmusik ; Rezeption ; USA ; Geschichte 1960-1970
    Note: Includes bibliographical references and index. - First published in hardback 2015
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  • 41
    ISBN: 022644869X , 9780226448558 , 9780226448695
    Language: English
    Pages: xii, 179 Seiten , 23 cm
    Parallel Title: Erscheint auch als Gebhardt, Nicholas Vaudeville melodies
    DDC: 792.70973
    RVK:
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    Keywords: Vaudeville ; Revues ; Music-halls (Variety-theaters, cabarets, etc.) ; Popular music ; Music-halls (Variety-theaters, cabarets, etc.) ; Popular music ; Revues ; Vaudeville ; United States ; USA ; Vaudeville ; Varieté ; Kleinkunst ; Geschichte 1870-1929 ; USA ; Vaudeville ; Varieté ; Kleinkunst ; Geschichte 1870-1929
    Abstract: That's entertainment -- There's no business like show business -- Rites of passage -- Elementary structures -- Show me the money -- On with the show -- In search of an audience -- Vaudeville melodies -- Nothing succeeds like success -- Applause
    Note: Mit Bibliographie (Seiten 163-172) und Register
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  • 42
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    Book
    London : Routledge
    ISBN: 9781409423768 , 140942376X
    Language: English
    Pages: 179 Seiten , Illustrationen , 24 cm
    Series Statement: An Ashgate book
    Series Statement: Ashgate popular and folk music series
    DDC: 781.66
    RVK:
    Keywords: Grunge music ; Social aspects ; United States
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  • 43
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    Book
    London : Simon & Schuster
    ISBN: 9781471157790
    Language: English
    Pages: 510 Seiten , Illustrationen
    Edition: First published
    RVK:
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    Keywords: Springsteen, Bruce ; Rock musicians Biography ; United States
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  • 44
    Book
    Book
    Boston, MA : Da Capo Press
    ISBN: 9780306817991
    Language: English
    Pages: xiv, 658 Seiten
    Edition: First Da Capo Press edition
    DDC: 782.42/13
    RVK:
    Keywords: Composers Interviews ; Lyricists Interviews ; Popular music History and criticism ; AVS ; MUS038000 ; Individual composers & musicians, specific bands & groups ; United States ; Popular music ; Interviews ; Popular music - United States - History and criticism ; Composers ; Composers - United States ; Lyricists - United States ; Lyricists ; Criticism, interpretation, etc ; Songwriting ; Geschichte
    Abstract: Marjorie Guthrie. On Woody Guthrie -- Jerry Leiber and Mike Stoller. A bridge built on the blues -- Richard Sherman. Writing songs for Disney -- Jeff Barry. River deep mountain high -- Paul Anka. From "Diana" to "My way" -- Kenny Gamble. Inventing the Philly sound -- Norman Whitfield. Through the grapevine -- Loretta Lynn. Songs from Butcher Holler -- Sheldon Harnick. Of Fiddlers on the roof -- Peter, Paul and Mary. The power of song -- Herbie Hancock. On a journey of jazz -- John Stewart. Daydream believing -- John Sebastian. A Loving Spoonful -- Gene Clark. Still the Byrds -- Stephen Stills. The one you're with -- Paul Simon. Love and hard times -- Ringo Starr. The Beatles and beyond -- Brian Wilson. Beyond the Beach Boys -- Kris Kristofferson. Another word for freedom -- Bernie Taupin. Writing with Elton -- Paul Williams. Only just begun -- Maurice White. Inside Earth, Wind & Fire -- Bryan Ferry. Of Roxy Music -- Elvis Costello. A man out of time -- Joe Jackson. Night and day -- Rickie Lee Jones. Flying with the cowboys -- Daryl Hall. Of Sacred songs -- Patti Smith. Still Dancing barefoot -- Chrissie Hynde. On the chain gang -- John Prine. Mailman of miracles -- Michael Smith. Tulips beneath the snow -- Dave Stewart. Eurythmics and beyond -- Joan Armatrading. Walking under ladders -- Chris Difford and Glenn Tilbrook. Being Squeeze -- Aimee Mann. On memory lane -- James Taylor. The secret o' songwriting -- Randy Newman. The world isn't fair -- Alice Cooper. Inventing Alice -- Donald Fagen. Being Steely Dan -- Jorge Calderon. On writing with Zevon -- Don McLean. American pie and beyond -- Richard Thompson. Inside the beeswing -- Rob Zombie. Doing the impossible -- Jo Henry. With Blood from stars -- Sia. On a Chandelier -- Matisyahu. Darkness into light
    Note: Includes bibliographical references and index
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  • 45
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    Book
    Santa Barbara, California : Greenwood
    ISBN: 9781440834684
    Language: English
    Pages: xviii, 333 Seiten , Illustrationen , 26 cm
    Parallel Title: Online version Perone, James E. Smash hits.
    DDC: 782.421640973
    RVK:
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    Keywords: Geschichte 1750-2016 ; Volkslied ; Popsong ; Rezeption ; Kultur ; USA
    Note: Literaturverzeichnis: Seite [307]-316
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  • 46
    Book
    Book
    London : Hurst & Company
    ISBN: 9781849043694 , 9781849044554
    Language: English
    Pages: xxii, 273 Seiten , Karten
    RVK:
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    Keywords: Mineralischer Rohstoff ; Kultur ; Guinea ; Guinea ; Mineralischer Rohstoff ; Kultur
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  • 47
    Book
    Book
    Austin : University of Texas Press
    ISBN: 9780292759435
    Language: English
    Pages: viii, 198 Seiten , Illustrationen, Porträts , 23 cm
    Edition: First edition
    Series Statement: American music series
    DDC: 782.421643092
    RVK:
    Keywords: Blige, Mary J. ; Blige, Mary J. ; Blige, Mary J. ; African American women singers / United States / Biography ; Soul musicians / United States / Biography ; Sound recording executives and producers / United States / Biography ; Rap musicians / United States / Biography ; Rhythm and blues musicians / United States / Biography ; Gospel musicians / United States / Biography ; African American actresses / United States / Biography ; African American actresses ; African American women singers ; Gospel musicians ; Rap musicians ; Rhythm and blues musicians ; Soul musicians ; Sound recording executives and producers ; United States ; USA ; Biografie ; Biografie ; Biografie ; Blige, Mary J. 1971-
    Abstract: Mary J. Blige is an icon who represents the political consciousness of hip hop and the historical promise of soul. She is an everywoman, celebrated by Oprah Winfrey and beloved by pop music fans of all ages and races. Blige has sold over fifty million albums, won numerous Grammys, and even played at multiple White House events, as well as the 2013 Nobel Peace Prize ceremony. Displaying astonishing range and versatility, she has recorded everything from Broadway standards to Led Zeppelin anthems and worked with some of popular music's greatest artists-Aretha Franklin, Eric Clapton, Elton John, Whitney Houston, Sting, U2, and Beyonce, among them. Real Love, No Drama: The Music of Mary J. Blige tells the story of one of the most important artists in pop music history. Danny Alexander follows the whole arc of Blige's career, from her first album, which heralded the birth of "hip hop soul," to her critically praised 2014 album, The London Sessions. He highlights the fact that Blige was part of the historically unprecedented movement of black women onto pop radio and explores how she and other women took control of their careers and used their music to give voice to women's (and men's) everyday struggles and dreams. This book adds immensely to the story of both black women artists and artists rooted in hip hop and pays tribute to a musician who, by expanding her reach and asking tough questions about how music can and should evolve, has proven herself an artistic visionary. - Beginning his career about the same time Mary J. Blige signed her first record deal, music journalist Danny Alexander has worked as an associate editor for Dave Marsh's music newsletter Rock & Rap Confidential and covered rock, hip hop, and soul for various publications. He is the author of "Liner Notes: Soul Asylum". He lives in Overland Park, Kansas
