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  • Online Resource  (75)
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  • English  (75)
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  • History  (75)
  • Musicology  (75)
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  • 1
    Online Resource
    Online Resource
    How Hip Hop Became Hit Pop (2023)
    [Erscheinungsort nicht ermittelbar] : University of California Press | The Hague : OAPEN FOUNDATION
    Details
    ISBN: 9780520383937 , 9780520383920
    Language: English
    DDC: 782.421649
    RVK:
    LS 48650
    Keywords: Light orchestral & big band music ; History of the Americas ; Ethnic studies ; Music ; History ; American Studies ; African American Studies
    Abstract: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream.
    URL: kostenfrei
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    HeBIS
  • 2
    Online Resource
    Online Resource
    REIMAGINING SAMPLE-BASED HIP HOP : making records within records (2023)
    London : FOCAL | London : Taylor & Francis Group
    Details
    ISBN: 9781000913040 , 100091304X , 9781003027430 , 1003027431 , 9781000913064 , 1000913066
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Perspectives on music production
    DDC: 782.421649
    RVK:
    LS 48650
    Keywords: Sampler (Musical instrument) History ; Rap (Music) Production and direction ; History ; MUSIC / Recording & Reproduction ; TECHNOLOGY / Acoustics & Sound ; MUSIC / Genres & Styles / Rap & Hip Hop
    Abstract: Reimagining Sample-based Hip Hop: Making Records within Records presents the poetics of hip-hop record production and the significance of sample material in record making, providing analysis of key releases in hip-hop discography and interviews with experts from the world of Hip Hop and beyond. Beginning with the history of hip-hop music making, this book guides the reader through the alternative techniques deployed by beat-makers to avoid the use of copyrighted samples and concludes with a consideration of the future of Hip Hop, alongside a companion album that has been created using findings from this research. Challenging previous theoretical understandings about Hip Hop, the author focuses on deconstructing sonic phenomena using his hands-on engineering expertise and in-depth musicological knowledge about record production. With a significant emphasis on both practice and theory, Reimagining Sample-based Hip Hop will be of interest to advanced undergraduates, postgraduates, and researchers working in audio engineering, music production, hip-hop studies, and musicology
    DOI: 10.4324/9781003027430
    URL: https://www.taylorfrancis.com/books/9781003027430
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  • 3
    Online Resource
    Online Resource
    The Ottoman tanbūr : the long-necked lute of Ottoman art music (2022)
    Oxford : Archaeopress publishing Ltd
    Details
    ISBN: 9781803271071
    Language: English
    Pages: 1 Online-Ressource (xvii, 144 Seiten) , Illustrationen, Karten
    Series Statement: Archaeopress Archaeology
    Parallel Title: Erscheint auch als Zeeuw, Hans de The Ottoman Tanbûr
    DDC: 787.8209
    RVK:
    LS 36060
    RVK:
    LR 11800
    Keywords: Ṭanbūr History ; Ṭanbūr Construction ; History ; Folk music History and criticism ; Tanbur
    Abstract: Tanbūrs are long-necked lute-like instruments played in the art, Sufi, and folk musical traditions along the Silk Road and beyond. This book provides a detailed study of the history of the tanbūr, its role in Ottoman music, construction and playing technique
    Note: Also issued in print: 2022 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Online Resource
    GBV
    KOBV
  • 4
    Online Resource
    Online Resource
    Remaking culture and music spaces : affects, infrastructures, futures (2022)
    Abingdon, Oxon : Routledge | London : Taylor & Francis Group
    Details
    ISBN: 9781003254805 , 1003254802 , 9781000783797 , 1000783790 , 9781000783858 , 1000783855
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Routledge advances in sociology
    DDC: 306.4/84209052
    RVK:
    LR 57220
    RVK:
    LR 56608
    Keywords: Music Social aspects 21st century ; History ; COVID-19 Pandemic, 2020- Social aspects
    Abstract: "This collection analyses the remaking of culture and music spaces during the ongoing COVID-19 pandemic. Its central focus is how cultural producers negotiated radically disrupted and uncertain conditions by creating, designing and curating new objects and events, and through making alternative combinations of practices and spaces. By examining contexts and practices of remaking culture and music, it goes beyond being a chronicle of how the pandemic disrupted cultural life and livelihoods. The book also raises crucial questions about the forms and dynamics of post-pandemic spaces of culture and music. Main themes include the affective and embodied dimensions that shape the experience, organisation and representation of cultural and musical activity; the restructuring of industries and practices of work and cultural production; the transformation of spaces of cultural expression and community; and the uncertainty and resilience of future culture and music. This collection will be instrumental for researchers, practitioners and students studying the spatial, material, and affective dimensions of cultural production in the fields of cultural sociology, cultural and creative industries research, festival and event and studies, and music studies. Its inter-disciplinary nature makes it beneficial reading for anyone interested in what has happened to culture and music during the global pandemic and beyond"--...
    Note: Includes bibliographical references and index
    DOI: 10.4324/9781003254805
    URL: https://www.taylorfrancis.com/books/9781003254805
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    Online Resource
    HeBIS
  • 5
    Online Resource
    Online Resource
    From servant to savant : musical privilege, property, and the French Revolution (2022)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197511541
    Language: English
    Pages: 1 Online-Ressource (xvii, 313 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 306.48420944
    RVK:
    LQ 82204
    RVK:
    NW 2335
    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Music Social aspects 18th century ; History ; Musicians Social conditions 18th century ; Musicians Economic conditions 18th century ; Frankreich ; France History First Republic, 1792-1804 ; Hochschulschrift
    Abstract: 'From Servant to Savant' exposes the fundamental role that the French Revolution played in the emergence of modern professional musicianship. Geoffroy-Schwinden demonstrates how the French Revolution set the stage for the emergence of so-called musical 'Romanticism' among the likes of Beethoven and the legacies that continue to haunt musical institutions and industries.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780197511510.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780197511510.001.0001
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  • 6
    Online Resource
    Online Resource
    Made in Germany : studies in popular music (2021)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    ISBN: 1351200798 , 9781351200790
    Language: English
    Pages: 1 Online-Ressource (xii, 236 Seiten) , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    LS 48060
    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Inhaltsverzeichnis  (URL des Erstveröffentlichers)
    URL: https://www.taylorfrancis.com/books/made-germany-oliver-seibt-martin-ringsmut-david-emil-wickstr%C3%B6m/e/10.4324/9781351200790
    URL: https://doi.org/10.4324/9781351200790
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    Online Resource
    HeBIS
    BVB
  • 7
    Online Resource
    Online Resource
    Fandom and the Beatles : the act you've known for all these years (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190917890
    Language: English
    Pages: 1 Online-Ressource (296 pages) , Illustrations (colour).
    Series Statement: Oxford scholarship online
    DDC: 782.421660922
    RVK:
    LS 48040
    Keywords: Beatles ; Beatles Influence ; The Beatles ; Geschichte 1960-2020 ; Fan ; Popular music History and criticism 1961-1970 ; Popular music Social aspects 20th century ; History ; Music fans ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This title offers an insightful look into the band's enduring appeal through fan responses, exploring how the Beatles have inspired such loyalty and multigenerational popularity.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190917852.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190917852.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    München BSB
    HeBIS
    BVB
  • 8
    Online Resource
    Online Resource
    Brithop : the politics of UK rap in the new century (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197531372
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.4216490941
    RVK:
    LS 48650
    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) ; Political aspects ; Great Britain ; History ; 21st century ; Rap (Music) ; Great Britain ; History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: 'Brithop' investigates rap music's politics in the 21st century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain's political discourses. The rappers in this volume critique the United Kingdom's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
    DOI: 10.1093/oso/9780190656805.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    BSZ
    GBV
    KOBV
  • 9
    Online Resource
    Online Resource
    Soundtrack to a movement : African American Islam, jazz, and Black internationalism (2021)
    New York : New York University Press
    Details
    ISBN: 9781479849697 , 9781479800360
    Language: English
    Pages: 1 Online-Ressource (247 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    LR 57747
    RVK:
    LS 48100
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    DOI: 10.18574/9781479849697
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    München BSB
    BVB
  • 10
    Online Resource
    Online Resource
    Scots folk singers and their sources : a study of two major Scottish song collections (2021)
    Leiden ; Boston : Brill Rodopi
    Details
    ISBN: 9789004464414
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Diagramme
    Series Statement: Scottish cultural review of language and literature volume 31
    Parallel Title: Erscheint auch als
    RVK:
    HG 280
    RVK:
    LS 22550
    Keywords: Geschichte ; Volkslied ; Schottland ; Folk songs, Scots / Scotland / Sources ; Folk songs, English / Scotland / Sources ; Folk songs, Scots / Scotland / History and criticism ; Folk songs, English / Scotland / History and criticism ; Scots / Music / History and criticism ; Scottish Travellers (Nomadic people) / Music / History and criticism ; Music / Social aspects / Scotland / History ; Folk singers / Scotland ; Greig-Duncan folk song collection ; School of Scottish Studies Archives (Edinburgh) ; Folk singers ; Folk songs, English ; Folk songs, Scots ; Music / Social aspects ; Scotland ; Criticism, interpretation, etc ; History ; Sources ; Schottland ; Volkslied ; Geschichte
    Abstract: "This book offers a detailed analysis of two major Scottish folk song collections, the Greig-Duncan Collection, and the Scots folk song material of the School of Scottish Studies Archives. This exhaustive study of song transmission includes all contributors, not only notable singers. The scattered information, marshalled into quantifiable data, throws light on such topics as transmission within and outside the family, the role of literacy, the public reticence of women singers, the association between the Travellers and the big ballads, and the impact of social changes in the late nineteenth century, and of broadcast music in the 1920s. The new opportunities opened up by digitisation are explored here for the first time."
    Description / Table of Contents: Introduction -- Weighing the Catch -- Did Greig and Duncan Neglect the Travellers? -- Song Transmission -- The Reticence of Female Singers -- The Devolution of the Child Ballads to the Travellers -- Social Change and Education versus Tradition -- The Missing Singers of the 1920s -- Conclusions
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Regensburg UB
    BVB
  • 11
    Online Resource
    Online Resource
    Music and musicians in the medieval Islamicate world : a social history (2021)
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris | London : Bloomsbury Publishing
    Details
    ISBN: 9780755617913 , 9780755617906 , 9780755617890
    Language: English
    Pages: 1 Online-Ressource (284 Seiten)
    Edition: First edition
    Series Statement: Early and Medieval Islamic World
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9
    RVK:
    LS 34120
    Keywords: Geschichte 800-1400 ; Music Islamic countries ; History ; Musicians Islamic countries ; History ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."
