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  • MPI Ethno. Forsch.  (128)
  • English  (128)
  • Film  (108)
  • Frankreich
  • General works  (108)
  • Romance Studies  (16)
  • Geography  (9)
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Years
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Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Performative Figures of Queer Masculinity : A Media History of Film and Cinema in Germany Until 1945 (2022)
    Stuttgart : J.B. Metzler | Stuttgart : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783476058881
    Language: English
    Pages: 1 Online-Ressource(XIII, 528 p. 43 illus.)
    Edition: 1st ed. 2022.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 44910
    Keywords: Motion pictures—History. ; Queer theory. ; Performing arts. ; Theater. ; Ethnology—Europe. ; Culture. ; Motion pictures. ; Deutschland ; Film ; Homosexualität ; Männlichkeit ; Geschichte Anfänge - 1945
    Abstract: Chapter 1. Introduction -- Chapter 2. Empire/Germany: Film and Cinema, Gender and Sexuality -- Chapter 3. Weimar Republic/Germany: Film and Cinema, Gender and Sexuality -- Chapter 4. National Socialism/Germany: Film and Cinema, Gender and Sexuality -- Chatper 5. Concluding Remarks.-.
    Abstract: The work in media cultural history is a German history of cinema and film from the 1890s to 1945 with a focus on queer masculinity. Using media studies approaches, the study shows how film as a new medium is constituted through performative re-enactments of spectacular elements from the entertainment and knowledge cultures of the 19th century. In it, bodies, desires and identities are constantly remodelled through the formation of difference. Therefore, male queerness here does not mean the representation of male homosexuality. Rather, it is the dynamic result of complex medial processes, in connection with affects and (self-)cognitions on and off screen. This book is a translation of an original German 1st edition Performative Figuren queerer Männlichkeit by Christiane König, published by J.B.Metzler, imprint of Springer-Verlag GmbH Germany, part of Springer Nature in 2020. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). The author (with the friendly support of Megan Hanson) has subsequently revised the text further in an endeavour to refine the work stylistically. Springer Nature works continuously to further the development of tools for the production of books and on the related technologies to support authors.
    DOI: 10.1007/978-3-476-05888-1
    URL: lizenzpflichtig
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    Online Resource
    BSZ
    MPI Ethno. Forsch.
  • 2
    Online Resource
    Online Resource
    Cyberhate in the Context of Migrations (2022)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783030921033
    Language: English
    Pages: 1 Online-Ressource(XI, 232 p. 58 illus., 11 illus. in color.)
    Edition: 1st ed. 2022.
    Series Statement: Postdisciplinary Studies in Discourse
    Parallel Title: Erscheint auch als Cyberhate in the context of migrations
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    MS 3600
    RVK:
    AP 15978
    Keywords: Applied linguistics. ; Linguistics—Methodology. ; Communication in politics. ; Emigration and immigration—Social aspects. ; Journalism. ; Computer crimes. ; Finnland ; Frankreich ; Deutschland ; Italien ; Polen ; Großbritannien ; Internet ; Computerkriminalität ; Hassrede ; Migrationshintergrund
    Abstract: Chapter 1: Anti-migrant hate speech as a symptom of a representation crisis (Angeliki Monnier, Axel Boursier and Annabelle Seoane) -- Part I: Language strategies and patterns -- Chapter 2: Online hate speech in the UK and Poland: social media reactions to the murder of Arkadiusz Jóźwik (Katerina Strani and Anna Szczepaniak-Kozak) -- Chapter 3: The anti-immigration ideology: hate speech, ethos and the enemy’s figure (Nolwenn Lorenzi Bailly and Lotta Lehti) -- Chapter 4: "Reality", "truth" and "lies" regarding the immigration phenomenon in comment sections on French media (Nadia Makouar) -- Chapter 5: The computer-mediated expression of hate: a corpus analysis of French and Italian user-generated contents (Laura Ascone) -- Part II: Actors and interactions -- Chapter 6: The joint construction of hate speech in online discussions (Emmi Lahti) -- Chapter 7: Social network conversations with young authors of online hate speech against migrants (Stefano Pasta) -- Chapter 8: Hate speech, freedom of expression and the controversies on the regulation of online content (Romain Bedouard) -- Chapter 9: How does online hate speech influence the process of intercultural mediation in the context of migration? (Cecilia Brassier-Rodrigues).
    Abstract: This edited book takes an interdisciplinary approach to shed light on the complex dynamics involved in the incidence of online hate speech against migrants in user-generated contexts. The authors draw on case studies from Finland, France, Germany, Italy, Poland and the UK, bringing together qualitative and quantitative analyses on user-generated online comments. The authors argue that online hate speech against migrants must be understood as a symptom of a representation crisis on migration, which can only be fully perceived through the study of the complex linguistic, interactional and connective processes within which it emerges. They focus on representations and shared meanings, community building and otherness, and delve into the role of network ecosystems in the process of the construction of public problems. This book will be of interest to undergraduate and post-graduate students as well as academics working on hate speech and migration studies in a variety of fields, and can also contribute to improving research protocols for automated analyses and detections of online hate speech. Angeliki Monnier is Professor in Information and Communication Sciences at Université de Lorraine, Metz, France, and director of the Centre for Research on Mediations (CREM). Axel Boursier is Associate Professor in Information and Communication Sciences at CY Cergy Paris Université, France, and a member of the “Lexicons, Texts, Discourses and Dictionaries” (LT2D) laboratory. Annabelle Seoane is Associate Professor in Linguistics and Language Teaching at Université de Lorraine, Metz, France, and a member of the Centre for Research on Mediations (CREM).
    DOI: 10.1007/978-3-030-92103-3
    URL: lizenzpflichtig
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    BSZ
    MPI Ethno. Forsch.
  • 3
    Online Resource
    Online Resource
    Neo-Victorian Things : Re-imagining Nineteenth-Century Material Cultures in Literature and Film (2022)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031062018
    Language: English
    Pages: 1 Online-Ressource(XIII, 233 p.)
    Edition: 1st ed. 2022.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 52600
    RVK:
    HG 434
    Keywords: Literature, Modern—19th century. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Motion pictures. ; Aufsatzsammlung ; Englisch ; Roman ; Sachkultur ; Geschichte 1837-1901 ; Rezeption ; Fernsehspiel ; Großbritannien ; Neuseeland ; Film ; USA ; Geschichte 1980-2022
    Abstract: 1. Introduction: Stuff and Things: Introducing Neo-Victorian Materialities -- 2. Objects and Memorabilia in Deborah Lutz’s The Brontë Cabinet: Three Lives in Nine Objects -- 3. “Around the Mizzenpole”: Charles Johnson’s Middle Passage and African Americanizing the Neo-Victorian-at-sea -- 4. Touching, Writing, Collecting: Opium Paraphernalia and Neo-Victorian Material Culture -- 5. An Instrumental Thing: Pianos Extending and Becoming Postcolonial Bodies in Jane Campion’s The Piano and Daniel Mason’s The Piano Tuner -- 6. “Wilful Phantoms”: Haunted Dress, Memory, and Agentic Materiality in Colm Tóibín’s The Master -- 7. The Thing About Haunted Houses: In The Turn of the Screw, The Innocents and The Haunting of Hill House -- 8. There’s Something in the Tea: Murder and Materiality in Dark Angel -- 9. Criminal Things: Sherlock Holmes’ Details of Detection and Their Neo-Victorian Revisions -- 10. The Sleight of Hand: Appearance and Disappearance of Things in Neo-Victorian Magic.
    Abstract: Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.
    DOI: 10.1007/978-3-031-06201-8
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    BSZ
    MPI Ethno. Forsch.
  • 4
    Online Resource
    Online Resource
    Francoist Repression and Incarceration in Contemporary Spanish Culture : Justice through Memory (2022)
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    Details
    ISBN: 9783031133923
    Language: English
    Pages: 1 Online-Ressource (XIX, 335 p. 8 illus)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Studies in Cultural Heritage and Conflict
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.094
    RVK:
    AP 59737
    RVK:
    IP 14900
    Keywords: Geschichte 1998-2018 ; European Culture ; Regional Cultural Studies ; Cultural Heritage ; Ethnology—Europe ; Culture ; Ethnology ; Cultural property ; Spanisch ; Unterdrückung ; Roman ; Galicisch ; Film ; Franquismus ; Spanien ; Spanisch ; Galicisch ; Roman ; Spanien ; Film ; Unterdrückung ; Franquismus ; Geschichte 1998-2018
    DOI: 10.1007/978-3-031-13392-3
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-031-13392-3
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-031-13392-3
    URL: Inhaltsverzeichnis
    URL: Ausführliche Beschreibung
    URL: lizenzpflichtig
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    Online Resource
    BSZ
    KOBV
    HeBIS
    BVB
    HBZ
    Bayreuth UB
    MPI Ethno. Forsch.
  • 5
    Online Resource
    Online Resource
    Europe in Upheaval : Identity in Politics, Literature and Film (2022)
    Stuttgart : J.B. Metzler | Stuttgart : Palgrave Macmillan
    Details
    ISBN: 9783476058836
    Language: English
    Pages: 1 Online-Ressource (IX, 180 p. 11 illus. in color)
    Edition: 1st ed. 2022
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.094
    RVK:
    AP 59706
    RVK:
    EC 5410
    RVK:
    MK 5000
    Keywords: Geschichte 1982-2019 ; European Culture ; Ethnology—Europe ; Culture ; Politik ; Politische Identität ; Europa ; Literatur ; Film ; Europäische Integration ; Europa ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Literatur ; Film ; Europa ; Geschichte 1982-2019 ; Europa ; Politik ; Europäische Integration ; Politische Identität
    DOI: 10.1007/978-3-476-05883-6
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-476-05883-6
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-476-05883-6
    URL: Inhaltsverzeichnis
    URL: Ausführliche Beschreibung
    URL: lizenzpflichtig
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    BSZ
    KOBV
    HeBIS
    BVB
    HBZ
    Bayreuth UB
    MPI Ethno. Forsch.
  • 6
    Online Resource
    Online Resource
    The Oxford handbook of queer cinema (2021)
    New York, NY, United States of America : Oxford University Press
    Details
    ISBN: 9780190878023 , 9780190878009 , 9780190878016
    Language: English
    Pages: 1 Online-Ressource (xvi, 844 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.766
    RVK:
    AP 47950
    Keywords: Homosexualität ; Film ; Sexual minorities in mass media ; Sexual minorities in motion pictures ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Film ; Homosexualität
    Abstract: 'The Oxford Handbook of Queer Cinema' encompasses more than a century of filmmaking, film criticism and film reception, looking at the ways in which the idea of 'queer cinema' has expanded as a descriptor for a global arts practice
    DOI: 10.1093/oxfordhb/9780190877996.001.0001
    URL: Volltext
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.1093/oxfordhb/9780190877996.001.0001
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
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    Online Resource
    München BSB
    Würzburg UB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
    HBZ
    MPI Ethno. Forsch.
  • 7
    Online Resource
    Online Resource
    German cinema in the age of Neoliberalism (2021)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048551958 , 9048551951
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Film culture in transition
    Parallel Title: Erscheint auch als BAER, HESTER GERMAN CINEMA IN THE AGE OF NEOLIBERALISM
    DDC: 791.430943
    RVK:
    AP 44910
    Keywords: Motion pictures History and criticism ; Neoliberalism in motion pictures ; Motion pictures ; Criticism, interpretation, etc ; Germany ; Deutschland ; Film ; Filmproduktion ; Geschichte 1980-2010 ; Deutschland ; Film ; Filmproduktion ; Deutsche Film AG
    Note: Includes bibliographical references and index
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 8
    Book
    Book
    Images on the move : materiality - networks - formats (2021)
    Bielefeld : transcript
    Details
    ISBN: 9783837652468 , 3837652467
    Language: English
    Pages: 286 Seiten , Illustrationen , 23 cm
    Series Statement: Media studies volume 76
    Series Statement: Edition Medienwissenschaft
    Parallel Title: Erscheint auch als Images on the move
    Parallel Title: Erscheint auch als Images on the move
    DDC: 302.23
    RVK:
    AP 14800
    Keywords: Digital images Social media ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Bild ; Verbreitung ; Fotografie ; Film ; Neue Medien ; Geschichte 1930-2018 ; Bild ; Mobilität ; Neue Medien ; Medienwissenschaft ; Bildwissenschaft ; Medien ; Bild ; Vernetzung ; Bildformat ; Vernetzung
    Note: Literaturangaben
    URL: Unbekannt
    URL: Inhaltsverzeichnis
    URL: Unbekannt
    URL: Inhaltsverzeichnis
    URL: Unbekannt
    URL: Inhaltsverzeichnis
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    BSZ
    GBV
    KOBV
    MPI Ethno. Forsch.
  • 9
    Online Resource
    Online Resource
    Inventing cinema : machines, gestures and media history (2019)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048550463
    Language: English
    Pages: 1 Online-Ressource (267 Seiten)
    Series Statement: Cinema and technology
    Uniform Title: Inventer le cinéma. Épistémologie : problèmes, machines
    Parallel Title: Erscheint auch als Turquety, Benoît Inventing cinema
    DDC: 791
    RVK:
    AP 55300
    Keywords: Film ; Medien
    Abstract: With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a "stable" moment in media history? 'Inventing Cinema' proposes to approach this question through an archaeology and an epistemology of media machines. The archaeology analyses them as archives of users' gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines' designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, 'Inventing Cinema' argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history
    Note: Enthält Bibliografie und Index
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 10
    Online Resource
    Online Resource
    Scorsese and religion (2019)
    Leiden : Brill
    Details
    ISBN: 9789004411401
    Language: English
    Pages: 1 Online-Ressource (XIII, 321 Seiten) , Illustrationen
    Series Statement: Studies in religion and the arts 15
    Parallel Title: Erscheint auch als Scorsese and religion
    DDC: 791
    RVK:
    AP 51315
    Keywords: Aufsatzsammlung ; Scorsese, Martin 1942- ; Film ; Religion
    Abstract: Scorsese and Religion' concerns the religious vision of the great American filmmaker Martin Scorsese. Not only will this volume explore the foundation of Scorsese's interest in religion - namely, his relation to the Catholic Church - but it will also highlight the religious breadth of Scorsese's corpus. Ultimately, this book demonstrates that Scorsese's cinematic "re-presentation" of reality brings together various religious influences (Catholicism, existentialism, Buddhism, etc.) and topics such as violence, morality, nihilism, and so on. The overarching claim is that Scorsese, who indeed once claimed that his "whole life" had been "movies and religion," cannot be properly understood without reflecting on the ways in which his religious interests are expressed in and through his art
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Klappentext
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    MPI Ethno. Forsch.
  • 11
    Online Resource
    Online Resource
    The Oxford handbook of Canadian cinema (2019)
    New York, NY, United States of America : Oxford University Press
    Details
    ISBN: 9780190229122 , 9780190229115 , 9780190933159
    Language: English
    Pages: 1 Online-Ressource (xxii, 483 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Parallel Title: Erscheint auch als The Oxford handbook of Canadian cinema
    DDC: 791.430971
    RVK:
    AP 44982
    RVK:
    AP 59482
    RVK:
    AP 59782
    Keywords: Motion pictures History ; Motion pictures, Canadian History and criticism ; Film ; Kanada ; Motion pictures ; Canada ; History ; Motion pictures, Canadian ; History and criticism ; Aufsatzsammlung ; Kanada ; Film ; Kanada ; Film ; Geschichte
    Abstract: The Oxford Handbook of Canadian Cinema offers an overview of the current state of thinking around Canadian cinema. The volume was conceived to register the variety of voices expressing themselves within Canadian cinema with special attention paid to Indigenous, Quebecois, and diasporic identities. Canadian cinema increasingly finds its place within a broad conception of "screen cultures", which extend into the divergent realms of small-scale artistic experimentation and large-scale public spectacle. Insofar as these realms have played a vital role in establishing Canada's presence within international screen culture, they are given special emphasis here. Rather than a straight historical account of cinema in Canada, this Oxford Handbook looks at the technological complexes, geographical spaces, and identity formations in which that cinema has emerged and developed.
    DOI: 10.1093/oxfordhb/9780190229108.001.0001
    URL: Volltext
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    MPI Ethno. Forsch.
  • 12
    Online Resource
    Online Resource
    Medieval saints and modern screens : divine visions as cinematic experience (2018)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048532179
    Language: English
    Pages: 1 Online-Ressource (304 Seiten)
    Series Statement: Knowledge communities
    Uniform Title: Screening sanctity: modern visual theory and divine visions in thirteenth-century female saints’ lives from the Low Countries
    Dissertation note: Dissertation University College London (UCL) 2014
    DDC: 791.43/682
    RVK:
    AP 50300
    RVK:
    BO 1840
    Keywords: Saints in motion pictures ; Middle Ages in motion pictures ; Hagiography ; Motion pictures History 20th century ; Motion pictures History 21st century ; History ; History ; Electronic books ; Hochschulschrift ; Heiligenbild ; Vision ; Mystik ; Visuelle Wahrnehmung ; Film
    Abstract: The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the problematic division of body and soul in the period and also reveal the potential of text to transmit visual experiences. This book explores those qualities of the texts using the latest developments in film theory, taking up such topics as the relationship of film to mortality, embodied spectatorship, celebrity studies, and digital environments
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 13
    Book
    Book
    Archive dekolonialisieren : mediale und epistemische Transformationen in Kunst, Design und Film (2018)
    Bielefeld : transcript
    Details
    ISBN: 3837643425 , 9783837643428
    Language: German , English
    Pages: 263 Seiten , Illustrationen , 23 cm
    Series Statement: Edition Kulturwissenschaft Band 173
    Series Statement: Edition Kulturwissenschaft
    Parallel Title: Erscheint auch als Archive dekolonialisieren
    Parallel Title: Erscheint auch als Archive dekolonialisieren
    Parallel Title: Erscheint auch als Knopf, Eva Archive dekolonialisieren
    Parallel Title: Erscheint auch als Archive dekolonialisieren
    Parallel Title: Erscheint auch als Archive dekolonialisieren
    DDC: 025.21
    RVK:
    AN 15200
    RVK:
    NK 4940
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Archiv ; Museum ; Entkolonialisierung ; Künste ; Intervention ; Archiv ; Museum ; Antikolonialismus ; Geschichte 2017 ; Museumskunde ; Antikolonialismus ; Kunst ; Film ; Design ; Archiv ; Antikolonialismus ; Kulturwissenschaften ; Archivkunde ; Postkolonialismus
    Note: Literaturangaben , Beiträge überwiegend deutsch, teilweise englisch
    URL: Inhaltsverzeichnis
    URL: http://www.transcript-verlag.de/978-3-8376-4342-8
    URL: Rezension
    URL: Rezension
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    URL: http://www.transcript-verlag.de/978-3-8376-4342-8
    URL: Rezension
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: http://www.transcript-verlag.de/978-3-8376-4342-8
    URL: Rezension
    URL: Rezension
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Weltkulturen Museum
    BSZ
    GBV
    Ethn. Museum Berlin
    MPI-MMG
    MARKK
    MPI Ethno. Forsch.
