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  • MPI Ethno. Forsch.  (93)
  • 2010-2014  (53)
  • 2000-2004  (41)
  • History  (54)
  • Film  (48)
  • General works  (93)
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  • 1
    Book
    Book
    Washington, DC : Library of Congress, Cataloging Distribution Service
    Show associated volumes/articles
    Language: English
    DDC: 025.4'9947
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    Keywords: Classification, Library of Congress ; Classification ; Books ; History ; Classification ; Books ; Europe ; Library of Congress classification
    Note: Format teilw. 26, teilw. 28 cm , Beteiligte Körperschaft später: Office for Subject Cataloging Policy, Collections Services. Cataloging Policy and Support Office, Collections Service. - Library of Congress Cataloging Policy and Support Office Library Services , Online-Ausg. u.d.T.: Classification web
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  • 2
    ISBN: 9783895023613
    Language: German
    Pages: 495 S. , Ill., graph. Darst., Kt.
    Additional Information: Rezensiert in Hutter, Manfred, 1957 - Die große Komplexität Myanmars in einem Buch Heidelberg : CrossAsia-eJournals, 2014
    DDC: 915.91
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    Keywords: Bevölkerung ; Gesellschaft ; Geschichte ; Kultur ; Politik ; Entwicklungszusammenarbeit ; Internationale Kooperation ; Wirtschaft ; Zwischenmenschliche Beziehung ; Armut ; Bekämpfung ; Entwicklung ; Myanmar Bevölkerung ; Land und Leute ; Gesellschaft ; Geschichte ; Kultur ; Politik ; Sozialstruktur ; Entwicklungspolitische Zusammenarbeit ; Wirtschaft ; Soziale Beziehungen ; Soziale Ungleichheit ; Armutsbekämpfung ; Entwicklung ; Population country and its people ; Society ; History ; Culture ; Politics/policy ; Social structure ; Development policy cooperation ; Economy ; Social relationships ; Social inequality ; Poverty alleviation ; Development ; Urbanisierung Menschenrechte ; Religion ; Ressourcen ; Geschlechterrolle/Geschlechterverhältnis ; Sozialstruktur ; Literatur ; Theater ; Musik ; Demokratie ; Verfassungsänderung/Verfassungsreform ; Militär ; Massenmedien ; Wahlrecht ; Wirtschaftspolitik ; Landnahme ; Tourismus ; Gesundheitswesen ; Armut ; Bildung/Erziehung ; Kinder ; Staatsbürgerschaftlicher Status ; Armutsbekämpfung ; Geschlechterrolle/Geschlechterverhältnis ; Deutschland ; Entwicklungspolitische Zusammenarbeit ; Urbanization Human rights ; Resources ; Genders/gender roles ; Social structure ; Literature ; Theatre ; Music ; Democracy ; Constitutional amendments/constitutional reform ; Military ; Mass media ; Electoral law ; Economic policy ; Land grabbing ; Tourism ; Health services ; Poverty ; Education ; Children ; Civic status ; Poverty alleviation ; Genders/gender roles ; Germany ; Development policy cooperation ; Myanmar ; Aufsatzsammlung ; Birma ; Landeskunde
    Note: Literaturangaben
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  • 3
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | New York : JSTOR
    ISBN: 9780472120024 , 0472120026 , 1306463637 , 9781306463638 , 9780472900954 , 0472900951 , 9780472119196 , 0472119192
    Language: English
    Pages: 1 Online-Ressource , Illustrations
    Series Statement: Social history, popular culture, and politics in germany
    DDC: 302.23/45
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    Keywords: Deutscher Fernsehfunk History ; Geschichte 1949-1961 ; Fernsehen ; Sozialismus ; Ost-West-Konflikt ; Darstellung ; Television and politics ; Television Social aspects ; Television broadcasting History ; Socialism and society ; HISTORY Germany ; SOCIAL SCIENCE Media Studies ; PERFORMING ARTS Television ; History & Criticism ; PSYCHOLOGY Social Psychology ; Socialism and society ; Television and politics ; Television broadcasting ; Television Social aspects ; Deutschland ; History ; Electronic books
    Abstract: "Envisioning Socialism examines television and the power it exercised to define the East Germans' view of socialism during the first decades of the German Democratic Republic. In the first book in English to examine this topic, Heather L. Gumbert traces how television became a medium prized for its communicative and entertainment value. She explores the difficulties GDR authorities had defining and executing a clear vision of the society they hoped to establish, and she explains how television helped to stabilize GDR society in a way that ultimately worked against the utopian vision the authorities thought they were cultivating. Gumbert challenges those who would dismiss East German television as a tool of repression that couldn't compete with the West or capture the imagination of East Germans. Instead, she shows how, by the early 1960s, television was a model of the kind of socialist realist art that could appeal to authorities and audiences. Ultimately, this socialist vision was overcome by the challenges that the international market in media products and technologies posed to nation-building in the postwar period. A history of ideas and perceptions examining both real and mediated historical conditions, Envisioning Socialism considers television as a technology, an institution, and a medium of social relations and cultural knowledge. The book will be welcomed in undergraduate and graduate courses in German and media history, the history of postwar Socialism, and the history of science and technologies"--...
    Note: Includes bibliographical references and index
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  • 4
    ISBN: 9789004276864
    Language: English
    Pages: 1 Online-Ressource (XII, 271 Seiten) , Illustrationen, Diagramme, Karten
    Series Statement: Library of the written word 39
    Series Statement: The handpress world 30
    Parallel Title: Erscheint auch als News in Early Modern Europe (Veranstaltung : 2012 : Sussex) News in early modern Europe
    DDC: 079/.4
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    Keywords: Press History ; Communication History ; History ; History ; Electronic books ; Konferenzschrift ; Europa ; Kommunikation ; Nachricht ; Geschichte 1500-1800
    Abstract: News in Early Modern Europe - Currents and Connections, edited by Simon Davies and Puck Fletcher, presents significant new research on the production and dissemination of news in early modern Europe. Interdisciplinary in focus, and wide in geographical and chronological scope, the collection includes theoretical enquiries about the nature of news alongside deep archival case studies
    Note: "This collection of essays grows out of a conference on News in Early Modern Europe, hosted by the Centre for Early Modern Studies at the University of Sussex in the summer of 2012." (S. [VII]) , Literaturverz. S. [251] - 264 , Mit Reg , Part 1. International news networks ; The 1755 Lisbon earthquake and tsunami in Dutch news sources: the functioning of early modern news dissemination , "We have tidings out of Polonia": English corantos, news networks and the Polish-Lithuanian commonwealth , Transylvania in German Newspapers: Systems of Reporting and the News Stories of Gyorgy II Rakoczi, 1657- 1658 , Part 2. Exploring the boundaries: news for entertainment, propaganda, and satire ; News of the Sussex dragon , "Loyal hind", "The prince of thieves": crime pamphlets and royalist propaganda in the 1650s , Intensive ephemera: the Catholick Gamesters and the visual culture of news in Restoration London , Part 3. News and social history ; Rumour, newsletters, and the Pope's Death in early modern Rome , "A true reporte": news and the neighbourhood in early modern domestic murder texts , Life after death: gender, idealized virtues, and the obituary in eighteenth-century newspapers , Part 4. News in literary forms ; "This straunge newes": plague writing, print culture, and the Invention of news in Thomas Dekker's The wonderful yeare (1603) , English news plays of the early 1620s: Thomas Middleton's A game at chess and Ben Jonson's The staple of news , "This is attested truth": the rhetoric of truthfulness in early modern broadside ballads
    URL: Cover  (Thumbnail cover image)
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  • 5
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822376804
    Language: English
    Pages: 1 Online-Ressource (x, 470 Seiten) , Illustrationen
    DDC: 302.230973
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    Keywords: Sexualität ; Massenmedien ; Film ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Aufsatzsammlung
    Abstract: Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media-film and television, recorded sound, and publishing-that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams.
    Note: Literaturverzeichnis: Seite 435-450 , Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: eDuke
    URL: JSTOR
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  • 6
    ISBN: 9783863120733
    Language: German
    Pages: 1 Online-Ressource (497 Seiten)
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    Keywords: History of art / art & design styles ; History
    Abstract: The book deals with the genesis of modern photojournalism between 1890 an 1945
    Abstract: Thema des Buches ist die Entstehungsgeschichte des modernen Fotojournalismus zwischen 1890 und 1945
    Note: German
    URL: Volltext  (kostenfrei)
    URL: Cover
    URL: Rezension  (H-Soz-Kult)
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  • 7
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199983971
    Language: English
    Pages: XII, 483 S. , Ill., graph. Darst. , 26 cm
    Edition: Online-Ausg. Online-Ressource
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Parallel Title: Druckausg.: The Oxford handbook of Japanese cinema
    DDC: 791.409
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    Keywords: Motion pictures / Japan Motion picture industry / Japan ; Motion picture industry ; Motion pictures ; Motion picture industry / Japan ; Motion pictures / Japan ; Japan / In motion pictures / Japan ; Motion pictures ; Motion picture industry ; Motion pictures ; Japan ; Motion picture industry ; Japan ; Japan ; In motion pictures ; Japan In motion pictures ; Aufsatzsammlung ; Japan ; Film ; Geschichte
    Abstract: This text provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.
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  • 8
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden
    ISBN: 9783658046736
    Language: English
    Pages: Online-Ressource (X, 250 p. 5 illus., 1 illus. in color, online resource)
    Series Statement: Film, Fernsehen, Medienkultur, Schriftenreihe der Hochschule für Film und Fernsehen "Konrad Wolf
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Eichner, Susanne Agency and media reception
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    Keywords: Social sciences ; Social Sciences ; Social sciences ; Film ; Fernsehsendung ; Videospiel ; Rezeption ; Handlung
    Abstract: What happens to our sense of agency, our general ability to perform actions in our lifeworlds, in the course of media reception and appropriation? Whilst considering media communication as a special form of social action, this work reconsiders the key concepts of social action theory, pragmatism, communication theory, as well as film, game, and television theory. It thus integrates agency as the key to understanding ‘doing media’ and at the same time conceptualizes agency as a specific mode of involvement across media boundaries. This approach amalgamates miscellaneous ideas and conceptions such as interactivity, participation, cognitive control, play or empowerment and applies the theoretical considerations on the basis of textual analyses of the films Inception and The Proposal, the TV shows Lost and I’m a Celebrity and the video games Grand Theft Auto IV, and The Walking Dead. Contents -Agency Interdisciplinary -Interactivity and Play -From Media Use to Doing Media -Agency as a Mode of Involvement -Levels and Points of Agency -Textuality and Agency - Exemplary Analyses -The Quality of Agency in the Media Target Groups -Researchers and students of Media Studies in general, game studies, film studies, and television studies The Author Dr. Susanne Eichner is lecturer at the Academy of Film and Television, Potsdam-Babelsberg (Hochschule für Film und Fernsehen “Konrad Wolf”) in the department of Media Studies
    Description / Table of Contents: Agency InterdisciplinaryInteractivity and Play -- From Media Use to Doing Media -- Agency as a Mode of Involvement -- Levels and Points of Agency -- Textuality and Agency - Exemplary Analyses -- The Quality of Agency in the Media.
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 9
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 9781623562687 , 9781623562250
    Language: English
    Pages: 279 Seiten , Illustrationen
    DDC: 801
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    Keywords: Material culture in literature ; Personal belongings in literature ; Personal belongings in art ; Property in literature ; Alltagsgegenstand ; Sachkultur ; Literatur ; Film ; Semiotik ; Ästhetik ; Gebrauchsgegenstand ; Ding ; Warenästhetik ; Literatur ; Philosophie
    Abstract: "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique.Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home de;cor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes. To call the commodified, ebullient materiality the book tracks stuff, is to foreground its plastic and transformative power, its fluidity and its capacity to generate events. Stuff Theory interrogates the political value of stuff's instability. It investigates the potential of stuff to revitalize the oppositional power of the object.Stuff Theory traces a genealogy of materiality: flashpoints of one kind of minor matter in a succession of cultural moments. It asserts that in culture, stuff becomes a rallying point for a new critique of capital, which always works to reassign stuff to a subaltern position. Stuff is not merely unruly: it becomes the terrain on which a new relation between people and matter might be built"--
    Abstract: "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique. Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home decor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes"--
    Description / Table of Contents: Machine generated contents note:Introduction: Of Jena Glassware and Potatoes--Matter in the Moment 1. Homeopathic Benjamin: A Flexible Poetics of Matter 2. For the Unnatural Use of Clothes: Fashion as Cultural Assault 3. Paris Circa 1968: Cool Spaces, Decoration, Revolution 4. "You Must Remember this:" Memory Objects in the Age of Erasable Memory 5. Garbage in Theory: Waste Aesthetics Envoi: What Should We Do With Our Stuff Notes Index.
    Note: Literaturangaben
    URL: Cover
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  • 10
    ISBN: 9789004241923
    Language: English
    Pages: 1 Online-Ressource (340 Seiten) , Illustrationen
    Series Statement: Metaforms: studies in the reception of classical antiquity
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    Keywords: Historical films History and criticism ; Civilization, Ancient, in motion pictures ; Civilization, Ancient, on television ; Sex role in motion pictures ; Politics in motion pictures ; Motion pictures and history ; Television and history ; Social sciences ; Social Science / Media Studies ; Electronic books ; Konferenzschrift ; Antike ; Rezeption ; Film
    Abstract: Preliminary Material -- Introduction /Almut-Barbara Renger and Jon Solomon -- Ben-Hur and Gladiator: Manifest Destiny and the Contradictions of American Empire /Jon Solomon -- Muscles and Morals: Spartacus, Ancient Hero of Modern Times /Thomas Späth and Margrit Tröhler -- With Your Shield or On It: The Gender of Heroism in Zack Snyder’s 300 and Rudoph Maté’s The 300 Spartans /Thorsten Beigel -- “This is Sparta!”: Discourse, Gender, and the Orient in Zack Snyder’s 300 /Jeroen Lauwers , Marieke Dhont and Xanne Huybrecht -- “Everybook-body Loves a Muscle Boi”: Homos, Heroes, and Foes in Post-9/11 Spoofs of the 300 Spartans /Ralph J. Poole -- The Womanizing of Mark Antony: Virile Ruthlessness and Redemptive Cross-Dressing in Rome, Season Two /Margaret M. Toscano -- Cleopatra’s Venus /Elisabeth Bronfen -- Over His Dead Body: Male Friendship in Homer’s Iliad and Wolfgang Petersen’s Troy (2004) /Andreas Krass -- Models of Masculinities in Troy: Achilles, Hector and Their Female Partners /Celina Proch and Michael Kleu -- “Include me out” – Odysseus on the Margins of European Genre Cinema: Le Mépris, Ulisse, L’Odissea /Christian Pischel -- Between Mythical and Rational Worlds: Medea by Pier Paolo Pasolini /Lada Stevanović -- “Universal’s Religious Bigotry Against Hinduism”: Gender Norms and Hindu Authority in the Global Media Debate on Representing the Hindu God Krishna in Xena: Warrior Princess /Xenia Zeiler -- Ancient Women’s Cults and Rituals in Grand Narratives on Screen: From Walt Disney’s Snow White to Olga Malea’s Doughnuts with Honey /Svetlana Slapšak -- Pandora-Eve-Ava: Albert Lewin’s Making of a “Secret Goddess” /Almut-Barbara Renger -- Phryne Paves the Way for the Wirtschaftswunder: Visions of Guilt and “Purity” Fed by Ancient Greece, Christian Narrative, and Contemporary History /Barbara Schrödl -- The New Israeli Film Beruriah: Between Rashi and Talmud, between Antiquity and Modernity, between Feminism and Religion /Tal Ilan -- Index.
    Abstract: More than a century ago, filmmakers made their primary focus innovative and widely promulgated visions of antiquity, creating a profound effect on the critical, popular, and scholarly reception of antiquity. In this volume, scholars from a variety of countries and varying academic disciplines have addressed film’s way of using the field of Classical Reception to investigate, contemplate, and develop hypotheses about present-day culture, society, and politics, with a particular emphasis on gender and gender roles, their relationship to one another, and how filmic constructions of masculinity and femininity shape and are shaped by interacting economic, political, and ideological practices
    Note: Includes bibliographical references and index
    URL: Cover  (Thumbnail cover image)
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  • 11
    AV-Medium
    AV-Medium
    [S.l.] : Realfiction
    Language: Italian , German , English
    Pages: 1 DVD-Video (80 Min. + 21 Min.)
    DDC: 300
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    Keywords: Film ; DVD-Video
    Abstract: Der Film zeigt, was vom venezianischen Leben übrig geblieben ist: eine Subkultur touristischer Dienstleister; ein Hafen für die monströsen Kreuzfahrtschiffe, der auf seine Erweiterung wartet; Venezianer, die auf das Festland ziehen, weil es keine bezahlbaren Wohnungen mehr gibt; eine alte Adlige, die die Stadtverwaltung mit Hohn überzieht; ein Immobilienmakler, der darüber nachdenkt, das sinkende Schiff zu verlassen. Andreas Pichlers Protagonisten sind Sensoren für die Veränderungen ihrer Stadt. Venedig fühlt sich für sie immer weniger nach Heimat an, eine Lösung sehen sie jedoch nicht. Ein Requiem auf eine immer noch grandiose Stadt. Ein Lehrstück darüber, wie öffentliches Gut zur Beute einiger Weniger wird. Ein Hohelied auf die letzten Venezianer, ihren Witz und ihr Herz.
    Note: Sprache: italienisch. Untertitel: dt., engl. - Bonusmaterial , Dokumentarfilm. Österreich. 2013 , D/I/A 2012 , Sprache: Ital. - Untertitel: dt., engl.
