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  • 1
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031412226
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 273 p. 21 illus.)
    Ausgabe: 1st ed. 2024
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    Schlagwort(e): Television broadcasting. ; Motion pictures ; Comedy.
    Kurzfassung: Chapter 1 – Introduction -- Chapter 2 – Precursors and Pioneers: 1940-1960 -- Chapter 3 - The ‘Golden Age’: 1969-1980. Part 1: Racists, Romans and Randy Busmen -- Chapter 4 - The ‘Golden Age’: 1969-1980. Part 2: Soldiers, Shopping and Sexual Frustration -- Chapter 5 – Revival and Revisionism: 1986-2007. Part 1: Global Destruction and Domination -- Chapter 6 – Revival and Revisionism: 2007-2021. Part 2: Schools, Legacies and Mockumentaries -- Chapter 7 – Conclusion.
    Kurzfassung: Stephen Glynn has produced a terrific book on British TV sitcom spinoff films. He writes clearly and concisely and with a demonstrable passion for the subject. He pulls off the difficult trick of bringing an impressive breadth of knowledge to this material while also communicating it in helpful and often amusing ways. -Paul Newland, University of Worcester This book constitutes the first full volume dedicated to an academic analysis of theatrically-released spinoff films derived from British radio and television sitcoms. Regularly maligned as the nadir of British film production and marginalised as a last resort for the financially-bereft industry during the 1970s, this study demonstrates that the sitcom spinoff film has instead been a persistent and important presence in British cinema from the 1940s to the present day, and includes works with distinct artistic merit. Alongside an investigation of the economic imperative underpinning these productions, i.e. the exploitation of a proven product with a ready-made audience, it is argued that, with a longevity stretching from Arthur Askey and his wartime Band Waggon (1940) to the crew of Kurupt FM and their recent People Just Do Nothing: Big in Japan (2021), the British sitcom spinoff can be interpreted as following a full generic ‘life cycle’. Starting with the ‘formative’ stage where works from Hi Gang! (1941) to I Only Arsked! (1958) establish the genre’s characteristics, the spinoff genre moves to its ‘classic’ stage where, secure for form and content, it enjoys considerable popular success with films like Till Death Us Do Part (1969), On the Buses (1971), The Likely Lads (1976) and Rising Damp (1980); the genre’s revival since the late-1990s reveals a more ‘parodic’ final stage, with films like The League of Gentlemen’s Apocalypse (2005) adopting a consciously self-reflective mode. It is also posited that the sitcom spinoff film is a viable source for social history, with the often-stereotypical re-presentations of characters and events an ideological metonym for the concerns of wider British society, notably in issues of class, race, gender and sexuality. Stephen Glynn lectures in Film and Television at De Montfort University, UK. He has published widely on British cinema and genre and previous volumes for Palgrave include The British Pop Music Film (2013), The British School Film (2016) and The British Football Film (2018).
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  • 2
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031449109
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIV, 113 p.)
    Ausgabe: 1st ed. 2024
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    Schlagwort(e): European literature. ; Literature, Modern ; Literature
    Kurzfassung: This book considers the relationship between sound and silence in the works of Joseph Conrad, along with their ties to Western and non-Western space. Throughout Conrad’s works, a pattern emerges where Western space is associated with sound and non-Western space is associated with silence; similarly, Western space is portrayed as full of objects and activity, whereas non-Western space is portrayed as empty. As these tales progress, though, Conrad’s characters embark on transformational journeys that cause them to reassess the world they live in and sometimes even the nature of the universe. These journeys invariably occur through encountering non-Western space, and during the course of these journeys, the dichotomy between Western space, perceived as replete with sound and activity, and non-Western space, empty of such, blurs such that the fullness of the West is revealed to be simply a surface hiding the emptiness beneath. In the end, both Western and non-Western space are revealed to be absences, as the absence of sound becomes a correlative for the emptiness of space and the emptiness of space becomes a metonym for the cosmological emptiness of nothingness. John G. Peters is University Distinguished Research Professor at the University of North Texas, USA. His books include Joseph Conrad's Critical Reception, The Cambridge Introduction to Joseph Conrad, Conrad and Impressionism, Historical Guide to Joseph Conrad, Conrad's Drama, Joseph Conrad: Contemporary Reviews (volume 2), and the Norton critical edition of Conrad's The Secret Sharer and Other Stories.
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  • 3
    ISBN: 9783031414015
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIX, 287 p. 22 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Communication in organizations. ; Sustainability. ; Political science.
    Kurzfassung: Chapter 1: Introduction -- Part 1: Theoretical and Empirical Approaches to Communication for Development and Sustainable Social Change in Africa -- Chapter 2: Anchoring Participatory Communication in South Africa’s Municipal Citizen Participation During Integrated Development Planning (IDP) Processes -- Chapter 3: Participatory communication for sustainable development: A study of the Access project in Ghana -- Chapter 4: A theoretical framework towards mutual sustainability communication -- Part 2: Strategic Communication in Governance, Planning and Policy Reforms -- Chapter 5: Exploration of the accentuated value of Strategic Communication Management for Inclusive Citizenry Engagement through governance and sustainability -- Chapter 6: Network Governance as a Catalyst for Sustainable Development on the African Continent -- Chapter 7: Communication Strategies for Community Development: A Study of World Bank SEEFOR-CDDS projects in Ukwa East communities, Abia State, Nigeria -- Part 3: Communication for Social Change, Bottom-up Development and Social Movements in Africa -- Chapter 8: The role of the Sudanese Professionals Association in the Revolution of 2019 towards development and social change -- Chapter 9: Invited and Invented Spaces of Public Participation in South African Local Government: The study of community engagement practices and service delivery protests -- Chapter 10: Movement communication practices of students & the poor: The political economy of communication -- Part 4: Cases Studies in applied Strategic Communication, Development, Social Change and Electoral Reform -- Chapter 11: Public health Communication and Growth -- Chapter 12: Using Digital Technologies in Community Radio to Promote Social Change in Kenya -- Chapter 13: Dwindling Voters’ Turnout and Citizenship Participation: A Political Market Orientation Analysis of Nigeria’s 2015 and 2019 Presidential Elections -- Chapter 14: The Arena Model as a basis for communication strategy formulation for the National Development Plan -- Chapter 15: Concluding Remarks.
    Kurzfassung: This book is the first of its kind within the African region to combine scholarly perspectives from the fields of Strategic Communication Management and Communication for Development and Social Change. It draws insights from scholars across the African continent by unravelling the complementary nature of scholarship between the two fields, through the lens of prevailing governance and sustainability challenges facing African countries, today. This edited volume covers issues that have adversely affected the achievement of goals related to humanitarian upliftment, development and social change for all African nations. Consequently, citizen participation, which lies at the heart of these challenges when considering the question of sustainable governance and policy development for social change in an African context is addressed. To this end, a reflection is also made on various case studies that exist where local citizens do not inform sustainable development programmes, while the promotion of bottom-up development and social change is largely replaced by top-down instrumental action approaches and hemispheric communication instead of strategic communication. Themes explored include: ● Communication for social change, bottom-up development and social movements in the local government sphere ● Strategic communication in governance, planning and policy reforms ● The role of multi-stakeholder partnerships in achieving development of objectives geared towards good governance in Africa ● Public participation, protests, and resistance from 'below' ● Public sector health communications and development ● Media relations, accountability and contested development narratives with the Fourth Estate ● Social media and eParticipation in government development programs. Tsietsi Mmutle is Senior Lecturer at the University of Pretoria in the department of Business Management, he teaches Strategic Communication Management modules at honours and Masters level in the Communication Management unit. Tshepang B. Molale is Senior Lecturer at the University of the Witwatersrand, specializing in communication for development and social change. Olanrewaju Olugbenga Akinola lectures in the Mass Communication department of the Olabisi Onbanjo University, Ago-Iwoye, Nigera. Olebogeng Selebi completed her PhD in Communication Management from the University of Pretoria. She was the host of the first Nobel Prize Dialogue event ever to take place on African soil.
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  • 4
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031391866
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 208 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Creative nonfiction. ; Creative writing. ; Language and languages ; Rhetoric. ; Literature ; Poststructuralism.
    Kurzfassung: Chapter 1: Introduction -- Chapter 2: Making Truth Claims -- Chapter 3: Critiquing Habit, Habitus, and Modernity -- Chapter 4: Fighting Narration -- Chapter 5: Shifting Roles, Mimesis, Sustaining Community -- Chapter 6: Critiquing and Claiming Memory -- Chapter 7: Making Confessions -- Chapter 8: Reflecting on Self as Other -- Chapter 9: Situating Scenes -- Chapter 10: Conclusion.
    Kurzfassung: This book explores issues of identity, ethics and epistemology that arise around the writing and reception of creative nonfiction. It examines a range of different nonfiction forms – including the personal essay and memoir – and ethical questions that arise in relation to them, such as truth claims, the confessional mode, counter-narratives. Drawing on the ideas of Bakhtin, Nietzsche and Foucault; examples from creative non-fiction writers such as Strayed and Knausgaard; and the founding principles of the originators of the genre, Seneca, Augustine and Montaigne, Jensen argues that a limited conception of nonfiction leads to a limited view of its ethics. Writing about the truth in an authentic way is more important than ever before – and essential to this is the creation of the ethical subject. George H. Jensen is Professor Emeritus with the Department of Rhetoric and Writing at the University of Arkansas at Little Rock, USA. His recent books include Some of the Words Are Theirs: A Memoir of an Alcoholic Family (2000), Storytelling in Alcoholics Anonymous: A Rhetorical Analysis (2000), and Identities Across Texts (2002).
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  • 5
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031146633
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 283 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in British Musical Theatre
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    Schlagwort(e): Theater ; Musical theater. ; Cultural industries. ; Theater. ; Theater
    Kurzfassung: 1. Introduction -- 2. Chapter 1: Cosmopolitan musical theatre styles at the Lane (1918-1934) -- 3. Chapter 2: The Drury Lane Musical Theatre Spectacle (1931-1939): “Hearts Splintering in Waltz Time” -- 4. Chapter 3: The Lane and ENSA (Entertainment National Services Association) headquarters (1939) -- 5. Chapter 5: Rodger’s and Hammerstein’s Oklahoma! Carousel and South Pacific: Imported Americana -- 6. Chapter 6: Ruritanian Imperialism in The King and I (1953) -- 7. Chapter 7: Fading Empire and British imitation: Lerner and Loewe -- 8. Chapter 8: Hello Dolly and the resurgence of the British musical the nostalgia of Lost Empire Word -- 9. Epilogue.
    Kurzfassung: This monograph centres on the history of musical theatre in a space of cultural significance for British identity, namely the Theatre Royal, Drury Lane, which housed many prominent American productions from 1920-1970. It argues that during this period Drury Lane was the site of cultural exchanges between Britain and the United States that were a direct result of global engagement in two world wars and the evolution of both countries as imperial powers. The critical and public response to works of musical theatre during this period, particularly the American musical, demonstrates the shifting response by the public to global conflict, the rise of an American Empire in the eyes of the British government, and the ongoing cultural debates about the role of Americans in British public life. By considering the status of Drury Lane as a key site of cultural and political exchanges between the United States and Britain, this study allows us to gain a more complete portrait of the musical’s cultural significance in Britain. Dr. Arianne Johnson Quinn is an archivist, librarian, and scholar. She is currently the Music Special Collections Librarian at the Warren D. Allen Music Library, Florida State University, USA. She holds a Ph.D. in Musicology from Princeton University, and has worked as Digital Archivist and Research Associate for the Noël Coward Archive Trust. Arianne has been on the faculty of the Florida State Honors Program, South Georgia State College and Tallahassee Community College. Her research focuses on the intersections between the American and British musical in London’s West End from 1920-1970, particularly the works of Noël Coward, Kurt Weill, Lerner and Loewe, Irving Berlin, Cole Porter and Rodgers and Hammerstein. .
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  • 6
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031249983
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 317 p. 2 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature, Modern ; Literature, Modern ; Literature ; Comparative literature. ; Collective memory.
    Kurzfassung: Introduction (Takayuki Shonaka, Takahiro Mimura and Shinya Morikawa) -- Part I Early Japanese Influences -- 1 Blithe Spirit: Young Ishiguro’s Contact with Japanese Children’s Culture through Shogakukan’s Graded Educational Magazines (Motoko Sugano) -- 2 Osamu Tezuka’s Astro Boy and Kazuo Ishiguro’s Klara and the Sun (Ria Taketomi) -- Part II Ghosts and Stereotypes -- 3 Constructing Japan with Stereotypes: An Analysis of Kazuo Ishiguro’s ‘A Family Supper’ (Yoshiki Tajiri) -- 4 Envisioned ‘Ghosts Project’: Kazuo Ishiguro’s Imaginary Nagasaki (Megumi Kato) -- 5 The Hidden Ghost Story: Ishiguro, Ugetsu, and Troubled English Belief (Anni Shen) -- Part III War and Responsibilities -- 6 ‘The Shame of Being on the Wrong Side of History’: Defeat and the Failures of Masculinities in An Artist of the Floating World and The Remains of the Day (Kunio Shin) -- 7 Between the A-bombing and Responsibilities for World War II: Changes in the Themes of Ishiguro’s Early Novels (Masako Matsuda) -- 8 The Representation of the Sino-Japanese War and Cosmopolitanism in Empire of the Sun, When We Were Orphans, and My Shanghai, 1942-1946 (Erica Aso) -- Part IV Creative Development -- 9 Tracing the Origin of Kazuo Ishiguro through His Early Song Lyrics (Takayuki Shonaka) -- 10 ‘The Remains’ of Charlotte Brontë in the Early Novels of Kazuo Ishiguro (Hiromi Nagara) -- 11 The Evolution of Stevens towards The Remains of the Day (Shinya Morikawa) -- Part V Past and Future -- 12 Monumental Moments: Narrative Complicity in the Novels of Kazuo Ishiguro (Takahiro Mimura) -- 13 Nonhuman/Posthuman Aspects in Kazuo Ishiguro’s New Millennium Novels (Hiroshi Ikezono). .
    Kurzfassung: This collection of essays offers new perspectives from Japan on Nobel Prize–winning author Kazuo Ishiguro. It analyses the Japanese-born British author from the vantage point of his birthplace, showing how Ishiguro remains greatly indebted to Japanese culture and sensibilities. The influence of Japanese literature and film is evident in Ishiguro’s early novels as he deals with the problem of the atomic bomb and Japan’s war responsibility, yet his later works also engage with folk tales and the modern popular culture of Japan. The chapters consider a range of Japanese influences on Ishiguro and adaptations of Ishiguro’s work, including literary, cinematic and animated representations. The book makes use of newly archived drafts of Ishiguro’s manuscripts at the Harry Ransom Center at the University of Texas to explore the origins of his oeuvre. It also offers sharp, new examinations of Ishiguro’s work in relation to memory studies, especially in relation to Japan. Takayuki Shonaka is Professor in English Literature at Kyoto Women’s University, Japan. His research and teaching expertise are in British and American Culture, Language, and Literature. He is the author of Kazuo Ishiguro: ‘Nihon’ to ‘Igirisu’ no Hazama kara [Kazuo Ishiguro: From Between ‘Japan’ and ‘England’] (2011). Takahiro Mimura is Professor in English at Chiba Institute of Technology, Japan. He studies contemporary English novels especially from the perspective of memory. He is the author of Kazuo Ishiguro Wo Yomu [Reading Kazuo Ishiguro] (2022) and Kioku To Zinbungaku [Memory and the Humanities] (2021). Shinya Morikawa is Professor in English Literature at Hokkai-Gakuen University, Japan. His research interests include contemporary British fiction, international migration novels, and literary stylistics. He is a co-editor of Kazuo Ishiguro No Shisen: Kioku, Souzou, Kyoushu [Kazuo Ishiguro’s Gaze: Memory, Imagination, Nostalgia] (2018). .
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  • 7
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031445958
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XX, 268 p. 8 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave European Film and Media Studies
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    Schlagwort(e): Motion picture plays, European. ; Ethnology ; Culture. ; Motion picture industry. ; Television broadcasting.
    Kurzfassung: 1. Introduction: European film consumption, representation, and identity -- 2. The transnational viewership of European film: markets, audiences, and policies -- 3. Euro-million mainstream films: large audiences, limited diversity or insights -- 4. Euro-million arthouse films: diverse and insightful stories, niche audiences -- 5. Euro-million middlebrow films: insightful stories, varied audiences, limited diversity. 6. The transnational impact of European film: perceptions, identity, and other effects -- 7. Conclusion: limited unity and diversity -- Index.
    Kurzfassung: “This study, based on a wealth of original research, analyses the production, circulation and reception of European films since 2005, considering their impact on broader cultural and social issues, notably the vexed question of what constitutes a European identity. Throughout, the author tests various theorisations and conceptual frameworks against the empirical evidence he has unearthed. His carefully considered interpretation will be widely welcomed as an important contribution to understanding European cinema.” - Andrew Spicer, Professor of Cultural Production, University of the West of England Bristol, UK This book explores how audiences in contemporary Europe engage with films from other European countries. It draws on admissions data, surveys, and focus group discussions to explain why viewers are attracted to particular European films and genres, including action-adventures, family films, biopics, period dramas, thrillers, comedies, and romances. It also examines how these films are produced and distributed, how they represent Europe, and how they affect audiences. Case-studies range from mainstream movies like Skyfall, Taken, and Asterix & Obelix: God Save Britannia, to more middlebrow and arthouse titles, such as The Lives of Others, Volver, Coco Before Chanel, Love Is All You Need, Intouchables, The Angels’ Share, Ida, The Hunt, and Blue Is the Warmest Colour. The study shows that watching European films can contribute to people’s understandings of other countries and make them feel more European. However, this is limited by the strong preference for Anglo-American action-adventures that offer few insights into the realities of European life. The book discusses what these findings mean for the European film industry, cultural policy, and scholarship on transnational and European cinema. It also considers how surveys, focus groups, databases and other methods that go beyond traditional textual analysis can offer new insights into our understanding of film. Huw D. Jones is a Lecturer in Film Studies at the University of Southampton, UK. He previously worked on ‘Mediating Cultural Encounters through European Screens’ (MeCETES), a collaborative project on European film and television drama, funded by Humanities in the European Research Area (HERA). .
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  • 8
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031454141
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 226 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): European literature ; Theater. ; Drama.
    Kurzfassung: 1 Introduction: The Praxis and Scope of Applied Shakespeare.-Part I The Challenges of Applied Shakespeare as a Transformative Encounter.-2 Shakespeare as the Ultimate Form of Cultural Success,Individual Healing, and Personal Development.-3 Shakespeare and Cultural Exclusion.-4 Shakespeare and Universalisation.-5 Subverting a Universally and Culturally Biased Shakespeare.-Part II Prison Shakespeare.-6 The History of Prison Theatre.-7 The History of Shakespeare in Prison -- 8 Shakespeare’s Prison, Prison Shakespeare: A Renaissance Reading of Shakespeare’s Prisons in Measure for Measure.-9 Shakespeare’s Criminals, Criminal Shakespeare: A Renaissance Reading of Shakespeare and the Criminal Mind in Macbeth.-10 ESC: A Case Study .-Part III Disabled Shakespeare .-11 The History of Disability Theatre.-12 The History of Shakespeare and Disability Theatre.-13 Shakespeare’s Disabled, Disabled Shakespeare: A Renaissance Reading of Shakespeare and Disability in Henry VI Part Two and Three and Richard III .-14 Blue Apple Theatre Company: A Case Study.-Part IV Therapeutic Shakespeare.-15 The History of Theatre and Therapy.-16 The History of Shakespeare and Therapy .-17 Shakespeare’s Therapy, Therapeutic Shakespeare: A Renaissance Reading of Shakespeare and Therapy in Hamlet.-18 The Combat Veteran Players: A Case Study -- Part V Conclusion.-19 Suggestions for Further Research.-20 Concluding Statement.
    Kurzfassung: This book speaks to those interested in where and why Shakespeare’s work is used to capture the transformative intentions of different areas of Applied Theatre practice (Prison, Disability, Therapy), representing a foundational study which considers subsequent histories and potential challenges when engaging with Shakespeare’s work. This is grounded in a case study analysis of three salient British Theatre Companies: The Education Shakespeare Company (prison), the Blue Apple Theatre Company (Disability), and the Combat Veteran Players (therapy). Adelle Hulsmeier is a Senior Lecturer and Programme Leader at the University of Sunderland, UK, where she has taught since 2011. She manages an award winning (CATE) collaborative relationship with Northumbria Police and leads an academic partnership with Live Theatre, Newcastle. She continues to embed the notion of social change as an integral part of teaching and learning.
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  • 9
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031364419
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 286 p. 3 illus., 2 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Journalism. ; Communication in politics. ; Ethnology ; Culture.
    Kurzfassung: 1. Introduction. Not Authoritarian, but Not Yet Democratic: the Mexican authoritarian legacies in media and politics. Volume editors -- Part 1. Media Systems, Regulation and Historical Antecedents: Explaining Continuities -- 2. Media Systems in Unconsolidated Democracies: the case of Mexico. Manuel Alejandro Guerrero -- 3. Challenges in Protecting Freedom of Expression in Mexico: 20 years of progress with poor results. Salvador de Leon Vazquez. -- 4. The Salinas Years, 1988-1994: Watershed in the opening of Mexico's print media?. Andrew Paxman -- Part 2. The Burden of Being a Journalist in Mexico: Risk, Security and Censorship -- 5. Surviving Mexico's Peripheries: limits and constraints among journalists in the Twenty-First Century. Celeste Gonzalez de Bustamente & Jeannine Relly -- 6. Still Dreaming of Democracy: How professional norms from the political opening shape risk and resilience today. Sallie Hughes -- 7. Defective Democracy, Erosion of Freedom of Press, and the Perils of Being a Journalist in Mexico Two Decades After the Democratic Transition. Ruben Arnoldo Gonzalez, Osiris S. Gonzales-Galvan -- 8. AMLO and Freedom of the Press: The struggle between conflicting visions of communicative strategies in Mexico. Stuart Davis & Melissa Santillana -- Part 3. Post-Authoritarian Media Performance: Actors and Representations in Dispute -- 9. Mediatization in post-authoritarian democracies: 20 years of media logic in Mexican press. Martin Echeverria -- 10. Press and Civil Society: Alliance and mistrust in Mexican transition to democracy. Grisel Salazar -- 11. Television Political Satire and the Mexican Democratic Transition. Frida V. Rodelo.
    Kurzfassung: This volume presents an analytical and empirical overview of the array of issues that the Mexican media faces in the post-authoritarian age, which jointly explains how a partially accomplished democracy, its authoritarian inertias, and its unintended consequences hinder the democratic performance of the media. This is analyzed from three points of view: the stalemate Mexican media system and ineffective regulations, the conditions of risk and insecurity of the journalists on the field, and the limits of freedom of expression, political substance, and inclusiveness of media content. A binational effort, with research from US and Mexican authors, a wide analytic perspective is provided on the macro, meso, and micro levels, allowing for a deep conceptual richness and a comprehensive understanding of the Mexican case. With leading researchers in the field, the volume revolves around the problems of the media in post-authoritarian democracies. By answering the questions of how and why the Mexican media has not fully democratized, the works encompassed here can resonate with and are relevant to other post-authoritarian countries and academic disciplines. Martin Echeverria is Full-Professor at the Centre for Studies in Political Communication, Institute of Government Sciences and Strategic Development, Benemerita Universidad Autonoma de Puebla, Mexico. Ruben Arnoldo Gonzalez is Full-Professor at the Centre for Studies in Political Communication, Institute of Government Sciences and Strategic Development, Benemerita Universidad Autonoma de Puebla, Mexico.
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  • 10
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031468353
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 170 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Technology ; Philosophy of mind. ; Artificial intelligence.
    Kurzfassung: Chapter 1. Writing the Human Narrative -- Chapter 2. Where We Begin -- Chapter 3. The Science of Mindlessness -- Chapter 4. Where Computation Ends -- Chapter 5. Relational Science -- Chapter 6. Life and Mind -- Chapter 7. Thinking as a Creative Act -- Chapter 8. Emerging Minds./.
    Kurzfassung: "Whether or not you accept the conventional wisdom that computational intelligence and human intelligence are essentially the same, I recommend that you ponder Jeffrey Kane's timely and persuasive book. " —Howard Gardner, Hobbs Research Professor of Cognition and Education, Harvard Graduate School of Education “In this breathtaking journey through both the works of classic and contemporary philosophers and scientists, Kane sometimes offers agreements but also compelling challenges, leaving the reader filled with the excitement of the mission. While so much has been learned, there is so much more to be understood. Kane illuminates that the journey to understanding how the brain gets mental has just begun.” —Mike Gazzaniga, Director of the SAGE Center for the Study of Mind, University of California, Santa Barbara While it may appear that generative AI has mastered the mystery of the human mind and released its full power, The Emergence of Mind: Where Technology Ends and We Begin demonstrates the profound and fundamental limitations of the technology and its use as a model of human thinking. In response, the book offers an emergent model of the human mind rooted in our experiences as living, sentient, social and conscious beings. The text explores the nature of meaning in human cognition and the critical importance of the experience of ideas. In so doing, it offers insights into the cultivation of specific generative capacities of the human mind. Jeffrey Kane, is a professor of Philosophy and Education at Long Island University. After serving as the Academic Vice-President of the University, Dr. Kane returned to faculty to teach and to write about the experiential foundations of human thinking. Among his publications are Beyond Empiricism: Michael Polanyi Reconsidered and a book of poetry, life as a novice. He lives in East Hills NY with his wife Janet. .
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  • 11
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031427985
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIV, 330 p. 18 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Literary Urban Studies
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Literature, Modern ; Literature, Modern ; Space. ; Culture. ; Art, Modern ; Performing arts. ; Theater. ; Cities and towns
    Kurzfassung: “(Im)mobility, Peripherality, and the City: Theoretical Orientations and Concepts”, Patricia García; Anna-Leena Toivanen (University of Alcalá; University of Eastern Finland) -- “Cihuateteo Wandering: navigating the Mexican Urban Space as a Woman”, Orly Cortés (UAM-Xochimilco) -- “Urban Ambivalence: Work and Home at Delhi’s margins”, Anubhav Pradhan (Indian Institute of Technology Bhilai) -- “The Nomadic Subject in Teju Cole’s Open City”, Aristi Trendel (Le Mans University) -- “Space, Mobility, and Belonging: Finding One’s Way through Pre-Apartheid Johannesburg”, Sophie U. Kriegel (Leipzig University) -- “Moving Upward in the City: Modes of Transport and Social Mobility in New York, My Village: A Novel and Behold the Dreamers", Lena Englund (University of Eastern Finland) -- “Delhi on the Move: a Literary Account on Urban Mobility”, Valentina Barnabei (Ca’ Foscari University of Venice and Heidelberg University) -- “Abject Urban-Rural Mobilities by Public Transport in Ousmane Sembène's "Niiwam" and Yvonne Vera's Without a Name”, Anna-Leena Toivanen (University of Eastern Finland) -- “'We take boundaries very seriously here at Positron!’: Transitions and Liminal Space in Margaret Atwood’s The Heart Goes Last”, Olga Springer (Dublin City University) -- “Space, Borders and Cognition in Urban Diasporic Fiction”, Johan Schimanski (University of Oslo) -- “What Lurks in the Peripheries: The Unusual in Liminal Suburban Territories in Recent Short Story Collections”, Rosa-María Cobo (Universidad de Burgos) -- “Moving on the Fringes of Literary Barcelona: Contemporary Novels from the Catalan Peripheries”, Patricia García (Universidad de Alcalá) -- “Once upon a Queer: Sexual Monstrosity, Sexual Misery and the Metropolis”, Jean-Philippe Imbert (Dublin City University) -- “From the Cartographic Fringes: Map Mobilizations and the Urban”, Tania Rossetto (University of Padova) -- “Narratives of Border Crossing in Kati Horna’s Photographic Tales”, Karla Segura Pantoja (CY Cergy Paris Université) -- “Urban//Rural: An Art Perspective”, Federica Mirra (Birmingham City University) -- “The (Political) Power of Not Moving”, Inga Iwasiów and Maciej Kowalewski (University of Szczecin).