    Note: Section I. Musical culture in the early Islamic courts. Chapter 1. Music and musicians ; Chapter 2. Musicianship and performance ; Chapter 3. Patronage -- Section II. Representations of musicianship and identity. Chapter 4. Literary performance of music and reading musical identity ; Chapter 5.Slavery and gender ; Chapter 6. Ethnos and gens -- Section III. Diversions of pleasure Chapter 7. Discomfort and censure ; Chapter 8. "Sama" and practice ; Chapter 9. The politics of listening
    DOI: 10.5040/9780755617913
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 12
    Online Resource
    Online Resource
    The Pop Musical : Sweat, Tears, and Tarnished Utopias (2021)
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780231549295
    Language: English
    Pages: 1 Online-Ressource , 10-15 film stills
    Edition: 2021
    Series Statement: Short Cuts
    RVK:
    LS 48050
    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; Motion pictures and music ; Musical films History and criticism ; Popular music Social aspects ; History ; PERFORMING ARTS / Theater / Broadway & Musicals ; USA
    Abstract: After Hollywood and Tin Pan Alley's iron grip on the movie musical began to slip in the face of pop's cultural dominance, many believed that the musical genre entered a terminal decline and finally wore itself out by the 1980s. Though the industrial model of the musical was disrupted by the emergence of pop, the Hollywood musical has not gone extinct. Many Hollywood productions from the 1960s to the present have revisited the forms and conventions of the classic musical-except instead of drawing from showtunes and jazz standards, they employ the styles and iconography of pop.Alberto Mira offers a new account of how pop music revolutionized the Hollywood musical. He shows that while the Hollywood system ceased producing large-scale traditional musicals, different pop strains-disco, rock 'n' roll, doo-wop, glam, and hip-hop-renewed the genre, giving it a new life. While the classical musical presented a world light on conflict, defined by theatricality and where effortless talent can shine through, the introduction of pop spurred musicals to address contemporary social and political conditions. Mira traces the emergence of a new set of themes-such as the painful hard work depicted in Dirty Dancing (1987); the double-edged fandom of Velvet Goldmine (1998); and the racial politics of Dreamgirls (2006)-to explore why the Hollywood musical has found renewed relevance.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
    DOI: 10.7312/mira19123
    URL: https://www.degruyter.com/isbn/9780231549295
    URL: Cover
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  • 13
    Online Resource
    Online Resource
    Harnessing harmony : music, power, and politics in the united states, 1788-1865 (2021)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469658896
    Language: English
    Pages: 1 Online-Ressource (268 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 306.48420973
    RVK:
    LQ 89305
    Keywords: Geschichte 1788-1865 ; Musikleben ; Politische Kultur ; Alltagskultur ; Musikpolitik ; Nationalbewusstsein ; Konservativismus ; Music Political aspects 19th century ; History ; Music Political aspects 18th century ; History ; Political culture History ; Elite (Social sciences) History ; Conservatism History ; USA
    Abstract: Following the creation of the United States, profound disagreements remained over how to secure the survival of the republic and unite its population. In this groundbreaking account, Billy Coleman uses the history of American music to illuminate the relationship between elite power and the people from the early national period to the Civil War.
    Note: Previously issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469658872.001.0001
    URL: https://dx.doi.org/10.5149/northcarolina/9781469658872.001.0001
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  • 14
    Online Resource
    Online Resource
    Tear down the walls : white radicalism and black power in 1960s rock (2021)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226768359
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
    LS 48635
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Black power ; Weiße ; Aktivismus ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Black power History 20th century ; Music and race History 20th century ; USA ; Großbritannien
    Abstract: 'Tear Down the Walls' sheds light on a significant but overlooked facet of 1960s rock and the Black Power era-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. It focuses on 1968 and 1969, years when the New Left in the US and UK began to combine cultural radicalism and political radicalism.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226768359.001.0001/upso-9780226768182
    URL: https://dx.doi.org/10.7208/chicago/9780226768359.001.0001/upso-9780226768182
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  • 15
    Online Resource
    Online Resource
    Damaged : musicality and race in early American punk (2021)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496831262
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    LS 48645
    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; Punk rock music History and criticism ; Music and race History 20th century ; USA ; United States Race relations 20th century ; History
    Abstract: This text offers a portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. The author provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.
    Note: Previously issued in print: 2020 , Includes bibliographical references, discography, filmography and index
    DOI: 10.14325/mississippi/9781496831217.001.0001
    URL: https://dx.doi.org/10.14325/mississippi/9781496831217.001.0001
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  • 16
    Online Resource
    Online Resource
    Singing like Germans : black musicians in the land of Bach, Beethoven, and Brahms (2021)
    Ithaca : Cornell University Press
    Details
    ISBN: 9781501759857
    Language: English
    Pages: 1 Online-Ressource (368 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.48428
    RVK:
    LB 48015
    RVK:
    LC 87015
    RVK:
    LR 11046
    Keywords: Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    URL: Click to View
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    München BSB
    BSZ
    GBV
    BVB
  • 17
    Online Resource
    Online Resource
    It's a London thing : how rare groove, acid house and jungle remapped the city (2020)
    Manchester : Manchester University Press
    Details
    ISBN: 9781526131249
    Language: English
    Pages: 1 Online-Ressource (296 pages)
    Parallel Title: Erscheint auch als Melville, Caspar It's a London thing : how rare groove, acid house and jungle remapped the city
    DDC: 780.94109034
    RVK:
    LS 48060
    RVK:
    NR 8640
    Keywords: Geschichte 1995-2020 ; Music Social aspects 19th century ; History ; Musikleben ; Sozialer Wandel ; Schwarze ; London ; London ; Schwarze ; Musikleben ; Sozialer Wandel ; Geschichte 1995-2020
    Note: Description based on print version record
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  • 18
    Online Resource
    Online Resource
    A people's music : Jazz in East Germany, 1945-1990 (2020)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781108776233
    Language: English
    Pages: 1 Online-Ressource (346 Seiten)
    Edition: First published
    Series Statement: New Studies in European History
    Parallel Title: Erscheint auch als
    DDC: 781.650943/1
    RVK:
    LS 48100
    RVK:
    LQ 80407
    RVK:
    LP 19507
    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Electronic books ; Electronic books ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik
    Abstract: Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext
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  • 19
    Online Resource
    Online Resource
    Deindustrialisation and popular music : punk and 'post-punk' in Manchester, Düsseldorf, Torino and Tampere (2020)
    London ; New York : Rowman & Littlefield International
    Details
    ISBN: 9781786607386
    Language: English
    Pages: 1 Online-Ressource (viii, 213 Seiten)
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als
    RVK:
    LB 42005
    RVK:
    LB 71005
    RVK:
    LC 27005
    RVK:
    LC 87005
    RVK:
    LS 48645
    Keywords: Geschichte 1980-1990 ; Musikleben ; Punk ; Punk Rock ; Großstadt ; Deindustrialisierung ; Heavy Metal ; Postpunk ; Sozialer Wandel ; Europa ; Tampere ; Turin ; Manchester ; Düsseldorf ; Popular music / Social aspects / Europe / History ; Punk rock music / Social aspects / Europe / History ; Post-punk music / Social aspects / Europe / History ; Deindustrialization / Europe ; Deindustrialization ; Popular music / Social aspects ; Europe ; Electronic books ; History ; Turin ; Tampere ; Manchester ; Düsseldorf ; Deindustrialisierung ; Punk ; Heavy Metal ; Musikleben ; Sozialer Wandel ; Geschichte 1980-1990 ; Europa ; Großstadt ; Deindustrialisierung ; Punk Rock ; Postpunk ; Musikleben ; Sozialer Wandel
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Description / Table of Contents: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place
    URL: Volltext
    URL: Volltext
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    München UB
    BVB
  • 20
    Online Resource
    Online Resource
    Musical solidarities : political action and music in late twentieth-century Poland (2020)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190938314
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: The new cultural history of music
    Series Statement: Oxford scholarship online
    DDC: 306.48420943809048
    RVK:
    LQ 86507
    Keywords: NSZZ "Solidarność" ; Geschichte 1980-1990 ; Musik ; Politischer Protest ; Untergrund ; Music Political aspects 20th century ; History ; Polen ; Poland Politics and government 1980-1989
    Abstract: A vibrant study of music and protest that focuses on the Solidarity movement in 1980s Poland, 'Musical Solidarities' explores how and why sound mattered to the opposition to state socialism. Unfurling the rich soundscapes of political action at demonstrations, church services, meetings, and in detention, it offers a nuanced portrait of this pivotal decade of European and global history.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190938284.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190938284.001.0001
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    URL: lizenzpflichtig
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  • 21
    Online Resource
    Online Resource
    Chapter Introduction (2020)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    Details
    ISBN: 9780429060595
    Language: English
    Pages: 1 Online-Ressource (10 p.)
    Additional Information: Enthalten in The Global Politics of Jazz in the Twentieth Century
    DDC: 306.48425
    RVK:
    LS 48200
    RVK:
    LS 48100
    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; Regional studies ; USA ; Arts ; Music ; Western Music Styles (Early & Classical) ; 20th Century Music ; Popular Music ; Jazz ; Humanities ; History ; Contemporary History 1945- ; The Cold War ; Media & Film Studies ; Popular Music ; History of Popular Music ; Politics & International Relations ; International Relations ; Foreign Policy ; International Relations Theory ; International Political Economy ; International Politics
    Abstract: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
    URL: kostenfrei
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    URL: OAPEN Library: description of the publication
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 22
    Online Resource
    Online Resource
    The grand theater of the world : music, space, and the performance of identity in early modern Rome (2020)
    London ; New York : Routledge
    Details
    ISBN: 9781315465876 , 9781315465883 , 9781315465890
    Language: English
    Pages: 1 Online-Ressource (xiii, 235 Seiten) , Illustrationen
    Series Statement: Ashgate interdisciplinary studies in opera
    Parallel Title: Erscheint auch als
    DDC: 306.48420945632
    RVK:
    LQ 82003
    RVK:
    LQ 82004
    RVK:
    NN 1357
    Keywords: Music Social aspects 17th century ; History ; Sound Social aspects 17th century ; History ; Rome (Italy) Social life and customs 17th century ; Musikleben ; Theater ; Musik ; Rom ; Kirchenstaat ; Aufsatzsammlung ; Rom ; Kirchenstaat ; Musikleben ; Musik ; Theater
    DOI: 10.4324/9781315465890
    URL: Volltext
    URL: Volltext
    URL: Volltext  (URL des Erstveroeffentlichers)
    URL: https://doi.org/10.4324/9781315465890
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    HBZ
  • 23
    Online Resource
    Online Resource
    Sun Ra's Chicago : Afrofuturism & the city (2020)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226732244
    Language: English
    Pages: 1 Online-Ressource (vii, 313 Seiten) , Illustrationen, Karten
    Series Statement: Historical studies of urban America
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48040
    Keywords: Sun Ra ; Geschichte 1946-1961 ; Afrofuturismus ; Chicago, Ill. ; Sun Ra ; African American musicians / Biography ; Afrofuturism ; Jazz / Illinois / Chicago / History and criticism ; South Side (Chicago, Ill.) / History / 20th century ; MUSIC / History & Criticism ; Sun Ra ; African American musicians ; Afrofuturism ; Jazz ; Illinois / Chicago ; 1900-1999 ; Biographies ; Criticism, interpretation, etc ; History ; Biografie ; Biografie ; Sun Ra Jazzmusiker 1914-1993 ; Chicago, Ill. ; Afrofuturismus ; Geschichte 1946-1961
    Abstract: "William T. Sites details the life of visionary musician Sun Ra in Chicago, from 1946 until 1961. Sun Ra's South Side was a site of unorthodox religious and cultural activism where Afrocentric philosophies flourished, storefront prophets sold "dream-book bibles," and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where styles circulated and mashed together in clubs and community dancehalls. Sun Ra drew from a vast array of intellectual sources (radical nationalism, antinomian Christianity, black mythology, and science fiction) and from multiple musical traditions (swing, jazz, blues, Latin dance music, "space-age pop," and other exotica) to promulgate visions of the city that did not conform to the orthodoxies of metropolitan elites, black or white"--
    DOI: 10.7208/9780226732244
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    BVB
  • 24
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    Online Resource
    A people's music : Jazz in East Germany, 1945-1990 (2020)
    New York : Cambridge University Press
    Details
    ISBN: 9781108645638 , 9781108486187 , 9781108731928
    Language: English
    Pages: 1 online resource (xxviii, 315 pages) , digital, PDF file(s).