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  • 12
    ISBN: 9781909188259 , 1909188263 , 1909188255 , 1909188247 , 1909188263 , 9781909188259 , 9781909188242 , 9781909188266
    Language: English
    Pages: 1 Online-Ressource (xviii, 342 pages)
    Parallel Title: Print version Writing as material practice
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    Keywords: Archaeology ; Writing History ; Archaeology ; Writing ; Anthropology ; Archaeology ; Humanities ; Social and cultural anthropology, ethnography Mod Social and cultural anthropology, ethnography ; Society and social sciences Society and social sciences ; Sociology and anthropology ; HISTORY ; World ; Archaeology ; Writing ; History
    Abstract: Developing an approach to writing as material practice / Kathryn E. Piquette and Ruth D. Whitehouse -- The twisting paths of recall : khipu (Andean cord notation) as artifact / Frank Salomon -- Writing as material technology : orientation within landscapes of the Classic Maya world / Sarah E. Jackson -- Writing (and reading) as material practice : the world of cuneiform culture as an arena for investigation / Roger Matthews -- Re-writing the script : decoding the textual experience in the Bronze Age Levant (c. 2000-1150 BC) / Rachael Thyrza Sparks -- The function and meaning of writing in the prehistoric Aegean : some reflections on the social and symbolic significance of writing from a material perspective / Helène Whittaker -- Form follows function : writing and its supports in the Aegean Bronze Age / Sarah Finlayson -- Materiality of Minoan writing : modes of display and perception / Georgia Flouda -- Saving on clay : the Linear B practice of cutting tablets / Helena Tomas -- Straight, crooked and joined-up writing : an early Mediterranean view / Alan Johnston -- "It is written"? : making, remaking and unmaking early 'writing' in the lower Nile Valley / Kathryn E. Piquette -- Written Greek but drawn Egyptian : script changes in a bilingual dream papyrus / Stephen Kidd -- The other writing : iconic literacy and Situla art in pre-Roman Veneto (Italy) / Elisa Perego -- 'Tombstones' in the north Italian Iron Age : careless writers or athletic readers? / Ruth D. Whitehouse -- Different times, different materials and different purposes : writing on objects at the Grand Arcade site in Cambridge / Craig Cessford -- Writing conservation : the impact of text on conservation decisions and practice / Elizabeth Pye -- Epilogue / John Bennet
    Abstract: Developing an approach to writing as material practice / Kathryn E. Piquette and Ruth D. Whitehouse -- The twisting paths of recall : khipu (Andean cord notation) as artifact / Frank Salomon -- Writing as material technology : orientation within landscapes of the Classic Maya world / Sarah E. Jackson -- Writing (and reading) as material practice : the world of cuneiform culture as an arena for investigation / Roger Matthews -- Re-writing the script : decoding the textual experience in the Bronze Age Levant (c. 2000-1150 BC) / Rachael Thyrza Sparks -- The function and meaning of writing in the prehistoric Aegean : some reflections on the social and symbolic significance of writing from a material perspective / Helène Whittaker -- Form follows function : writing and its supports in the Aegean Bronze Age / Sarah Finlayson -- Materiality of Minoan writing : modes of display and perception / Georgia Flouda -- Saving on clay : the Linear B practice of cutting tablets / Helena Tomas -- Straight, crooked and joined-up writing : an early Mediterranean view / Alan Johnston -- "It is written"? : making, remaking and unmaking early 'writing' in the lower Nile Valley / Kathryn E. Piquette -- Written Greek but drawn Egyptian : script changes in a bilingual dream papyrus / Stephen Kidd -- The other writing : iconic literacy and Situla art in pre-Roman Veneto (Italy) / Elisa Perego -- 'Tombstones' in the north Italian Iron Age : careless writers or athletic readers? / Ruth D. Whitehouse -- Different times, different materials and different purposes : writing on objects at the Grand Arcade site in Cambridge / Craig Cessford -- Writing conservation : the impact of text on conservation decisions and practice / Elizabeth Pye -- Epilogue / John Bennet
    Note: "This volume grew out of a conference of the same title, held at the Institute of Archaeology, University College London in May 2009"--Page [iii] , Includes bibliographical references , Resource simultaneously available in PDF, EPUB format, and Kindle format , English
    URL: Volltext  (kostenfrei)
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  • 13
    ISBN: 9783865688996 , 3935283288
    Language: German
    Pages: 255 S. , zahlr. Ill. , 29 cm
    DDC: 700.943
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    Keywords: Sommer, Giorgio Exhibitions ; Art, German Exhibitions Foreign influences 19th century ; History ; Other (Philosophy) in art Exhibitions ; Landscape painting, German Exhibitions ; Orientalism in art Exhibitions ; Travel photography Exhibitions 19th century ; Art, German Exhibitions ; Ausstellungskatalog 2013 ; Rhein-Main-Gebiet ; Malerei ; Exotismus ; Geschichte 1780-1920 ; Kunst ; Fremdheit ; Exotismus
    Abstract: Eindrucksvolle Naturlandschaften und exotische Kulturen lockten Künstler aus dem Rhein-Main-Gebiet in zahlreiche europäische Länder, in den Orient und sogar bis nach Amerika. Ausstellung und begleitender Katalog thematisieren die Faszination dieser Künstler für fremde Bildwelten vom späten 18. bis ins frühe 20. Jahrhundert. Ihre künstlerischen Interessen an den fremden Orten waren sehr vielfältig: Sie suchten nach exotischen Bildmotiven, dokumentierten wissenschaftliche Expeditionen oder experimentierten mit fremden Lichtverhältnissen. Die gesammelten Reiseeindrücke hielten die Künstler in Bleistiftskizzen, Aquarellen, Ölstudien und Fotografien fest. Diese dienten nach der Rückkehr zumeist als Bildvorlagen für aufwändigere Ölgemälde. Angesichts einer steigenden Nachfrage spezialisierten sich einige Künstler auf bestimmte Bildsujets und trugen so teilweise zur Verbreitung stereotyper Vorstellungen von der Fremde bei. Exhibition: Museum Giersch, Frankfurt a.M., Germany (17.3.-14.7.2013)
    Note: Literaturverz. S. 242 - 248 , Faszination Fremde : Kulturgeschichtliche Aspekte aus Vergangenheit und Gegenwart , Mythos Italien : Kat. Nr. 1-22 , Barbizon : Zentrum einer neuen Kunstauffassung : Kat. Nr. 23-28 , Berg- und Eiswelten : Kat. Nr. 29-35 , Faszination Orient : Kat. Nr. 36-46 , Bilder aus der Neuen Welt : Kat. Nr. 47-58 , Fremde Menschen im Bild : Kat. Nr. 59-84 , Künstlerische Aneignung der Fremde : Fallbeispiele : Kat. Nr. 85-94 , Faszination Fremde als Trend : Marktorientierung und Spezialisierung : Kat. Nr. 95-100 , Aufbruch zu neuem Sehen und Gestalten : die Fremde in der Moderne : Kat. Nr. 101-112 , Imaginationen der Fremde : Kat. Nr. 113-120 , Die schöpferische Kraft des Archaischen : Willi Baumeister und Leo Frobenius : Kat. Nr. 121-129 , AnhangLiteraturAbbildungsnachweisFotonachweisAbkürzungsverzeichnisPersonenregisterImpressum.
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  • 14
    ISBN: 9783865688996 , 3935283288
    Language: German
    Pages: 255 S. , zahlr. Ill. , 29 cm
    DDC: 700.943
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    Keywords: Sommer, Giorgio Exhibitions ; Art, German Exhibitions Foreign influences 19th century ; History ; Other (Philosophy) in art Exhibitions ; Landscape painting, German Exhibitions ; Orientalism in art Exhibitions ; Travel photography Exhibitions 19th century ; Art, German Exhibitions ; Ausstellungskatalog 2013 ; Rhein-Main-Gebiet ; Malerei ; Exotismus ; Geschichte 1780-1920 ; Kunst ; Fremdheit ; Exotismus
    Abstract: Eindrucksvolle Naturlandschaften und exotische Kulturen lockten Künstler aus dem Rhein-Main-Gebiet in zahlreiche europäische Länder, in den Orient und sogar bis nach Amerika. Ausstellung und begleitender Katalog thematisieren die Faszination dieser Künstler für fremde Bildwelten vom späten 18. bis ins frühe 20. Jahrhundert. Ihre künstlerischen Interessen an den fremden Orten waren sehr vielfältig: Sie suchten nach exotischen Bildmotiven, dokumentierten wissenschaftliche Expeditionen oder experimentierten mit fremden Lichtverhältnissen. Die gesammelten Reiseeindrücke hielten die Künstler in Bleistiftskizzen, Aquarellen, Ölstudien und Fotografien fest. Diese dienten nach der Rückkehr zumeist als Bildvorlagen für aufwändigere Ölgemälde. Angesichts einer steigenden Nachfrage spezialisierten sich einige Künstler auf bestimmte Bildsujets und trugen so teilweise zur Verbreitung stereotyper Vorstellungen von der Fremde bei. Exhibition: Museum Giersch, Frankfurt a.M., Germany (17.3.-14.7.2013)
    Note: Literaturverz. S. 242 - 248 , Faszination Fremde : Kulturgeschichtliche Aspekte aus Vergangenheit und Gegenwart , Mythos Italien : Kat. Nr. 1-22 , Barbizon : Zentrum einer neuen Kunstauffassung : Kat. Nr. 23-28 , Berg- und Eiswelten : Kat. Nr. 29-35 , Faszination Orient : Kat. Nr. 36-46 , Bilder aus der Neuen Welt : Kat. Nr. 47-58 , Fremde Menschen im Bild : Kat. Nr. 59-84 , Künstlerische Aneignung der Fremde : Fallbeispiele : Kat. Nr. 85-94 , Faszination Fremde als Trend : Marktorientierung und Spezialisierung : Kat. Nr. 95-100 , Aufbruch zu neuem Sehen und Gestalten : die Fremde in der Moderne : Kat. Nr. 101-112 , Imaginationen der Fremde : Kat. Nr. 113-120 , Die schöpferische Kraft des Archaischen : Willi Baumeister und Leo Frobenius : Kat. Nr. 121-129 , AnhangLiteraturAbbildungsnachweisFotonachweisAbkürzungsverzeichnisPersonenregisterImpressum.
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  • 15
    ISBN: 9780199855766 , 9780190233105
    Language: English
    Pages: x, 406 Seiten , Illustrationen, Karten , 25 cm
    Parallel Title: Erscheint auch als Brown, Kathryn L. Plutopia
    DDC: 363.17/99094743
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    Keywords: Plutonium industry Social aspects 20th century ; History ; Plutonium industry Social aspects 20th century ; History ; Working class families History 20th century ; Working class families History 20th century ; Plutonium industry Accidents 20th century ; History ; Plutonium industry Accidents 20th century ; History ; Industrial safety Case studies Government policy ; Industrial safety Case studies Government policy ; Plutonium industry Social aspects ; History ; 20th century ; Russia (Federation) ; Plutonium industry Social aspects ; History ; 20th century ; Washington (State) ; Richland ; Working class families History ; 20th century ; Russia (Federation) ; Working class families History ; 20th century ; Washington (State) ; Richland ; Plutonium industry Accidents ; History ; 20th century ; Russia (Federation) ; Plutonium industry Accidents ; History ; 20th century ; Washington (State) ; Richland ; Industrial safety Case studies ; Government policy ; Soviet Union ; Industrial safety Case studies ; Government policy ; United States ; Kernwaffe ; Kernbrennstoffherstellung ; Plutonium ; Arbeitsbedingungen ; Sozialklausel ; Risiko ; Risikomanagement ; Fallstudie ; Ozërsk (Cheli︠a︡binskai︠a︡ oblastʹ, Russia) History 20th century ; Richland (Wash.) History 20th century ; Richland (Wash.) History ; 20th century ; USA ; Sowjetunion ; Plutoniumwirtschaft ; Arbeiterfamilie ; Industriegesellschaft ; Unfall ; Plutoniumwirtschaft ; Arbeiterfamilie ; Industriegesellschaft ; Unfall
    Abstract: Part One. Incarcerated space and Western nuclear frontiers -- Mr. Matthias goes to Washington -- Labor on the lam -- Labor shortage -- Defending the nation -- The city plutonium built -- Work and the women left holding plutonium -- Hazards -- The food chain -- Of flies, mice and men -- Part Two. The Soviet working class atom and the American response -- The arrest of a journal -- The Gulag and the bomb -- The Bronze Age atom -- Keeping secrets -- Beria's visit -- Reporting for duty -- Empire of calamity -- "A few good men" : in pursuit of America's permanent war economy -- Stalin's rocket engine : rewarding the plutonium people -- Big Brother in the American heartland -- Neighbors -- The vodka society -- Part Three. The plutonium disasters -- Managing a risk society -- The walking wounded -- Two autopsies -- Wahluke Slope : into harm's way -- Quiet flows the Techa -- Resettlement -- The zone of immunity -- The socialist consumers' republic -- The uses of an open society -- The Kyshtym belch, 1957 -- Karabolka, beyond the zone -- Private parts -- "From crabs to caviar, we had everything" -- Part Four. Dismantling the plutonium curtain -- Plutonium into portfolio shares -- Chernobyl redux -- 1984 -- The forsaken -- Sick people -- Cassandra in coveralls -- Nuclear glasnost -- All the kings' men -- Futures
    Description / Table of Contents: Part One. Incarcerated space and Western nuclear frontiersMr. Matthias goes to Washington -- Labor on the lam -- Labor shortage -- Defending the nation -- The city plutonium built -- Work and the women left holding plutonium -- Hazards -- The food chain -- Of flies, mice and men -- Part Two. The Soviet working class atom and the American response -- The arrest of a journal -- The Gulag and the bomb -- The Bronze Age atom -- Keeping secrets -- Beria's visit -- Reporting for duty -- Empire of calamity -- "A few good men" : in pursuit of America's permanent war economy -- Stalin's rocket engine : rewarding the plutonium people -- Big Brother in the American heartland
    Note: Literaturverzeichnis: Seiten 341 - 398
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  • 16
    ISBN: 9780674724839
    Language: English
    Pages: 353 S. , Ill., Kt.
    DDC: 304.809182/4
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    Keywords: Geschichte 1800-1900 ; Geschichte ; Einwanderer ; Geschichte ; Asians Migrations 19th century ; History ; Immigrants History 19th century ; Migration ; Handel ; Bengal, Bay of, Region Commerce 19th century ; History ; Golf von Bengalen ; Golf von Bengalen Region ; Handel ; Migration ; Geschichte
    Note: Includes bibliographical references and index
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  • 17
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780199983315
    Language: English
    Pages: 1 Online-Ressource (xvii, 709 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Series Statement: Oxford handbooks of literature
    Parallel Title: Erscheint auch als The Oxford handbook of Chinese cinemas
    DDC: 791.409
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    Keywords: Motion pictures ; Motion pictures ; Motion pictures ; Motion pictures ; China ; Motion pictures ; Taiwan ; Motion pictures ; China ; Hong Kong ; Motion pictures ; China ; Motion pictures ; Taiwan ; Motion pictures ; China ; Hong Kong ; Aufsatzsammlung ; China ; Hongkong ; Taiwan ; Film ; Geschichte ; Film ; Geschichte ; Hongkong ; Film ; Geschichte ; Taiwan ; Film ; Geschichte
    Abstract: What does it mean for a cinematic work to be 'Chinese'? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like 'Chinese cinema' difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations.
    Description / Table of Contents: Includes bibliographical references and index
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  • 18
    Book
    Book
    Durham, [NC] [u.a.] : Duke Univ. Press
    ISBN: 9780822353744 , 9780822353881
    Language: English
    Pages: XI, 284 S.
    DDC: 363.31
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    Keywords: Motion pictures Censorship ; History ; Motion pictures History 20th century ; Motion pictures Social aspects ; Motion pictures Political aspects ; Filmzensur ; Indien ; Filmzensur ; Geschichte 1990-2000
    Description / Table of Contents: Performative dispensations : the elementary forms of mass publicity -- Who the hell do the censors think they are? Grounds of the censor's judgment -- We are the law! Censorship takes to the streets -- Quotidian eruptions : aesthetic distinction and the extimate squirm -- Obscene tendencies : censorship and the public punctum.
    Note: Includes bibliographical references and index
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  • 19
    ISBN: 9783837623581 , 3837623580
    Language: German
    Pages: 369 S. , Ill., Notenbeisp. , 23 cm
    Series Statement: Gender studies
    Parallel Title: Online-Ausg. Mörderinnen
    Parallel Title: Erscheint auch als Lee, Hyunseon Mörderinnen
    DDC: 800
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    Keywords: Women murderers in literature Congresses ; Women murderers in motion pictures Congresses ; Konferenzschrift 2011 ; Mörderin ; Literatur ; Film
    Note: Literaturangaben
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  • 20
    Online Resource
    Online Resource
    Durham : Duke University Press | Baltimore, Md. : Project MUSE
    ISBN: 9780822395331
    Language: English
    Pages: 1 Online-Ressource
    DDC: 305.50982
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    Keywords: Geschichte 1920-1946 ; Film ; Hörfunk ; Argentinien ; Electronic books ; Electronic books ; Electronic books. ; History. ; Electronic books ; Electronic books
    Abstract: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.
    Note: Includes bibliographical references (p. [251]-268) and index , Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 21
    AV-Medium
    AV-Medium
    Hamburg : Spiegel-TV
    Language: German
    Pages: 1 DVD-Video (59 Min.) , farb., Bildformat 16:9, stereo, DVD 5 , 12 cm
    Series Statement: Spiegel-TV 34
    Series Statement: Spiegel-TV
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    Keywords: Attitude to death ; Death ; Near-death experiences ; Parapsychology ; Film ; DVD-Video ; Nahtoderfahrung ; Jenseitskontakt
    Abstract: Die Film-Autorin sprach mit Menschen, die fest daran glauben, eine Nahtod-Erfahrung erlebt zu haben.
    Note: D 2012 , Sprache: dt.