    Kurzfassung: Urban Mobilities in Literature and Art Activism explores the entwinement of mobility and immobility in urban spaces by focusing on their representation in literary narratives but also in visual and performing arts. Across a range of geographical contexts, this volume builds on the new mobilities paradigm developed by literary scholars, sociologists and human geographers. The different chapters employ a cohesive framework that is sensitive to the intersecting dimensions of power and discrimination that shape urban kinetic features. The contributions are divided into three sections, each of which places the focus on a different aspect of urban mobility: Itinerant Subjects, Modes of Transport and Places of Transit, and Urban Liminalities. Patricia García is a senior researcher in Literary Theory and Comparative Literature at the Universidad de Alcalá (Spain), where she currently leads a Ramón y Cajal project on urban peripheries in contemporary literature (2020-2025, Ministerio de Universidades, ES and European Social Fund) . Her research focuses on literary urban spaces, which she analyzes at their intersections with peripherality, gender and with representations of the supernatural. She is the author of The Urban Fantastic in Nineteenth-Century European Literature (Palgrave, 2021) and Space and the Postmodern Fantastic in Contemporary Literature (Routledge, 2015). She has held fellowships and research grants from the Netherlands Institute for Advanced Study, the Helsinki Collegium for Advanced Studies and the British Academy. She directs the network Fringe Urban Narratives (urbanfringes.com). She is the Vice-President of ALUS: Association for Literary Urban Studies, a member of the Executive Committees of the European Society of Comparative Literature and part of the editorial board of BRUMAL: Research Journal on the Fantastic. She is co-editor of the Palgrave series Literary Urban Studies. Anna-Leena Toivanen is Academy Research Fellow at the School of Humanities at the University of Eastern Finland. Her current research project, funded by the Academy of Finland (2021-2025), focuses on the poetics of mobility in Francophone African literatures. She has held a Marie Skłodowska-Curie Individual Fellowship at the University of Liège (2017-2019). Her monograph Mobilities and Cosmopolitanisms in African and Afrodiasporic Literatures was published by Brill in 2021, and she is currently working on her second book entitled Afroeuropean Mobilities in Francophone African Literatures (Palgrave Macmillan) She acts as the literary studies subject editor of the Nordic Journal of African Studies and has previously acted as the editor-in-chief of the Finnish literary studies journal Avain (2018-2019). She is in the editorial board of Mobility Humanities. She has co-edited a special issue entitled “European Peripheries” for the Journal of Postcolonial Writing (2021) and is currently guest-editing a special issue on public transport in African literatures for English Studies in Africa (forthcoming in 2024).
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  • 12
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031411847
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVI, 351 p. 15 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Literatures, Cultures, and the Environment
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Ecocriticism. ; Oriental literature. ; Human ecology ; Communication in the environmental sciences.
    Kurzfassung: 1. Introduction -- Part 1: Theoretical Foundations -- 2. Christian CULAS: Protected Area Narratives in Vietnam: An Anthropological and Mesological Approach -- Part 2: Indigenous and Spiritual Narratives of the Environment -- 3. NGUYEN Thi Kim Ngan: Legends of Forest Spirits in the Central Vietnamese Highlands -- 4. Achariya CHOOWONGLERT: Tai Narrative, Ritual, and Discourses of the Environment in North Central Vietnam -- 5. THACH Mai Hoang: Animal Mercy Release, Environmental Conservation, and the Media in Vietnam -- Part 3: War Narratives and the Environment -- 6. HOANG Cam-Giang: Narratives of the Natural World in Vietnamese Postwar Movies (1986-2020) -- 7. Montira RATO: Ecopedagogy, War Memories, and Sensory Experiences of Nature in Contemporary Vietnamese Children’s Literature -- 8. Conor LAUESEN: Dinh Q. Lê's The Pure Land and Ecological Phantoms: Levitating Sarcophagi, Submerged Spirits -- Part 4: Communism, Global Markets, and the Environment -- 9. Ben TRAN: Civil War, Socialism’s Underworld, and the Environment -- 10. Sarah GRANT: Ecologies of Coffee Sustainability in the Central Highlands -- Part 5: Environmental Literature in Vietnam -- 11. NGUYEN Phuong Ngoc: Environmental Travel Narratives in the Magazine Nam Phong -- 12. CAO Lan: Gender and Environment in Nguyễn Ngoc Tu’s Narratives -- 13. TRẦN Tịnh Vy: When the City Speaks Up: Nature, City, and Identity in Lê Minh Hà's Phố vẫn gió -- 14. PHAM P. Chi: Political Dimensions in Vietnamese Ecofiction.
    Kurzfassung: Environment and Narrative in Vietnam brings together essays about Vietnam’s natural environments and environmental crises from the perspective of culture, with particular attention to narrative templates that have shaped perceptions and interactions with nature on the part of different communities. The essays in this volume explore theoretical problems in the assessment of ecological stewardship and attitudes toward nature across cultures. They focus on both majority (Kinh) and ethnic minority narratives about nature and seek to outline how different ideas of modernization, from the French colonial project to the Marxist understanding of nature on the part of the Communist government, have shaped perceptions, policies, and activism regarding the environment. The essays also highlight the tensions and confluences between nationalist nation-building projects and economic integration into global markets for environmental thinking over the last half-century, and they analyze how texts from literary fiction to contemporary news media represent different environmental cultures in Vietnam. Taken together, the essays in Environment and Narrative in Vietnam begin to fill a significant gap in the understanding of environmental cultures in Asia and in the Environmental Humanities. This is an open access book. Ursula K. Heise is holds the Marcia H. Howard Term Chair in Literary Studies. She is co-founder and Director of the Lab for Environmental Narrative Strategies (LENS) at UCLA's Institute of the Environment and Sustainability. Her research and teaching focus on contemporary literature and the environmental humanities; environmental literature, arts, and cultures in the Americas, Germany, Japan, and Spain; literature and science; science fiction; and narrative theory. She is co-editor of Literatures, Cultures and the Environment series for Palgrave Macmillan. Chi P. Pham is a Tenured Researcher at the Institute of Literature, Vietnam Academy of Social Sciences, Hanoi. She received her first Ph.D. degree in Literary Theory in Vietnam and her second Ph.D. degree in Comparative Literature at the University of California, Riverside (USA). She is the secretary of the Association for the Study of Literature and Ecology in ASEAN (ASLE-ASEAN).
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  • 13
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031409349
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVIII, 281 p.)
    Ausgabe: 1st ed. 2024.
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Fiction. ; Poetry. ; Literature, Modern ; Literature, Modern ; Literature. ; Art, Modern
    Kurzfassung: I. Introduction. Rewriting the Soul: the Persistence of a Concept 2 -- II. Writing the Soul 23 -- 1. Egyptian Souls in Victorian Minds: The Transmigration of the “Ka” in Egyptianising Fiction -- 2. E. S. Dallas’s Literary Theory: The “Hidden Soul” and the Workings of the Imagination -- 3. “You haven’t let me call my soul my own”: Soul, psyche and the thrill of nothingness in May Sinclair’s fiction -- 4. Spectrality and Narrative Form in George Saunders’s Lincoln in the Bardo -- 5. Forging in the smithy of David Foster Wallace’s postmodern soul -- III. The Aesthetics of the Soul -- 6. Transmutations of the Soul: Anima and her Heart in Christopher Harvey’s School of the Heart (1647) -- 7. Let us go Forward: The Soul, Spiritualism and the Funerary Commemoration of Richard Cosway, Dante Gabriel Rossetti, and Evelyn de Morgan -- 8. “Dancing the American Soul: Secular and Sacred Motifs in the Choreographic American Renaissance.”- 9. Casting the Soul: Antony Gormley’s sculptures -- Sweet Soul Music -- IV. The Ethics and Politics of the Soul -- 11. Colliding Circles: Ralph Waldo Emerson’s Concept of the Soul Between Spiritual Self-Realization and Materialistic Expansion -- 12. “Souls on Board”: A Counter-History of Modern Mobility -- 13. African American Women’s Literary Renaissance: A Template for Spiritual Fiction in the 21st Century?- 14. “Persisting souls in a persisting myth: appropriation and transmigration in Ahmed Saadawi’s Frankenstein in Baghdad (2013).”.
    Kurzfassung: This book analyses the evolution of literary and artistic representations of the soul, exploring its development through different time periods. The volume combines literary, aesthetic, ethical, and political considerations of the soul in texts and works of art from the seventeenth to the twenty-first centuries, spanning cultures and schools of thought. Drawing on philosophical, religious and psychological theories of the soul, it emphasizes the far-reaching and enduring epistemological function of the concept in literature, art and politics. The authors argue that the concept of the soul has shaped the understanding of human life and persistently irrigated cultural productions. They show how the concept of soul was explored and redefined by writers and artists, remaining relevant even as it became removed from its ancient or Christian origins. Estelle Murail is a Senior Lecturer in English Literature and Culture at the Catholic University of Paris and Associate Researcher and Lecturer at the University of Paris, France. She has published several articles on the flâneur and cities, and co-edited Dickens and the Virtual City (Palgrave, 2017). Her current research focuses on urban spaces, the environment, crossings and networks, and the notion of persistence. Delphine Louis-Dimitrov is a Senior Lecturer in American Literature and Vice-Dean of the Faculty of Humanities at the Catholic University of Paris, France. Her research mostly focuses on the interplay of individuality with history and politics in fiction and autobiographical writings. Spirituality is central to her reflection on literary representations of individual and collective identities. .
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  • 14
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031526732
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 208 p. 1 illus.)
    Ausgabe: 1st ed. 2024.
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Literature, Modern ; Literature ; Feminism and literature. ; Fiction. ; Women
    Kurzfassung: 1. Introduction: Walking into the Future -- 2 From Campaigner to Novelist: The Lives of Constance Antonina Boyle -- 3 Out of the Frying Pan -- 4 What Became of Mr Desmond -- 5 Nor All Thy Tears -- 6 Anna's -- 7 The Stranger Within the Gates -- 8 Conclusion: Deeds and Words.
    Kurzfassung: This book offers the first comprehensive treatment of the fiction of Constance Antonina (Nina) Boyle: a suffragette described in one obituary as 'second only to Mrs Pankhurst'. Boyle was a well-known campaigner and was the first woman to stand for selection as a candidate in an election in the UK. However, her novels have been all but forgotten. This study explores Boyle's early fiction and focuses on her first five novels - each of which represents a retelling of established narratives. It explores how Boyle used her fiction to voice her radical gender politics within a culture that was becoming increasingly hostile to even discussing women's rights outside of the extension of the franchise. This book will be of interest to scholars of women's suffrage as well as anyone interested in popular fiction of the 1920s. Nicola Allen is Senior Lecturer in English Literature and Co-Course Leader for MA English at the University of Wolverhampton, UK. She is author of Marginality in the Contemporary British Novel (2008).
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  • 15
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031521430
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 175 p. 2 illus.)
    Ausgabe: 1st ed. 2024.
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Continental Philosophy. ; Ethics. ; Applied ethics.
    Kurzfassung: 1. Introduction -- 2. Acting Before Future Generations -- 3. Nuclear Waste and the Site of Intergenerational Responsibility -- 4. Derrida: Iterability and Biodegradability -- 5. Turning Towards Irradiated Futures -- 6. Conclusion.
    Kurzfassung: This book argues for the necessity of a re-evaluation of our thinking about responsibly relating to future generations in the context of environmental philosophy. Using long-term nuclear waste disposal as its paradigmatic case, this book makes the case that the predominant mode of thinking the future in terms of continuity and repetition of the present requires a critique informed by French philosopher Jacques Derrida in order to think responsibility adequately. The book begins by surveying contemporary accounts of intergenerational responsibility before outlining the specifics of nuclear waste disposal policy. With these stakes established, the contributions of Jacques Derrida to future-oriented ethics are introduced. These include discussions of communication across contexts, the relationship between inheritance and responsibility, and the political imperatives that result from this critique. This book concludes by arguing for an intergenerational environmental policy that rejects policy and infrastructural projects that depend on the present reproducing itself indefinitely.
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  • 16
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031463679
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVIII, 400 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Companions
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Philosophy, American. ; Pragmatism. ; Philosophy
    Kurzfassung: 1. Introduction; Martin Coleman and Glenn Tiller -- I. Scepticism and Animal Faith -- 2. Santayana: Philosopher for the Twenty-First Century; Herman J. Saatkamp Jr -- 3. The Last Sceptic: Santayana, Descartes, and the External World; Douglas McDermid -- 4. Laying Siege to the Truth: Santayana’s Discourse on Method; Diana B. Heney -- 5. Scepticism, Anti-scepticism, and Santayana’s Singularity; Daniel Pinkas -- 6. Knowledge as a Leap of Faith; Jessica Wahman -- 7. Animal Faith and Its Object; John J. Stuhr -- 8. Natural Knowledge and Transcendental Criticism in Scepticism and Animal Faith; Paul Forster -- 9. Santayana’s Naturalism at the Junction of Epistemology and Ontology; Ángel M. Faerna -- 10. Reconstruction from Ultimate Scepticism; Angus Kerr-Lawson -- II. Ontology and Spirit -- 11. The Centrality of the Imagination in Scepticism and Animal Faith; Richard Marc Rubin -- 12. Spiritual Exercises and Animal Faith; Martin A. Coleman -- 13. The Cries of Spirit: Santayana in Dialogue with Andrey Platonov; Matthew Caleb Flamm -- 14. Fumbling Towards the Animal in “Animal Faith”; Charles Padrón -- 15. A Tension at the Center of Santayana’s Philosophy; Michael Hodges -- 16. Truth and Ontology; Glenn Tiller -- III. Philosophical Relations -- 17. On Gnats and Barnacles, or Some Similarities between Santayana’s Idea of Change and Ancient Greek Thought; Andrés Tutor de Ureta -- 18. The Ideal of a Philosophic Redemption: Baruch Spinoza’s Place in Western Philosophy and in Santayana’s Thought; Lydia Amir -- 19. G. Santayana (Scepticism and Animal Faith, 1923) and E. Husserl (Cartesianische Meditationen, 1929), Readers of R. Descartes; Daniel Moreno -- 20. Hermes as an Interpreter and the Guide to Hades: Re-reading “The Letter of Lord Chandos” with Reference to Santayana’s Scepticism and Animal Faith; Katarzyna Kremplewska -- 21. The Conservative Disposition in Santayana’s Philosophy; Michael Brodrick.
    Kurzfassung: The first of its kind, this project is a collection of critical and interpretive essays on George Santayana’s seminal work in American philosophy, Scepticism and Animal Faith (1923), 100 years after its first edition. The reader will be guided through the intricacies of Scepticism and Animal Faith by expert scholars. This book is a companion to Scepticism and Animal Faith for both first-time readers and readers intimately familiar with this work. Martin Coleman is Director and Editor of the Santayana Edition. He is Associate Professor of Philosophy and Adjunct Associate Professor of American Studies at Indiana University Indianapolis. Glenn Tiller is Professor of Philosophy at Texas A&M University-Corpus Christi.
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  • 17
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031517532
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 150 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Social sciences ; Ethics. ; Political science ; Philosophy of nature. ; Climatology.
    Kurzfassung: 1. Introduction to collective and shared responsibility for climate change -- 2. Calling all collective agents -- 3. Responsibility as members -- 4. Shared social orientation and responsibility as constituents -- 5. Carbon inequality and direct responsibility -- 6.Why we need ethical arguments to set good climate policies.
    Kurzfassung: "In this innovative book, Hormio effectively argues for an 'all hands on deck' approach to assigning climate change responsibility to a wider array of agents than is typically recognized, making the case that ethical analysis matters for complex policy problems like climate change.” —Steve Vanderheiden, Professor of Political Science, University of Colorado at Boulder, USA "By interweaving philosophical argument with real-world examples, Säde Hormio makes an important contribution to debates about collective responsibility for climate change." —Stephanie Collins, Associate Professor of Philosophy, Monash University, Australia This book proposes that it is not only states and international bodies that have a responsibility to take action toward mitigating climate change. Other collective agents, such as corporations, need to also come onboard. Additionally, the book argues that climate change is not solely a problem for collective agents, but also for individuals, as they are members of collectives and groups of several kinds. Therefore, framing climate change responsibility exclusively from either the collective or the individual perspective leaves out something crucial: how we all are influenced by the collectives we belong to and how, in turn, collectives are influenced by individuals. The focus of the book is on areas of climate change responsibility that are often left out of the picture or get too little attention in climate ethics, such as carbon inequality within countries. But why should any theoretical arguments about normative issues matter when we have a real-life climate crisis on our hands? Säde Hormio argues that ethical arguments have an important role in setting climate policy: they can highlight what values are at stake and help ground normative arguments in public deliberations. Säde Hormio is an Academy Research Fellow in Practical Philosophy at the University of Helsinki. She is also affiliated with the Institute for Futures Studies in Stockholm. Her research focuses on shared and collective responsibility.
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  • 18
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031415463
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 232 p. 13 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Journalism. ; Digital media. ; Mass media ; Science
    Kurzfassung: Chapter 1. Journalism and the Smart City -- Chapter 2. Configuring the Case of the Quayside Project -- Chapter 3. Chronicle of a Mediatized Controversy -- Chapter 4. The Quayside Project: Some Reassembly Required./.
    Kurzfassung: “Bob Hanke’s “Smarter Toronto” is an important study of a key event in the recent history of urban planning, technological innovataion and urban journalism. The book masterfully weaves together complex theoretical ideas while remaining readable and deeply engaged with the events it describes. Hanke’s account of Google’s failed Sidewalk project in Toronto should interest anyone concerned with media, urban democracy and the future of cities.” —Will Straw, James McGill Professor of Urban Media Studies, McGill University This book bridges media, technocultural, urban, and journalism studies to examine the role of journalism in relation to a smart city project on Toronto’s waterfront. From the announcement of the public-private partnership called Sidewalk Toronto to the project’s termination, a mediatized controversy unfolded. Through an assemblage approach to this project and a case study of The Globe and Mail and the Toronto Star, it follows the actors and chronicles the Quayside project story as a conversation about the promise and perils of a future “smart” neighbourhood. In the news of Waterfront Toronto, Sidewalk Labs, other actors, events, and developments, there were multiple voices and views, interpretations and arguments, that manifested conflicting interests and values. As a locally situated actor, journalism produced a porous discourse that expressed a proposeand- public pushback movement. This work of articulating mediation conditioned the project’s alteration and dissolution within asymmetrical relations of power. In addition to a wave of opposition that inflected the project’s enactment, a time lag between project time and governmental policymaking made the controversy over this future urban space intractable. With their residual symbolic power, quality journalism contributed to dialogical urban learning. Bob Hanke, a former a faculty member in the Department of Communication & Media Studies, York University, Canada, is currently an independent scholar living in Toronto.
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  • 19
    ISBN: 9783031362798
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVIII, 301 p. 20 illus.)
    Ausgabe: 1st ed. 2024.
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Music. ; Ethnology ; Culture. ; Emigration and immigration ; Diplomacy.
    Kurzfassung: Chapter 1. Introduction: Music and Cultural Diplomacy in the Middle East—Geopolitical Reconfigurations for the Twenty-First Century -- Part I Music as Cultural Diplomacy: History and Historiographic Perspectives -- Chapter 2. From the Ottoman Twilight to the Roaring Twenties: The Early Career of Sharif Muhiuddin Haidar -- Chapter 3. Strike an Elizabethan Pose: Early Music Diplomacy—Queen Elizabeth I’s Clockwork Organ Gift to the Ottoman Court -- Part II Musical Diplomacy: Migration, Diaspora, and Deterritorialised Power -- Chapter 4. Melodies Heard and Unheard: The Promise and Limits of Cultural Diplomacy Through Music -- Chapter 5. Cultural Diplomacy Despite the State: Mobility and Agency of State and Amateur Musicians in Turkish Classical Music Choirs -- Chapter 6. Shahnameh in the Classroom: Iranian Music and DIY Cultural Diplomacy in the UK -- Part III Soft Power in State, Statecraft and Music-Making -- Chapter 7. Umm Kulthum and Cultural Diplomacy in Egypt -- Chapter 8. Performing Soviet Cultural Diplomacy: “Western Art Music” and Musicians in Cairo 1955–1970 -- Chapter 9. Musical Diplomacy in Mandate Palestine from 1936 to 1948 -- Part IV Affective and Sensorial Diplomacy in Transnational Spaces -- Chapter 10. Music as Cultural Diplomacy: Analyzing the Role of Musical Flows from the Arab Levant to New Cultural Poles in the Arab Gulf in the Twenty-First Century -- Chapter 11. Arabian Violence: Censorship in Morocco’s Techno Underground -- Chapter 12. Musical Delineations of a PostNational Space for National Struggle: Hazara, Kurdish, and Baloch Cases -- Chapter 13. Epilogue: Cultural Diplomacy, Some Discontents./.
    Kurzfassung: This edited volume offers innovative perspectives on the study of music as cultural diplomacy in the Middle East and North Africa (MENA), a region often overlooked in such discussions. It offers an innovative contribution to the field of ethnomusicology, as well as political science and international relations, by highlighting the agency of non-state actors (local voices, communities, and grassroots organizations), thereby contributing towards de-centering the state, hitherto conceived as the chief player in cultural diplomacy. This volume is divided into four main parts organized along the following themes: 1. History and Historiography, 2. Migration, Diaspora, and Ethics, 3. Statecraft and Music Making, and 4. Affective and Sensorial Diplomacy. The perspectives offered in this volume offer a deeper exploration of bottom-up initiatives of cultural diplomacy through music, instead of the more usual analyses of top-down, state-directed programmes. Overall, the aim is to reconceptualize Middle Eastern, North African and Arab Gulf musical practices in their relationship to power and cultural diplomacy in order build a broader and pluri-dimensional account of these contentious relationships. Maria M. Rijo Lopes da Cunha has been a Danish Institute in Damascus Postdoctoral Research Fellow in Ethnomusicology at the Department for Arts and Cultural Studies of the University of Copenhagen (2019 - 2021 and 2022). Jonathan Shannon is Professor of Anthropology at Hunter College and the Graduate Center, The City University of New York. Søren Møller Sørensen is Associate Professor Emeritus at Department for Arts and Cultural Studies, University of Copenhagen. Virginia Danielson retired as Director of Libraries, New York University Abu Dhabi and is currently an Associate of the Music Department at Harvard University.
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  • 20
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031517693
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 199 p.)
    Ausgabe: 1st ed. 2024.
    Paralleltitel: Erscheint auch als Nikro, Norman Saadi Nafssiya, or Edward Said's affective phenomenology of racism
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    Schlagwort(e): Phenomenology . ; Philosophy. ; Postcolonialism. ; Literature
    Kurzfassung: Chapter 1. Introduction: The Strange Disjunction -- Chapter 2. Inventorying the Self: Nafssiya, Elaboration, Recursive Humanism -- Chapter 3. Archival Repositories, Embodied Repertoires, Marxism -- Chapter 4. Beginnings: Said’s Interventionist Scholarship -- Chapter 5. Giving an Account of Himself -- Chapter 6. Towards a Phenomenology of Racism.
    Kurzfassung: This book adapts the Arabic term nafsiyya to trace the phenomenological contours of Edward Said’s analysis of the affective dimensions of colonial and imperial racism. Reflecting on what he called his “colonial education,” Said rendered his Palestinian/Arab background and experience of racism an enabling component of his academic work. The argument focuses on his “personal dimension” section in his introduction to his famous volume Orientalism, discussing key notions of Said’s oeuvre—such as ‘elaboration,’ ‘circumstance,’ ‘humanism,’ ‘worldliness,’ ‘inventory,’ and ‘critical consciousness.’ Providing a lengthy study of his earlier and somewhat neglected Beginnings: Intention and Method, the book discusses the significance of the style of the essay as a key component of what the author calls Said’s interventionist brand of scholarship. The final chapter outlines how Said’s oeuvre can be situated in a genealogy of a radical phenomenology of racism that emerged from the colonies. Norman Saadi Nikro is a research fellow at the Leibniz-Zentrum Moderner Orient. Having Australian and Lebanese backgrounds, he served as an Australian Volunteer Abroad in Ramallah, and was later an Assistant Professor of Humanities at Notre Dame University in Lebanon, before moving to Berlin. .
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  • 21
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031495199
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXII, 420 p. 2 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Journalism. ; Communication in politics. ; Religions.
    Kurzfassung: Chapter 1: Introduction -- Chapter 2: Democracy, News Media, and Religion -- Chapter 3: Religion in the News Media -- Chapter 4: Investigating Religion in the British and Turkish Press -- Chapter 5: The Volume of Coverage of Religion Overall, Christianity, and Islam in British and Turkish Newspapers -- Chapter 6: Framing Religion -- Chapter 7: News Sources -- Chapter 8: Conclusion.
    Kurzfassung: “[…] solidifies religion as an essential topic for journalism studies, an invaluable contribution to scholars of both religion and journalism.” —Associate Professor Gregory P. Perreault, Zimmerman School, University of South Florida, USA “[…] illuminates how, in differing national contexts, state and private sector interests interface with varied media representations of religious majorities and minorities.” —Dr. Paul Weller, Regent’s Park College, University of Oxford, and Emeritus Professor, University of Derby, UK “[…] a useful, significant, original and unique contribution to the scholarly discourse on religion in the news.” —Research Professor Ihsan Yilmaz, Deakin University, Melbourne, Australia “This empirical study, I believe, will have a significant impact both on researchers and journalists willing to rethink their approaches and revise their practices.” —Associate Professor Victor Khroul, Catholic University in Ružomberok, Slovakia This book introduces the first systematic and unified four-dimension democratic approach to newspaper religion reporting. It explores the coverage of faith, with a particular focus on Christianity and Islam, in the British and Turkish national press. The results of framing analysis, conducted through content analysis of 1,022 news articles, reveal that, in both countries, alongside the contrasting portrayals of the minority religions, even the dominant religions had a disproportioned employment of the four dimensions – spiritual, world life, political, and conflict. It contributes to scholarship not only empirically but also theoretically and methodologically, with its theoretical and methodological contribution surpassing its empirical findings. As such, it will transcend geographical and temporal boundaries, making it appealing and relevant to an international audience of academics, professionals, and students in the fields of journalism, religion, democracy, media, communication, society, and culture, as well as individuals from various backgrounds. Dr Ahmed Topkev is a university teacher at Cardiff University’s School of Journalism, Media and Culture.
