ISBN:
9781477302378
,
9781477307700
Language:
English
Pages:
x, 356 Seiten
,
Illustrationen
,
24 cm
Edition:
First edition
DDC:
781.64/9097291
Keywords:
Hip-hop
;
Music Political aspects
;
Blacks Ethnic identity
;
Blacks Political activity
;
Racism
;
Cuba Race relations
;
Kuba
;
Hip-Hop
;
Politisches Engagement
Abstract:
Introduction -- Historicizing race, cultural politics, and critical music cultures in Cuba -- La revolución dentro de la revolución/The revolution within the revolution : hip hop, Cuba, and Afro-descendant challenges to coloniality -- Whiteness, mulat@ness, blackness: racial identities and politics within the Cuban underground hip hop movement -- "Never has anyone spoken to you like this" : examining the lexicon of Cuban underground hip hop artivist discourses -- "I'm a feminist, but I don't hate men" : emergent black feminist discourses and identity politics within the Cuban underground hip hop movement -- Kruda knowledge, Kruda discourse : Las Krudas CUBENSI, transnational black feminism, and the queer of color critique -- Conclusion
Description / Table of Contents:
IntroductionHistoricizing race, cultural politics, and critical music cultures in Cuba -- La revolución dentro de la revolución/The revolution within the revolution : hip hop, Cuba, and Afro-descendant challenges to coloniality -- Whiteness, mulattoness, blackness: racial identities and politics within the Cuban underground hip hop movement -- "Never has anyone spoken to you like this" : examining the lexicon of Cuban underground hip hop artivist discourses -- "I'm a feminist, but I don't hate men" : an analysis of emergent black feminist discourses and identity politics within the Cuban underground hip hop movement from 1998/2006 -- Kruda knowledge, Kruda discourse : Las Krudas Cubensi, transnational black feminism and the queer of color critique -- Conclusion : "They're killing hip hop! they're killing the movement!" : notes on the legacies of the Cuban underground hip hop movement.
Note:
"This book is a part of the Latin American and Caribbean Arts and Culture publication initiative, funded by a grant from the Andrew W. Mellon Foundation
,
Includes bibliographical references (pages 335-344) and index
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