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  • 22
    Book
    Book
    New York : Columbia University Press
    ISBN: 9780231158503 , 0231158505
    Language: English
    Pages: XI, 306 S. , Kt. , 24 cm
    DDC: 075.97/7
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    Keywords: Journalism Political aspects 20th century ; History ; Government and the press History 20th century ; Press and politics History 20th century ; Nationalism History 20th century ; Ho Chi Minh City (Vietnam) Politics and government 20th century ; Journalism ; Political aspects ; Vietnam ; Ho Chi Minh City ; History ; 20th century ; Government and the press ; Vietnam ; Ho Chi Minh City ; History ; 20th century ; Press and politics ; Vietnam ; Ho Chi Minh City ; History ; 20th century ; Nationalism ; Vietnam ; Ho Chi Minh City ; History ; 20th century ; Ho Chi Minh City (Vietnam) ; Politics and government ; 20th century ; Vietnam ; Journalismus ; Presse ; Politik ; Ho-Chi-Minh-Stadt ; Geschichte 1916-1930
    Abstract: "Peycam looks at how the journalism that came out of colonial Saigon became a powerful tool for political activism, and a vehicle for mobilizing and unleashing popular forces. The manuscript covers the evolution of Vietnamese journalism in colonial Saigon from its inception (before 1916) to its transformation beginning in 1930, with the impact of the Great Depression on the one hand and the onset of mass protest movements on the other. Inspired by Habermas, the author argues that what contemporary Vietnamese called the "newspaper village" journalism created an unprecedented public sphere in which all sorts of issues could be and were debated. He also traces its gradual shift from a forum for advocacy and debate to a vehicle for popular mobilization, as many of those who became journalists saw newspapers more as vehicles for the expression of opinions than for the dissemination of information. By looking at the links between colonial capitalism and new possibilities for self-expression and nationalism, Peycam illuminates the role of the colonial state in setting the parameters for journalistic activities, subsidizing those it wished to use as its propaganda instrument and fighting those it deemed inimical to its interests."--Publisher's description
    Abstract: "Peycam looks at how the journalism that came out of colonial Saigon became a powerful tool for political activism, and a vehicle for mobilizing and unleashing popular forces. The manuscript covers the evolution of Vietnamese journalism in colonial Saigon from its inception (before 1916) to its transformation beginning in 1930, with the impact of the Great Depression on the one hand and the onset of mass protest movements on the other. Inspired by Habermas, the author argues that what contemporary Vietnamese called the "newspaper village" journalism created an unprecedented public sphere in which all sorts of issues could be and were debated. He also traces its gradual shift from a forum for advocacy and debate to a vehicle for popular mobilization, as many of those who became journalists saw newspapers more as vehicles for the expression of opinions than for the dissemination of information. By looking at the links between colonial capitalism and new possibilities for self-expression and nationalism, Peycam illuminates the role of the colonial state in setting the parameters for journalistic activities, subsidizing those it wished to use as its propaganda instrument and fighting those it deemed inimical to its interests."--Publisher's description
    Description / Table of Contents: Social order in the colonial city -- French republicanism and the emergence of Saigon's public sphere -- In search of a political role (1916-1923) -- Scandals and mobilization (1923-26) -- Limits of oppositional journalism (1926-30).
    Note: Formerly CIP Uk. - Includes bibliographical references and index. - Social order in the colonial city -- French republicanism and the emergence of Saigon's public sphere -- In search of a political role (1916-1923) -- Scandals and mobilization (1923-26) -- Limits of oppositional journalism (1926-30)
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  • 23
    Book
    Book
    Berkeley [u.a.] : University of California Press
    ISBN: 0520272528 , 9780520272521
    Language: English
    Pages: 185 S. , cm
    Series Statement: Flashpoints 11
    Series Statement: FlashPoints
    DDC: 891.1
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    Keywords: Indic literature History and criticism ; 20th century ; Postmodernism (Literature) India ; Indic literature Translations ; History and criticism ; Postcolonialism in motion pictures India ; Indic literature History and criticism 20th century ; Postmodernism (Literature) ; Indic literature Translations ; History and criticism ; Postcolonialism in motion pictures ; Südasien ; Volkssprache ; Literatur ; Film ; Südasien ; Postkoloniale Literatur ; Übersetzung ; Indien ; Volkssprache ; Literatur ; Film ; Postkoloniale Literatur ; Übersetzung
    Note: Includes bibliographical references and index
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  • 24
    Book
    Book
    Crows Nest, N.S.W. : Allen & Unwin
    ISBN: 9781743311325
    Language: English
    Pages: XXIII, 434 S. , Ill. , 26 cm
    Edition: This ed. 1. publ.
    DDC: 305.89915
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    Keywords: Geschichte 1788 ; Aborigines ; Geschichte ; Landwirtschaft ; Aboriginal Australians Agriculture ; History ; Land use Management ; History ; Natural resources Management ; History ; Landwirtschaft ; Landschaftsentwicklung ; Aborigines ; Landnutzung ; Australien ; Australia History ; Australien ; Australien ; Aborigines ; Landschaftsentwicklung ; Landnutzung ; Landwirtschaft ; Geschichte 1788
    Note: "Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover. , Includes bibliographical references (p. 347-415) and index
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  • 25
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    ISBN: 0472027581 , 0472900749 , 9780472027583 , 9780472900749
    Language: English
    Pages: 1 Online-Ressource (280 pages) , illustrations, charts, figures, tables
    Additional Information: Rezensiert in Johnston, Warren Printing and prophecy. Prognostication and media change, 1450–1550. By Jonathan Green. (Cultures of Knowledge in the Early Modern World.) Pp. xiii+265 incl. 11 figs. Ann Arbor: University of Michigan Press, 2012. 70. 978 0 472 11783 3 2013
    Additional Information: Rezensiert in Haberkern, Phillip [Rezension von: Green, Jonathan, Printing and Prophecy: Prognostication and Media Change 1450-1550] 2013
    Series Statement: Cultures of knowledge in the Early Modern World
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    Keywords: Books ; Predictive astrology History ; Predictive astrology ; Prophecy Christianity ; History ; Prophecy Christianity ; Books History ; European history ; Electronic book ; Buchproduktion ; Weissagung ; Astrologie ; Verbreitung ; Deutsches Sprachgebiet
    Abstract: Printing and Prophecy: Prognostication and Media Change 1450-1550 examines prognostic traditions and late medieval prophetic texts in the first century of printing and their effect on the new medium of print. The many prophetic and prognostic works that followed Europe's earliest known printed book---not the Gutenberg Bible, but the Sibyl's Prophecy, printed by Gutenberg two years earlier and known today only from a single page---over the next century were perennial best sellers for many printers, and they provide the modern observer with a unique way to study the history and inner workings of the print medium. The very popularity of these works, often published as affordable booklets, raised fears of social unrest. Printers therefore had to meet customer demand while at the same time channeling readers' reactions along approved paths
    Abstract: Introduction: printing and prophecy -- The Sibyl's book -- Prophets in print -- Prophets and their readers -- Visions of visions: functions of the image in printed prophecy -- Practica teütsch -- Fear, floods, and the paradox of the practica teütsch -- Conclusion: the prophetic reader
    Note: Includes bibliographical references and indexes
    URL: Volltext  (kostenfrei)
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  • 26
    Online Resource
    Online Resource
    Evanston, Illinois : Northwestern University Press | Berlin : Knowledge Unlatched
    ISBN: 9780810126190 , 0810163519 , 9780810163515
    Language: English
    Pages: 1 Online-Ressource (xx, 496 pages) , illustrations, charts, figures, tables
    Edition: Also issued in print and PDF version
    Series Statement: Medill School of Journalism Visions of the American press
    Parallel Title: Print version Undercover Reporting, The Truth About Deception
    DDC: 070.430973
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    Keywords: Journalistic ethics History ; Journalistic ethics ; Reporters and reporting History ; Reporters and reporting ; Journalism Social aspects ; Investigative reporting ; Journalism Social aspects ; History ; Investigative reporting History ; Enthüllungsjournalismus
    Abstract: In her provocative book, Brooke Kroeger argues for a reconsideration of the place of oft-maligned journalistic practices. While it may seem paradoxical, much of the valuable journalism in the past century and a half has emerged from undercover investigations that employed subterfuge or deception to expose wrong. Kroeger asserts that undercover work is not a separate world, but rather it embodies a central discipline of good reporting?the ability to extract significant information or to create indelible, real-time descriptions of hard-to-penetrate institutions or social situations that deserve the public?s attention. Together with a companion website that gathers some of the best investigative work of the past century, Undercover Reporting serves as a rallying call for an endangered aspect of the journalistic endeavor
    Abstract: Introduction -- Reporting slavery -- Virtual enslavement -- Predators -- Hard labor, hard luck, part one -- Of Jack London and Upton Sinclair -- Hard labor, hard luck, part two -- The color factor -- Undercover under fire -- Sinclair's legatees -- Hard time -- Crusaders and zealots -- Watchdog -- Mirage -- Turkmenistan and beyond
    Note: Also issued in print and PDF version. , In English
    URL: Volltext  (kostenfrei)
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  • 27
    Online Resource
    Online Resource
    London : Pluto Press | The Hague : OAPEN Foundation
    ISBN: 9781849648004 , 9781849648028 , 9781849648011
    Language: English
    Pages: 1 Online-Ressource (vii, 194 Seiten) , Illustrationen
    DDC: 302.231
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    Keywords: History ; Electronic books ; Electronic books
    Note: Literaturverzeichnis: Seite 179-187
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  • 28
    ISBN: 9789400727892 , 1283935856 , 9781283935852
    Language: English
    Pages: Online-Ressource (XVI, 488p. 25 illus, digital)
    Series Statement: CERC Studies in Comparative Education 30
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Portraits of 21st century Chinese universities
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    Keywords: History ; Humanities ; Education ; Education ; Education Philosophy ; History ; Humanities ; Universities and colleges ; China ; Education, Higher ; China ; College students ; China ; Attitudes ; College teachers ; China ; Attitudes ; College administrators ; China ; Attitudes ; China ; Universität
    Abstract: This book examines the ways in which China’s universities have changed in the dramatic move to a mass stage which has unfolded since the late 1990s. Twelve universities in different regions of the country are portrayed through the eyes of their students, faculty and leaders. The book begins with the national level policy process around the move to mass higher education. This is followed by an analysis of the views of 2,300 students on the 12 campuses about how the changes have affected their learning experiences and civil society involvement. The 12 portraits in the next section are of three comprehensive universities, three education-related universities, three science and technology universities, and three newly emerging private universities. The final chapter sketches the contours of an emerging Chinese model of the university, and explores its connections to China’s longstanding scholarly traditions.
    Description / Table of Contents: Portraits of 21st CenturyChinese Universities:; Contents; List of Abbreviations; List of Figures; List of Tables; List of Photos; Foreword; Introduction and Acknowledgements; Research Design; Portraits of 21st Century Chinese Universities; Part I: Overview and Main Themes; 1 Understanding China's Move to Mass Higher Education from a Policy Perspective; The Expansion and Massification of the Chinese System; The Changing Landscape of the Chinese System; A Decentralized Structure to Support the World's Largest System; Issues of Regional Disparity, Quality & Equality, and Employment
    Description / Table of Contents: Attaching High Value to EducationPursuing Optimal Efficiency and Curricular Integration as the Goal; Scholars Involvement in Strategic Planning and Public Communication; Government Policy Papers Having Legislative Power; Adoption of an Enrollment-Based Financing Mechanism and a FeeCharging Policy; A Systematic Decentralization Pushing the Institutions to Strategically Plan for Their Future; Discussion & Conclusion: Theorizing Patterns of Policy Makingin China; Embracing the Market Economy: An Efficiency-Driven Rationale Emerging
    Description / Table of Contents: "Walking on Two Legs": Quality and Equality Issues Coming to the CenterA Shift in the Policy Formation Model?64 What More Can Scholars Do?; 2 Equity, Institutional Change and Civil Society - The Student Experience in China's Move to Mass Higher Education; Introduction; Higher Education and Civil Society; Universities as Civic Actors; Citizenship and Civil Society; Analytical Frameworks; Methods; Limitations; Results of the Survey; Experiences of Access and Success in Higher Education Access; Affordability; Success
    Description / Table of Contents: Perceptions and Experiences of Institutional Change Feelings toward the changesViews on the role of the expansion in socioeconomic development; Flexibility in the selection of courses or programs; Teaching quality; Institutional internationalization; Political Socialization toward Citizenship and Civil Society Civic knowing and wisdom; Associational life as civic action; The interplay among civic knowing, wisdom and action; Discussion of Findings; Martin Trow's Framework Revisited; Reflections on Equal Opportunity in China's Move to Mass Higher Education
    Description / Table of Contents: Reflections on the Role of Mass Higher Education in Nurturing a Civil SocietyConclusions; Part II: Portraits of Three Public Comprehensive Universities; 3 Peking University - Icon of Cultural Leadership; History and Context; The Imperial University and the Early Republic; Cai Yuanpei and the Spirit of Peking University; Peking University in War-time Circumstances; Ma Yinchu and the Spirit of Peking University; Peking University's Move to Mass Higher Education:An Empirical Overview; Growth in Student Enrollments; Beida's Changing Financial Profile; Curricular Evolution
    Description / Table of Contents: Vision and Strategic Direction
    Description / Table of Contents: List of Abbreviations -- List of Figures -- List of Tables -- List of Photos -- Foreword; Robert F. ARNOVE -- Introduction and Acknowledgements; Ruth HAYHOE -- PART I: Overview and Main Themes -- 1. Understanding China’s Move to Mass Higher Education from a Policy Perspective; Qiang ZHA -- 2. Equity, Institutional Change and Civil Society - The Student Experience in China’s Move to Mass Higher Education; Jun LI -- PART II: Portraits of Three Public Comprehensive Universities.- 3. Peking University - Icon of Cultural Leadership; Ruth HAYHOE and Qiang ZHA, with YAN Fengqiao -- 4. Nanjing University - Redeeming the Past by Academic Merit; Jun LI and Jing LIN, with GONG Fang -- 5. Xiamen University - A Southeastern Outlook; Ruth HAYHOE and Qiang ZHA, with XIE Zuxu -- PART III: Portraits of Three Education-Related Universities.- 6. East China Normal University - Education in the Lead; Ruth HAYHOE and Qiang ZHA, with LI Mei -- 7. Southwest University - An Unusual Merger and New Challenges; Jun LI and Jing LIN, with LIU Yibin -- 8. Yanbian University - Building a Niche through a Multicultural Identity; Jing LIN and Jun LI, with PIAO Taizhu -- PART IV: Portraits of Three Science and Technology Universities.- 9. The University of Science and Technology of China - Can the Caltech Model take Root in Chinese Soil?; Qiang ZHA and Jun LI, with CHENG Xiaofang -- 10. Huazhong University of Science and Technology - A Microcosm of New China’s Higher Education; Ruth HAYHOE and Jun LI, with CHEN Min and ZHOU Guangli -- 11. Northwest Agricultural and Forestry University - An Agricultural Multiversity?; Qiang ZHA and Ruth HAYHOE, with NIU Hongtai -- PART V: Portraits of Three Private Universities -- 12. Yellow River University of Science and Technology - Pioneer of Private Higher Education; Ruth HAYHOE and Jing LIN, with TANG Baomei -- 13. Xi’an International University - Transforming Fish into Dragons; Jun LI and Jing LIN, with WANG Guan -- 14. Blue Sky - A University for the Socially Marginalized; Jing LIN and Qiang ZHA -- PART VI: Conclusion and Future Directions.- 15. Is There an Emerging Chinese Model of the University?; Qiang ZHA -- Notes on the Authors -- Index..
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 29
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 9789048515059 , 904851505X
    Language: English
    Pages: 1 Online-Ressource (332 Seiten) , Illustrations
    Series Statement: The key debates ; 3
    DDC: 302.2343
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    Keywords: Motion picture audiences ; PSYCHOLOGY Social Psychology ; PERFORMING ARTS Film & Video ; General ; The arts ; Film, TV and radio ; Films, cinema ; Film theory and criticism ; Motion picture audiences ; Motion pictures ; Film
    Abstract: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.
    Note: Includes bibliographical references (pages 279-298) and indexes
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  • 30
    Online Resource
    Online Resource
    Amsterdam : Amsterdam Univ. Press
    ISBN: 9789089644268 , 9089644261 , 9789048516322 (Sekundärausgabe) , 9789048516339 (Sekundärausgabe)
    Language: English
    Pages: 272 S. , Ill., map
    Edition: Online-Ausg. [The Hague] OAPEN Online-Ressource ISBN 9789048516322 pdf
    Edition: ISBN 9789048516339 ePub
    Edition: [Online-Ausg.]
    DDC: 303.375
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    Keywords: Geschichte 1933-1945 ; Massenkultur ; Großveranstaltung ; Propaganda ; Drittes Reich ; Stadt ; Geräusch ; Unterhaltungsindustrie ; Massenmedien ; Nationalsozialismus ; Hörfunk ; Film ; Audiotechnik ; Deutschland ; Düsseldorf ; Online-Publikation ; Electronic books
    Abstract: Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulating mediated sounds and the spaces of listening reception, whether in the home, workplace, the cinema, public rituals or with wartime siren systems. The study revises visualist notions of social control, and reveals the disciplinary functions of listening (as eavesdropping) as well as the sonic dimensions to exclusion and violence during Nazism. An essential title for everyone interested in the links between German political culture, audiovisual media and urban history, Nazi Soundscapes provides a fascinating analysis of the cultural significance of sound between the 1920s and early 1940s. Click "http://soundclips.humanities.uva.nl/"〉here for the sound clips discussed in the book.
    Note: Literaturverz. S. 217 - 253 , Online-Ausg.:
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 31
    AV-Medium
    AV-Medium
    [München] : Film & Kunst
    Show associated volumes/articles
    Language: German
    Pages: 2 DVD-Videos (Ländercode 0, 164 Min. + 148 Min.) , s/w, farb., TV-Format: 4:3 PAL, Originalformat: 1,33:1, Tonformat: Dolby digital 2.0 (Mono) , 12 cm
    Additional Material: 1 Beih. ([24] S.)
    Edition: 2. Aufl.
    Series Statement: Edition Filmmuseum 56
    Series Statement: Edition filmmuseum
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    Keywords: Film ; DVD-Video ; Deutschland ; Deutschland ; Geschichte 1988-2008
    Note: LEHR-Programm gemäß § 14 JuSchG , Die Vorlage enthält insgesamt 4 Werke , Laufzeit des Films "Material": 164 Min , D 2009 , Sprache: dt. - Untertitel: engl., franz., span.
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  • 32
    AV-Medium
    AV-Medium
    [München] : Sony Pictures Home Entertainment
    Language: English , Italian
    Pages: 1 DVD-Video (Ländercode 2, 104 Min.) , farb., Dolby digital 5.1, Bildformat: 16:9 Widescreen (2.35:1) , 12 cm
    Series Statement: Sony pictures classics
    Uniform Title: Inside job
    DDC: 338.5/42
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    Keywords: Film ; DVD-Video ; Finanzkrise ; Weltwirtschaftskrise ; Dokumentarfilm
    Abstract: „INSIDE JOB, der erste Film, der die schockierende Wahrheit über die Wirtschaftskrise im Jahr 2008 präsentiert.“
    Description / Table of Contents: Entfallene Szenen, Die Entstehung von Inside Job, Kommentar mit Regisseur Charles Ferguson und Produzent Audrey Marrs
    Note: Sprache: engl., ital. - Untertitel: dt., engl., engl. für Hörgeschädigte, dän., finn., franz., Hindi, holänd., ital., schwed., türk. - Enth. Extras: Entfallene Szenen, Making of, Audiokommentar , Filmbericht. USA. 2010 , USA 2010 , Sprachen: engl., ital. - Untertitel: dt., engl., dän., finn., franz., hindi, niederländ., ital., schwed., türk. - Untertitel für Hörgeschädigte: engl.