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  • 22
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031461217
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 245 p. 13 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Postcolonialism and Religions
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    Schlagwort(e): Theology. ; Liberation theology. ; Christianity and culture. ; Philosophy. ; Postcolonialism.
    Kurzfassung: 1 Introduction -- Part I Unsettling Whiteness -- 2 Jesus Christ, Once Was a Savage! Selective Memory, Staged Identity, and Stolen Spaces -- 3 ‘The Poor Bugger Has Suffered Enough’: Vernon Ah Kee, Warwick Thornton, and the Unmaking of a White Jesus -- 4 Unsettling Jesus Christ: Indigenous and Settler Christologies in the Aftermath of Colonisation -- 5 Unsettling Theologies Means Unsettling Theological Institutions! -- Part II Dismantling Colonial Systems -- 6 Uncovering the Mat: Restorative Justice for the Dawn Raids? -- 7 ‘It’s Giving … Colonization’: Challenges to Mental Resilience for Diasporic Christian Pacific Youth -- 8 Unsettling Providential Partnership: A Critical Examination of Robert Maunsell and George Grey’s Partnership in Māori Education -- 9 Spiritualities of Belonging and Intercultural Politics in Australia -- 10 To Conquer and Subdue: An Ecological Reading of Wilderness in Jeremiah 17:5–8 and Beyond -- Part III Un-silencing Alter-Native Theologies -- 11 Taught to Fish but Still Starving: Unsettling Theological Hermeneutics in Oceania -- 12 Archives: From Places of Silence and Silencing to Places of Regeneration -- 13 Beyond the Tautologa: Tu(akoi) from a Geopolitical Lens -- 14 Unsettling Economies: A Moana Account(ing).
    Kurzfassung: How can we understand and respond to past and present entanglements of Christianity with colonisation? What kinds of theological perspectives and approaches are needed in the wake of colonisation and its impact? Unsettling Theologies includes responses to these questions from Aboriginal, Māori, Pasifika, and White scholars. Brian Fiu Kolia is Lecturer in Old Testament Studies at Malua Theological College and an ordained minister of the Congregational Christian Church, Samoa. He grew up in Australia and Samoa and his roots go back to the villages of Sili Savaii, Satapuala, Tufutafoe, and Faleaseela. Michael Mawson is the Maclaurin Goodfellow Associate Professor of Theological and Religious Studies at the University of Auckland/ Waipapa Taumata Rau. He is a Pākehā New Zealander with Scottish and English ancestry.
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  • 23
    ISBN: 9783031493867
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIX, 373 p. 3 illus., 1 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature ; Literature ; Knowledge, Theory of.
    Kurzfassung: 1: Introduction (Davor Beganović, Zrinka Božić, Andrea Milanko, and Ivana Perica) -- PART I: SYNECDOCHIC PROCEDURES -- 2: Analytical vs Synthetic Theories in 1920s Russia (Aage A. Hansen-Löve) -- 3: The Leopard in the Temple: Svetozar Petrović and the Zagreb School (Predrag Brebanović) -- 4: An Analysis of Cultural Icons: A Synecdochic Procedure (Dagmar Burkhart) -- 5: The Points of No Return: The Avant-Garde and the Institutional Crisis (Marina Protrka Štimec) -- PART II: PROCEDURES OF ACCOUNTABILITY -- 6: Inter-esse: Narrative, Theory, and the Stakes of Literature (Tomislav Brlek) -- 7: Studying Literary Multilingualism, Revisiting National Philology: Post-Imperial East-Central European Literature as a Testing Ground (Stijn Vervaet) -- 8: The Rhetoric of the Unsayable (Renate Lachmann) -- 9: Reading the Cultural Trauma: Újvidék Raid (Nevena Daković) -- PART III: PROCEDURES OF MATERIALISM 172 -- 10: The Economies of Theory and Resistance (Stipe Grgas) -- 11: Procedures of Synthesis: Mannheim’s and Lukács’s Third Ways (Ivana Perica) -- 12: On the Heuristic Validity of Aesthetics: Economy, Media and Power in Arkadij and Boris Strugatskijs’ Monday Begins on Saturday (1965) (Jurij Murašov) -- 13: Justice and Guilt: Death and the Dervish by Meša Selimović (Davor Beganović) -- PART IV: MASTERING PROCEDURE -- 14: Is Literary Theory Possible? Interpreting Crisis, Mastering Procedures (Zrinka Božić) -- 15: Literature’s Theories (Svend Erik Larsen) -- 16: Literary Theory and the Return of the Lyric (Andrea Milanko) -- PART V: RESISTING PROCEDURES -- 17: On Halt! (Vivian Liska) -- 18: Writing the Theoria: Genre occidental, Jean-Luc Nancy and Pascal Quignard, a Footnote to Plato’s Seventh Letter, 344c (Nenad Ivić) -- 19: The Stereoscopic Effects of Theory: Procedures of Contingency or Contingencies of Procedure? Notes on the Relationship Between Speculative Realism and Aleatory Materialism (Aleksandar Mijatović).
    Kurzfassung: This volume explores the state of literary theory today, decades after the repeatedly proclaimed end of theory. It builds on the idea that theory is historically constituted as it is “always becoming something else” as Leslie Fiedler claimed in the 1950s, arguing that the historical constitution of theory relies on theory’s procedural nature. In order to assess theory’s procedural challenge to the fundamental notions that all the disciplines within an episteme have brought to the fore, it addresses these questions: What are the procedures theory has relied on? Are they a secret to its resistance, or is resistance its primary procedure? And if so, a resistance to what? Secondly, if resistance were theory’s principal vehicle, at which point does resistance, conceptualized only procedurally (as resisting something, questioning anything, criticizing whatever), display hallmarks of a disciplinary closure that must call for new resistances, and perhaps for a fundamentally another kind? The book turns to what theory does in order to avoid a partial answer to what theory is. Davor Beganović is Lecturer in the Slavic Department of the University of Tübingen and a Research Fellow at the Slavic Department of the University of Münster, Germany. He is the author of Pripovijedanje bez kraja: "Hrvatska pripovjedačka Bosna" od Ive Andrića do Nebojše Lujanovića (2022). Zrinka Božić is an Associate Professor of Literary Theory and History in the Faculty of Humanities and Social Sciences at the University of Zagreb, Croatia. She is the author of The Community in Avant-Garde Literature and Politics (2022). Andrea Milanko is an Assistant Professor of Literary Theory and History in the Faculty of Humanities and Social Sciences at the University of Zagreb, Croatia. She is the author of Pripovjedna proza Slobodana Novaka (forthcoming). Ivana Perica is Postdoctoral Researcher at the Leibniz Center for Literary and Cultural Research (ZfL), Berlin, Germany, and author of Die privat-öffentliche Achse des Politischen: Das Unvernehmen zwischen Hannah Arendt und Jacques Rancière (2016).
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  • 24
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031498886
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 200 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Literature, Science and Medicine
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    Schlagwort(e): Poetry. ; Literature, Modern ; Literature, Modern ; Medicine and the humanities. ; Medical Ethics. ; Science
    Kurzfassung: 1. “Poems are Bodies that Remind Us We Have Bodies”—Poetry, Medical Posthumanism, and Ethical Practice -- 2. Entangled Species / Entangled Health: The Inclusive Poetics of Juliana Spahr -- 3. Health Inequity, Structural Racism, and The Trans-Corporeal Ethics of Claudia Rankine’s Investigative Poetics -- 4. Shared Suffering and Chronic Vulnerability in the Poetry of Brian Teare -- 5. Global Health Equity, Community Building, and the Innovative Poetics of Hong and Perez -- 6. Conclusion: Affirmative Medicine: Queer Figurations and Porous Boundaries.
    Kurzfassung: Advancing Medical Posthumanism Through Twenty-First Century American Poetry places contemporary poetics in dialogue with posthumanism and biomedicine in order to create a framework for advancing a posthuman-affirmative ethics within the culture of medical practice. This book makes a case for a posthumanist understanding of the body—one that sees health and illness not as properties possessed by individual bodies, but as processes that connect bodies to their social and natural environment, shaping their capacity to act, think, and feel. Tana Jean Welch demonstrates how contemporary American poetry is specifically poised to develop a pathway toward a posthuman intervention in biomedicine, the field of medical humanities, medical discourse, and the value systems that guide U.S. healthcare in general. Tana Jean Welch is a poet and scholar of medical humanities and contemporary American poetry. She is Associate Professor of Medical Humanities at the Florida State University College of Medicine where she teaches courses in literature, writing, and humanities and serves as Director of the Chapman Humanities and Arts in Medicine Program. Her critical work has been published in MELUS, The Journal of Ecocriticism, Literature and Medicine, and Academic Medicine. She is also the author of the poetry collections In Parachutes Descending (2024) and Latest Volcano (2016). .
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  • 25
    ISBN: 9783031187247
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 408 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature, Modern ; European literature. ; Russia ; Europe, Eastern ; Soviet Union
    Kurzfassung: Chapter 1. Introduction -- Part I Literary Historiography in Russia After 1990: From a Liberal Search for New Openings Back to the Idea of Russia -- Chapter 2. Historical Introduction -- Chapter 3. Academy of Sciences: Definitive Literary History -- Chapter 4. Post-Soviet University Literary Histories: Defining Russianness -- Chapter 5. Literary History and the Literary Canon in School Education: An Orthodox Upbringing -- Part II Latvian Literature as an Ideologically and Politically Contested Terrain: Literary Historiography Between Foreign Rule, Nationalism, and Comparative Perspectives -- Chapter 6. Introduction: An Outline of the Political and Cultural Development of Latvia -- Chapter 7. Latvian Literary Histories from 1812 to 1940: Popular Enlightenment, Romantic Nationalism, and Political Independence -- Chapter 8. Soviet Latvia and Exile: Political Changes in the Aftermath of WWII and Their Impact on Latvian Literary Histories -- Chapter 9. Literary Histories in the Period of Independence: The 1990s and Early Twenty-First Century -- Part III Politics of Literary History in the Czech Lands -- Chapter 10. 10 Introduction: History, Politics, Culture and the Origins of Literary Historiography in the Czech Lands till 1918 -- Chapter 11. The First Czechoslovak Republic: Literary Historiography 1918–1939 -- Chapter 12. Literary Historiography in the 1950s and Early 1960s -- Chapter 13. Politics and Policies in Literary Historiography During the Periods of “Disobedience” (1963–1969) and “Normalization” (1969–1989) -- Chapter 14. Literary History Since 1989: Directions, Attempts at Synthesis, Challenges -- Chapter 15. Textbooks in Literary History -- Part IV Finland: From Nation-building in Two Languages Towards a European Identity -- Chapter 16. Literary Histories from Mid-Nineteenth to Mid-Twentieth Century: The Viewpoint of Nationalism -- Chapter 17. The Literary History of a Welfare State: Kuusi’s Literary History -- Chapter 18. Celebrating Finland: Laitinen’s Literary History -- Chapter 19. Opening Windows Toward Europe: The Varpio Literary History -- Chapter 20. In Defense of Poesy: Hallila’s Survey of Contemporary Finnish Literature -- Chapter 21. Swedish-Language Literature in Finland: From a National to a Minority Literature -- Chapter 22. Literary History in the Schools: From Nationalism to Cultural Varieties./.
    Kurzfassung: This book looks at literary historiography in Russia, Latvia, the Czech Republic and Finland, focusing on how seismic shifts in state politics and ideology after 1990 changed the writing of national literary histories in these countries. While Russia saw a return to a more nationalist way of thinking about literature and a new emphasis on Orthodox religion after the fall of the Soviet Union, the opposite is true for Latvia, the Czech Republic and Finland. In these countries, literary historiography fosters connections between Western scholarship and literatures written in the national language and engages with questions such as transnationalism, minorities, culture and power, and the cultural construction of identities. This book scrutinizes the different ways in which the construction of national, cultural and European identities has occurred in and through the literary historiography of North-Eastern Europe in the last few decades. Liisa Steinby is Professor Emerita of Comparative Literature at the University of Turku, Finland. Her publications include Myth in the Modern Novel: Imagining the Absolute (2023), co-edited volumes Narrative Concepts in the Study of Eighteenth-Century Literature (2017), and Herder and the Nineteenth Century (2020). Benedikts Kalnačs is Senior Researcher at the Institute of Literature, Folklore and Art, University of Latvia, and Professor of Comparative Literature at the University of Liepāja, Latvia. His publications include A New History of Latvian Literature: The Long Nineteenth Century (ed., with Pauls Daija, 2022). Mikhail Oshukov is Assistant Professor at Petrozavodsk State University, Russia. His publications include the articles "Ezra Pound’s Dramatic Works: Vorticist Noh Theater" (2019), "E.E. Cummings: geometry and grammar of revolution" (2017), and "Familiar Otherness: Peculiarities of dialogue in Ezra Pound’s poetics of inclusion" (2013). Viola Parente-Čapková is Professor of Finnish Literature at the University of Turku, Finland. Her publications include co-edited volumes Women Writing Intimate Spaces: The Long 19th Century at the Fringes of Europe (2023), and Nordic literature of Decadence (2020). .
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  • 26
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031511608
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXIII, 122 p. 2 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Journalism. ; Neurosciences. ; Emotions.
    Kurzfassung: Chapter 1-Neurosciences of communication: a multidisciplinary approach -- Chapter 2- Methodology and procedures -- Chapter 3- What our data tells -- Chapter 4- Discussion: the psychophysiological impact of journalism -- Chapter 5- Conclusion.
    Kurzfassung: This book explores the impact of news and literary journalism on human cognition and emotion. Providing an innovative analysis of psycho-physiological measures, including emotional response, perception of pain, and changes in heartbeat, Nery seeks to understand how readers react to journalistic texts. There is a growing enthusiasm in the search for understanding the processing of information, with some already arguing for the establishment of the neuroscience of communication as a new discipline. By combing neuroscience methods with communication research studies, specifically journalistic research and theory, Nery offers us a unique way of exploring and thinking about news, literary journalism, and the brain. Isabel Nery is an award-winning journalist and researcher, with a PhD in Communication Studies. Her previous works include: ‘Sophia de Mello Breyner Andresen’, biography, ‘The 5 Men Who Changed Portugal Forever’, crossed biographies, ‘The Prisoners’, reportage, and ‘Assault to Parliament', about the Portuguese political transition to democracy.
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  • 27
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031541322
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 156 p. 10 illus., 9 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Macmillan Memory Studies
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    Schlagwort(e): Collective memory. ; Ethnology ; Culture.
    Kurzfassung: Chapter 1: Introduction -- Chapter 2: Memory and scales: culture, institutions, and interaction -- Chapter 3: Shifting memory narratives: the macro-meso link -- Chapter 4: Meso-processes: outsourcing the administration of European memory -- Chapter 5: Micro-level implementation: the politics of situations -- Chapter 6: Epistemic authority in the micro-details of pedagogical memory discourse -- Chapter 7: Conclusion.
    Kurzfassung: This book investigates the entanglement of memory and morality in an extended case study of the memory policy of the European Commission between 2014 and 2020. The main empirical aim is to provide an understanding of how the European Commission, various non-governmental intermediary institutions (including the Memory Studies Association and Euroclio) and, in the end, participants in policy projects, attribute meaning to the past and connect that past with specific norms and values. The book queries how the European Commission turns more general cultural memories into concrete moral discourses in its memory policy; how these policies are institutionally operationalised; what draws these institutions to the European Commission’s memory policy; and what happens when individual citizens are exposed to the outcomes of those policy projects. Theoretically, Outsourcing the European Past integrates theories from cultural sociology, political science, cultural studies and sociolinguistics in an innovative theory of memory. Thomas Van de Putte, PhD, is Postdoctoral Researcher at King’s College London. His first book, Contemporary Auschwitz/Oswiecim: a synchronic, interactional approach to collective memory was published in 2021. He works on questions of cultural and collective Holocaust memory, combining perspectives from sociology, linguistics and cultural studies.
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  • 28
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031522093
    Sprache: Englisch
    Seiten: 1 Online-Ressource(IX, 90 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Performing arts. ; Theater. ; Theater ; Theater ; European literature
    Kurzfassung: “This insightful book tells a neglected story: the history of RSC’s Restoration productions. It combines a loving history of RSC past performance, from the 1960s to the present day, with a bold manifesto for the future. Highly recommended!”– Professor Tiffany Stern, The Shakespeare Institute, University of Birmingham, UK Since its 1967 production of Vanbrugh’s The Relapse, the Royal Shakespeare Company has been the world’s leading producer of Restoration Comedies. This book is the first to document and critique the company’s history of engagement with that repertoire. It reviews the spaces in which productions have been performed, design principles, casting, voicing, textual adaptation, musical direction, actor perspectives, and the problems of how to confront, adopt or depart from received notions of Restoration style. It goes on to posit that, for all the RSC’s explorations of Restoration Comedy, the company has maintained the repertoire as a fringe interest played out in niche spaces, while recycling many of the assumptions it claims to challenge, and that what is needed is the writer-led intervention seen in RSC and National Theatre adaptations of French drama from the same period. Only then can Restoration Comedy begin to engage wider audiences in new sites of political, historical and cultural meaning. David Roberts is Professor of English at Birmingham City University, UK. He has published numerous books and articles about Restoration and earlier seventeenth-century theatre, including the monographs The Ladies: Female Patronage of Restoration Drama (1989), Thomas Betterton (2010), Restoration Plays and Players (2014) and George Farquhar: A Migrant Life Reversed (2018), and editions, including Pinacotheca Bettertonaeana: the Library of a Seventeenth-Century Actor (2013), Congreve’s The Way of the World (2020) and An Apology for the Life of Mr Colley Cibber (2022). David has published articles in, among others, Shakespeare Quarterly, ELH, The Cambridge Quarterly, New Theatre Quarterly, The Review of English Studies and The Times Literary Supplement. Recent commissioned chapters include essays for The Oxford Handbook of Shakespeare and Music (2022), The Oxford Handbook of Restoration Literature (2024) and The Palgrave Handbook of Theatre Censorship (2024). .
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  • 29
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031538698
    Sprache: Englisch
    Seiten: 1 Online-Ressource(IX, 95 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Religion. ; Religion ; Psychology and religion.
    Kurzfassung: Chapter 1: Initial Considerations -- Chapter 2: Dimensions of Meaningful Aging -- Chapter 3: The Longevity of Justice: Assessing Peter Derkx’s Approach.
    Kurzfassung: Aging is a topic of growing interest. As life expectancy in western societies is increasing, the growing number and proportion of ‘elderly’ persons raise urgent questions on how to age ‘well’. Predominantly, questions on aging are taken from biomedical and economic paradigms, which are intertwined. While people of age are seen as a cost in society, biomedical research aims at curing the declining effects of aging, thus furthering ideals of ‘healthy’ aging, ‘active’ aging, or ‘successful’ aging. In this book, Peter Derkx offers a comprehensive account of meaningful aging with Anthony Pinn responding in a fruitful and constructive way, for the benefit and edification of all of us. Peter Derkx is Professor Emeritus of Humanism and Worldviews at the University of Humanistic Studies. Anthony B. Pinn is Agnes Cullen Arnold Distinguished Professor of Humanities at Rice University.
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  • 30
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031531927
    Sprache: Englisch
    Seiten: 1 Online-Ressource(IX, 212 p. 1 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Continental Philosophy. ; Literature
    Kurzfassung: 1. Introduction: Violence and the Text -- 2. Cry Me a Reader -- 3. The Promise of Oblivion -- 4. Transcendental Masochism -- 5. Sublime Sufferings -- 6. Sticks and Stones.
    Kurzfassung: “This book is provocative, compelling, and beautifully written. Zechner has transformed the pain of reading into a very pleasurable experience.” —Elissa Marder (Emory University, USA) The Violence of Reading: Literature and Philosophy at the Threshold of Pain expounds the scene of reading as one that produces an overwhelmed body exposed to uncontainable forms of violence. The book argues that the act of reading induces a representational instability that causes the referential function of language to collapse. This breakdown releases a type of “linguistic pain” (Scarry; Butler; Hamacher) that indicates a constitutive wounding of the reading body. The wound of language marks a rupture between linguistic reality and the phenomenal world. Exploring this rupture in various ways, the book brings together texts and genres from diverse traditions and offers close examinations of the rhetoric of masochism (Sacher-Masoch; Deleuze), the relation between reading and abuse (Nietzsche; Proust; Jelinek), the sublime experience of reading (Kant; Kafka; de Man), the “novel of the institution” (Musil; Campe), and literary suicide (Bachmann; Berryman; Okkervil River). Dominik Zechner served as the Artemis A.W. and Martha Joukowsky Postdoctoral Fellow at Brown University’s Pembroke Center and is currently an Assistant Professor at Rutgers University Zechner is the co-editor of Forces of Education: Walter Benjamin and the Politics of Pedagogy (Bloomsbury, 2023) and Thresholds, Encounters: Paul Celan and the Claim of Philology (SUNY, 2023). He is also the co-editor of a special issue of parallax (“Initiations: The Pitfalls of Beginning,” vol. 28.3, 2022) and the editor of a special issue of Modern Language Notes (“What is a Prize?” vol. 131.5, 2016).
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  • 31
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031535413
    Sprache: Englisch
    Seiten: 1 Online-Ressource(X, 305 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Studies in Global Science Fiction
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    Schlagwort(e): Oriental literature. ; Fiction. ; Popular Culture. ; Translating and interpreting. ; China
    Kurzfassung: Chapter 1. Introduction -- Chapter 2. Kang Youwei’s Book of the Heavens and the Porous Epistemological Grounds of Early-modern Chinese Science Fiction -- Chapter 3. Intelligent Humanoid Machines: Imaginations of Physical and Mental Transformation in late Qing Literature and Their Intellectual Origins -- Chapter 4. The King of Electricity from China: Science, Technology, and the Vision of World Order in Late Qing China -- Chapter 5. Formal Fictions: “Chinese” “Science” “Fiction” in Translation -- Chapter 6. The Writing Editors: Late Qing and Republican Media Professionals as Authors of Science Fiction -- Chapter 7. Projecting Eco-Futures: Cinematic Visions of Utopian Science and Ecology from the Mao Era to the Deng Era -- Chapter 8. Information, the Body, and Humanism in the Chinese Cyber Novel Forty Millennia of Authenticity Cultivation -- Chapter 9. Open Up Your Brain Hole: Spatial Imaginaries in Chinese Online Science Fiction -- Chapter 10. Of Illness and Illusion: The Chaosmology of Han Song’s Hospital Trilogy -- Chapter 11. Liu Cixin and the Cosmic Pastoral -- Chapter 12. Bodies in Transformation: The Politics of Post-80s Science Fiction Authors Chi Hui, Chen Qiufan, and Zhang Ran -- Chapter 13. The Posthuman and the Neo-Baroque in Taiwan Science Fiction .
    Kurzfassung: "The collection, a first-of-its-kind project in English-language scholarship, heralds a kind of Chinese sf studies 2.0, emphasizing the multiple points of origin and the sheer diversity of the histories, cultures, aesthetic expressions, and transmedial forms that together make up the sprawling field of “Chinese science fiction.” —Veronica Hollinger, co-editor, Science Fiction Studies This volume brings together emerging approaches and addresses shifting paradigms in Chinese science fiction studies, offering a window on fan cultures, internet fiction, gender, eco-criticism, post-humanism and biomedical discourse. These studies present a “second wave” of Chinese science fiction studies, re-evaluating the canon of Chinese science fiction print and cinematic production, and expand the range of critical approaches to the subject. These studies also demonstrate that Chinese science fiction represents a significant contribution to modern Chinese cultural production, both in terms of its value, speaking powerfully to our modern condition, and its sheer volume in terms of production and consumption. Chinese science fiction speaks to both China’s rapidly shifting reality, its political multiplicity and its formless future, voicing the anticipations and anxieties of a new epoch filled with accelerating alterations and increasing uncertainty. Mingwei Song is Professor of Modern Chinese Literature at Wellesley College. He is the author of numerous books and research articles, including Young China: National Rejuvenation and the Bildungsroman, 1900–1959 (2015) and Fear of Seeing: A Poetics of Chinese Science Fiction (2023). Nathaniel Isaacson is Associate Professor of Modern Chinese Literature in the Department of World Languages and Cultures at North Carolina State University. He is the author of Celestial Empire: the Emergence of Chinese Science Fiction (2017). Hua Li is Professor of Chinese in the Department of Modern Languages and Literatures at Montana State University. She has published Contemporary Chinese Fiction by Su Tong and Yu Hua: Coming of Age in Troubled Times (2011) and Chinese Science Fiction during the Post-Mao Cultural Thaw (2021).
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  • 32
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031483554
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 254 p. 20 illus., 19 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Geocriticism and Spatial Literary Studies
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    Schlagwort(e): Ecocriticism. ; Literature. ; Literature ; Feminism and literature. ; Space. ; Culture.
    Kurzfassung: 1 Introduction: Cultural Palimpsests of Place -- 2 Sacred Rivers and Groves of India -- 3 Southern Africa: Conflicting Claims on the Land -- 4 Ireland’s Languages of Landscape -- 5 Australia: A Continent Apart -- 6 New York: Harboring World Cultures and Commerce -- 7 Arts of Persuasion.
    Kurzfassung: Taking Place: Environment and Place in Literature and Art explores how works of literature and art help us to rethink the ways that we have perceived, imagined, inhabited, explored, conquered, and shared places. The book offers chapters on India, Southern Africa, Ireland, Australia, and New York City. The literary and artistic works investigated range in time from early indigenous rock art to contemporary literary representations of place. Bonnie Kime Scott participates in ongoing interdisciplinary discussions of ecocritical, feminist, postcolonial, post-humanist and place studies. Bonnie Kime Scott is the author or editor of numerous works concerning modernism, gender and eco-literary studies, including The Gender of Modernism and Virginia Woolf and Modernist Uses of Nature. She taught English Literature and Women’s Studies classes at The University of Delaware and San Diego State University. .
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  • 33
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031402166
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 228 p. 4 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: American Literature Readings in the 21st Century
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    Schlagwort(e): Fiction. ; Creative nonfiction. ; Literature, Modern ; America ; Literature ; Ethics.
    Kurzfassung: Chapter 1 Introduction: Contesting Equilibria: Nussbaum versus Rawls -- Chapter 2 Kantian Dignity -- Chapter 3 Philosophical Literature -- Chapter 4 Trolley Problems -- Chapter 5 Lifeboats -- Chapter 6 Richard Wright’s Travails of Mann -- Chapter 7 Conclusion: Be Reasonable.
