Anmerkung: Quellen- und Literaturverz. S. [258] - 302

Anmerkung: Text schwed. und engl.

Anmerkung: Erscheinungsjahr der Druckausgabe 2013

Anmerkung: Online resource; title from title screen (viewed June 27, 2019)

Anmerkung: Proceedings from a symposium organized by and held at the Minneapolis Institute of Arts, October 27-28, 2012. An associated exhibition entitled "China's Terracotta Warriors: The First Emperor's Legacy" was held October 28, 2012-January 27, 2013 at the Minneapolis Institute of Arts, and February 22-May 27, 2013 at the Asian Art Museum in San Francisco , Includes bibliographical references

Anmerkung: Papers presented at the conference held in Venice, Italy, December 14-15, 2006. - Includes bibliographical references (pages 285-312) and index. - Contributions in Italian and English

Anmerkung: Text dt. und engl.

Anmerkung: Text engl. und dt.

Anmerkung: Text dt. und engl. - Literaturverz. S. 466 - 468 , Text dt. und engl.

Anmerkung: Text dt., engl., franz.

Anmerkung: Includes index

Anmerkung: Die Publikation ist hervorgegangen aus der Tagung "Körperbilder in Kunst und Wissenschaft" (Pontresina/CH, 7.-11. September 2011) der Arbeitsgruppe Klang(welten) und der Deutschen Akademie der naturforscher Leopoldina , Beitr. überw. dt., teilw. engl.

Anmerkung: Issued in connection with an exhibition held March 15, 2014-September 8, 2014, Rubin Museum of Art, New York, N.Y , Includes bibliographical references and index

Anmerkung: Being abroad - an introduction

Anmerkung: Includes bibliographical references (pages 131-145) and index

Anmerkung: Literaturverz. S. 277 - 286

Anmerkung: Text dt. und engl , Begleitschrift zur gleichnamigen Ausstellung im Museum für Völkerkunde München, 06.06.2014 bis 19.01.2015

Anmerkung: Text dt. und engl.

Anmerkung: Zsfassung in engl. Sprache , Sprache der Zusammenfassung: Englisch

Anmerkung: Published on the occasion of an exhibition of the same name held at Museum Fünf Kontinente (formerly Staatliches Museum für Völkerkunde München), Munich, January 31-November 30, 2014. (Museum's website)

Anmerkung: Literaturverz. S. 170 - 173

Anmerkung: Literaturverzeichnis: Seiten 140-145

Anmerkung: Zusatz zum Titel auf Umschlag: Hippy Chic, Peasant Look, Retro/Ethnic Style, Anti-fashion, Glam-Rock, Dress for Success, Punk

Anmerkung: Work of the Australian architectural practice Francis-Jones Morehen Thorp (fjmt)

Anmerkung: Includes bibliographical references and index

Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Literaturverz. S. 275 - 286

Anmerkung: Literaturverz. S. [301] - 306

Anmerkung: 2 Beilagen: Faksimile eines Reisetagebuchs, 1 Kt. u.d.T.: Blippar Gratis-App herunterladen. - Text in dt. und engl. Sprache , Text dt. und engl.

Anmerkung: Text dt. und engl.

Anmerkung: Text dt. und engl. - Literaturverz. S. 466 - 468 , Literaturangaben , Text dt. und engl.

Anmerkung: Literaturangaben

Anmerkung: Introduction / Andreas Etges"One history - two perspectives" : a research project on culturally specific modes of representation of the 'exotic other' at the Pacific Northwest Coast / Viola König , The Berlin Boas Northwest Coast Collection : a challenging vocabulary for cultural translation / Rainer Hatoum , Plates ; The past, present and future : encounters with the Tlingit and Haida collection at the Ethnologische Museum Berlin / Tina Brüderlin , What the treaty means to us : museums and treaties in British Columbia / Martha Black , Inside out and outside in : contemporary art, traditional knowledge, and the ethnology museum / Karen Duffek , Aanischaaukamikw : a museum, a collection, and a community / Stephen Inglis , Contemporary Northwest Coast art : the canon and beyond / Aldona Jonaitis , Exhibiting Kesu' : the art and life of Doug Cranmer / Jennifer Kramer , The Northwest Coast art market : an overview from past to present / Gary Wyatt.

Anmerkung: Includes bibliographical references and index

Anmerkung: Includes bibliographical references

Anmerkung: Text dt., engl. und franz.

Anmerkung: Result of the conference "Visual encounters with alterity: representing East-Central and Southeastern Europeans in the nineteenth century and the first half of the twentieth century", held at the Institute of Ethnology, Research Centre for the Humanities, Hungarian Academy of Sciences in Budapest, May, 24-26, 2012

Anmerkung: Literaturverzeichnis und Filmografie Seite 203-216

Anmerkung: Text dt. und engl.

Anmerkung: Text dt. und engl.