    Series Statement: New studies in European history
    Parallel Title: Erscheint auch als Kaldewey, Helma, 1962 - A people's music
    DDC: 781.650943/1
    RVK:
    LP 19507
    RVK:
    LS 48100
    RVK:
    LQ 80407
    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Jazz ; Germany ; 20th century ; History and criticism ; Music and state ; Germany ; History ; 20th century ; Jazz ; Political aspects ; Germany ; History ; 20th century ; Jazz ; Social aspects ; Germany ; History ; 20th century ; Jazz ; Germany (East) ; History and criticism ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1945-1990
    Abstract: A People's Music presents the first full history of jazz in East Germany, drawing on new and previously unexamined sources and vivid eyewitness accounts. Helma Kaldewey chronicles the experiences of jazz musicians, fans, and advocates, and charts the numerous policies state socialism issued to manage this dynamic art form. Offering a radical revision of scholarly views of jazz as a musical genre of dissent, this vivid and authoritative study marks developments in the production, performance, and reception of jazz decade by decade, from the GDR's beginning in the 1940s to its end in 1990, examining how members of the jazz scene were engaged with (and were sometimes complicit with) state officials and agencies throughout the Cold War. From postwar rebuilding, to Stalinism and partition, to détente, Ostpolitik, and glasnost, and finally to its acceptance as a national art form, Kaldewey reveals just how many lives jazz has lived.
    Note: Title from publisher's bibliographic system (viewed on 18 Dec 2019)
    DOI: 10.1017/9781108645638
    URL: lizenzpflichtig
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  • 25
    Online Resource
    Online Resource
    Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives (2019)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    LS 48015
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
    DOI: 10.1515/9783839443583
    URL: kostenfrei
    URL: Cover
    URL: kostenfrei registrierungspflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: De Gruyter, Cover
    URL: EBSCOhost
    URL: https://doi.org/10.14361/9783839443583
    URL: https://openresearchlibrary.org/content/422dabda-0d15-4fb7-847b-a0d3dd102bff
    URL: Biblioboard
    URL: Image
    URL: lizenzpflichtig
    URL: kostenfrei
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  • 26
    Online Resource
    Online Resource
    Middlebrow modernism : Britten's operas and the great divide (2018)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520970700 , 0520970705 , 9780520298651 , 0520970705 , 9780520298651 , 9780520970700
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als
    Parallel Title: Print version Chowrimootoo, Christopher, 1985- Middlebrow modernism
    RVK:
    LP 91536
    Keywords: Britten, Benjamin ; Britten, Benjamin ; Britten, Benjamin ; Music ; Opera ; Modernism (Music) ; Music Philosophy and esthetics 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Music Philosophy and esthetics 20th century ; Electronic books ; MUSIC / History & Criticism ; Modernism (Music) ; Opera ; Operas (Britten, Benjamin) ; History ; Electronic books ; Britten, Benjamin 1913-1976 ; Oper ; Soziale Situation ; Massenkultur ; Neue Musik
    Abstract: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Abstract: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 27
    Online Resource
    Online Resource
    Female highlife performers in Ghana : expression, resistance, and advocacy (2018)
    Lanham : Lexington Books
    Details
    ISBN: 9781498564670
    Language: English
    Pages: 1 Online-Ressource (xvii, 172 pages) , illustrations, map
    Parallel Title: Erscheint auch als Amoah-Ramey, Nana Abena Female highlife performers in Ghana : expression, resistance, and advocacy
    DDC: 781.6308209667
    RVK:
    LS 46720
    Keywords: Highlife (Music) History and criticism ; Women musicians ; Popular music Political aspects ; History ; Highlife ; Musikerin ; Ghana ; Hochschulschrift ; Ghana ; Highlife ; Musikerin
    Note: Description based on print version record
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    BVB
  • 28
    Online Resource
    Online Resource
    Popular music, stars and stardom (2018)
    Acton, ACT, Australia : Australian National University Press
    Details
    ISBN: 9781760462123 , 1760462136 , 1760462128 , 1760462136 , 9781760462123 , 9781760462130
    Language: English
    Pages: 1 Online-Ressource (x, 162 pages)
    Parallel Title: Print version Popular music, stars and stardom
    RVK:
    LR 57730
    RVK:
    MS 7850
    Keywords: Mercury, Freddie Criticism and interpretation ; Caballé, Montserrat Criticism and interpretation ; Jacques, Judy Criticism and interpretation ; Saddington, Wendy Criticism and interpretation ; Beyoncé Criticism and interpretation ; Mercury, Freddie ; Caballé, Montserrat ; Jacques, Judy ; Saddington, Wendy ; Beyoncé ; Rock music ; Popular music Political aspects ; Popular music Social aspects ; Popular music History and criticism ; Fame Political aspects ; Minstrel music History ; Women musicians ; Popular music ; Rock music ; Popular music ; Popular music ; Popular music ; Fame ; Minstrel music ; Women musicians ; Popular music ; Electronic books ; Beyoncé ; Caballé, Montserrat ; Mercury, Freddie ; Music ; Popular culture ; Media, information & communication industries ; Minstrel music ; Popular music ; Popular music ; Political aspects ; Popular music ; Social aspects ; Rock music ; Women musicians ; Australia ; Criticism, interpretation, etc ; History ; Electronic books ; Popmusik ; Popsänger ; Popsängerin ; Starkult
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 29
    Online Resource
    Online Resource
    The Oxford handbook of music listening in the 19th and 20th centuries (2018)
    New York : Oxford University Press
    Details
    ISBN: 9780190466992
    Language: English
    Pages: 1 online resource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music listening in the 19th and 20th centuries
    DDC: 781.1/709
    RVK:
    LR 56606
    Keywords: Listening ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Concerts History 19th century ; Concerts History 20th century ; Music ; Social aspects ; History ; 19th century ; Music ; Social aspects ; History ; 20th century ; Concerts ; History ; 19th century ; Concerts ; History ; 20th century ; Listening ; Aufsatzsammlung ; Konferenzschrift 2012 ; Musikhören ; Konzert ; Konzert ; Geschichte 1800-2000 ; Musiksoziologie
    Abstract: This handbook takes on the task of examining the history of music listening over the past two hundred years. It uses the "art of listening" as a leitmotif encompassing an entanglement of interdependent practices and discourses about a learnable mode of perception. The art of listening first emerged around 1800 and was adopted and adapted across the public realm to suit a wide range of collective listening situations from popular to serious art forms up to the present day. Because this is a relatively new subject in historical research, the volume combines case studies from several disciplines in order to investigate whether, how, and why practices of music listening changed. Focusing on a diverse set of locations and actors and using a range of historical sources, it attempts to historicize and reconstruct the evolution of listening styles to show the wealth of variants in listening.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 2, 2018)
    DOI: 10.1093/oxfordhb/9780190466961.001.0001
    URL: lizenzpflichtig
    URL: Volltext
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  • 30
    Online Resource
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    The relentless pursuit of tone : timbre in popular music (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190908027
    Language: English
    Pages: 1 Online-Ressource (xviii, 386 Seiten)
    DDC: 781.641234
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Popular music Production and direction ; History ; Tone color (Music) ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Abstract: The Relentless Pursuit of Tone: Timbre in Popular Music assembles a wide spectrum of contemporary perspectives on how sound functions in an equally wide array of popular music. With subjects ranging from the twang of country banjos and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume attempts to bridge the gap between timbre, the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. The book’s chapters engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. The chapters in Part I, “Genre,” ask how sonic signatures define musical identities and publics; Part II, “Voice,” considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; Part III, “Instrument,” tells stories of the way some iconic pop music machines—guitars, strings, synthesizers—got (or lost) their distinctive sounds; and Part IV, “Production,” puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons, rockist authenticity, empty space?), and what it all might mean. The book includes a general theoretical introduction by the editors and an afterword by noted popular music scholar Simon Frith.
    DOI: 10.1093/oso/9780199985227.001.0001
    URL: Volltext
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  • 31
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    Sweet air : modernism, regionalism, and American popular song (2017)
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    Details
    ISBN: 9780252094576
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    RVK:
    LS 48015
    Keywords: Sozialgeschichte 1900-1970 ; Popmusik ; Musikgattung ; Regionalismus ; Verbreitung ; Technologie ; Popular music History and criticism ; Popular music Social aspects ; History ; USA
    Abstract: 'Sweet Air' rewrites the history of early twentieth-century pop music in modernist terms. Tracking the evolution of popular regional genres such as blues, country, folk, and rockabilly in relation to the growth of industry and consumer culture, Edward P. Comentale shows how this music became a vital means of exploring the new and often overwhelming feelings brought on by modern life.
    Note: Previously issued in print: 2013 , Includes bibliographical references and index
    DOI: 10.5406/illinois/9780252037399.001.0001
    URL: https://doi.org/10.5406/illinois/9780252037399.001.0001
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  • 32
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    Depression folk : grassroots music and left-wing politics in 1930s America (2017)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469628837
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 781.62/13009043
    RVK:
    LS 48640
    RVK:
    LQ 89307
    Keywords: Geschichte ; Folk music ; Weltwirtschaftskrise ; Politik ; Folk music Political aspects 20th century ; History ; Folk music History and criticism ; Popular music History and criticism 1931-1940 ; Politics and culture History 20th century ; USA
    Abstract: While music lovers and music historians alike understand that folk music played an increasingly pivotal role in American labour and politics during the economic and social tumult of the Great Depression, how did this relationship come to be? Ronald D. Cohen sheds new light on the cultural history of folk music in America, detailing the musicians, government agencies, and record companies that had a lasting impact.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469628813.001.0001
    URL: http://dx.doi.org/10.5149/northcarolina/9781469628813.001.0001
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  • 33
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    Between air and electricity : microphones and loudspeakers as musical instruments (2017)
    New York : Bloomsbury Academic
    Details
    ISBN: 9781501327612 , 9781501327629
    Language: English
    Pages: 1 Online-Ressource (xvi, 198 Seiten) , Illustrationen
    Edition: First published
    Series Statement: Music & sound studies
    Parallel Title: Erscheint auch als Eck, Cathy van, 1979 - Between air and electricity
    DDC: 781.49
    RVK:
    LR 57790
    Keywords: Sound Recording and reproducing ; History ; Electronic music History and criticism ; Microphone ; Loudspeakers ; Sound Recording and reproducing ; History ; Electronic music History and criticism ; Microphone ; Loudspeakers ; Audiotechnik ; Musikinstrument ; Mikrofon ; Lautsprecher ; Musikinstrument
    Abstract: Machine generated contents note: 1
    Note: Includes bibliographical references and index
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 34
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    The Jazz republic : music, race, and American culture in Weimar Germany (2017)
    Ann Arbor : University of Michigan Press | The Hague : OAPEN Foundation
    Details
    ISBN: 9780472122660
    Language: English
    Pages: 1 Online-Ressource (xi, 311 Seiten) , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    DDC: 306.4/8425094309042
    RVK:
    LS 48100
    RVK:
    LS 48200
    RVK:
    LS 48060
    RVK:
    NQ 1090
    Keywords: Kultur ; Jazz ; Modernität ; Ethnische Beziehungen ; Deutschland ; Electronic books ; Criticism, interpretation, etc ; History ; Electronic book ; Electronic book ; Criticism, interpretation, etc. ; History ; Electronic books.