  • 14
    Online Resource
    Online Resource
    The enemy in contemporary film (2018)
    Berlin : De Gruyter
    Details
    ISBN: 9783110591217 , 9783110590036
    Language: English
    Pages: 1 Online-Ressource (VII, 413 Seiten) , Illustrationen
    Series Statement: Culture & Conflict volume 12
    Parallel Title: Erscheint auch als The enemy in contemporary film
    DDC: 791.43653
    RVK:
    AP 50300
    Keywords: Enemies in motion pictures ; Aufsatzsammlung ; Feind ; Film ; Geschichte 1970-2017
    Abstract: "The Enemy in Contemporary Film analyses the (de-) and (re)constructions of enemy images in international film since the 1970s. Contexts and conceptions range from military conflict to dictatorship, collaboration, the war on drugs and ethno-cultural groups as 'enemy'. In particular, the essays collected in this volume concentrate on the impact which filmically mediated images of the 'enemy' have had on national cultural memories"--
    Abstract: New enemies, new cold wars: reimagining occupation and military conflict in Norway / Gunnar Iversen -- A murky business: the post-Soviet enemy / Angela Brintlinger -- Of monsters and men: forms of evil in war films / Holger Pözsch -- The domestic enemy in British TV documentaries on the Iraq War / Janet Harris -- Britains Muslims as the enemy within in contemporary British Cinema / Maryam Jameela -- (Re)Framing the disembodied public enemy: the war on drugs in contemporary narrative screen media / Florian Zappe -- From Ivan to Andreij: The Red Army in German Film and TV / Petra Rau -- Enemies within: reimagining the fallen women of World War II in Finnish contemporary documentary / Niina Oisalo -- The collaborator as enemy during the French Occupation in (auto-)biographical and post-memory cinema / Caroline Perret -- False idyll: Siris L'Ennemi intime / Noah McLaughlin -- Femme, je ne vous aime pas : The Enemy Within in Joachim Lafosses A perdre la raison / Marcelline Block -- The past as enemy in Argentine cinema, 1983-2000 / Mario Ranalletti -- Who attacked whom? the year 1981 in twenty-first century Polish feature films / Maria Kobielska -- Redefining the enemy in contemporary Australian Anzac cinema / Daniel Reynaud -- The fading of enemy images in contemporary Latvian cinema / Andrejs Plakans and Vita Zelc̆e -- Looking for an invisible enemy in Israeli film / Francesca de Lucia -- Bonds across borders: a fictional enemy in motion on the Israeli screen / Miri Talmon -- Bosnia beyond good and evil: (de)constructing the enemy in Western and post-Yugoslav films about the 1992-1995 War / Stephen Harper -- Forbidden bonding at the time of the war on terror: the enemy as friend in Camp X-Ray and Boys of Abu Ghraib / Martin Löschnigg -- Lost pasts and unseen enemies: the Pacific War in recent Japanese films / Jonathan Rayner
    URL: kostenfrei
    URL: https://www.degruyter.com/doc/cover/9783110589924.jpg
    URL: Inhaltsverzeichnis
    URL: Unbekannt
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    MPI Ethno. Forsch.
  • 15
    Book
    Book
    Topographies of "Borderland Schengen" : documental images of undocumented migration in European Borderlands (2018)
    Bielefeld :transcript,
    Details
    ISBN: 978-3-8376-4208-7
    Language: English
    Pages: 291 Seiten : , Illustrationen.
    Series Statement: Image Volume 129
    Series Statement: Image
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität der Künste Berlin
    DDC: 302.2343
    RVK:
    AP 49400
    RVK:
    MS 3600
    RVK:
    RC 10594
    RVK:
    RC 10817
    RVK:
    ML 1100
    RVK:
    PR 2730
    RVK:
    AP 46700
    Keywords: Europäische Union. ; Übereinkommen zur Durchführung des Übereinkommens von Schengen ; Dokumentarfilm. ; Migration ; Illegaler Einwanderer ; Illegale Einwanderung. ; Migration. ; Flüchtling. ; Grenze. ; Auswanderung. ; Grenzschutz. ; Europa. ; Afrika. ; Border ; Documentary Film ; Visuality ; Film ; Image ; Political Art ; Refugee Studies ; Media Studies ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Dokumentarfilm ; Migration ; Illegaler Einwanderer ; Illegale Einwanderung ; Dokumentarfilm ; Übereinkommen zur Durchführung des Übereinkommens von Schengen 1990 Juni 19 ; Migration ; Flüchtling ; Grenze ; Auswanderung ; Grenzschutz ; Illegale Einwanderung
    Note: Filmografie Seite 265-266. - Literaturverzeichnis Seite 267-291
    URL: Kurzbeschreibung
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030255417&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030255417&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
    URL: http://www.transcript-verlag.de/978-3-8376-4208-7
    URL: Inhaltsverzeichnis
    URL: Unbekannt
    URL: Kurzbeschreibung
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: http://www.transcript-verlag.de/978-3-8376-4208-7
    URL: Inhaltsverzeichnis
    URL: Unbekannt
    URL: http://www.transcript-verlag.de/978-3-8376-4208-7
    URL: Inhaltsverzeichnis
    URL: Unbekannt
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    BSZ
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  • 16
    Book
    Book
    Lévi-Strauss : a biography (2018)
    Cambridge, UK : Polity
    Details
    ISBN: 1509511989 , 9781509511983
    Language: English
    Pages: xi, 744 Seiten, 32 ungezählte Seiten , Illustrationen
    Uniform Title: Lévi-Strauss
    DDC: 305.80092
    RVK:
    CI 5852
    RVK:
    LB 27800
    RVK:
    LB 27185
    RVK:
    IH 58561
    Keywords: Lévi-Strauss, Claude ; Anthropologists Biography ; Anthropologists ; Lévy-Strauss, Claude ; Biografie ; Biografie ; Biografie ; Lévi-Strauss, Claude 1908-2009 ; Lévi-Strauss, Claude 1908-2009 ; Anthropologe ; Frankreich
    Note: Bibliografie Claude Lévi-Strauss: Seite 702 , Mit Register
    URL: Cover
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Inhaltsverzeichnis
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  • 17
    Online Resource
    Online Resource
    The self and its pleasures : Bataille, Lacan, and the history of the decentered subject (2017)
    Ithaca and London : Cornell University Press
    Details
    ISBN: 080142660X , 0801499542 , 9781501705410 , 1501705415
    Language: English
    Pages: 1 Online-Ressource (ix, 270 Seiten)
    Parallel Title: Erscheint auch als Dean, Carolyn J., 1960 - The self and its pleasures
    RVK:
    IH 14681
    Keywords: Lacan, Jacques ; Bataille, Georges ; Lacan, Jacques ; Bataille, Georges ; Masochism History ; Criminal psychology History ; Self History 20th century ; Self (Philosophy) History 20th century ; Self History, 20th century. ; Self (Philosophy) History, 20th century. ; Masochism History. ; Criminal psychology History. ; Masochism ; Criminal psychology ; Self ; Self (Philosophy) ; Bataille, Georges ; 1897-1962 ; Lacan, Jacques ; 1901-1981 ; Criminal psychology ; History ; Masochism ; History ; Self (Philosophy) ; History ; 20th century ; Self ; History ; 20th century ; France ; Intellectual life ; 20th century ; France Intellectual life 20th century ; France Intellectual life, 20th century. ; France ; Frankreich ; Poststrukturalismus ; Selbst ; Psychoanalyse
    Abstract: Why did France spawn the radical poststructuralist rejection of the humanist concept of 'man' as a rational, knowing subject? In this innovative cultural history, Carolyn J. Dean sheds light on the origins of poststructuralist thought, paying particular attention to the reinterpretation of the self by Jacques Lacan, Georges Bataille, and other French thinkers. Arguing that the widely shared belief that the boundaries between self and other had disappeared during the Great War helps explain the genesis of the new concept of the self, Dean examines an array of evidence from medical texts and literary works alike. The Self and Its Pleasures offers a pathbreaking understanding of the boundaries between theory and history
    Abstract: Introduction -- Part one. Psychoanalysis and the self : introduction -- 1. The legal status of the irrational -- 2. Gender complexes -- 3. Sight unseen (reading the unconscious) -- Part two. Sade's selflessness : introduction -- 4. The virtue of crime -- 5. The pleasure of pain -- Part three. Headlessness : introduction -- 6. Writing and crime -- 7. Returning to the scene of the crime -- Conclusion
    Description / Table of Contents: Literaturverz. S. 253 - 263
    URL: Volltext  (kostenfrei)
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  • 18
    Online Resource
    Online Resource
    The Oxford handbook of screendance studies (2016)
    Oxford : Oxford University Press
    Details
    ISBN: 9780199338634
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    DDC: 791.43/6
    RVK:
    AP 52500
    RVK:
    LR 54550
    Keywords: Dance in motion pictures, television, etc ; Dance in motion pictures, television, etc ; Tanz ; Film ; Video ; Performance
    Abstract: The Oxford Handbook of Screendance Studies offers a scholarly overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema, and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each essay discusses and reframes current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed include politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; dance and interactive and digital technology; and production and curatorial practice.
    DOI: 10.1093/oxfordhb/9780199981601.001.0001
    URL: Volltext
    URL: lizenzpflichtig
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  • 19
    Online Resource
    Online Resource
    Disruptive Feminisms: Raced, Gendered, and Classed Bodies in Film (2016)
    New York : Palgrave Macmillan US
    Details
    ISBN: 9781137595478
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Springer eBook Collection
    Series Statement: History
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 51800
    RVK:
    AP 52800
    Keywords: Science ; Motion pictures and television. ; Sociology. ; Feminist theory. ; Motion pictures—History. ; Cultural studies. ; Science ; Film ; Körper ; Feminismus
    Abstract: Disruptive Feminisms provides a revolutionary new approach to feminism as a disruptive force. By examining various films and filmmakers who are not so obviously read as feminist or Marxist, Gwendolyn Foster showcases their ability to disrupt and effectively challenge everything from class and racism, as well as sexism, ageism, and homophobia
    Note: Description based upon print version of record
    DOI: 10.1007/978-1-137-59547-8
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
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  • 20
    Online Resource
    Online Resource
    International Cinema and the Girl : Local Issues, Transnational Contexts (2016)
    New York : Palgrave Macmillan US
    Details
    ISBN: 9781137388926
    Language: English
    Pages: 1 Online-Ressource (X, 219 p)
    Series Statement: Global Cinema
    Series Statement: Springer eBook Collection
    Series Statement: History
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 50300
    Keywords: Science ; Motion pictures—History. ; Motion pictures and television. ; Social groups. ; Family. ; Sociology. ; Civilization—History. ; Childhood. ; Adolescence. ; Science ; Film ; Mädchen ; Junge Frau
    Abstract: From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young female leads, Anna and Elsa, the girl has long been a figure of fascination for cinema. The symbol of (imagined) childhood innocence, the site of intrigue and nostalgia for adults, a metaphor for the precarious nature of subjectivity itself, the girl is caught between infancy and adulthood, between objectification and power. She speaks to many strands of interest for film studies: feminist questions of cinematic representation of female subjects; historical accounts of shifting images of girls and childhood in the cinema; and philosophical engagements with the possibilities for the subject in film. This collection considers the specificity of girls' experiences and their cinematic articulation through a multicultural feminist lens which cuts across the divides of popular/art-house, Western/non Western, and north/south. Drawing on examples from North and South America, Asia, Africa, and Europe, the contributors bring a new understanding of the global/local nature of girlhood and its relation to contemporary phenomena such as post-feminism, neoliberalism and queer subcultures. Containing work by established and emerging scholars, this volume explodes the narrow post-feminist canon and expands existing geographical, ethnic and historical accounts of cinematic cultures and girlhood.From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young female leads, Anna and Elsa, the girl has long been a figure of fascination for cinema. The symbol of (imagined) childhood innocence, the site of intrigue and nostalgia for adults, a metaphor for the precarious nature of subjectivity itself, the girl is caught between infancy and adulthood, between objectification and power. She speaks to many strands of interest for film studies: feminist questions of cinematic representation of female subjects; historical accounts of shifting images of girls and childhood in the cinema; and philosophical engagements with the possibilities for the subject in film. This collection considers the specificity of girls' experiences and their cinematic articulation through a multicultural feminist lens which cuts across the divides of popular/art-house, Western/non Western, and north/south. Drawing on examples from North and South America, Asia, Africa, and Europe, the contributors bring a new understanding of the global/local nature of girlhood and its relation t
    DOI: 10.1057/9781137388926
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 21
    Online Resource
    Online Resource
    Post-Conflict Performance, Film and Visual Arts : Cities of Memory (2016)
    London : Palgrave Macmillan UK
    Details
    ISBN: 9781137439550
    Language: English
    Pages: 1 Online-Ressource (XX, 314 p. 24 illus. in color)
    Series Statement: Contemporary Performance InterActions
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als Post-conflict performance, film and visual arts
    RVK:
    LC 95000
    RVK:
    AP 52800
    Keywords: Culture Study and teaching ; Performing arts ; Historiography ; Culture Study and teaching ; Performing arts ; Historiography ; Postwar reconstruction Social aspects ; War and civilization ; War in art ; Europa ; Naher Osten ; Afrika ; Stadt ; Nachkriegszeit ; Film ; Kollektives Gedächtnis
    Abstract: Drawing on a range of cities and conflicts from Europe, Africa and the Middle East, the collection explores the post-conflict condition as it is lived and expressed in modern cities such as Berlin, Belfast, Bilbao, Beirut, Derry, Skopje, Sarajevo, Tunis, Johannesburg and Harare. Post-Conflict Performance, Film and Visual Arts: Cities of Memory investigates how the memory of conflict can be inscribed in historical monuments, human bodies and hermeneutic acts of mapping, traversing, representing, and performing the city. Several essays explore the relations between memory, history and urban space; where memory is located and how it is narrated, as well as various aspects of embodied memory; testimonial memory; traumatic memory; counter-memory; false memory; post-memory. Other essays examine the representations of post-war cities and how cultural imaginations relate to the politics of reconstruction in places devastated by protracted urban warfare. Post-Conflict Performance, Film and Visual Arts: Cities of Memory offers a comparative survey of the complex and often controversial encounters between public art, political memory and commemoration in divided societies, as well as offering insights into the political and ethical difficulties of balancing the dynamics of forgetting and remembering
    DOI: 10.1057/978-1-137-43955-0
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 22
    Online Resource
    Online Resource
    Queer Girls, Temporality and Screen Media : Not ‘Just a Phase’ (2016)
    London : Palgrave Macmillan UK
    Details
    ISBN: 9781137555984
    Language: English
    Pages: 1 Online-Ressource (X, 192 p. 20 illus., 1 illus. in color)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 53925
    Keywords: Culture Study and teaching ; Sex (Psychology) ; Gender expression ; Gender identity ; Communication ; Motion pictures ; Motion picture acting ; Sociology ; Culture Study and teaching ; Communication ; Motion pictures ; Motion picture acting ; Sociology ; Sex (Psychology) ; Gender expression ; Gender identity ; Film ; Fernsehserie ; Lesbische Orientierung
    Abstract: This critical analysis of contemporary film, television and video, examines how queer girls have become more regular onscreen in recent years, why this occurs, why it is problematic, and how some screen texts have responded. It wasn't until 1987 that one of teen television’s first queer girls appeared on the Canadian series Degrassi Junior High. It took more than a decade for same-sex attracted female characters to regularly appear on Western television, and a further decade for this to regularly occur within teen-oriented programming. Nowadays, queer girls are the major characters in mainstream television series as well as the protagonists and love interests in both short and feature length films around the globe. However, these characters are dominantly represented through storylines emphasizing their sexuality as ‘a passing phase.’ In this critical analysis of contemporary film, television and video, Whitney Monaghan explores how this occurs, why it is problematic, and how some screen texts have responded
    DOI: 10.1057/978-1-137-55598-4
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 23
    Online Resource
    Online Resource
    Hollywood in Crisis or: The Collapse of the Real (2016)
    Cham : Springer International Publishing
    Details
    ISBN: 9783319404813
    Language: English
    Pages: 1 Online-Ressource (XI, 116 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 59784
    Keywords: Culture Study and teaching ; United States Study and teaching ; Communication ; Motion pictures United States ; Motion pictures ; Film genres ; Culture Study and teaching ; United States Study and teaching ; Communication ; Motion pictures United States ; Motion pictures ; Film genres ; Film ; Filmwirtschaft ; Krise ; USA
    Abstract: This book discusses the collapse and transformation of the Hollywood movie machine in the twenty-first century, and the concomitant social collapse being felt in nearly every aspect of society. Winston Wheeler Dixon examines key works in cinema from the era of late-stage capitalists, analyzing Hollywood films and the current wave of cinema developed outside of the Hollywood system alike. Dixon illustrates how movies and television programs across these spaces have adopted, reflected, and generated a society in crisis, and with it, a crisis for the cinematic industry itself. Wheeler Winston Dixon is James Ryan Professor of Film Studies, Coordinator of the Film Studies Program, and Professor of English at the University of Nebraska, Lincoln, USA
    DOI: 10.1007/978-3-319-40481-3
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 24
    Online Resource
    Online Resource
    Jack the Ripper in Film and Culture : Top Hat, Gladstone Bag and Fog (2016)
    London : Palgrave Macmillan UK
    Details
    ISBN: 9781137599995
    Language: English
    Pages: 1 Online-Ressource (X, 211 p)
    Series Statement: Crime Files
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    HL 1091
    RVK:
    AP 50300
    RVK:
    HL 1101
    Keywords: Literature ; Motion pictures History ; Civilization History ; Comparative literature ; Literature History and criticism ; Technology in literature ; Literature ; Motion pictures History ; Civilization History ; Comparative literature ; Literature History and criticism ; Technology in literature ; Jack the Ripper ; Rezeption ; Film ; Kultur
    Abstract: In 1888 the name Jack the Ripper entered public consciousness with the brutal murders of women in the East End of London. The murderer was never caught, yet film and television depicts a killer with a recognisable costume, motive and persona. This book examines the origins of the screen presentation of the four key elements associated with the murders -Jack the Ripper, the victims, the detective and Whitechapel. Nineteenth-century history, art and literature, psychoanalytical theories of Freud and Jung and feminist film theory are all used to deconstruct the representation of Jack the Ripper on screen
    DOI: 10.1057/978-1-137-59999-5
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 25
    Online Resource
    Online Resource
    Traveling in French Cinema (2016)
    London : Palgrave Macmillan UK
    Details
    ISBN: 9781137553546
    Language: English
    Pages: 1 Online-Ressource (256 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 50300
    RVK:
    AP 53970
    RVK:
    AP 59435
    RVK:
    IH 2000
    Keywords: Culture Study and teaching ; Communication ; Motion pictures and television ; Motion pictures History ; Arts ; Motion pictures—European influences. ; Culture Study and teaching ; Communication ; Motion pictures and television ; Motion pictures History ; Arts ; Frankreich ; Film ; Reise
    Abstract: Travel narratives abound in French cinema since the 1980s. This study delineates recurrent travel tropes in films such as departures and returns, the chase, the escape, nomadic wandering, interior voyages, the unlikely travel, rituals, pilgrimages, migrants' narratives and emergencies, women's travel, and healing narratives
    DOI: 10.1057/9781137553546
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    URL: Volltext
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  • 26
    Online Resource
    Online Resource
    Investigating Italy's Past through Historical Crime Fiction, Films, and TV Series : Murder in the Age of Chaos (2016)
    New York : Palgrave Macmillan US
    Details
    ISBN: 9781349949083
    Language: English
    Pages: 1 Online-Ressource (VII, 270 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Italian and Italian American Studies
    Parallel Title: Printed edition
    RVK:
    AP 44939
    RVK:
    IV 3286
    RVK:
    IV 3304
    Keywords: Literature ; Motion pictures European influences ; Literature, Modern 20th century ; European literature ; European literature. ; Motion pictures—European influences. ; Literature, Modern—20th century. ; Italienisch ; Kriminalroman ; Film ; Fernsehserie ; Italien ; Geschichte
    Abstract: This book is the first monograph in English that comprehensively examines the ways in which Italian historical crime novels, TV series, and films have become a means to intervene in the social and political changes of the country. This study explores the ways in which fictional representations of the past mirror contemporaneous anxieties within Italian society in the work of writers such as Leonardo Sciascia, Andrea Camilleri, Carlo Lucarelli, Francesco Guccini, Loriano Macchiavelli, Marcello Fois, Maurizio De Giovanni, and Giancarlo De Cataldo; film directors such as Elio Petri, Pietro Germi, Michele Placido, and Damiano Damiani; and TV series such as the “Commissario De Luca” series, the “Commissario Nardone” series, and “Romanzo criminale-The series.” Providing the most wide-ranging examination of this sub-genre in Italy, Barbara Pezzotti places works set in the Risorgimento, WWII, and the Years of Lead in the larger social and political context of contemporary Italy. “With this book, Pezzotti further cements her reputation as the foremost expert on the intersection of place, history, and national identity in Italian crime fiction. Essential reading.” (Robert Rushing, Associate Professor of Comparative Literature, University of Illinois, Urbana-Champaign, USA) “Pezzotti’s fine book presents an authoritative overview of recent Italian crime fiction. Lucidly written and compellingly interdisciplinary, this book emphasises the capacity of crime fiction to fill in the gaps left by historians, and the power and relevance of cultural responses to a contested and difficult past.” (Philip Cooke, Professor of Italian History and Culture, University of Strathclyde, UK) "Pezzotti's fascinating study shows how crime fiction has been used to probe and question Italy's historical open wounds and unresolved legacies. The Risorgimento, Fascism and the war, and the anni di piombo are each carefully illuminated in turn through the lens and intelligent eye of the contemporary giallo." (Robert S. C Gordon, Serena Professor of Italian, University of Cambridge, UK)
    Abstract: Introduction -- The Foundation of the State: Giallo and the Risorgimento -- The Giallo and the Black: The Representation of Fascism and WWII between Revisionism and Criticism -- The Giallo and Terrorism: the Years of Lead and the Conspiracy Novel -- Conclusion
    DOI: 10.1057/978-1-349-94908-3
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  • 27
    Online Resource
    Online Resource
    The State of Post-Cinema : Tracing the Moving Image in the Age of Digital Dissemination (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137529398
    Language: English
    Pages: 1 Online-Ressource (XVII, 233 p. 15 illus. in color)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 46500
    Keywords: Culture Study and teaching ; Motion pictures ; Motion pictures. ; Mittlerer Osten ; Nordafrika ; Film ; Kultur ; Produktpiraterie
    Abstract: This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions usually focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the "low-end" of the circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms, so called “piracy” with a special focus on the Middle East and North Africa, where political and social transformations make new forms of circulation and presentation particularly visible
    Abstract: Acknowledgments -- Introduction -- Like Water: On the Reconfigurations of the Cinema in the Age of Digital Networks (Malte Hagener, Vinzenz Hediger, Alena Strohmaier) -- I. Informal Economies: Promises and Threats of Dissemination Technologies -- Venice to Go: Digital Circulation and the Value of Cultural In/difference in Film (Vinzenz Hediger) -- Arab Storytelling in the Digital Age: From Musalsalat to Web Drama? (Alexandra Buccianti) -- Mapping the Circulation of Films by Women Filmmakers with Maghrebi Funding (Patricia Caillé) -- II. Informal Networks: National-Regional-Global Nexus -- The Good Pirates: Moroccan Cinema in the Age of Digital Reproduction (Jamal Bahmad) -- Watching the Forbidden: Reception of Banned Films in Iran (Zeydabadi-Nejad) -- Why Sories Matter: Jafar Panahi and the Contours of Cinema (Alena Strohmaier) -- Informal Translation, Post-Cinema and Global Media Flows (Tessa Dwyer and Ramon Lobato) -- III. Informal Aesthetics: Reshaping Cine-Cultures -- Post-Cinematic Distribution Flows. Alternative Content, Sports Films and the (In)stability of the Multiplex Market (Florian Hoof) -- Distributing Moving Image Art After Digitization (Erika Balsom) -- Cinephilia and Film Culture in the Age of Digital Networks (Malte Hagener) -- The Secret Lives of Images (Marc Siegel) -- Interview with Kevin B. Lee -- Index
    DOI: 10.1057/978-1-137-52939-8
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  • 28
    Online Resource
    Online Resource
    The Language of Cosmetics Advertising (2016)
    London : Palgrave Macmillan UK
    Details
    ISBN: 9781137557988
    Language: English
    Pages: Online-Ressource (XIII, 118 p. 21 illus., 14 illus. in color, online resource)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg.
