Note: Erscheinungsjahr aus dem Vorwort ermittelt , UB Greifswald , Maschinenschrift

Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English

Note: Description based on publisher supplied metadata and other sources

Note: In English

Note: Description based on publisher supplied metadata and other sources

Note: Also issued in print: 2021 , Includes bibliographical references and index

Note: Description based on publisher supplied metadata and other sources

Note: Includes bibliographical references and index

Note: Description based on publisher supplied metadata and other sources

Note: This publication appears on the occasion of the exhibition Flow of Forms / Forms of Flow. Design Histories between Africa and Europe. München: Architekturmuseum der TU München / Pinakothek der Moderne, Museum Fünf Kontinente, Kunstraum München as well as in the premises a private gallery, 3 February – 12 March 2017; Hamburg, Museum für Völkerkunde, 6 April – 19 August 2018 , Frontmatter -- ; Content -- ; Flow of Forms / Forms of Flow. Design Histories between Africa and Europe , Forms of Modernity -- ; Transform(n)ation -- ; Forms of Cooperation / Participation -- ; Material Morphosis -- ; Speculative Forms -- ; Ladi Kwali, Michael Cardew and a Tangled Story of African Studio Pottery , Design, Development and its Legacies: A Perspective on 1970s Design Culture and its Anthropological Intents , Between Favela Chic and Autonomy. Design in Latin America , The Politics of Design in Postcolonial Kenya , On the Flows of Architectural Design: The Context and Making of an Exhibition , Jules Wokam’s Aesthetics of Permeability , Tracing the Quiet Cultural Activism: Laduma Ngxokolo and Black Coffee , Cheick Diallo: Design between Politics and Poetics , Designers’ and Artists’ Biographies -- ; Authors’ Biographies , Mode of access: Internet via World Wide Web. , In English

Note: Description based on publisher supplied metadata and other sources

Note: "Der vorliegende Text folgt der 1. Auflage der Ausgabe der edition suhrkamp 2718"

Note: Description based on publisher supplied metadata and other sources

Note: Beiträge teilweise deutsch, teilweise englisch

Note: Includes bibliographical references (pages 311-329) and index

Note: Titel auf dem Buch : Death in the Middle Ages and early modern times

Note: Title from publisher's bibliographic system (viewed on 08 Aug 2016)

Note: Literaturangaben. - Beiträge teilweise deutsch, teilweise englisch, teilweise französisch

Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)

Note: Description based upon print version of record

Note: "Fairy tales are alive with the supernatural-elves, dwarfs, fairies, giants, and trolls, as well as witches with magic wands and sorcerers who cast spells and enchantments. Children into Swans examines these motifs in a range of ancient stories. Moving from the rich period of nineteenth-century fairy tales back as far as the earliest folk literature of northern Europe, Jan Beveridge shows how long these supernatural features have been a part of storytelling, with ancient tales, many from Celtic and Norse mythology, that offer glimpses into a remote era and a pre-Christian sensibility. The earliest stories often show significant differences from what we might expect. Elves mingle with Norse gods, dwarfs belong to a proud clan of magician-smiths, and fairies are shape-shifters emerging from the hills and the sea mist. In story traditions with roots in a pre-Christian imagination, an invisible other world exists alongside our own. From the lost cultures of a thousand years ago, Children into Swans opens the door on some of the most extraordinary worlds ever portrayed in literature - worlds that are both starkly beautiful and full of horrors."--Publisher's description

Note: Description based upon print version of record

Note: Description based on publisher supplied metadata and other sources

Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) , In German

Note: Description based upon print version of record , Online-Ausg.:

Note: Includes bibliographical references and index

Note: Description based upon print version of record , Electronic reproduction; Available via World Wide Web

Note: Literaturangaben

Note: Description based on publisher supplied metadata and other sources

Note: Description based upon print version of record

Note: Includes index and bibliographical references

Note: Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) , In German

Note: Includes bibliographical references and index

Note: Includes bibliography and index

Note: Literaturverzeichnis: Seiten 223-242

Note: Includes bibliographical references (p. [225]-247) and indexes , Electronic reproduction; Available via World Wide Web

Note: Description based upon print version of record

Note: Literaturangaben , Electronic reproduction; Mode of access: World Wide Web , Mode of access: Internet via World Wide Web.

Note: Includes bibliographical references (p. [269]-285) and index , Translation of: Goede humor, slechte smaak with revised material and added chapter , Electronic reproduction; Available via World Wide Web

Note: Online-Ausg. München : Bayerische Staatsbibliothek, 2010. Online-Ressource. Volltext // 2010 digitalisiert von: Bayerische Staatsbibliothek, München. Exemplar der Bayerischen Staatsbibliothek mit der Signatur: 2007.9495 , Volltext // 2010 digitalisiert von: Bayerische Staatsbibliothek, München. Exemplar der Bayerischen Staatsbibliothek mit der Signatur: 2007.9495

Note: "The texts in this book are a collection of talks, held at the German Orient-Institut in Beirut in the year 2002. Within the framework of a series of talks called 'East is East and West is West and never the twain shall meet...?, Challenges of dialogue', lecturers from the Arab world and Europe participated" - Einleitung (Seite 16) , Universitäts- und Landesbibliothek Sachsen-Anhalt Halle

Note: Volltext // 2010 digitalisiert von: Bayerische Staatsbibliothek, München. Exemplar der Bayerischen Staatsbibliothek mit der Signatur: PVA 2006.4131