    Description / Table of Contents: 〈〈The〉〉 artist of a generation -- The slow bomb -- Ladies, ladies, it is our turn -- Uptown -- What's the 411? -- Changes I've been going through -- Hip hop a go-go -- My life -- Natural woman -- Share my world -- On the road with MJB : Alyson Williams -- The tour -- Sisters in the studio : Channette and Channoah Higgens -- Mary, the album -- No more drama -- Love & life -- Live from Los Angeles -- Message in our music -- The breakthrough -- Growing pains -- Stronger with each tear -- Hard times come again no more -- My life II : the journey continues (act 1) -- A Mary Christmas -- Think like a man too -- The London sessions -- Being with you
    Note: Includes bibliographical references and discography
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  • 48
    Book
    Book
    London : Palgrave Macmillan
    ISBN: 9781137497796 , 9781137497802
    Language: English
    Pages: XI, 228 Seiten
    Series Statement: Palgrave studies in the history of subcultures and popular music
    RVK:
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    Keywords: Musik ; Postpunk ; Politik ; Kultur ; Großbritannien ; Großbritannien ; Postpunk ; Politik ; Großbritannien ; Kultur ; Musik ; Postpunk
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  • 49
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496805805
    Language: English
    Pages: viii, 272 Seiten
    Edition: First printing
    Series Statement: American made music series
    Parallel Title: Online version Wise, Timothy E., author Yodeling and meaning in American music
    DDC: 782.00973
    RVK:
    Keywords: Popular music History and criticism ; United States ; Yodeling ; Country music History and criticism ; Mountain people in popular culture ; Cowboys in popular culture ; Humor in music ; Country music ; Cowboys in popular culture ; Humor in music ; Mountain people in popular culture ; Popular music ; Yodeling United States ; USA ; Jodeln ; Geschichte
    Abstract: Timothy E. Wise presents the first book to focus specifically on the musical content of yodeling in our culture. He shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyzes this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond. Wise posits the reasons for yodeling's changing status in our music. How and why was yodeling introduced into professional music making in the first place? What purposes has it served in musical texts? Why was it expunged from classical music? Why did it attach to some popular music genres and not others? Why does yodeling now appear principally at the margins of mainstream tastes?
    Note: Includes bibliographical references (pages 233-245) and index , 1.Classifying Yodeled Effects in Popular Music Yodel Species , 2.Yodel Sign and Yodel Idea in Nineteenth-Century Art Music , 3.Yodeling in Nineteenth-Century Vocal Music , 4.Americanizing the Yodel , 5.Jimmie Rodgers and the Hillbilly Yodel , 6.Cowboys and Yodeling , 7.The Vicissitudes of a Musical Sign How the Yodel Became a Joke
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  • 50
    ISBN: 9781138278240
    Language: English
    Pages: 222 Seiten
    Edition: First issued in paperback
    Series Statement: Ashgate popular and folk music series
    Series Statement: An Ashgate book
    DDC: 781.621009045
    RVK:
    Keywords: Folk songs, English History and criticism ; United States ; Folk songs, English History and criticism ; Canada ; Folk songs, English History and criticism ; United States ; Folk songs, English History and criticism ; Canada ; USA ; Kanada ; Folk music ; Revival ; Geschichte 1945-1980
    Abstract: Defining the people's songs : national identity and the origins of the North American folk revival to 1958 -- Visions of diversity : cultural pluralism and the great boom of the folk revival, 1958-1965 -- Folk music and community in the village : Greenwich Village and Yorkville in the sixties -- The post-revival folk : Canadian dreams and American nightmares in the late 1960s and 1970s -- Folk since the seventies : diversity and insularity
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Literaturverzeichnis: Seite 187-207. - Diskografie: Seite 209-210
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  • 51
    ISBN: 9780822359869 , 9780822360124 , 9780822374947
    Language: English
    Pages: XI, 418 Seiten , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als Audible empire
    Parallel Title: Erscheint auch als Audible empire
    DDC: 780.9
    RVK:
    RVK:
    Keywords: World music Social aspects ; History ; Imperialism Social aspects ; History ; World music Political aspects ; History ; Musik ; Tanz ; Potenzial ; Akkulturation ; Kulturübertragung ; Instrument ; Kultur ; Überlegenheit ; Abhängigkeit ; Politische Bewegung ; Soziale Bewegung ; Protestbewegung ; Auswärtige Kulturpolitik ; Kulturindustrie ; Beispiel ; Erde ; Aufsatzsammlung ; USA ; Musik ; Auswärtige Kulturpolitik ; Imperialismus ; Antikolonialismus ; USA ; Globalisierung ; Musik ; Auswärtige Kulturpolitik ; Imperialismus ; Antikolonialismus ; Musikmarkt ; Sozialgeschichte
    Abstract: Decolonizing the ear : the transcolonial reverberations of vernacular phonograph music / Michael Denning -- Smoking hot : cigarettes, jazz, and the production of global imaginaries in interwar Shanghai / Nan Enstad -- Circuit listening : Grace Chang and the dawn of the Chinese 1960s / Andrew F. Jones -- The Aesthetics of Allá : listening like a sonidero / Josh Kun -- Sound legacy : Elsie Houston / Micol Seigel -- Imperial aurality : jazz, the archive, and U.S. empire / Jairo Moreno -- Where they came from : reracializing music in the empire of silence / Philip V. Bohlman -- Di eagle and di bear : who gets to tell the story of the Cold War? / Penny Von Eschen -- Currents of revolutionary confluence : a view from Cuba's hip hop festival / Marc Perry -- Tango as intangible cultural heritage : development, diversity, and the values of music in Buenos Aires / Morgan James Luker -- Musical economies of the elusive metropolis / Gavin Steingo -- The sound of anticolonialism / Brent Hayes Edwards -- Rap, race, revolution : post-9/11 Brown and a hip hop critique of empire / Nitasha Sharma -- Echo and anthem : representing sound, music, and difference in two colonial modern novels / Amanda Weidman -- Tonality as a colonizing force in Africa / Kofi Agawu
    Description / Table of Contents: Decolonizing the ear : the transcolonial reverberations of vernacular phonograph music / Michael DenningSmoking hot : cigarettes, jazz, and the production of global imaginaries in interwar Shanghai / Nan Enstad -- Circuit listening : Grace Chang and the dawn of the Chinese 1960s / Andrew F. Jones -- The Aesthetics of Allá : listening like a sonidero / Josh Kun -- Sound legacy : Elsie Houston / Micol Seigel -- Imperial aurality : jazz, the archive, and U.S. empire / Jairo Moreno -- Where they came from : reracializing music in the empire of silence / Philip V. Bohlman -- Di eagle and di bear : who gets to tell the story of the Cold War? / Penny Von Eschen -- Currents of revolutionary confluence : a view from Cuba's hip hop festival / Marc Perry -- Tango as intangible cultural heritage : development, diversity, and the values of music in Buenos Aires / Morgan James Luker -- Musical economies of the elusive metropolis / Gavin Steingo -- The sound of anticolonialism / Brent Hayes Edwards -- Rap, race, revolution : post-9/11 Brown and a hip hop critique of empire / Nitasha Sharma -- Echo and anthem : representing sound, music, and difference in two colonial modern novels / Amanda Weidman -- Tonality as a colonizing force in Africa / Kofi Agawu.