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  • 33
    ISBN: 9783837616712
    Language: German
    Pages: 351 S. , Ill. , 23 cm
    Edition: 1. Aufl.
    Series Statement: Film
    Parallel Title: Online-Ausg. Ebbrecht-Hartmann, Tobias, 1975 - Geschichtsbilder im medialen Gedächtnis
    Parallel Title: Erscheint auch als Ebbrecht-Hartmann, Tobias, 1975 - Geschichtsbilder im medialen Gedächtnis
    Parallel Title: Erscheint auch als Ebbrecht-Hartmann, Tobias, 1975 - Geschichtsbilder im medialen Gedächtnis
    Dissertation note: Zugl.: Berlin, Freie Univ., Diss., 2010
    DDC: 770
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    Keywords: Holocaust, Jewish (1939-1945), in motion pictures History and criticism ; Bild, historische Quelle ; Bilddokument ; Geschichtsbild ; Narration ; Kollektives Gedächtnis ; Mediales Gedächtnis ; Holocaust ; Shoah ; Nationalsozialismus ; NS ; Film ; Hochschulschrift ; Judenvernichtung ; Geschichtsdarstellung ; Erzähltechnik ; Film ; Judenvernichtung ; Gedächtnis ; Geschichte ; Nationalsozialismus
    Note: Literaturverz. S. [329] - 347
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  • 34
    Online Resource
    Online Resource
    London : Bloomsbury Academic
    ISBN: 9781849662451 , 9781849660631 , 9781849664240
    Language: Undetermined
    Pages: 1 Online-Ressource (336 p.)
    Series Statement: The WISH List
    DDC: 001.3072041
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    Keywords: Literature & literary studies ; History of ideas ; Cultural studies ; Education ; Philosophy ; History
    Abstract: This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Recession is a time for asking fundamental questions about value. At a time when governments are being forced to make swingeing savings in public expenditure, why should they continue to invest public money funding research into ancient Greek tragedy, literary value, philosophical conundrums or the aesthetics of design? Does such research deliver 'value for money' and 'public benefit'? Such questions have become especially pertinent in the UK in recent years, in the context of the drive by government to instrumentalize research across the disciplines and the prominence of discussions about 'economic impact' and 'knowledge transfer'. In this book a group of distinguished humanities researchers, all working in Britain, but publishing research of international importance, reflect on the public value of their discipline, using particular research projects as case-studies. Their essays are passionate, sometimes polemical, often witty and consistently thought-provoking, covering a range of humanities disciplines from theology to architecture and from media studies to anthropology
    Note: English
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  • 35
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Knowledge Unlatched
    ISBN: 9780822393351 , 0822393352
    Language: English
    Pages: 1 Online-Ressource (xiv, 313 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Tasker, Yvonne, 1964 - Soldiers' stories
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    Keywords: Film ; Militär ; Frau ; Soldatin
    Abstract: From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, the author traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the WWII, women were portrayed as auxiliaries, temporary necessities of "total war." Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem." From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role-reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, the author relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued
    Abstract: From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, the author traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the WWII, women were portrayed as auxiliaries, temporary necessities of "total war." Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem." From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role-reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, the author relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued.
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  • 36
    Book
    Book
    Woodbridge, Suffolk :James Currey,
    ISBN: 978-1-84701-521-1
    Language: English
    Pages: x, 180 Seiten : , Illustrationen.
    DDC: 791.436521096
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    Keywords: Film. ; Roman. ; Mann ; Männlichkeit ; Afrika. ; Aufsatzsammlung ; Aufsatzsammlung ; Film ; Roman ; Mann ; Männlichkeit
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  • 37
    Online Resource
    Online Resource
    New York : Berghahn Books
    ISBN: 9780857450661 , 0857450662
    Language: English
    Pages: 1 Online-Ressource (206 pages)
    Series Statement: Film Europa
    Parallel Title: Gemünden, Gerd, 1959 - A foreign affair
    Parallel Title: Print version Gemünden, Gerd A Foreign Affair : Billy Wilder's American Films
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    Keywords: Wilder, Billy Criticism and interpretation ; Wilder, Billy ; Wilder, Billy ; PERFORMING ARTS ; Reference ; PERFORMING ARTS ; Film & Video ; History & Criticism ; Music, Dance, Drama & Film ; Film ; Criticism, interpretation, etc ; Electronic books ; Double indemnity ; Sunset Boulevard ; Some like it hot ; The apartment ; Wilder, Billy 1906-2002 ; USA ; Film ; Geschichte 1944-1970 ; Double indemnity ; Sunset Boulevard ; Some like it hot ; The apartment
    Abstract: With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism
    Abstract: With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism
    URL: Volltext  (kostenfrei)
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  • 38
    ISBN: 359339491X , 9783593394916
    Language: German
    Pages: 208 S. , Ill. , 213 mm x 140 mm
    Series Statement: Wissenschaftliche Reihe des Fritz Bauer Instituts 19
    Parallel Title: Online-Ausg. "Der Letzte der Ungerechten"
    DDC: 943
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    Keywords: Murmelstein, Benjamin Congresses In motion pictures ; Lanzmann, Claude Congresses ; Theresienstadt (Concentration camp) Congresses In motion pictures ; Shoah (Motion picture) Congresses ; Jewish councils Congresses In motion pictures ; Antisemitismus ; Faschismus ; Medien ; Konferenzschrift 2010 ; Murmelstein, Benjamin 1905-1989 ; Konzentrationslager Theresienstadt ; Film ; Geschichte 1942-1975
    Abstract: Die Shoah-Outtakes / Ronny Loewy -- Das Ende von Theresienstadt : Stellungnahme eines Beteiligten / Benjamin Murmelstein -- "Wenn Sie das demokratisch nennen, dann bin ich gerne ein Faschist" : ein Auszug aus dem Interview von Claude Lanzmann mit Benjamin Murmelstein -- Benjamin Murmelstein, "der Letzte der Ungerechten" : Elemente und Folgen totaler Ohnmacht / Doron Rabinovici -- "... zwischen Hammer und Amboss" : Selbstwahrnehmung und Zuschreibung bei Benjamin Murmelstein / Lisa Hauff -- Der Judenälteste und seine SS-Männer : Benjamin Murmelstein und seine Beziehung zu Adolf Eichmann und Karl Rahm / Anna Hájková -- Emotionen, Körper, Mythen : Lanzmann interviewt Murmelstein / Daniel Wildmann -- Film Ghetto Theresienstadt : die Suche nach Zusammenhängen / Eva Strusková -- Benjamin Murmelstein und der Nazi-Propagandafilm Theresienstadt von 1944 / Karel Margry -- Rekonstruktion und Groteske : Zbyněk Brynychs Trandport aus dem Paradies im Kontext / Hanno Loewy
    Note: Die Shoah-Outtakes , Das Ende von Theresienstadt : Stellungnahme eines Beteiligten , "Wenn Sie das demokratisch nennen, dann bin ich gerne ein Faschist" : ein Auszug aus dem Interview von Claude Lanzmann mit Benjamin Murmelstein ; Benjamin Murmelstein, "der Letzte der Ungerechten" : Elemente und Folgen totaler Ohnmacht , "... zwischen Hammer und Amboss" : Selbstwahrnehmung und Zuschreibung bei Benjamin Murmelstein , Der Judenälteste und seine SS-Männer : Benjamin Murmelstein und seine Beziehung zu Adolf Eichmann und Karl Rahm , Emotionen, Körper, Mythen : Lanzmann interviewt Murmelstein , Film Ghetto Theresienstadt : die Suche nach Zusammenhängen , Benjamin Murmelstein und der Nazi-Propagandafilm Theresienstadt von 1944 , Rekonstruktion und Groteske : Zbyněk Brynychs Trandport aus dem Paradies im Kontext , Deutsch
    URL: Volltext  (Inhaltsverzeichnis)
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  • 39
    ISBN: 9780226272801 , 9780226735849 , 0226735842
    Language: English
    Pages: vii, 344 Seiten , Abbildungen, Karten , 24 cm
    Parallel Title: Übersetzt als Schäfer, Dagmar, 1968 - Gong kai wan wu
    Parallel Title: Erscheint auch als The Crafting of the 10,000 Things
    DDC: 609.51/09032
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    Keywords: Song, Yingxing ; Science History 17th century ; Technology History 17th century ; Cosmology, Chinese ; Qi (Chinese philosophy) ; Song, Yingxing, b. 1587 ; Tian gong kai wu ; Science ; China ; History ; 17th century ; Technology ; China ; History ; 17th century ; Cosmology, Chinese ; Qi (Chinese philosophy) ; China ; Wissenschaft ; Technik ; Geschichte 1600-1700 ; Song, Yingxing 1587-1666 Tiangong-kaiwu ; Technik ; Wissenschaftliches Denken ; China ; Wissenschaft ; Technik ; Geschichte 1600-1700
    Abstract: Knowing "things and affairs" in premodern China -- Nature, crafts, and knowing -- Private affairs -- The Ming dynasty and the Song family -- Childhood and education -- Driving forces: the appointment of Chen Qixin -- Song's writing campaign -- Affairs of honor -- Knowledge in terms of qi: universal rulings and rationality -- The truth in heaven and the order of qi -- The power of heaven: omens and eclipses -- Systems of value: the sage-kings, the authority of the past, and man's role -- The knowledge in crafts -- Public affairs -- Crafts and the Ming state -- Man's nature (xing) and talents -- Abilities and education -- Social permeability and the commercialization of society: the merchant -- Customs and habits -- Written affairs -- Rhetoric of knowledge inquiry: texts and experience -- Images, technology and argument -- Observing the nature of qi: theory and practice in knowledge construction -- The complexity of qi transformations: composites and compositions of qi -- Formulating the transformation -- Reading the signature of yin-yang qi in gas, salt, wind, and rain -- Growth and decay: wood, corpses, and the proportional relation of yin and yang -- Glitches in the matrix of qi: the concepts of ashes and particles -- Acoustics -- An anatomy of sound -- The human voice -- Volume and velocity -- Resonance and harmony -- Conclusion. leaving the theater -- Epilogue. aftermath -- By virtue of friendship: literary sponsorship -- By virtue of position: outside and opposition -- By virtue of loyalty: moral obligations -- An artifact in transmission: The editions of the Works of heaven -- Writing about practical knowledge in the Chinese literati world -- Acknowledgments -- Appendix 1. Chinese dynasties and various rulers -- Appendix 2. Song Yingxing curriculum vitae -- Appendix 3. Editions of the Tiangong kaiwu
    Description / Table of Contents: Knowing "things and affairs" in premodern China -- Nature, crafts, and knowing -- Private affairs -- The Ming dynasty and the Song family -- Childhood and education -- Driving forces: the appointment of Chen Qixin -- Song's writing campaign -- Affairs of honor -- Knowledge in terms of qi: universal rulings and rationality -- The truth in heaven and the order of qi -- The power of heaven: omens and eclipses -- Systems of value: the sage-kings, the authority of the past, and man's role -- The knowledge in crafts -- Public affairs -- Crafts and the Ming state -- Man's nature (xing) and talents -- Abilities and education -- Social permeability and the commercialization of society: the merchant -- Customs and habits -- Written affairs -- Rhetoric of knowledge inquiry: texts and experience -- Images, technology and argument -- Observing the nature of qi: theory and practice in knowledge construction -- The complexity of qi transformations: composites and compositions of qi -- Formulating the transformation -- Reading the signature of yin-yang qi in gas, salt, wind, and rain -- Growth and decay: wood, corpses, and the proportional relation of yin and yang -- Glitches in the matrix of qi: the concepts of ashes and particles -- Acoustics -- An anatomy of sound -- The human voice -- Volume and velocity -- Resonance and harmony -- Conclusion. leaving the theater -- Epilogue. aftermath -- By virtue of friendship: literary sponsorship -- By virtue of position: outside and opposition -- By virtue of loyalty: moral obligations -- An artifact in transmission: The editions of the Works of heaven -- Writing about practical knowledge in the Chinese literati world -- Acknowledgments -- Appendix 1. Chinese dynasties and various rulers -- Appendix 2. Song Yingxing curriculum vitae -- Appendix 3. Editions of the Tiangong kaiwu.
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 40
    Book
    Book
    Cambridge, Massachusetts : Harvard University Press
    ISBN: 9780674050068 , 0674050061
    Language: English
    Pages: xvi, 419 Seiten, 24 ungezählte Seiten , Illustrationen
    Series Statement: Harvard historical studies 171
    Series Statement: Harvard historical studies
    Parallel Title: Erscheint auch als Ciarlo, David Advertising empire
    DDC: 659.10943/09034
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    Keywords: Advertising Social aspects ; History ; Advertising ; Social aspects ; Germany ; History ; Deutschland ; Werbung ; Schwarze ; Rassismus ; Imperialismus ; Geschichte 1871-1918 ; Deutschland ; Werbung ; Schwarze ; Rassismus ; Imperialismus ; Geschichte 1871-1918
    Description / Table of Contents: Exotic panoramas, local color : commercial exhibitions and colonial expositions -- Embodied lands : allegorical cliches and popular savagery -- Masters of the modern exotic -- Packaged exoticism and colonial rule : commercial visuality at the fin de siecle -- Featuring race : the roots of racialization leading to 1900 -- Racial imperium.
    Note: Literaturangaben und Index
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  • 41
    ISBN: 9780857292469
    Language: English
    Pages: xi, 201 Seiten , Illustrationen, Diagramme , 235 mm x 155 mm
    Series Statement: Computer Supported Cooperative Work
    Parallel Title: Erscheint auch als Sarvas, Risto From Snapshots to Social Media - The Changing Picture of Domestic Photography
    DDC: 770
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    Keywords: Vernacular photography History ; Photography Social aspects ; Photography Social aspects ; History ; Images, Photographic Social aspects ; History ; Photography of families ; Popular culture History 21st century ; Photography Digital techniques ; Social media ; Photography ; Digital techniques ; Philosophy ; Photography ; Social aspects ; Online identities ; Online social networks ; Alltag ; Fotografie ; Geschichte
    Description / Table of Contents: Introduction -- Domestic photography and technological paths -- The portrait path (ca. 1830s-1890s) -- The Kodak path (1888-1990s) -- The digital path (ca. 1990-) -- Digital photo adoption -- The future of domestic photography -- Future research.
    Note: Formerly CIP Uk. - Includes bibliographical references and index
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  • 42
    Language: English
    Pages: 1 Online-Ressource (II, 290 Seiten) , Illustrationen
    Series Statement: Low countries studies on the circulation of natural knowledge 2
    Parallel Title: Erscheint auch als Centres and cycles of accumulation in and around the Netherlands during the early modern period
    DDC: 303.4820949209031
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    Keywords: Culture diffusion History ; 16th century ; Netherlands ; Culture diffusion History ; 17th century ; Netherlands ; Cultural relations History ; 16th century ; Cultural relations History ; 17th century ; Culture diffusion Congresses History ; Netherlands Congresses Relations ; Netherlands Congresses Civilization 16th century ; Netherlands Congresses Civilization 17th century ; Netherlands Congresses Commerce ; History ; Niederlande ; Wissen ; Akkumulation ; Geschichte 1600-1800
    Note: Formerly CIP. - Includes bibliographical references and index
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  • 43
    AV-Medium
    AV-Medium
    Hamburg : Warner Home Video Germany
    Language: German
    Pages: 1 DVD-Video (82 Min.) , farb., Dolby digital, Bildofrmat: 16:9 (1.78:1), Ländercode 2 , 12 cm
    Series Statement: X Edition
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    Keywords: Film ; DVD-Video
    Abstract: Ein schwarzer Migrant reist durch Deutschland und stellt die Gastfreundschaft der Einheimischen auf die Probe. Doch die Menschen, auf die er trifft, wissen nicht, dass dieser Schwarze, der sich überall als Kwami Ogonno vorstellt, in Wirklichkeit Günter Wallraff ist. Ein Jahr lang war Journalist maskiert und mit versteckter Kamera in der Republik unterwegs und erlebte am eigenen Leib, wie Deutsche mit schwarzen Mitbürgern umgehen.
    Note: Sprache: dt. - Untertitel: dt. für Hörgeschädigte , Dokumentarfilm. Deutschland. 2009 , D 2009 , Sprache: dt. Untertitel: dt. für Hörgeschädigte
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  • 44
    ISBN: 9783666100932
    Language: German
    Pages: 1 Online-Ressource (254 Seiten)
    Edition: 1. Auflage
    Series Statement: Veröffentlichungen des Instituts für Europäische Geschichte Mainz Beiheft 75
    Parallel Title: Erscheint auch als Das Mediensystem im Alten Reich der Frühen Neuzeit (1600-1750)
    DDC: 070.1709409032
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    Keywords: Mass media Congresses History 16th century ; Mass media Congresses History 17th century ; Mass media Congresses Political aspects ; History ; Mass media and public opinion Congresses History ; Publishers and publishing Congresses History 16th century ; Publishers and publishing Congresses History 17th century ; Journalism Congresses History 16th century ; Journalism Congresses History 17th century ; Druckmedien ; Politische Publizistik ; Kommunikation ; Nachrichtenwesen ; Geschichte 1600-1750
    Note: Register: Seite [241]-248
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  • 45
    ISBN: 9780822346685 , 9780822346807
    Language: English
    Pages: 290 S. , 25 cm
    Series Statement: Asia-Pacific: culture, politics, and society
    DDC: 306.76/630951
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    Keywords: Massenkultur ; Fernsehen ; Film ; Lesbische Orientierung ; China
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  • 46
    ISBN: 9780822392989
    Language: English
    Pages: 1 Online-Ressource (342 Seiten)
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    DDC: 791.43/658209732
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    Keywords: City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures History 20th century ; Performing arts ; Performing Arts / Film / History & Criticism ; City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures ; United States ; History ; 20th century ; Electronic books ; USA ; Film ; Wohnung ; Geschichte 1945-1975
    Abstract: Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based
    Description / Table of Contents: Introduction: a philosophy of urbanism -- A primer in urbanism : Rear Window's archetypal apartment plot -- "We like our apartment" : the playboy indoors -- The great reprieve : modernity, femininity, and the apartment -- The suburbs in the city : the housewife and the apartment -- Movin' on up : the African american apartment.