    Kurzfassung: This book examines the literature of African-American author Richard Wright and the philosophy of Immanuel Kant, arguing that Wright was not only the foremost proponent of minoritarian protest literature, but also a groundbreaking minoritarian exponent of philosophical literature. In presenting this argument, the volume defends trolley problems from the criticism that some philosophers level against them by promoting their use as an interpretive tool for literary scholars. Starting with Martha C. Nussbaum’s interventions in literary theory concerning Henry James and perceptive equilibrium, this book draws on the philosophical thoughts of her contemporaries—Philippa Foot, John Rawls, Judith Jarvis Thomson, and Derek Parfit—to analyze Uncle Tom’s Children, especially “Down by the Riverside,” alongside other works by Wright. This approach emphasizes Wright’s recognition of the importance and integrity of Kant’s concept of dignity. Michael Wainwright is Honorary Research Associate at the University of London, UK. He is the author of numerous books, including most recently Faulkner’s Ethics: An Intense Struggle (2021), The Rational Shakespeare: Peter Ramus, Edward de Vere, and the Question of Authorship (2018), and Game Theory and Postwar American Literature (2016), all published by Palgrave.
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  • 34
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031420689
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 258 p.)
    Ausgabe: 1st ed. 2024.
    Serie: New Directions in Irish and Irish American Literature
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    Schlagwort(e): Literature ; Drama. ; Queer theory. ; Theater ; Sex.
    Kurzfassung: 1 Introduction -- 2 Family, Normativity, and the Will to Escape -- 3 Moral Prudery, Respectability, and Broken Intimacies -- 4 Sadomasochistic Attachments: Reverse Power and Erotic Stimulations -- 5 Defiant Dykes: New Women against Patriarchy -- 6 Conclusions.
    Kurzfassung: Queering W. B. Yeats and Gabriele D’Annunzio is an important new study that is revelatory not only for what it reveals about these two important playwrights, but also for its innovative approach to methodology. As modernist playwrights, Yeats and D’Annunzio adopted a variety of approaches – both overlapping and contrasting – to their dramaturgy and stagecraft, and this book sheds new light on the political and aesthetic consequences of their work. Of even greater value, however, is Balázs’s extraordinarily deft and original application of queer theory to these writers’ dramas and legacies. The overall impact is to open up new approaches to research in modernism, theatre studies, queer theory – and beyond. -Prof. Patrick Lonergan, University of Galway, Ireland Queering W. B. Yeats and Gabriele D’Annunzio offers a fresh, creative, and highly illuminating approach to the work of two essential yet perplexing modern European playwrights. Reading Yeats through the lens of queer theory unlocks some of the contradictions of his treatment of gender and sexuality, demonstrating that they remain profoundly anti-normative and anti-authoritarian even when citing heteronormative or misogynistic tropes. In addition to provocative and generative readings of some of Yeats's and D’Annunzio’s most difficult plays, Balázs’s book offers a treasure trove of information about modernist theatrical production and the performers who brought these dramas to life. The questions raised in this book about the arts and authority could not possibly be more timely. This book will be essential reading for anyone drawn to the fascinating world of modern European drama. -Prof. Susan Cannon Harris, University of Notre Dame This monograph provides the first fully theorised queer and comparative reading of Yeats’s and D’Annunzio’s drama in light of the playwrights’ rich queer and feminist networks. It uncovers a subversive and often coded social commentary in eight key dramatic texts by each playwright through meticulous and highly topical dramaturgical readings which carry relevant implications for the contemporary moment. Zsuzsanna Balázs is Assistant Professor at Óbuda University in Budapest, Hungary.
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  • 35
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031430671
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVI, 233 p. 12 illus., 11 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Theater ; Actors. ; Classical literature. ; Literature, Ancient. ; Adaptation (Literary, artistic, etc.).
    Kurzfassung: Chapter 1: Introducing The Burnt City and beyond -- Chapter 2: Punchdrunk on the Classics: A History -- Chapter 3: The Burnt City in Development: Rehearsal as Mythopoiesis -- Chapter 4: The Burnt City in Development: Abstracting Ancient Literature -- Chapter 5: The Burnt City in Performance: Place, Space, and Experience -- Chapter 6: The Burnt City’s Legacy: Immersivity, Mimesis, and Enargeia -- Chapter 7: Conclusion.
    Kurzfassung: Punchdrunk on the Classics: Experiencing Immersion in The Burnt City and Beyond draws attention to Punchdrunk’s use of ancient Greek literature in their creation of immersive theatre. The book documents and analyses the effects of utilising Greek tragedy within both Punchdrunk’s creative development windows, and the company’s final staged productions. It features material stretching from The House of Oedipus (2000) right through to The Burnt City (2022-23), on which the author worked as dramaturg. Chapters include rehearsal studies, explorations of how Greek literature can shape an audience’s experience in immersive theatre, and considerations of how The Burnt City might change our understanding of the poetics of immersion in antiquity. Overall, Punchdrunk on the Classics provides an unparalleled depth of insight into an individual Punchdrunk production, and highlights the until-now overlooked significance of antiquity within Punchdrunk’s practice. Emma Cole is Senior Lecturer in Drama at the University of Queensland, Australia; previously, she was Senior Lecturer in Liberal Arts and Classics at the University of Bristol. She is a classicist and a theatre historian and is an expert on Greek tragedy in contemporary theatre. Her previous book, Postdramatic Tragedies, was published in 2019.
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  • 36
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031283222
    Sprache: Englisch
    Seiten: 1 Online-Ressource(92 illus., 64 illus. in color. eReference.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Intermediality. ; Digital media. ; Motion pictures. ; Television broadcasting. ; Mass media and history.
    Kurzfassung: Introduction to The Palgrave Handbook of Intermediality -- Intermediality: Introducing terminology and approaches in the field -- An Updated Survey of Early Interart and Intermediality Roots: Claus Clüver -- Ekphrasis – Intermedial and Anglophone Perspectives -- Intermediality and Medium Specificity -- Intermedialities, Societies, and Power Histories -- Montreal School of Intermediality: Beyond Media Studies -- Case Studies as a Heuristic of Intermediality -- Linnaeus University Center for Intermedial and Multimodal Studies and the legacy of Lars Elleström -- Intermediality in Brazil: a diachronic survey -- An Overview of Intermedial Studies in China -- Intermediality, Semiotics and Media theory -- Intermediality and/in Translation -- Visual Citation in Intermedial Relations -- Reformulating the Theory of Literary Intermediality: A Genealogy from Ut pictura poesis to Poststructuralist In-betweenness -- Transmedial Narratology and Transmedia Storytelling -- The Narrator: A Transmedial Device -- Intermediality, Teaching and Literacy -- Intermedia, Multimedia and Media -- Citational Aesthetics: for Intermediality as Interrelation -- Traditional Chinese Painting: An Intermedial Play of Sister Arts Since the Eleventh Century -- The Anchor and the Dolphin: A History of Emblems -- The Age of Wonder and Entertainment: An Introduction to Intermedial Networks in Baroque Culture -- Intermediality in Seventeenth-Century Baroque Celebrations in Hispanic America: Commissions, Poetry, and Ephemeral Architecture -- Cabinets of Curiosities as a Transhistorical and Intermedial Phenomenon -- Crossing Media Borders: From Intermedial Shakespeares to Shakespearean Intermediality -- Metareference in the Nineteenth-Century Pictorial Press and Beyond -- Picturing Music in the 19th Century -- Prototype models of intermedial praxis (Wagner, Kandinsky, Brecht) and their resonances in contemporary performance -- Intermediality and Liveness at the Turn of the Twentieth Century -- The Sonification of Modernist Fiction: A Critical Review -- Adaptation and Sound -- Music Transformation in Literature -- Collage as a Creative Act: Emergence, Displacement and Re-signification -- Anthropophagic Appropriation and Intermediality -- Late Twentieth-Century Intermedia Poetry in the Americas -- Photo-Journalism and Beyond -- Media borders in a post-media age: the historical and conceptual co-evolution of cinema, television, video and computer screens -- The Qualified Medium of Computer Games: Form and Matter, Technology, and Use -- The Ecological Crisis and Intermedial Studies -- Simulated Climate in Ecological Games: Mediating Climate Change to Endow Players with Transformative Agency -- Intermediality in Theme Parks -- Interactive and Participatory Sound -- Intermediality and Computer Simulation -- Intermediality and Digital Fiction -- Intermediality and Metamediality: From Analog Representations to Digital Resources -- The Recommended Experience: Engaging Networked Media Platforms with Intermediality -- Posthuman Intermedial Semiotics and Distributed Agency for Sustainable Development.
    Kurzfassung: This handbook provides an extensive overview of traditional and emerging research areas within the field of intermediality studies, understood broadly as the study of interrelations among all forms of communicative media types, including transmedial phenomena. Section I offers accounts of the development of the field of intermediality - its histories, theories and methods. Section II, III and IV then explore intermedial facets of communication from ancient times until the 21st century, with discussion on a wide range of cultural and geographical settings, media types, and topics, by contributors from a diverse set of disciplines. It concludes with an emphasis on urgent societal issues that an intermedial perspective might help understand.
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  • 37
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031567063
    Sprache: Englisch
    Seiten: 1 Online-Ressource(IX, 268 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Theology. ; Catholic Church. ; Religion and politics.
    Kurzfassung: Part One – What Did the Council Teach and What’s Wrong with It? -- Chapter One: Why Study Vatican II on Church-State Relations? -- Chapter Two: Survey of Conciliar Documents on Ecclesiology and the Lay Apostolate in Politics -- chapter Three: Defining the Debate in Political Theology -- 3.1 Introduction -- 3.2 Two ways of classifying political theology to be rejected -- 3.3 A qualified acceptance of an alternative classification -- Chapter Four: Reading DH through the Lens of Ecclesial Ethics -- 4.1 Introduction -- 4.2 'Not Late Enough: The Divided Mind of Dignitatis Humanae Personae' -- 4.3 Distinguishing the arguments that are distinctive to ecclesial ethics -- 4.4 First argument: DH's distinctions between nature-grace, reason-revelation -- 4.5 Second argument: distinction between religion and politics -- Chapter Five: Reading LG, AA, and GS through the Lens of Ecclesial Ethics -- 5.1 Introduction -- 5.2 The structure of Cavanaugh's argument -- 5.3 The problematic ecclesiology underlying Catholic Action -- 5.4 The elusive presence of Vatican II in Cavanaugh's thought -- 5.5 The critique of the Dogmatic Constitution on the Church -- 5.6 The critique of the Decree on the Lay Apostolate -- 5.7 The critique of the Pastoral Constitution on the Church in the Modern World -- 5.8 Summary of critique -- Chapter Six: A Critique of Hauerwas and Cavanaugh -- 6.1 Why Hauerwas and Cavanaugh are not sectarians -- 6.2 The modern state as an irredeemable foe -- 6.3 The church as a contrast society -- 6.4 Conclusion -- Part Two – How Can the Church’s Teaching be Corrected? -- Chapter Seven: Methodological Introduction -- Chapter Eight: Powers and Principalities in the New Testament -- 8.1 Introduction -- 8.2 Scholarship on the Powers -- 8.3 The Powers: Created, fallen, defeated -- 8.4 Political authority as one of the Powers -- 8.5 Oliver O'Donovan on the Powers and political authority -- 8.6 Conclusion -- Chapter Nine: Deliverance from the Powers in the church -- 9.1 The sacramental shape of the church -- 9.2 Baptism -- 9.3 Eucharist -- 9.4 Participating in the threefold office: Prophet, Priest, King -- 9.5 Ordained ministry -- Chapter Ten: Learning from the Ambiguous Legacy of Christendom -- 10.1 Bearing witness before the Powers -- 10.2 Mission leading to martyrdom or mutual service -- 10.3 From Two Cities to Two Swords -- 10.4 The Gospel’s impact on political authorities -- Chapter Eleven – Conclusion -- Bibliography.
    Kurzfassung: “To revisit the legacy of Vatican II as it attempted to reconstruct the relation of church and state around a theology of the laity; to honour its ambitions to escape from the straitjacket of a two-level theory of authority; to enrich it with concepts drawn from the primary missionary impulses of the apostolic church and the debates of contemporary political theology; those are the very considerable ambitions of this constantly stimulating book. It should prove rewarding to Christians in all churches, taking one major Christian achievement of the twentieth century as a starting point for an ecumenical approach to the challenges of political life in the twenty first.” —Oliver O'Donovan, Professor Emeritus, University of Edinburgh, Scotland, UK Should religion and politics be kept apart? What should be the relationship between the church and the state? M.Y. Ciftci answers these questions by studying the most important event in the recent history of the Catholic Church: The Second Vatican Council (1962-65). The book provides a new interpretation of the Council’s teaching on church-state relations to better appreciate its flaws and need for reform. By paying attention to the (often overlooked) importance given by the Council to the lay apostolate, it reveals how the Council did not reform, as is often thought, but retained a flawed conception of the laity’s role in politics. It then proposes a new framework for understanding church-state relations using the ressourcement method of returning to scripture and tradition, and by a critical dialogue with Oliver O’Donovan and various Protestant biblical scholars of the Powers in the New Testament. Ciftci shows how fruitful an self-consciously ecumenical approach can be for political theology. As most ressourcement theologians have overlooked political issues, and since ecumenical theology rarely touches on issues of church-state relations, this work makes an original contribution to the ressourcement project and to ecumenism. M. Y. Ciftci is Public Bioethics Fellow at the Anscombe Bioethics Centre. He was previously Etienne Gilson Postdoctoral Fellow at the University of Toronto.
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  • 38
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031567797
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 224 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Ethics. ; Philosophy
    Kurzfassung: Part I. General Introduction -- Chapter 1. Research questions, aims and expected results -- 1.1. A philosophical problem: research questions and aims -- 1.2. Book structure and expected results -- Chapter 2. Methodological remarks -- 2.1. A methodology between reconstruction and interpretation -- 2.1.1. A focus on Adam Smith’s style -- 2.2. Adam Smith’s articulation of the concept of ‘human being’ -- 2.3. Thematic contexts of Smith's elaboration of the concept of the human being -- 2.4. A moral glossary on Smith’s conception of human beings: merit, virtue and propriety -- Chapter 3. Adam Smith’s historical and biographical context -- 3.1. A sketch of Adam Smith’s historical framework -- 3.2. Biographical outline of Adam Smith -- Part II. Adam Smith On Nature And Human Nature -- Chapter 4. A semantic overview of ‘nature’ and ‘natural’ in Adam Smith’s moral philosophy -- 1.1. Nature, human nature and morality -- 1.2. Conclusion -- Chapter 5. A synthesis of Adam Smith’s conception of human nature -- 2.1. Introduction -- 2.2. Sources and theoretical contexts of Adam Smith’s moral conception of human nature -- 2.3. Sociability, the role of language and the human propensity to exchange -- 2.4. Human nature, harmony and society -- 2.5. Human nature and morality: Adam Smith’s conception of self-love -- 2.6. Harmony between oneself and the others in Adam Smith’s moral philosophy: the desire to better one’s condition and the desire to gain deserved approval -- 2.6.1. Some reflections on the role of happiness in Adam Smith’s moral philosophy -- 2.7. Conclusion -- Part III. The Origin And Development Of The Self In Adam Smith’s Moral Philosophy: History And Natural Self Correction -- Chapter 6. Philosophy of history, morality and human beings -- 1.1. Adam Smith’s philosophy of history: conjectural history and four-stage theory -- 1.1.1. History and human nature -- 1.2. Historical context and the self: Adam Smith’s conception of the savage -- 1.3. Conclusion -- Chapter 7. Natural self correction and human beings -- 2.1. Natural self correction and morality: infancy, sympathy and self-development -- 2.2. A focus on the psychological origin of the self -- 2.3. Conclusion -- Part IV. Adam Smith’s Model Of The Mind: Sympathy, Imagination, The Impartial Spectator And Immediacy -- Chapter 8. Perfect and imperfect sympathy in Adam Smith’s moral philosophy -- 1.1. Introduction -- 1.2. Passions in Adam Smith’s moral philosophy -- 1.2.1. The immediate dimension of passions -- 1.3. Natural and moral imagination -- 1.4. Perfect and imperfect sympathy -- 1.5. The terminological shades of sympathy -- 1.6. Conclusion -- Chapter 9. Immediacy as philosophical problem in Adam Smith’s moral theory -- 2.1. Introduction -- 2.2. Imagination, human nature and perception -- 2.2.1. Imagination, harmony and aesthetics -- 2.3. Pleasure and pain in Adam Smith’s moral philosophy -- 2.4. Harmony, imagination and the impartial spectator -- 2.5. Prudence, the impartial spectator and immediacy -- 2.6. The origin and expression of moraljudgment: the impartial spectator and immediacy -- 2.7. Conclusion -- Conclusions.
    Kurzfassung: This book investigates the problematisation in Adam Smith's moral philosophy of a classical question: what makes us human beings from a moral standpoint? To do this, Riccardo Bonfiglioli explores the relationship between the concepts of ‘human nature’, ‘mind’ and ‘the self’ in order to reconstruct Smith’s theory of subjectivity. After providing a systematic reconstruction of Adam Smith’s conceptions of ‘human nature’ , ‘mind’ and ‘the self’ – exploring some aspects of Smith’s philosophy (nature, philosophy of history, sympathy and imagination) and their empirical expressions (education, conduct and character) – Bonfiglioli argues that, in Adam Smith’s work, the meaning of ‘moral human beings’ would depend on the human being’s effort to live in harmony with oneself and the others. According to Bonfiglioli, in Smith’s moral theory, this ‘harmony with oneself and the others’ would be achieved in relation to a certain kind of awareness that can be possible when human beings try to judge the conduct and try to act according to the impartial spectator. Specifically, this impartial spectator is reinterpreted by the author in the light of the concept of immediacy. Riccardo Bonfiglioli is academic tutor and subject expert at the University of Bologna. He is associate member of the Walras-Pareto Centre (University of Lausanne), dynamic psychology researcher and MBSR instructor (Aim Milan).
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  • 39
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031498343
    Sprache: Englisch
    Seiten: 1 Online-Ressource(X, 231 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature, Modern ; European literature.
    Kurzfassung: 1: Introduction -- 2: ‘Straight through those clear blue eyes into his soul’: dreams of transparency in mary elizabeth braddon’s the trail of the serpent (1860) -- 3: ‘The curse that has always followed us’: (dis)inheriting the past in joseph sheridan le fanu’s wylder’s hand (1864) -- 4: ‘Short-spanned living creatures’: evolutionary perspectives and the fate of progress in rhoda broughton’s not wisely, but too well (1867) -- 5: ‘Can I say I believe in it too?’: hesitation and the difficulties of decision in wilkie collins’s armadale (1866) -- 6: Conclusion.
    Kurzfassung: This book re-reads the relationship between the Victorian sensation novel and modernity. Whereas critics have long recognized its appearance in the form of nervous subjects and technologically-enabled mobility, Green contends that sensation fiction also depicts modernity in the form of intellectual and moral discontinuity. Through closely historicist readings of novels by Wilkie Collins and Mary Elizabeth Braddon, as well as by Joseph Sheridan Le Fanu and Rhoda Broughton, this book traces how discontinuity is manifested in the suspenseful plotting of these fictions, through which readers are challenged to revise conventional assumptions about the world and adopt more contingent perspectives. The study demonstrates that reading for this sense of modernity does not merely uncover the genre's engagements with various mid-century contexts. More fundamentally, it broaches a new sense of the function and significance of sensation fiction: the acclimatization of its readers to the discontinuities of modern existence.
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  • 40
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031558061
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 151 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Studies in Humanism and Atheism
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    Schlagwort(e): Religion. ; Religion and sociology. ; Psychology and religion.
    Kurzfassung: 1: Introduction -- 2: Meaningful aging via lifelong growth and development -- 3: Meaning in life and social connectedness -- 3: Wisdom and meaningful aging -- 4: A locked room: The meaning of empathy and being seen, particularly for older adults -- 5: Art of living and art of aging -- 6: Dementia: considerations of what makes a meaningful life -- 7: Gathering data on meaning-in-life among older people: two explorative approaches -- 8: Conclusions on meaningful aging: humanist views.
    Kurzfassung: The main objective of this book is to add, from a humanist perspective, new interdisciplinary insights and research results to the current academic debate on aging. The collection aims to enhance and complement the predominantly biomedical and sociological debates and provide a more comprehensive and highly topical view on aging and old age. By purveying a meaning-in-life perspective to the current debate we want to enrich and to deepen the research on aging, thus aspiring to an ideal of meaningful aging. The starting point of this book is a humanistic meaning frame for addressing basic needs of a meaningful existence, such as having goals in life, a sense of self-worth, connectedness with others, moral justification, a certain degree of understanding (comprehensibility), direction and influence with a view to cohesion in life, and not in the least place: (living) pleasure or excitement. Taken together, the essays show that experiencing a meaningful life contributes to one’s mental resilience, conceived as the ability to realize a humane individuality (autonomy) in thinking and acting in situations of adversity and vulnerability, particularly those faced by older people.
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  • 41
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031468223
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 252 p. 15 illus., 5 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Adaptation and Visual Culture
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    Schlagwort(e): Adaptation (Literary, artistic, etc.).
    Kurzfassung: Chapter 1: Introduction -- Chapter 2: Copyright Law, Authorial Ownership, and Adaptation Between Novels and Plays in Nineteenth-Century Britain -- Chapter 3: Changes in Writer Stratifications across Media in Nineteenth-Century Britain -- Chapter 4: Adaptation, Ownership, and the Emergence of Narrative Film -- Chapter 5: Literary Writers and Filmmaking Practices in Silent Cinema -- Chapter 6: Literary Writers and Early Sound Film: Experimental Writing -- Chapter 7: Conclusion.
    Kurzfassung: “Like a reporter covering nineteenth-century copyright trials, public debates between prominent authors, and major legislative developments, Annie Nissen weaves through a range of examples of writers, including Charles Dickens, Mary Elizabeth Braddon, and George Bernard Shaw, and the many adaptations of their books for stage and screen. This book provides a detailed picture of the business of authorship and adaptation across page, theater, and early film. Enlightening and indispensable.” —Lissette Lopez Szwydky, PhD, Associate Professor, University of Arkansas, USA “Nissen does an outstanding job of pushing deep into a complex matrix of issues. This is an impressive piece of scholarship and an excellent resource for adaptation studies.” —Glenn Jellenik, Associate Professor of English, University of Central Arkansas, USA “Spanning a wide range of authors and a long historical arc, Authors and Adaptation offers important new information about and insights into literature, theatre, film, and adaptation studies. Nissen resurrects theoretically and historically dead authors as live writers creating and critiquing intermedial adaptations, invaluably bridging gaps between theory and practice as well as between disciplines, media, and periods.” —Kamilla Elliott, Professor of Literature and Media, Lancaster University, UK This book studies British literary writers’ engagement with adaptations of their work across literary, theatrical, and film media in the nineteenth and early twentieth centuries. It considers their critical, reflective, and autobiographical writings about the process of adaptation, and traces how their work was shaped, as well as delimited, by their involvement with adaptations to different media and intermedial writing. Linking canonical and non-canonical writers both chronologically and contemporaneously, and bridging studies of prose fiction adaptation from nineteenth-century theatre to early twentieth-century film, this book offers an interdisciplinary, transhistorical, cultural, and analytical study of adaptation and the variable positions of writers within and across media. Annie Nissen currently works at Lancaster University, UK, where she has been an Associate Lecturer for both Film Studies and English Literature and a Research Associate for the ‘Cinema Memory and the Digital Archive’ project. .
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  • 42
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031508325
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 293 p. 9 illus., 7 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Adaptation and Visual Culture
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    Schlagwort(e): Adaptation (Literary, artistic, etc.). ; Television broadcasting.
    Kurzfassung: Paul Sheehan and Blythe Worthy, “Introduction” -- Part 1: Making Comedy Central -- Paul Giles, “The Aesthetics of Television: Genre, Auteur, Canon” -- Paul Sheehan, “Difficult Laughter: Modernist Aesthetics in Better Things and Atlanta” -- Part 2: Criminals, Outlaws, Auteurs -- Shannon Wells-Lassagne, “Entente Cordiale: Sherlock (BBC) and Lupin (Netflix), a Tale of Two Fandoms” -- Thomas Britt, “What Is Television? Two Auteur Series in Literary Contexts” -- Ryan Twomey, “Remixing the Law: Timely and Untimely Politics in Lindelof’s Watchmen ” -- Part 3: Adaptive Disruption: Young Adult and Children’s Television -- Debra Dudek, “Ambiguous Endings and Disrupted Paratexts in The End of the F***ing World and I Am Not Okay With This” -- Sabina Rahman, “From Medieval Legend to Modern Superheroics: Arrow as a 21st-Century Robin Hood” -- Katrine Kwong, “(Re)animating Shakespeare: Screen Theatre, on Television and Online” Pamela Demory, “Queering Emily Dickinson for the Millennial Age” -- Part 4: Transnational Dramas, Transcultural Contexts Blythe Worthy, “The Suburban Serial: tracing textual and community limits in Jane Campion’s Top of the Lake” -- Susan Lever, “Witnessing: Indigenous Life Experience on Television” -- Meenakshi Bharat, “The Dialectic of Transnational Adaptation: The Problematic Web Adaptation of A Suitable Boy” Trisha Dunleavy, “Complex Teenage Passion: Normal People and the Affordances of Cultural Specificity” -- Afterword: Christine Geraghty.
    Kurzfassung: Adapting Television and Literature is an incisive collection of essays that explores the growing sub-category of television adaptations of literature and poetics. Each chapter questions inflexible notions of film / literature and adaptation / intertext, focusing judiciously on emergent or overlooked media and literary forms. These lines of enquiry embrace texts both within and beyond ‘adaptation proper’, to reveal the complex relationships between literary works, television adaptations, and related dialogues of textual interconnectivity. Adapting Television and Literature proposes, in particular, a ‘re-seeing’ of four genres pivotal to television and its history: caustic comedy, which claims for itself more freedoms than other forms of scripted television; auteurist outlaw drama, an offbeat, niche genre that aligns a fixation on lawbreakers with issues of creative control; young adult reinventions that vitalise this popular, yet under-examined area of television studies; and transcultural exchanges, which highlight adaptations beyond the white, Anglo-American programming that dominates ‘peak TV’. Through these genres, Adapting Television and Literature examines the creative resources of adaptation, plotting future paths for enquiries into television, literature and transmedial storytelling. Paul Sheehan is an Associate Professor of Literature at Macquarie University, Sydney. He is the author of two monographs, Modernism, Narrative, and Humanism (2002) and Modernism and the Aesthetics of Violence (2013), both with Cambridge UP. His work on film / television and literary studies includes book chapters on The Matrix Trilogy, HBO’s Deadwood, and Michael Haneke; as well as journal articles on Werner Herzog and HBO’s True Detective. He is currently working on a project about Black modernism and blues culture. Blythe Worthy is a sessional academic in the film studies and English disciplines at The University of Sydney. Blythe has had their research on television and film published by the University of California Press, Edinburgh University Press, Springer, and Rowman and Littlefield. Blythe is Managing Editor of the Australasian Journal of American Studies and has worked in research for SBS and ABC television.
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  • 43
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031547195
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 148 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Religion. ; Religion ; Science
    Kurzfassung: Chapter 1. Preliminary Metaphysical Discourse -- Chapter 2. The Theseus’ Ship Paradox: Possibilities and Limits of a Trans-/Posthumanist Interpretation -- Chapter 3. Theseus and the Minotaur, Ariadne and the Labyrinth. Addressing Contemporary Monsters, Death, and Trans-/Posthumanist ‘Mysticism’.