    Note: Includes discography (Seite 357-359), bibliography (Seite 361-390) and index
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  • 52
    ISBN: 978-0-87140-873-0
    Language: English
    Pages: XXIX, 365 S., [4] Bl. , Ill.
    Edition: 1. ed.
    RVK:
    Keywords: Redding, Otis / 1941-1967 ; Redding, Otis / 1941-1967 ; Soul musicians / United States / Biography ; Soul music / History and criticism ; Soul music ; Soul musicians ; United States ; USA ; Biografie
    Abstract: "A soul icon and the southern music he helped popularize come to life in this moving requiem,"--Amazon.com
    Note: Includes bibliographical references (pages 315-337) and index , Introduction : The Big O -- Prologue : "It was music" -- Son of a preacher man -- Heebie jeebies -- Rockin' Redding -- "It's something called soul" -- "A lousy singer" -- "Wait, we got time for another kid" -- Chops like a wolf -- Turning the knife -- The King of Soul -- Just one more day -- Crossing over -- The whole damn body -- Making the white feel black -- "The only son-of-a-gun this side of the sun" -- London calling -- Peace, love, and Otis Redding -- Hard to handle -- "So I guess I'll remain the same" -- Amen -- Epilogue : "Wouldn't that have been somethin'?"
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  • 53
    ISBN: 9780859654401 , 0859654400
    Language: English
    Pages: 299 Seiten , Illustrationen , 23 cm
    Edition: Revised and updated
    DDC: 782.42166092
    RVK:
    Keywords: Morrison, Jim Interviews ; Morrison, Jim - 1943-1971 ; Doors (Musical group) ; Doors (Musical group) ; Rock musicians Biography ; Rock musicians Death ; Musiciens rock - États-Unis - Biographies ; Musiciens rock - États-Unis - Mort ; Rock musicians ; Rock musicians - Death ; Biographies ; Interviews ; United States
    Description / Table of Contents: The biography. The child ; The scholar ; The poet ; The rock star ; The drunk ; The exile ; Weird scenes ; Inside goldmine -- The Interviews. Los Angeles Free Press, John Carpenter, Summer 1968 ; WNET-TV Critique, Richard Goldstein, Spring 1969 ; Rolling Stone, Jerry Hopkins, Spring 1969 ; Zigzag, John Tobler, Autumn 1970 ; Circus, Salli Stevenson, Winter 1970 ; Los Angeles Free Press, Bob Chorush, Spring 1971 ; Rolling Stone, Ben Fong-Torres, Spring 1971 ; Creem, Lizze James, Autumn 1969 ; The Village Voice, Howard Smith, Winter 1970 -- Last words.
    Note: Previous edition: 2010, 2006
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  • 54
    ISBN: 9780199354016
    Language: English
    Pages: 271 Seiten , Illustrationen
    DDC: 791.08996073
    RVK:
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    Keywords: Geschichte 1920-1945 ; Schwarze ; Darstellende Kunst ; Afroamerikanische Musik ; Harlem renaissance ; Rezeption ; Kultur ; Moderne ; USA
    Note: Bibliography Seite 259-268
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  • 55
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    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9780786474462
    Language: English
    Pages: X, 234 Seiten , Illustrationen , 26 cm
    RVK:
    Keywords: Rhythm and blues musicians / United States / Biography ; Rockabilly musicians / United States / Biography ; Country musicians / United States / Biography ; Rock musicians / United States / Biography ; Musicians / United States / Interviews ; Country musicians ; Musicians ; Rhythm and blues musicians ; Rock musicians ; Rockabilly musicians ; United States ; USA ; Biografie ; Biografie
    Abstract: "Disc jockey Alan Freed coined the term "rock and roll" in the 1950s. Rock and roll's originators and revivalists continue to entertain crowds at roots music festivals worldwide. This book presents stories about performers' lives on the road and in the studio, along with the stories behind popular songs. Informative biographical profiles are provided"--
    Description / Table of Contents: Includes bibliographical references and index
    Description / Table of Contents: Rhythm and blues and Doo-wop legends -- Rockabilly pioneers -- Sun stars -- Country hit makers -- Pop sensations -- Roots revivalists -- International rockabilly performers
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  • 56
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    Book
    Kampala : Fountain Publishers
    ISBN: 978-9970-25-245-9
    Language: English
    Pages: xxvi, 365 Seiten
    RVK:
    Keywords: Afrika Musik ; Geographie ; Kultur ; Identität ; Kunst ; Geschichte ; Kritik ; Sozialer Aspekt ; Konferenzschrift 2011 ; Konferenzschrift 2011 ; Konferenzschrift 2011
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  • 57
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    Book
    New York : Bloomsbury Academic
    ISBN: 162892943X , 9781628929430
    Language: English
    Pages: xvii, 129 Seiten , 17 cm
    Series Statement: 33 1/3 110
    Series Statement: 33 1/3
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Davis, Miles / Bitches brew ; Davis, Miles / Criticism and interpretation ; Davis, Miles ; Bitches brew (Davis, Miles) ; Jazz musicians / United States / Biography ; Jazz / History and criticism ; Jazz ; Jazz musicians ; United States ; USA ; Biografie
    Abstract: It was 1969, and Miles Davis, prince of cool, was on the edge of being left behind by a dynamic generation of young musicians, an important handful of whom had been in his band. Rock music was flying off in every direction, just as America itself seemed about to split at its seams. Following the circumscribed grooves and ambiance of In A Silent Way; coming off a tour with a burning new quintet-called 'The Lost Band'-with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette; he went into the studio with musicians like frighteningly talented guitarist John McLaughlin, and soulful Austrian keyboardist Joe Zawinul. Working with his essential producer, Teo Macero, Miles set a cauldron of ideas loose while the tapes rolled. At the end, there was the newly minted Prince of Darkness, a completely new way forward for jazz and rock, and the endless brilliance and depth of Bitches Brew. --Publisher's description
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 58
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 0520283988 , 0520283996 , 9780520283985 , 9780520283992
    Language: English
    Pages: xi, 205 Seiten , Illustrationen , 23 cm
    Edition: First edition
    DDC: 782.421649
    RVK:
    Keywords: Rap (Music) Social aspects ; Music and race ; Race awareness ; Racism in popular culture ; Rap (Music) Social aspects ; United States ; Music and race ; Race awareness United States ; Racism in popular culture United States ; USA ; Rap ; Hip-Hop ; Ethnische Identität
    Abstract: "As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. Sounding Race in Rap Songs argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. The book traces the changing sounds of race across some of the best-known rap songs of the past thirty-five years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats. Each chapter explores the process behind the production of hit songs by musicians including Grandmaster Flash and the Furious Five, The Sugarhill Gang, Run-D.M.C., Public Enemy, N.W.A., Dr. Dre, and Eminem. This series of case studies highlights stylistic differences in sound, lyrics, and imagery, with musical examples and illustrations that help answer the core question: can we hear race in rap songs? Integrating theory from interdisciplinary areas, this book will resonate with students and scholars of popular music, race relations, urban culture, ethnomusicology, sound studies, and beyond"--Provided by publisher
    Description / Table of Contents: "Rapper's delight" : from genre-less to new genre"Rebel without a pause" : public enemy revolutionizes the break -- "Let me ride" : gangsta rap's drive into the popular mainstream -- "My name is" : signifying whiteness, rearticulating race -- Conclusion : sounding race in the twenty-first century.