    Note: Includes bibliographical references (p. [289] - 302) and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 47
    Online Resource
    Online Resource
    Durham, NC : Duke University Press
    ISBN: 9780822392767
    Language: English
    Pages: 1 Online-Ressource (320 Seiten)
    Parallel Title: Erscheint auch als Beckman, Karen Redrobe, 1971 - Crash
    DDC: 791.43/6
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    Keywords: Car-chase films History and criticism ; Motion pictures Plots, themes, etc ; Motion pictures History ; Performing arts ; Performing Arts / Film / History & Criticism ; Electronic books ; Film ; Zusammenstoß ; Film ; Personenkraftwagen ; Zusammenstoß
    Abstract: Artists, writers, and filmmakers from Andy Warhol and J. G. Ballard to Alejandro González Iñárritu and Ousmane Sembène have repeatedly used representations of immobilized and crashed cars to wrestle with the conundrums of modernity. In Crash, Karen Beckman argues that representations of the crash parallel the encounter of film with other media, and that these collisions between media offer useful ways to think about alterity, politics, and desire. Examining the significance of automobile collisions in film genres including the "cinema of attractions," slapstick comedies, and industrial-safety movies, Beckman reveals how the car crash gives visual form to fantasies and anxieties regarding speed and stasis, risk and safety, immunity and contamination, and impermeability and penetration
    Description / Table of Contents: "Jerky nearness" : spectatorship, mobility, and collision in early cinema -- Car wreckers and home lovers : the automobile in silent slapstick -- Doing death over : industrial-safety films, accidental-motion studies, and the involuntary crash test dummy -- Disaster time, the Kennedy assassination, and Andy Warhol's Since (1966/2002) -- Film falls apart : Crash, Semen, and Pop -- Crash aesthetics : Amores perros and the dream of cinematic mobility -- The afterlife of Weekend, or, the university found on a scrapheap.
    Note: Includes bibliographical references (p. [275] - 288) and index
    URL: Volltext  (View this content on Open Research Library)
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  • 48
    ISBN: 9783205783039
    Language: German
    Pages: Online-Ressource (1052 Seiten) , Illustrationen
    Series Statement: Quelleneditionen des Instituts für Österreichische Geschichtsforschung Band 2,1
    Series Statement: Quelleneditionen des Instituts für Österreichische Geschichtsforschung
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    Keywords: Pez, Bernhard 〈1683-1735〉 Correspondence ; Pez, Hieronymus 〈1685-1762〉 Correspondence ; Monks Austria ; Correspondence ; History
    Abstract: Der eingereichte Band beinhaltet die gelehrte Korrespondenz der Melker Geschichtsforscher Bernhard und Hieronymus Pez OSB aus den Jahren 1709 bis 1715. Die kommentierte Edition wurde im Rahmen eines FWF-Projekts (P-16940) in den Jahren 2004 bis 2008 unter der Leitung von Prof. Winfried Stelzer am Institut für Österreichische Geschichtsforschung von Thomas Wallnig und Thomas Stockinger erarbeitet. Dieser Antrag um Druckförderung ergeht parallel zum Endbericht dieses Projekts an den FWF.Die Bedeutung der Pez-Korrespondenz, von der mit dem vorliegenden Band rund ein Viertel erstmals der wissenschaftlichen Öffentlichkeit zugänglich gemacht wird, liegt in zwei Bereichen. Zum einen erlaubt die europäische Dimension des Briefwechsels eine grundlegende Neuverortung Österreichs und Süddeutschlands innerhalb der europäischen Geistesgeschichte des frühen 18. Jahrhunderts sowie im Rahmen der gelehrten Praxis und Kommunikationskultur der Res publica literaria. Zum anderen ermöglicht die prosopographische Ausrichtung der Korrespondenz - sie zielt auf die Sammlung bio-bibliographischer Daten zu gelehrten Benediktinern des 16. bis 18. Jahrhunderts ab - einen ersten wissenschaftlichen Zugang zu diesem nahezu unbekannten intellektuellen Kulturraum.Der Band gliedert sich in folgende Teile: die Einleitung, in der an die verschiedenen monastischen und gelehrten Kontexte der Korrespondenz herangeführt wird, die weiters die Gelehrtenkorrespondenz als Quellengattung in den Blick nimmt und die Editionsgrundsätze darlegt; den Hauptteil, der die 261 erhaltenen Briefe im lateinischen Original mit kritischem Apparat, deutschen Regesten und Sachkommentaren enthält, dabei zudem Hinweise auf 211 erschlossene Stücke; einen Anhang mit bio-bibliographischen Notizen zu den 82 Pez-Korrespondenten sowie vier Tabellen (Briefe nach Autoren, Briefe chronologisch gereiht, Briefbeilagen, in der Korrespondenz erwähnte Briefe von und an Dritte); schließlich das Quellen- und Literaturverzeichnis sowie ein kumulatives Register.Der Band erscheint in der Reihe "Quelleneditionen des Instituts für Österreichische Geschichtsforschung" bei Böhlau als erster von voraussichtlich vier Bänden der Pez-Korrespondenz. Die Edition richtet sich an Forschende aus den Bereichen Österreichische Geschichte, Gelehrsamkeits- und Kirchengeschichte, im weiteren Feld aber auch an Vertreter der Fächer Buchgeschichte, Kunst- und Literaturgeschichte sowie an Mediävisten, die an der Rezeptionsgeschichte mi ...
    Abstract: The submitted manuscript for Vol. I. comprises the learned correspondence of the Benedictine historians Bernhard and Hieronymus Pez of Melk abbey from the years 1709 to 1715. The edition and commentary were prepared between 2004 and 2008 within FWF project P-16940 under the direction of Prof. Winfried Stelzer by Thomas Wallnig and Thomas Stockinger at the Institute for Austrian Historical Research, Vienna. The submission of the work for publication is being filed concurrently with the final report on the project to the FWF. The significance of the Pez letters, of which the submitted volume will make roughly one quarter available to the public for the first time, is twofold. On the one hand, the European scope of the correspondence leads to a re-evaluation of the position of Austria and southern Germany within European intellectual history of the early 18th century and within the erudite practice and culture of communication in the Republic of Letters. On the other hand, the prosopographical orientation of the brothers' project (a collection of bio-bibliographical data on Benedictine authors of the 16th to 18th century) provides the beginnings of an inventory and topography of a nearly undiscovered intellectual landscape.The volume contains: an introduction sketching the various monastic and erudite contexts of the correspondence, presenting learned letters as a literary genre, and setting out the principles of the edition; the edition itself, which gives 261 extant letters in the original Latin with critical notes, German summaries and commentary, and which also registers 211 lost letters; an appendix with biographical information on the 82 correspondents and four tables (letters by correspondents, letters in chronological order, items enclosed with the letters, mentioned letters between third persons); sources and bibliography; finally a cumulative bio-bibliographical index.Publication is envisioned within the series "Quelleneditionen des Instituts für Österreichische Geschichtsforschung" (Böhlau publishing house) as the first of four planned volumes of the correspondence. The publication is primarily aimed at researchers in Austrian history, intellectual history and history of education, and ecclesiastical history, but is also potentially of interest to the disciplines of art history, history of publishing, and also to medievalists in view of the numerous mentions of the location and usage of manuscripts
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  • 49
    Online Resource
    Online Resource
    Innsbruck : Studien Verlag
    ISBN: 9783706548533
    Language: German
    Pages: 1 electronic resource (272 Seiten p.)
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    Keywords: History
    Abstract: Das Publikationsvorhaben mit dem Titel "Vergangenheit, die nicht vergeht. Das Gedächtnis der Shoah in Frankreich seit 1945 im Medium Film" erforscht anhand französischer Spielfilme - die als Teil einer Kinematografie der Shoah ausgemacht werden können - die grundlegenden Transformationen des Gedächtnisses der Shoah am Beispiel Frankreich. Mit einem gedächtnisgeschichtlichen Ansatz, der sich an den kulturwissenschaftlichen Modellen des kollektiven Gedächtnisses orientiert, konkretisiert die Arbeit den Wandel des Gedächtnisses anhand der jeweiligen filmischen Narrative und verfolgt auf diese Weise Langzeitentwicklungen und Brüche in der französischen Erinnerungskultur zwischen 1945 und heute.Dem empirischen Arbeitsteil sind theoretische und methodische Überlegungen vorgeschaltet, die einerseits einen eindeutigen und differenzierten Zugriff auf das Begriffsrepertoire der aktuellen kulturwissenschaftlichen Gedächtnisforschung erlauben und zugleich das Untersuchungsmaterial "Spielfilm" als Primärquelle der Geschichtswissenschaft fassbar bzw. bearbeitbar machen. Die Untersuchung gliedert sich in fünf chronologisch gereihte Abschnitte und bezieht insgesamt ein Corpus von 50 Filmen in die allgemeine Fragenstellung ein, bevor nach dem Prinzip des Fallbeispiels einzelne Filme einer genaueren Analyse unterzogen werden.Den ersten Untersuchungsabschnitt (1945-69) - zu dem der Forschungsstand als umfassend erachtet werden darf - rekonstruiert die Arbeit unter dem Gesichtspunkt der Bildung und Ausformung unterschiedlicher Gedächtnisformationen in Frankreich, die in der Spielfilmproduktion ihren Niederschlag findet. Im Zentrum steht hierbei das In-, Neben- und Gegeneinander von nationalem Gedächtnis, sowie politischen und diversen partikularen sozialen Gedächtnissen, die vor dem Hintergrund einer sich Anfang der 1960er Jahre einsetzenden Ausbildung eines Shoah-Gedächtnisses im eigentlichen Sinne untersucht wird. Der zweite - sich im Schwerpunkt auf die 1970er Jahre beziehende - Abschnitt fokussiert auf ein zentrales Moment der Modifikation kollektiver Langzeiterinnerung in Frankreich. Das Medium Film ist in dieser Phase zudem als prominenter Austragungsort von Diskursen zu fassen, das die Transformation weg von einem Résistance- hin zu einem Shoah-Gedächtnis nicht nur reflektiert sondern wesentlich vorantreibt. Der Film als Parameter eines öffentlich-demokratischen Gedächtnisraumes erschließt den vielschichtigen Ablöseprozess der politisch legitimie ...
    Abstract: The publication entitled "Vergangenheit, die nicht vergeht. Das Gedächtnis der Shoah in Frankreich seit 1945 im Medium Film" (A past, that doesn't pass. Holocaust Memory in France since 1945 in the Media Film) explores the basic transformations of the Holocaust-memory in France on the basis of French fiction films that are to be identified as part of cinematography of the Holocaust. The chosen approach that can be described as a history of memory referring to models of collective memory in cultural science studies. The aim is to specify the change of collective memory at the level of the particular filmic narratives and - by doing so - to identify and to analyze the long term development and ruptures in the French culture of remembrance since 1945. The empiric part of this study is preceded by methodological reflections that on the one hand permit a clear and differentiating application of the terms used in the current cultural studies of collective memory. On the other hand this chapter should help to conceive the material of research "Fiction Film" as primal source for historical science. The investigation is divided into five chronological parts and involves altogether a sample of 50 films into the general study before electing cases for deeper analyses. The first section (1945-69) which is generally well covered by the research to date is paying particular attention to the creation and the formation of different formations of collective memory in France, a process that has left its prints in the early films about the Holocaust. The focus is laid on the complex relationship of national memory and other political collective memories as well as particular social memories which is forming the background of the creation of a Holocaust-memory in a strict sense at the begin of the 1960ies. The second - primarily concerning the 1970ies - section is dealing with a central momentum of modification of collective long term memory in France. The cinema of this period is to understand as prominent forum of discourses which does not only reflect the ongoing transformation from Résistance dominated memory into a Holocaust dominated memory but also significantly stimulating this shift. Film as one influencing value in a public-democratic sphere of collective memory is documenting on various (visual + narrative) levels the decline of the herocentric national remembrance towards a transnational victim based Holocaust memory. In the following third period which is locat ...
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  • 50
    ISBN: 3942422018 , 9783942422017
    Language: German
    Pages: 383 Seiten , Illustrationen , 300 mm x 240 mm
    DDC: 001.206043
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    Keywords: Max-Planck-Gesellschaft zur Förderung der Wissenschaften History ; Kaiser Wilhelm-Gesellschaft zur Förderung der Wissenschaften History ; Kaiser-Wilhelm-Gesellschaft zur Förderung der Wissenschaften ; Research institutes History ; Learned institutions and societies History ; Science Societies, etc ; History ; Wissenschaftliche Einrichtung ; Forschungsinstitut ; Wissenschaftsforschung ; Forschungsergebnis ; Forschungsförderung ; Max-Planck-Gesellschaft ; Kaiser-Wilhelm-Gesellschaft ; Wissenschaftsgeschichte ; Wissenschaft ; Naturwissenschaft ; Deutschland ; Max-Planck-Gesellschaft zur Förderung der Wissenschaften ; Geschichte
    Note: Literaturverzeichnis Seite 361 - 374
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  • 51
    ISBN: 9789048133581
    Language: English
    Pages: Online-Ressource (online resource)
    Series Statement: Advances in Asian Human-Environmental Research 1
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Malaria in South Asia
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    Keywords: Social sciences ; Social Sciences ; Physical geography ; Environmental Medicine ; Human Geography ; Public health ; Physical geography ; Environmental Medicine ; Human Geography ; Social sciences ; Malaria epidemiology ; Malaria history ; Malaria prevention & control ; Disease Vectors ; History, 20th Century ; Risk Factors ; Malaria ; South Asia ; History ; 20th century ; Malaria ; South Asia ; Prevention ; Malaria ; Control ; South Asia ; Aufsatzsammlung ; Südasien ; Malaria
    Abstract: The History and Progression of Malaria: A Global and Regional View -- Resurgence of Malaria in Sri Lanka in the 1970s -- Malaria in Sri Lanka: A Geomedical Analysis1 -- Malaria Resurgence in Nepal: An Overview -- Resurgence and Post-resurgence Periods of Malaria in Bangladesh -- Resurgence of Malaria in Bangladesh -- The Resurgence of Malaria in Pakistan: A Geographical Evaluation -- Malaria Resurgence in Urban India: Lessons from Health Planning Strategies1,2 -- The Dynamics of Urban Malaria in India: An Update -- Lessons from the Past, View to the Future: Summary and Concluding Remarks
    Abstract: This highly topical book provides an in-depth account of the South Asian experience with the deadly disease that has held this region hostage for millennia. The book touches specifically on the resurgence of malaria experienced in the second half of the twentieth century, which occurred just a few years after malaria was thought to have been virtually eradicated from the region. The causes and consequences of this reappearance across space and time are discussed. The book also covers past, present and future ways to curb, control and ultimately, conquer malaria. As malaria continues to ravage the developing world, even in today’s ‘age of science’, this is a particularly relevant book, especially as most studies analyze the problem in Africa, the continent that bears the brunt of this disease. Here, the authors call attention to challenges in South Asia, home to an immense at-risk population. The chapters use a range of conceptual frameworks, quantitative analyses and descriptive approaches, finding that malaria is not just a complex disease driven by highly adaptive agents and vectors thriving in particular ecologies, but also a social concern deeply related to the region’s cultural traditions, financial and developmental shortfalls, and inexorably related to political will. The book comprehensively deals with all aspects of the malaria situation in South Asia, and is invaluable to upper level students as well as emerging and established scholars in the fields of medical geography and epidemiology, Asian studies and development studies. Key themes: malaria, South Asia, resurgence, eradication, medical geography Rais Akhtar is CSIR Emeritus Scientist at the Centre for the Study of Regional Development, Jawaharlal Nehru University, New Delhi. He has numerous publications on medical geography, and over 12 books. He is the recipient of multiple international fellowships, and was nominated to the UN Intergovernmental Panel on Climate Change, which co-won the Nobel Peace Prize in 2007 with Al Gore. Dr. Ashok K. Dutt is Professor Emeritus of Geography, Planning, and Urban Studies at The University of Akron. He has published in major journals of the world and has written and edited over 20 books. He has been a Fulbright Scholar and Ford Foundation Fellow, received the R.N. Dubey Foundation award for Lifetime Achievement in Geography, and Bhugool Bachaspati (Most Learned Geographer) award from the National Association of Indian Geographers. Dr. Vandana Wadh ...
    Description / Table of Contents: Foreword; Preface 1; Preface 2; Preface 3; Acknowledgments; Contents; Annotated Glossary and Abbreviations; Contributors; About the Authors; 1 The History and Progression of Malaria: A Global and Regional View; 2 Resurgence of Malaria in Sri Lanka in the 1970s; 3 Malaria in Sri Lanka: A Geomedical Analysis; 4 Malaria Resurgence in Nepal: An Overview; 5 Resurgence and Post-resurgence Periods of Malariain Bangladesh; 6 Resurgence of Malaria in Bangladesh; 7 The Resurgence of Malaria in Pakistan: A GeographicalEvaluation.
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 52
    Online Resource
    Online Resource
    Wiesbaden : VS Verlag für Sozialwissenschaften / GWV Fachverlage GmbH, Wiesbaden
    ISBN: 9783531926025
    Language: English
    Pages: Online-Ressource (130p, digital)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Jung, Berenike Narrating violence in Post-9/11 action cinema
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    Keywords: Social sciences ; Sociology ; Social Sciences ; Social sciences ; Sociology ; Social sciences ; Sociology ; Elfter September ; Terrorismus ; Film ; Erzähltechnik ; Gewaltdarstellung ; Filmästhetik ; Children of Men ; V for vendetta ; Munich ; Film ; Interpretation ; Elfter September ; Terrorismus ; Film ; Erzähltechnik ; Gewaltdarstellung ; Filmästhetik ; Children of Men ; V for vendetta ; Munich ; Film ; Interpretation
    Abstract: Berenike Jung studied Comparative Literature, Cinema, and North American Studies in Berlin, New York, and Paris. She works as a journalist and author with a focus on film and media.
    Abstract: This work discusses the way in which action movies have responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence - and by extension the consumers of these imagers - was considered as complicit behaviour. If terrorism is theatre, who goes to see the show? A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence? How is the audience implicitly positioned? And finally, what is the role and scope of the films- visual short-cuts, iconic real images such as those from the Abu Ghraib prison? The results reaffirm popular movies' power of working through traumatic events as well as their capacity to articulate a valid political critique. Instead of inventing or preceding real acts of violence, cinema can document, witness, and encourage the spectator to explore unorthodox viewing positions and moral dilemma. This interdisciplinary work is addressed to students of Philosophy, the Humanities, Cinema, American, or Cultural Studies as well as to the interested public.