    Kurzfassung: “Any book of contemporary metaphysics that draws so heavily on Bruno and Leibniz is clearly on the right track! Mattia Geretto does that and more in his book, which extends new materialism down unexpected paths. This is a learned and imaginative work.” —Graham Harman, Southern California Institute of Architecture, USA “In this compact but rich and erudite book, Geretto accomplishes the nearly impossible, reconciling contemporary trans-/post-humanist theories with key texts and concepts—modern and classical, secular and spiritual—threatened with obsolescence in the ongoing deconstruction of the Humanist tradition. In elaborating the possibility of a different metaphysical basis for posthuman thought, Geretto balances the turn to a radical materialism with a pre-modern mystical tradition that locates the immateriality of intelligence in the materiality of being-beyond-the-human.” — Russell Kilbourn, Wilfried Lauriel University, Canada This book addresses the most suggestive themes of transhumanism and critical posthumanism by placing them in dialogue with classic problems of metaphysics, and with some great thinkers of the past (Bruno, Spinoza, and above all Leibniz). The main purpose of this comparison is to invite transhumanists and critical posthumanists to consider a highly complex problematic tradition rooted in the history of philosophy. This study also makes use of examples drawn from the history of mythology, angelology, and mysticism. At the same time, the book promotes dialogue between scholars of classical metaphysics and philosophy of religion, and the potential metaphysical/spiritual theories developed independently by transhumanist and posthumanist thinkers within an anti-dualist and naturalistic philosophical framework. The goal is to ‘enhance’ contemporary transhumanism and posthumanism by promoting the need to safeguard intelligence as a principle, without falling into the trap of a violent and egotistic metaphysics. Mattia Geretto received a PhD in Philosophy of Religion at the University of Perugia, Italy. Among his publications, L’angelologia leibniziana (2010) and many other articles on Leibniz. Since 2011 he is affiliated to Ca' Foscari University of Venice. .
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  • 44
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031568749
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 250 p. 3 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Comparative East-West Philosophy
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    Schlagwort(e): Continental Philosophy. ; Philosophy, Asian. ; Philosophy, Chinese. ; Philosophy.
    Kurzfassung: Chapter 1. Introduction -- Chapter 2. School of Veins I. Veins and Energy -- Chapter 3. School of Veins II. Deleuze’s Three Syntheses of Time and Zhu Xi’s Feeling, Nature, and Mind -- Chapter 4. School of Veins III. Self-Cultivation. Actualization and Counter-Actualization -- Chapter 5. School of Energy qi 氣: Zhang Zai -- Chapter 6. School of Mind: Wang Yangming -- Chapter 7. Summary.
    Kurzfassung: This book “resonates” the work of Chinese and Western philosophers, developing ontological ideas that are neither purely Chinese nor Western. In so doing, it argues that Deleuzian idea of “resonance” offers a model for a new way of doing comparative philosophy in which the comparison actualizes the virtual and counter-actualizes the actual in both compared traditions. More particularly, Neo-Confucian thinkers Zhang Zai (1020–1077), Zhu Xi (1130–1200), and Wang Yangming (1472–1529) are resonated with Baruch Spinoza (1632–1677), Arthur Schopenhauer (1788–1860), Husserlian phenomenology, and Gilles Deleuze (1925–1995). The three Chinese thinkers represent three distinct currents of Neo-Confucianism: the school of veins (li) of Zhu Xi, the school of energy (qi) of Zhang Zai, the school of mind (xin) of Wang Yangming. The method of resonance is used to discuss the following topics: dichotomy of veins and energy, temporality and subjectivity, self-cultivation, all-embracing energy, dichotomy of primary ability and primary knowledge. Margus Ott received a PhD in philosophy at Tallinn University in 2014. He has an extensive publication record in Estonian, including a series of six books of philosophy, a monograph on Chinese music and divination, and a translation of Zhuangzi's "Inner Chapters". .
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  • 45
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031471346
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 263 p. 4 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Adaptation in Theatre and Performance
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    Schlagwort(e): Performing arts. ; Theater. ; Adaptation (Literary, artistic, etc.). ; Motion pictures. ; Balto-Slavic linguistic unity. ; European literature.
    Kurzfassung: Introduction -- Part one -- Chapter 1- the basic concepts in semiotics -- Chapter 2- sign in film and theatre -- Chapter 3 - film and theatre language -- Conclusion -- Part two - the practicum -- Introduction -- Chapter 4 - the novel the fortress as the film discourse -- Chapter 5- the novel the island as the theatre discourse -- Conclusion.
    Kurzfassung: Bosnian Literature on Stage and Screen aims to reconcile theoretical approaches with theatrical and cinematic practices by examining two adaptations based on works by the Bosnian author Meša Selimović. The book is informed by scholarship in film and theatre adaptation theories, and is grounded in a comparative approach that focuses on the interplay of sign systems and codes unique to screen and stage. The book looks closely at two adaptations: a screen adaptation of the novel The Fortress and a stage adaptation of the novel The Island. Sanja Garić-Komnenić holds a PhD in film and theater semiotics and teaches film and media, rhetoric, and academic writing at British Columbia Institute of Technology in Vancouver, Canada. A summary of her PhD thesis, “A Comparative Analysis of the Functions of Film and Theatre Language Units,” was published in The American Journal of Semiotics (Ed. Richard L. Lanigan: 2001. Vol. 17, No.3.). Sanja has translated two books into English, Footprints: Poetry and Threads of Poetical Impression (2008) and the novel Chernovs’ Toil and Peace (2010). Sanja has contributed to The Pacific Rim Review of Books and is a member of the NECS –The European Network for Cinema and Media Studies.
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  • 46
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031440939
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXXIII, 336 p. 11 illus., 3 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: The New Middle Ages
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    Schlagwort(e): Literature, Medieval. ; Europe ; European literature
    Kurzfassung: Chapter 1: Dante's Circle in Time -- Chapter 2: Dante's Circle in Spcace -- Chapter 3: Dante's Schooling, Dante's Library -- Chapter 4: Dante's Colleague, Dante's Editor -- Chapter 5: Dante's Three Beasts -- Chapter 6: Dante's Theater, Dante's Music -- Chapter 7: Dante's Labyrinth, Dante's Cosmos -- Chapter 8: Dante's Decolonialism. .
    Kurzfassung: “An extraordinary journey in Dante’s Florence: the city, the arts, the music all come to life in Julia Bolton Holloway's elegant account of her research. But there is more: Dante and His Circle has much to offer the philologist and historian alike, bringing together the finest tradition of Dante scholarship and a fresh reader’s approach to Italy’s most famous poet.” —Francesco Ciabattoni, Professor in Italian Literature in Georgetown College, Director of Global Medieval Studies, Italian Department, Georgetown University, USA “This fascinating and innovative work offers a fresh look inside Dante's masterpiece, his native city, and medieval life, culture and society. It is not only solidly based on new archival findings, but also highly innovative and a true pleasure to read.” --Nicolino Applauso, Director of the Foreign Language Laboratory, Morgan State University, USA In this book, Julia Bolton Holloway makes use of primary materials in documents, manuscripts and stone monuments in Florence, to place Dante's literary career in its rich context. Dante and His Circle discusses the encyclopaedic multicultural education in classical literature, law, ethics, rhetoric, diplomacy, poetry, music and cosmology Brunetto Latino gave to Guido Cavalcante, Dante Alighieri and Francesco da Barberino. Bolton Holloway traces Latino’s use of Arabic methods he had learned at the Court of Alfonso X el Sabio in Spain in 1260. Next Latino dictates his 'Rettorica', 'Tesoretto' and 'Tesoro' in Italian to his students, following the Sicilian Vespers, the manuscripts of their circle later coming to be re-edited, illustrated and published by Dante's fellow student, Francesco da Barberino, who survived them all and who likewise copied Alfonsine methods for producing the 'Danti del Cento' manuscripts of the 'Commedia'. The book ends by discussing Dante's Decolonialism. Each chapter provides Study Questions for further research. Julia Bolton Holloway is Professor Emerita, Medieval Studies, University of Colorado, Boulder.
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  • 47
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031499593
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 292 p. 12 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
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    Schlagwort(e): Comparative literature. ; Literature, Modern ; Philosophy of mind. ; Self. ; Digital humanities. ; Literary form.
    Kurzfassung: 1 Introduction: Strange Multiplicities -- 2 Philosophy: Eighteenth-Century Theories of Contingent Selfhood -- 3 Fiction: Growing Down in the Novels of Maria Edgeworth and Amelia Opie -- 4 Poetry: Absence of Self in the Sonnets of Charlotte Smith and John Clare -- 5 Drama: Inward Seas in the Tragedies of Joanna Baillie and Charles Harpur -- 6 Life: The ‘Multiform’ Self in Tom Moore’s Letters and Journals of Lord Byron (1830-31) -- 7 Conclusion: Rising to the Challenge of Representation.
    Kurzfassung: This book offers a new critique of selfhood in Romantic literature. In the past, Romanticism has been seen as an individualistic movement, with writers believing in the ‘centrality’ of the self. Challenging this prevailing view of Romanticism and the modern self, this study unveils an alternative tradition of Romantic writing in which the self is fragile, degenerate, non-existent – or in a word, contingent. It combines philosophy, intellectual history, literary studies and digital humanities and takes a transnational approach both in its coverage of philosophical thought and literature, including case studies from England, Ireland, Scotland and colonial Australia, with examples from American and European works as well. The book also uses innovative digital techniques such as text analysis, sentiment mining and network analysis to enrich the exploration of text and context. It covers all major genres of Romantic writing: fiction (realist novels), poetry (the sonnet), non-fiction prose (biography) and drama (gothic tragedy). Providing a new framework for understanding the contingent self, this book is of interest to scholars and students of Romantic literature, philosophy of the self and digital humanities. Michael Falk is Senior Lecturer in Digital Studies in the Faculty of Arts at the University of Melbourne, Australia. He is a literary scholar and programmer, whose work considers how computing can expand the study of literature, and how literature can expand the study of computing. His work appears in the Oxford Encyclopedia of Literary Theory, Interdisciplinary Science Reviews, Frontiers in AI and Robotics, the John Clare Society Journal, and elsewhere. Romanticism and the Contingent Self is his first book.
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  • 48
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031509551
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 195 p.)
    Ausgabe: 1st ed. 2024.
    Serie: New Comparisons in World Literature
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    Schlagwort(e): Literature. ; African literature. ; Comparative literature. ; Prose literature.
    Kurzfassung: 1. Introduction: The Danger of the Single Reading -- 2. Reading Africa in the Neoliberal World-System -- 3. The Longer Walk to Freedom: South African Prophecy and Neoliberal Intervention upon ‘Tragic Africa’ -- 4. ‘Africa awaits its creators’: Subverting Development Narratives -- 5. Back to Utopia: Retrieving the Past to Reclaim the Future -- 6. Conclusion: Towards a Kind of Paradise.
    Kurzfassung: Grounded in world-systemic analysis, this book revisits the literary and social implications of ‘tragedy’ in relation to global narratives about Africa and within fiction by writers from the continent. It argues that working through the full complexity of ‘tragedy’ helps to identify and challenge plots that depict Africa as reaching a tragic impasse. Instead, reconsidering tragedy allows for further, related interventions including the implications of narratives of development, the argument for formally engaging with literary texts that present challenging material, reformulations of African political and cultural agency, and the possibilities to be found in utopian thinking. It claims that contemporary fiction helps to scrutinise the familiar big picture of Africa and create space for discussions about wider political and historical commonalities between the continent and the rest of the world. As such, the novels discussed in this study are not simply ‘about’ Africa: these fictional narratives position Africa as a central actor within the global history of late capitalism. Amy Rushton is Senior Lecturer in English at Nottingham Trent University, UK. They have over a decade of teaching experience and have published numerous articles on African literature, neoliberalism, and contemporary cultural representations of mental distress. Amy is currently Chair of the Board for the National Survivor User Network (NSUN).
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  • 49
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    ISBN: 9783031554971
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXV, 270 p. 37 illus., 34 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Cultural property.
    Kurzfassung: Chapter 1: Politicisation and crisis -- Chapter 2: Bringing the World Heritage regime into view -- Chapter 3: The Faustian pact -- Chapter 4: The name of the orchid: expertise and the sustainable generation of prestige -- Chapter 5: Burnishing the lustre of prestige -- Chapter 6: Brokering between prestige and protection -- Chapter 7: Beneficiaries: experts in the market for prestige -- Chapter 8: From 'World Champion of World Heritage' to 'superpower of culture': World Heritage, prestige and international status -- Chapter 9: Conclusion.
    Kurzfassung: “Deploying … cogent theoretical ideas, lively observations from multilateral meeting rooms and candid remarks confided by key players, James shows how … politics and expertise are inevitably intertwined. Readers interested in heritage conservation, global governance and the political economy of knowledge in our post-truth times will be inspired by his piercing analysis.” (— Christoph Brumann, Head of Research Group, Max Planck Institute for Social Anthropology, Halle, Germany “By foregrounding the figurative and reciprocal economy of ‘prestige’ in the world of heritage conservation, this thorough, empirically grounded study … opens new and important lines of enquiry in understanding the politics of the past in the present. In doing so, the book makes a significant intervention in current debates regarding world heritage and the future of cultural heritage conservation...” — Rodney Harrison, Professor of Heritage Studies, University College London, UK “Interesting and thought-provoking, this book … gives us a glimpse into the inner workings of the UNESCO World Heritage Committee. Engaging and readable, it brings a fresh approach to our understanding of the implementation of the World Heritage Convention.” — Claire Cave, Assistant Professor School of Archaeology, University College Dublin, Ireland Addressing the topic of expertise in international cultural conservation, this book argues that the UNESCO World Heritage regime emerged as a Faustian pact between protection and prestige, and a productive tension between these elements remains at its core, embodied by the heritage expert. Tracing experts’ practices in the World Heritage regime, this book shows how they burnish, broker and themselves benefit from World Heritage prestige. As World Heritage prestige also contributes to states’ international status claims, the stakes are raised, with both the denouement of the pact and the future for World Heritage poised between condemnation and redemption. Luke James is a heritage studies scholar, lawyer and heritage practitioner specialising in World Heritage and international conservation governance. Luke is Lecturer, Cultural Heritage and Museum Studies at Deakin University and previously worked in the Australian Government’s International Heritage Section, with UNESCO and as a heritage consultant.
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  • 50
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031559204
    Sprache: Englisch
    Seiten: 1 Online-Ressource(VII, 233 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Philosophy. ; Education ; Teaching.
    Kurzfassung: Chapter 1. Introduction: Nietzsche, Professor of Philology at the University of Basel, 1869–1879 -- Chapter 2. The “Preface” to the Public Lectures on Education -- Chapter 3. Institutions of Higher Learning, Then and Now, His and Ours -- Chapter 4. The True Metaphysical Significance of Life -- Chapter 5. The “Theoretical Man of Morality” in The Birth of Tragedy -- Chapter 6. Fragments, Notes, and Unfinished Essays of 1872–1874 -- Chapter 7. “We Philologists,” a Draft of an Untimely Meditation -- Chapter 8. Schopenhauer and Our Love and Hate for Culture -- Chapter 9. The “Hard Psychologica” of Human, all too Human -- Chapter 10. Conclusion: Metaphysics, Psychology, and the Free Spirit.
    Kurzfassung: This book examines Nietzsche’s early writings on education, paying particular attention to his thought on scholarship and teaching. Giosuè Ghisalberti examines Nietzsche’s view of himself as a teacher in the broader context of his reflections on scholarship and philology, and puts Nietzsche’s examination into conversation with prominent themes in his later philosophy (including morality, truth, and language). The book is to be read as an assessment of our social predicament, in and out of the university. “We Scholars” According to Nietzsche develops ideas on our contemporary world most especially in institutions of higher learning and how morality is proving to be inimical to freedom. Giosuè Ghisalberti is Professor of Philosophy at Humber College, Canada. He is the author of several books, including Dilemmas of Truth in Alain Badiou’s Philosophy (Palgrave, 2023).
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  • 51
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031426414
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 293 p. 8 illus., 4 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Animals and Literature
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    Schlagwort(e): European literature ; Ecocriticism. ; Poetry. ; Europe ; Animal welfare
    Kurzfassung: Chapter 1. Introduction : Edmund Spenser and Animal Studies -- Chapter 2. Did Edmund Dream of Shorthaired Sheep? -- Chapter 3. Spenser, Marine Life, and the Metaphysics of Extinction: Overfishing and the True Monsters of the Deep -- Chapter 4. The Politics of Hunting: An Aristotelian Reading of Edmund Spenser’s Amoretti 67 -- Chapter 5. Errour’s Repercussions: Dragons, Race, and Animality in The Faerie Queene -- Chapter 6. Spenser’s ‘apish crue’: Aping in Prosopopoia or Mother Hubberds Tale -- Chapter 7. Scorned Little Creatures?: Insects and Genre in Complaints (1591) -- Chapter 8. Spenser’s Parenthetical Butterflies -- Chapter 9. Good to think [with]’: Spenser’s Animals Against Materiality -- Chapter 10. A Fruitful-Headed Beast?: Rhyme in The Faerie Queene -- Chapter 11. Coursers and Courses in The Faerie Queene -- Chapter 12. Spenser’s Wings -- Chapter 13. Coda.
    Kurzfassung: This book is the first extended critical study of the early modern poet Edmund Spenser from the perspective of animal studies. With an introduction situating Spenser in current discussions of animal life and literary form, and early modern animal studies, the book proceeds in four sections: “Animals and Cultural Practices”; “Animals, Slavery, and Race”; “Animals in Complaints”; “Readers and Poetics in The Faerie Queene”. Contributors discuss a broad range of Spenser’s work, putting it into dialogue with a number of early modern discourses, including politics, poetics, and natural history.
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  • 52
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031499555
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXI, 300 p. 15 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Creative writing. ; Ecocriticism. ; Literary form.
    Kurzfassung: Foreword – Graeme Harper -- 1 Introduction – Craig Jordan-Baker and Philippa Holloway -- Part I: Researching and Writing Landscape -- 2 Walking and Making: A Collaborative Autoethnography of our Creative Recoveries – Chris Reading and Jess Moriarty -- 3 Walking In Circles: Getting There, Somewhere, Nowhere – Jenn Ashworth -- 4 Myth-Making and the Urban: Alienation, Folklore and Re-Enchanting the Land – Jon Mason -- 5 Looped: Visually Mapping the Stories of the Past Framed by Experiences of the Present – Barbara Chamberlin -- Part II: Ecocriticism, Psychogeography and Creative Writing -- 6 Disturbing the Weather: Women Outdoors – Moy McCrory -- 7 Psychogeography of the Six Towns: Lyric Cartographies of Stoke on Trent – Mark Brown and Maria J. Martinez Sanchez -- 8 Micro Econarratives: Foraged Poems and Botanical Forms – Lisa Mansell -- Part III: Figures in the Landscape: Character, Place and Context -- 9 Oneiric Spaces: Diaspora, Disappointment and the Locus Amoenus – Craig Jordan-Baker -- 10 Zonesof Alienation: Placing Roadside Picnic and Stalker in the Chernobyl Zone – Nick Rush-Cooper -- 11 Character and Place in ‘Alice and North’ – Anne Caldwell -- Part IV: Writing in the Anthropocene and Beyond -- 12 Jon McGregor’s Reservoir 13: The Posthuman Pastoral in the Contemporary British Novel – Jon McGregor -- 13 The Sand Library: Multispecies Storymaking in Morecambe Bay – Claire Dean -- 14 Then, Now, Forever? Researching and Writing Nuclear Landscapes for The Half-Life of Snails – Philippa Holloway -- 15 A Terrible Beauty, or We Are All Ecopoets Now – Katherine Coles.
    Kurzfassung: This edited collection offers an in-depth exploration of the role of landscape and place as literary ‘settings’. It examines the multifaceted relationships between authors, narrators, and characters to their locales, as well as broader considerations of the significance of the representation of landscape in a world deeply affected by human interventions. Consisting of case studies of projects that engage with these questions, as well as research examining the theoretical underpinnings of both creative practices/processes and post-textual analysis of published works, this volume is both multidisciplinary and interdisciplinary in scope. In the context of the climate crisis and a pandemic which has caused us to re-evaluate the significance of landscape and the environment, it responds to the need to engage current trends within the academy and in broader social debate about our relationship to the natural world. Philippa Holloway is a novelist and Senior Lecturer in Creative Writing at Staffordshire University, UK. As a writer and academic her work is published in internationally, and she has curated international writing projects and collaborated on interdisciplinary projects related to energy production and nuclearity. Craig Jordan-Baker is Senior Lecturer in Creative Writing at the University of Brighton, UK. He is principally a writer of fiction and non-fiction writer and has published peer-reviewed research in a range of creative writing journals. He is also a dramatist, short story writer, arts journalist, walker and forager.
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  • 53
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031219634
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 232 p. 5 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Journalism.
    Kurzfassung: 1. Introduction -- 2. Why study news? The democratic role of news -- 3. Understanding influences on the production of news -- 4. Routines and practices: studying the making of news -- 5. Journalism norms, values, and role perceptions -- 6. Journalism ethics -- 7. The news organisation -- 8. News audiences -- 9. News sources -- 10. Conclusion.
    Kurzfassung: This book provides readers with the understanding required to analyse the range of key factors that shape the production of news, and to assess their implications for the role of news and journalism in democracy. It brings existing research together under the umbrella of a central organising framework to explore how news and its production is shaped by a multiplicity of factors including the norms, values, role perceptions and ethics associated with journalism as a profession, the role of news sources, the changing character and significance of news audiences, the aims and objectives of news organisations, and the political, economic and social contexts within which news is produced. Exploring these factors in depth, using examples, and considering the changing conditions of news production, the chapters chart significant changes, challenges, and responses to provide the essential background for understanding the consequences of current transformations for the democratic qualities of news. Julie Firmstone is Professor of Journalism and Political Communication at the School of Media and Communication, University of Leeds, UK. Her teaching and research explore a range of issues in the intersection between journalism, the news media, politics, and democratic engagement. She has published widely on the role of news and journalism in local democracy; journalism standards, press ethics and regulation; editorial journalism at newspapers; and communication about the European Union. .
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  • 54
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031404238
    Sprache: Englisch
    Seiten: 1 Online-Ressource(VIII, 112 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Fiction. ; Poetry. ; Literature, Modern ; Narration (Rhetoric). ; European literature.
    Kurzfassung: Chapter 1- Sacrifice, Consciousness, and Narrative Pronoun Shifts -- Chapter 2- May Sinclair and Two Sides of Sacrifice -- Chapter 3 - From Ritual to Narrative in Mary Butts -- Chapter 4 - Mending a Broken Duality in H. D. (Hilda Doolittle).
    Kurzfassung: This book explores sacrifice as a narrative theme and a stylistic strategy in works by May Sinclair, Mary Butts and H. D. It argues that the modernist experiment with pronoun use informs the treatment of acts of sacrifice in the texts, understood both as acts of self-renunciation and as ritual performance. It also suggests that sacrifice, if the conditions are right, can serve as the structure upon which a cohesive community might be built. The book offers in-depth analyses of the three authors and their works, deftly dissecting the modernist narrative experiment to show that it was by no means limited — it was a means by which to approach a wide range of stories and materials. Sanna Melin Schyllert is Visiting Lecturer at Université Sorbonne Nouvelle - Paris 3, France, having previously held posts at Lund University, the University of Westminster, and University College London. Her publications include ‘Sacrifice, Pronoun Shifts and the Creation of Self in H. D.’s Prose Works’ in The Space Between Journal (2019) and ‘Sacrifice, Community and Narrative Power in Mary Butts’s Taverner Novels’ in The Journal of Religious History, Literature and Culture (2016).
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  • 55
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031401107
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 154 p.)
    Ausgabe: 1st ed. 2024.
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Fiction. ; Literature, Modern ; European literature. ; Poetry.
    Kurzfassung: 1. ‘The Bride-Night Fire’: Hardy & the Voice of the Folk -- 2. A Pair of Blue Eyes: The Cliff-Scene and the Literary Sublime -- 3. Moments of (Technological) Vision -- 4. ‘The Withered Arm’ and History -- 5. (Un)Binding the Sheaves: Selfhood and Labour in Tess of the d’Urbervilles -- 6. ‘The Open’: Hardy and Jefferies -- 7. The d’Urberville Family Portraits: Faciality and Identity -- 8. Tess of the d’Urbervilles and the Fin de Siècle -- 9. Wayfaring -- 10. Hardy’s Lyric Voice: ‘Beeny Cliff’ -- 11. ‘The Face at the Casement’: Window Patterns in Hardy’s Poetry.
    Kurzfassung: This book examines Thomas Hardy’s writing in both prose and poetry, focusing on issues of perception, ‘being’, class and environment. It illustrates the ways in which Hardy represents a social world which serves as a ‘horizon’ for the individual and explores the dialectic between the perceptible world and human consciousness. Ebbatson demonstrates how, in Hardy’s oeuvre, modern life becomes alienated from its roots in rural life – individual freedom is achieved in works like Tess of the d'Urbervilles, Jude the Obscure or The Woodlanders at the cost of personal insecurity and a deepening sense of homelessness. However, this development occurs against the marginalisation of dialect forms of speech. This book also explores how Hardy’s impressionist vision serves to undermine the prevailing conventions of plot structure. Roger Ebbatson is Visiting Professor at Lancaster University and Emeritus Professor at University of Worcester, UK. He is the author of numerous books, including Literature and Landscape (2013) and Landscapes of Eternal Return (2016).
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  • 56
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031418549
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 350 p. 4 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Popular music. ; Ethnology ; Culture. ; Popular Culture.
    Kurzfassung: 1: Introduction and Background -- 2: Zimdancehall's Pre-History and Roots -- 3: Zimdancehall and Youth Culture -- 4: The Zimdancehall Underground and Youth Resistance from the Margins -- 5: Zimdancehall Music and the Voices of Zimbabwean Youth -- 6: Say Their Name: Zimdancehall Chanters & the Politics of Representation -- 7: Zimdancehall and The State -- 8: Zimdancehall and Everyday Urbanism -- 9. Zimdancehall's Elite Capture -- 10: Soul Jah Love's Necropolitianism -- 11: Soul Jah Love and Representations of Orphanhood and Motherhood in Zimdancehall -- 12: Soul Jah Love and the Ambivalent Representation of Women in Zimdancehall -- 13: Feminist Zimdancehall's Subversion of Women's Objectification -- 14: Religion and Spirituality in Zimdancehall -- 15: Zimdancehall and Afrofuturism -- 16: Zimdancehall's Future.