    RVK:
    HF 144
    RVK:
    ID 2661
    Keywords: Sex (Psychology) ; Gender expression ; Gender identity ; Linguistics ; Sociolinguistics ; Discourse analysis ; Corpora (Linguistics) ; Medicine ; Health ; Sociology ; Cultural studies ; Linguistics ; Sociolinguistics ; Discourse analysis ; Corpora (Linguistics) ; Medicine ; Health ; Sociology ; Cultural studies ; Sex (Psychology) ; Gender expression ; Gender identity ; Frankreich ; Großbritannien ; Kosmetikindustrie ; Werbesprache ; Feminismus
    Abstract: - Chapter 1: Beauty advertising in a cross-cultural context -- Chapter 2: Language, gender, and advertising -- Chapter 3: Problems and Solutions: Pursuing the youthful, ideal body -- Chapter 4: Femininity as a sensual identity -- Chapter 5: Scientised beauty advertising discourse: with peptides or paraben-free? -- Chapter 6: The case for Feminist Critical Discourse Analysis.
    Abstract: This book offers a cross-cultural comparison of French and British cosmetics advertisements and explores how the discourse of beauty advertising represents ideas about femininity in French and English language contexts. As the global beauty industry expands and consumers become more critical of the claims made, the topic of cosmetics advertising discourse is examined using Feminist Critical Discourse Analysis. One common theme underlying most cosmetics advertising discourse is that the female body always requires ‘work’ to fix its ‘problems’: flat skin, dry hair, and so on. The author uses themes of language and gender, media and identity, and advertising across cultures to expose exactly what is going on in the language of cosmetics advertising and to offer a first step towards challenging these ideas and thinking about alternatives. Helen Ringrow is Lecturer in Communication Studies and Applied Linguistics at the University of Portsmouth, UK. Prior to this, she completed her PhD in Linguistics at Queen’s University Belfast, Northern Ireland, where she also contributed to undergraduate teaching on language and power.
    DOI: 10.1057/978-1-137-55798-8
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  • 29
    Online Resource
    Online Resource
    Film and the Ethical Imagination (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137583741
    Language: English
    Pages: 1 Online-Ressource (XIII, 260 p. 12 illus., 11 illus. in color)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 53800
    Keywords: Culture Study and teaching ; Motion pictures. ; Motion pictures Great Britain ; Ethics ; Motion pictures ; Ethics. ; Motion pictures—Great Britain. ; Film ; Ethik ; Visualisierung
    Abstract: This book provides a comprehensive, critical overview of the turn to ethics in literature, film, and visual culture. It discusses the concept of a biovisual ethics, offering a new theory of the relation between film and ethics based on the premise that images are capable of generating their own ethical content. This ethics operates hermeneutically and materializes in cinema’s unique power to show us other modes of being. The author considers a wealth of contemporary art films and documentaries that embody ethical issues through the very form of the text. The ethical imagination generated by films such as The Nine Muses, Post Tenebras Lux, Amour, and Nostalgia For the Light is crucially defined by openness, uncertainty, opacity, and the refusal of hegemonic practices of visual representation
    Abstract: Introduction -- Part I: Ethics -- From an ethics of transgression to a general ethics of form -- Optics as an Ethics -- The Return of Ethics in Literary Studies -- Screen Ethics before the Ethical Turn -- The Ethical Turn in Film and Visual Culture: From Content to Form -- The Responsibility of Forms -- Six Theses on the Ethical Imagination -- Part II: Imagination -- Ethical Intimacy and the Cinematic Face -- Slow Cinema and the Ethics of Duration -- The Ethics of Dying -- A Cinema of Gestures -- Ethics, Politics and the Question of Form -- The Ethical Image Between Fiction and Politics -- The Ethics of Matter and Memory -- Bioscreens -- Film Visions, Planetary Ethics --
    DOI: 10.1057/978-1-137-58374-1
    URL: Volltext
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  • 30
    Online Resource
    Online Resource
    Hitchcock's appetites : the corpulent plots of desire and dread (2016)
    New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc | The Hague : OAPEN Foundation
    Details
    ISBN: 9781501311628 , 9781501311635
    Language: English
    Pages: 1 Online-Ressource (viii, 198 Seiten)
    Edition: [The Hague] OAPEN
    Series Statement: Knowledge Unlatched Round 2
    Series Statement: Media and communications
    Parallel Title: Print version McKittrick, Casey Hitchcock's Appetites : The Corpulent Plots of Desire and Dread
    DDC: 791.4302/33092#23
    RVK:
    AP 51170
    Keywords: Electronic books ; Electronic books ; Hitchcock, Alfred 1899-1980 ; Körpergewicht ; Film
    Abstract: Title Page -- Copyright Page -- Contents -- Acknowledgments -- Introduction -- Why appetites? -- Why Hitchcock? -- Hitchcock studies and fat studies: An interdisciplinary repulsion? -- Hitchcock, f eminism, and e mbodiment -- How Hitchcock ' s body matters -- The genius of tall, thin, and handsome -- Chapter 1 Hitchcock ' s Hollywood diet -- The makings of a media giant -- The arrival of the " 300-Pound Prophet " -- Selznick ' s fat commodity -- Chapter 2 The Hitchcock cameo: Fat self-fashioning and cinematic belonging
    Abstract: " The Real Me (The Thin One) " : Another origin story of the cameo -- The (Meso) textual play of the cameo: Blackmail, Shadow of a Doubt, Lifeboat, Stage Fright -- A typology of the Hitchcock cameo -- Chapter 3 The pleasures and pangs of Hitchcockian consumption -- Screening the revolting body -- The poetics of potables -- " Drink It Down " : An Hitchcockian imperative -- Lactose and intolerance: The poisonous meanings of milk -- Hitchcockian consumption and the carnivalesque -- Food, sex, murder: The Hitchcockian trinity of pleasure -- Hitchcock and the signifying food chain
    Abstract: Chapter 4 Appetite and temporality in Rear Window : Another aspect of voyeurism -- An eye for a stomach: The instructive case of Miss Torso -- Framing the Eat, Drink, and Be Merry Girl -- The problem of fit: Imagining change, growth, and proportion -- When seeing is not believing -- " I want no part of her " : Women and the comedy of corporeal errors -- Time, change, and ambivalence -- Chapter 5 Childhood and the challenge of fat masculinity -- " You ' ll outgrow it " : Hitchcock ' s youth -- Suffer little children : Hitchcock and cinematic childhood
    Abstract: Loss, danger, absence: The semiotics of Hitchcock ' s filmic children -- The Wrong Man and the appetites of Cain and Abel -- Chapter 6 Hitchcock and the queer lens of fatness -- Hitchcock and the fat closet -- A sense of sex: Queer romance in Hitchcock ' s cinema -- Cinematic vicarity: Surrogate versus prosthetic identification -- The Tickles: Subjectivities without bodies -- Epilogue -- Notes -- Introduction -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Enhanced Filmography -- Bibliography -- Index
    Note: Der Titel ist Teil des Projekts Knowledge Unlatched, Round2 Pre-Unlatch
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  • 31
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    Online Resource
    Transactions with the World : Ecocriticism and the Environmental Sensibility of New Hollywood (2016)
    New York : Berghahn Books | [Berlin] : BiblioLabs
    Details
    ISBN: 9781789204681 , 9781789204643
    Language: English
    Pages: 1 Online-Ressource
    DDC: 791.436
    RVK:
    AP 44984
    RVK:
    AP 50300
    RVK:
    NK 1300
    RVK:
    NK 4940
    Keywords: Geschichte 1967-1976 ; Film ; Umwelt ; Ecocriticism ; Los Angeles- Hollywood ; Electronic books
    Abstract: In their bold experimentation and bracing engagement with culture and politics, the "New Hollywood" films of the late 1960s and early 1970s are justly celebrated contributions to American cinematic history. Relatively unexplored, however, has been the profound environmental sensibility that characterized movies such as The Wild Bunch, Chinatown, and Nashville. This brisk and engaging study explores how many hallmarks of New Hollywood filmmaking, such as the increased reliance on location shooting and the rejection of American self-mythologizing, made the era such a vividly "grounded" cinematic moment. Synthesizing a range of narrative, aesthetic, and ecocritical theories, it offers a genuinely fresh perspective on one of the most studied periods in film history
    URL: kostenfrei
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  • 32
    Online Resource
    Online Resource
    Ghosts - or the (nearly) invisible : spectral phenomena in literature and the media (2016)
    Frankfurt am Main : Peter Lang Edition | Berlin : Knowledge Unlatched
    Details
    ISBN: 9783653059625 , 3653059623
    Language: English
    Pages: 1 Online-Ressource (169 Seiten)
    Series Statement: Approaches to literary phantasy volume 9
    Series Statement: Approaches to literary phantasy
    Parallel Title: Erscheint auch als Ghosts -- or the (nearly) invisible
    RVK:
    AP 53900
    RVK:
    AP 53500
    RVK:
    HG 674
    RVK:
    EC 6805
    Keywords: Supernatural in literature ; Ghosts in literature ; Ghosts in motion pictures ; Future life in literature ; Ghosts ; Ghost stories History and criticism ; Konferenzschrift 2015 ; Electronic books ; Geister ; Gespenst ; Literatur ; Film
    Abstract: This collection of articles looks at ghost stories ranging from the Middle Ages to contemporary movies from different perspectives, both interdisciplinary and international. Spectral phenomena from Antarctic literature to Haitian Voodoo, Russian poetry to Irish novels are discussed in relation to their places in history and the media.
    DOI: 10.3726/978-3-653-05962-5
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  • 33
    Online Resource
    Online Resource
    Border crossing : Russian literature into film (2016)
    Edinburgh : Edinburgh University Press
    Details
    ISBN: 9781474411448 , 9781474411431
    Language: English
    Pages: 1 Online-Ressource (xi, 298 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Adaptation: Russian Text into Film (Veranstaltung : 2013 : Columbus, Ohio) Border crossing
    RVK:
    AP 47600
    RVK:
    KK 1035
    Keywords: Emigration and immigration in motion pictures ; Russian literature Film adaptations ; Emigration and immigration in literature ; Film adaptations ; Film theory & criticism ; Konferenzschrift 2013 ; Electronic books ; Russisch ; Literatur ; Film
    Abstract: Each time a border is crossed there are cultural, political, and social issues to be considered. Applying the metaphor of the 'border crossing' from one temporal or spatial territory into another, Border Crossing: Russian Literature into Film examines the way classic Russian texts have been altered to suit new cinematic environments. In these essays, international scholars examine how political and economic circumstances, from a shifting Soviet political landscape to the perceived demands of American and European markets, have played a crucial role in dictating how filmmakers transpose their cinematic hypertext into a new environment. Rather than focus on the degree of accuracy or fidelity with which these films address their originating texts, this innovative collection explores the role of ideological, political, and other cultural pressures that can affect the transformation of literary narratives into cinematic offerings
    Abstract: Machine generated contents note: -- 1. -- Across the Russian Border / -- Thomas Leitch -- 2. -- Dostoevskii's "White Nights": The Dreamer Goes Abroad / -- Ronald Meyer -- 3. -- On Not Showing Dostoevskii's Work: Robert Bresson's Pickpocket / -- Olga Peters Hasty -- 4. -- Stealing the Scene: Crime as Confession in Robert Bresson's Pickpocket / -- S. Ceilidh Orr -- 5. -- The Eye-deology of Trauma: Killing Anna Karenina Softly / -- Yuri Leving -- 6. -- "A Vicious Circle": Karen Shakhnazarov's Ward no. 6 / -- Alexander Burry -- 7. -- A Slap in the Face of American Taste: Transporting He Who Gets Slapped to American Audiences / -- Frederick H. White -- 8. -- Against Adaptation? The Strange Case of (Pod) Poruchik Kizhe / -- Alastair Renfrew -- 9. -- Chasing the Wealth: The Americanization of Il'f and Petrov's The Twelve Chairs / -- Robert Mulcahy -- 10. -- Fassbinder's Nabokov -- From Text to Action: Repressed Homosexuality, Provocative Jewishness, and Anti-German Sentiment / -- Dennis Ioffe -- 11. -- "The Soviet Abroad (That We Lost)": The Fate of Vasilii Aksenov's Cult Novel A Starry Ticket on Paper and on Screen / -- Otto Boele
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
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  • 34
    Online Resource
    Online Resource
    Extreme cinema : affective strategies in transnational media (2016)
    Edinburgh : Edinburgh University Press
    Details
    ISBN: 9781474402910
    Language: English
    Parallel Title: Erscheint auch als Kerner, Aaron, 1972 - Extreme cinema
    DDC: 791.43/655
    RVK:
    AP 47950
    RVK:
    AP 47970
    RVK:
    AP 50300
    RVK:
    AP 53950
    Keywords: Violence in motion pictures ; Sex in motion pictures ; Motion pictures History ; Film ; Gewalt ; Erotik
    URL: kostenfrei
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  • 35
    Online Resource
    Online Resource
    Finnish Cinema : A Transnational Enterprise (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137576514
    Language: English
    Pages: 1 Online-Ressource (XXI, 285 p. 40 illus., 9 illus. in color)
    Series Statement: Palgrave European Film and Media Studies
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    AP 44927
    RVK:
    AP 59727
    Keywords: Geschichte ; Culture Study and teaching ; Communication ; Motion pictures European influences ; Motion pictures History ; Filmwirtschaft ; Film ; Finnland ; Aufsatzsammlung ; Aufsatzsammlung ; Finnland ; Film ; Filmwirtschaft ; Geschichte
    DOI: 10.1057/978-1-137-57651-4
    URL: http://dx.doi.org/10.1057/978-1-137-57651-4
    URL: Inhaltsverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 36
    Online Resource
    Online Resource
    Screening European Heritage : Creating and Consuming History on Film (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137522801
    Language: English
    Pages: 1 Online-Ressource (XXXIV, 290 p. 29 illus. in color)
    Series Statement: Palgrave European Film and Media Studies
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    AP 52600
    Keywords: Geschichte ; Culture Study and teaching ; Communication ; Motion pictures European influences ; History ; Film ; Kulturerbe ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Kulturerbe ; Film ; Geschichte
    DOI: 10.1057/978-1-137-52280-1
    URL: http://dx.doi.org/10.1057/978-1-137-52280-1
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 37
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    Paradoxical Japaneseness : Cultural Representation in 21st Century Japanese Cinema (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137551603
    Language: English
    Pages: 1 Online-Ressource (XIII, 224 p. 10 illus)
    Parallel Title: Erscheint auch als
    DDC: 306.095
    RVK:
    AP 59763
    Keywords: Geschichte 2001-2010 ; Culture Study and teaching ; Ethnology Asia ; Motion pictures Asia ; Film genres ; Interkulturalität ; Filmmarkt ; Globalisierung ; Kulturelle Identität ; Film ; Filmproduktion ; Japan ; Japan ; Film ; Kulturelle Identität ; Interkulturalität ; Geschichte 2001-2010 ; Japan ; Filmproduktion ; Filmmarkt ; Globalisierung
    DOI: 10.1057/978-1-137-55160-3
    URL: http://dx.doi.org/10.1057/978-1-137-55160-3
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Inhaltsverzeichnis
    URL: Volltext
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    URL: Volltext
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  • 38
    Online Resource
    Online Resource
    Screening the sixties : Hollywood cinema and the politics of memory (2016)
    London : Palgrave Macmillan
    Details
    ISBN: 9781137496331
    Language: English
    Pages: 1 Online-Ressource (xxviii, 289 Seiten) , Illustrationen
    Parallel Title: Print version Gruner, Oliver Screening the Sixties : Hollywood Cinema and the Politics of Memory
    Parallel Title: Erscheint auch als Gruner, Oliver Screening the sixties
    DDC: 301
    RVK:
    AP 44984
    Keywords: Motion pictures ; Motion pictures United States ; History ; Politics in motion pictures 20th century ; Electronic books ; Motion pictures ; Nineteen sixties ; Politics in motion pictures ; Electronic books ; Los Angeles- Hollywood ; Film ; Politik ; USA ; Geschichte 1960-1974
    Abstract: Acknowledgements -- Contents -- List of Figures -- Introduction -- Welcome to the Sixties -- Notes -- Chapter 1: Mourning the Age of Aquarius -- 'Where Do I Go?' Writing the Sixties in the 1970s -- Out of Time: Coming Home from Script to Screen -- A New Dawn: Hair from Script to Screen -- Lights Out on the Counterculture: The Rose from Script to Screen -- Coda: The End of the Sixties? -- Notes -- Chapter 2: Bringing Them All Back Home -- 'The Only Marxist I Ever Met with a Hairdryer': Into the 1980s with The Big Chill -- Tracks of Their Tears: The Big Chill from Script to Screen
    Abstract: 'Go Out There and Make a Difference': Running on Empty, Field of Dreams and Sneakers -- Dancing to Beethoven: Running on Empty from Script to Screen -- 'The Man Is Very Sick': Field of Dreams from Script to Screen -- Reawakening the Sixties: Sneakers from Script to Screen -- Coda: 'We All Died. Some of Us Just Came Back' -- Notes -- CHAPTER 3: Go Away and Find Yourself -- Backlash and Beyond: Writing Dirty Dancing -- 'There Are a Lot of Things About Me That Aren't What You Thought': Dirty Dancing from Script to Screen -- From the 'City of Hate' to a New Frontier: Writing Love Field
    Abstract: The First Lady: Love Field from Script to Screen -- Coda: All the Way with JFK? -- Notes -- Chapter 4: Something's Happening Here -- What Rough Beast?: Oliver Stone and the Sixties -- The Ceremony Begins: The Doors from Script to Screen -- 'That's All I Have to Say About That': Writing Forrest Gump -- Forrest Gump from Script to Screen -- Coda: On the Eve of Destruction -- Notes -- Chapter 5: Come Together -- Marching with Dr King: Remember the Titans Remembers the Sixties -- A Race Man and a Family Man: Remember the Titans from Script to Screen
    Abstract: 'A Call to Arms for Liberal America': Bobby and Across the Universe -- Bobby and Across the Universe from Script to Screen -- Coda: And in the End -- Notes -- Chapter 6: A Change Has Come -- A New Civil Rights Sixties -- Breaking with the Past: The Help and The Butler from Script to Screen -- Coda: Revisiting the Sixties -- Notes -- Chapter 7: More Funk In The Trunk -- Notes -- Bibliography -- Scripts Consulted -- Index
    Note: Description based upon print version of record
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  • 39
    Book
    Book
    African appropriations : cultural difference, mimesis, and media (2015)
    Bloomington [u.a.] : Indiana University Press
    Details
    ISBN: 9780253016294 , 9780253016256
    Language: English
    Pages: XII, 311 S. , Ill.