    Description / Table of Contents: Geleitwort; Deutsche Zusammenfassung; Table of Contents; 1 Introduction; 1.1 Methodology; 1.1.1 Just War Theory; 1.1.2 Narrative Discourse; 2 The Films; 2.1 Narrating Violence in V for Vendetta; 2.1.1 Types of Violence; 2.1.1.1 A Vendetta : Vigilantism; 2.1.1.2 Terrorism: Just Revolution and Tyrannicide; 2.1.1.3 Torture; 2.1.2 Cinematic Narration; 2.1.2.1 Visualizing Violence: The Spectacular; 2.1.2.2 Alterations in Focalization; 2.1.2.3 Heroes and Enemies; 2.1.3 Narrative Challenges; 2.1.3.1 References: Post-9/11 Politics; 2.1.3.2 Responding to 9/11: Charges against Cinema
    Description / Table of Contents: 2.1.4 Résumé for V for Vendetta2.2 Narrating Violence in Munich; 2.2.1 Types of Violence; 2.2.1.1 Terrorism and the Media; 2.2.1.2 Targeted Killings: The Response; 2.2.2 Cinematic Narration; 2.2.2.1 Flashbacks: Visualizing Violence with Latency; 2.2.2.2 Point of View: Heroes and Enemies; 2.2.2.3 Docudrama; 2.2.3 Narrative Challenges; 2.2.3.1 9/11: Depicting Images of Atrocity; 2.2.3.2 The Media and the Response to 9/11; 2.2.4 Résumé for Munich; 2.3 Narrating Violence in Children of Men; 2.3.1 Types of Violence; 2.3.1.1 Terrorism: The Fishes; 2.3.1.2 War; 2.3.1.3 A Biological Threat
    Description / Table of Contents: 2.3.2 Cinematic Narration2.3.2.1 Visualizing Violence: The Long Take; 2.3.2.2 The Spectacular vs the Long Take; 2.3.2.3 External Focalization and the Subjective Camera; 2.3.2.4 Disrupting Cinematic Codes; 2.3.2.5 Characters and Character Relations; 2.3.3 Narrative Challenges; 2.3.3.1 References to Post-9/11 Politics; 2.3.3.2 Engaging with 9/11: Iconic Images and The Media; 2.3.4 Résumé for Children of Men; 3 Conclusion; Bibliography
    Note: Includes bibliographical references (p. [121]-130)
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  • 53
    Online Resource
    Online Resource
    Dordrecht : Springer Science+Business Media B.V
    ISBN: 9789048127887 , 9789048127870
    Language: English
    Pages: Online-Ressource (digital)
    Edition: 1
    Series Statement: Archimedes, New Studies in the History and Philosophy of Science and Technology 23
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Ptolemy in perspective
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    Keywords: Science History ; Geographical information systems ; Humanities ; History ; Science, general ; Geographical information systems ; History ; Humanities ; Science History ; Ptolemaeus, Claudius 100-178 ; Rezeption ; Geschichte 100-1900
    Abstract: Ptolemy was the most important physical scientist of the Roman Empire, and for a millennium and a half his writings on astronomy, astrology, and geography were models for imitation, resources for new work, and targets of criticism. Ptolemy in Perspective traces reactions to Ptolemy from his own times to ours. The nine studies show the complex processes by which an ancient scientist and his work gained and subsequently lost an overreaching reputation and authority.
    Abstract: Ptolemy was the most important physical scientist of the Roman Empire, and for a millennium and a half his writings on astronomy, astrology, and geography were models for imitation, resources for new work, and targets of criticism. This book traces reactions to Ptolemy from his own times to ours
    Description / Table of Contents: CONTENTS; An Unpublished Astronomical Papyrus Contemporary with Ptolemy; Ancient Rejection and Adoption of Ptolemy's Frame of Reference for Longitudes; Ptolemy's Doctrine of the Terms and Its Reception; The Tradition of Texts and Maps in Ptolemy's Geography; Islamic Reactions to Ptolemy's Imprecisions; The Use and Abuse of Ptolemy's Tetrabiblos in Renaissance and Early Modern Europe: Two Case Studies (Giovanni Pico della Mirandola and Filippo Fantoni); Tycho, Longomontanus, and Kepler on Ptolemy's Solar Observations and Theory, Precession of the Equinoxes, and Obliquity of the Ecliptic
    Description / Table of Contents: Bibliography
    Note: Includes bibliographical references , Volume gathers most of the papers presented at the Caltech conference "Ptolemy in Perspective", held at The Division of Humanities and Social Sciences at the California Institute of Technology, May 31 through June 2, 2007
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 54
    ISBN: 1417521724 , 9053566317 , 9053564934 , 904850368X , 9781417521722 , 9789053566312 , 9789053564936 , 9789048503681
    Language: English
    Pages: 1 Online-Ressource (1 volume)
    Edition: [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Last great American picture show
    Parallel Title: Erscheint auch als The last great American picture show
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    Keywords: Motion pictures History ; Motion pictures History ; Electronic books ; The arts ; Film, TV and radio ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Motion pictures ; Filmkunst ; Films ; Filmindustrie ; Cinéma ; États-Unis ; 1960-1990 ; Histoire et critique ; United States ; History ; Aufsatzsammlung ; Los Angeles- Hollywood ; Film ; Geschichte 1967-1976 ; USA ; Geschichte 1970-1980 ; Film
    Abstract: Annotation, The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude--these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. The Last Great American Picture Show explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood." Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors--Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis--could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide
    Abstract: The impure cinema : new Hollywood 1967-1976 / Alexander Horwath -- "The last good time we ever had" : remembering the new Hollywood cinema / Noel King -- American auteur cinema : the last -- or first -- great picture show / Thomas Elsaesser -- The decade when movies mattered / David Thomson -- A walking contradiction (partly truth and partly fiction) / Alexander Horwath -- The exploitation generation, or how marginal movies came in from the cold / Maitland McDonagh -- New Hollywood and the sixties melting pot / Jonathan Rosenbaum -- Dinosaurs in the age of the cinemobile / Richard T. Jameson -- "The cylinders were whispering my name" : the films of Monte Hellman / Kent Jones -- Nashville contra Jaws, or "The imagination of disaster" revisited / J. Hoberman -- For Wanda / Bérénice Reynaud -- Everybody knows this is nowhere : the uneasy ride of Hollywood and rock / Howard Hampton -- Auteurism and war-teurism : Terrence Malick's war movie / Dana Polan -- The pathos of failure : American films in the 1970s : notes on the unmotivated hero / Thomas Elsaesser -- Trapped in the affection image : Hollywood's post-traumatic cycle (1970-1976) / Christian Keathley --Grim fascination : Fingers, James Toback and 1970s American cinema / Adrian Martin -- Allegories of post-Fordism in 1970s new Hollywood : countercultural combat films and conspiracy thrillers as genre recycling / Drehli Robnik
    Note: Includes bibliographical references (pages 359-370) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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  • 55
    Book
    Book
    Bielefeld : Transcript-Verl.
    ISBN: 9783899421835 , 3899421833
    Language: German
    Pages: 172 S. , Ill. , 23 cm
    Additional Information: Rezension Engster, Bettina Alexowitz, M., Traumfabrik Bollywood; Dwyer, R., 100 Bollywood Films; Fritz, B., Bollywood in Deutschland; Krauss, F., Männerbilder im Bollywood-Film; Pestal, B.,Faszination Bollywood; Tieber, C. (Hg.): Fokus Bollywood; Uhl, M., Kumar, K. J., Indischer Film 2011
    Series Statement: Medienumbrüche 3
    Series Statement: Medienumbrüche
    Parallel Title: Online-Ausg. Uhl, Matthias Indischer Film
    DDC: 791.430954
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    Keywords: Motion pictures History ; India ; Massenmedien ; Film ; Filmwirtschaft ; Kunst ; Kultur ; Gesellschaft ; Unterhaltung ; Religion ; Indien ; Indien ; Film ; Geschichte
    Note: Literaturverz. S. [171] - 172
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  • 56
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 0585498180
    Language: English
    Pages: 253 S. , Ill. , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2004 E-Books von NetLibrary
    Series Statement: Film culture in transition
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Druckausg. u.d.T. Phillips, Alastair, 1963 - City of darkness, city of light
    DDC: 791.43/0944361
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    Keywords: Motion picture producers and directors ; Germans ; Motion picture producers and directors ; Germans ; Motion picture producers and directors France ; Paris ; Germans France ; Paris ; Deutsche ; Exil ; Filmregisseur ; Filmschaffender ; Paris ; Electronic books ; Electronic books. ; Electronic books. ; Aufsatzsammlung ; Paris ; Deutsche ; Filmschaffender ; Filmregisseur ; Exil ; Geschichte 1929-1939 ; Frankreich ; Film
    Note: Includes bibliographical references (p. [221]-241) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 57
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 1417520027 , 9781417520022 , 9780520937154 , 0520937155 , 0520228952 , 9780520228955
    Language: English
    Pages: VIII, 323 S. , Ill. , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2004 E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version New German cinema
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    Keywords: Motion picture music Germany ; History and criticism ; Motion pictures ; Motion picture music History and criticism. ; Motion pictures Germany ; Motion picture music History and criticism ; Germany ; Germany ; Motion pictures ; Motion picture music History and criticism ; Motion picture music History and criticism ; Motion pictures ; Motion pictures ; Motion picture music History and criticism. ; Motion Pictures as Topic ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Motion picture music ; Motion pictures ; Criticism, interpretation, etc ; Filmmusik ; Filmästhetik ; Neuer deutscher Film ; Germany ; Germany ; Electronic books. ; Electronic books. ; Electronic books Criticism, interpretation, etc ; Neuer deutscher Film ; Filmmusik ; Geschichtsdarstellung ; Geschichte ; Deutschland ; Film ; Geschichte 1965-1990
    Abstract: Introduction: "strategies of remembrance" -- Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity
    Description / Table of Contents: Introduction: "strategies of remembrance" -- Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity
    Description / Table of Contents: Introduction: "strategies of remembrance"Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity.
    Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
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  • 58
    ISBN: 3980922235 , 9783980922234
    Language: German
    Pages: 343 Seiten , Illustrationen , 24 cm
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    Keywords: Museum für Völkerkunde Hamburg History ; Ethnological museums and collections Germany ; Hamburg ; History ; Festschrift ; Festschrift ; Festschrift ; Festschrift ; Museum für Völkerkunde Hamburg
    URL: Cover
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  • 59
    ISBN: 9781417583669 , 1417583665 , 9780857712646 , 0857712640 , 1282528939 , 9781282528932
    Language: English
    Pages: XI, 252 S.
    Edition: Electronic reproduction, Boulder, Colo : NetLibrary, 2005
    Series Statement: Cinema and Society
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Druckausg. u.d.T. Butler, Margaret Film and community: Britain and France ; from La R̀egle du jeu to Room at the top
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    Keywords: Motion pictures Great Britain ; History ; Motion pictures France ; History ; War Films Great Britain ; War Films France ; Motion pictures Great Britain ; History ; Motion pictures France ; History ; World War, 1939-1945 Motion pictures and the war ; War Films Great Britain ; War Films France ; World War, 1939-1945 Motion pictures and the war ; Motion pictures History ; France ; Motion pictures History ; Great Britain ; War films Great Britain ; War films France ; Guerre mondiale, 1939-1945 Cinéma et guerre ; Guerre mondiale, 1939-1945 Grande-Bretagne ; Guerre mondiale, 1939-1945 France ; Cinéma Aspect social ; Grande-Bretagne ; Cinéma Aspect social ; France ; Motion pictures France ; History ; Motion pictures Great Britain ; History ; War Films France ; War Films Great Britain ; World War, 1939-1945 Motion pictures and the war ; World War, 1939-1945 Great Britain ; World War, 1939-1945 France ; Motion pictures Social aspects ; Great Britain ; Motion pictures Social aspects ; France ; Electronic books ; Electronic books ; Großbritannien ; Film ; Geschichte ; Frankreich ; Film ; Geschichte
    Abstract: Britain and France and the concept of "community" -- Film industries at war : projecting "community" -- Countryside and city, Paysage et patrie at war -- Countryside, city, and region in post-war film -- Cinema of the return : acceptance and alienation -- Women in Britain : "returned" or renewed? -- "Liberation" and Les femmes françaises
    Abstract: Relations between France and Britain have always been uneasy and ambivalent. But in cinema the WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and div
    Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2005 , Electronic reproduction, Boulder, Colo : NetLibrary, 2005
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  • 60
    ISBN: 3980922227
    Language: German
    Pages: 444 S. , Ill., graph. Darst. , 21 cm
    Series Statement: Mitteilungen aus dem Museum für Völkerkunde Hamburg N.F., 35
    DDC: 390
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    Keywords: Hamburgisches Museum für Völkerkunde ; Ethnological museums and collections Germany ; Berlin ; History ; Museum für Völkerkunde Hamburg ; Geschichte 1879-2004
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  • 61
    ISBN: 3631513208
    Language: German
    Pages: 203 S. , Ill., graph. Darst. , 21 cm
    Series Statement: Europäische Hochschulschriften 65
    Series Statement: Reihe 19, Volkskunde, Ethnologie
    Series Statement: Abt. B, Ethnologie
    Series Statement: Europäische Hochschulschriften / 19 / B
    Dissertation note: Vollst. zugl.: Bremen, Univ., Diss., 2001
    DDC: 301
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    Keywords: Photography in anthropology History ; 19th century ; Germany ; Anthropology Methodology ; History ; 19th century ; Germany ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutsches Sprachgebiet ; Ethnologie ; Fotografie ; Geschichte 1839-1884
    Note: Literaturverz. S. 167 - 203
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  • 62
    Book
    Book
    Bloomington [u.a.] : Indiana University Press [u.a.]
    ISBN: 0852555776 , 0852555768 , 9780852555774 , 9780253343499 , 0253343496 , 0253216427
    Language: English
    Pages: X, 230 S , Ill
    DDC: 791.4309670917541
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    Keywords: Motion pictures Africa, French-speaking ; Motion pictures Africa, French-speaking ; Afrika südlich der Sahara Kultur/Sprache/Kunst ; Frankophones Afrika ; Subsaharisches Afrika ; Film ; Subsaharisches Afrika ; Französisch ; Film ; Subsaharisches Afrika ; Frankophones Afrika ; Film ; Geschichte
    Abstract: Development & evolutions -- A brief history of Sub-Saharan Francophone African film -- Critical paradigms -- The problematic legacy of eurocentrism -- Postmodernism or postcoloniality? -- Towards new paradigms -- Cultural identity, representation & voice -- Representing Africa: the western imagination -- Alternative perspectives or reassessing identity through film -- Screen griots; orature & film -- Living traditions: the cultural context -- The stylistic & structural influences of orature on film -- Memory, history -- Other stories -- The 'colonial confontation' genre -- Memory-history films: Afrique je te plumerai; Asientos; Allah Tantou; Fadjal -- Filming the immigrant experience -- Francophone African cinema in Europe -- Setting a precedent: Afrique sur seine -- The myth of Europe: illusions & delusions; integration or return? -- Interracial relationships & immigrant communities -- African women & film -- In screen and behind camera -- Directing the female gaze: Safi Faye; Laure Folly; Fanta R. Nacro -- 'Womanist' films.
    Note: Originally published: Oxford : J. Currey, 2003 - Includes bibliographical references and index
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  • 63
    Book
    Book
    Bloomington, Ind. : Indiana Univ. Press [u.a.]
    ISBN: 9780852555613 , 025334350X , 0253216435 , 085255561X , 0852555628
    Language: English
    Pages: XIII, 202 S. , zahlr. Ill., Kt
    Edition: 1. publ.
    DDC: 791.43626
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    Keywords: Motion pictures Africa ; Motion pictures Africa ; Afrika südlich der Sahara Kultur/Sprache/Kunst ; Africa In motion pictures ; Africa In motion pictures ; Afrika ; Film ; Geschichte ; Subsaharisches Afrika ; Afrika ; Film ; Geschichte
    Abstract: Recovering the African past ; Out of Africa: settler romance in nature paradise ; Yaaba: friendship in the village that time forgot ; Keita!: transmitting the Sundjata to the next generation -- 2. Fighting colonialism ; Sambizanga: the martyr, his family, and the movement ; Flame: a twofold struggle -- 3. The struggle for majority rule in South Africa ; The gods must be crazy: The world according to apartheid ; The dry White season: a White awakening ; Mapantsula: Black resistance to White oppression ; Fools: ordinary people under apartheid -- 4. Betrayals of independence ; Kongi's harvest: traditional splendour and modern oppression ; Xala: impotence sexual, cultural, economic, and political ; Tableau Ferraille: the rise and abrupt fall of an honest politician ; The blue eyes of Yonta: was the struggle in vain? -- 5. The exploited & neglected peasantry ; Finzan: gender conflict and village peasantry ; Kasarmu Ce: peasant Islam and urban corruption -- 6. Between the African mass market & international recognition ; Kini and Adams: the vagaries of adult friendship ; La vie est belle: it's a wonderful life.
    Note: Originally published: Oxford : J. Currey, 2003. - Includes bibliographical references and index
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  • 64
    Online Resource
    Online Resource
    Honolulu : University of Hawaiʿi Press
    ISBN: 0585479143 , 9780585479149
    Language: English
    Pages: XXVI, 304 S. , Ill.