    Kurzfassung: Zimdancehall is a musical movement in Zimbabwe that has grown significantly since 2010. The Zimdancehall Revolution brings together critical essays on various aspects of Zimdancehall culture by scholars from diverse disciplines. Traditionally, music critics and senior academics have not taken Zimdancehall seriously, regarding it as vulgar, transient, bubble gum, lacking depth, and in short, a fad. There were also allegations that the lyrics influenced factionalism, incited violence and glorified drug use and unbridled promiscuity among the youth. This book affords this movement the protracted intellectual engagement that it deserves and argues that Zimdancehall is more than just a musical genre but an everyday culture, a way of life. The genre’s close association with the ghetto is telling and enables critics to look at it as a social movement, a revolution, or a raw, petulant and raging disturbance of peace by those who live their lives on the margins. It is, thus, a violent irruption onto the public space by marginalised young people whose presence as artistes creating art from the margins, simultaneously as victims and agents, circulating in a geography that escapes the limits of nationalist ideological and physical territory, in a way subverts communitarian prescriptions and allows young people entry into the world, albeit in a painful, tumultuous and violent way. The essays range from the mapping of the genre’s historical development to theoretical interventions in understanding the genre and its relationship with various aspects of the Zimbabwean society like politics, gender, religion, language, dance, cultural values and other genres.
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  • 57
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031395703
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIV, 230 p. 3 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Animals and Literature
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    Schlagwort(e): Literature, Modern ; Ecocriticism. ; Literature ; Animal welfare ; Science
    Kurzfassung: Chapter 1. Introduction: honey, wax, pollination Alexis Harley, La Trobe University, Christopher Harrington, La Trobe University -- Chapter 2. “Science and the Sacred Honeybee in the Nineteenth Century” Diane M. Rodgers, Northern Illinois University -- Chapter 3. “Housewives and Old Wives: sex and superstition in English Beekeeping” Adam Ebert, Mount Mercy University -- Chapter 4. “Unsettling Homes”: Honeybees, Georgiana Molloy and Colonial Beekeeping in Australia Jessica White, University of Adelaide -- Chapter 5. “The Social Insect and the Fashionable Newspaper”: Bee Poetry in the Oracle and World Claire Knowles, La Trobe University -- Chapter 6. “A Nineteenth-Century Beeography: Lucy Peacock’s The Life of a Bee Related by Herself (1800)” Samantha George, University of Hertfordshire -- Chapter 7. “Keats’s Honeybees: Sound, Passion, and Natural Prophecy” Hermione de Almeida, University of Tulsa.-Chapter 8. “Bumblebees and Emily Dickinson” Camilla Chen, Oxford University -- Chapter 9. A Hive Turned Upside Down: Drone Bees and the Chartist Imaginary Christopher Harrington, La Trobe University -- Chapter 10. “Through the Agency of Bees”: Charles Darwin, John Lubbock, and the Secret Lives of Plants and People” Jonathan Smith, University of Michigan -- Chapter 11. “Queens and Drones in Thomas Hardy’s Wessex” Alexis Harley, La Trobe University -- Chapter 12. “The Experimental Eminence of Darwin’s Bees” John Clark, St Andrews University.
    Kurzfassung: "For centuries, humans have invested enormous weight in the symbol of the honey bee. The authors of the meticulously-researched Bees, Science, Sex and Literature in the Long Nineteenth Century show how the symbol changes radically in the literature and culture of the nineteenth-century, as emerging technologies and new biological discoveries clash with long-held agrarian and poetic traditions." —Tammy Horn Potter, author of Bees and America: How the Honey Bee Shaped a Nation The long nineteenth century (1789-1914) has been described as an axial age in the history of both bees and literature. It was the period in which the ecological and agronomic values that are still attributed to bees by modern industrial society were first established, and it was the period in which one bee species (the European honeybee) completed its dispersal to every habitable continent on Earth. At the same time, literature – which would enable, represent and in some cases repress or disavow this radical transformation of bees’ fortunes ­– was undergoing its own set of transformations. Bees, Science, and Sex in the Literature of the Long Nineteenth Century navigates the various developments that occurred in the scientific study of bees and in beekeeping during this period of remarkable change, focusing on the bees themselves, those with whom they lived, and how old and new ideas about bees found expression in an ever-diversifying range of literary media. Ranging across literary forms and genres, the studies in this volume show the ubiquity of bees in nineteenth-century culture, demonstrate the queer specificity of writing about and with bees, and foreground new avenues for research into an animal profoundly implicated in the political, economic, ecological, emotional and aesthetic conditions of the modern world. Alexis Harley lectures in literary studies at La Trobe University, Australia. She is the author of Autobiologies: Charles Darwin and the Natural History of the Self. She has kept honeybees since 2012. Christopher Harrington teaches literary studies at Victoria University in Melbourne. He has published numerous articles on the representation of bees and insects in literature.
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  • 58
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    ISBN: 9783031439650
    Sprache: Englisch
    Seiten: 1 Online-Ressource(IX, 164 p. 1 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Pop Music, Culture and Identity
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    Schlagwort(e): Popular music. ; Service industries. ; Communication and traffic.
    Kurzfassung: 1. Introduction: How Digital Platforms are Changing Music -- 2. Streaming: Where it Comes From -- 3. Platforms: Why Music Depends on Them -- 4. Algorithms: Who Selects Music for Us -- 5. Listeners: How They Shape Music Consumption Practices -- 6. Artificial Intelligence: Where the Music of the Future is Heading -- 7. Conclusions: What is the Value of Music. .
    Kurzfassung: "Magaudda and Bonini present a look into digital platforms that will change the conversation about how platforms operate. Instead of assuming that platforms are neutral, Magaudda and Bonini show that platforms are embedded in networks of people. As a result, they show how platforms have become the new gatekeepers for cultural content. This book will change the way we think about platforms for years to come." —David Arditi, Associate Professor of Sociology at the University of Texas at Arlington, USA "Magaudda and Bonini are two of the most prolific and thoughtful scholars on the topic of music and technology. In this book they provide insight into how streaming platforms are shaping music production and consumption cultures. This book will help us better grasp how we can intervene in creating a music ecosystem that benefits everyone.” —Robert Prey, Assistant Professor at the Center for Media and Journalism Studies, University of Groningen, Netherlands Grounded in more than a decade of field research, this book uses empirical examples, quantitative data, and qualitative interviews with young music consumers as well as music industry professionals to understand how the platforms behind music production, distribution and listening work in our digital society. Bringing together the perspectives from science and technology studies, media studies, and the political economy of digital platforms, the book outlines the process of mutual construction between music digital platforms and the cultural value of music in today’s society, and also reflects on the complicated relationship between the power of platforms and the agency of listeners. Tiziano Bonini is Associate Professor in Sociology of Culture and Communication at the University of Siena. He has co-edited the book Radio Audiences and Participation in the age of network society (with B. Monclus, Routledge, 2015) and co-authored the book Algorithms of Resistance (with E. Treré, MIT Press, 2024). Paolo Magaudda is Associate Professor in Sociology of Culture and Communication at the University of Padova. He is author of History of Digital Media (with G. Balbi, Routledge, 2018) and Youth People and The Smartphone (with M. Drusian and C.M. Scarcelli, Palgrave 2022). .
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  • 59
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    ISBN: 9783031403453
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIX, 227 p. 3 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: New Directions in Irish and Irish American Literature
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    Schlagwort(e): Literature, Modern ; Literature, Modern ; Literature, Modern ; Medicine and the humanities. ; Great Britain
    Kurzfassung: 1 The Story of Tuberculosis in Ireland: An Overview.-2 The Nameless Scourge: Tuberculosis in Ireland, 1800–the Present.-3 The Unspoken Menace -- 4 Dracula, Ireland’s Vampiric Vector -- 5 The Lingering and “The Dead”: Illusion and Irony in Early Twentieth-Century Irish Fiction -- 6 Contagion and Community in Irish Fiction 1900–1942 -- 7 Naming the Scourge and the “Sanatorium of the Imagination”.
    Kurzfassung: This book focuses on Ireland’s lived experience of tuberculosis as represented in the nation’s fiction; not surprisingly, the disease both manifests and conceals itself with devastating frequency in literature as it did in life. It seeks to place the history of tuberculosis in Ireland, from 1800 until after its virtual eradication in the mid-Twentieth Century, in conversation with fictional representations or repressions of a condition so fearsome that until very recently it was usually referred to by code words and euphemisms rather than by its name. Rachael Sealy Lynch, Associate Professor Emerita of English at the University of Connecticut, USA, works primarily in the field of recent and contemporary Irish women writers, and, more recently, in the medical humanities. She has published widely, with a focus on sex, stigma, and shame, on writers including Anne Enright, Jennifer Johnston, Molly Keane, Edna O’Brien, Emma Donoghue, Mary Lavin, and Liam O’Flaherty.
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  • 60
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    ISBN: 9783031449956
    Sprache: Englisch
    Seiten: 1 Online-Ressource(IX, 235 p. 1 illus.)
    Ausgabe: 1st ed. 2024.
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Literature, Modern ; Literature, Modern ; Fiction. ; Economics. ; Culture.
    Kurzfassung: 1. Introduction: Cosmopolitanism’s New Orientations -- 2. New Intersections in Fiction: Cosmopolitanism, Culture and Economics -- 3. Narrative Glocality and The Cosmoflâneur in Ian McEwan’s Saturday.-4. Vernacular Cosmopolitanism, Cosmopolitan Culture and Economics in Zadie Smith’s NW.-5. Cosmopolitan Identity and Narration in Salman Rushdie’s The Golden House: The Move Towards Vernacular Cosmopolitanism.-6. Posthuman Cosmopolitanism and Post-Covid-19 Sensitivities In Kazuo Ishiguro’s Klara And The Sun.-7. Conclusion: The Genre of The Contemporary -- References.-Index.
    Kurzfassung: “A nuanced, carefully articulated and insightful piece of scholarship. Paying attention to urgent political and social developments, including Brexit and Covid-19, Elif Toprak Sakız deepens our understanding of the dynamic interplay between culture and economics in the twenty-first century.” - Kristian Shaw, Associate Professor of English Literature, University of Lincoln, U.K “Through an engaging assessment of exemplary works of contemporary British fiction, Toprak-Sakiz provides a rich, thoughtful and critical reflection on the multiple meanings and dimensions of cosmopolitanism. This is an extremely timely and vital discussion on a key topic for our turbulent times.” - Steven Vertovec, Director of the Department of Socio-Cultural Diversity, Max Planck Institute for the Study of Religious and Ethnic Diversity, Germany This book investigates how culture and economics define novel forms of cosmopolitanism and cosmopolitan fiction. Tracing cosmopolitanism’s transition from universalism to vernacularism, the book opens up new avenues for reading cosmopolitan fiction by offering a precise and convenient set of terminology. The figure of the cosmoflâneur identifies a contemporary cosmopolitan character’s urban mobility and wandering consciousness in interaction with the global and the local. Posthuman cosmopolitanism also extends the meaning of cosmopolitan which comes to embrace the nonhuman alongside the human element. Defining narrative glocality, political hyper-awareness, and narrative immediacy, the book thoroughly explores how cosmopolitan narration forges direct responses to the contemporary world in postmillennial cosmopolitan novels. All of these concepts are elaborated in Ian McEwan’s Saturday (2005), Zadie Smith’s NW (2012), Salman Rushdie’s The Golden House (2017), and Kazuo Ishiguro’s Klara and the Sun (2021), to which world-engagement is central. Elif Toprak Sakız holds a PhD in English Literature from Middle East Technical University, Ankara, Türkiye. Her areas of interest include cultural studies, twenty-first-century fiction, narrative theory and posthumanism. She is a lecturer of Foreign Languages and Comparative Literature at Dokuz Eylul University, where she has been teaching since 2010. She has published several articles in the fields of contemporary fiction, postcolonialism, gender studies and comparative literature.
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  • 61
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    ISBN: 9783031301797
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 264 p.)
    Ausgabe: 1st ed. 2024.
    Serie: American Literature Readings in the 21st Century
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    Schlagwort(e): America ; Ethnology ; Culture. ; Race. ; Globalization. ; Emigration and immigration.
    Kurzfassung: Introduction: Beyond Borders. Inclusion and Exclusion in American Culture -- Isamu: Becoming Nisei -- Part I. Perpetuating Otherness. Relocation to the Outside Within -- “Don’t Fence Me In”: Interiorized Outsides and Japanese American Concentration Camps -- The Resonance of the Hostage Crisis in Funny in Farsi: A Memoir of Growing up Iranian in America (2004) and the Limits of Hospitality -- Cartographies of Inclusion/Exclusion and Contested Belongings in Raquel Cepeda’s Bird of Paradise: How I Became a Latina -- Part II. Beyond Sovereign Frames: Contesting Imaginaries and National Myths -- Foreigners in their Own Land: Nathaniel Hawthorne and the Creation of Tolerated Strangers -- E Pluribus Unum?: Disintegrating the Melting Pot Myth in American Science Fiction Narratives of National Fragmentation -- Inhospitable Homelands: Practices of Inclusion and Exclusion in African American War Narratives -- Monsters or Men?: Guillermo del Toro’s Allegories of American Othering in The Shape of Water -- Part III. Welcoming the Stranger Inside?: Exclusive Inclusion in the Age of Neoliberalism -- Strangers in the Homeland: Dystopic (in)Hospitality in McCarthy’s The Road -- Riding the Beast: Of Borders, Aliens, and Hospitality in Valeria Luiselli’s Lost Children Archive (2019) and Tell Me How It Ends (2017) -- Grief, Hospitality, and the Frontier in Chloé Zhao’s Nomadland (2020) -- Nonsecular Thirdspaces in Ayad Akhtar’s American Dervish and Homeland Elegies -- The Ugly Guy (Novel Excerpt).
    Kurzfassung: American Borders: Inclusion and Exclusion in US Culture provides an overview of American culture produced in a range of contexts, from the founding of the nation to the age of globalization and neoliberalism, in order to understand the diverse literary landscapes of the United States from a twenty-first century perspective. The authors confront American exceptionalism, discourses on freedom and democracy, and US foundational narratives by reassessing the literary canon and exploring ethnic literature, culture, and film with a focus on identity and exclusion. Their contributions envision different manifestations of conviviality and estrangement and deconstruct neoliberal slogans, analyzing hospitable inclusion in relation to national history and ideologies. By looking at representations of foreignness and conditional belonging in literature and film from different ethnic traditions, the volume fleshes out a new border dialectic that conveys the heterogeneity of American boundaries beyond the opposition inside/outside. Paula Barba Guerrero is Assistant Professor of American Literature and Culture at Universidad de Salamanca, Spain. Her research interests include African American literature, space studies, memory, nostalgia, and speculative fiction. Mónica Fernández Jiménez holds a PhD in English from the University of Valladolid, Spain, and currently works as a translator in England. Her research interests include Caribbean literature, Postcolonial Studies, American imperialism, and ecocriticism.
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  • 62
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    ISBN: 9783031475719
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 227 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Journalism. ; Communication in economic development. ; Diplomacy.
    Kurzfassung: Chapter 1 Australia’s voice in the Indo-Pacific: why transnational broadcasts are vital -- Chapter 2 The Indo Pacific's broadcast landscape, its strategic, military value -- Chapter 3 Distribution via Shortwave, Satellites and Social Media -- Chapter 4 Broadcast Voices in the Indo-Pacific -- Chapter 5 The rise of China’s international broadcasting services -- Chapter 6 Diplomacy, propaganda, and journalism in the digital landscape -- Chapter 7 Social and mobile media in times of disaster -- Chapter 8 Fact-checking and Verification: The changing role of professional journalists -- Chapter 9 A case study of media tensions in the Solomon Islands, China and Australia -- Chapter 10 The Future and Funding of Transnational Broadcasting and Soft Diplomacy in the Indo-Pacific.
    Kurzfassung: “This book makes a significant contribution to knowledge about media in the Indo-Pacific, a region where trustworthy information is fundamental to securing peace inside and beyond the boundary. Wake and her fellow authors examine how the many different news ecosystems are facing the challenges brought about by social media, propaganda, misinformation, and disinformation.” —Prof Colleen Murrell, Dublin City University, Dublin, Ireland “Almost every Australian knows about the ABC, and has an opinion about it. Far fewer know much about the ABC’s role to broadcast into countries in the Indo-Pacific region. Wake is an expert in this field who is able to draw on her experience working at the ABC and buttress it with reflection and scholarship. She has brought together a team of leading contributors to explore the urgent need to adequately fund international broadcasting.” —Prof Matthew Ricketson, Deakin University, Melbourne, Australia Transnational Broadcasting in the Indo-Pacific brings together research spanning journalism, broadcast and political science to interrogate the issues arising from a rapidly changing global political and broadcast environment. This book asks: Why is there increasing interest in the provision of English-language media in the Indo-Pacific from countries like China? What are the implications for the traditional providers of foreign-produced news such as the Australia Broadcasting Corporation and the British Broadcasting Corporation? What now is the role of social media in the creation of broadcast journalism, and why is there panic in diplomatic circles about some of the journalism that originates from broadcasters in China and Russia? The result is a book that offers an insight into a rapidly transforming media landscape, the changing state of international relations, and the rise of new powers. Alexandra Wake is an Associate Professor in Journalism in the School of Media and Communication at RMIT University, Australia. She is the elected President of the Journalism Education and Research Association of Australia. Before becoming an academic, she worked as a senior journalist and editor with the Australian Broadcasting Corporation.
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    ISBN: 9783031321344
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIX, 277 p. 46 illus., 36 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Adaptation and Visual Culture
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    Schlagwort(e): Adaptation (Literary, artistic, etc.). ; Arts. ; Culture
    Kurzfassung: INTRODUCTION.-PART 1: INTERACTIONS AND EXPANDED FIELDS -- CHAPTER 1 Dave McKean: “One plus one equals three” -- CHAPTER 2 Kate Newell: “Illustration and Adaptation in the Balbussos’ Pride and Prejudice (2013) and The Handmaid’s Tale (2012)” -- CHAPTER 3 Kamilla Elliott, “Ad-app-tive illustration: Alice for the iPad”.-PART 2: AFTERLIVES -- CHAPTER 4 Nathalie Collé, “‘[T]o mix colours for painters’ and illustrate and adapt Gulliver’s Travels worldwide: street murals, adaptability and transmediality” -- CHAPTER 5Ann Lewis, “Adapting Novel Illustration for the Almanac: Text/Image Relations in Chodowiecki’s Illustrations for Rousseau’s Julie” -- CHAPTER 6 Chris Louttit, “‘Alternative Dickens’: The Graphic Adaptation of the Inimitable in The New Yorker”.-PART 3: BEYOND ILLUSTRATION -- CHAPTER 7David Pinho Barros, “Drawing from Ozu: An intermedial consideration on clear line illustrations based on clear line film frames” -- CHAPTER 8 Julie LeBlanc, “Ekphrasis, illustration and adaptation: Annie Ernaux’s intermedial autobiographic and photographic production” -- CHAPTER 9Hélène Martinelli, “The ‘Great Image-Maker’ or the animation of illustrations in Karel Zeman’s Deadly Invention”.-PART 4: ILLUSTRATION AND TRANSCULTURAL ADAPTATION -- CHAPTER 10 Carol Adlam, “The Bobrov Affair: Creating a Graphic Novel Adaptation of a ‘Lost’ Russian-Empire Crime Novel” -- CHAPTER 11 Xavier Giudicelli, “Adapting, Translating, Illustrating: French Ballads of Reading Gaol in Word and Image” -- CHAPTER 12 Miriam Vieira, “What if the Grimms had been born in Brazil? The case of (illustrated) adaptations” -- CHAPTER 13 Camila Augusta Pires de Figueiredo: “The transcultural adaptation of The Little Prince to Brazilian cordel literature”.
    Kurzfassung: This collection examines the relationship between illustration and adaptation from an intermedial and transcultural perspective. It aims to foster a dialogue between two fields that co-exist without necessarily acknowledging advances in each other’s domains, providing an argument for defining illustration as a form of adaptation, as well as an intermedial practice that redefines what we mean by adaptation. The volume embraces both a specific and an extended definition of illustration that accounts for its inclusion among the web of adaptive practices that developed with the rise of new media and intermediality. The contributors explore how crossovers may contribute to reappraise their objects, and rely on a transmedial and interdisciplinary corpus exploring the boundaries between illustration and other media such as texts, graphic novels, comics, theatre, film and mobile applications. Arguably adaptation, like intermediality, is an umbrella term that covers a variety of practices and products, and both of them have been shaped by intense debates over their boundaries and internal definitions. Illustration belongs to each of these areas, and this volume proposes insight into how illustration not only relates to adaptation and intermediality but how each field is redefined, enriched and also challenged by such interactions. Shannon Wells-Lassagne has worked extensively on film and television adaptation. She is the author of Television and Serial Adaptation, and the editor of Adapting Margaret Atwood (Palgrave), Adapting Endings, as well as of special issues of The Journal of Screenwriting, Interfaces, and TV/Series, Screen and Series. Sophie Aymes works on intermediality, modernist book history and illustration in 20th-century Britain. She has co-edited several word-and-image journal issues (inInterfaces and Image [&] Narrative), volumes on illustration (series Book Practices and Textual Itineraries), and a collection on Art and Science in Word and Image.
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  • 64
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031477393
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXI, 239 p. 22 illus., 11 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Structuralism. ; Science ; Poststructuralism. ; Literature ; Continental Philosophy.
    Kurzfassung: 1. Natural magic -- 2. Postmodern utopias -- 3. The debate: Cuvier and Geoffroy -- 4. Adaptationism and the author -- 5. Formalism and autonomy -- 6. The poetic function -- 7. Constitutive relations of life -- 8. The interpreting organism -- 9. Literary and biological evolution -- 10. The post-structuralist subject -- 11. Constructed views of life -- 12. Working with the whole organism.
    Kurzfassung: The book considers biology in parallel with philosophical structuralism in order to argue that notions of form in the organism are analogous to similar ideas in structuralist philosophy and literary theory. This analogy is then used to shed light on debates among biological scientists from the turn of the 19th century to the present day, including Cuvier, Geoffroy Saint-Hilaire, Dawkins, Crick, Goodwin, Rosen and West-Eberhard. The book critiques the endorsement of genetic manipulation and bioengineering as keys to solving agricultural and environmental problems, suggesting that alternative models have been marginalized in the promotion of this discourse. Drawing from the work of philosophers including Cassirer, Saussure, Jakobson and Foucault the book ultimately argues that methods based on agroecology, supported by molecular applications (such as marker-assisted selection, MAS), can both advance agricultural development and remain focused on the whole organism. .
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  • 65
    ISBN: 9783031398926
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 303 p. 4 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Macmillan Memory Studies
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Collective memory. ; Cultural property. ; Ethnology. ; Culture. ; Peace.
    Kurzfassung: CHAPTER 1: Introduction. Mass atrocities, memory and cultural representations in the Global South - Lungile A. Tshuma, Mphathisi Ndlovu and Shepherd Mpofu -- CHAPTER 2: Decolonizing memory studies - Lungile Augustine Tshuma -- CHAPTER 3: The Cold War politics and the dynamics of conflicts in the Global South - Mphathisi Ndlovu and Lungile A. Tshuma -- CHAPTER 4: Resisting oblivion and memory: The destruction of Gukurahundi memorial plaques in Zimbabwe - Shepherd Mpofu and Siphosami Malunga, Executive Director of the Open Society Initiative for Southern Africa (OSISA) and a human rights lawyer -- CHAPTER 5: A Country of Mass Graves: Topography of Death and the Spectrality of Disappearances in Contemporary Mexico - Pedro J Gonzalez Corona, PhD, Assistant Professor - Holocaust Studies, University of Texas at Dallas, USA -- CHAPTER 6: Memories of Nigeria-Biafra War, 1967-1970: A Case of Nsukka Igbo - Ngozika Anthonia Obi-Ani, Senior Lecturer in the Department of History and International Studies, University of Nigeria, Nsukka -- CHAPTER 7: Memoricide, Apologias, and Representation: Centring Rwanda’s ‘Double Genocide’ Discourse in the Present Tense - Nick Mdika Tembo, PhD, Associate Professor and Head of the English Department at the University of Malawi -- CHAPTER 8: Fiction literary texts as sites of alternative memory and archive making. By Gibson Ncube, PhD, Lecturer at Stellenbosch University and Yemurai Gwatirisa, PhD, Senior Lecturer at the University of Zimbabwe -- CHAPTER 9: “Carving their place in history”: Reconstructing Public Memories of Colonial Struggle through Women’s Writing. By Asante Lucy Mtenje, PhD, Associate Professor at University of Malawi -- CHAPTER 10: Genocide, memory work and the falsehood of human rights in postapartheid South Africa - Khanyile Mlotshwa, PhD, Rosa Luxemburg Stiftung (RLS) Global Scholarly Dialogue Programme research fellow -- CHAPTER 11: ‘Witnessing’ and ‘postmemories’ in Gukurahundi Documentary Films: A case study of The Children of the Genocide (2021) - Mphathisi Ndlovu -- CHAPTER 12: Exploring the representation of genocidal rape in Hotel Rwanda (2004) and The Greatest Silence: Rape in the Congo (2007): A gendered perspective - Blessed Ngwenya, PhD, Research Associate at the University of South Africa, and Mcebisi Ngwenya, Independent Researcher -- CHAPTER 13: The constructions of the Homoine massacre in Mozambican mainstream newspapers - Isaias Carlos Fuel, PhD candidate at Universidade Federal do Rio Grande do Sul, Brazil, Alexandre Dinis Zavala, PhD, Lecturer at Escola Superior de Journalismo, Mozambique and Carlos Vitannisso, lecturer at Escola Superior de Journalismo, Mozambique -- CHAPTER 14: On memory-making: Truth telling, reconciliation and peacebuilding in Zimbabwe - Darlington Tshuma, policy analyst and governance specialist/2021 Africa Policy Fellow of the School of Transnational Governance (STG) at the European University Institute in Florence, Italy and Talent Moyo, Lecturer at the Midlands State University, Zimbabwe.
    Kurzfassung: This book explores how popular cultural artifacts, literary texts, commemorative practices and other forms of remembrances are used to convey, transmit and contest memories of mass atrocities in the Global South. Some of these historical atrocities took place during the Cold war. As such, this book unpacks the influence or role of the global powers in conflict in the Global South. Contributors are grappling with a number of issues such as the politics of memorialization, memory conflicts, exhumations, reburials, historical dialogue, peacebuilding and social healing, memory activism, visual representation, transgenerational transmission of memories, and identity politics. Mphathisi Ndlovu is a research fellow at Stellenbosch University (South Africa). Mphathisi is also an Associate Professor of Journalism and Media Studies at the National University of Science and Technology (Zimbabwe). He is also an alumnus of the Alliance for Historical Dialogue and Accountability (AHDA) fellowship at Columbia University's Institute for the Study of Human Rights. Mphathisi holds a PhD in Journalism from Stellenbosch University. His research interests are in collective memory, identity politics and digital cultures. Mphathisi’s works have been published as book chapters, and peer reviewed articles in journals such as Digital Journalism, African Cultural Studies, Journal of Genocide Research, and Nations and Nationalism. Mphathisi is also co-editor of a book titled The Idea of Matabeleland in Digital Spaces: Genealogies, Discourses and EpistemicStruggles (2022). Lungile Augustine Tshuma holds a PhD in Journalism from the University of Johannesburg, South Africa. He is a Senior PostDoctoral Fellow in the Department of Communication and Media at the University of Johannesburg in South Africa. Lungile is also an Associate Professor in the department of Journalism and Media Studies at the National University of Science and Technology (Zimbabwe). His research interests are in journalism, photography and memory. He has published in local and international peer reviewed journals and among them are: African Journalism Studies, Nations and Nationalism, Media Culture and Society, and Journal of Communication Inquiry. Shepherd Mpofu is Associate Professor of Media and Communication at the University of South Africa. He has published several articles on communication, media and journalism in Africa. His body of work covers social media and politics; social media and identity; social media and protests. He is the co-editor of New Journalism Ecologies in East and Southern Africa: Innovations, Participatory and Newsmaking Cultures (Palgrave 2023); Decolonising Media and Communication Studies Education in Sub-Saharan Africa (Routledge 2023) and Mediating Xenophobia In Africa (Palgrave 2020). He is editor of The Politics Of Laughter In The Social Media Age: Perspectives From The Global South (Palgrave Macmillan 2021) and Digital Humour In The COVID-19 Pandemic: Perspectives From The Global South (Palgrave Macmillan 2021).