    Series Statement: African expressive cultures
    DDC: 306.096
    RVK:
    AP 19700
    RVK:
    LC 13465
    Keywords: Pop-Kultur ; Film ; Musik ; Comic ; Rezeption ; Globalisierung ; Nigeria ; Tansania ; Rezension ; Rezension ; Rezension ; Rezension
    URL: Inhaltsverzeichnis
    URL: http://www.h-net.org/reviews/showrev.php?id=45393
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    Frobenius-Institut
    HeBIS
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    MPI Ethno. Forsch.
  • 40
    Book
    Book
    Freedom time : negritude, decolonization, and the future of the world (2015)
    Durham, NC [u.a.] : Duke University Press
    Details
    ISBN: 9780822358398 , 9780822358503
    Language: English
    Pages: XVI, 384 S.
    DDC: 325/.3
    RVK:
    NQ 9420
    RVK:
    IJ 80046
    RVK:
    IH 25601
    RVK:
    MK 2700
    RVK:
    IJ 97405
    Keywords: Césaire, Aimé ; Senghor, Léopold Sédar ; Negritude (Literary movement) ; France Colonies 20th century ; France Colonies 20th century ; Césaire, Aimé 1913-2008 ; Martinique ; Entkolonialisierung ; Négritude ; Geschichte 1930-2010 ; Césaire, Aimé 1913-2008 ; Senghor, Léopold Sédar 1906-2001 ; Négritude ; Literarische Bewegung ; Frankreich ; Kolonie ; Afrika ; Amerika ; Schriftsteller ; Politiker ; Harlem renaissance ; Literaturgattung
    Description / Table of Contents: Unthinking France, rethinking decolonizationSituating Césaire: Antillean awakening and global redemption -- Situating Senghor: African hospitality and human solidarity -- Freedom, time, territory -- Departmentalization and the spirit of Schoelcher -- Federalism and the future of France -- Antillean autonomy and the legacy of Louverture -- African socialism and the fate of the world -- Decolonization and postnational democracy.
    Note: Includes bibliographical references and index
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    MPI Ethno. Forsch.
  • 41
    Book
    Book
    Cool Istanbul : urban enclosures and resistances (2015)
    Bielefeld : transcript
    Details
    ISBN: 3837627632 , 9783837627633
    Language: English
    Pages: 172 S. , Ill.
    Series Statement: Urban Studies
    Parallel Title: Erscheint auch als
    DDC: 307.760949618
    RVK:
    LB 72340
    RVK:
    MS 1870
    RVK:
    RR 17627
    Keywords: Urbanität ; Fernsehserie ; Film ; Istanbul ; Image ; Stadtsoziologie ; Istanbul ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Istanbul ; Image ; Urbanität ; Istanbul ; Film ; Fernsehserie ; Istanbul ; Stadtsoziologie
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: http://www.transcript-verlag.de/978-3-8376-2763-3/cool-istanbul
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: http://www.transcript-verlag.de/978-3-8376-2763-3/cool-istanbul
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
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    HU Berlin
    GBV
    KOBV
    HeBIS
    BVB
    MPI-MMG
    MPI Ethno. Forsch.
  • 42
    Book
    Book
    Migration und Film (2015)
    Osnabrück : Institut für Migrationsforschung und Interkulturelle Studien (IMIS), Universität Osnabrück
    Details
    ISBN: 9783980340168
    Language: German , English
    Pages: 125 Seiten , Illustrationen , 222 mm x 153 mm, 212 g
    Series Statement: IMIS-Beiträge Heft 46. Themenheft
    Parallel Title: Erscheint auch als Migration und Film
    Parallel Title: Erscheint auch als Migration und Film
    DDC: 700
    RVK:
    RB 10594
    RVK:
    RB 10798
    Keywords: Aufsatzsammlung ; Migration ; Medien ; Film ; Fernsehen ; Aufsatzsammlung ; Migration ; Film ; Filmgenre
    Note: Beiträge teilweise deutsch, teilweise englisch
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: https://www.imis.uni-osnabrueck.de/fileadmin/4_Publikationen/PDFs/imis46.pdf
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  • 43
    Book
    Book
    Stuff theory : everyday objects, radical materialism (2014)
    New York : Bloomsbury Academic
    Details
    ISBN: 9781623562687 , 9781623562250
    Language: English
    Pages: 279 Seiten , Illustrationen
    DDC: 801
    RVK:
    LH 61040
    RVK:
    CC 6900
    RVK:
    EC 5410
    RVK:
    AP 45300
    RVK:
    ER 755
    Keywords: Material culture in literature ; Personal belongings in literature ; Personal belongings in art ; Property in literature ; Alltagsgegenstand ; Sachkultur ; Literatur ; Film ; Semiotik ; Ästhetik ; Gebrauchsgegenstand ; Ding ; Warenästhetik ; Literatur ; Philosophie
    Abstract: "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique.Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home de;cor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes. To call the commodified, ebullient materiality the book tracks stuff, is to foreground its plastic and transformative power, its fluidity and its capacity to generate events. Stuff Theory interrogates the political value of stuff's instability. It investigates the potential of stuff to revitalize the oppositional power of the object.Stuff Theory traces a genealogy of materiality: flashpoints of one kind of minor matter in a succession of cultural moments. It asserts that in culture, stuff becomes a rallying point for a new critique of capital, which always works to reassign stuff to a subaltern position. Stuff is not merely unruly: it becomes the terrain on which a new relation between people and matter might be built"--
    Abstract: "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique. Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home decor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes"--
    Description / Table of Contents: Machine generated contents note:Introduction: Of Jena Glassware and Potatoes--Matter in the Moment 1. Homeopathic Benjamin: A Flexible Poetics of Matter 2. For the Unnatural Use of Clothes: Fashion as Cultural Assault 3. Paris Circa 1968: Cool Spaces, Decoration, Revolution 4. "You Must Remember this:" Memory Objects in the Age of Erasable Memory 5. Garbage in Theory: Waste Aesthetics Envoi: What Should We Do With Our Stuff Notes Index.
    Note: Literaturangaben
    URL: Cover
    URL: http://www.netread.com/jcusers2/bk1388/687/9781623562687/image/lgcover.9781623562687.jpg
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  • 44
    Book
    Book
    Seasonal workers in Mediterranean agriculture : the social costs of eating fresh (2014)
    London [u.a.] : Earthscan from Routledge
    Show associated volumes/articles
    Details
    ISBN: 9780415711685 , 9781315884431
    Language: English
    Pages: XVII, 293 S. , graph. Darst., Kt.
    Series Statement: Earthscan food and agriculture series
    Series Statement: Earthscan from Routledge
    Parallel Title: Erscheint auch als Seasonal workers in Mediterranean agriculture
    DDC: 331.6/2091822
    RVK:
    RO 10663
    Keywords: Globalisierung ; Saisonarbeitskräfte ; Arbeitsmigranten ; Soziale Kosten ; Gartenbau ; Agroindustrie ; Gartenbau ; Außenhandel ; Frankreich ; Spanien ; Marokko ; Mittelmeerraum ; Migrant agricultural laborers ; Vegetable trade ; Fruit trade ; Agricultural industries Social aspects ; Mittelmeerraum ; Landwirtschaft ; Saisonarbeiter ; Mittelmeerraum ; Landwirtschaft ; Saisonarbeiter ; Globalisierung ; Saisonarbeiter ; Soziale Kosten ; Gartenbau ; Agrobusiness ; Außenhandel ; Frankreich ; Spanien ; Marokko
    Abstract: Over the last three decades there has been a rapid expansion of intensive production of fresh fruit and vegetables in the Mediterranean regions of south and west Europe. Much of this depends on migrating workers for seasonal labour, including from Eastern Europe, North Africa and Latin America. This book is the first to address global agro-migration complexes across the region. It is argued that both intensive agricultural production and related working conditions are highly dynamic. Regional patterns have developed from small-scale family farming to become an industrialized part of the global agri-food system, which increasingly depends on seasonal labour. Simultaneously, consumer demand for year-round supply has caused relocations of the industry within Europe; areas of intensive greenhouse production have moved further south and even into North Africa. The authors investigate this Mediterranean agri-food system that transcends borders and is largely constituted by invisible seasonal work. By revealing the story of food commodities loaded with implications of private profit seeking, exploitation, exclusion and multiple insecurities, the book unmasks the hidden costs of fresh food provisioning. Three case study areas are considered in detail: the French region of Provence, a traditional centre of fresh fruit and vegetable cultivation; the Spanish Almeria region where intensive production has, accelerated dramatically since the 1970s; and Morocco where counter-seasonal production has recently been expanding. The book also includes commentaries that refer to complemetary insights on US-Mexico, Philippines-Canada and South Pacific mobilities.
    Note: Enth. 20 Beitr , Literaturverz. S. [253] - 283. - Enth. 20 Beitr
    URL: Inhaltsverzeichnis
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    MPI Ethno. Forsch.
  • 45
    Online Resource
    Online Resource
    Agency and Media Reception : Experiencing Video Games, Film, and Television (2014)
    Wiesbaden : Springer Fachmedien Wiesbaden
    Details
    ISBN: 9783658046736
    Language: English
    Pages: Online-Ressource (X, 250 p. 5 illus., 1 illus. in color, online resource)
    Series Statement: Film, Fernsehen, Medienkultur, Schriftenreihe der Hochschule für Film und Fernsehen "Konrad Wolf
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Eichner, Susanne Agency and media reception
    RVK:
    AP 13550
    RVK:
    AP 17120
    Keywords: Social sciences ; Social Sciences ; Social sciences ; Film ; Fernsehsendung ; Videospiel ; Rezeption ; Handlung
    Abstract: What happens to our sense of agency, our general ability to perform actions in our lifeworlds, in the course of media reception and appropriation? Whilst considering media communication as a special form of social action, this work reconsiders the key concepts of social action theory, pragmatism, communication theory, as well as film, game, and television theory. It thus integrates agency as the key to understanding ‘doing media’ and at the same time conceptualizes agency as a specific mode of involvement across media boundaries. This approach amalgamates miscellaneous ideas and conceptions such as interactivity, participation, cognitive control, play or empowerment and applies the theoretical considerations on the basis of textual analyses of the films Inception and The Proposal, the TV shows Lost and I’m a Celebrity and the video games Grand Theft Auto IV, and The Walking Dead. Contents -Agency Interdisciplinary -Interactivity and Play -From Media Use to Doing Media -Agency as a Mode of Involvement -Levels and Points of Agency -Textuality and Agency - Exemplary Analyses -The Quality of Agency in the Media Target Groups -Researchers and students of Media Studies in general, game studies, film studies, and television studies The Author Dr. Susanne Eichner is lecturer at the Academy of Film and Television, Potsdam-Babelsberg (Hochschule für Film und Fernsehen “Konrad Wolf”) in the department of Media Studies
    Description / Table of Contents: Agency InterdisciplinaryInteractivity and Play -- From Media Use to Doing Media -- Agency as a Mode of Involvement -- Levels and Points of Agency -- Textuality and Agency - Exemplary Analyses -- The Quality of Agency in the Media.
    Note: Description based upon print version of record
    DOI: 10.1007/978-3-658-04673-6
    URL: Volltext
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  • 46
    Online Resource
    Online Resource
    The Oxford handbook of Japanese cinema (2014)
    Oxford [u.a.] : Oxford Univ. Press
    Details
    ISBN: 9780199983971
    Language: English
    Pages: XII, 483 S. , Ill., graph. Darst. , 26 cm
    Edition: Online-Ausg. Online-Ressource
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Parallel Title: Druckausg.: The Oxford handbook of Japanese cinema
    DDC: 791.409
    RVK:
    AP 59763
    Keywords: Motion pictures / Japan Motion picture industry / Japan ; Motion picture industry ; Motion pictures ; Motion picture industry / Japan ; Motion pictures / Japan ; Japan / In motion pictures / Japan ; Motion pictures ; Motion picture industry ; Motion pictures ; Japan ; Motion picture industry ; Japan ; Japan ; In motion pictures ; Japan In motion pictures ; Aufsatzsammlung ; Japan ; Film ; Geschichte
    Abstract: This text provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.
    DOI: 10.1093/oxfordhb/9780199731664.001.0001
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    MPI Ethno. Forsch.
  • 47
    Book
    Book
    Decolonising the intellectual : politics, culture, and humanism at the end of the French empire (2014)
    Liverpool : Liverpool Univ. Press
    Details
    ISBN: 9781781380321
    Language: English
    Pages: VIII, 280 S.
    Series Statement: Contemporary French and francophone cultures 33
    Series Statement: Contemporary French and Francophone cultures
    DDC: 944.081
    RVK:
    IH 1403
    RVK:
    IJ 10030
    RVK:
    NQ 9420
    Keywords: Humanism History 20th century ; Decolonization Social aspects ; Decolonization Social aspects ; Kolonialismus ; Geschichte ; Auswirkung ; Entkolonialisierung ; Autor ; France Intellectual life 20th century ; French-speaking countries Intellectual life ; France Colonies ; Intellectual life ; Französisches Sprachgebiet ; Frankreich ; Kolonie ; Entkolonialisierung ; Wissenschaftssoziologie
    Description / Table of Contents: Léopold Sédar Senghor: politician and poet between hybridity and solitudeAimé Césaire: from poetic insurrection to humanist ethics -- Frantz Fanon: experiments in collective identity -- Jean El-Moouhoub Amrouche: the universal intellectual? -- Mouloud Feraoun: postcolonial realism, or, the intellectual as witness -- Kateb Yacine: poetry and revolution -- Conclusion.
    Note: Literaturverz. S. [262]-273
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    MPI Ethno. Forsch.
  • 48
    Online Resource
    Online Resource
    Sex scene : media and the sexual revolution (2014)
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780822376804
    Language: English
    Pages: 1 Online-Ressource (x, 470 Seiten) , Illustrationen
    DDC: 302.230973
    RVK:
    AP 14000
    RVK:
    MS 2900
    RVK:
    MS 1235
    Keywords: Sexualität ; Massenmedien ; Film ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Aufsatzsammlung
    Abstract: Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media-film and television, recorded sound, and publishing-that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams.
    Note: Literaturverzeichnis: Seite 435-450 , Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: De Gruyter
    URL: De Gruyter
    URL: Digitalia English
    URL: EBSCOhost
    URL: eDuke
    URL: JSTOR
    URL: Project MUSE
    URL: Scholars Portal
    URL: https://doi.org/10.1215/9780822376804
    URL: De Gruyter, Cover
    URL: View this content on Open Research Library.
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    MPI Ethno. Forsch.
  • 49
    Online Resource
    Online Resource
    The Oxford handbook of Chinese cinemas (2013)
    Oxford : Oxford University Press
    Details
    ISBN: 9780199983315
    Language: English
    Pages: 1 Online-Ressource (xvii, 709 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Series Statement: Oxford handbooks of literature
    Parallel Title: Erscheint auch als The Oxford handbook of Chinese cinemas
    DDC: 791.409
    RVK:
    AP 44962
    Keywords: Motion pictures ; Motion pictures ; Motion pictures ; Motion pictures ; China ; Motion pictures ; Taiwan ; Motion pictures ; China ; Hong Kong ; Motion pictures ; China ; Motion pictures ; Taiwan ; Motion pictures ; China ; Hong Kong ; Aufsatzsammlung ; China ; Hongkong ; Taiwan ; Film ; Geschichte ; Film ; Geschichte ; Hongkong ; Film ; Geschichte ; Taiwan ; Film ; Geschichte
    Abstract: What does it mean for a cinematic work to be 'Chinese'? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like 'Chinese cinema' difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations.