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Volltext  (Kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
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    MPI Ethno. Forsch.
  • 35
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    Music, art and diplomacy : East-West cultural interactions and the Cold War (2016)
    London, [England] : Routledge
    Details
    ISBN: 9781317091752
    Language: English
    Pages: 1 Online-Ressource (xx, 180 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.48/24701713
    RVK:
    LR 57720
    Keywords: Geschichte 1900-2000 ; Geschichte 1938-1981 ; Geschichte ; Musik ; Politik ; Music and diplomacy ; Music / Political aspects / History / 20th century ; Arts and diplomacy ; Cold War ; Music and diplomacy ; Music Political aspects 20th century ; History ; Arts and diplomacy ; Cold War ; Ost-West-Konflikt ; Diplomatische Beziehungen ; Künste ; Musik ; Kulturaustausch ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Ost-West-Konflikt ; Musik ; Künste ; Kulturaustausch ; Diplomatische Beziehungen ; Geschichte 1938-1981
    Note: Includes bibliographical references and index
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  • 36
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    Loft jazz : improvising New York in the 1970s (2017)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520960893
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    RVK:
    LQ 89507
    RVK:
    LS 48270
    Keywords: Sozialgeschichte 1970-1980 ; Jazz History and criticism 1971-1980 ; Jazz Social aspects 20th century ; History ; Musikleben ; Jazz ; Loft ; Fabrikgebäude ; Lagerhalle ; New York, NY ; New York, NY ; Jazz ; Fabrikgebäude ; Lagerhalle ; Loft ; Musikleben ; Sozialgeschichte 1970-1980
    Abstract: The New York loft jazz scene of the 1970s was a pivotal period for uncompromising, artist-produced work. Faced with a flagging jazz economy, a group of young avant-garde improvisers chose to eschew the commercial sphere and develop alternative venues in the abandoned factories and warehouses of Lower Manhattan. This work provides a study of this period, tracing its history amid a series of overlapping discourses surrounding collectivism, urban renewal, experimentalist aesthetics, underground archives, and the radical politics of self-determination
    Note: Previously issued in print: 2016
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  • 37
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    The product of our souls : ragtime, race, and the birth of the Manhattan musical marketplace (2016)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469622712
    Language: English
    Pages: 1 Online-Ressource , Illustrations, maps
    DDC: 780.89/9607307471
    RVK:
    LS 48050
    RVK:
    LS 48500
    RVK:
    LS 48210
    RVK:
    LS 48100
    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; African Americans Music ; History and criticism ; Ragtime music History and criticism ; Ragtime music Social aspects 20th century ; History ; Music and race History 20th century ; USA
    Abstract: This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469622699.001.0001
    URL: http://dx.doi.org/10.5149/northcarolina/9781469622699.001.0001
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  • 38
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    Identity, intertextuality, and performance in early modern song culture (2016)
    Leiden : Brill
    Details
    ISBN: 9789004314986
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Intersections 43
    Series Statement: Intersections
    Parallel Title: Erscheint auch als Identities, Intertextuality and Performance in Song Culture (2012 : Amsterdam) Identity, intertextuality, and performance in early modern song culture
    RVK:
    LS 21000
    RVK:
    LR 53970
    Keywords: Vocal music History and criticism 16th century ; Vocal music History and criticism 17th century ; Vocal music History and criticism 18th century ; Vocal music History and criticism 19th century ; Music Social aspects 16th century ; History ; Music Social aspects 17th century ; History ; Music Social aspects 18th century ; History ; Music Social aspects 19th century ; History ; Autograph albums History 16th century ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Vokalmusik ; Volkslied ; Liederbuch ; Geschichte 1450-1850
    Abstract: Preliminary Material -- 1 Introduction /Louis Peter Grijp and Dieuwke van der Poel -- 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries /Ingrid Åkesson -- 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 /Nelleke Moser -- 4 Guilielmus Bolognino’s Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion /Hubert Meeus and Tine de Koninck -- 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries /Franz-Josef Holznagel -- 6 ‘Social Networking is in Our dna’: Women’s Alba Amicorum as Places to Build and Affirm Group Identities /Sophie Reinders -- 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women’s Alba /Clara Strijbosch -- 8 Exploring Love’s Options: Song and Youth Culture in the Sixteenth Century Netherlands /Dieuwke van der Poel -- 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany /David Robb -- 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790–1820) /Mary-Ann Constantine -- 11 Folksongs, Conflicts and Social Protest in Early Modern France /Éva Guillorel -- 12 “Fortune My Foe”: The Circulation of an English Super-Tune /Christopher Marsh -- 13 Samuel Pepys and the Making of Ballad Publics /Patricia Fumerton -- 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750–1838 /Anne Marieke van der Wal -- Index Nominum.
    Abstract: Singing together is a tried and true method of establishing and maintaining a group’s identity. Identity, Intertextuality, and Performance in Early Modern Song Culture for the first time explores comparatively the dynamic process of group formation through the production and appropriation of songs in various European countries and regions. Drawing on oral, handwritten and printed sources, with examples ranging from 1450 to 1850, the authors investigate intertextual patterns, borrowing of melodies, and performance practices as these manifested themselves in a broad spectrum of genres including ballads, popular songs, hymns and political songs. The volume intends to be a point of departure for further comparative studies in European song culture. Contributors are: Ingrid Åkesson, Mary-Ann Constantine, Patricia Fumerton, Louis Peter Grijp, Éva Guillorel, Franz-Josef Holznagel, Tine de Koninck, Christopher Marsh, Hubert Meeus, Nelleke Moser, Dieuwke van der Poel, Sophie Reinders, David Robb, Clara Strijbosch, and Anne Marieke van der Wal
    Note: Includes bibliographical references and index
    DOI: 10.1163/9789004314986
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  • 39
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    Identity, intertextuality, and performance in early modern song culture (2016)
    Leiden, Netherlands ; : Brill
    Details
    ISBN: 9789004314986
    Language: English
    Pages: 1 online resource (397 pages) , illustrations, photographs.
    Series Statement: Intersections Volume 43
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Identities, Intertextuality and Performance in Song Culture (2012 : Amsterdam) Identity, intertextuality, and performance in early modern song culture
    DDC: 782.0094
    RVK:
    LS 21000
    RVK:
    LR 53970
    Keywords: Autograph albums History 16th century ; Music Social aspects 16th century ; History ; Music Social aspects 17th century ; History ; Music Social aspects 18th century ; History ; Music Social aspects 19th century ; History ; Vocal music History and criticism 16th century ; Vocal music History and criticism 17th century ; Vocal music History and criticism 18th century ; Vocal music History and criticism 19th century ; Vocal music ; Europe ; 16th century ; History and criticism ; Vocal music ; Europe ; 17th century ; History and criticism ; Vocal music ; Europe ; 18th century ; History and criticism ; Vocal music ; Europe ; 19th century ; History and criticism ; Music ; Social aspects ; Europe ; History ; 16th century ; Music ; Social aspects ; Europe ; History ; 17th century ; Music ; Social aspects ; Europe ; History ; 18th century ; Music ; Social aspects ; Europe ; History ; 19th century ; Autograph albums ; Netherlands ; History ; 16th century ; Electronic books ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012 ; Vokalmusik ; Volkslied ; Liederbuch ; Geschichte 1450-1850
    Abstract: Contents -- Acknowledgements -- Notes on the Editors -- Notes on the Contributors -- List of Illustrations -- Chapter 1 Introduction -- Chapter 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries -- Chapter 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 -- Chapter 4 Guilielmus Bolognino's Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion -- Chapter 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries -- Chapter 6 'Social Networking is in Our Dna': Women's Alba Amicorum as Places to Build and Affirm Group Identities -- Chapter 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women's Alba -- Chapter 8 Exploring Love's Options: Song and Youth Culture in the Sixteenth Century Netherlands -- Chapter 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany -- Chapter 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790-1820) -- Chapter 11 Folksongs, Conflicts and Social Protest in Early Modern France -- chapter 12 "Fortune My Foe": The Circulation of an English Super-Tune -- Chapter 13 Samuel Pepys and the Making of Ballad Publics -- Chapter 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750-1838 -- Index Nominum
    Note: Includes bibliographical references at the end of each chapters and index. Description based on print version record
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  • 40
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    Instruments for new music : sound, technology, and modernism (2016)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520963122 , 0520963121 , 9780520288027 , 0520288025
    Language: English
    Pages: 1 Online-Ressource (xii, 236 pages)
    Parallel Title: Erscheint auch als Patteson, Thomas, 1981 - Instruments for new music
    Parallel Title: Print version Patteson, Thomas Instruments for new music
    RVK:
    LR 11180
    Keywords: Music and technology History. ; Electronic musical instruments History. ; Music Philosophy and aesthetics. ; Engineering ; Civil engineering ; Communication ; Mass media ; Musical instruments ; Musical instruments. ; Engineering. ; Civil engineering. ; Communication. ; Mass media. ; Music Philosophy and aesthetics ; Electronic musical instruments History ; Music and technology History ; Engineering ; Civil engineering ; Communication ; Mass media ; Musical instruments ; Music ; Electronic musical instruments ; Music and technology ; Civil engineering ; Communication ; Electronic musical instruments ; Engineering ; Mass media ; Music and technology ; Music ; Philosophy and aesthetics ; Musical instruments ; Musikinstrument ; Neue Musik ; Musik ; Music History & Criticism, Instrumental ; Music ; Music, Dance, Drama & Film ; MUSIC ; History & Criticism ; History ; Electronic books
    Abstract: "Player pianos, radio-electric circuits, gramophone records, and optical sound film-these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson's fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts."--Provided by publisher.
    Abstract: Listening to instruments -- "The joy of precision": mechanical instruments and the aesthetics of automation -- "The alchemy of tone": Jörg Mager and electric music -- "Sonic handwriting": media instruments and musical inscription -- "A new, perfect musical instrument": the trautonium and electric music in the 1930s -- The expanding instrumentarium
    Note: Includes bibliographical references (pages 209-228) and index , English
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  • 41
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    Post-punk, politics and pleasure in Britain (2016)
    London : Palgrave Macmillan
    Details
    ISBN: 9781137497802
    Language: English
    Pages: 1 Online-Ressource (XI, 228 Seiten)
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    DDC: 941
    RVK:
    LS 48645
    RVK:
    MG 42094
    Keywords: History ; Music ; Great Britain / History ; Civilization / History ; History of Britain and Ireland ; Cultural History ; Geschichte ; Musik ; Politik ; Musik ; Postpunk ; Kultur ; Großbritannien ; Großbritannien ; Electronic books ; Großbritannien ; Kultur ; Musik ; Postpunk ; Großbritannien ; Postpunk ; Politik
    DOI: 10.1057/978-1-137-49780-2
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  • 42
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    Performing civility : international competitions in classical music (2015)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781316181478 , 9781107100862 , 9781107498297
    Language: English
    Pages: 1 online resource (xii, 287 pages) , digital, PDF file(s).