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  • 66
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031492266
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 141 p. 30 illus., 22 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Bernard Shaw and His Contemporaries
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    Schlagwort(e): Playwriting. ; Dramatists. ; Theater ; Artificial intelligence. ; Technology
    Kurzfassung: Chapter One: Bernard Shaw, Automata, Robots and Artificial Intelligence -- Chapter Two: Shaw and Automata -- Chapter Three: Shaw and Robots -- Chapter Four: Shaw and Artificial Intelligence -- Chapter Five: Artificial Intelligence as a Partner in Shaw Studies -- Chapter Six: The Way Forward: Shaw and Artificial Intelligence.
    Kurzfassung: This project is the first to explore how Bernard Shaw intersects constructively with automata, robots and artificial intelligence (AI). Shaw was born in the golden age of the automaton. His Bible on the Life Force and Creative Evolution, Back to Methuselah, was written when Karel and Josef Čapek coined the word “robot.” Shaw’s life ran in parallel with the rise of AI, and the big names in AI were his contemporaries. Moreover, empirical analyses of Shavian texts and images using AI uncovers possibilities for new interpretations, demonstrating how future renditions of his works may make use of these advanced technologies to broaden Shaw’s audience, readership and scholarship. Kay Li is an established Shaw scholar and Adjunct Professor in the Department of English at University of Toronto, Canada. She is one of the founding members of the International Shaw Society, is the Project Leader of the SAGITTARIUS–ORION Digitizing Project on Bernard Shaw funded by the Social Sciences and Humanities Research Council of Canada, and the Arts and Artificial Intelligence project funded by Canadian Heritage. Her books include Bernard Shaw and China: Cross-Cultural Encounters (2007) and Bernard Shaw’s Bridges to Chinese Culture (Palgrave Macmillan, 2016). Kay has also published many articles in peer-reviewed journals, especially in SHAW: The Journal of Bernard Shaw Studies. .
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  • 67
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031494918
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIX, 313 p. 5 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Education ; Social sciences ; Knowledge, Theory of. ; Science ; Political science
    Kurzfassung: 1. Bad Philosophy, the Climate Crisis, and other Global Problems -- 2. Bad Academic Philosophy Responsible for Global Problems -- 3. The Post-Cartesian Blunder, and The Failure to Develop Philosophy as Critical Fundamentalism -- 4. The Post-Newtonian Blunder, and The Failure to Develop Aim-Oriented Empiricism -- 5. The Post-Enlightenment Blunder, and the Failure to Develop Academic Inquiry so as to Become Rationally Devoted to Helping Humanity Create a Civilized World -- 6. What We Need to Do -- 7. Appendix 1 How to Solve Hume’s Problem of Induction -- 8. Appendix 2 How Aim-Oriented Empiricism Would Benefit Science.
    Kurzfassung: Universities have long been dominated by a philosophy of inquiry that may be called knowledge-inquiry. This holds that, in order to do justice to the basic humanitarian aim of helping to promote human welfare, academic inquiry must, in the first instance, seek knowledge and technological know-how. First, knowledge is to be acquired; once acquired, it can be applied to help promote human welfare. But this philosophy of knowledge-inquiry is an intellectual and humanitarian disaster. It violates three of the four most elementary rules of rational problem solving conceivable, and as a result fails to give priority to the task of helping humanity resolve those conflicts and problems of living, such as the climate and nature crises, that need to be resolved if we are to make progress to a better world – a world in which there is peace, democracy, justice, liberty, and sustainable prosperity, for all. Very few academics today are aware of this rationality scandal. We urgently need to bring about a revolution in universities around the world, wherever possible, so that academic inquiry puts all four rules of rational problem solving into practice, and becomes rationally devoted to helping humanity learn how to make progress towards a better world. Knowledge-inquiry needs to become wisdom-inquiry, rationally devoted to helping humanity create a wiser world. Nicholas Maxwell is Emeritus Reader at University College London. He has devoted much of his working life to arguing we need to bring about a revolution in academia so that it comes to seek and promote wisdom and does not just acquire and apply knowledge. He has published fifteen books on this theme.
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  • 68
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031475009
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXV, 317 p. 4 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Pathways for Ecumenical and Interreligious Dialogue
    Paralleltitel: Erscheint auch als 500 Years of Christianity and the global Filipino/a
    Schlagwort(e): Theology. ; Religions. ; East Asia. ; Religion ; Ethnology ; Culture. ; Southeast Asia ; Asian history ; Asiatische Geschichte ; Christentum ; Christian theology ; Christianity ; Cultural studies ; Geschichte der Religion ; HISTORY / Asia / Southeast Asia ; History of religion ; Kulturwissenschaften ; Oriental religions ; Ostasiatische Religionen ; RELIGION / Christian Theology / General ; RELIGION / Christianity / General ; RELIGION / Christianity / History ; RELIGION / Eastern ; SOCIAL SCIENCE / Anthropology / Cultural ; Theologie ; Philippinen ; Philippines
    Kurzfassung: 1 Philippine Christianity: 500 Years of Resistance and Accommodation -- 2 Indigenization as Appropriation (What Being Baptized Could Have Meant for the Natives of Cebu in 1521) -- 3 The Double Truth of (Colonial) Mission -- 4 Rethinking Encounters and Re-imagining Muslim-Christian Relations in Post-colonial Philippines -- 5 The Glocal Filipins and the Pasyon Through the Lens of Ethnicity -- 6 An Independent Catholic, Nationalist People’s Movement: The Iglesia Filipina Independiente (Philippine Independent Church) -- 7 Philippine, Independent and International: The Relationship Between—the Iglesia Filipina Independiente and the Old Catholic Churches -- 8 Indigenous Inculturation: A Hermeneutics of Serendipity -- 9 Decolonizing the Diaspora through the Center for Babaylan Studies -- 10 Back from the Crocodile’s Belly: Christian Formation Meets Indigenous Resurrection Redux -- 11 The Ygollotes’ Pudong and the Insurrection of the Reeds In the Post-Human Commune -- 12 Introducing Jeepney Hermeneutics: Reading the Bible as Canaanites -- 13 Inang Diyos, Inang Bayan: The Virgin Mary and Filipino Identity -- 14 Bangon Na, Pinays Rise Up: Reclaiming Pinay Power Dismantled by a Christian Colonial Past and Present -- 15 Re-Baptizing Spirit in Land and Ancestry: An Approach for Un-Doing Christian Colonialism -- 16 Toward Reclaiming the Wisdom of our Forebears: Nature and Environment from a Filipino Perspective.
    Kurzfassung: The year 2021 marked the five-hundredth anniversary of Christianity in the Philippines. With over 90% of the Filipin@s (Filipino/as) in the country and more than eight million around the world identifying as Christian, they are a significant force reshaping global Christianity. The fifth centenary called for celebration, reflection, and critique. This book represents the voices of theologians in the Philippines, the United States, Australia, and around the world examining Christianity in the Philippines through a postcolonial theological lens that suggests the desire to go beyond the colonial in all its contemporary manifestations. Part 1, “Rethinking the Encounters,” focuses on introducing the context of Christianity’s arrival in the archipelago and its effect on its peoples. Part 2, “Reappropriation, Resistance, and Decolonization,” grapples with the enduring presence of coloniality in Filipinreligious practices. It also celebrates the ways Christianity has been critically and creatively reimagined. Cristina Lledo Gomez is the Presentation Sisters Lecturer at BBI-The Australian Institute of Theological Education (BBI-TAITE) and a Research Fellow for the Australian Centre for Christianity and Culture, Charles Sturt University, Australia. Her role at BBI-TAITE is directed toward promoting women’s spiritualities, feminist theologies, and ecotheologies. Agnes M. Brazal is a Full Professor in the Department of Theology and Religious Education at De La Salle University Manila, The Philippines, former President of DaKaTeo (Catholic Theological Society of the Philippines), and author/editor of eleven books that include A Theology of Southeast Asia: Liberation-Postcolonial Ethics in the Philippines (2019). Ma. Marilou S. Ibita is an Associate Professor in the Department of Theology and Religious Education at De La Salle University, The Philippines, and a Visiting Professor in the Faculty of Theology and Religious Studies at the Katholieke Universiteit Leuven, Belgium. Her research centers around biblical literature and Jewish-Christian dialogue.
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  • 69
    ISBN: 9783031503924
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIX, 342 p. 3 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Sustainable Development Goals Series
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    Schlagwort(e): Africa ; Human ecology ; Food science.
    Kurzfassung: Chapter 1. Religion, Climate change and Food security in Africa -- Chapter 2. Prophetic action, Climate Change, food security and SDG 2 in Africa -- Chapter 3. Islam, Climate Change, food security and SDG 2 in Morocco -- Chapter 4. Religion, Climate Change and food availability and accessibility in Africa -- Chapter 5. Religious Perspectives on Climate Change and Food Security in Ghana -- Chapter 6. Rastafarianism, climate change and Crop Failure in Africa -- Chapter 7. Catholicism, climate change and pests in Africa -- Chapter 8. Farming God's Way to avert crop failure and pests in Malawi -- Chapter 9. Crop diseases and Food insecurity in Africa: A Hindu Perspective -- Chapter 10. Indigenous Knowledge Systems and Food Security in the Context of Climate Change: A Case Study of Bota Reshupa (Herbal Porridge) among the Ndau of Zimbabwe -- Chapter 11. Indigenous knowledge systems, climate Change and food security in Kenya -- Chapter 12. African Women, Religion and Food Securityin the Context of Pandemics -- Chapter 13. Gender, Religion, food security and climate change in Africa -- Chapter 14. Women, Religion and food insecurity of urban people in South Africa -- Chapter 15. Climate-related conflicts, religion and food production and distribution in Africa -- Chapter 16. Faith-Based Organisations and Food Security in Africa: A Critical Review -- Chapter 17. Pentecostalism, Theology of Survival and Food Security in Zimbabwe -- Chapter 18. Religion, food security and resilience of Rural people in Ghana -- Chapter 19. Religion, Food security and Climate Change Mitigation: A Case of Luangwa Valley Women of Present Eastern Zambia.
    Kurzfassung: This book addresses the relationship between religion, climate change, and food security in Africa. Contributors to this volume interrogate how and to what extent religion in Africa serves as a resource (or confounding factor) in responding to Sustainable Development Goals 13 (action on climate change) and 2 (achieve Zero Hunger, achieve food security and improved nutrition, and promote sustainable agriculture). Approaching the theme from diverse disciplinary and methodological angles, contributors probe the potential role of religion in Africa to accelerate the achievement of these two SDGs, especially the role of religion with regard to food availability, food accessibility, food utilization, and food systems stability. Loreen Maseno is a Senior Lecturer, Department of Religion, Theology and Philosophy, Maseno University, Kenya and Research fellow, University of South Africa (UNISA). David Andrew Omona is an Associate Professor of Ethics and International Relations and Dean School of Social Sciences at Uganda Christian University. Ezra Chitando is Professor of History and Phenomenology of Religion at the University of Zimbabwe. Sophia Chirongoma is a Senior Lecturer in the Religious Studies Department at Midlands State University, Zimbabwe.
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  • 70
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031412110
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 259 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Metaphysics. ; Science
    Kurzfassung: Introduction -- Michael Polanyi and the Post-Critical Approach to Philosophy -- Polanyi’s Copernican Realism: Content, Reception, and Relation to Three Contemporary Realisms -- From Epistemology to Metaphysics -- The Material and the Immaterial in a Post-Critical Platonist Metaphysics -- Aristotle, Plato, and Polanyi on Access to Forms -- Post-Critical Platonism -- Conclusion./.
    Kurzfassung: “A provocative interpretation of such Polanyian ideas as fields, ordering principles, and comprehensive entities which re-energize Plato’s notion of the Forms.” —Walter Gulick, Professor Emeritus of Philosophy, Humanities and Religious Studies, Montana State University Billings “Some of the most intellectually exciting work in Polanyi studies. It promises to have an important impact beyond most all that has gone before. It makes plain how Polanyi fits into the history of metaphysics and it enables us to see beyond Polanyi's own shortcomings and lacunae qua philosopher, resolving many of the long-standing controversies among Polanyi scholars.” —Dale Cannon, Professor Emeritus of Philosophy & Religious Studies, Western Oregon University This book tells the story of how the Platonic vision of Michael Polanyi – the Hungarian-British chemist and philosopher – bridges the gap between speculative metaphysics and scientific practice, thus making sense of the broad swathe of human experience in a phenomenologically satisfying fashion. The central proposal is that Polanyi is a Platonist due to his affirmation of the ontological status of abstract objects, with particular focus placed on the question of uninstantiated universals. The book engages contemporary, speculative realists from both continental and analytic traditions as it introduces Polanyi’s influential epistemology and unpacks the fascinating metaphysics implied thereby. It then proceeds to develop Polanyi’s rather unsystematic metaphysics into a coherent, post-critical Platonism which incorporates his well-known theory of tacit knowledge, thus achieving something akin to the ancient Neoplatonic synthesis of Plato and Aristotle in our contemporary, scientific context. Martin E. Turkis II is a philosopher, teacher, and musician residing in San Francisco. He holds a Ph.D. in philosophy with honors from the University of Navarra. His interests include political economy, virtue ethics, and philosophy of education. He is an associate editor of the journal Tradition and Discovery.
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  • 71
    ISBN: 9783031427718
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 187 p. 20 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Communication in politics. ; Social media. ; Africa ; Identity politics.
    Kurzfassung: Chapter 1. (Introduction) Election discourse in Africa: Some critical considerations -- Chapter 2. Digital rhetoric of pandemic elections: Toward multilingual multimodal information design -- Chapter 3. Metaphors and metonymies in Akosua cartoons in the Daily Guide on Ghana’s electoral politics: A cognitive linguistic approach -- Chapter 4. An examination of the communicative functions of Nana Addo Dankwa Akufo-Addo’s inaugural addresses -- Chapter 5. Political economy of vigilantism in Ghana’s 2020 general election -- Chapter 6. Social media, and electoral disagreements in Ghana’s election 2020 -- Chapter 7. Dialogic communication on digital platforms as public relations technique: A case of two political parties in Ghana -- Chapter 8. Direct address and ethical performance of political discourse: An analysis of Naana Jane Opoku-Agyemang’s inauguration speech -- Chapter 9. (Afterword) Democracy, education, and public scholarship.
    Kurzfassung: This book explores issues at the intersection of communication and African electoral politics, taking Ghana’s 2020 general election as a focus of investigation. This interdisciplinary volume redresses gaps in the literature by highlighting the relevance of language and communication to electoral politics in Sub-Saharan Africa in the period of a global pandemic. The collection accounts for local influences on election discourse and illustrates how the specific context within which such discourse is enacted informs the linguistic, multimodal and technological choices of sociopolitical actors. The non-Western perspective it adopts extends work on political communication in a context underexplored in the literature and contributes to ongoing critical conversations on the decolonial and postcolonial aspects of communication studies. Drawing on a variety of data, including political speeches, political cartoons, election campaigns and social media posts, the volume not only addresses the dearth of scholarly work on African political communication, but also demonstrates the complexity of such scholarship and its importance to a comprehensive understanding of contemporary research on language and politics. This book enriches academic and public discussions on the future of democracy across the globe from a linguistic or communication perspective, expands scholarly work on African rhetoric and underscores the importance of engaging with diverse knowledge systems, especially non-Western epistemologies. Eliasu Mumuni (Ph.D.) is a Senior Lecturer and the Head of the Department for Communication, Innovation and Technology at the University for Development Studies, Ghana. He is also a Fulbright Scholar at the Appalachian State University. Mark Nartey (Ph.D.) is Lecturer in English Language and Linguistics at the University of the West of England. Ruby Pappoe (Ph.D.) is a Teaching Assistant Professor in Technical Writing at the University of North Carolina, Chapel Hill. Nancy Henaku (Ph.D.) is a Lecturer at the Department of English, University of Ghana. G. Edzordzi Agbozo (Ph.D.) is an Assistant Professor of English at the University of North Carolina Wilmington.
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  • 72
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    ISBN: 9783031499678
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIV, 280 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Philosophy. ; Economics. ; Law ; Social sciences
    Kurzfassung: Chapter 1: Introduction: Breaking Free from Private Control Over Knowledge -- Chapter 2: First Prolegomena: A Brief History of Intellectual Property -- Chapter 3: Prolegomena: Rationalisation of Intellectual Property -- Chapter 4: Prolegomena: The Dangers of Intellectual Property -- Chapter 5: Conclusion: Social Disintegration and the Privatisation of Knowledge.
    Kurzfassung: The Paradox of Intellectual Property in Capitalism is an innovative book that comprehensively discusses and analyses intellectual property under capitalistic social conditions and relations. It not only addresses some historical developments of intellectual property but also brings to the fore the very notion of what knowledge is, knowledge creation, and knowledge production and appropriation within a Marxist framework. Nonetheless, the adopted approach pays heed to multiple fields of knowledge, providing rich discussions that facilitate the understanding of actual social totality in which capitalism, knowledge production and appropriation, and the struggles of appropriation mutually reinforce each other, although not devoid of antagonisms and contradictions. In light of contemporary capitalism, the transformations that social property relations are undergoing must be scrutinised – such as those brought about by the development of digitalisation and the convergence between big pharma and tech giants. What are the conditions of intellectual property creation today? What theoretical assumptions does it make? Under what social relations is intellectual property produced? Throughout, the emphasis is not on individual cases or symptoms but on the overarching logic: the logic of capitalism as revealed in intellectual property. João Romeiro Hermeto holds a PhD in philosophy from the Witten/Herdecke University, Germany.
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  • 73
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031532788
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 224 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Film genres. ; Gender identity in mass media. ; Motion pictures, American.
    Kurzfassung: Part I: Female Bodies/Disposable Bodies -- 1. “Woke Gal Gone Bad: Gender Trouble and Populism in Ready or Not (2019) and Wrong Turn (2021)” Eduardo Valls Oyarzun -- 2 “Moral Waste in the Key of Horror: The Perfection (2018) and the #MeToo Movement Onscreen "Noelia Gregorio-Fernández -- 3. “Rape Culture, Horror, Genre Hybridization and Feminist Reception in Jennifer’s Body (2009) and Promising Young Woman (2020)” Asier Gil Vázquez -- 4. “The Culture that Can’t Anymore: Ari Aster’s Midsommar (2019) as Pilgrimage of a Traumatized Society”Marta Brkljačić -- 5. “Universal Darkness: A Transnational Perspective on Social Horror”Elena Furlanetto._Part II: Female as Creation Force Revisited -- 6. “Mother! Nature: Creation, Apocalypse, Climate Skepticism, and Darren Aronofsky’s Mother! (2017)” Zachary Ingle -- 7. “Monsters, Women, and Magic: Intersecting Hierarchies of Gender and Religion in The Witch (2015)” Cristina Casado Presa -- 8. “Nature and Horror: An Ecocritical Reading of Take Shelter (2011)” Nisa Harika Güzel Köşker._Part III: Gender(ed) Anxieties -- 9. “The Masculinities of Neo-Confederate Cultural Warfare in Antebellum (2020)” Juan José Arroyo-Paniagua and Steven McClain -- 10. “Gaslighting, Entrapping, and Trauma: Notes on #MeToo Horror Films” Todd K._Platts -- 11. “Aging as a Trope in American Horror Movies: From The Children of the Corn (1984) to The Visit (2015)” Marta Miquel-Baldellou.-12. “Searching for ‘The Final Girl’: We Are What We Are (2013), Missing Testimonials, and Media Invisibility of Missing and Murdered Mexican Indigenous Women” Mayra Ramales.
    Kurzfassung: “The interweaving of gender and horror serves as an unsettling lens through which current socio-cultural and political upheavals can be read. The present publication offers a kaleidoscopic analysis of our contemporary moment through an array of films, with each one shedding light on the transgressions, fears, and traumas still inscribed on the gendered body. This is a must-read volume that turns its attention to film-captured corporeal violence that marks the 21st century.” Tatiani G. Rapatzikou- Associate Professor, Department of American Literature and Culture (Aristotle University of Thessaloniki, Greece). EAAS Secretary General 2014-2022. “Culture Wars and Horror Movies is an excellent survey of contemporary horror cinema within its various political and cultural contexts. Uniformly insightful, the essays gathered here illuminate much of what horror since the millennium is about. Highly recommended.” Barry Keith Grant- Professor Emeritus of Film Studies and Popular Culture (Brock University). Author of The Dread of Difference: Gender and the Horror Film. Navigating a polarized society in their representation of social values, twenty-first-century horror films critically frame conflicting and divisive ideological issues. Culture Wars and Horror Movies: Gender Debates in post-2010 US Horror Cinema analyses the ways in which these “culture wars” make their way into gender, focusing on the post-2010 US context and its fundamental political divisions. Approaching these topics from feminist and postfeminist theories to ecocritical views, this volume explores how contemporary horror movies engage with the current context of “culture wars.” Noelia Gregorio-Fernández is an Associate Professor of American Studies at the International University of La Rioja, Spain. She was a visiting scholar at the CSER at Columbia University, New York (USA), and is the author of The Rebel of Chicano Cinema: Robert Rodriguez in the Transnational Era (2020). Carmen M. Méndez-García is an Associate Professor of American Literature at the Department of English Studies, Universidad Complutense de Madrid (Spain). Current research and teaching interests include twentieth and twenty-first-century U.S. literature, postmodernism and contemporary fiction, the Countercultures in the U.S., Spatial studies, Gender studies, and Medical Humanities.
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  • 74
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031490842
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXI, 512 p. 6 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Journalism. ; Communication in science. ; Communication in the environmental sciences. ; Communication in politics.
    Kurzfassung: 1. Introduction -- Part I Core Issues in Science and Health Journalism -- 2 Journalistic conceptualisation of science and health: An overview -- 3 Who speaks for/on science & health? Use of sources by science and health reporters -- 4. Who are science and health journalists? -- 5. Numeracy in science and health journalism -- 6. Uncertainty in the process of risk communication for public health: An integrative theory-based approach -- 7. Muzzling misinformation: Drawing from other disciplines and engaging health and science journalists as research collaborators -- 8 Understanding complexity in science/health: The challenges for two cultures -- Part II Reporting Formats and Audiences -- 9 Inclusion and exclusion in science and health journalism -- 10. The politics and economics of health and science journalism on TV -- 11. Telling science/health stories in audio -- 12. Social media and science/health reporting -- 13. Innovative journalism practices: Insights for reporting science and health issues -- Part III Key science and health topics in the media: Now and in the future -- 14. Journalism for the climate and biodiversity crises -- 15. Media coverage of space science and exploration.-16. Covering major epidemics/pandemics -- 17. News coverage of science and health policy: Impacts on public opinion and policy -- 18. It’s not all bad news: Solutions-oriented journalism approaches -- Part IV The impact of science and health reporting -- 19 Science and health journalism and its effects on audiences -- 20. Science and health journalism in the digital age and its implications on public trust -- 21. Politicisation of science and health topics -- 22. Treading waters: The many socio-ethical challenges of science and health journalism -- 23. Conclusion.
    Kurzfassung: This handbook reviews the extant literature on the most important issues in health and science journalism, with a focus on summarizing the relevant research and identifying key questions that are yet to be answered. It explores challenges and best practices in health and science reporting, formats and audiences, key topics such as climate change, pandemics and space science, and the ethics and political impacts of science and health journalist practice. With numerous international contributions, it provides a comprehensive overview of an emerging area of journalism studies and science communication. Kim Walsh-Childers is Professor of Journalism at University of Florida, USA. Her research focuses on news coverage of health issues and mass media effects on individual health beliefs and behaviors and on health policy development. Merryn McKinnon is an Associate Professor at the Centre for the Public Awareness of Science at the Australian National University. Merryn’s research draws from her background in science, science communication and journalism to explore the factors influencing relationships between science, media and publics.
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  • 75
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031406164
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 202 p. 6 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Arab Cinema
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    Schlagwort(e): Motion pictures ; Motion pictures. ; Culture. ; Sex. ; Motion pictures ; Ethnology
    Kurzfassung: Chapter 1: Tangier and Paris – Multiculturalism and Feminism -- Chapter 2: Tangier and (Re)Turn to Fes: A Door to the Sky (1988) -- Chapter 3: Farida’s great halqa throughout Morocco & beyond -- Chapter 4: Tangier and the world: Juanita Narboni (2005) -- Chapter 5: The Sahara, the Atlas, and Tangier.
    Kurzfassung: 'A marvelous and timely book on Morocco’s national treasure Farida Benlyazid. An elegant and playful spiral structure accommodates Martin’s deep understanding of Benlyazid's many contexts, from the socioeconomic to the spiritual.' ----Laura Marks, Simon Fraser University, Canada 'Florence Martin has achieved an into-depth exploration of a unique and unequalled Moroccan female cineaste-biography. Well-written, nuanced and historically informed.' ---Viola Shafik, Independent scholar and filmmaker, Berlin, Germany and Cairo, Egypt This book project unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco’s rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the “years of lead” under the reign of Hassan II; and finally Mohamed VI’s current reign since 1999. As a result, she has a long view of Morocco’s politics of self-representation as well as of the representation of Moroccan women on screen Florence Martin is Dean John Blackford Van Meter Professor of French Transnational Studies at Goucher College, USA. She is the author of Screens and Veils: Maghrebi Women’s Cinema (2011) and the co-author (with Will Higbee and Jamal Bahmad) of Moroccan Cinema Uncut: Decentred Voices, Transnational Perspectives (2020).
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  • 76
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031482519
    Sprache: Englisch
    Seiten: 1 Online-Ressource(VII, 131 p. 20 illus. in color.)
    Ausgabe: 2nd ed. 2024.
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    Schlagwort(e): Art ; Art, Modern ; Medicine and the humanities. ; People with disabilities
    Kurzfassung: Introduction: Curating this Collection -- Chapter 1: Disarming Venus -- Chapter 2: Sculpting Body Ideals -- Chapter 3: Performing Amputation -- Chapter 4: Staring Back and Forth: The Photographs of Kevin Connolly -- Chapter 5: Cripping Aesthetics: The Work of Persimmon Blackbridge -- Chapter 6: Watching One’s Back: Self-Portraits of Disabled Women’s Backs as Provocative and Protective -- Conclusion: Looking Forward.