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2003 E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Erscheint auch als Cui, Shuqin Women through the lens
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    Keywords: Motion pictures History. ; Women in motion pictures. ; Sex role in motion pictures. ; Motion pictures History ; China ; Cinéma Histoire ; Chine ; Femmes au cinéma ; Rôle selon le sexe au cinéma China ; Women in motion pictures ; Sex role in motion pictures ; Motion pictures History ; Motion pictures History. ; Women in motion pictures. ; Sex role in motion pictures. ; Cinéma Histoire ; Chine ; Femmes au cinéma ; Motion pictures History ; China ; Rôle selon le sexe au cinéma China ; Sex role in motion pictures ; Women in motion pictures ; Motion pictures ; PERFORMING ARTS ; Film & Video ; Reference ; History ; Film ; Geschlechterrolle ; Nation ; China ; Electronic books. ; Electronic books ; Electronic books. ; Electronic books History ; China ; Film ; Geschlechterrolle ; Nation ; Geschichte 1900-2000 ; China ; Film ; Geschlechterverhältnis ; Nationalbewusstsein
    Abstract: Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon
    Description / Table of Contents: Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon
    Note: Includes bibliographical references (p. [287]-297) and index. - Filmography: p. [249]-267 , Filmography: p. [249]-267 , Electronic reproduction, Boulder, Colo : NetLibrary, 2003 , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 65
    Online Resource
    Online Resource
    New Brunswick, N.J : Rutgers University Press
    ISBN: 9780813535289 , 081353528X
    Language: English
    Pages: Online-Ressource
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Druckausg. Virdi, Jyotika, 1962 - The cinematic imagination
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    Keywords: Motion pictures Social aspects ; Motion pictures ; Motion pictures ; Motion pictures Social aspects ; Motion pictures India ; Motion pictures Social aspects ; India ; Motion pictures ; Motion pictures Social aspects ; Motion pictures Social aspects ; India ; India ; Filmkunst ; Films ; Sociale aspecten ; Nation ; Motiv ; Film ; Indien ; Film ; Gesellschaft ; Indien ; Geschichte 1947-2000 ; Film ; Gesellschaft ; Indien ; Geschichte ; Film ; Motiv ; Nation ; Indien ; Film ; Sozialgeschichte ; Indien ; 1950-2002 ; PERFORMING ARTS ; Film & Video ; Reference ; Motion pictures ; Motion pictures ; Social aspects ; Motion pictures India ; Motion pictures Social aspects ; India ; Film ; Sozialgeschichte ; Indien ; Film ; Sozialgeschichte ; 1950-2002 ; India ; Indien ; Electronic books ; Electronic book ; Electronic books. ; Electronic books ; Indien ; Film ; Sozialgeschichte ; Indien ; Film ; Sozialgeschichte ; Indien ; Film ; Sozialgeschichte
    Abstract: Nation and its discontents. The nation, in theory ; The creative ImagiNation ; Theorizing national cinema ; Nation and its embodiments ; Pleasure and terror of the feminine. -- The idealized woman. Fixing the figure of the woman ; Woman, community, nation ; The "social butterfly." -- Heroes and villains: narrating the nation. Masculinity ; Heroes and villains ; Sons and mothers. -- Heroines, romance, and social history. Reading resistance ; Contesting the Laxman Rekha ; Film/star text: reading social change. -- The sexed body. Filmic love ; Victims to vigilantes ; Rape and the rape threat ; The sexed body and specular pleasure ; Double-speak about the body ; Unsettled scores. -- Re-reading romance. Transgressions of "true love" ; Reinstating "family values" ; Romantic love and the culture of consumption ; The end of the Nehruvian Era
    Description / Table of Contents: ""Contents""; ""Preface""; ""Acknowledgments""; ""Introduction""; ""Chapter 1: Nation and Its Discontents""; ""Chapter 2: The Idealized Woman""; ""Chapter 3: Heroes and Villains: Narrating the Nation""; ""Chapter 4: Heroines, Romance, and Social History""; ""Chapter 5: The Sexed Body""; ""Chapter 6: Re-reading Romance""; ""Conclusion""; ""Notes""; ""Index""
    Description / Table of Contents: Nation and its discontents. The nation, in theory ; The creative ImagiNation ; Theorizing national cinema ; Nation and its embodiments ; Pleasure and terror of the feminine. -- The idealized woman. Fixing the figure of the woman ; Woman, community, nation ; The "social butterfly." -- Heroes and villains: narrating the nation. Masculinity ; Heroes and villains ; Sons and mothers. -- Heroines, romance, and social history. Reading resistance ; Contesting the Laxman Rekha ; Film/star text: reading social change. -- The sexed body. Filmic love ; Victims to vigilantes ; Rape and the rape threat ; The sexed body and specular pleasure ; Double-speak about the body ; Unsettled scores. -- Re-reading romance. Transgressions of "true love" ; Reinstating "family values" ; Romantic love and the culture of consumption ; The end of the Nehruvian Era
    Description / Table of Contents: Nation and its discontents. The nation, in theory ; The creative ImagiNation ; Theorizing national cinema ; Nation and its embodiments ; Pleasure and terror of the feminine.The idealized woman. Fixing the figure of the woman ; Woman, community, nation ; The "social butterfly." -- Heroes and villains: narrating the nation. Masculinity ; Heroes and villains ; Sons and mothers. -- Heroines, romance, and social history. Reading resistance ; Contesting the Laxman Rekha ; Film/star text: reading social change. -- The sexed body. Filmic love ; Victims to vigilantes ; Rape and the rape threat ; The sexed body and specular pleasure ; Double-speak about the body ; Unsettled scores. -- Re-reading romance. Transgressions of "true love" ; Reinstating "family values" ; Romantic love and the culture of consumption ; The end of the Nehruvian Era.
    Note: Includes bibliographical references and index
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  • 66
    Online Resource
    Online Resource
    London : I.B. Tauris in association with the Centre for Brazilian Studies, University of Oxford
    ISBN: 1417519797 , 9781417519798 , 1860648789 , 9781860648786 , 1860649289 , 9781860649288
    Language: English
    Pages: XXVI, 296 S. , Ill. , 22 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2004 E-Books von NetLibrary
    Edition: New York In the United States of America distributed by Palgrave Macmillan
    Series Statement: EBSCOhost eBook Collection
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    Keywords: Motion pictures Congresses ; Brazil ; Cinéma Congrès ; Brésil ; Brazil ; Brasilien ; Motion pictures Congresses. ; Motion pictures Brazil ; History ; Utopias in motion pictures ; Motion pictures History ; Brazil ; Motion pictures Brazil ; Brasilien ; Electronic books. ; Electronic books Conference proceedings ; Konferenzschrift ; Brasilien ; Brasilien ; Film
    Abstract: A new policy for Brazilian cinema / José Álvaro Moisés -- The cinema that Brazil deserves / Carlos Diegues -- Brazilian cinema in the 1990s : the unexpected encounter and the resentful character / Ismail Xavier -- Humility, guilt and narcissism turned inside out in Brazil's film revival / Fernão Pessoa Ramos -- Chronically unfeasible : the political film in a depoliticized world / João Luiz Vieira -- It's all Brazil / Amir Labaki -- A cinema of conversation - Eduardo Coutinho's Santo Forte and Babilônia 2000 / Verónica Ferreira Dias -- The sertão and the favela in contemporary Brazilian film / Ivana Bentes -- The sertão in the Brazilian imaginary at the end of the millennium / Luiz Zanin Oricchio -- Death on the beach - the recycled utopia of Midnight / Lúcia Nagib -- Nelson Rodrigues in the 1990s : two recent screen adaptations / Stephanie Dennison -- An oblique gaze : irony and humour in Helvécio Ratton's Love & Co / Maria Esther Maciel -- Cabral and the Indian....
    Description / Table of Contents: A new policy for Brazilian cinema / José Álvaro Moisés -- The cinema that Brazil deserves / Carlos Diegues -- Brazilian cinema in the 1990s : the unexpected encounter and the resentful character / Ismail Xavier -- Humility, guilt and narcissism turned inside out in Brazil's film revival / Fernão Pessoa Ramos -- Chronically unfeasible : the political film in a depoliticized world / João Luiz Vieira -- It's all Brazil / Amir Labaki -- A cinema of conversation - Eduardo Coutinho's Santo Forte and Babilônia 2000 / Verónica Ferreira Dias -- The sertão and the favela in contemporary Brazilian film / Ivana Bentes -- The sertão in the Brazilian imaginary at the end of the millennium / Luiz Zanin Oricchio -- Death on the beach - the recycled utopia of Midnight / Lúcia Nagib -- Nelson Rodrigues in the 1990s : two recent screen adaptations / Stephanie Dennison -- An oblique gaze : irony and humour in Helvécio Ratton's Love & Co / Maria Esther Maciel -- Cabral and the Indians : filmic representations of Brazil's 500 years / Robert Stam -- For all and traditions of popular musical comedy / Lisa Shaw -- ImagiNation / José Carlos Avellar -- Then and now : cinema as history in the light of new media and new technologies / Laura Mulvey
    Note: Based on a conference on contemporary Brazilian cinema organized by the Centre for Brazilian Studies and held at Wadham College, Oxford in June 2000. - Includes bibliographical references and index , Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004 , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 67
    Online Resource
    Online Resource
    New York [u.a.] : Palgrave Macmillan
    ISBN: 9781137100344
    Language: English
    Pages: 1 Online-Ressource (XI, 272 p)
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Religion, culture, critique 2
    Parallel Title: Erscheint auch als Representing religion in world cinema
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    Keywords: Culture Study and teaching ; Religion ; Communication ; Motion pictures History ; Philosophy ; Aufsatzsammlung ; Film ; Religion ; Film ; Religion
    Abstract: Religious traditions have provided a seemingly endless supply of subject matter for film, from the Ten Commandments to the Mahabharata . At the same time, film production has engendered new religious practices and has altered existing ones, from the cult following of The Rocky Horror Picture Show to the 2001 Australian census in which 70,000 people indicated their religion to be 'Jedi Knight'. Representing Religion in World Cinema begins with these mutual transformations as the contributors query the two-way interrelations between film and religion across cinemas of the world. Cross-cultural and interdisciplinary by nature, this collection by an international group of scholars draws on work from religious studies, film studies, and anthropology, as well as theoretical impulses in performance, gender, ethnicity, colonialism, and postcolonialism
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  • 68
    Book
    Book
    Oxford ; New York : Oxford University Press
    ISBN: 0199249083
    Language: English
    Pages: XIV, 788 Seiten , Illustrationen , 24 cm
    Edition: 1. publ.
    DDC: 306/.0973
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    Keywords: Geschichte 1900-2000 ; Geschichte 1945-1980 ; Geschichte 1935-1955 ; Culturele aspecten ; Koude Oorlog ; Kunst ; Letterkunde ; Film ; Kultur ; Kulturpolitik ; Kunst ; Musik ; Ost-West-Konflikt ; Theater ; Geschichte ; Gesellschaft ; Kultur ; Literatur ; Cold War Social aspects ; Politics and culture History 20th century ; Politics and culture History ; Politics and culture History 20th century ; Popular culture History 20th century ; Popular culture History ; Popular culture History 20th century ; Ost-West-Konflikt ; Hegemonie ; Kulturimperialismus ; Kultur ; Abstrakter Expressionismus ; Auswärtige Kulturpolitik ; Malerei ; Massenkultur ; Kulturpolitik ; Berlin 〈Ost〉 ; Berlin 〈West〉 ; Frankreich ; Großbritannien ; Sowjetunion ; USA ; Europa ; Sowjetunion ; USA ; Europe Intellectual life 20th century ; Soviet Union Intellectual life ; United States Intellectual life 20th century ; Sowjetunion ; Historische Darstellung ; Ost-West-Konflikt ; Kulturpolitik ; Massenkultur ; Auswärtige Kulturpolitik ; Kulturimperialismus ; Geschichte 1945-1980 ; Sowjetunion ; Malerei ; Geschichte 1935-1955 ; Abstrakter Expressionismus ; Ost-West-Konflikt ; Kultur ; Hegemonie ; Abstrakter Expressionismus
    Description / Table of Contents: Introduction: The culture war -- pt. 1. Marking the territory. Propaganda wars and cultural treaties -- The gladiatorial exhibition -- pt. 2. Stage and screen wars: Russians and America. Broadway dead, says Soviet critic -- The Russian question: a Russian play -- Soviet cinema under Stalin -- Hollywood: the Red Menace -- Witch hunts: Losey, Kazan, Miller -- Soviet cinema: the new wave -- pt. 3. Stage and screen wars: Europe. Germany divided: stage and screen -- Brecht and the Berliner Ensemble -- Dirty Hands: the political theatre of Sartre and Camus -- Squaring the circle: Ionesco, Beckett, Havel, Stoppard -- Andrzej Wajda: Ashes and diamonds, marble and iron -- pt. 4. Music and ballet wars. Classical music wars -- Shostakovich's Testimony -- All that jazz: Iron Curtain calls -- The ballet dancer defects -- pt. 5. Art wars. Stalinist art: Tractor drivers' supper -- Passports for paintings: abstract expressionism and the CIA -- Picasso and communist art in France -- The other Russia: pictures by "jackasses'
    Note: Includes bibliographical references (pages 733-755) and index. - Includes filmography: pages 731-73
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  • 69
    Online Resource
    Online Resource
    Manchester : Manchester University Press
    ISBN: 141757643X , 9781417576432
    Language: English
    Pages: XI, 236 S. , 23 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2005 E-Books von NetLibrary
    Edition: New York Distributed exclusively in the U.S.A. by Palgrave
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Erscheint auch als British cinema of the 1950s
    Parallel Title: Druckausg. u.d.T. British cinema of the 1950s
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    Keywords: Motion pictures History ; Great Britain ; Motion pictures History. ; Motion pictures History. ; Motion pictures History ; Motion pictures Great Britain ; History ; Motion pictures History ; Great Britain ; Great Britain ; Großbritannien ; Motion pictures History ; Great Britain ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; History & Criticism ; Motion pictures ; Aufsatzsammlung ; Films ; History ; Film ; Great Britain ; Großbritannien ; Electronic books ; Electronic books. ; Electronic book ; Electronic books. ; Electronic books History ; Aufsatzsammlung ; Großbritannien ; Film ; Geschichte 1950-1960 ; Großbritannien ; Film ; Geschichte 1950-1960
    Abstract: Celebrating British cinema of the 1950s / Ian MacKillop and Neil Sinyard -- Raymond Durgnat and A mirror for England / Robert Murphy -- Lindsay Anderson : Sequence and the rise of auteurism in 1950s Britain / Erik Hedling -- National snapshots : fixing the past in English war films / Fred Inglis -- Film and the Festival of Britain / Sarah Easen -- The national health : Pat Jackson's White corridors / Charles Barr -- The long shadow : Robert Hamer after Ealing / Philip Kemp -- 'If they want culture, they pay' : consumerism and alienation in 1950s comedies / Dave Rolinson -- Boys, ballet and begonias : The Spanish gardener and its analogues / Alison Platt -- Intimate stranger : the early British films of Joseph Losey / Neil Sinyard -- Women of twilight / Kerry Kidd -- Yield to the night / Melanie Williams -- From script to screen : Serious charge and film censorship / Tony Aldgate -- Housewife's choice : Woman in a dressing gown / Melanie Williams -- Too theatrical by half? T....
    Description / Table of Contents: Celebrating British cinema of the 1950s / Ian MacKillop and Neil Sinyard -- Raymond Durgnat and A mirror for England / Robert Murphy -- Lindsay Anderson : Sequence and the rise of auteurism in 1950s Britain / Erik Hedling -- National snapshots : fixing the past in English war films / Fred Inglis -- Film and the Festival of Britain / Sarah Easen -- The national health : Pat Jackson's White corridors / Charles Barr -- The long shadow : Robert Hamer after Ealing / Philip Kemp -- 'If they want culture, they pay' : consumerism and alienation in 1950s comedies / Dave Rolinson -- Boys, ballet and begonias : The Spanish gardener and its analogues / Alison Platt -- Intimate stranger : the early British films of Joseph Losey / Neil Sinyard -- Women of twilight / Kerry Kidd -- Yield to the night / Melanie Williams -- From script to screen : Serious charge and film censorship / Tony Aldgate -- Housewife's choice : Woman in a dressing gown / Melanie Williams -- Too theatrical by half? The admirable Crichton and Look back in anger / Stephen Lacey -- A tale of two cities and the Cold War / Robert Giddings -- Value for money : Baker and Berman, and Tempean films / Brian McFarlane -- Adaptable Terence Rattigan : Separate tables, separate entities? / Dominic Shellard -- Archiving the 1950s / Bryony Dixon -- Being a film reviewer in the 1950s / Isabel Quigly -- Michael Redgrave and The Mountebank's tale / Corin Redgrave
    Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2005 , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 70
    Language: German
    Pages: 1 Online-Ressource (159 Seiten) , graph. Darst
    Series Statement: Niederlande-Studien 3
    Series Statement: Beiheft
    Parallel Title: Erscheint auch als Riek, Ilona, 1965 - Niederlande- und Belgienforschung in der Bundesrepublik Deutschland
    DDC: 306.09
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    Keywords: Regionalforschung ; Forschung ; Forschungsgegenstand ; Forschungsprojekt ; Fakultät ; Forschungsinstitut ; Dokumentation ; Deutschland ; Niederlande ; Belgien ; Germany ; Directories ; Relations ; Societies, etc ; Netherlands ; Netherlands ; Directories ; Relations ; Societies, etc ; Germany ; Netherlands ; Directories ; Civilization ; Study and teaching ; Societies, etc ; Germany ; Belgium ; Directories ; Civilization ; Study and teaching ; Societies, etc ; Germany ; Germany ; Directories ; Cultural policy ; History ; Societies, etc ; 20th century ; Germany ; Directories ; Relations ; Societies, etc ; Belgium ; Belgium ; Directories ; Relations ; Societies, etc ; Germany ; Deutschland ; Forschungsprogramm ; Belgien ; Geschichte 1995-2002 ; Deutschland ; Forschungsprogramm ; Niederlande ; Geschichte 1995-2002 ; Niederlande ; Belgien ; Forschungseinrichtung ; Geschichte 1995-2002
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  • 71
    ISBN: 3487118181
    Language: German
    Pages: VI, 176 S. , Ill. , b
    DDC: 001.40943
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    Keywords: Endowment of research Germany ; Fritz Thyssen-Stiftung ; History ; Deutschland ; Fritz-Thyssen-Stiftung ; Forschungsförderung
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  • 72
    Book
    Book
    Oxford : Currey [u.a.]
    ISBN: 0852555555 , 085255558X
    Language: English
    Pages: XI, 275 S , Ill
    Edition: [Nachdr.]
    RVK:
    Keywords: Sembène Ousmane ; 1923- ; Criticism and interpretation ; Senegalese fiction (French) ; Motion pictures Production and direction ; Senegal ; Sembène, Ousmane ; Criticism and interpretation ; Sembène, Ousmane 1923-2007 ; Kulturkritik ; Prosa ; Sembène, Ousmane 1923-2007 ; Film ; Kulturkritik ; Senegal ; Film ; Sembène, Ousmane 1923-2007
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  • 73
    Book
    Book
    Cambridge, Massachusetts : Harvard University Press
    ISBN: 9780674008083 , 0674008081 , 0674001648
    Language: English
    Pages: ix, 454 Seiten
    Edition: First paperback edition
    DDC: 338.47700973
    RVK:
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    Keywords: Arts Economic aspects ; United States ; History ; 19th century ; Arts ; Economic aspects ; United States ; History ; 20th century ; USA ; Kunstökonomie
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  • 74
    ISBN: 3927579165
    Language: German , English
    Pages: 254 S. , Ill., Kt. , 21 cm
    Edition: [3. Ausg.]