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als
    DDC: 306.4842#n/a
    RVK:
    LR 57230
    Keywords: Music Competitions ; History ; Music ; Competitions ; History ; Electronic books ; Electronic books ; Klassische Musik ; Wettbewerb
    Abstract: Although competitions in classical music have a long history, the number of contests has risen dramatically since the Second World War, all of them aiming to launch young artists' careers. This is not the symptom of marketization that it might appear to be. Despite the establishment of an international governing body, competitions are plagued by rumors of corruption, and even the most mathematically sophisticated voting system cannot quell accusations that the best talent is overlooked. Why do musicians take part? Why do audiences care so much about who wins? Performing Civility is the first book to address these questions. In this groundbreaking study, Lisa McCormick draws from firsthand observations of contests in Europe and the US, in-depth interviews with competitors, jurors and directors, as well as blog data from competition observers to argue that competitions have endured because they are not only about music, they are also about civility.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    DOI: 10.1017/CBO9781316181478
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    URL: https://doi.org/10.1017/CBO9781316181478
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  • 43
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    Negotiating difference in French Louisiana music : categories, stereotypes, and identifications (2015)
    Jackson, Mississippi : University Press of Mississippi
    Details
    ISBN: 9781626740785 , 9781628461466
    Language: English
    Pages: 1 Online-Ressource (XI, 383 Seiten)
    Series Statement: American Made Music Series
    Parallel Title: Erscheint auch als
    DDC: 781.62/410763
    RVK:
    LQ 89400
    RVK:
    LS 48220
    RVK:
    MS 3450
    Keywords: Geschichte ; Alltag, Brauchtum ; Geschichte ; Gesellschaft ; Difference (Philosophy) in music ; Cajun music History and criticism ; Folk music History and criticism ; Zydeco music History and criticism ; Popular music Social aspects ; History ; Cajuns Social life and customs ; Musikleben ; Musiksoziologie ; Differenz ; Zydeco ; Cajun-Music ; Kreolen ; Louisiana ; Louisiana ; Kreolen ; Cajun-Music ; Zydeco ; Musikleben ; Differenz ; Musiksoziologie ; Geschichte
    Abstract: This book explores the role of music in negotiating difference. It brings to light processes of differentiation and social stereotypes and hierarchies at at work in the evolving French Louisiana musical field. It also draws attention to the interactions between binary oppositions such as black and white, urban and rural, differentiation and creolization, traditional and modern, and local, national and global. The book argues for the importance of desegregating the understanding of French Louisiana music by situating it beyond ethnic or racial identifications, bringing to light the importance of regional identification. The musical genealogy and categories in use are legitimized through an omnipresent racial imaginary that frames African and European lineage as a foundational difference. Instead of seeing the discourses of origins and mixing as contradictory, the field and the way music is practiced show that they continually interact. French Louisiana musicians navigate between multiple identifications, music styles and legacies while market forces, outsider’s interest and geographical mobility also contribute to shape their career strategies and musical choices. This work also demonstrates the decisive role of non-natives' interest and mobility in the validation, evolution, and reconfiguration of French Louisiana music. Finally, the distinctiveness of South Louisiana with respect to the rest of the country appears both nurtured and endured, revealing the intricacies of political domination and regionalism
    DOI: 10.14325/mississippi/9781628461459.001.0001
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  • 44
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    Modern moves : dancing race during the ragtime and jazz eras (2015)
    New York : Oxford University Press
    Details
    ISBN: 9780199379866
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Robinson, Danielle Modern moves
    DDC: 793.33097471
    RVK:
    AP 83983
    RVK:
    LS 48100
    Keywords: Ballroom dancing History 20th century ; Dance History 20th century ; Dance Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race History 20th century ; Immigrants History 20th century ; Racism History 20th century ; New York (N.Y.) Race relations 20th century ; History ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung
    Abstract: 'Modern Moves' examines the movement of American social dances between black and white cultural groups and immigrant and migrant communities during the early twentieth century. It is structured by five overlapping case studies drawn from the disparate and yet related dance scenes of Manhattan, a black Atlantic capital into which diverse people and dances flowed and intermingled, and out of which new dances were marketed globally.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 24, 2015)
    DOI: 10.1093/acprof:oso/9780199779215.001.0001
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  • 45
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    The revolution will not be televised : protest music after Fukushima (2015)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190454951
    Language: English
    Pages: 1 Online-Ressource (xvii, 433 Seiten) , Notenbeispiele, Illustrationen, Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.5/920952090512
    RVK:
    AR 14120
    RVK:
    LS 43600
    Keywords: Kernkraftwerk Fukushima ; Geschichte 2011-2015 ; Geschichte ; Politik ; Popular music Political aspects 21st century ; History ; Protest songs History and criticism 21st century ; Fukushima Nuclear Disaster, Japan, 2011 Songs and music ; Nuclear power plants Public opinion ; Protest movements History 21st century ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Japan ; Japan ; Kernkraftwerk Fukushima ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Geschichte 2011-2015
    Note: Published to Oxford Scholarship Online: October 2016
    DOI: 10.1093/acprof:oso/9780199334681.001.0001
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  • 46
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    More important than the music : a history of jazz discography (2014)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226067674
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 016.78165026/6
    RVK:
    LS 48200
    RVK:
    LS 48100
    Keywords: Geschichte ; Jazz ; Label ; Musikwirtschaft ; Jazz Discography ; History ; Sound recordings Collectors and collecting
    Abstract: Today, jazz is considered high art, America's national music, and the catalog of its recordings - its discography - is often taken for granted. But behind jazz discography is a fraught and highly colourful history of research, fanaticism, and the simple desire to know who played what, where, and when. This history gets its first full-length treatment in Bruce D. Epperson's 'More Important Than the Music'.
    Note: Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226067674.001.0001/upso-9780226067537
    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226067674.001.0001/upso-9780226067537
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  • 47
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    Sonic modernities in the Malay world : a history of popular music, social distinction and novel lifestyles (1930s-2000s) (2014)
    Leiden : Brill | New York : JSTOR
    Details
    ISBN: 9789004261778 , 900426177X
    Language: English
    Pages: 1 Online-Ressource (xi, 375 Seiten) , Illustrations
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal- volume 290
    Series Statement: Southeast Asia mediated ; volume 5
    DDC: 781.6309595/1
    RVK:
    LS 40080
    RVK:
    NQ 5770
    Keywords: Popular music History and criticism ; Popular music History and criticism ; Music Social aspects 20th century ; History ; Music Social aspects 20th century ; History ; MUSIC Instruction & Study ; Theory ; Music Social aspects ; Popular music ; MUSIC / Genres & Styles / General ; Musiksoziologie ; Popmusik ; Criticism, interpretation, etc ; History
    Abstract: "Sonic Modernities situates Southeast Asian popular music in specific socio-historical settings, hoping that a focus on popular culture and history may shed light on how some people in a particular part of the world have been witnessing the emergence of all things modern. In its focus on pioneering artists, their creative use of new genres and border crossing technologies it aims at a rewriting of Southeast Asia's twentieth century from the perspective of popular music makers, the entertainment industry and its ever changing audiences"--...
    Note: Includes bibliographical references (pages 369-370) and index
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  • 48
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    Aurality : listening and knowledge in nineteenth-century Colombia (2014)
    Durham : Duke University Press
    Details
    ISBN: 9780822376262
    Language: English
    Pages: Online-Ressource (281 p)
    Edition: Online-Ausg.
    Series Statement: Sign, Storage, Transmission
    Series Statement: Sign, Storage, Transmission Ser.
    Parallel Title: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
    RVK:
    LQ 90304
    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Description / Table of Contents: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822376262
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822376262
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  • 49
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    The black musician and the white city : race and music in Chicago, 1900-1967 (2014)
    Ann Arbor : University of Michigan Press | Berlin : Knowledge Unlatched
    Details
    ISBN: 9780472029983
    Language: English
    Pages: 1 Online-Ressource (xi, 202 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Absher, Amy The black musician and the white city
    RVK:
    LQ 89507
    Keywords: African Americans Illinois ; Chicago ; Music ; History and criticism ; Popular music Illinois ; Chicago ; History and criticism ; Popular music Social aspects ; Illinois ; Chicago ; History ; 20th century ; Music and race Illinois ; Chicago ; History ; 20th century ; African American musicians Illinois ; Chicago ; Music trade Illinois ; Chicago ; History ; 20th century ; African American musicians Labor unions ; Illinois ; Chicago ; History ; 20th century ; Musicians Labor unions ; Illinois ; Chicago ; History ; 20th century
    Abstract: Musicians and the segregated city : Chicago in the early 1900s-1930s -- From south to south side : musicians in 1940s Chicago -- Redefining the music industry : independent music in Chicago, 1948-1953 -- From south side to the south and the nation, 1954-1963 -- "The fact remains ... we are negroes" : dissonance and the desegregation of Chicago's musicians' union, 1963-1967
    Abstract: Amy Absher’s The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s to 1950s. Absher takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city’s music community.
    URL: Volltext  (kostenfrei)
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    MPI Ethno. Forsch.
  • 50
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    Paris blues : African American music and French popular culture, 1920-1960 (2014)
    Chicago : The University of Chicago Press
    Details
    ISBN: 022613895X , 9780226138954
    Language: English
    Pages: 1 Online-Ressource (291 pages) , illustrations
    Parallel Title: Erscheint auch als Fry, Andy Paris Blues : African American Music and French Popular Culture, 1920-1960
    DDC: 781.65089/96073044
    RVK:
    LS 48015
    RVK:
    LS 48100
    Keywords: Jazz History and criticism 20th century ; Musical theater History 20th century ; Musical films History 20th century ; African American jazz musicians ; African Americans in the performing arts History 20th century ; PERFORMING ARTS ; Theater ; General ; African American jazz musicians ; African Americans in the performing arts ; Jazz ; Musical films ; Musical theater ; Jazz ; Afroamerikanische Musik ; Rezeption ; Afroamerikansk musik ; historia ; Jazz ; historia ; Jazzmusiker ; Music ; Music, Dance, Drama & Film ; Music History & Criticism, Popular - Jazz, Rock, etc ; Criticism, interpretation, etc ; History ; Frankrike ; Frankreich ; France ; Electronic books
    Abstract: Introduction -- Rethinking the Revue nègre : black musical theatre after Josephine Baker -- Jack à l'opéra : jazz bands in black and white -- "Du jazz hot à la créole" : Josephine Baker sings Offenbach -- "That gypsy in France" : Django Reinhardt's occupation blouze -- Remembrance of jazz past : Sidney Bechet in France.