    Note: Includes bibliographical references (pages 183-191), discography (pages 179-180), filmography (page 181), and index
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  • 59
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    Book
    [London] : Rogan House
    ISBN: 9780952954088 , 0952954087
    Language: English
    Pages: 1200 Seiten , Illustrationen , 24 cm
    Series Statement: Byrds Volume 1
    Series Statement: Rogan, Johnny Byrds.
    DDC: 782.421660922
    RVK:
    Keywords: Byrds (Musical group) ; Rock groups ; United States ; Biography ; Rock musicians ; United States ; Biography
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  • 60
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    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199367481
    Language: English
    Pages: XVII, 302 S. , Ill.
    DDC: 780.89924043
    RVK:
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    Keywords: Geschichte ; Juden ; Musikleben ; Nachkriegszeit ; Judentum ; Musik ; Kultur ; Kollektives Gedächtnis ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 61
    ISBN: 9780745653648 , 0745653642 , 0745653650 , 9780745653655
    Language: English
    Pages: XV, 311 S. , Ill.
    Edition: 3. ed.
    RVK:
    RVK:
    Keywords: Geschichte 1960-1995 ; Geschichte 1950-2005 ; Popular music / History and criticism ; Popular music / Social aspects ; Gesellschaft ; Popkultur ; Musiksoziologie ; Unterhaltungsmusik ; Gesellschaft ; Popmusik ; Kultur ; Unterhaltungsmusik ; Kultur ; Musiksoziologie ; Geschichte 1960-1995 ; Popmusik ; Kultur ; Musiksoziologie ; Geschichte 1960-1995 ; Popmusik ; Gesellschaft ; Geschichte 1950-2005 ; Popkultur ; Geschichte 1950-2005
    Note: Includes bibliographical references and index
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  • 62
    ISBN: 9780199988853 , 9780199988860
    Language: English
    Pages: XXI, 322 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.4/84209729
    RVK:
    Keywords: Music and tourism ; Music Social aspects ; Musik ; Tourismus ; Kultur ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Karibik ; Musik ; Tourismus ; Kultur
    Description / Table of Contents: Includes bibliographical references and index
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  • 63
    ISBN: 9781906615581
    Language: English
    Pages: 349 pages , 22 cm
    Edition: [Revised and updated edition]
    RVK:
    Keywords: Dream Theater (Musical group) ; Dream Theater (Musical group) ; Dream Theater ; Geschichte ; Rock groups / United States / Biography ; Rock groups ; United States ; USA ; Biografie ; Dream Theater ; Geschichte
    Note: This book covers the band's history from the mid-1980s to today. This updated edition includes the departure of founding drummer Mike Portner and the search for his replacement
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  • 64
    ISBN: 9780415661904 , 9780415661911
    Language: English
    Pages: XII, 355 Seiten
    Edition: Third edition
    Series Statement: Routledge key guides
    Parallel Title: Erscheint auch als
    DDC: 325/.303
    RVK:
    RVK:
    RVK:
    RVK:
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    Keywords: Geschichte ; Kolonie ; Colonies Dictionaries ; Decolonization Dictionaries ; Postcolonialism Dictionaries ; Ethnic attitudes Dictionaries ; Race relations Dictionaries ; Interdisziplinarität ; Postkolonialismus ; Geschichtswissenschaft ; Geschichte ; Kultur ; Entkolonialisierung ; Englisch ; Postkoloniale Literatur ; Englisches Sprachgebiet ; Wörterbuch ; Wörterbuch ; Wörterbuch ; Englisches Sprachgebiet ; Kultur ; Geschichte ; Englisches Sprachgebiet ; Kultur ; Geschichte ; Englisch ; Postkoloniale Literatur ; Postkolonialismus ; Geschichtswissenschaft ; Interdisziplinarität ; Entkolonialisierung
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  • 65
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    ISBN: 978-0-415-77130-6 , 978-0-415-77131-3
    Language: English
    Pages: x, 566 Seiten : , Diagramme.
    Edition: First published
    DDC: 621.389
    RVK:
    RVK:
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    Keywords: Sound / Recording and reproducing / History ; Sound / Recording and reproducing / Social aspects ; Hearing ; Listening ; MUSIC / Recording & Reproduction ; SOCIAL SCIENCE / Media Studies ; Geschichte ; Gesellschaft ; Klang. ; Kultur. ; Aufsatzsammlung ; Klang ; Kultur
    Abstract: "The Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as 'sound studies' with earlier and lesser known scholarship on sound. The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies. Individual section introductions give readers further background on the essays and an extensive up to date bibliography for further reading in 'sound studies' make this an original and accessible guide to the field"--
    Note: Literaturangaben
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  • 66
    Book
    Book
    Ann Arbor, MI : University of Michigan Press
    ISBN: 0472071807 , 0472051806 , 9780472071807 , 9780472051809
    Language: English
    Pages: VIII, 349 S. , Ill. , 24 cm
    Series Statement: Jazz perspectives
    Dissertation note: Zugl.: Göttingen, Univ., Diss., 2012
    DDC: 781.65092
    RVK:
    RVK:
    Keywords: Armstrong, Louis ; Jazz musicians Biography ; Jazz History and criticism ; Autobiography ; Armstrong, Louis, 1901-1971 ; Jazz musicians ; United States ; Biography ; Jazz ; History and criticism ; Autobiography ; Autobiografie ; Hochschulschrift ; Armstrong, Louis 1901-1971
    Description / Table of Contents: "Music is my life and I love to play": Louis Armstrong's jazz autobiographics -- "I have always been a great observer" : New Orleans musicking -- " I done forgot the words": versioning autobiography -- "Diddat come outa mee?" writing scat and typing swing -- "A happy go lucky sort of type of fellow": the productive ambiguities of minstrel sounding -- "He didn't need black face to be funny": the double resonance of postcolonial performance -- "My mission is music": Armstrong's cultural politics -- "What do you know about that?": final thoughts on 'Laughin' Louie.
    Note: Includes discography (p. 325-326), bibliographical references (p. 327-333) and index
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  • 67
    Book
    Book
    Pittsburgh, Pa. : Univ. of Pittsburgh Press
    ISBN: 9780822961871 , 0822961873
    Language: English
    Pages: XVI, 169 S.