Anmerkung: Thirty-plus years of the Iranian revolution: culture and contestation , Part 1. Social context and sexualityIran's green movement in context , Tehrani cultural bricolage: local traditions and global styles of Tehran's non-conformist youth , Social and cultural change and the women's rights movement in Iran , Emerging forms of masculinity in the Islamic Republic of Iran , Part 2. Performing arts and cinemaContemporary Iranian theatre: the emergence of an autonomous space , Dance and the borders of public and private life in post-revolution Iran , Beyond gender: women filmmakers and sociopolitical critique , Part 3. Music'I am an original Iranian man': identity and expression in Tehran's unofficial rock music , Neither 'Islamic' nor a 'Republic': discourses in music , Part 4. RepresentationDigital heroes: identity construction in Iranian video games , Satire in the Iranian media: development and diversity , Gendered taboos in Iran's text message jokes , Iranian mural painting: new trends , From the pen to the rotary press: women book publishers in post-revolutionary Iran , Part 5. Beyond bordersThe other shore: Iranians in the United Arab emirates between visibility and invisibility

Anmerkung: Includes bibliographical references and index

Anmerkung: Literaturangaben , Beiträge überwiegend deutsch, teilweise englisch

Anmerkung: Includes bibliographical references (S. [195] - 206) and index

Anmerkung: Literaturverzeichnis ungezählte Seite 674 , Literaturangaben , Mit Register , pt. 1 Expansions : There are no visual media , pt. 1 Expansions :There are no visual media , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence : The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy : Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds : Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories : The mobilized and virtual gaze in modernity : fl(c)Øneur/fl(c)Øneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities : Orientalism and the exhibitionary order , from The colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations : U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence :The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy :Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds :Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories :The mobilized and virtual gaze in modernity : flâneur/flâneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities :Orientalism and the exhibitionary order , fromThe colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations :U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging

Anmerkung: Includes bibliographical references and index

Anmerkung: Literaturangaben , 1.Writing African Modernism into Art History , 16.Modernism and Modernity in African Art , pt. II"Africa Has Always Been Modern"2.Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa , pt. IIIArt in Cosmopolitan Africa: The Nineteenth Century3.Loango Coast Ivories and the Legacies of Afro-Portuguese Arts , 4.Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980) , 5.At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics , 6.African Reimaginations: Presence, Absence, and New Way Architecture , pt. IVModernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century7."One of the Best Tools for Learning": Rethinking the Role of 'Abduh's Fatwa in Egyptian Art History , 8.Congolese and Belgian Appropriations of the Colonial Era: The Commissioned Work of Tshelantende (Djilatendo) and Its Reception , 9.Warriors in Top Hats: Images of Modernity and Military Power on West African Coasts , pt. VColonialism, Modernism, and Art in Independent Nations10.Algerian Painters as Pioneers of Modernism , 11.Kofi Antubam, 1922-1964: A Modern Ghanaian Artist, Educator, and Writer , 12.Patron and Artist in the Shaping of Zimbabwean Art , 13."Being Modern": Identity Debates and Makerere's Art School in the 1960s , 14.The École des Arts and Exhibitionary Platforms in Postindependence Senegal , 15.From Iconoclasm to Heritage: The Osogbo Art Movement and the Dynamics of Modernism in Nigeria , 17.A Century of Painting in the Congo: Image, Memory, Experience, and Knowledge , pt. VIPerspectives on Arts of the African Diaspora18.Visual Expressivity in the Art of the Black Diaspora: Conjunctures and Disjunctures , pt. VIISyntheses in Art of the Late Twentieth Century19.Art and Social Dynamics in Côte d'lvoire: The Position of Vohou-Vohou , 20.Contemporary Contradictions: Bronzecasting in the Edo Kingdom of Benin , 21.Puppets as Witnesses and Perpetrators in Ubu and the Truth Commission , 22.Moroccan Art Museums and Memories of Modernity , pt. VIIIPrimitivism as Erasure23.The Enduring Power of Primitivism: Showcasing "the Other" in Twenty-First-Century France , pt. IXLocal Expression and Global Modernity: African Art of the Twenty-First Century24.Zwelethu Mthethwa's "Postdocumentary" Portraiture: Views from South Africa and Abroad , 25.Creative Diffusion: African Intersections in the Biennale Network , 26.Lacuna: Uganda in a Globalizing Cultural Field , 27.Painted Visions under Rebel Domination: A Cultural Center and Political Imagination in Northern Côte d'lvoire , 28.Postindependence Architecture through North Korean Modes: Namibian Commissions of the Mansudae Overseas Project , 29.Concrete Aspirations: Modern Art at the Roundabout in Ugep

Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke

Anmerkung: "Published by the University of Nebraska Press as a Jewish Publication Society book." , Includes bibliographical references and index , The Dreyfus Affair and the birth of the anti-Semitic postcard -- The main stereotypes and canards -- Postcards from Germany -- Postcards from France -- Postcards from Great Britain -- Postcards from the United States -- Postcards from other countries -- The little Cohn: an anti-Semitic hit song -- The spa towns of Karlsbad and Marienbad -- Nazi-era postcards -- Anti-Israel postcards