    Abstract: The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France's complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation reinvention in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.--
    Note: Includes bibliographical references and index , English
    URL: lizenzpflichtig
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    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226138954.001.0001/upso-9780226138787
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    Bayreuth UB
  • 51
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    My voice is my weapon : music, nationalism, and the poetics of Palestinian resistance (2013)
    Durham : Duke University Press
    Details
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Language: English
    Pages: Online-Ressource
    Edition: Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
    RVK:
    LS 21520
    RVK:
    LS 35340
    Keywords: Music ; Politics ; History ; Palestine ; Music Political aspects ; Music Political aspects ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Abstract: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
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  • 52
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    Music and empire in Britain and India : identity, internationalism, and cross-cultural communication (2013)
    New York, NY : Palgrave Macmillan
    Details
    ISBN: 9781137311641 , 9781137311658
    Language: English
    Pages: 1 Online-Ressource(xii, 219 Seiten) , Illustrationen, Notenbeispiele
    Edition: Online-Ausgabe
    Series Statement: Palgrave studies in cultural and intellectual history
    Parallel Title: Erscheint auch als Linden, Bob van der Music and empire in Britain and India
    DDC: 780.9171/241
    RVK:
    LQ 84006
    RVK:
    LS 39400
    RVK:
    LQ 94006
    Keywords: Music Social aspects 20th century ; History ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music Indic influences ; Music Western influences ; Music Social aspects 19th century ; History ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Great Britain-History ; Electronic books ; Electronic books ; Indien ; England ; Geschichte 1649-1660 ; Musik ; Kulturkontakt ; Geschichte
    Abstract: Partly because of academic disciplinary boundaries, music remains a neglected subject in British Imperial history and, indeed, intellectual history at large. Nonetheless, the imperial encounter was, as this richly detailed new study demonstrates, a sound exercise, and music was a key dimension of identity formation as well as transnational networks and transcultural communication between colonizer and colonized. Specifically, it explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization and modernization of 'classical' music converged and diverged in
    Note: Includes bibliographical references and index
    DOI: 10.1057/9781137311641
    URL: Volltext
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  • 53
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    Making samba : a new history of race and music in Brazil (2013)
    Durham : Duke University Press
    Details
    ISBN: 0822391902 , 0822354152 , 0822354306 , 9780822391906 , 9780822354154 , 9780822354307
    Language: English
    Pages: Online-Ressource (xvii, 364 pages) , illustrations
    Edition: Online-Ausg.
    Parallel Title: Print version Making samba
    DDC: 781.640981
    RVK:
    LS 48800
    Keywords: Blacks Race identity ; Blacks Music ; History ; Music and race History ; Sambas History ; Sambas Social aspects ; History ; Sambas -- Brazil -- History ; Sambas -- Social aspects -- Brazil -- History ; Blacks -- Brazil -- Music -- History ; Music and race -- Brazil -- History ; Blacks -- Race identity -- Brazil ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈DIV〉By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.〈/div〉
    Description / Table of Contents: Contents; A Note about Brazilian Terminology, Currency, and Orthography; Abbreviations; Acknowledgments; Introduction; One. Between Fascination and Fear, Musicians' Worlds in Nineteenth-Century Rio de Janeiro; Two. Beyond the Punishment Paradigm, Popular Entertainment and Social Control after Abolition; Three. Musicians Outside the Circle, Race, Wealth, and Property in Fred Figner's Music Market; Four. "Our Music", "Pelo telefone," the Oito Batutas, and the Rise of "Samba""; Five. Mediators and Competitors, Musicians, Journalists, and the Roda do Samba
    Description / Table of Contents: Six. Bodies and Minds: Mapping Africa and Brazil during the Golden AgeSeven. Alliances and Limits: The SBAT and the Rise of the Entertainment Class; Eight. Everywhere and Nowhere: The UBC and the Consolidation of Racial and Gendered Difference; Nine. After the Golden Age: Reinvention and Political Change; Conclusion; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages [299]-335) and index
    URL: Volltext
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    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822391906
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    URL: http://dx.doi.org/10.1215/9780822391906
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  • 54
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    Music and politics in San Francisco : from the 1906 quake to the Second World War (2012)
    Berkeley, Calif. : University of California Press | Oxford : Oxford University Press
    Details
    ISBN: 9780520950092 , 0520950097
    Language: English
    Pages: 1 Online-Ressource (xiv, 365 p.) , Ill., maps.
    Series Statement: California studies in 20th-century music v. 13
    DDC: 306.48420979461
    RVK:
    LQ 89507
    RVK:
    LR 57720
    Keywords: Geschichte 20. Jahrhundert ; Musik ; Politik ; Music Political aspects 20th century ; History ; San Francisco, Calif.
    Abstract: This history immerses the reader in San Francisco's musical life during the first half of the 20th century, showing how a fractious community overcame virulent partisanship to establish cultural monuments such as the San Francisco Symphony (1911) and Opera (1923).
    Note: Includes bibliographical references and index
    DOI: 10.1525/california/9780520268913.001.0001
    URL: http://dx.doi.org/10.1525/california/9780520268913.001.0001
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  • 55
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    Musical renderings of the Philippine nation (2011)
    New York ; : Oxford University Press
    Details
    ISBN: 9780199894758
    Language: English
    Pages: 1 online resource.
    Series Statement: New cultural history of music
    Parallel Title: Erscheint auch als
    DDC: 781.59909599
    RVK:
    LS 44800
    Keywords: Music Political aspects 20th century ; History ; Nationalism in music ; Music and state ; Music History and criticism 20th century ; Philippinen ; Musik ; Nationalbewusstsein ; Politik
    Abstract: A cultural history of the Philippines during the 20th century this title focuses on the relationships between music performance, and ideologies of the nation. Christi-Anne Castro reveals how individuals and groups negotiate with and contest the power of the Philippine state to define the nation as a modern and hybrid entity.
    Note: Includes bibliographical references and index. - Description based on online resource; title from PDF title page (viewed on May 11, 2011)
    DOI: 10.1093/acprof:oso/9780199746408.001.0001
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  • 56
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    Jewry in Music : Entry to the Profession from the Enlightenment to Richard Wagner (2011)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781139058483
    Language: English
    Pages: Online-Ressource (1 online resource (356 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Conway, David, 1950 - Jewry in music
    DDC: 780.89924
    RVK:
    LS 33120
    Keywords: Jews Music ; History and criticism ; Jews in music ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews in music ; Jewish musicians ; History ; Jewish composers ; History ; Jews ; Music ; Judentum ; Musik ; Geschichte
    Abstract: David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures – not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    DOI: 10.1017/CBO9781139058483
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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  • 57
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    Music, cosmology, and the politics of harmony in early China (2011)
    Albany : State University of New York Press
    Details
    ISBN: 1438443153 , 1438443153 , 9781438443157
    Language: English
    Pages: 1 Online-Ressource (224 p.)
    Series Statement: SUNY series in Chinese philosophy and culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.931
    RVK:
    LS 41100
    Keywords: 1122 B.C. - 220 A.D. ; Geschichte Anfänge-220 ; MUSIC / History & Criticism ; Han Dynasty (China) ; Music / Philosophy and aesthetics ; Music / Political aspects ; Music / Social aspects ; Qin Dynasty (China) ; Zhou Dynasty (China) ; Geschichte ; Gesellschaft ; Musik ; Politik ; Music Philosophy and aesthetics ; Music Social aspects ; History ; Music Political aspects ; History ; Kosmologie ; Harmonie ; Musik ; Individuum ; Kulturpolitik ; Staat ; China ; China ; Staat ; Individuum ; Musik ; Kulturpolitik ; Kosmologie ; Harmonie ; Geschichte Anfänge-220
    Note: Includes bibliographical references and index , Music in state order and cosmic rulership -- A civilizing force for imperial rule -- Regulating sound and the cosmos -- Music and the emergence of a psychology of the emotions -- Sagely attunement to the cosmos -- Music and medicine
    URL: Volltext
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  • 58
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    Freedom sounds : civil rights call out to jazz and Africa (2010)
    Oxford [u.a.] : Oxford Univ. Press
    Details
    ISBN: 9780195128253
    Language: English
    Pages: 1 Online-Ressource (XI, 402 S.) , Ill., graph. Darst., Notenbeisp.
    Series Statement: Oxford scholarship online
    DDC: 781.65/1599
    RVK:
    LS 48100
    Keywords: Geschichte 1900-2000 ; Geschichte 1950-1970 ; African-Americans - Civil rights ; History - 20th century - United States ; Jazz - History and criticism - 1951-1960 ; Jazz - History and criticism - 1961-1970 ; Jazz - Political aspects - United States ; Jazz - Social aspects - United States ; Geschichte ; Gesellschaft ; Politik ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; Jazz Social aspects ; Jazz Political aspects ; African-Americans Civil rights 20th century ; History ; Politik ; Jazz ; Bürgerrechtsbewegung ; Gesellschaft ; Schwarze ; USA ; USA ; Jazz ; Geschichte 1950-1970 ; USA ; Jazz ; Gesellschaft ; Politik ; Geschichte 1950-1970 ; USA ; Schwarze ; Bürgerrechtsbewegung ; Geschichte 1950-1970
    Note: Includes bibliographical references (p. ) and index
    DOI: 10.1093/acprof:oso/9780195128253.001.0001
    URL: Volltext
    URL: Volltext
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    München BSB
    BVB
  • 59
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    Rhythms of the Afro-Atlantic world : rituals and remembrances (2010)
    Ann Arbor : The University of Michigan Press
    Details
    ISBN: 0472027476 , 0472901206 , 9780472027477 , 9780472901203
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als Rhythms of the Afro-Atlantic world
    RVK:
    LS 48900
    Keywords: Geschichte ; Danse ; Hip-hop ; Musique populaire ; Black people ; Dance ; Hip-hop ; HISTORY ; MUSIC ; Popular music ; Black people Music ; History and criticism ; Dance History ; Hip-hop ; Popular music History and criticism ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Karibik ; Amerika ; Africa ; Caribbean Area ; Electronic books ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Amerika ; Karibik ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Geschichte
    Abstract: Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic peoples have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic---Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others---highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures
    Description / Table of Contents: The economic vitamins of Cuba : sacred and other dance performances / Yvonne Daniel -- Performing pentecostalism : music, identity, and the interplay of Jamaican and African American styles / Melvin L. Butler -- "The women have on all their clothes" : reading the texts of holy hip-hop / Deborah Smith Pollard -- Rhythmic remembrances / Yvonne Daniel -- Citizenship and dance in urban Brazil : Grupo Corpo, a case study / Lucía M. Suárez -- Muscle/memories : how Germaine Acogny and Diane McIntyre put their feet down / Susan Leigh Foster -- "To carry the dance of the people beyond" : Jean Léon Destiné, Lavinia Williams, and Danse Folklorique Haïtienne / Millery Polyné -- Motherland hip-hop : connective marginality and African American youth culture in Senegal and Kenya / Halifu Osumare -- New York bomba : Puerto Ricans, Dominicans, and a bridge called Haiti / Raquel Z. Rivera -- Talking drums : soca and go-go music as grassroots identity movements / Deidre R. Gantt -- Warriors of the world : rapso in Trinidad's festival culture / Patricia van Leeuwaarde Moonsammy -- Timba Brava : Maroon music in Cuba / Umi Vaughan -- Salsa memory : revisiting Grupo Folklórico y experimental nuevayorquino / Juan Flores and René López -- Performing memories : the atlantic theater of cultural production and exchange / Carrol Smith-Rosenberg
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    Regensburg UB
    BVB
  • 60
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    Music, culture and social reform in the age of Wagner (2010)
    Cambridge : Cambridge University Press
    Details
    ISBN: 0521110548 , 9780521110549
    Language: English
    Pages: Online-Ressource (xi, 292 p) , 26 cm
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Music, Culture and Social Reform in the Age of Wagner
    DDC: 306.4/842094309034
    RVK:
    LR 57720
    RVK:
    LQ 80305
    Keywords: Music Political aspects 19th century ; History ; Music Social aspects 19th century ; History
    Abstract: A radical reappraisal of the left-wing politics at the heart of nineteenth-century German music and culture
    Description / Table of Contents: Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgments; Abbreviations; Introduction; 1 Liberalism, autonomy and the social functions of art; 2 Radical and social aesthetics in the Vormärz; 3 Speaking for the Volk: music, politics and Vormärz festivals; 4 Revolutionary voices: blueprints for an aesthetic state; 5 Music and the politics of post-revolutionary culture; 6 The song of the workers: idylls and activism; Notes; Bibliography; Index
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: lizenzpflichtig
    URL: https://doi.org/10.1017/CBO9781139042758
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  • 61
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    Rhythms of the Afro-Atlantic World : Rituals and Remembrances (2010)
    Ann Arbor : University of Michigan Press | Baltimore, Md. : Project MUSE
    Details
    ISBN: 9780472027477 , 0472027476
    Language: English
    Pages: 1 Online-Ressource (292 p. :) , Ill.