    Series Statement: Pitt Latin American series
    DDC: 302.23098
    RVK:
    Keywords: Mass media and culture / Latin America ; Mass media and culture / Caribbean Area ; Sound in mass media ; Radio broadcasting / Latin America ; Radio broadcasting / Caribbean Area ; Massenmedien ; Kultur ; Lateinamerika ; Lateinamerika ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Lateinamerika ; Massenmedien ; Kultur ; Karibik
    Note: Includes bibliographical references (p. 127-162) and index
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  • 68
    ISBN: 9783643902542 , 3643902549
    Language: English
    Pages: 102 S. , Notenbeisp. , 21 cm
    Series Statement: MasteRResearch Bd. 4
    Series Statement: MasteRResearch
    DDC: 782.421592
    RVK:
    Keywords: Mingus, Charles Criticism and interpretation ; Civil rights movements Songs and music ; History and criticism ; Protest songs History and criticism 20th century ; Music Social aspects 20th century ; History ; Civil rights movements ; Mingus, Charles, 1922-1979 ; Criticism and interpretation ; Civil rights movements ; United States ; Songs and music ; Protest songs ; United States ; 20th century ; History and criticism ; Music ; Social aspects ; United States ; History ; 20th century ; Civil rights movements ; United States ; Mingus, Charles 1922-1979 ; Jazz ; USA ; Bürgerrechtsbewegung ; Protestsong ; Geschichte 1950-1970
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  • 69
    ISBN: 9781409436652 , 9781409400516
    Language: English
    Pages: xiv, 266 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Edition: First published ind paperback
    Series Statement: Ashgate popular and folk music series
    DDC: 781.64082/09046
    RVK:
    RVK:
    RVK:
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    Keywords: Popular music History and criticism 1961-1970 ; Popular music History and criticism 1961-1970 ; Women singers ; Women singers ; Sex role in music ; Femininity in music ; Girl groups (Musical groups) ; Popular music ; United States ; 1961-1970 ; History and criticism ; Popular music ; Great Britain ; 1961-1970 ; History and criticism ; Women singers ; United States ; Women singers ; Great Britain ; Sex role in music ; Femininity in music ; Girl groups (Musical groups) ; Aufsatzsammlung ; USA ; Großbritannien ; Popmusik ; Sängerin ; Geschichte 1960-1970 ; USA ; Großbritannien ; Popmusik ; Weiblichkeit ; Geschlechterrolle ; Geschichte 1960-1970
    Note: Formerly CIP Uk. - Includes bibliographical references (p. [239]-249) and index
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  • 70
    Book
    Book
    Boulder, Colorado : Westview Press
    ISBN: 9780813316383 , 0813316383 , 0813316375
    Language: English
    Pages: XVII, 289 Seiten , Illustrationen
    Series Statement: Institutional structures of feeling
    DDC: 784.18/885
    RVK:
    RVK:
    Keywords: Culturele aspecten ; Seksualiteit ; Sexualité dans la danse ; Sexualité dans la danse ; Sociale aspecten ; Tango (danse) - Aspect social - Argentine ; Tango (danse) - Aspect social ; Tango - Aspect social ; Tango - Aspect social - Argentine ; Tango ; Uitgaansleven ; Gesellschaft ; Kultur ; Sexualität ; Tango (Dance) Social aspects ; Tango (Dance) Social aspects ; Sex in dance ; Tango ; Sozialgeschichte ; Argentinien ; Argentinien ; Argentinien ; Tango ; Sozialgeschichte
    Abstract: "Innovative historical study of the dance and musical lyrics of Tango. Interweaves tales of sexuality, gender, race, class, and national identity to examine relations between machismo, colonialism, and commodification as manifested in expressive culture"--Handbook of Latin American Studies, v. 57.. - http://www.loc.gov/hlas/
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  • 71
    Book
    Book
    Durham, N.C. [u.a.] : Duke University Press
    ISBN: 9780822348641 , 9780822348757 , 0822348640 , 0822348756
    Language: English
    Pages: IX, 325 S , 23 cm
    DDC: 346.7304/82
    RVK:
    Keywords: Copyright Music ; Sampler (Musical instrument) ; Plagiarism in music ; Copyright ; Music ; United States ; Sampler (Musical instrument) ; Plagiarism in music ; Sampling ; Urheberrecht
    Description / Table of Contents: The golden age of sampling -- A legal and cultural history of sound collage -- The competing interests in sample licensing -- Sampling lawsuits : hip-hop goes to court -- The sample clearance system : how it works (and how it breaks down) -- Consequences for creativity : an assessment of the sample clearance system -- Proposals for reform.
    Note: Formerly CIP Uk. - Includes bibliographical references (p. [303]-311) and index. - The golden age of sampling -- A legal and cultural history of sound collage -- The competing interests in sample licensing -- Sampling lawsuits : hip-hop goes to court -- The sample clearance system : how it works (and how it breaks down) -- Consequences for creativity : an assessment of the sample clearance system -- Proposals for reform
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  • 72
    Book
    Book
    Cambridge [u.a.] : Polity Press
    ISBN: 0745631622 , 9780745631622 , 0745631630 , 9780745631639
    Language: English
    Pages: XV, 304 S. , Ill. , 26 cm
    Edition: 2. ed., reprint.
    DDC: 306.4/8424
    RVK:
    Keywords: Geschichte 1960-1995 ; Geschichte 1950-2005 ; Popmuziek ; Sociale aspecten ; Gesellschaft ; Popular music Social aspects ; Popular music History and criticism ; Popular culture ; Popmuziek ; gtt ; Sociale aspecten ; gtt ; Unterhaltungsmusik ; Musiksoziologie ; Kultur ; Popkultur ; Gesellschaft ; Popmusik ; Popmusik ; Gesellschaft ; Geschichte 1950-2005 ; Popkultur ; Geschichte 1950-2005 ; Popmusik ; Kultur ; Musiksoziologie ; Geschichte 1960-1995 ; Unterhaltungsmusik ; Kultur ; Musiksoziologie ; Geschichte 1960-1995
    Note: Previous ed.: Oxford: Polity, 1995. , Includes bibliographical references (p. [267] - 287) and index
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  • 73
    ISBN: 1441144293 , 9781441144294 , 1441101519 , 9781441101518
    Language: English
    Pages: XXXVI, 352 S. , Ill. , 24 cm
    DDC: 781.646097292
    RVK:
    Keywords: Reggae ; Rezeption ; Hören ; Dance hall ; Kultur ; Performance ; Audiotechnik ; Jamaika
    Note: Literaturverz. S. 317 - 348
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  • 74
    ISBN: 9780292722040 , 9780292722873 , 0292722044 , 0292722877
    Language: English
    Pages: XIII, 376 S. , Ill. , 24 cm
    Series Statement: Louann Atkins Temple women & culture series
    DDC: 808.5/4
    RVK:
    Keywords: Austin Project ; Creative writing Handbooks, manuals, etc ; Performance art Texts ; Performance poetry ; American poetry Women authors ; Music and literature ; African American aesthetics ; Performance art Social aspects ; Art and social action ; Performance poetry Handbooks, manuals, etc Authorship ; Austin Project ; Performance poetry ; Authorship ; Handbooks, manuals, etc ; Creative writing ; Handbooks, manuals, etc ; Performance art ; Texts ; Performance poetry ; American poetry ; Women authors ; Music and literature ; United States ; African American aesthetics ; Performance art ; Social aspects ; United States ; Art and social action ; United States
    Abstract: Framing the work. Making space: producing the Austin Project -- Finding voice: anchoring the Austin Project's artistic process -- Working the work: an anthology of Austin Project writings. Polyphony: writings by ensemble members -- Call and response: performance pieces by Austin Project guest artists -- Affirming connection: pre-show artists' performance texts -- Spoken word orchestra: a full script from the Austin Project jam session, December 2005 -- The work of transformation. Transforming practice: artists, activists, and academics working across boundaries -- Work of the spirit: a conversation with an Austin Project elder -- Narrating the Austin Project: the first five years
    Description / Table of Contents: Framing the work. Making space: producing the Austin Project -- Finding voice: anchoring the Austin Project's artistic process -- Working the work: an anthology of Austin Project writings. Polyphony: writings by ensemble members -- Call and response: performance pieces by Austin Project guest artists -- Affirming connection: pre-show artists' performance texts -- Spoken word orchestra: a full script from the Austin Project jam session, December 2005 -- The work of transformation. Transforming practice: artists, activists, and academics working across boundaries -- Work of the spirit: a conversation with an Austin Project elder -- Narrating the Austin Project: the first five years.