    Description / Table of Contents: Includes bibliographical references and index
    DOI: 10.1093/oxfordhb/9780199765607.001.0001
    URL: Volltext
    URL: Volltext
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  • 50
    Online Resource
    Online Resource
    Ancient worlds in film and television : gender and politics (2013)
    Leiden : Brill
    Details
    ISBN: 9789004241923
    Language: English
    Pages: 1 Online-Ressource (340 Seiten) , Illustrationen
    Series Statement: Metaforms: studies in the reception of classical antiquity
    RVK:
    AP 52600
    RVK:
    LG 9200
    RVK:
    AP 50300
    Keywords: Historical films History and criticism ; Civilization, Ancient, in motion pictures ; Civilization, Ancient, on television ; Sex role in motion pictures ; Politics in motion pictures ; Motion pictures and history ; Television and history ; Social sciences ; Social Science / Media Studies ; Electronic books ; Konferenzschrift ; Antike ; Rezeption ; Film
    Abstract: Preliminary Material -- Introduction /Almut-Barbara Renger and Jon Solomon -- Ben-Hur and Gladiator: Manifest Destiny and the Contradictions of American Empire /Jon Solomon -- Muscles and Morals: Spartacus, Ancient Hero of Modern Times /Thomas Späth and Margrit Tröhler -- With Your Shield or On It: The Gender of Heroism in Zack Snyder’s 300 and Rudoph Maté’s The 300 Spartans /Thorsten Beigel -- “This is Sparta!”: Discourse, Gender, and the Orient in Zack Snyder’s 300 /Jeroen Lauwers , Marieke Dhont and Xanne Huybrecht -- “Everybook-body Loves a Muscle Boi”: Homos, Heroes, and Foes in Post-9/11 Spoofs of the 300 Spartans /Ralph J. Poole -- The Womanizing of Mark Antony: Virile Ruthlessness and Redemptive Cross-Dressing in Rome, Season Two /Margaret M. Toscano -- Cleopatra’s Venus /Elisabeth Bronfen -- Over His Dead Body: Male Friendship in Homer’s Iliad and Wolfgang Petersen’s Troy (2004) /Andreas Krass -- Models of Masculinities in Troy: Achilles, Hector and Their Female Partners /Celina Proch and Michael Kleu -- “Include me out” – Odysseus on the Margins of European Genre Cinema: Le Mépris, Ulisse, L’Odissea /Christian Pischel -- Between Mythical and Rational Worlds: Medea by Pier Paolo Pasolini /Lada Stevanović -- “Universal’s Religious Bigotry Against Hinduism”: Gender Norms and Hindu Authority in the Global Media Debate on Representing the Hindu God Krishna in Xena: Warrior Princess /Xenia Zeiler -- Ancient Women’s Cults and Rituals in Grand Narratives on Screen: From Walt Disney’s Snow White to Olga Malea’s Doughnuts with Honey /Svetlana Slapšak -- Pandora-Eve-Ava: Albert Lewin’s Making of a “Secret Goddess” /Almut-Barbara Renger -- Phryne Paves the Way for the Wirtschaftswunder: Visions of Guilt and “Purity” Fed by Ancient Greece, Christian Narrative, and Contemporary History /Barbara Schrödl -- The New Israeli Film Beruriah: Between Rashi and Talmud, between Antiquity and Modernity, between Feminism and Religion /Tal Ilan -- Index.
    Abstract: More than a century ago, filmmakers made their primary focus innovative and widely promulgated visions of antiquity, creating a profound effect on the critical, popular, and scholarly reception of antiquity. In this volume, scholars from a variety of countries and varying academic disciplines have addressed film’s way of using the field of Classical Reception to investigate, contemplate, and develop hypotheses about present-day culture, society, and politics, with a particular emphasis on gender and gender roles, their relationship to one another, and how filmic constructions of masculinity and femininity shape and are shaped by interacting economic, political, and ideological practices
    Note: Includes bibliographical references and index
    URL: View this content on Open Research Library
    URL: Cover  (Thumbnail cover image)
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  • 51
    AV-Medium
    AV-Medium
    Das Venedig-Prinzip (2013)
    [S.l.] : Realfiction
    Details
    Language: Italian , German , English
    Pages: 1 DVD-Video (80 Min. + 21 Min.)
    DDC: 300
    RVK:
    AP 49400
    Keywords: Film ; DVD-Video
    Abstract: Der Film zeigt, was vom venezianischen Leben übrig geblieben ist: eine Subkultur touristischer Dienstleister; ein Hafen für die monströsen Kreuzfahrtschiffe, der auf seine Erweiterung wartet; Venezianer, die auf das Festland ziehen, weil es keine bezahlbaren Wohnungen mehr gibt; eine alte Adlige, die die Stadtverwaltung mit Hohn überzieht; ein Immobilienmakler, der darüber nachdenkt, das sinkende Schiff zu verlassen. Andreas Pichlers Protagonisten sind Sensoren für die Veränderungen ihrer Stadt. Venedig fühlt sich für sie immer weniger nach Heimat an, eine Lösung sehen sie jedoch nicht. Ein Requiem auf eine immer noch grandiose Stadt. Ein Lehrstück darüber, wie öffentliches Gut zur Beute einiger Weniger wird. Ein Hohelied auf die letzten Venezianer, ihren Witz und ihr Herz.
    Note: Sprache: italienisch. Untertitel: dt., engl. - Bonusmaterial , Dokumentarfilm. Österreich. 2013 , D/I/A 2012 , Sprache: Ital. - Untertitel: dt., engl.
    URL: Inhaltstext
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  • 52
    Online Resource
    Online Resource
    Food, farms & solidarity : French farmers challenge industrial agriculture and genetically modified crops (2013)
    Durham, N.C. : Duke University Press
    Details
    ISBN: 9780822394808 , 0822394804
    Language: English
    Pages: 1 Online-Ressource (xiii, 333 pages)
    Series Statement: New ecologies for the twenty-first century
    Parallel Title: Erscheint auch als
    DDC: 338.1/844
    RVK:
    RB 10672
    RVK:
    RN 20672
    RVK:
    WN 8505
    RVK:
    ZA 55335
    Keywords: Agriculture and state / France ; Farmers / Political activity / History / 20th century / France ; Genetically modified foods / Political aspects / France ; Sustainable agriculture / France ; Anti-globalization movement / France ; Nachhaltigkeit ; Gentechnisch verändertes Lebensmittel ; Antiglobalisierungsbewegung ; Landwirtschaft ; Agrarpolitik ; Politisches Handeln ; Frankreich ; Frankreich ; Landwirtschaft ; Gentechnisch verändertes Lebensmittel ; Agrarpolitik ; Antiglobalisierungsbewegung ; Politisches Handeln ; Nachhaltigkeit
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822394808
    URL: Volltext  (kostenfrei)
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  • 53
    Online Resource
    Online Resource
    Audiences : defining and researching screen entertainment reception (2012)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048515059 , 904851505X
    Language: English
    Pages: 1 Online-Ressource (332 Seiten) , Illustrations
    Series Statement: The key debates ; 3
    DDC: 302.2343
    RVK:
    AP 17000
    Keywords: Motion picture audiences ; PSYCHOLOGY Social Psychology ; PERFORMING ARTS Film & Video ; General ; The arts ; Film, TV and radio ; Films, cinema ; Film theory and criticism ; Motion picture audiences ; Motion pictures ; Film
    Abstract: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.
    Note: Includes bibliographical references (pages 279-298) and indexes
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    URL: https://www.cambridge.org/core/product/identifier/9789048515059/type/BOOK
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  • 54
    Online Resource
    Online Resource
    Spanish Spaces : Landscape, Space and Place in Contemporary Spanish Culture (2012)
    Liverpool : Liverpool University Press
    Details
    ISBN: 9781781387962
    Language: English
    Pages: 1 Online-Ressource (209 Seiten)
    Edition: 1st ed
    Series Statement: Contemporary Hispanic and Lusophone Cultures, 6 v.6
    Parallel Title: Erscheint auch als Davies, Ann Spanish Spaces : Landscape, Space and Place in Contemporary Spanish Culture
    DDC: 306.0946
    RVK:
    IM 1270
    Keywords: Alltag, Brauchtum ; Cultural geography -- Spain ; Spain -- Civilization -- 21st century ; Spain -- Social life and customs -- 21st century ; Landschaft ; Film ; Literatur ; Spanien ; Spanien ; Criticism, interpretation, etc ; History ; Electronic books ; Electronic books ; Electronic books ; Electronic books. ; Electronic books. ; Criticism, interpretation, etc. ; History. ; Spanien ; Film ; Literatur ; Landschaft
    Abstract: A pioneering study that fuses cultural geography and contemporary Spanish culture, asking what it means to think of space and place in specifically Spanish terms. It examines how themes of memory and forgetting, nationalism and terrorism, crime and detection, gender, tourism and immigration are explored in contemporary Spanish film and literature
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: kostenfrei
    URL: kostenfrei
    URL: Cambridge University Press
    URL: Cambridge University Press
    URL: ebrary
    URL: EBSCOhost
    URL: EBSCOhost
    URL: JSTOR
    URL: Liverpool scholarship online  (Click for access to e-book)
    URL: MyiLibrary
    URL: OAPEN
    URL: OAPEN
    URL: Project MUSE
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  • 55
    Book
    Book
    Flesh and fish blood : postcolonialism, translation, and the vernacular (2012)
    Berkeley [u.a.] : University of California Press
    Details
    ISBN: 0520272528 , 9780520272521
    Language: English
    Pages: 185 S. , cm
    Series Statement: Flashpoints 11
    Series Statement: FlashPoints
    DDC: 891.1
    RVK:
    AP 44964
    RVK:
    ES 700
    Keywords: Indic literature History and criticism ; 20th century ; Postmodernism (Literature) India ; Indic literature Translations ; History and criticism ; Postcolonialism in motion pictures India ; Indic literature History and criticism 20th century ; Postmodernism (Literature) ; Indic literature Translations ; History and criticism ; Postcolonialism in motion pictures ; Südasien ; Volkssprache ; Literatur ; Film ; Südasien ; Postkoloniale Literatur ; Übersetzung ; Indien ; Volkssprache ; Literatur ; Film ; Postkoloniale Literatur ; Übersetzung
    Note: Includes bibliographical references and index
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  • 56
    Online Resource
    Online Resource
    Culture of Class : Radio and Cinema in the Making of a Divided Argentina, 1920-1946 (2012)
    Durham : Duke University Press | Baltimore, Md. : Project MUSE
    Details
    ISBN: 9780822395331
    Language: English
    Pages: 1 Online-Ressource
    DDC: 305.50982
    RVK:
    AP 34050
    Keywords: Geschichte 1920-1946 ; Film ; Hörfunk ; Argentinien ; Electronic books ; Electronic books. ; History. ; Electronic books ; Electronic books ; Electronic books
    Abstract: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.
    Note: Includes bibliographical references (p. [251]-268) and index , Description based on print version record
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    URL: http://dx.doi.org/10.1215/9780822395331
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    URL: http://dx.doi.org/10.1215/9780822395331
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    URL: http://dx.doi.org/10.1215/9780822395331?locatt=mode:legacy
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  • 57
    Online Resource
    Online Resource
    Nazi soundscapes : sound, technology and urban space in Germany, 1933-1945 (2012)
    Amsterdam : Amsterdam Univ. Press
    Details
    ISBN: 9789089644268 , 9089644261 , 9789048516322 (Sekundärausgabe) , 9789048516339 (Sekundärausgabe)
    Language: English
    Pages: 272 S. , Ill., map
    Edition: Online-Ausg. [The Hague] OAPEN Online-Ressource ISBN 9789048516322 pdf
    Edition: ISBN 9789048516339 ePub
    Edition: [Online-Ausg.]
    DDC: 303.375
    RVK:
    AP 17340
    RVK:
    AP 19100
    RVK:
    NQ 2270
    Keywords: Geschichte 1933-1945 ; Massenkultur ; Großveranstaltung ; Propaganda ; Drittes Reich ; Stadt ; Geräusch ; Unterhaltungsindustrie ; Massenmedien ; Nationalsozialismus ; Hörfunk ; Film ; Audiotechnik ; Deutschland ; Düsseldorf ; Online-Publikation ; Electronic books
    Abstract: Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulating mediated sounds and the spaces of listening reception, whether in the home, workplace, the cinema, public rituals or with wartime siren systems. The study revises visualist notions of social control, and reveals the disciplinary functions of listening (as eavesdropping) as well as the sonic dimensions to exclusion and violence during Nazism. An essential title for everyone interested in the links between German political culture, audiovisual media and urban history, Nazi Soundscapes provides a fascinating analysis of the cultural significance of sound between the 1920s and early 1940s. Click "http://soundclips.humanities.uva.nl/"〉here for the sound clips discussed in the book.
    Note: Literaturverz. S. 217 - 253 , Online-Ausg.:
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    URL: https://www.cambridge.org/core/product/identifier/9789048516322/type/BOOK
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  • 58
    AV-Medium
    AV-Medium
    Inside Job : der Film, der über $ 20.000.000.000.000 kostete (2011)
    [München] : Sony Pictures Home Entertainment
    Details
    Language: English , Italian
    Pages: 1 DVD-Video (Ländercode 2, 104 Min.) , farb., Dolby digital 5.1, Bildformat: 16:9 Widescreen (2.35:1) , 12 cm
    Series Statement: Sony pictures classics
    Uniform Title: Inside job
    DDC: 338.5/42
    RVK:
    AP 59500
    RVK:
    AP 52800
    RVK:
    QC 010
    RVK:
    AP 59583
    Keywords: Film ; DVD-Video ; Finanzkrise ; Weltwirtschaftskrise ; Dokumentarfilm
    Abstract: „INSIDE JOB, der erste Film, der die schockierende Wahrheit über die Wirtschaftskrise im Jahr 2008 präsentiert.“
    Description / Table of Contents: Entfallene Szenen, Die Entstehung von Inside Job, Kommentar mit Regisseur Charles Ferguson und Produzent Audrey Marrs
    Note: Sprache: engl., ital. - Untertitel: dt., engl., engl. für Hörgeschädigte, dän., finn., franz., Hindi, holänd., ital., schwed., türk. - Enth. Extras: Entfallene Szenen, Making of, Audiokommentar , Filmbericht. USA. 2010 , USA 2010 , Sprachen: engl., ital. - Untertitel: dt., engl., dän., finn., franz., hindi, niederländ., ital., schwed., türk. - Untertitel für Hörgeschädigte: engl.
    URL: http://de.wikipedia.org/wiki/Inside_Job
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  • 59
    Book
    Book
    The anatomy of blackness : science & slavery in an age of Enlightenment (2011)
    Baltimore : Johns Hopkins Univ. Press
    Details
    ISBN: 1421401509 , 9781421401508
    Language: English
    Pages: XIV, 310 S. , Ill.
    DDC: 840.9/352996
    RVK:
    IG 1378
    Keywords: French literature History and criticism 18th century ; French literature History and criticism 19th century ; Blacks Race identity ; Travel writing History and criticism ; Blacks in literature ; Africa In literature ; Französisch ; Literatur ; Schwarzenbild ; Frankreich ; Schwarzenbild ; Frankreich ; Schwarzenbild ; Geschichte 1650-1802
    Description / Table of Contents: Introduction: Tissue samples in the land of conjecture -- Paper trails: writing the African, 1450-1750 -- Sameness and science, 1730-1750 -- The problem of difference: philosophes and the processing of African "ethnography," 1750-1755 -- The natural history of slavery, 1770-1802 -- Coda: black Africans and the enlightenment legacy.
    Note: Includes bibliographical references (p. [275] - 293) and index
    URL: Inhaltsverzeichnis
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  • 60
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    Online Resource
    A Foreign Affair : Billy Wilder's American Films (2011)
    New York : Berghahn Books
    Details
    ISBN: 9780857450661 , 0857450662
    Language: English
    Pages: 1 Online-Ressource (206 pages)
    Series Statement: Film Europa
    Parallel Title: Gemünden, Gerd, 1959 - A foreign affair
    Parallel Title: Print version Gemünden, Gerd A Foreign Affair : Billy Wilder's American Films
    RVK:
    AP 51390
    Keywords: Wilder, Billy Criticism and interpretation ; Wilder, Billy ; Wilder, Billy ; PERFORMING ARTS ; Reference ; PERFORMING ARTS ; Film & Video ; History & Criticism ; Music, Dance, Drama & Film ; Film ; Criticism, interpretation, etc ; Electronic books ; Double indemnity ; Sunset Boulevard ; Some like it hot ; The apartment ; Wilder, Billy 1906-2002 ; USA ; Film ; Geschichte 1944-1970 ; Double indemnity ; Sunset Boulevard ; Some like it hot ; The apartment
    Abstract: With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism
    Abstract: With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism
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  • 61
    Book
    Book
    Men in African film & fiction / (2011)
    Woodbridge, Suffolk :James Currey,
    Details
    ISBN: 978-1-84701-521-1
    Language: English
    Pages: x, 180 Seiten : , Illustrationen.
    DDC: 791.436521096
    RVK:
    EP 20140
    RVK:
    AP 59770
    RVK:
    HP 1240
    RVK:
    MS 2950
    Keywords: Film. ; Roman. ; Mann ; Männlichkeit ; Afrika. ; Aufsatzsammlung ; Aufsatzsammlung ; Film ; Roman ; Mann ; Männlichkeit
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022467499&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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  • 62
    Book
    Book
    Les médias de la diversité culturelle dans les pays latins d'Europe (2011)
    Bruxelles : Bruylant [u.a.]
    Show associated volumes/articles
    Details
    ISBN: 9782802730743
    Language: French , English , French
    Pages: XXX, 343 S. , graph. Darst. , 24 cm
    Series Statement: Médias, sociétés et relations internationales 12
    Series Statement: Collection Médias, sociétés et relations internationales
    DDC: 302
    RVK:
    AP 11500
    Keywords: Mass media and culture Congresses ; Cultural pluralism Congresses ; Multiculturalism Congresses ; Linguistic minorities Congresses ; Romance languages Congresses ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Frankreich ; Spanien ; Italien ; Portugal ; Massenmedien ; Kultur ; Vielfalt
    Note: Contains index , Summaries in English and French , French, English
    URL: Inhaltsverzeichnis
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    URL: Inhaltsverzeichnis
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  • 63
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    Online Resource
    Soldiers' stories : military women in cinema and television since World War II (2011)
    Durham : Duke University Press | Berlin : Knowledge Unlatched
    Details
    ISBN: 9780822393351 , 0822393352
    Language: English
    Pages: 1 Online-Ressource (xiv, 313 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Tasker, Yvonne, 1964 - Soldiers' stories
    RVK:
    AP 52700
    Keywords: Film ; Militär ; Frau ; Soldatin
    Abstract: From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, the author traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the WWII, women were portrayed as auxiliaries, temporary necessities of "total war." Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem." From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role-reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, the author relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued
    Abstract: From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, the author traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the WWII, women were portrayed as auxiliaries, temporary necessities of "total war." Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem." From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role-reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, the author relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued.