    DDC: 780.89/96
    RVK:
    LS 48900
    Keywords: Geschichte ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Amerika ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references and index , Description based on print version record
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
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    URL: Volltext  (kostenfrei)
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  • 62
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    Music, Culture and Social Reform in the Age of Wagner (2010)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781139042758
    Language: English
    Pages: Online-Ressource (1 online resource (306 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Garratt, James, 1974 - Music, culture and social reform in the age of Wagner
    Parallel Title: Print version
    DDC: 306.4/842094309034
    RVK:
    LQ 80300
    RVK:
    LR 57725
    RVK:
    LP 63020
    Keywords: Wagner, Richard ; Music Political aspects ; History ; 19th century ; Germany ; Music Social aspects ; History ; 19th century ; Germany ; Music Social aspects 19th century ; History ; Music Political aspects 19th century ; History ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Music ; Germany ; 19th century ; History and criticism ; Socialism and music ; Germany ; History ; 19th century ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1815-1870 ; Deutschland ; Musikästhetik ; Politik ; Geschichte 1815-1870 ; Deutschland ; Musik ; Politik ; Geschichte 1800-1900 ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1800-1900
    Abstract: Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic
    Abstract: Liberalism, autonomy and the social functions of art. Liberal individualism, perfectionism and aesthetic autonomy ; Music and Schillerian autonomy ; Choral music and socialization in the early nineteenth century: Nägeli and Zelter -- Radical and social aesthetics in the Vormärz. The trouble with Tannhäuser: artistic discourse as oppositional politics ; Left Hegelians and the politicization of literature and music ; Socialism in Vormärz literary and musical discourse -- Speaking for the Volk: music, politics and Vormärz festivals. Commemorative festivals and the cult of genius ; Lortzing, Mendelssohn and the Leipzig Gutenberg Festival ; An equal music? Singing festivals as mass and counter-culture ; To the artists (i): Mendelssohn and the German-Flemish singing festival -- Revolutionary voices: blueprints for an aesthetic state. Musical reform and the state ; Wagner, Lortzing and the music of revolution -- Music and the politics of post-revolutionary culture. Between anarchism and socialism: Wagner's Zurich essays ; The politics of progressivism: Liszt and the New German School ; To the artists (ii): Liszt and the Karlsruhe music festival ; Citizen Sachs? A Wagnerian coda -- The song of the workers: idylls and activism. Socialization and self-help: workers' education societies ; Lassalle, Bülow and the end of bourgeois music ; Schiller's heirs: art, Bildung and proletarian identity
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    DOI: 10.1017/CBO9781139042758
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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    Sound commitments : avant-garde music and the sixties (2009)
    Oxford : Oxford University Press
    Details
    ISBN: 9780199868551
    Language: English
    Pages: 1 online resource (xi, 292 p.) , ill.
    Parallel Title: Erscheint auch als
    DDC: 780.904
    RVK:
    LP 19507
    RVK:
    LP 91020
    RVK:
    LR 57720
    RVK:
    LR 57730
    RVK:
    LS 48000
    Keywords: Music Political aspects 20th century ; History ; Avant-garde (Music) ; Nineteen sixties ; Musik
    Abstract: This text examines the encounter of avant-garde music and 'the Sixties' across a range of genres, aesthetic positions and geographical locations.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1093/acprof:oso/9780195336641.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Jews, race and popular music (2009)
    Farnham : Ashgate
    Details
    Language: English
    Pages: 1 Online-Ressource (x, 227 Seiten) , 24 cm
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Stratton, Jon, 1950 - Jews, race and popular music
    DDC: 781.64089924
    RVK:
    LS 48000
    Keywords: Popular music ; History and criticism ; Jews ; Music ; History and criticism ; Jewish singers ; History ; 20th century ; Jewish singers ; History ; 21st century ; Juden ; Englisches Sprachgebiet ; Popmusik ; Geschichte
    Note: Formerly CIP Uk. - Includes bibliographical references (p. [201]-214) and index. - Moanin' low -- Jews dreaming of acceptance -- Stay with me -- Jews and blues -- The Beastie Boys -- A Jew singing like a Black woman in Australia -- Not quite English -- Visibly Jewish
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Jazz diplomacy : promoting America in the Cold War era (2009)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781604732689 , 1604732687
    Language: English
    Pages: 219 p
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.650973/0947
    RVK:
    LS 48200
    RVK:
    NQ 5910
    Keywords: Geschichte 1900-2000 ; Geschichte 1954-1968 ; Geschichte ; Gesellschaft ; Politik ; Jazz Political aspects 20th century ; History ; Cold War Social aspects ; Ost-West-Konflikt ; Kulturaustausch ; Kulturvermittlung ; Diplomatie ; Jazz ; USA ; USA ; Sowjetunion ; Ost-West-Konflikt ; Diplomatie ; Jazz ; Geschichte 1954-1968 ; USA ; Sowjetunion ; Kulturaustausch ; Geschichte 1954-1968 ; USA ; Jazz ; Kulturvermittlung ; Sowjetunion
    Description / Table of Contents: Introduction -- Battling the Reds -- Jazz diplomacy at home and abroad, 1954-1957 -- Jazz means freedom, 1957-1960 -- The paradox of jazz diplomacy, 1961-1966 -- Jazz behind the iron curtain, 1961-1966 -- Bedlam from the decadent West, 1967-1968 -- Conclusion
    Note: Includes bibliographical references (p. [199]-212) and index
    URL: http://dx.doi.org/10.14325/mississippi/9781604732689.001.0001
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  • 66
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    Sound commitments : avant-garde music and the sixties (2009)
    Oxford : Oxford University Press
    Details
    ISBN: 019533664X , 9780195336641 , 0195336658 , 9780195336658
    Language: English
    Pages: xi, 292 p.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9/04
    RVK:
    LP 19507
    RVK:
    LP 91020
    RVK:
    LR 57720
    RVK:
    LR 57730
    RVK:
    LS 48000
    Keywords: Geschichte 1900-2000 ; Geschichte 1960-1970 ; Geschichte ; Musik ; Politik ; Music Political aspects 20th century ; History ; Avant-garde (Music) ; Nineteen sixties ; Musik ; Konferenzschrift 2004 ; Musik ; Geschichte 1960-1970
    Description / Table of Contents: Avant-garde : some introductory notes on the politics of a label / Hubert F. van den Berg -- Ideologies. "Demolish serious culture!" : Henry Flynt and Workers World Party / Benjamin Piekut ; Forms of opposition at the "politiek-demonstratief experimenteel" concert / Robert Adlington ; Aesthetic theories and revolutionary practice : Nikolaus A. Huber and Clytus Gottwald in dissent / Beate Kutschke -- Rethinking the popular. "Music is a universal human right" : Musica Elettronica Viva / Amy C. Beal -- The problem of the political in Steve Reich's Come out / Sumanth Gopinath ; The politics of Presque rien / Eric Drott -- Politicising performance. ONCE and the sixties / Ralf Dietrich ; "Scream against the sky" : Japanese avant-garde music in the sixties / Yayoi Uno Everett -- The challenge of institutionalization. After the October revolution : the jazz avant-garde in New York, 1964-65 / Bernard Gendron ; American cultural diplomacy and the mediation of avant-garde music / Danielle Fosler-Lussier ; From Scriabin to Pink Floyd : the ANS synthesizer and the politics of Soviet music between thaw and stagnation / Peter J. Schmelz
    Note: Includes bibliographical references and index
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  • 67
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    Canadian content : culture and the quest for nationhood (2008)
    Toronto : University of Toronto Press
    Details
    ISBN: 1442687495 , 9781442687493
    Language: English
    Pages: 1 Online-Ressource (viii, 360 pages, [12] leaves of plates)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 971.064
    RVK:
    LQ 89007
    RVK:
    LS 48000
    RVK:
    LS 48070
    Keywords: Geschichte 1900-2000 ; Geschichte ; Nationalisme / Canada / Histoire / 20e siècle ; Industries culturelles / Politique gouvernementale / Canada / Histoire / 20e siècle ; Industries culturelles / Canada / Histoire / 20e siècle ; HISTORY / Canada / General ; HISTORY / Canada / Post-Confederation (1867- ) ; Geschichte ; Nationalismus ; Politik ; Nationalism History 20th century ; Cultural industries Government policy 20th century ; History ; Cultural industries History 20th century ; Kulturpolitik ; Nationalismus ; Popmusik ; Kanada ; Kanada ; Kanada ; Kulturpolitik ; Nationalismus ; Kanada ; Popmusik ; Geschichte
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 325-343) and index , Introduction: a guide to Canadianization -- Colony to nation: morality, modernity, and the nationalist use of culture -- Culturing Canada: the Massey Commission and the broadcasting, film, and arts triumvirate -- From institution to industry: mass media and state intervention, 1958-1966 -- Canadian content woes: cultural imbalance and undercurrents in the 1960s -- Creating the peaceable kingdom: a new nationalist Canadian identity -- Guaranteed culture: nationalism and the question of intervention -- Saving Canada: Pierre Trudeau and the mobilization of culture -- Littlest Hobos and Kings of Kensington: Canadian cultural melange in the 1970s -- From citizens to consumers: cultural industrialism and the commodification of Canadian content -- Canadianization in a time of globalization -- Conclusion: building Canada: culture and the quest ofr nationhood
    URL: Volltext
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    Jewish music and modernity : music and cultural contestation in Central Europe (2008)
    New York : Oxford University Press
    Details
    ISBN: 9780199869992
    Language: English
    Pages: 1 online resource (368 p.)