    Note: Includes bibliographical references and index , Formerly CIP Uk. - This book is both an anthology of writing by participants of the Austin Project and a sourcebook for those who would like to use creative writing and performance to energize their artistic, scholarly, and activist practices. - Includes bibliographical references and index. - Framing the work. Making space: producing the Austin Project -- Finding voice: anchoring the Austin Project's artistic process -- Working the work: an anthology of Austin Project writings. Polyphony: writings by ensemble members -- Call and response: performance pieces by Austin Project guest artists -- Affirming connection: pre-show artists' performance texts -- Spoken word orchestra: a full script from the Austin Project jam session, December 2005 -- The work of transformation. Transforming practice: artists, activists, and academics working across boundaries -- Work of the spirit: a conversation with an Austin Project elder -- Narrating the Austin Project: the first five years
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  • 75
    ISBN: 9780802129949 , 0802129943
    Language: English
    Pages: 266 S. , Ill. , 21 cm
    DDC: 782.4216490922
    RVK:
    Keywords: Public Enemy (Musical group) Public Enemy (Musical group) ; Rap musicians Biography ; United States ; Rap musicians United States ; Biography
    Note: First published in Great Britain in 2008 by Canongate Books, Ltd., Edinburgh. - Includes discography and index
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  • 76
    Book
    Book
    Detroit : Wayne State University Press
    ISBN: 9780814334652
    Language: English
    Pages: xvii, 242 Seiten , Illustrationen , 23 cm
    Series Statement: Raphael Patai series in Jewish folklore and anthropology
    DDC: 780.95694/09047
    RVK:
    Keywords: Geschichte 1975-1995 ; Judentum ; Musik ; Politik ; Religion ; Music History and criticism ; Music History and criticism ; Music Political aspects ; Music Political aspects ; Music Religious aspects ; Judaism ; Music Religious aspects ; Islam ; Alltagskultur ; Gesellschaft ; Rezeption ; Musik ; Kultur ; Mittelmeerraum ; Israel ; Mittelmeerraum ; Kultur ; Rezeption ; Israel ; Gesellschaft ; Geschichte 1975-1995 ; Israel ; Musik ; Alltagskultur ; Israel ; Mittelmeerraum ; Musik ; Alltagskultur ; Geschichte 1975-1995
    Note: Includes bibliographical references (p. 221-229), discography (p. 231-232), videography (p. 233), and index
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  • 77
    ISBN: 9780859679619 , 0859679616
    Language: English
    Pages: XVIII, 243 S. , Ill., Notenbeisp.
    Edition: 1995, transferred to digital print.
    RVK:
    Keywords: Tanz ; Musik ; Islam ; Gesellschaft ; Kultur ; Arabische Musik ; Geschichte ; Naher Osten ; Arabische Staaten ; Islamische Staaten ; Arabische Musik ; Kultur ; Gesellschaft ; Geschichte ; Naher Osten ; Musik ; Kultur ; Gesellschaft ; Geschichte ; Islam ; Tanz ; Kultur ; Gesellschaft ; Geschichte ; Islam ; Musik ; Kultur ; Gesellschaft ; Geschichte ; Islamische Staaten ; Musik ; Kultur ; Gesellschaft ; Geschichte ; Arabische Staaten ; Musik ; Kultur ; Gesellschaft ; Geschichte
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  • 78
    ISBN: 9783643501318
    Language: German , English
    Pages: 268 S. , Ill., Noten , 235 mm x 162 mm
    Series Statement: Wiener offene Orientalistik Bd. 8
    Series Statement: Wiener offene Orientalistik
    DDC: 780.93
    RVK:
    RVK:
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    Keywords: Music Congresses To 1500 ; Music Congresses To 1500 ; Music Congresses Social aspects To 1500 ; Music and literature Congresses History To 1500 ; Aufsatzsammlung ; Musik ; Tradition ; Literaturwissenschaft ; Poetik ; Sozialgeschichtliche Exegese ; Alter Orient ; Indien ; Konferenzschrift 2007 ; Altbabylonisch ; Literarisches Werk ; Musikalische Analyse ; Literaturgeschichte ; Literarisches Werk ; Musikalische Analyse ; Tradition ; Griechenland ; Kultur
    Note: Literaturangaben. - Beitr. teilw. dt., teilw. engl
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  • 79
    Book
    Book
    New York, N.Y. [u.a.] : Routledge
    ISBN: 0415875692 , 9780415875691
    Language: English
    Pages: xviii, 488 p , ill , 28 cm
    RVK:
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    Keywords: Contemporary Christian music Encyclopedias ; Contemporary Christian musicians Biography ; United States ; Gospel music Bio-bibliography ; Gospel music Encyclopedias ; Wörterbuch ; Biografie ; Wörterbuch ; Wörterbuch ; Biografie ; USA ; Gospelsong ; Gospelsänger
    Note: Includes discographical and bibliographical references and index , 1st ed. publ. 2005
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  • 80
    ISBN: 9781409400516 , 1409400514 , 9781409436652
    Language: English
    Pages: XIV, 266 S. , Ill. , 24 cm
    Series Statement: Ashgate popular and folk music series
    DDC: 781.64082/09046
    RVK:
    RVK:
    Keywords: Popular music History and criticism 1961-1970 ; Popular music History and criticism 1961-1970 ; Women singers ; Women singers ; Sex role in music ; Femininity in music ; Girl groups (Musical groups) ; Popular music ; United States ; 1961-1970 ; History and criticism ; Popular music ; Great Britain ; 1961-1970 ; History and criticism ; Women singers ; United States ; Women singers ; Great Britain ; Sex role in music ; Femininity in music ; Girl groups (Musical groups) ; Aufsatzsammlung ; USA ; Großbritannien ; Popmusik ; Sängerin ; Geschichte 1960-1970 ; USA ; Großbritannien ; Popmusik ; Weiblichkeit ; Geschlechterrolle ; Geschichte 1960-1970
    Note: Formerly CIP Uk. - Includes bibliographical references (p. [239]-249) and index
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  • 81
    Book
    Book
    Minneapolis : University of Minnesota Press
    ISBN: 9780816665471 , 0816665478
    Language: English
    Pages: xix, 552 Seiten , Illustrationen , 23 cm
    Edition: First University of Minnesota Press edition, 2009
    DDC: 788.9/2165092
    RVK:
    RVK:
    Keywords: Gillespie, Dizzy ; Gillespie, Dizzy 1917-1993 ; Jazz musicians Biography ; Jazz musicians Biography ; United States
    Note: Includes discography, filmography, and index , Hier auch später erschienene, unveränderte Nachdrucke , Originally published in 1979 by Doubleday Books. - Includes discography, filmography, and index. - Hier auch später erschienene, unveränderte Nachdrucke
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  • 82
    Book
    Book
    Paderborn [u.a.] : Fink
    ISBN: 9783770547982 , 3770547985
    Language: German , English
    Pages: 251 S. , Ill.