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  • 64
    Online Resource
    Online Resource
    Environmental imaginaries of the Middle East and North Africa (2011)
    Athens, Ohio : Ohio University Press
    Details
    ISBN: 9780821444252
    Language: English
    Pages: 1 Online-Ressource (xiv, 296 Seiten) , Illustrationen
    Series Statement: Ohio University Press series in ecology and history
    Parallel Title: Erscheint auch als Environmental imaginaries of the Middle East and North Africa
    DDC: 304.20956
    RVK:
    RS 15844
    Keywords: Human ecology History ; Human ecology History ; Afrika ; Mittlerer Osten ; Humanökologie ; Umweltbedingungen ; Öffentliche Meinung ; Kolonialisierung ; Frankreich ; Großbritannien ; Aufsatzsammlung ; Middle East Environmental conditions ; Africa, North Environmental conditions ; Middle East Environmental conditions ; Historiography ; Africa, North Environmental conditions ; Historiography ; Middle East Foreign public opinion, British ; Middle East Foreign public opinion, French ; Great Britain Colonies ; History ; France Colonies ; History ; Afrika ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Naher Osten ; Nordafrika ; Umwelt
    Abstract: Introduction: Imperialism, Orientalism, and the Environment in the Middle East : History, Policy, Power, and Practice / Diana K. Davis -- "A Rebellion of Technology" : Development, Policing, and the British Arabian Imaginary / Priya Satia -- Restoring Roman Nature : French Identity and North African Environmental History / Diana K. Davis -- Body of Work : Water and Reimagining the Sahara in the Era of Decolonization / George R. Trumbull IV -- From the Bottom Up : The Nile, Silt, and Humans in Ottoman Egypt / Alan Mikhail -- Drafting a Map of Colonial Egypt : The 1902 Aswan Dam, Historical Imagination, and the Production of Agricultural Geography / Jennifer L. Derr -- Remapping the Nation, Critiquing the State : Environmental Narratives and Desert Land Reclamation in Egypt / Jeannie Sowers -- Salts, Soils, and (Un)Sustainabilities? Analyzing Narratives of Environmental Change in Southeastern Turkey / Leila M. Harris -- Hydro-Imaginaries and the Construction of the Political Geography of the Jordan River : The Johnston Mission, 1953/56 / Samer Alatout -- Environmentalism Deferred : Nationalisms and Israeli/Palestinian Imaginaries / Shaul Cohen
    Note: Formerly CIP Uk. - Includes bibliographical references and index. - Introduction: Imperialism, Orientalism, and the Environment in the Middle East : History, Policy, Power, and Practice / Diana K. Davis -- "A Rebellion of Technology" : Development, Policing, and the British Arabian Imaginary / Priya Satia -- Restoring Roman Nature : French Identity and North African Environmental History / Diana K. Davis -- Body of Work : Water and Reimagining the Sahara in the Era of Decolonization / George R. Trumbull IV -- From the Bottom Up : The Nile, Silt, and Humans in Ottoman Egypt / Alan Mikhail -- Drafting a Map of Colonial Egypt : The 1902 Aswan Dam, Historical Imagination, and the Production of Agricultural Geography / Jennifer L. Derr -- Remapping the Nation, Critiquing the State : Environmental Narratives and Desert Land Reclamation in Egypt / Jeannie Sowers -- Salts, Soils, and (Un)Sustainabilities? Analyzing Narratives of Environmental Change in Southeastern Turkey / Leila M. Harris -- Hydro-Imaginaries and the Construction of the Political Geography of the Jordan River : The Johnston Mission, 1953/56 / Samer Alatout -- Environmentalism Deferred : Nationalisms and Israeli/Palestinian Imaginaries / Shaul Cohen , Introduction: Imperialism, Orientalism, and the Environment in the Middle East : History, Policy, Power, and Practice , "A Rebellion of Technology" : Development, Policing, and the British Arabian Imaginary , Restoring Roman Nature : French Identity and North African Environmental History , Body of Work : Water and Reimagining the Sahara in the Era of Decolonization , From the Bottom Up : The Nile, Silt, and Humans in Ottoman Egypt , Drafting a Map of Colonial Egypt : The 1902 Aswan Dam, Historical Imagination, and the Production of Agricultural Geography , Remapping the Nation, Critiquing the State : Environmental Narratives and Desert Land Reclamation in Egypt , Salts, Soils, and (Un)Sustainabilities? Analyzing Narratives of Environmental Change in Southeastern Turkey , Hydro-Imaginaries and the Construction of the Political Geography of the Jordan River : The Johnston Mission, 1953/56 , Environmentalism Deferred : Nationalisms and Israeli/Palestinian Imaginaries
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  • 65
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    Narrating Violence in Post-9/11 Action Cinema : Terrorist Narratives, Cinematic Narration, and Referentiality (2010)
    Wiesbaden : VS Verlag für Sozialwissenschaften / GWV Fachverlage GmbH, Wiesbaden
    Details
    ISBN: 9783531926025
    Language: English
    Pages: Online-Ressource (130p, digital)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Jung, Berenike Narrating violence in Post-9/11 action cinema
    RVK:
    AP 50300
    Keywords: Social sciences ; Sociology ; Social Sciences ; Social sciences ; Sociology ; Social sciences ; Sociology ; Elfter September ; Terrorismus ; Film ; Erzähltechnik ; Gewaltdarstellung ; Filmästhetik ; Children of Men ; V for vendetta ; Munich ; Film ; Interpretation ; Elfter September ; Terrorismus ; Film ; Erzähltechnik ; Gewaltdarstellung ; Filmästhetik ; Children of Men ; V for vendetta ; Munich ; Film ; Interpretation
    Abstract: Berenike Jung studied Comparative Literature, Cinema, and North American Studies in Berlin, New York, and Paris. She works as a journalist and author with a focus on film and media.
    Abstract: This work discusses the way in which action movies have responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence - and by extension the consumers of these imagers - was considered as complicit behaviour. If terrorism is theatre, who goes to see the show? A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence? How is the audience implicitly positioned? And finally, what is the role and scope of the films- visual short-cuts, iconic real images such as those from the Abu Ghraib prison? The results reaffirm popular movies' power of working through traumatic events as well as their capacity to articulate a valid political critique. Instead of inventing or preceding real acts of violence, cinema can document, witness, and encourage the spectator to explore unorthodox viewing positions and moral dilemma. This interdisciplinary work is addressed to students of Philosophy, the Humanities, Cinema, American, or Cultural Studies as well as to the interested public.
    Description / Table of Contents: Geleitwort; Deutsche Zusammenfassung; Table of Contents; 1 Introduction; 1.1 Methodology; 1.1.1 Just War Theory; 1.1.2 Narrative Discourse; 2 The Films; 2.1 Narrating Violence in V for Vendetta; 2.1.1 Types of Violence; 2.1.1.1 A Vendetta : Vigilantism; 2.1.1.2 Terrorism: Just Revolution and Tyrannicide; 2.1.1.3 Torture; 2.1.2 Cinematic Narration; 2.1.2.1 Visualizing Violence: The Spectacular; 2.1.2.2 Alterations in Focalization; 2.1.2.3 Heroes and Enemies; 2.1.3 Narrative Challenges; 2.1.3.1 References: Post-9/11 Politics; 2.1.3.2 Responding to 9/11: Charges against Cinema
    Description / Table of Contents: 2.1.4 Résumé for V for Vendetta2.2 Narrating Violence in Munich; 2.2.1 Types of Violence; 2.2.1.1 Terrorism and the Media; 2.2.1.2 Targeted Killings: The Response; 2.2.2 Cinematic Narration; 2.2.2.1 Flashbacks: Visualizing Violence with Latency; 2.2.2.2 Point of View: Heroes and Enemies; 2.2.2.3 Docudrama; 2.2.3 Narrative Challenges; 2.2.3.1 9/11: Depicting Images of Atrocity; 2.2.3.2 The Media and the Response to 9/11; 2.2.4 Résumé for Munich; 2.3 Narrating Violence in Children of Men; 2.3.1 Types of Violence; 2.3.1.1 Terrorism: The Fishes; 2.3.1.2 War; 2.3.1.3 A Biological Threat
    Description / Table of Contents: 2.3.2 Cinematic Narration2.3.2.1 Visualizing Violence: The Long Take; 2.3.2.2 The Spectacular vs the Long Take; 2.3.2.3 External Focalization and the Subjective Camera; 2.3.2.4 Disrupting Cinematic Codes; 2.3.2.5 Characters and Character Relations; 2.3.3 Narrative Challenges; 2.3.3.1 References to Post-9/11 Politics; 2.3.3.2 Engaging with 9/11: Iconic Images and The Media; 2.3.4 Résumé for Children of Men; 3 Conclusion; Bibliography
    Note: Includes bibliographical references (p. [121]-130)
    DOI: 10.1007/978-3-531-92602-5
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  • 66
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    Online Resource
    Cyborgs in Latin America (2010)
    New York, NY [u.a.] : Palgrave Macmillan
    Details
    ISBN: 9780230109773
    Language: English
    Pages: Online-Ressource
    Parallel Title: Druckausg. Brown, J. Andrew, 1970 - Cyborgs in Latin America
    RVK:
    IQ 00222
    Keywords: Spanish American fiction History and criticism 20th century ; Science fiction, Spanish American History and criticism ; Cyborgs in literature ; Cyborgs in mass media ; Cyborgs in motion pictures ; Literature and technology History 20th century ; Mass media and technology History 20th century ; Human beings Philosophy ; Social theory ; Spanish American fiction ; 20th century ; History and criticism ; Science fiction, Spanish American ; History and criticism ; Cyborgs in literature ; Cyborgs in mass media ; Cyborgs in motion pictures ; Literature and technology ; Latin America ; History ; 20th century ; Mass media and technology ; Latin America ; History ; 20th century ; Human beings ; Philosophy ; Lateinamerika ; Cyborg ; Literatur ; Film ; Massenmedien
    Abstract: Cyborgs in Latin America explores the ways cultural expression in Latin America has grappled with the changing relationships between technology and human identity. The book takes a literary and cultural studies approach in examining narrative, film and advertising campaigns from Argentina, Bolivia, Chile, Mexico and Uruguay by such artists as Ricardo Piglia, Edmundo Paz Soldán, Carmen Boullosa and Alberto Fuguet among others. Using and criticizing theoretical models developed by Katherine Hayles, Donna Haraway, Gilles Deleuze and Michel Foucault, the book will appeal to specialists and students of Latin American Studies; Posthuman Theory; and Literature, Science and Technology Studies
    Description / Table of Contents: Posthuman porteos: cyborg survivors in Argentine narrative and film -- Missing gender: the posthuman feminine in Alicia Borinsky, Carmen Boullosa, and Eugenia Prado -- Ripped stitches: mass media and televisual imaginaries in Rafael Courtoisie's narrative -- Neoliberal prosthetics in post-dictatorial Argentina and Bolivia: Carlos Gamerro and Edmundo Paz Soldań -- Video heads and rewound bodies: cyborg memories in Rodrigo Fresán and Alberto Fuguet.
    Note: Includes bibliographical references , English
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  • 67
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    Online Resource
    The apartment plot : urban living in American film and popular culture, 1945 to 1975 (2010)
    Durham : Duke University Press
    Details
    ISBN: 9780822392989
    Language: English
    Pages: 1 Online-Ressource (342 Seiten)
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    DDC: 791.43/658209732
    RVK:
    HU 1691
    RVK:
    AP 44983
    Keywords: City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures History 20th century ; Performing arts ; Performing Arts / Film / History & Criticism ; City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures ; United States ; History ; 20th century ; Electronic books ; USA ; Film ; Wohnung ; Geschichte 1945-1975
    Abstract: Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based
    Description / Table of Contents: Introduction: a philosophy of urbanism -- A primer in urbanism : Rear Window's archetypal apartment plot -- "We like our apartment" : the playboy indoors -- The great reprieve : modernity, femininity, and the apartment -- The suburbs in the city : the housewife and the apartment -- Movin' on up : the African american apartment.
    Note: Includes bibliographical references (p. [289] - 302) and index
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  • 68
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    Online Resource
    Crash : cinema and the politics of speed and stasis (2010)
    Durham, NC : Duke University Press
    Details
    ISBN: 9780822392767
    Language: English
    Pages: 1 Online-Ressource (320 Seiten)
    Parallel Title: Erscheint auch als Beckman, Karen Redrobe, 1971 - Crash
    DDC: 791.43/6
    RVK:
    AP 50300
    Keywords: Car-chase films History and criticism ; Motion pictures Plots, themes, etc ; Motion pictures History ; Performing arts ; Performing Arts / Film / History & Criticism ; Electronic books ; Film ; Zusammenstoß ; Film ; Personenkraftwagen ; Zusammenstoß
    Abstract: Artists, writers, and filmmakers from Andy Warhol and J. G. Ballard to Alejandro González Iñárritu and Ousmane Sembène have repeatedly used representations of immobilized and crashed cars to wrestle with the conundrums of modernity. In Crash, Karen Beckman argues that representations of the crash parallel the encounter of film with other media, and that these collisions between media offer useful ways to think about alterity, politics, and desire. Examining the significance of automobile collisions in film genres including the "cinema of attractions," slapstick comedies, and industrial-safety movies, Beckman reveals how the car crash gives visual form to fantasies and anxieties regarding speed and stasis, risk and safety, immunity and contamination, and impermeability and penetration
    Description / Table of Contents: "Jerky nearness" : spectatorship, mobility, and collision in early cinema -- Car wreckers and home lovers : the automobile in silent slapstick -- Doing death over : industrial-safety films, accidental-motion studies, and the involuntary crash test dummy -- Disaster time, the Kennedy assassination, and Andy Warhol's Since (1966/2002) -- Film falls apart : Crash, Semen, and Pop -- Crash aesthetics : Amores perros and the dream of cinematic mobility -- The afterlife of Weekend, or, the university found on a scrapheap.
    Note: Includes bibliographical references (p. [275] - 288) and index
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  • 69
    Book
    Book
    Backward glances : contemporary Chinese cultures and the female homoerotic imaginary (2010)
    Durham [u.a.] : Duke Univ. Press
    Details
    ISBN: 9780822346685 , 9780822346807
    Language: English
    Pages: 290 S. , 25 cm
    Series Statement: Asia-Pacific: culture, politics, and society
    DDC: 306.76/630951
    RVK:
    MS 2870
    RVK:
    AP 19620
    Keywords: Massenkultur ; Fernsehen ; Film ; Lesbische Orientierung ; China
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    MPI Ethno. Forsch.
  • 70
    Online Resource
    Online Resource
    The un-Americans : Jews, the blacklist, and stoolpigeon culture (2009)
    Durham, NC : Duke University Press
    Details
    ISBN: 9780822390848
    Language: English
    Pages: 1 Online-Ressource (306 Seiten)
    Series Statement: Series Q
    Parallel Title: Erscheint auch als Litvak, Joseph The un-Americans
    DDC: 305.892/407309045
    RVK:
    AP 59783
    RVK:
    NY 4900
    Keywords: Jews in the motion picture industry ; Jews Politics and government 20th century ; Antisemitism History 20th century ; Performing arts ; USA ; Juden ; Filmwirtschaft ; Politik ; Antisemitismus ; Geschichte 1900-2000 ; Performing Arts / Film / History & Criticism ; United States Ethnic relations ; Political aspects ; Jews in the motion picture industry ; United States ; Jews ; United States ; Politics and government ; 20th century ; Antisemitism ; United States ; History ; 20th century ; United States ; Ethnic relations ; Political aspects ; Electronic books ; Electronic books ; Electronic books ; Electronic books ; History. ; History ; Electronic books ; USA ; Film ; Judenbild ; USA ; Antisemitismus ; Geschichte 1900-2000
    Abstract: In a bold rethinking of the Hollywood blacklist and McCarthyite America, Joseph Litvak reveals a political regime that did not end with the 1950s or even with the Cold War: a regime of compulsory sycophancy, in which the good citizen is an informer, ready to denounce anyone who will not play the part of the earnest, patriotic American. While many scholars have noted the anti-Semitism underlying the House Un-American Activities Committee's (HUAC's) anti-Communism, Litvak draws on the work of Theodor W. Adorno, Hannah Arendt, Alain Badiou, and Max Horkheimer to show how the committee conflated Jewishness with what he calls "comic cosmopolitanism," an intolerably seductive happiness, centered in Hollywood and New York, in show business and intellectual circles. He maintains that HUAC took the comic irreverence of the "uncooperative" witnesses as a crime against an American identity based on self-repudiation and the willingness to "name names"
    Description / Table of Contents: Sycoanalysis : an introduction -- Jew envy -- Petrified laughter : Jews in pictures, 1947 -- Collaborators : Schulberg, Kazan, and a face in the crowd -- Comicosmopolitanism : behind television -- Bringing down the house : the blacklist musical -- Coda : cosmopolitan states.
    Note: Includes bibliographical references and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
    URL: Volltext  (lizenzpflichtig)
    URL: Concordia University of Edmonton Access  ((Unlimited Concurrent Users))
    URL: Duke University Press  (Read this online.)
    URL: ebrary
    URL: EBSCOhost
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    URL: Google
    URL: HathiTrust Digital Library
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    URL: Multi-User Duke Electronic Book
    URL: eDuke Books (Restricted to University of Ottawa)
    URL: Access restricted to Harris Learning Library use, and to students, faculty, and staff of Nipissing University.
    URL: https://doi.org/10.1215/9780822390848
    URL: https://openresearchlibrary.org/content/ed4b5d44-8bb6-4f9c-aed3-f27021e9e894
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    URL: Reading advice (software, printing, accessibility, privacy)
    URL: https://hdl.loc.gov/loc.gdc/gdcebookspublic.2020719740
    URL: Free eBook from the Internet Archive
    URL: Additional information and access via Open Library
    URL: Concordia University of Edmonton Access  ((Unlimited Concurrent Users))
    URL: ebrary
    URL: EBSCOhost
    URL: EBSCOhost
    URL: Google
    URL: HathiTrust Digital Library
    URL: MyiLibrary
    URL: OAPEN
    URL: OAPEN
    URL: Project MUSE
    URL: Access restricted to Harris Learning Library use, and to students, faculty, and staff of Nipissing University.
    URL: https://openresearchlibrary.org/content/ed4b5d44-8bb6-4f9c-aed3-f27021e9e894
    URL: https://openresearchlibrary.org/viewer/ed4b5d44-8bb6-4f9c-aed3-f27021e9e894
    URL: Reading advice (software, printing, accessibility, privacy)
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  • 71
    Book
    Book
    A history of pain : trauma in modern Chinese literature and film (2008)
    New York, NY [u.a.] : Columbia Univ. Press
    Details
    ISBN: 0231141629 , 0231512007 , 9780231141628 , 9780231512008
    Language: English
    Pages: x, 420 S. , Ill. , 25 cm
    Series Statement: Global Chinese culture
    DDC: 306.4/809510904
    RVK:
    AP 59462
    Keywords: Popular culture ; Violence in literature ; Violence in motion pictures ; China ; Film ; Historisches Ereignis ; Trauma ; Literatur ; China ; Film ; Historisches Ereignis ; Trauma ; Chinesisch ; Literatur
    Note: Includes bibliographical references (p. [385]-412) and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    München BSB
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    MPI Ethno. Forsch.
  • 72
    Online Resource
    Online Resource
    The Oxford handbook of film and media studies (2008)
    New York : Oxford University Press
    Details
    ISBN: 9780199940370
    Language: English
    Pages: 1 Online-Ressource (xii, 628 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Parallel Title: Erscheint auch als Kolker, Robert Phillip, 1940 - The Oxford handbook of film and media studies
    DDC: 791.43
    RVK:
    AP 13550
    Keywords: Filmtheorie ; Medientheorie ; Digitale Medien ; Globalisierung ; Film ; Filmästhetik ; Massenmedien ; Motion pictures ; Mass media ; Interactive multimedia ; Interactive multimedia ; Mass media ; Motion pictures ; Motion pictures ; Mass media ; Interactive multimedia ; Aufsatzsammlung ; Filmwissenschaft ; Medienwissenschaft
    Abstract: This reference work provides a single-volume source of original scholarship on the intersection of film and media studies. Some essays survey particular issues, such as the changing concept of 'realism' in film. Others look at current media practices with special attention to new media
    Note: Series title from jacket. - Includes bibliographical references and index. - Print version record , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    DOI: 10.1093/oxfordhb/9780195175967.001.0001
    URL: Volltext
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  • 73
    Online Resource
    Online Resource
    Crowd scenes : movies and mass politics (2008)
    New York : Fordham University Press | Berlin : Knowledge Unlatched
    Details
    ISBN: 0823280780 , 9780823280780
    Language: English
    Pages: 1 Online-Ressource (vii, 161 pages) , illustrations, charts, figures, tables
    Edition: Also issued in print and PDF version
    Parallel Title: Print version Crowd Scenes, Movies and Mass Politics
    DDC: 791.456552
    RVK:
    AP 51800
    Keywords: Film ; Motion pictures Political aspects ; Crowds in motion pictures ; Electronic books ; Electronic books ; Film ; Massenszene
    Abstract: The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike. Michael Tratner examines the representations of masses?the crowd scenes?in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions
    Abstract: Movies and the history of crowd psychology -- Collective spectatorship -- Constructing public institutions and private sexuality : The birth of a nation and Intolerance -- The passion of mass politics in the most popular love stories -- Loving the crowd : transformations of gender in early Soviet and Nazi films -- From love of the state to the state of love : Fritz Lang's move from Weimar to Hollywood
    Note: Includes bibliographical references and indexes , Also issued in print and PDF version. , In English
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
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  • 74
    Book
    Book
    Signal and noise : media, infrastructure, and urban culture in Nigeria (2008)
    Durham [u.a.] : Duke University Press
    Details
    ISBN: 9780822341086 , 0822341085 , 9780822340904 , 0822340909
    Language: English
    Pages: XI, 313 S. , Ill. , 23 cm
    DDC: 302.2309669
    RVK:
    AP 19749
    Keywords: Geschichte 1930-2000 ; Stadt ; Kultur ; Massenmedien ; Film ; Nigeria
    Note: Literaturverz. S. [277] - 299
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    MPI Ethno. Forsch.