    Series Statement: AMS studies in music
    Parallel Title: Erscheint auch als Bohlman, Philip V., 1952 - Jewish music and modernity
    Parallel Title: Print version
    Parallel Title: Erscheint auch als Bohlman, Philip V., 1952 - Jewish music and modernity
    DDC: 780.89/924
    RVK:
    LS 33120
    RVK:
    LR 57736
    Keywords: Jews History ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews ; Germany ; History ; Jews Music ; History and criticism ; Jews Germany ; History ; Jews ; Germany ; Music ; Jews ; Germany ; History ; Deutschland ; Juden ; Musik ; Moderne ; Geschichte ; Judentum ; Musik ; Modernität ; Urbanität ; Geschichte 1890-1933 ; Zionismus ; Musik
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1093/acprof:oso/9780195178326.001.0001
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 69
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    French music, culture, and national identity, 1870-1939 (2008)
    Rochester : University of Rochester Press
    Details
    ISBN: 9781282894969 , 9781580467230 , 128289496X
    Language: English
    Pages: 1 Online-Ressource (XIX, 260 Seiten)
    Series Statement: Eastman studies in music
    Parallel Title: Print version French Music, Culture, and National Identity, 1870-1939
    Parallel Title: Erscheint auch als French music, culture, and national identity, 1870 - 1939
    DDC: 306.4842094409034
    RVK:
    LQ 82206
    Keywords: Nationalism in music ; Music Political aspects 19th century ; History ; Music Political aspects 20th century ; History ; Music -- Political aspects -- France -- History -- 19th century ; Music -- Political aspects -- France -- History -- 20th century ; Nationalism in music ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation
    Description / Table of Contents: ""Frontcover""; ""CONTENTS""; ""LIST OF ILLUSTRATIONS""; ""ACKNOWLEDGMENTS""; ""TIMELINE: Selective Chronology of Historical and Cultural Events,1870â€?1939""; ""INTRODUCTION: The Roles of Music and Culture in National Identity Formation""; ""Part One: Heroism, Art, and New Media: France and Identity Formation""; ""1 Unifying the French Nation: Savorgnan de Brazza and the Third Republic""; ""2 New Media, Source-Bonding, and Alienation: Listening at the 1889 Exposition Universelle""; ""3 Debussy and the Making of a musicien franÃais: Pelléas, the Press, and World War I""
    Description / Table of Contents: ""4 À bas Wagner!: The French Press Campaign against Wagner during World War I""""Part Two: Canon, Style, and Political Alignment""; ""5 D�Indy�s Beethoven""; ""6 Messidor: Republican Patriotism and the French Revolutionary Tradition in Third Republic Opera""; ""7 The Symphony and National Identity in Early Twentieth-Century France""; ""8 Transcending the Word?: Religion and Music in Gauguin�s Quest for Abstraction""; ""9 Jolivet�s Search for a New French Voice: Spiritual “Otherness� in Mana (1935)""; ""Part Three: Regionalism""
    Description / Table of Contents: ""10 Rameau in Late Nineteenth-Century Dijon: Memorial, Festival, Fiasco""""11 Becoming Alsatian: Anti-German and Pro-French Cultural Propaganda in Alsace, 1898�1914""; ""12 National Identity and the Double Border in Lorraine, 1870�1914""; ""LIST OF CONTRIBUTORS""; ""INDEX ""; ""Backcover""
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: https://www.cambridge.org/core/product/identifier/9781580467230/type/BOOK
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    Freedom sounds : civil rights call out to jazz and Africa (2007)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780199864492
    Language: English
    Pages: 1 Online-Ressource (xi, 402 p.) , Ill.
    DDC: 781.651599
    RVK:
    LS 48100
    Keywords: Geschichte 1950-1970 ; Jazz ; Gesellschaft ; Politik ; Schwarze ; Bürgerrechtsbewegung ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; Jazz Social aspects ; Jazz Political aspects ; African Americans Civil rights 20th century ; History ; USA
    Abstract: An insightful examination of the impact of the civil rights movement and African independence on jazz in the 1950s and 60s this text traces the complex relationships between music politics, aesthetics, and activism through the lens of racial and economic issues.
    Note: Includes bibliographical references, discography and index
    DOI: 10.1093/acprof:oso/9780195128253.001.0001
    URL: http://dx.doi.org/10.1093/acprof:oso/9780195128253.001.0001
    URL: lizenzpflichtig
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  • 71
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    Subversive sounds : race and the birth of jazz in New Orleans (2007)
    Chicago : University of Chicago Press
    Details
    ISBN: 9780226328690 , 0226328694
    Language: English
    Pages: 1 Online-Ressource (xii, 289 p.)
    DDC: 781.65/20976335
    RVK:
    LS 48100
    Keywords: Geschichte ; MUSIC / Genres & Styles / Jazz ; Jazz ; Music and race ; Music / Social aspects ; Geschichte ; Gesellschaft ; Musik ; Jazz History and criticism ; Music Social aspects ; History ; Music and race ; Jazz ; Gesellschaft ; New Orleans, La. ; New Orleans, La. ; Jazz ; Gesellschaft ; Geschichte
    Note: Includes bibliographical references (p. 247-270), discography (p. 271-273), and index , Places -- Reaction -- Musicians -- Music -- Dissemination : Morton, La Rocca, and Armstrong , Subversive Sounds probes New Orleans?s history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form?jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born. This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans?s complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of m
    URL: Volltext
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  • 72
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    Phonographies : grooves in sonic Afro-modernity (2005)
    Durham : Duke University Press
    Details
    ISBN: 9780822386933 , 0822386933
    Language: English
    Pages: 1 Online-Ressource (xii, 286 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48050
    Keywords: Geschichte 1900-2000 ; Popular music Social aspects ; History ; 20th century ; Sound Recording and reproducing ; Social aspects ; Blacks Music ; 20th century ; History and criticism ; African Americans Music ; History and criticism ; Music and literature History ; 20th century ; Musik ; Sound ; Schwarze ; USA ; Electronic books ; USA ; Schwarze ; Musik ; Sound ; Geschichte 1900-2000
    Note: Includes bibliographical references (pages [257]-278) and index , Intro : It's beginning to feel like -- Hearing sonic Afro-modernity -- "I am I be" : a subject of sonic Afro-modernity -- In the mix -- Consuming sonic technologies -- Sounding diasporic citizenship -- Outro : thinking sound/sound thinking (slipping into the breaks remix)
    DOI: 10.1215/9780822386933
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    African Americans and US popular culture (2003)
    London : Routledge
    Details
    ISBN: 1299697909 , 9781299697904 , 9781136475276 , 1136475273
    Language: English
    Pages: Online Ressource (vii, 130 pages)
    Parallel Title: Print version African Americans and US popular culture
    DDC: 305.896/073
    RVK:
    LS 48050
    RVK:
    LB 48600
    RVK:
    NQ 5310
    RVK:
    NQ 8340
    Keywords: African Americans Race identity ; African Americans Intellectual life ; Racism in popular culture United States ; Popular culture History ; United States ; African Americans in popular culture ; African Americans Race identity ; African Americans Intellectual life ; Racism in popular culture ; Popular culture History ; African Americans in popular culture ; African Americans Race identity ; African Americans Intellectual life ; Racism in popular culture ; Popular culture History ; SOCIAL SCIENCE ; Ethnic Studies ; African American Studies ; African Americans in popular culture ; African Americans ; Intellectual life ; African Americans ; Race identity ; Civilization ; African American influences ; Popular culture ; Race relations ; Racism in popular culture ; Massenkultur ; Populaire cultuur ; History ; United States Race relations ; United States Civilization ; African American influences ; United States ; Schwarze ; USA ; United States Race relations ; United States Civilization ; African American influences ; United States Race relations ; United States Civilization ; African American influences ; United States ; Schwarze ; USA ; Electronic books History
    Abstract: "Rooted in African society and traditions, black slaves in America created a dynamic culture which lives on and keeps evolving. Present day hip hop and rap music are still shaped by the historical experience of slavery and the will to oppose oppression and racism. This volume is an authoritative introduction to the history of African Americans in U.S. popular culture, examining its development from the early nineteenth century to the present. Kevern Verney examines the role and significance of race in all major forms of popular culture, including sport, film, television, radio and music."--BOOK JACKET
    Note: Includes bibliographical references (pages 115-120) and index. - Print version record
    URL: lizenzpflichtig
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    Culture on the margins : the Black spiritual and the rise of American cultural interpretation (1999)
    Princeton, N.J. : Princeton University Press
    Details
    ISBN: 0691004730 , 0691004749
    Language: English
    Pages: x, 288 p
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.25/3
    RVK:
    LS 48400
    Keywords: Geschichte ; Gesellschaft ; Musik ; Schwarze. USA ; Spirituals (Songs) Social aspects ; African Americans Music Social aspects ; Culture Research ; History ; Sozialgeschichte ; Musik ; Negrospiritual ; Soziologie ; Schwarze ; USA ; USA ; USA ; Schwarze ; Musik ; Soziologie ; USA ; Negrospiritual ; Sozialgeschichte
    Note: Includes bibliographical references (p. [259]-288 p.) and indexes
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    Music and social movements : mobilizing traditions in the twentieth century (1998)
    Cambridge [England] ; New York : Cambridge University Press
    Details
    ISBN: 0521620457 , 0521629667 , 1139939300 , 9780521620451 , 9780521629669 , 9781139939300
    Language: English
    Pages: 1 online resource (xi, 191 pages)
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als Eyerman, Ron Music and social movements
    DDC: 306.4/84
    RVK:
    LR 56600
    RVK:
    MR 5600
    RVK:
    MS 8020
    Keywords: Geschichte 1900-2000 ; Geschichte 1900-1995 ; Populaire muziek ; Sociale bewegingen ; Sociale verandering ; Musique / Aspect social / Histoire / 20e siècle ; Mouvements sociaux / Histoire / 20e siècle ; Sociologie politique / Histoire / 20e siècle ; Culture populaire / Histoire / 20e siècle ; Music and society / History / 20th century ; Music / Social aspects ; Political sociology ; Popular culture ; Social movements ; POLITICAL SCIENCE / Public Policy / Cultural Policy ; SOCIAL SCIENCE / Anthropology / Cultural ; SOCIAL SCIENCE / Popular Culture ; Geschichte ; Gesellschaft ; Musik ; Sozialer Wandel ; Music Social aspects 20th century ; History ; Social movements History 20th century ; Political sociology History 20th century ; Popular culture History 20th century ; Music Social aspects ; Soziale Bewegung ; Musik ; Musik ; Soziale Bewegung ; Geschichte 1900-1995
    Description / Table of Contents: 1. On social movements and culture --- 2. Taking traditions seriously --- 3. Making an alternative popular culture: from populism to the popular front --- 4. The movements of black music: from the New Negro to civil rights --- 5. Politics and music in the 1960s --- 6. From the sixties to the nineties: the case of Sweden --- 7. Structures of feeling and cognitive praxis
    Description / Table of Contents: Building on their studies of sixties culture and theory of cognitive praxis, Ron Eyerman and Andrew Jamison examine the mobilization of cultural traditions and formulation of new collective identities through the music of activism. They combine a sophisticated theoretical argument with historical-empirical studies of nineteenth-century populists and twentieth-century labour and ethnic movements, focusing on the interrelations between music and social movements in the United States and the transfer of those experiences to Europe. Specific chapters examine folk and country music, black music, music of the 1960s movements, and music of the Swedish progressive movement
    Note: Description based on print version record
    URL: Volltext
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: https://doi.org/10.1017/CBO9780511628139
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