    DDC: 782.42166
    RVK:
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    Keywords: The Rolling Stones ; Teufel ; Kultur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Beitr. teilw. dt., teilw. engl.
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  • 83
    Book
    Book
    Minneapolis : University of Minnesota Press
    ISBN: 9780816665310 , 0816665311
    Language: English
    Pages: 242 Seiten
    Edition: First University of Minnesota Press edition
    DDC: 781.643092
    RVK:
    Keywords: Otis, Johnny ; Otis, Johnny ; Otis, Johnny ; Otis, Johnny ; Rhythm and blues musicians Biography ; Watts Riot, Los Angeles, Calif., 1965 ; Rhythm and blues musicians ; Biographies ; Autobiographie ; California ; Los Angeles ; United States
    Note: Originally published: New York : W.W. Norton, 1968 , Includes bibliographical references
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  • 84
    ISBN: 978-0-7456-4478-3 , 978-0-7456-4479-0
    Language: English
    Pages: XI, 172 Seiten : , Diagramme.
    Edition: First published
    Series Statement: Digital media and society series
    DDC: 303.4833
    RVK:
    RVK:
    RVK:
    Keywords: YouTube (Electronic resource) ; Gesellschaft ; Information society ; Internet Social aspects ; Online social networks Social aspects ; YouTube. ; Gesellschaft. ; Kultur. ; Neue Medien. ; Massenkultur. ; Partizipation. ; YouTube ; Gesellschaft ; Kultur ; Neue Medien ; Massenkultur ; Partizipation
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  • 85
    Book
    Book
    Bloomington, Ind. [u.a.] : Indiana University Press
    ISBN: 9780253220875 , 9780253353238
    Language: English
    Pages: X, 226 S. , Ill., Faks., Kt., Notenbeisp. , 24 cm
    DDC: 956.7044/38
    RVK:
    RVK:
    RVK:
    Keywords: Iraq War, 2003-2011 Music and the war ; Popular music Social aspects ; Soldiers Social conditions ; Iraq War, 2003- Music and the war ; Popular music Social aspects ; Soldiers Social conditions ; United States ; United States Armed Forces ; United States Armed Forces ; Iraq ; USA ; Militärmusik ; Golfkrieg ; USA ; Golfkrieg ; Musik ; USA ; Musik ; Soldat ; Anwerbung
    Note: Includes bibliography (p. [209]-215) and index
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  • 86
    Book
    Book
    Cambridge, Mass. [u.a.] : Harvard University Press
    ISBN: 9780674033375
    Language: English
    Pages: 356 S. , Ill. , 25 cm
    DDC: 338.4/7780973
    RVK:
    RVK:
    Keywords: Musikwirtschaft ; Theorie ; Music trade ; Music History and criticism ; Music trade United States ; Music History and criticism ; United States ; USA ; Musikwirtschaft ; Geschichte 1900-1930 ; USA ; Tonträgerindustrie ; Geschichte 1900-1930
    Abstract: When songs became a business -- Making hits -- Music without musicians -- The traffic in voices -- Musical properties -- Perfect pitch -- The black swan -- The musical soundscape of modernity
    Description / Table of Contents: When songs became a business -- Making hits -- Music without musicians -- The traffic in voices -- Musical properties -- Perfect pitch -- The black swan -- The musical soundscape of modernity.
    Note: Includes bibliographical references and index
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  • 87
    ISBN: 9780253349248 , 9780253219299
    Language: English
    Pages: X, 337 S. , Ill., Notenbeisp.
    DDC: 787.20966
    RVK:
    Keywords: Geschichte ; Musik ; Music History and criticism ; Fiddling ; Fidel ; Kultur ; Westafrika ; Westafrika ; Fidel ; Kultur ; Geschichte
    Note: Includes bibliographical references (p. ), discography (p. ), videography (p. ), and index
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  • 88
    ISBN: 0415972469 , 0415990521 , 9780415990523 , 9780415972468
    Language: English
    Pages: XXX, 328 S. , Ill.
    Edition: 1. publ. in paperback
    Series Statement: America's songs [1]
    Series Statement: America's songs
    DDC: 782.421640973
    RVK:
    Keywords: Popular music History and criticism ; United States ; USA ; Popsong ; Geschichte 1910-1977 ; USA ; Filmmusik ; Geschichte 1910-1977
    Note: Includes bibliographical references and index
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  • 89
    ISBN: 9780786437870 , 0786437871
    Language: English
    Pages: VII, 267 S. , 23 cm
    DDC: 781.642092273
    RVK:
    RVK:
    Keywords: Country musicians ; United States ; Biography ; Biografie ; USA ; Country-Musiker ; Geschichte 1960-2007
    Note: Formerly CIP Uk. - Includes bibliographical references (p. 251-253) and index. - Includes discographies
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  • 90
    Book
    Book
    Ann Arbor : Univ. of Michigan Press
    ISBN: 9780472098408 , 9780472068401 , 0472098403 , 0472068407
    Language: English
    Pages: X, 404 S. , Ill.
    Edition: repr.
    RVK:
    Keywords: Kultur ; Schwarze ; Soziale Situation ; Ethnische Beziehungen ; USA ; USA ; Schwarze ; Ethnische Beziehungen ; Soziale Situation ; Kultur
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  • 91
    Book
    Book
    New York : Palgrave Macmillan
    ISBN: 1403984891
    Language: English
    Pages: IX, 230 S , 22 cm
    Series Statement: Nineteenth-century major lives and letters
    DDC: 782.42166092/2
    RVK:
    RVK:
    Keywords: Blake, William ; Beatles ; Poets, English 19th century ; Poets, English 20th century ; Music and literature History 19th century ; Music and literature History 20th century ; The Beatles ; Englisch ; Literatur ; Geschichte 1800-2000 ; Englisch ; Schriftsteller ; Geschichte 1800-2000 ; Blake, William 1757-1827 ; Großbritannien ; USA ; Kultur ; Ästhetik ; Geschichte 1800-2000
    Description / Table of Contents: The transatlantic roots of rock romanticism -- The nowhere man and Mother Nature's son: Coleridge/Lennon-Wordsworth/McCartney and the productivity of resentment -- George Harrison and Byronic in-between-ness -- Ringo Starr and the anxiety of romantic childhood -- "What matters is the system!" The disappearance of God and the rise of conspiracy theorizing -- A new British Empire.