  • 75
    Book
    Book
    Sentimental fabulations, contemporary Chinese films : attachment in the age of global visibility (2007)
    New York [u.a.] : Columbia Univ. Press
    Details
    ISBN: 0231133324 , 0231133332 , 9780231133326 , 9780231133333 , 0231508190
    Language: English
    Pages: XII, 263 S , Ill , 24 cm
    Series Statement: Film and culture series
    DDC: 791.430951
    RVK:
    AP 59762
    Keywords: Motion pictures ; Motion pictures Social aspects ; Motion pictures China ; Motion pictures Social aspects ; China ; China ; Film ; Soziale Situation ; China ; Film ; Vergangenheit ; Migration ; Randgruppe
    Note: Includes bibliographical references (p. [201]-250) and index
    URL: http://www.loc.gov/catdir/toc/ecip075/2006039237.html
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  • 76
    Online Resource
    Online Resource
    Business and the Environment : Policy Incentives and Corporate Responses (2007)
    Paris : OECD Publishing
    Details
    ISBN: 9789264026278
    Language: English
    Pages: Online-Ressource (114 p.)
    Parallel Title: Druckausg.
    Parallel Title: Parallelausg. Entreprises et environnement ; Incitations publiques et réponses des entreprises
    Parallel Title: Erscheint auch als Business and the environment
    RVK:
    AR 28300
    Keywords: Umweltpolitik ; Umweltmanagement ; OECD-Staaten ; Japan ; Frankreich ; Deutschland ; Ungarn ; Norwegen ; Kanada ; USA ; Environment ; Industry and Services ; OECD ; Industriebetrieb ; Umweltbezogenes Management ; Umweltpolitik ; Anreizsystem
    Abstract: The analysis of the inner workings of the firm has been largely absent from economic assessments of environmental policy. In an effort to partly fill this vacuum, this book summarises the results of an OECD project which collected and analysed data from over 4,000 facilities in seven OECD countries. Issues addressed include the role of 'flexible' policy instruments in encouraging clean production strategies and environmental research and development; the effectiveness of different environmental policy incentives on the introduction of environmental management systems and tools; and the relationship between environmental and commercial performance.
    DOI: 10.1787/9789264026278-en
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  • 77
    Online Resource
    Online Resource
    The learning region : foundations, state of the art, future (2007)
    Cheltenham : Edward Elgar
    Details
    ISBN: 9781847205537
    Language: English
    Pages: 1 Online-Ressource (xiii, 301 p) , ill
    Series Statement: Edward Elgar E-Book Archive
    Parallel Title: Available in another form
    Parallel Title: Erscheint auch als Rutten, Roel, 1971 - The learning region
    DDC: 330
    RVK:
    DI 2000
    RVK:
    RB 10909
    RVK:
    RB 10660
    RVK:
    QY 000
    Keywords: Regionalwissenschaft ; Regionalentwicklung ; Räumliche Verteilung ; Regionalpolitik ; Innovation ; Innovationsdiffusion ; Lernende Organisation ; Humankapital ; Sozialkapital ; Wettbewerbsvorteil ; Frankreich ; Italien ; USA ; EU-Staaten ; Regional economics ; Learning Economic aspects ; Social capital (Sociology) ; Space in economics ; Technological innovations Economic aspects ; Electronic books ; Lernen ; Regionale Wirtschaftsentwicklung ; Innovation
    Abstract: pt. 1. Foundations -- pt. 2. State of the art -- pt. 3. Future.
    Abstract: The aim of this book is to present a much-needed conceptualization of 'the learning region'. The editors scrutinize key concepts and issues surrounding this phenomenon, which are then discussed in the context of recent literature. This unique conceptualization of the learning region presents a state of the art exploration of theories. Leading scholars from across Europe, the USA and South Africa draw upon various disciplines to explain how regional actors perform regional learning
    Note: Includes bibliographical references and index
    DOI: 10.4337/9781847205537
    URL: Deutschlandweit zugänglich
    URL: Deutschlandweit zugänglich
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  • 78
    Book
    Book
    Black and white in colour : African history on screen (2006)
    Oxford : Currey [u.a.]
    Show associated volumes/articles
    Details
    ISBN: 1847015220 , 0821417479 , 1770130578 , 9781847015228 , 9780821417478 , 9781770130579
    Language: English
    Pages: IX, 374 S. , 24 cm
    DDC: 791.43658
    RVK:
    HD 335
    RVK:
    AP 50300
    Keywords: Schwarzafrika ; Film ; Afrikabild ; Aufsatzsammlung ; Africa In motion pictures ; Afrika ; Film ; Geschichte
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/enhancements/fy0703/2007296520-b.html
    URL: http://www.loc.gov/catdir/enhancements/fy0703/2007296520-d.html
    URL: http://www.loc.gov/catdir/toc/fy0713/2007296520.html
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    Ethn. Museum Berlin
    MPI Ethno. Forsch.
  • 79
    Book
    Book
    Filming the Gods : religion and Indian cinema (2006)
    London [u.a.] : Routledge
    Details
    ISBN: 0415314240 , 0415314259 , 9780415314244 , 9780415314251
    Language: English
    Pages: X, 198 S. , Ill. , 24cm
    Edition: 1. publ.
    Parallel Title: Online-Ausg. Dwyer, Rachel, 1961 - Filming the Gods
    DDC: 791.43/68294
    RVK:
    AP 59765
    RVK:
    BE 8032
    Keywords: Motion pictures History ; Motion pictures Religious aspects ; Film ; Hinduismus ; Religion 〈Motiv〉 ; Gottesdarstellung ; Geschichte ; Indien ; Indien ; Film ; Hinduismus ; Religion ; Gottesdarstellung
    Abstract: Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film
    Abstract: 1. The mythological genre -- 2. The devotional genre -- 3. The Islamicate film -- 4. The religious and the secular in Hindi film -- 5. Concluding remarks
    URL: Inhaltsverzeichnis
    URL: Verlagsangaben
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  • 80
    Book
    Book
    A theory of adaptation (2006)
    New York, NY [u.a.] : Routledge
    Details
    ISBN: 0415967945 , 0415967953 , 9780415967945 , 9780415967952
    Language: English
    Pages: XVIII, 232 S. , 24 cm
    Parallel Title: Online-Ausg. Hutcheon, Linda, 1947 - A theory of adaptation
    DDC: 809
    RVK:
    EC 2440
    RVK:
    EC 2500
    RVK:
    EC 5800
    RVK:
    HG 130
    RVK:
    EC 2120
    RVK:
    AP 77200
    Keywords: Literature Adaptations ; Music and literature ; Literature Adaptations ; Literature and music ; Adaption ; Film ; Musik ; Medien
    Abstract: Persuasive and illuminating, 'A Theory of Adaptation' is a bold rethinking of how adaptation works across all media and genres that may put an end to the age-old question of whether the book was better than the movie, or the opera, or the theme park
    Abstract: Persuasive and illuminating, 'A Theory of Adaptation' is a bold rethinking of how adaptation works across all media and genres that may put an end to the age-old question of whether the book was better than the movie, or the opera, or the theme park
    Description / Table of Contents: Beginning to theorize adaptation : What? Who? Why? How? Where? When? -- What? (forms) -- Who? Why? (adapters) -- How? (audiences) -- Where? When? (contexts) -- Final questions.
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/enhancements/fy0651/2005033105-d.html
    URL: http://www.loc.gov/catdir/enhancements/fy0651/2005033105-d.html
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  • 81
    Online Resource
    Online Resource
    Cinema at the end of empire : a politics of transition in Britain and India (2006)
    Durham : Duke UniversityPress
    Details
    ISBN: 9780822337805
    Language: English
    Pages: 1 Online-Ressource (xiv, 318 Seiten) , Illustrationen
    Series Statement: Knowledge Unlatched Backlist Collection 2016
    Series Statement: Media & Communications
    Parallel Title: Erscheint auch als Jaikumar, Prija, 1967 - Cinema at the end of empire
    DDC: 384.80954
    RVK:
    AP 59765
    Keywords: Motion picture industry India ; History ; Motion picture industry Great Britain ; History ; Motion pictures, British India ; Großbritannien ; Kolonialismus ; Film ; Indien ; Geschichte 1927-1947 ; Indien ; Film ; Kolonie
    URL: Volltext  (kostenfrei)
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  • 82
    Book
    Book
    Reclaiming adat : contemporary Malaysian film and literature (2006)
    Vancouver [u.a.] : UBC Press
    Details
    ISBN: 0774811722 , 9780774811729
    Language: English
    Pages: XI, 254 Seiten , Illustrationen
    DDC: 306/.09595
    RVK:
    LB 58420
    RVK:
    AP 59764
    RVK:
    LC 90420
    Keywords: Adat ; Film ; Tradition ; Brauch ; Literatur ; Malaysia ; Geschichte 1900-2000 ; Cinéma - Malaysia - Histoire ; Droit adat - Malaysia ; Films ; Islam et État - Malaysia ; Letterkunde ; Littérature malaisienne (anglaise) - Histoire et critique ; Alltag, Brauchtum ; Film ; Geschichte ; Gesellschaft ; Literatur ; Motion pictures / Malaysia / History ; Motion pictures / Social aspects / Malaysia ; Malaysian literature (English) / History and criticism ; Malaysia - Civilisation - 20e siècle ; Malaysia - Moeurs et coutumes - 20e siècle ; Malaysia / Civilization / 20th century ; Malaysia / Social life and customs / 20th century ; Malaysia ; Film ; Malaysia ; Literatur ; Malaysia ; Adat ; Brauch ; Tradition ; Film ; Literatur
    Abstract: In the early 1990s, the animist and Hindu traces in adat, or Malay custom, became contentious for resurgent Islam in Malaysia. Reclaiming Adat focuses on the filmmakers, intellectuals, and writers who reclaimed adat to counter the homogenizing aspects of both Islamic discourse and globalization in this period. They practised their project of recuperation with an emphasis on sexuality and a return to archaic forms such as magic and traditional healing. Using close textual readings of literature and film, Khoo Gaik Cheng reveals the tensions between gender, modernity, and nation.--Back cover.
    URL: http://www.loc.gov/catdir/toc/fy0704/2006462391.html
    URL: http://www.loc.gov/catdir/toc/fy0704/2006462391.html
    URL: http://www.loc.gov/catdir/toc/fy0704/2006462391.html
    URL: http://www.loc.gov/catdir/toc/fy0704/2006462391.html
    URL: http://www.loc.gov/catdir/toc/fy0704/2006462391.html
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    HU Berlin
    München BSB
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    Ethn. Museum Berlin
    MPI Ethno. Forsch.
  • 83
    Book
    Book
    The corporeal image : film, ethnography, and the senses (2006)
    Princeton : Princeton University Press
    Details
    ISBN: 0691121559 , 0691121567 , 9780691121550 , 9780691121567
    Language: English
    Pages: xi, 312 Seitem , Illustrationen
    DDC: 301
    RVK:
    AP 49400
    RVK:
    LB 33000
    RVK:
    LB 96000
    Keywords: Visual anthropology ; Photography in ethnology ; Motion pictures in ethnology ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Ethnologie ; Film ; Visuelle Medien ; Anthropologie
    Note: Filmografie: Seiten 275-282 , Literaturverzeichnis: Seiten 283-297
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/enhancements/fy0654/2004060754-d.html
    URL: http://www.loc.gov/catdir/enhancements/fy0654/2004060754-t.html
    URL: http://www.loc.gov/catdir/enhancements/fy0734/2004060754-b.html
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/enhancements/fy0654/2004060754-d.html
    URL: http://www.loc.gov/catdir/enhancements/fy0654/2004060754-t.html
    URL: http://www.loc.gov/catdir/enhancements/fy0734/2004060754-b.html
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/enhancements/fy0654/2004060754-d.html
    URL: http://www.loc.gov/catdir/enhancements/fy0654/2004060754-t.html
    URL: http://www.loc.gov/catdir/enhancements/fy0734/2004060754-b.html
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    München UB
    BSZ
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    Bayreuth UB
    MPI Ethno. Forsch.
  • 84
    Book
    Book
    The future of visual anthropology : engaging the senses (2006)
    London [u.a.] Routledge
    Details
    ISBN: 0415357659 , 0415357640
    Language: English
    Pages: XII, 166 S. , Ill.
    DDC: 301
    RVK:
    AP 15040
    Keywords: Anthropologie ; Visualisierung ; Fotografie ; Film ; Ethnologie
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Table of contents
    URL: Publisher description
    URL: Inhaltsverzeichnis
    URL: Table of contents
    URL: Publisher description
    URL: Inhaltsverzeichnis
    URL: Table of contents
    URL: Publisher description
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/enhancements/fy0654/2005019287-d.html
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/enhancements/fy0654/2005019287-d.html
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/enhancements/fy0654/2005019287-d.html
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/enhancements/fy0654/2005019287-d.html
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    Book
    HU Berlin
    München UB
    Weltkulturen Museum
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
    HBZ
    Ethn. Museum Berlin
    MPI-MMG
    MPI Ethno. Forsch.
  • 85
    Online Resource
    Online Resource
    Outlaw masters of Japanese film (2005)
    London : I.B. Tauris
    Details
    ISBN: 1423729064 , 1845110900 , 9781845110864 , 1845110862 , 9781845110901 , 9781423729068
    Language: English
    Pages: IX, 262 S. , Ill. , 25 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2005 E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version Outlaw masters of Japanese film
    Parallel Title: Druckausg. u.d.T. Desjardins, Chris Outlaw masters of japanese film
    RVK:
    AP 44963
    Keywords: Motion pictures History. ; Motion picture producers and directors Biography. ; Motion picture producers and directors Interviews. ; Motion pictures History ; Japan ; Motion picture producers and directors Biography ; Japan ; Motion picture producers and directors Interviews ; Japan ; Motion picture producers and directors Interviews ; Motion picture producers and directors Biography ; Motion pictures History ; Motion pictures History. ; Motion picture producers and directors Biography. ; Motion picture producers and directors Interviews. ; Motion pictures Japan ; History ; Motion picture producers and directors Japan ; Biography ; Motion picture producers and directors Japan ; Interviews ; Motion pictures History ; Japan ; Motion picture producers and directors Biography ; Japan ; Motion picture producers and directors Interviews ; Japan ; Japan ; Regisseur ; Filmgeschichte ; Filmwissenschaften ; Bandit ; Film ; Filmregisseur ; Outlaw ; Japan ; Electronic books ; Electronic books. ; Electronic books. ; Electronic books Biography ; History ; Interviews ; Japan ; Filmregisseur ; Outlaw ; Bandit ; Film ; Japan ; Filmregisseur ; Outlaw ; Bandit ; Film
    Note: Includes bibliographical references (p. 256-257) and index. - Includes filmographies , Includes filmographies , Electronic reproduction, Boulder, Colo : NetLibrary, 2005
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 86
    AV-Medium
    AV-Medium
    Xala (2005)
    [New York] : New Yorker Films Artwork
    Details
    ISBN: 1567304087
    Language: Wolof , French , English
    Pages: 1 DVD (123 Min.) , farb , 12 cm
    Additional Material: 1 Beibl.
    RVK:
    IJ 97300
    Keywords: Film ; DVD-Video
    Note: Sprache: Wolof u. franz. mit engl. Untertitel , Spielfilm. - Literaturverfilmung. Sénégal. 1974 , SN 1974 , Sprache: Wolof, franz. - Untertitel: engl.
    URL: http://de.wikipedia.org/wiki/Xala
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  • 87
    Book
    Book
    Anime : from Akira to Howl's moving castle ; experiencing contemporary Japanese animation (2005)
    New York, N.Y. [u.a.] : Palgrave Macmillan
    Details
    ISBN: 1403970521 , 1403970513
    Language: English
    Pages: XVIII, 355 S., [8] Bl. , Ill. , 22 cm
    Edition: Updated ed., [Rev. ed.]
    DDC: 791.43340952
    RVK:
    AP 48600
    RVK:
    EI 6804
    Keywords: Animated films Japan ; Animation ; Film ; Popkultur ; Gender ; Massenmedien ; Filmwissenschaft ; Japan ; Zeichentrickfilm
    Abstract: Why anime? -- Anime and local/global identity -- Akira and Ranma 1/2 : the monstrous adolescent -- Controlling bodies : the body in pornographic anime -- Ghosts and machines : the technological body -- Doll parts : technology and the body in Ghost in the shell -- Stray : gender panics, masculine crises, and fantasy in Japanese animation -- The enchantment of estrangement : the Sh¿jo in the world of Miyazaki Hayao -- Now you see her, now you don't : the disappearing Sh¿jo -- Carnival and conservatism in romantic comedy -- No more words : Barefoot gen, Grave of the fireflies, and "victim's history" -- Princess Mononoke : fantasy, the feminine, and the myth of "progress" -- Waiting for the end of the world : apocalyptic identity -- Elegies -- Conclusion : a fragmented mirror
    Description / Table of Contents: Why anime? -- Anime and local/global identity -- Akira and Ranma 1/2 : the monstrous adolescent -- Controlling bodies : the body in pornographic anime -- Ghosts and machines : the technological body -- Doll parts : technology and the body in Ghost in the shell -- Stray : gender panics, masculine crises, and fantasy in Japanese animation -- The enchantment of estrangement : the Shōjo in the world of Miyazaki Hayao -- Now you see her, now you don't : the disappearing Shōjo -- Carnival and conservatism in romantic comedy -- No more words : Barefoot gen, Grave of the fireflies, and "victim's history" -- Princess Mononoke : fantasy, the feminine, and the myth of "progress" -- Waiting for the end of the world : apocalyptic identity -- Elegies -- Conclusion : a fragmented mirror.
    Note: Includes bibliographical references (p. [333]-342) and index
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/enhancements/fy0634/2005054743-b.html
    URL: http://www.loc.gov/catdir/enhancements/fy0634/2005054743-d.html
    URL: http://www.loc.gov/catdir/enhancements/fy0634/2005054743-t.html
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  • 88
    Online Resource
    Online Resource
    Shooting the family : transnational media and intercultural values (2005)
    Amsterdam : Amsterdam Univ. Press
    Details
    ISBN: 905356750X , 9789053567500
    Language: English
    Pages: 224 p.
    Edition: Online-Ausg. The Hague OAPEN Online-Ressource [Online-Ausg.]
    DDC: 302.23
    RVK:
    AP 34000
    RVK:
    MS 1900
    RVK:
    LB 48000
    Keywords: Familie ; Multikulturelle Gesellschaft ; Film ; Fernsehfilm ; Audiovisuelle Medien ; Familie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Do contemporary movements of migration and the ever-increasing abundance of audiovisual media correspond to - or even cause - shifts in the defenition of both the bourgeois nuclear family and the tribal extended family? In Shooting the Family, twelve authors investigate the transfigured role of the family in a transnational world in which intercultural values are negotiated through mass media like film and television, as well as through particularistic media like home movies and videos. "Shooting the Family" has a double meaning. On the one hand, this book claims that the family is under pressure from the forces of globalization and migration; it is the family that risks being shot to pieces. On the other hand, family matters of all kinds, including family values, are increasingly being constructed and refigured in a mediated form. The audiovisual family has become an important medium for intercultural affairs - this is a family that is being re-established as a place of security and comfort in times of upheaval; it is the family shot by cameras that register and simultaneously create new family values.
    Note: Online-Ausg.:
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: kostenfrei
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: kostenfrei
    URL: Cover
    URL: https://www.cambridge.org/core/product/identifier/9789048505401/type/BOOK
    URL: lizenzpflichtig
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    MPI Ethno. Forsch.
  • 89
    Book
    Book
    Cinema and social discourse in Cameroon / (2005)
    Bayreuth :Thielmann Breitinger,
    Details
    ISBN: 3-927510-82-3
    Language: English
    Pages: IX, 342 S. : , Ill.