    Series Statement: Veröffentlichungen aus dem Archiv zur Geschichte der Max-Planck-Gesellschaft 16
    DDC: 000
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    Keywords: Kaiser ; History ; Max-Planck-Gesellschaft ; History ; Research ; Germany ; Dahlem ; History ; Führer ; Max-Planck-Gesellschaft zur Förderung der Wissenschaften ; Berlin-Dahlem ; Max-Planck-Gesellschaft zur Förderung der Wissenschaften ; Institut
    Note: Literaturverz. S. 239 - 245 , Text in dt. und engl. Sprache
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  • 75
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 0585466238 , 9780585466231 , 0520233115 , 9780520233119 , 9780520936355 , 0520936353 , 0520233107 , 9780520233102
    Language: English
    Pages: XII, 322 S. , Ill. , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2003 E-Books von NetLibrary
    Series Statement: Weimar and now 32
    Series Statement: EBSCOhost eBook Collection
    Series Statement: Weimar and now
    Parallel Title: Print version Dark mirror
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    Keywords: Motion pictures Germany ; History ; Motion picture producers and directors Germany ; Biography ; Motion pictures History. ; Motion picture producers and directors Biography. ; Germans ; Cinéma Histoire. ; Producteurs et réalisateurs de cinéma Biographies. ; Allemands ; Germans California ; Los Angeles ; Motion picture producers and directors Biography ; Germany ; Motion pictures History ; Germany ; Cinéma Histoire ; Allemagne ; Producteurs et réalisateurs de cinéma Biographies ; Allemagne ; Allemands Californie ; Los Angeles ; California ; Los Angeles ; Germany ; Motion pictures History ; Motion picture producers and directors Biography ; Germans ; Germans ; Motion picture producers and directors Biography ; Motion pictures History ; Motion pictures History. ; Motion picture producers and directors Biography. ; Germans ; Cinéma Histoire. ; Producteurs et réalisateurs de cinéma Biographies. ; Allemands ; Motion picture producers and directors Germany ; PERFORMING ARTS ; Film & Video ; Reference ; Germans ; Motion picture producers and directors ; Motion pictures ; Music, Dance, Drama & Film ; Film ; Biographies ; History ; California ; Los Angeles ; Germany ; Electronic books. ; Electronic books ; Electronic books. ; Electronic books Biography ; History ; USA ; Film ; Nationalsozialismus ; Geschichte 1933-1955 ; Deutschland ; Film ; USA ; Geschichte 1933-1955 ; Berlin ; Film ; Geschichte 1933-1939 ; Los Angeles- Hollywood ; Exil ; Deutsche ; Filmschaffender ; Geschichte 1939-1955
    Abstract: "Lutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema." http://www.loc.gov/catdir/description/ucal042/2001007068.html
    Abstract: Introduction: The Dark Mirror -- pt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany
    Description / Table of Contents: Introduction: The Dark Mirrorpt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany."
    Note: Includes bibliographical references (p. 273-307) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2003
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 76
    Online Resource
    Online Resource
    Berkeley, Calif : University of California Press
    ISBN: 0585466505 , 9780585466507
    Language: English
    Pages: XV, 346 S. , Ill , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2003 E-Books von NetLibrary
    Series Statement: Studies on the history of society and culture 44
    Series Statement: EBSCOhost eBook Collection
    Series Statement: Studies on the history of society and culture
    Parallel Title: Druckausg. u.d.T. Swift, Eugene Anthony, 1960 - Popular theater and society in Tsarist Russia
    DDC: 792/.0947
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    Keywords: Theater History. ; Popular culture ; Theater History. ; Popular culture ; Theater Russia ; History ; Popular culture Russia ; Massenkultur ; Volkstheater ; Russland ; Electronic books ; Electronic books. ; Electronic books. ; Russland ; Volkstheater ; Massenkultur ; Geschichte 1861-1917 ; Russland ; Volkstheater ; Geschichte 1861-1917
    Note: Includes bibliographical references (p. 303-326) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2003
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 77
    Online Resource
    Online Resource
    London : Arnold
    ISBN: 0585497095 , 9780585497099
    Language: English
    Pages: vi, 212 p , ill , 24 cm
    Edition: Boulder, Colo NetLibrary 2004 Online-Ressource E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version French cinema
    DDC: 791.430944
    RVK:
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    Keywords: Motion pictures History. ; Motion pictures History ; France ; France ; Motion pictures History ; Motion pictures History. ; Film ; Geschichte ; Frankreich ; Electronic books. ; Electronic books. ; Electronic books History ; Frankreich ; Film ; Geschichte ; Frankreich ; Film ; Geschichte
    Note: Includes bibliographical references (p. 199-208) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 78
    Online Resource
    Online Resource
    Chapel Hill, NC [u.a.] : Univ. of North Carolina Press
    ISBN: 0807861456 , 9780807861455
    Language: English
    Pages: Online-Ressource
    Series Statement: EBSCOhost eBook Collection
    Dissertation note: Zugl: Stanford, Univ., Diss.
    DDC: 791.4309431
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    Keywords: Motion pictures Germany East ; History ; Motion pictures History ; Motion pictures History ; Germany (East) ; Motion pictures History ; Germany (East) ; Deutschland ; Film ; Alltag ; Geschichte
    Abstract: This work confronts the question of whether movies in the Eastern Bloc were propaganda or secretly veiled dissent. From the late 1960s East German films focused on everyday life, it could be said that filmmakers presented a static image to show an East Germany that accepted the GDR as it was
    Description / Table of Contents: Contents; Acknowledgments; Abbreviations; Introduction: Back to the Future; 1. Conquering the Past and Constructing the Future: The DEFA Film Studio and the Contours of East German Cultural Policy, 1946-1956; 2. The Discovery of the Ordinary: Berlin-Ecke Schönhauser and the Twentieth Congress of the CPSU; 3. A Case of Love Confused?: Slatan Dudow's Verwirrung der Liebe as a Meditation on Art and Industry; 4. Straddling the Wall: Socialist Realism Meets the Nouvelle Vague in Der geteilte Himmel; 5. The Eleventh Plenum and Das Kaninchen bin ich
    Description / Table of Contents: 6. A Dream Deferred?: Spur der Steine and the Aftermath of the Eleventh Plenum7. The Triumph of the Ordinary: East German Alltag Films of the 1970s; Conclusion; Epilogue: Arrested Alltag?: East German Film from the Biermann Affair to DEFA's Final Dissolution, 1976-1993; Notes; Selected Bibliography; Selected Filmography; Index;
    Description / Table of Contents: 6. A Dream Deferred?: Spur der Steine and the Aftermath of the Eleventh Plenum7. The Triumph of the Ordinary: East German Alltag Films of the 1970s; Conclusion; Epilogue: Arrested Alltag?: East German Film from the Biermann Affair to DEFA's Final Dissolution, 1976-1993; Notes; Selected Bibliography; Selected Filmography; Index;
    Note: Includes bibliographical references and index
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 79
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Amsterdam University Press
    ISBN: 9789053565988
    Language: English
    Pages: 1 Online-Ressource (332 p.)
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    Keywords: Film, TV & radio ; History ; Society & culture: general ; Electronic books ; Film
    Abstract: This first book-length study shows how Germany tried to reconcile the horrendous experiences of the FirstWorld War through the films made in 1919-1933. Drawing on the analysis of twenty-five such films, and covering a wide range of documentaries as well as feature films on the reasons for the outbreak of the war, life at the front,war at sea and the home front, the author sketches out the historical and cultural context, including reviews and censors' reports, in which these films were made and viewed
    Abstract: De Republiek van Weimar staat vooral bekend als een aanloop naar het nazi-tijdperk en als een vernieuwende periode waarin jazz, Bauhaus en expressionistische films de dominante cultuur verdrongen. Minder bekend is de manier waarop Duitsland omging met de nasleep van de Eerste Wereldoorlog. Filmfront Weimar beschrijft hoe Duitsland de ingrijpende ervaring van de oorlog verwerkte in oorlogsfilms uit de periode 1919-1933. Uit een analyse van vijfentwintig films rijst het beeld op van de manier waarop Duitsland zich het oorlogsverleden wilde herinneren. Een beschouwing van de talrijke filmkritieken, censuurverslagen en historiografie geven de lezer bovendien zicht op de context waarin deze films werden bekeken en beoordeeld. Niet eerder zijn deze veelal onbekende films zo grondig onderzocht. De thematische hoofdstukken besteden behalve aan oorlogsdocumentaires aandacht aan films over de oorzaken van de oorlog, het frontleven, de zee-oorlog en het thuisfront
    Note: English
    URL: Volltext  (kostenfrei)
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  • 80
    Image
    Image
    Wuppertal : Hammer
    ISBN: 3872949233
    Language: German
    Pages: 180 S , 25 cm
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    Keywords: Advertising Africa ; History ; Exhibitions ; Commercial art Africa ; Exhibitions ; Posters Africa ; Exhibitions ; Ausstellungskatalog 2002 ; Subsaharisches Afrika ; Kunst ; Werbung ; Geschichte ; Geschichte
    Description / Table of Contents: Literaturverz. S. 175 - 179
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  • 81
    ISBN: 3872949233
    Language: German
    Pages: 180 S , 25 cm
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    Keywords: Advertising Africa ; History ; Exhibitions ; Commercial art Africa ; Exhibitions ; Posters Africa ; Exhibitions ; Ausstellungskatalog 2002 ; Ausstellungskatalog 2002 ; Subsaharisches Afrika ; Kunst ; Werbung ; Geschichte ; Geschichte
    Description / Table of Contents: Literaturverz. S. 175 - 179
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  • 82
    ISBN: 1860648037 , 1860648045
    Language: English
    Pages: XV, 282 S , Ill , 24 cm
    DDC: 791.430955
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    Keywords: Motion pictures ; Motion pictures Political aspects ; Motion pictures Iran ; Iran Kultur/Sprache/Kunst ; Konferenzschrift ; Aufsatzsammlung ; Iran ; London 〈1999〉 ; Film ; Geschichte 1979-1999 ; Iran ; Film ; Politik
    Note: Literaturangaben
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  • 83
    ISBN: 1860646522
    Language: English
    Pages: VI, 248 S.
    DDC: 340.5/9
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    Keywords: Islamic law Congresses ; Islamic law Congresses ; Philosophy ; Islamic law Congresses ; History ; Islam ; Rechtsanwendung ; Rechtsordnung ; Geschichte ; Islamische Staaten ; a ; Islamic law ; Congresses ; a ; Islamic law ; Philosophy ; Congresses ; a ; Islamic law ; History ; Congresses ; Konferenzschrift ; Islamisches Recht
    Description / Table of Contents: Chaumont, Eric: Ijtihad et histoire en islam sunnite classique selon quelques juristes et théologiens. - S. 7-23 Gleave, Robert: Akhbari Shi'i usul al-fiqh and the juristic theory of Yusuf b. Ahmad al-Bahrani. - S. 24-45 Fadel, Mohammad: Rules, judicial discretion and the rule of law in Nasrid Granada: an analysis of al-Hadiqa al-mustaqilla al-nadra fi al-fatawa al-sadira 'an 'ulama' al-hadra. - S. 49-86 Zomeño, Amalia: Kafa'a in the Maliki school: a fatwa from fifteenth-century Fez. - S. 87-106 Kabra, Patricia: Water rights and irrigation practices in the medieval Maghrib. - S. 107-118 Jokisch, Benjamin: Ijtihad in Ibn Taymiyya's fatawa. - S. 119-137 Kermeli, Eugenia: Ebu's Su'ud's definitions of church vakfs: theory and practice in Ottoman law. - S. 141-156 Hollander, Isaac: Halakha, shari'a and custom: a legal saga from Highland Yemen, 1900-1940. - S. 157-181 Krawietz, Birgit: Darura in modern Islamic law: the case of organ transplantation. - S. 185-193 Mitchell, Ruth: Family law in Algeria befor
    Note: The papers in this collection were originally presented at a conference entitled 'Islamic law : theory and practice' held at Ashburne Hall, University of Manchester in June 1995".--CIP introd , Literaturverz. S. 232 - 244
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  • 84
    Book
    Book
    Chicago [u. a.] : Univ. of Chicago Press
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  • 85
    Book
    Book
    London [u.a.] : Sage
    ISBN: 0803984464 , 0803984472
    Language: English
    Pages: 154 S
    Edition: Reprinted
    Series Statement: The media, culture & society series
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    Keywords: Mass media ; Audiences ; Mass media ; Research ; History ; Medienkonsum ; Rezeption ; Medien
    Note: Literaturverz. S. [141] - 151
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  • 86
    Book
    Book
    Washington : Smithsonian Institution Press [u.a.] | Oxford : Curry
    Show associated volumes/articles
    ISBN: 1560988053 , 085255253X , 0852552548
    Language: English
    Pages: IX, 182 S , Ill., Kt
    Edition: 1. publ.
    Series Statement: Museums & the community in West Africa
    Series Statement: Museums & archaeology in West Africa
    DDC: 966
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    Keywords: a ; Historical museums ; z ; Africa, West ; a ; Africa, West ; x ; History ; x ; Exhibitions ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Westafrika ; Historisches Museum ; Museum
    Note: Includes bibliographical references and index , Published on behalf of the West African Museums Programme in association with the International African Instiute
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  • 87
    Book
    Book
    Bayreuth : University
    ISBN: 3927510637
    Language: English
    Pages: 216 S , Ill
    Series Statement: Bayreuth African studies series 50
    Series Statement: SATJ 13
    Series Statement: Bayreuth African studies series
    Series Statement: South African theatre journal
    DDC: 792.096
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    Keywords: Theater Africa ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; Theater ; Afrika ; Theater ; Geschichte
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  • 88
    ISBN: 1856497429 , 1856497437
    Language: English
    Pages: XII, 315 S , Ill
    Uniform Title: Cinémas d'Afrique noire 〈engl.〉
    DDC: 791.43/096
    RVK:
    Keywords: Motion pictures History ; Motion pictures Africa ; Cinematography Africa ; Mass media Africa ; Afrika ; Film ; Geschichte
    Note: Includes bibliographical references and index
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  • 89
    ISBN: 2845860609
    Language: French
    Pages: 592 S
    DDC: 800
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    Keywords: Motion pictures ; Africa ; Motion pictures ; Caribbean area ; Motion picture producers and directors ; Africa ; Credits ; Motion picture producers and directors ; Caribbean area ; Credits ; Wörterbuch ; Afrika ; Film ; Regisseur
    Note: Covers also the Francophone Caribbean area (Haiti, Guadeloupe, Martinique, French Guiana) , Includes indexes
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  • 90
    ISBN: 3443370128
    Language: German
    Pages: XII, 215 S , Ill., graph. Darst., Kt
    Series Statement: Urbanization of the earth 9
    Series Statement: Urbanisierung der Erde
    DDC: 307.76/0947
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    Keywords: Urbanization ; Russia ; History ; Russland ; Verstädterung ; Geschichte
    Note: Literaturverz. S. 202 - 209
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  • 91
    Book
    Book
    Ithaca [u.a.] : Cornell University Press
    ISBN: 9780801437489 , 0801437482
    Language: English
    Pages: XIV, 278 S. , Ill.
    DDC: 070.1/95
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    Keywords: Massenmedien ; Politik ; Medien ; Abhängigkeit ; Unabhängigkeit ; Öffentlich-rechtlicher Rundfunk ; Fernsehen ; Informationsdienst ; Wirkung ; Japan Massenmedien ; Politik ; Verhältnis Politik - Medien ; Abhängigkeit/Unabhängigkeit der Massenmedien ; Öffentliche Rundfunkanstalt ; Japan Broadcasting Corporation (Tokyo) ; Fernsehen ; Informationsdienst ; Wirkung von Massenmedien ; Nachkriegssituation Politische Elite ; Politische Institution ; Bürokratie ; Journalismus ; Kommerzialisierung ; Netzwerk (institutionell/sozial) ; Politik ; Staat ; Massenmedien ; Fernsehen ; Journalismus ; Japan ; Television broadcasting of news ; Japan ; History ; Nihon Hōsō Kyōkai ; History ; Government and the press ; Japan ; History ; 20th century ; Nihon Hōsō Kyōkai ; Nachrichtensendung ; Japan ; Medienpolitik
    Description / Table of Contents: NHK and broadcasting politics -- Portraying the state -- The 7 p.m. news -- Organization and its environment -- Leadership and politics -- Occupational roles and politics -- New media strategies and organizational change -- "Casters," commercial competition and change -- The politics of broadcasting and the broadcasting of politics.
    Note: Errata sheet inserted , Includes bibliographical references and index
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  • 92
    ISBN: 0851707378
    Language: English
    Pages: 256 S.
    Edition: 1. publ.
    DDC: 791.43096
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    Keywords: Motion pictures, African Congresses ; Motion pictures Africa ; Congresses ; Motion pictures, African Congresses ; Motion pictures Africa ; Congresses ; Konferenzschrift ; Afrika ; Film ; Afrika ; Film
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  • 93
    ISBN: 0822380358
    Language: English
    Pages: 1 Online-Ressource (xii, 272 Seiten) , Illustrationen , 24 cm
    Edition: Online_Ausgabe Boulder, Colo NetLibrary 2003 E-Books von NetLibrary Sonstige Standardnummer des Gesamttitels: 22382847
    Parallel Title: Reproduktion von Hanafi, Zakiya, 1959- The monster in the machine
    DDC: 306.45
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    Keywords: Geschichte 1600-1700 ; Geschichte 1600-1700 ; Body, Human - Philosophy ; History - 17th century - Italy ; Human Body ; Monsters - History - 17th century - Italy ; Monsters - history ; Philosophy ; Science - history ; Geschichte ; Naturwissenschaft ; Philosophie ; Body, Human Philosophy 17th century ; History ; Human Body ; Monsters history ; Monsters History 17th century ; Philosophy ; Science history ; Körper ; Maschine ; Ungeheuer ; Kultur ; Automation ; Italien ; Italien ; Electronic books ; Electronic books. ; Electronic books. ; Electronic books. ; Electronic books. ; Italien ; Ungeheuer ; Körper ; Automation ; Kultur ; Geschichte 1600-1700 ; Maschine
    Note: Includes bibliographical references (p. [253]-266) and index
    URL: Full text  (Click to View (Currently Only Available on Campus))
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    URL: Cover
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