    Description / Table of Contents: Includes bibliographical references (p. [217]--221) and index
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  • 92
    ISBN: 9780807859087 , 9780807832394
    Language: English
    Pages: XX, 428 S. , Ill.
    Angaben zur Quelle: 12
    RVK:
    Keywords: Geschichte ; Mentalität ; Kultur ; Geschichte ; Musiker ; Literatur ; Musik ; USA Südstaaten ; Wörterbuch ; Wörterbuch ; USA Südstaaten ; Musik ; Geschichte ; USA Südstaaten ; Musiker ; USA Südstaaten ; Kultur ; Mentalität ; Geschichte ; USA Südstaaten ; Literatur ; Geschichte ; USA Südstaaten ; Kultur ; Geschichte
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  • 93
    Book
    Book
    Rochester, NY : Univ. of Rochester Press
    ISBN: 9781580462723
    Language: English
    Pages: XIX, 260 S. , Ill.
    Edition: 1. publ.
    Series Statement: Eastman studies in music 54
    Series Statement: Eastman studies in music
    DDC: 306.4/842094409034
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    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1870-1939 ; Geschichte ; Musik ; Politik ; Music Political aspects 20th century ; History ; Music Political aspects 19th century ; History ; Nationalism in music ; Musik ; Kultur ; Nation ; Frankreich ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation ; Geschichte 1870-1939
    Abstract: Here, essays from musicologists, historians, art historians and literary scholars reconsider the relationship of Debussy, Gaugin, Jolivet, Zola, and other great French creative artists to cultural and political trends (for example, the rise of the press, nationalism, etc.) during the Third Republic.
    Note: Includes bibliographical references and index
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  • 94
    ISBN: 9780822340904 , 0822340909 , 9780822341086 , 0822341085
    Language: English
    Pages: XI, 313 S. , Ill.
    DDC: 302.2309669
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    Keywords: Geschichte 1900-2000 ; Geschichte 1930-2000 ; Mass media and technology / Nigeria / History ; Mass media and culture / Nigeria / History ; Geschichte ; Mass media and culture History ; Mass media and technology History ; Massenmedien ; Film ; Kultur ; Stadt ; Nigeria / Civilization / 20th century ; Nigeria Civilization 20th century ; Nigeria ; Nigeria Nord ; Film ; Stadt ; Kultur ; Geschichte 1930-2000 ; Nigeria Nord ; Massenmedien ; Stadt ; Kultur ; Geschichte 1930-2000
    Note: Includes bibliographical references (p. [277]-299) and index
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  • 95
    ISBN: 1408113473 , 9781408113479
    Language: English
    Pages: XXII, 327 S. , 24cm
    Edition: 1. publ.
    DDC: 346.730482
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    Keywords: Copyright United States ; Copyright and electronic data processing United States ; Copyright Economic aspects ; United States ; Cultural industries United States ; Copyright ; United States ; Copyright and electronic data processing ; United States ; Copyright ; Economic aspects ; United States ; Cultural industries ; United States ; USA ; Urheberrecht ; Kulturindustrie ; Datenverarbeitung
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  • 96
    ISBN: 9780253349248 , 9780253219299
    Language: English
    Pages: X, 337 Seiten , Illustrationen, Notenbeispiele, Karten , 24 cm
    DDC: 787.20966
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    Keywords: Music History and criticism ; Fiddling ; Westafrika ; Fidel ; Kultur ; Dagomba ; Fulbe ; Hausa
    Description / Table of Contents: Introduction : A master fiddler and a significant but little-known tradition -- Fiddling in West Africa : understanding the culture area -- An affirmation of identity : Fulbe fiddling in Senegambia -- Calling the Bori spirits : Hausa fiddling in Nigeria -- In service to the king : Dagbamba fiddling in Ghana
    Note: Literaturverzeichnis: Seite 299-318. - Diskografie: Seite 319-324
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  • 97
    ISBN: 9004157948 , 9789004157941
    Language: English , German , French
    Pages: xxi, 535 S., [8] Bl. , Ill.
    Series Statement: Islamic philosophy, theology and science 74
    Series Statement: Islamic philosophy, theology and science
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    Keywords: Araber ; Arabisch ; Islam ; Kultur ; Literatur ; Wissenschaft
    Note: Bibliographie der Werke von Remke Kruk (1976-2006): S. [xiii - xvii] , Beitr. überw. engl., teilw. dt., teilw. franz.
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  • 98
    Book
    Book
    New Brunswick, N.J. [u.a.] : Transaction Books
    ISBN: 0878556400 , 9780878556403
    Language: English
    Pages: XIX, 363 S. , graph. Darst., Kt.
    Edition: 4. print.
    RVK:
    Keywords: Geschichte ; Volkstanz ; Kultur ; Volkslied ; Sozialstruktur ; Volkstanz ; Kultur ; Geschichte ; Volkslied ; Kultur ; Geschichte ; Volkstanz ; Sozialstruktur ; Volkslied ; Sozialstruktur
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  • 99
    ISBN: 0786430214 , 9780786430215
    Language: English
    Pages: IX, 302 S. , 23 cm
    DDC: 781.642092273
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    Keywords: Country musicians Biography ; Country musicians Biography ; United States ; Biografie ; USA ; Country-Musiker ; Geschichte 1870-2006
    Abstract: "This book focuses on fifty of the most important entertainers in the history of country music, from its beginnings in the folk music of early America through the 1970s. Each entry includes a brief biography of the chosen artist with special emphasis on experiences which influenced their musical careers"--Provided by publisher
    Abstract: "This book focuses on fifty of the most important entertainers in the history of country music, from its beginnings in the folk music of early America through the 1970s. Each entry includes a brief biography of the chosen artist with special emphasis on experiences which influenced their musical careers"--Provided by publisher
    Description / Table of Contents: The pioneers -- Cowboys and radio stars -- Western swing/bluegrass/honky tonk -- Women of country music -- Outlaws, rebels and superstars
    Note: Includes bibliographical references (p. 285-287), discographies, and index
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  • 100
    Book
    Book
    London ; New York, NY : Routledge, Taylor & Francis Group
    ISBN: 9780415257510 , 0415257514 , 9780415257527 , 0415257522
    Language: English
    Pages: X, 180 Seiten
    Edition: First published
    Series Statement: International library of sociology
    DDC: 302'.091732
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    Keywords: Gesellschaft ; Musik ; Digital music players Social aspects ; Music Social aspects ; iPod (Digital music player) Social aspects ; Interaktion ; Musikkonsum ; iPod ; Kultur ; Stadt ; iPod ; Stadt ; Kultur ; Musikkonsum ; iPod ; Interaktion
    Note: Literaturverz. S. 167 - 173
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