    Series Statement: Bayreuth African Studies Series 69
    Series Statement: Bayreuth African Studies Series
    DDC: 791.43/096711
    RVK:
    AP 59775
    RVK:
    MS 7960
    Keywords: Geschichte 1980-2003 ; Film ; Gesellschaft ; Communication and culture ; Communication Social aspects ; Motion pictures ; Film. ; Postkolonialismus. ; Kamerun. ; Aufsatzsammlung ; Film ; Postkolonialismus ; Geschichte 1980-2003
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012982588&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: Inhaltsverzeichnis
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    HU Berlin
    Ethn. Museum Berlin
    MPI Ethno. Forsch.
  • 90
    Book
    Book
    Memory, empire, and postcolonialism : legacies of French colonialism (2005)
    Lanham, Md. [u.a.] : Lexington Books
    Show associated volumes/articles
    Details
    ISBN: 0739108204 , 0739108212
    Language: English
    Pages: VIII, 250 S. , Ill. , 24 cm
    Series Statement: After the empire
    DDC: 840.9/358
    RVK:
    IJ 10023
    RVK:
    IJ 10024
    RVK:
    LB 53000
    Keywords: French literature History and criticism ; Postcolonialism ; Postcolonialism in literature ; France History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Postkolonialismus ; Literatur ; Kolonialismus ; Erinnerung
    Note: Literaturangaben
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    BSZ
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    MPI Ethno. Forsch.
  • 91
    Book
    Book
    Import Export : cultural transfer, India, Germany, Austria (2005)
    Berlin : Parthas
    Details
    ISBN: 9783866019102 , 3866019106
    Language: German , English
    Pages: 379 S. , Ill. , 24 cm
    Additional Material: 1 DVD-Video
    DDC: 303.48254043
    RVK:
    AP 14350
    Keywords: Kulturbeziehungen ; Wahrnehmung ; Fremdbild ; Ausland ; Kulturkontakt ; Rundfunkprogramm ; Film ; Kultur ; Internationale Kooperation ; Kunst ; Kulturelle Identität ; India Relations ; Germany Relations ; India Relations ; Austria Relations ; z India ; Indien ; Deutschland ; Österreich ; Aufsatzsammlung ; DVD-Video ; Aufsatzsammlung ; DVD-Video ; Indien ; Kulturkontakt ; Deutschland ; Österreich ; Indien ; Kulturkontakt ; Deutschland ; Österreich ; Dokumentarfilm
    Note: DVD enth. 3 Filme: "From here to here", Madhusree Dutta, Philip Scheffner ; "The animal beside us", Michael Wörgötter ; "Star Biz", Merle Kröger, Dorothee Wenner , Literaturangaben , Text dt. und engl. - Literaturangaben
    URL: Inhaltsverzeichnis
    URL: Zusätzliche Angaben
    URL: Inhaltsverzeichnis
    URL: Zusätzliche Angaben
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    BSZ
    GBV
    MPI Ethno. Forsch.
  • 92
    Online Resource
    Online Resource
    European cinema : face to face with Hollywood (2005)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789053565940
    Language: English
    Pages: 1 Online-Ressource (563 Seiten) , Illustrationen
    Series Statement: Film culture in transition
    Parallel Title: Erscheint auch als Elsaesser, Thomas, 1943 - 2019 European cinema
    RVK:
    AP 59706
    Keywords: History (General) ; Communication. Mass media ; Social sciences (General) ; History (General) ; Social sciences (General) ; Communication. Mass media ; Film, TV & radio ; History ; Society & culture: general ; Europa ; Film ; USA ; Europa ; Film
    Abstract: In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to Europe's national cinemas by the fall of the Wall in 1989, independent filmmaking in Europe has begun to re-invent itself. European Cinema: Face to Face with Hollywood re-assesses the different debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of "world cinema" and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, as well as the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition.
    Note: Literaturangaben
    DOI: 10.5117/9789053565940
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
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  • 93
    Online Resource
    Online Resource
    Hitchcock's motifs (2005)
    Amsterdam : Amsterdam Univ. Press
    Details
    ISBN: 9053567720 , 9053567739 , 9789048505456
    Language: English
    Pages: Online-Ressource (490 p) , ill
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2009 Electronic reproduction; Available via World Wide Web
    Series Statement: Film culture in transition
    Parallel Title: Print version Hitchcock's Motifs
    RVK:
    AP 51170
    Keywords: Hitchcock, Alfred Themes, motives ; Motion pictures Biography ; Film, TV & radio ; Individual film directors, film-makers ; Electronic book ; Hitchcock, Alfred 1899-1980 ; Film ; Motiv
    Abstract: Among the abundant Alfred Hitchcock literature, Hitchcock's Motifs has found a fresh angle. Starting from recurring objects, settings, character-types and events, Michael Walker tracks some forty motifs, themes and clusters across the whole of Hitchcock's oeuvre, including not only all his 52 extant feature films but also representative episodes from his TV series. Connections and deeper inflections that Hitchcock fans may have long sensed or suspected can now be seen for what they are: an intricately spun web of cross-references which gives this unique artist's work the depth, consistency and resonance that justifies Hitchcock's place as probably the best know film director ever. The title, the first book-length study of the subject, can be used as a mini-encyclopaedia of Hitchcock's motifs, but the individual entries also give full attention to the wider social contexts, hidden sources and the sometimes unconscious meanings present in the work and solidly linking it to its time and place
    Description / Table of Contents: Table of Contents; Acknowledgements; Introduction; Part I Hitchcock, Motifs and Melodrama; Part II The Key Motifs; Appendix I: TV Episodes; Appendix II: Articles on Hitchcock's motifs; Appendix III: Definitions; References; Filmography; List of illustrations; Index of Hitchcock's films and their motifs; General Index
    Note: Filmography: p. [431]-462 -- Includes bibliographical references (p. [421]-429) indexes , Part I.Hitchcock, Motifs and Melodrama.Introduction Three motifs.Home moviesCigarette case/lighterMilkMelodrama and Hitchcock's motifsAn elaborated motif: the Bed Scene in Rebecca and MarnieA melodramatic motif: handsDiagrammatic representationsOverview of the key motifsPart II.The Key Motifs.BED SCENECouples and bedsBeds and the policeBLONDES AND BRUNETTESCAMEO APPEARANCESCameos and the policeCHILDRENChildren's cameosFamily membersChildren and violenceChildren and the policeCONFINED SPACESBathrooms and washroomsConfinement and concealmentCages and bars: fears of imprisonmentWashrooms and the policeTHE CORPSEThe heroinesThe heroesThe villainsCorpses and the policeDOGS AND CATSDogs and the policeDOUBLESDoubles and the policeENDINGS AND THE POLICEENTRY THROUGH A WINDOWEntry through a window and the policeEXHIBITIONISM , Electronic reproduction; Available via World Wide Web
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    URL: Volltext
    URL: kostenfrei
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  • 94
    Book
    Book
    From savage to citizen : the invention of the peasant in the French enlightenment (2004)
    Newark, Del. : Univ. of Delaware Pr.
    Details
    ISBN: 0874138531
    Language: English
    Pages: 252 S.
    Series Statement: Studies in seventeenth- and eighteenth-century art and culture
    DDC: 840.992086309034
    RVK:
    IG 1378
    Keywords: French literature 18th century ; History and criticism ; Peasants in literature ; Art, French 18th century ; Peasants in art ; French literature History and criticism 18th century ; Peasants in literature ; Invention (Rhetoric) History 18th century ; Art, French 18th century ; Peasants in art ; Französisch ; Literatur ; Bauer ; Aufklärung ; Französisch ; Kunst ; Bauer ; Geschichte 1680-1790 ; Französisch ; Literatur ; Bauer ; Geschichte 1710-1790 ; Französisch ; Literatur ; Bauer ; Aufklärung ; Frankreich ; Theater ; Bauer ; Geschichte 1680-1790 ; Frankreich ; Malerei ; Landleben ; Bauer ; Geschichte 1680-1790
    Note: Includes bibliographical references and index
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    MPI Ethno. Forsch.
  • 95
    Online Resource
    Online Resource
    The new German cinema : music, history, and the matter of style (2004)
    Berkeley : University of California Press
    Details
    ISBN: 1417520027 , 9781417520022 , 9780520937154 , 0520937155 , 0520228952 , 9780520228955
    Language: English
    Pages: VIII, 323 S. , Ill. , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2004 E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version New German cinema
    RVK:
    AP 44910
    RVK:
    AP 59711
    Keywords: Motion picture music Germany ; History and criticism ; Motion pictures ; Motion picture music History and criticism. ; Motion pictures Germany ; Motion picture music History and criticism ; Germany ; Germany ; Motion pictures ; Motion picture music History and criticism ; Motion picture music History and criticism ; Motion pictures ; Motion pictures ; Motion picture music History and criticism. ; Motion Pictures as Topic ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Motion picture music ; Motion pictures ; Criticism, interpretation, etc ; Filmmusik ; Filmästhetik ; Neuer deutscher Film ; Germany ; Germany ; Electronic books. ; Electronic books. ; Electronic books Criticism, interpretation, etc ; Neuer deutscher Film ; Filmmusik ; Geschichtsdarstellung ; Geschichte ; Deutschland ; Film ; Geschichte 1965-1990
    Abstract: Introduction: "strategies of remembrance" -- Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity
    Description / Table of Contents: Introduction: "strategies of remembrance" -- Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity
    Description / Table of Contents: Introduction: "strategies of remembrance"Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity.
    Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 96
    Online Resource
    Online Resource
    Film and community: Britain and France : from La R̀egle du jeu to Room at the top (2004)
    London [u.a.] : Tauris
    Details
    ISBN: 9781417583669 , 1417583665 , 9780857712646 , 0857712640 , 1282528939 , 9781282528932
    Language: English
    Pages: XI, 252 S.
    Edition: Electronic reproduction, Boulder, Colo : NetLibrary, 2005
    Series Statement: Cinema and Society
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Druckausg. u.d.T. Butler, Margaret Film and community: Britain and France ; from La R̀egle du jeu to Room at the top
    RVK:
    AP 44930
    RVK:
    AP 44935
    Keywords: Motion pictures Great Britain ; History ; Motion pictures France ; History ; War Films Great Britain ; War Films France ; Motion pictures Great Britain ; History ; Motion pictures France ; History ; World War, 1939-1945 Motion pictures and the war ; War Films Great Britain ; War Films France ; World War, 1939-1945 Motion pictures and the war ; Motion pictures History ; France ; Motion pictures History ; Great Britain ; War films Great Britain ; War films France ; Guerre mondiale, 1939-1945 Cinéma et guerre ; Guerre mondiale, 1939-1945 Grande-Bretagne ; Guerre mondiale, 1939-1945 France ; Cinéma Aspect social ; Grande-Bretagne ; Cinéma Aspect social ; France ; Motion pictures France ; History ; Motion pictures Great Britain ; History ; War Films France ; War Films Great Britain ; World War, 1939-1945 Motion pictures and the war ; World War, 1939-1945 Great Britain ; World War, 1939-1945 France ; Motion pictures Social aspects ; Great Britain ; Motion pictures Social aspects ; France ; Electronic books ; Electronic books ; Großbritannien ; Film ; Geschichte ; Frankreich ; Film ; Geschichte
    Abstract: Britain and France and the concept of "community" -- Film industries at war : projecting "community" -- Countryside and city, Paysage et patrie at war -- Countryside, city, and region in post-war film -- Cinema of the return : acceptance and alienation -- Women in Britain : "returned" or renewed? -- "Liberation" and Les femmes françaises
    Abstract: Relations between France and Britain have always been uneasy and ambivalent. But in cinema the WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and div
    Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2005 , Electronic reproduction, Boulder, Colo : NetLibrary, 2005
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 97
    Online Resource
    Online Resource
    City of darkness, city of light : émigré filmmakers in Paris 1929-1939 (2004)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 0585498180
    Language: English
    Pages: 253 S. , Ill. , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2004 E-Books von NetLibrary
    Series Statement: Film culture in transition
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Druckausg. u.d.T. Phillips, Alastair, 1963 - City of darkness, city of light
    DDC: 791.43/0944361
    RVK:
    AP 44911
    Keywords: Motion picture producers and directors ; Germans ; Motion picture producers and directors ; Germans ; Motion picture producers and directors France ; Paris ; Germans France ; Paris ; Deutsche ; Exil ; Filmregisseur ; Filmschaffender ; Paris ; Electronic books ; Electronic books. ; Electronic books. ; Aufsatzsammlung ; Paris ; Deutsche ; Filmschaffender ; Filmregisseur ; Exil ; Geschichte 1929-1939 ; Frankreich ; Film
    Note: Includes bibliographical references (p. [221]-241) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 98
    Online Resource
    Online Resource
    Economic instruments for water management : the cases of France, Mexico, and Brazil (2004)
    Cheltenham, UK [u.a.] : Elgar
    Details
    ISBN: 9781845423612
    Language: English
    Pages: 1 Online-Ressource (x, 151 p) , ill
    Series Statement: Edward Elgar E-Book Archive
    Parallel Title: Available in another form
    Parallel Title: Elektronische Reproduktion von Economic instruments for water management
    DDC: 363.6/1/0944
    RVK:
    AR 22340
    RVK:
    QT 600
    Keywords: Wasserversorgung ; Wasserpolitik ; Frankreich ; Mexiko ; Brasilien ; Water-supply Rates ; Water consumption ; Water-supply Rates ; Water consumption ; Water consumption ; Water-supply Rates ; Wasserwirtschaft ; Frankreich ; Mexiko ; Brasilien ; Electronic books ; Frankreich ; Mexiko ; Brasilien ; Wasserwirtschaft ; Regulierung ; Management
    Abstract: This book argues that the economic appeal of using water charges to promote efficiency in usage and pollution control can be constrained by institutional and operational problems. Analysing the cases of France, Mexico and Brazil, the authors--respective local experts--illustrate that barriers are similar despite the existing differences among these economies
    Abstract: 1. Introduction -- 2. Conceptual framework and review of experiences -- 3. Country case : France -- 4. Country case : Mexico -- 5. Country case : Brazil -- 6. Conclusions
    Note: Includes bibliographical references and index
    DOI: 10.4337/9781845423612
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 99
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    The last great American picture show : New Hollywood cinema in the 1970s (2004)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1417521724 , 9053566317 , 9053564934 , 904850368X , 9781417521722 , 9789053566312 , 9789053564936 , 9789048503681
    Language: English
    Pages: 1 Online-Ressource (1 volume)
    Edition: [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Last great American picture show
    Parallel Title: Erscheint auch als The last great American picture show
    RVK:
    AP 44981
    RVK:
    AP 44983
    Keywords: Motion pictures History ; Motion pictures History ; Electronic books ; The arts ; Film, TV and radio ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Motion pictures ; Filmkunst ; Films ; Filmindustrie ; Cinéma ; États-Unis ; 1960-1990 ; Histoire et critique ; United States ; History ; Aufsatzsammlung ; Los Angeles- Hollywood ; Film ; Geschichte 1967-1976 ; USA ; Geschichte 1970-1980 ; Film
    Abstract: Annotation, The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude--these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. The Last Great American Picture Show explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood." Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors--Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis--could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide
    Abstract: The impure cinema : new Hollywood 1967-1976 / Alexander Horwath -- "The last good time we ever had" : remembering the new Hollywood cinema / Noel King -- American auteur cinema : the last -- or first -- great picture show / Thomas Elsaesser -- The decade when movies mattered / David Thomson -- A walking contradiction (partly truth and partly fiction) / Alexander Horwath -- The exploitation generation, or how marginal movies came in from the cold / Maitland McDonagh -- New Hollywood and the sixties melting pot / Jonathan Rosenbaum -- Dinosaurs in the age of the cinemobile / Richard T. Jameson -- "The cylinders were whispering my name" : the films of Monte Hellman / Kent Jones -- Nashville contra Jaws, or "The imagination of disaster" revisited / J. Hoberman -- For Wanda / Bérénice Reynaud -- Everybody knows this is nowhere : the uneasy ride of Hollywood and rock / Howard Hampton -- Auteurism and war-teurism : Terrence Malick's war movie / Dana Polan -- The pathos of failure : American films in the 1970s : notes on the unmotivated hero / Thomas Elsaesser -- Trapped in the affection image : Hollywood's post-traumatic cycle (1970-1976) / Christian Keathley --Grim fascination : Fingers, James Toback and 1970s American cinema / Adrian Martin -- Allegories of post-Fordism in 1970s new Hollywood : countercultural combat films and conspiracy thrillers as genre recycling / Drehli Robnik
    Note: Includes bibliographical references (pages 359-370) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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  • 100
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    The new Brazilian cinema (2003)
    London : I.B. Tauris in association with the Centre for Brazilian Studies, University of Oxford
    Details
    ISBN: 1417519797 , 9781417519798 , 1860648789 , 9781860648786 , 1860649289 , 9781860649288
    Language: English
    Pages: XXVI, 296 S. , Ill. , 22 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2004 E-Books von NetLibrary
    Edition: New York In the United States of America distributed by Palgrave Macmillan
    Series Statement: EBSCOhost eBook Collection
    RVK:
    AP 59789
    Keywords: Motion pictures Congresses ; Brazil ; Cinéma Congrès ; Brésil ; Brazil ; Brasilien ; Motion pictures Congresses. ; Motion pictures Brazil ; History ; Utopias in motion pictures ; Motion pictures History ; Brazil ; Motion pictures Brazil ; Brasilien ; Electronic books. ; Electronic books Conference proceedings ; Konferenzschrift ; Brasilien ; Brasilien ; Film
    Abstract: A new policy for Brazilian cinema / José Álvaro Moisés -- The cinema that Brazil deserves / Carlos Diegues -- Brazilian cinema in the 1990s : the unexpected encounter and the resentful character / Ismail Xavier -- Humility, guilt and narcissism turned inside out in Brazil's film revival / Fernão Pessoa Ramos -- Chronically unfeasible : the political film in a depoliticized world / João Luiz Vieira -- It's all Brazil / Amir Labaki -- A cinema of conversation - Eduardo Coutinho's Santo Forte and Babilônia 2000 / Verónica Ferreira Dias -- The sertão and the favela in contemporary Brazilian film / Ivana Bentes -- The sertão in the Brazilian imaginary at the end of the millennium / Luiz Zanin Oricchio -- Death on the beach - the recycled utopia of Midnight / Lúcia Nagib -- Nelson Rodrigues in the 1990s : two recent screen adaptations / Stephanie Dennison -- An oblique gaze : irony and humour in Helvécio Ratton's Love & Co / Maria Esther Maciel -- Cabral and the Indian....
    Description / Table of Contents: A new policy for Brazilian cinema / José Álvaro Moisés -- The cinema that Brazil deserves / Carlos Diegues -- Brazilian cinema in the 1990s : the unexpected encounter and the resentful character / Ismail Xavier -- Humility, guilt and narcissism turned inside out in Brazil's film revival / Fernão Pessoa Ramos -- Chronically unfeasible : the political film in a depoliticized world / João Luiz Vieira -- It's all Brazil / Amir Labaki -- A cinema of conversation - Eduardo Coutinho's Santo Forte and Babilônia 2000 / Verónica Ferreira Dias -- The sertão and the favela in contemporary Brazilian film / Ivana Bentes -- The sertão in the Brazilian imaginary at the end of the millennium / Luiz Zanin Oricchio -- Death on the beach - the recycled utopia of Midnight / Lúcia Nagib -- Nelson Rodrigues in the 1990s : two recent screen adaptations / Stephanie Dennison -- An oblique gaze : irony and humour in Helvécio Ratton's Love & Co / Maria Esther Maciel -- Cabral and the Indians : filmic representations of Brazil's 500 years / Robert Stam -- For all and traditions of popular musical comedy / Lisa Shaw -- ImagiNation / José Carlos Avellar -- Then and now : cinema as history in the light of new media and new technologies / Laura Mulvey
    Note: Based on a conference on contemporary Brazilian cinema organized by the Centre for Brazilian Studies and held at Wadham College, Oxford in June 2000. - Includes bibliographical references and index , Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004 , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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