ISBN:
9781580465731
Sprache:
Englisch
Seiten:
viii, 224 Seiten
,
Illustrationen, Notenbeispiele
Serie:
Eastman/Rochester studies ethnomusicology v. 6
Serie:
Eastman/Rochester studies ethnomusicology
Schlagwort(e):
Musik
;
Indigenes Volk
;
Neue Medien
;
Konferenzschrift 2010
;
Indigenes Volk
;
Musik
;
Neue Medien
Kurzfassung:
The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cultural expression across the globe. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for Indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. Bringing together the work of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman. Music, Indigeneity, Digital Media is essential reading for scholars working on topics in ethnomusicology, Indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. The volume provides new perspectives on Indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be Indigenous in the twenty-first century. - Contributors: Linda Barwick, Beverley Diamond, Thomas R. Hilder, Fiorella Montero-Diaz, John-Carlos Perea, Henry Stobart, Shzr Ee Tan, Russell Wallace. - Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London. (Klappentext)
Beschreibung / Inhaltsverzeichnis:
Music, Indigeneity, Digital Media: An Introduction. - Taiwan's Aboriginal Music on the Internet. - Recording Technology, Traditioning, and Urban American Indian Powwow Performance. - YouTubing the "Other": Lima's Upper Classes and Andean Imaginaries. - An Interview with Russell Wallace. - Mixing It Up: A Comparative Approach to Sámi Audio Production. - Creative Pragmatism: Competency and Aesthetics in Bolivian Indigenous Music Video (VCD) Production. - Keepsakes and Surrogates: Hijacking Music Technology at Wadeye (Northwest Australia). - The Politics of Virtuality: Sámi Cultural Simulation through Digital Musical Media. - Selected Bibliography. - List of Contributors. - Index
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