    Kurzfassung: 'An enlightening collection of work exploring the intersection between art and disability. Millett-Gallant’s writing illuminates the transformative power of perspective and its ability to challenge and redefine social norms.' Kevin Michael Connolly 'The Disabled Body in Contemporary Art has for more than a decade been the primary, indispensable resource for thinking about the myriad ways that disability is represented by contemporary artists. This second edition updates and extends Ann Millett-Gallant’s groundbreaking text.' Robert McRuer, author of Crip Theory: Cultural Signs of Queerness and Disability (2006) Operating from the position that disability offers "an opportunity for alternative and unique insights," Ann Millett-Gallant presents readers with engaging analyses of the work of Mary Duffy, Marc Quinn, Joel-Peter Witkin, Kevin Connolly, Persimmon Blackbridge, Sandie Yi, and others, which challenges prevailing stereotypes and assumptions about corporeal difference. This long-awaited revision and extension of Millet-Gallant's groundbreaking The Disabled Body in Contemporary Art (2010) is a must-read for anyone interested in art and disability. Keri Watson, Co-editor, The Routledge Companion to Art and Disability (2022) The second edition offers an essential update to the foundational first edition, The Disabled Body in Contemporary Art. Featuring updated chapters and case studies, this second edition will not only expand on the first edition but will bring a new focus to contemporary disabled artists and their embodied, multimedia work. Ann Millett-Gallant, PhD is Senior Lecturer for the University of North Carolina at Greensboro, USA. Her online courses combine art history, visual culture, disability studies, and women’s and gender studies, and her books include The Disabled Body in Contemporary Art; Re-Membering: Putting Mind and Body Back Together Following Traumatic Brain Injury; and the coedited volumes Disability and Art History and Disability and Art History: From Antiquity to the Twenty-First Century. Millett-Gallant’s artworks have been displayed at universities and galleries in North Carolina. Her website is annmg.com.
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  • 77
    ISBN: 9783031485091
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVIII, 270 p. 1 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Feminist theology. ; Sex. ; African literature. ; Culture ; Ecology .
    Kurzfassung: Chapter 1. African Eco-Feminisms--African Women Writing Earth, Gender and the Sacred -- Chapter 2. Restoring Religion to the Land: Gender, Race, and Ecology in the Literature of Paulina Chiziane -- Chapter 3. Creating while black and female: Tsitsi Dangarembga’s African feminist decolonial imaginary -- Chapter 4. Religion, Gender and Earth Categories in Lauri Kubuetsile’s But Deliver us from Evil (2019) -- Chapter 5. Kwasuka-sukela: A new paradigm to the African stories of women in Futhi Ntshingila’s Shameless and They Got to You Too -- Chapter 6. The intersection of Earth, Gender and the Sacred in NoViolet Bulawayo’s We need new names: Eco-Critical African feminist and Social Semiotics perspectives -- Chapter 7. Postcolonial Dislocation and the Psyche: Connecting the dots in Tsitsi Dangarembga's This Mournable Body -- Chapter 8 -- “That’s what happens when two worlds collide”: An intersectional reading of Bessie Heads short stories, “The Collector of Treasures and other Botswana Village Tales” -- Chapter 9 -- Generational search for home: History, race and gendered perspectives in Yaa Gyasi’s Homegoing -- Chapter 10 -- Border Crossing: Religion, Gender, Race and Class in the Journeys of Ifemelu in Americanah -- Chapter 11. The Dragonfly Sea: The Sea, the Land and One African Woman’s Voyage-in -- Chapter 12. The Victims: An African-Ecofeminist Reading -- Chapter 13. Marginality, cultural positioning and religion in ’Mpho ’M’atsepo Nthunya’s Singing Away the Hunger: Stories of a life in Lesotho -- Chapter 14. All Water is Connected: African Earth Spirituality and Queering Identity in AkwaekeEmezi’s Freshwater -- Chapter 15. Earth, Gender and Religion in Zambia: An Eco-Feminist Reading of Sula and Ja, A Novel by Ellen Banda-Aaku.
    Kurzfassung: This volume explores contemporary African women’s creative writing, highlighting their contributions to ecofeminist theology. Contributors address the following questions: How do contemporary African women writers depict the Earth/land/environment and its relationship to women in various contexts? How is religion featured in African women’s writing? How does religious literature (scriptures) form an intertextual layer in African women’s writing? The contributors proceed by analyzing the intersection of religion, gender, class, sexuality, colonialism, and ecology in selected texts written by African women. They bring these texts into conversation with broader eco-feminist theological scholarship, exploring the potential of literary writing to contribute to theological discourse of liberation and social justice in the African and global arena. Enna Sukutai Gudhlanga is Associate Professor in the Department of Languages and Literature at Zimbabwe Open University. Musa Wenkosi. Dube is Professor of New Testament at the Candler School of Theology, Emory University, USA. Limakatso Pepenene is Senior Lecturer in the French Department at the National University of Lesotho.
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  • 78
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031397875
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXIX, 293 p. 41 illus., 39 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Media and Environmental Communication
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    Schlagwort(e): Art, Modern ; Communication in the environmental sciences. ; Popular Culture.
    Kurzfassung: PART 1: Staging Ice and Ice Stages in Science, Science Communication and Aesthetic Experience -- 1. Communicating Loss: Ice Research, Popular Art and Aesthetics: Introduction -- 2. Ice Stages and Staging Ice -- 3. Movies on Ice: An ArtSci Perspective on Communicating Antarctic Ice in the Climate Emergency -- 4. Here Be Science Show Dragons: Ice, Icons and Metaphoric Approaches to Climate Change Communication -- PART 2 :Ice Exploration: Heroism, Art and Imaginaries -- 5. Ethnography as Racialised Womanhood in the Arctic Writings of Josephine Diebitsch-Peary -- 6. Materiality of Time: Polar Ice as a Medium for Ecological Art for the Tempered Zones -- 7. Sensing Polar Ice Bodies -- 8. Antarctic Science on the Musical Stage -- 9. Icy Love: Performing Affect and Emotion Feeling About Climate Change -- PART 3: Pop Cultural Meanings of Ice in Visual Fiction and Film -- 10. Frozen Balloons: Aeronautic Heroism and Scientific Knowledge Production -- 11. Hard Ice, Soft Snow? Transnationalism, Spectatorship and the Arctic Sublime in Chasing Ice (2011) and Silent Snow (2011) -- 12. Frozen-Ground Cartoons—Revealing the Invisible Ice -- 13. On the Visual Narratives of Ice in Popular Culture: Comics on Ice, Icy Villains and Ice Science -- 14. Melt for Me: Communicating Ice Empathy Through the Plasticity of Disney -- 15. On the Aesthetic Facets of Ice Urgency: Some Final Reflections.-.
    Kurzfassung: "The authors of Communicating Ice tell the stories and stages of ice, showing how its manifold bodies communicate from beyond the schemas of the Western tradition." -Amanda Boetzkes, University of Guelph, Canada "With its well-written analyses, new insights and, not least, uplifting visions of new approaches, collaborations and opportunities, this book is a joy to read." -Kirsten Thisted, University of Copenhagen, Denmark "This book makes a compelling attempt to understand ice not as an object but as an agent with which we must interact differently. Ultimately, the highly recommended volume points to the extreme urgency of political action to curb global warming" -Evi Zemanek, University of Freiburg, Germany "This collection brilliantly illustrates how storytelling and aesthetic presentation are crucial aids to understanding and communicating about objects of scientific inquiry. A timely and vital contribution to the environmental humanities, posthumanism and science communication." - Chris Danta, School of Cybernetics, Australian National University, Australia This edited collection is the first of its kind to explore the influences and interconnections between artistic and scientific understandings of, and communication around (the melting of) ice. This book investigates and clarifies the ecological and cultural implications of losing ice in the face of climate change – from glaciers to permafrost valleys, from scientific excursions into ice to its representation in (popular) art and culture. Bringing together diverse perspectives from research and practice across disciplines and media, this volume pioneers research into the cultural power of ice. Dr Anne Hemkendreis is a Lecturer (Senior Researcher) in the (SFB 948) Heroes – Heroizations - Heroism research group at the University of Freiburg (Germany) and a member of the German Young Academy. Dr Anna-Sophie Jürgens is a Lecturer in Popular Entertainment Studies at the Australian National Centre for the Public Awareness of Science at the Australian National University (ANU) and the Head of Popsicule, ANU's Science in Pop Culture and Entertainment Hub.
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  • 79
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031509179
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 613 p. 14 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature. ; Comparative literature. ; Sociology. ; Social groups. ; Gerontology.
    Kurzfassung: 1: A Smorgasbord for Literature Lovers in Search of More Age-Just Futures -- 2: Audre Lorde, Black Writing, and Intersectional Aging -- 3: Visibility of Older Black Women in Literature: Female Ancestors in Paule Marshall’s Praisesong for the Widow -- 4: Magical Realism and Older Age: García Márquez’s Memories of My Melancholy Whores (2004) and Allende’s The Japanese Lover -- 5: Literacy Narratives and Age Identity across the Life Span -- 6: Revising the Dementia Imaginary: Disability and Age-Studies Perspectives on Graphic Narratives of Dementia -- 7: Queer Theory and Narrating Age Outside the Norm of (Re-)Productive Adulthood -- 8: Growing Older without Children: Challenging the (Re)Production Narrative for Older Women -- 9: Gerotranscendence as Literary Theory: Reading the Later Poems of Margaret Avison and W. B. Yeats -- 10: Care Noir: Before and After COVID -- 11: From Mushroom Men to Mycorrhizal Relations: Imagining Posthuman Aging and Care -- 11: Intergenerationality, Age, and Environment in Children’s Picturebooks -- 12: Age in Contemporary Drama and Performance: The Value of Considering Theatrical Time -- 13: Constructing ‘Old’ Age for Young Readers: A Digital Approach -- 14: Finding the Right Wor(l)ds: Creative Writing as Aesthetic and Existential Practice in Later Life -- 15: Creative Explorations for the Theatrical ‘Age Turn’: Toward a New Dramaturgy of Older Age -- 16: (Re)Interpreting Aging by Reading: Creativity, Wisdom, and Quality of Life in Older Age -- 17: Reading as Caring: Older Lay Readers’ Responses to the Dementia Narrative Stammered Songbook -- 18: Age and Its Metaphors -- 19: Age Identity in Old and Middle English Literature -- 20: Fantasies of Prolongevity in Early Modern Culture -- 21: “A Female, & Past 60 years of Age!”: Older Age in Women’s Later Life Writing 1800-1850 -- 22: American Modernity and the Narrative Arcs of Aging -- 23: Sex and the Senex: The Weight of Tradition in Desire under the Elms -- 24: Grief Representation in Late Poetry: Thomas Hardy’s “Poems of 1912-13” and Ted Hughes’s Birthday Letters -- 25: Gerontological Poetry of the Scandinavian Welfare State -- 26: Affirmations of Aging Masculinity in Victorian Fiction: Older Men at the Margins -- 27: Aging and the Drain of Empire: Postcolonial Age Studies -- 28: Are Older People Still Human? On Ageist Humor.
    Kurzfassung: This handbook offers a comprehensive survey of the growing field of literary age studies and points to new directions in scholarly research. Divided into four sections, the volume reflects the current conversations in the field: intersections and intersectionalities, traveling concepts, methodological innovations, and archival inquiries. It encompasses the spectrum of critical approaches that literary age studies scholars employ, from environmental studies and postcolonial theory to critical race theory and queer studies. While close reading continues to be a mainstay of literary criticism, the handbook highlights alternative tools and routes in both data elicitation and analysis. The final part of the book shows the burgeoning interest in the field from literary scholars across historical periods, extending the scope of literary age studies beyond contemporary texts. This is an essential reference work for advanced students and scholars of literary studies, gerontology, age/aging studies, interdisciplinary studies and cultural studies.
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  • 80
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031561801
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 201 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Ecocriticism. ; Communication in the environmental sciences. ; Medicine and the humanities. ; Political science.
    Kurzfassung: 1. Introduction -- 2. Climate Change Denial: An Ecocidal, Parallel Universe of Simulation -- 3. COVID-19 Vaccine Hesitancy: The Ongoing, Hyperreal Saga of a Deadly Epidemic and Infodemic -- 4. Alternative Facts Trump Reality: The Spectacular Anatomy of an Insurrection -- 5. The Baudrillardian “Discourse of the Good:” Putin’s False Flag Operation to Denazify Ukraine -- 6. Conclusions. .
    Kurzfassung: This transdisciplinary book investigates the profound repercussions of living in a post-truth world in which “alternative facts” and post-truth knowledge claims, often bordering on the absurd, have replaced the real in the collective imagination of millions of people around the planet. Through discussions on climate change denial, the anti-vaccination movement, the January 6th Insurrection and the Russia-Ukraine War, this study explores the gravity of the current 'infodemic,' or the increasing inability of a large segment of the population to distinguish between reality and misrepresentation, and the destabilizing impact this infodemic has on democratic models of governance around the globe, coinciding with the rise of autocratic forms of populism. Keith Moser is Professor of French and Francophone Studies at Mississippi State University. He has more than one-hundred major publications including nine books and eighty-five articles. Moser’s research examines many issues linked to social-ecological justice, including Environmental Ethics (Environmental Philosophy, Philosophy of Science, Ecocriticism, Ecolinguistics, and Biosemiotics) and postmodern French thought as it relates to literature, Popular Culture, and society in general.
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  • 81
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031518041
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 296 p. 15 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Life Writing
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    Schlagwort(e): Intermediality. ; Creative nonfiction. ; Culture ; Prose literature.
    Kurzfassung: 1 Introduction, Arnaud Schmitt -- Section I. Photography, text, photographic texts_2 Teresa Bruś, ‘Arenas of Hybridity’ -- 3 Nancy Pedri, ‘Photography, Intermediality, and Graphic Illness Narratives’ -- 4 Griselda Pollock in dialogue with Joanne Leonard, ‘Hybrid forms of Becoming in Being in Pictures: An Intimate Photo Memoir (2008)’ -- 5 Laure de Nervaux-Gavoty, ‘In Search of a Lost Past: Family Photography and Postmemory in Michael Ignatieff’s The Russian Album (1987)’ -- 6 Clare Brant, ‘Inserting the Manfish: hybridity in underwater memoir illustrations’ -- 7 Silvia Hernández, ‘Beyond Authentication: Text and Image in Patti Smith’s Autobiographical Prose Work’ -- 8 Marie-Agnès Gay, ‘“Moving shadows disappearing”: Erasure of Self in Theresa Hak Kyung Cha’s Autobiographical “Photo-Essay”’ (Exilée – Temps Morts – Selected Works) -- 9 Anne Green Munk, ‘Picturing ourselves through others – Text and Photography in Sally Mann’s Hybrid Life Writing’ -- 10 Veronica Ceruti, ‘Writing a Life Written in Pictures: Postmemorial Phototextualities in Helena Janeczek’s La ragazza con la Leica (2017)’ -- Section II. The materialities of hybridity: artists, autobiographies, textualities, images and graphic narratives_11 Julia Watson, ‘“This Counter-history”: Teju Cole’s Pandemic Visual Diary on the Kitchen as a Domestic/Postcolonial Medi[t]ation’ -- 12 Anthony S. Foy, ‘Black Bodies, Displayed and Displaced: African American Autobiography after the Halftone’ -- 13 Alex Belsey, ‘“Leaving the marks in”: the Dialectic of Journal & Drawings by Keith Vaughan’ -- 14 Virginia Terry-Sherman, ‘Ambiguous, Enigmatic and Absent Imagery in Contemporary Culinary Memoirs’ -- 15 Suzanne Joinson, ‘Messy Archives of the Self: Life Books and Ephemera of Carolee Schneemann and Francesca Woodman’ -- 16 Natalie Saudo-Welby, ‘Sounds and Silence made Visible: Cece Bell’s El Deafo (2014)’ -- 17 Hélène Tison, ‘Allie Brosh’s Hateful Narcissism’ -- 18 Pablo Allepuz García, ‘Autobiographyto Self-Portraiture, or Vice-versa: Narrativity and Visuality in Artists’ Life Writing’.
    Kurzfassung: This book offers new perspectives on text/image hybridity in the context of life writing. Each chapter explores the very topical issue of how writers and artists combine two media in order to enhance the autobiographical narrative and experience of the reader. It questions the position of images in relation to text, both on the page and in terms of the power balance between media. It also shows how hybridity operates beyond a semantic and cultural balance of power, as the combination of text and images is able to produce content that would not have been possible separately. Including a range of life writing and different visual media, from paintings and photography to graphic memoirs and social media, this edited collection investigates the point at which an image, whether fixed or moving, enters the autobiographical act and confronts the verbal form. Arnaud Schmitt is a professor of American Studies at the University of Pau, France. His field of research is contemporary American literature and he has worked extensively on the concepts of autofiction and self-narration for almost two decades. His book, The Photographer as Autobiographer, was published by Palgrave Macmillan in 2022.
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  • 82
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    ISBN: 9783031531347
    Sprache: Englisch
    Seiten: 1 Online-Ressource(X, 211 p.)
    Ausgabe: 1st ed. 2024.
    Serie: New Comparisons in World Literature
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    Schlagwort(e): Literature. ; Comparative literature. ; Fiction.
    Kurzfassung: Chapter 1- From Malandros to Agregados:the Precarious Labourer and the Novel Form in 19th Century Brazil -- Chapter 2-Sex Work in Caribbean Fiction -- Chapter 3 Economic Informality in South African Fiction -- Chapter 4 -(In) formal structure in Wizard of the Crow -- Chapter 5-Precarious Core.
    Kurzfassung: This book analyses the impact of economic informality on the novel form across the modern world-system, looking specifically at works by Antonio de Almeida, Machado de Assis, Dany Laferrière, Ngũgĩ wa Thiong’o, Nadine Gordimer, and Masande Ntshanga. It sees the representation of informal economies as a structural homology of world-literature. In chapters on the figure of the agregado in the nineteenth-century Brazilian novel; sex work in Haitian fiction; the politics of the informal economy in the post-apartheid South African novel; and Ngugi’s representation African occult economies, Josh Jewell explores the relationship between the rise of improvised economic activity—and its consolidation under neoliberalism in postcolonial nations—and literary form. He shows how informal economies can be grasped as locations of strategy and improvisation whose subjects must shift constantly between officialdom and underground networks; between the realms of the licit and illicit. This produces highly heterogenous narratives oscillating between different tones and registers (unserious and tragic), social spaces (working-class and elite), and conceptions of reality. By comparing the various situated aesthetics of informality, this book instrumentalises the Warwick Research Collective’s compelling but nebulous idea of a world-literature that “variously registers” a “singular modernity”. Josh Jewell is a resident scholar in the Humanities Institute at University College Dublin, Ireland. His research analyses the relationship between labour and literary form in world-literature. His current postdoctoral research project focuses on representations of labour which falls outside of direct market mediation--such as domestic labour and peasant agriculture--in South Africa, Brazil, the Caribbean, and the European periphery.
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  • 83
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031541001
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XX, 318 p. 35 illus., 21 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Screenwriting
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    Schlagwort(e): Motion picture authorship. ; Digital media.
    Kurzfassung: 1. An Introduction to Screenwriting for Virtual Reality -- 2. Shifting Diegetic Boundaries -- 3. Cinematic Virtual Reality: Towards an Optics of ‘Eco Screenwriting’ -- 4: The Nature of Narration in Cinematic Virtual Reality -- 5. Towards Immersography: Considerations for an Integrated Understanding of Immersive Narrative Experiences -- 6. Writing as design: The Future of Houses, a transformative single-player VR experience -- 7. The Diagrammatic screenplay: Strategies to address the challenges of writing an interactive, Mixed Reality (MR) experience -- 8. A Case Study of VR Story Development: Fire Escape (2019) -- 9. Expanded Experience: an ‘artist-bricoleur’ approach to writing VR in contemporary art -- 10. Writing the Virtual: Diverse Modes of Development in CVR -- 11. A Net of Invisible Things: The VR development practices of Lynette Wallworth in Collisions and Awavena -- 12. Virtual Catharsis: Decoding Empathy in Refugee Narratives -- 13. Screenwriting for Virtual Reality: Future directions.
    Kurzfassung: “Kath Dooley and Alex Munt’s book on Screenwriting for Virtual Reality: Story, Space and Experience is an invaluable tool to anyone working on storytelling in immersive space in general and VR in particular. It combines important theoretical insights with an impressive range of case studies which make it an essential companion to anyone seeking to understand what’s distinctive about work in this field or looking to embark on a project of their own.” - Adam Ganz, Head of Writers’ Room, StoryFutures and Professor of Screenwriting, Royal Holloway University of London, UK This book is focused on screenwriting and development for virtual reality (VR). It explores a diverse range of creative approaches to the writing and screen development of VR stories and immersive audience experiences. Contributions from scholars and practitioners combine conceptual and practically orientated approaches for creating fictional and documentary media VR stories. The book evaluates, challenges and adapts existing screenwriting models and practices for immersive storytelling and grapples with the future of storytelling in the era of sophisticated computer visualization, AI and the online social metaverse. The book proposes new VR storytelling models, identifies altered relationships between creators, screen works and their audiences and demonstrates how interdisciplinary practices will be core to the future of screen storytelling. Kath Dooley is a practitioner/academic based at the University of South Australia. Her work as writer/director has screened at the Busan International Short Film Festival and FIVARS, Toronto. She is the author of Cinematic Virtual Reality- A Critical Study of 21st Century Approaches and Practices (Palgrave Macmillan, 2021). Her research interests include screen production methodology for traditional and immersive media, screenwriting, women’s screen practice and diversity in the screen industries. Alex Munt is a film academic, screenwriter and director. He is based in the School of Communication, Faculty of Arts and Social Sciences at the University of Technology Sydney, Australia. His films have screened at the Sydney Film Festival and SXSW and been distributed worldwide. His research interests include independent film, artists’ moving image, VR and spatialised media. .
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  • 84
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031416958
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXI, 373 p. 6 illus., 2 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Animals and Literature
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    Schlagwort(e): Fiction. ; Literature, Modern ; Literature, Modern ; Literature ; Popular Culture. ; Human ecology ; Philosophy. ; Postcolonialism.
    Kurzfassung: Chapter 1. “Introduction: Reading the Speculative Animal” -- Chapter 2. From Animal Alterity to Animal Studies and SF Today: A Conversation with Sherryl Vint -- Chapter 3. “Safe in each other’s scaly arms”: Solace, Oddkinship, and the Third Position in African Speculative Texts -- Chapter 4. Playing the Animal: Imagining the Nonhuman Animal in 2-Dimensional Action and Adventure Games -- Chapter 5. Philip K. Dick’s Dr. Bloodmoney and the Species Politics of Risk -- Chapter 6. Listening to Nonhuman Animals in Science Fiction Film: Establishing Empathy through Dinosaur Voices in Jurassic World: Fallen Kingdom -- Chapter 7. “Muzzle for the Queen”: Settler-Nonhuman Entanglements in Australian Speculative Ecofiction -- Chapter 8. Reading the Speaking Animal: Biotechnology and Animal “Uplift” in Adam Roberts’s Bête -- Chapter 9. Spacefaring Animals and Their Humans: A Study in Extraction, Exploitation, and Co-Evolution -- Chapter 10. To “Jump” into an Animal’s Body: Empathy, Care, and ResExtendas in Emma Geen’s The Many Selves of Katherine North -- Chapter 11. “alien guest, courting the goodwill of a demonic microbe”: Living Poetry, NHAs and “Aliens Among Us” in Christian Bök’s The Xenotext: Book 1 -- Chapter 12. Disemboweling the Hyperreal in Bong Joon-ho’s Okja -- Chapter 13. A Change of Heart: Animality, Power, and Black Posthuman Enhancement in Malorie Blackman’s Pig-Heart Boy -- Chapter 14. Africanfuturist Assemblages of the Undersea in Nnedi Okorafor’s Lagoon -- Chapter 15. To Build a World: The Return of Biota in Thomas King’s The Back of the Turtle -- Chapter 16. A Multispecies Right to the City? Reimagining the Speculative Narratives of Urban Sustainability -- Chapter 17. Divination with Digital Animals: Sci-fi Realism in Jia Zhangke’s Tian Zhuding (A Touch of Sin) -- Chapter 18. “The Face of Extinction”: On Haunted Futures with Machine Animals -- Chapter 19. Mesozoic Miscegenation: Erotic Fiction’s Resurrection of Dinosaurs -- Chapter 20. A “speculation built on fact”: On Dougal Dixon’s Zoology of the Future.
    Kurzfassung: “This is a strong contribution to the field(s) of animal studies and science fiction. Indeed, I would recommend it in both fields separately as well as in the combined field where I work. I am especially impressed by the generous range of texts, from bacteria to games to film to novels, and with some recognition of work beyond the British/American hegemony.” —Joan Gordon, Professor Emerita, Nassau Community College; Co-editor, Science Fiction Studies Animals and Science Fiction is the first edited collection to be published focusing on the intersection of animal studies and science fiction studies. It offers a broad range of theoretical approaches and primary source texts—including novels, short stories, poetry, film and TV, photography, erotica, video games, and urban planning documents—that explore the ways works of science fiction can transform how we see and interact with nonhuman others. With an eye toward more just multispecies futures, it argues that speculative imaginaries can be pivotal in changing attitudes toward and understandings of nonhuman animals in our world today. Chapters appeal to those interested in biopolitics, posthumanism, new materialism, ecocriticism and the environmental humanities, ocean humanities, postcolonial studies, critical race studies, Indigenous studies, global sf studies, film studies, and food studies. Taken together, the collection works to showcase a diverse and growing field of scholarly inquiry into animals and science fiction. Nora Castle is an IAS Early Career Fellow at the University of Warwick. She recently completed her PhD, entitled, “Food Futures: Food, Foodways, and Environmental Crisis in Contemporary Science Fiction,” which explored the future of food in/as science fiction through meat, plants, kitchens, and farms as thematic streams. Giulia Champion is a Research Fellow (Anniversary Fellowship) at the University of Southampton. Her project investigates different communities’ engagement with and representations of the seabed through culture, science communication and international policy. .
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  • 85
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031531842
    Sprache: Englisch
    Seiten: 1 Online-Ressource(X, 214 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Crime Files
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    Schlagwort(e): Literature, Modern ; Literature, Modern ; Literature, Modern ; Ethnology ; Culture. ; Mass media and crime.
    Kurzfassung: Chapter 1. Sherlock Holmes versus Jack the Ripper -- Chapter 2. Enter Holmes and Jack -- Chapter 3. Parallel Culture-Texts -- Chapter 4. The Versus Storyworld -- Chapter 5. Palimpsestuous Holmes -- Chapter 6. Polymorphous Jack -- Chapter 7. (Mis)Remembering Secondary Characters -- Chapter 8. Neo-Casting or Decentring the Great Detective -- Chapter 9. Detective Doyle.
    Kurzfassung: "Lucyna Krawczyk-Żywko’s ambitious study pursues the endlessly intriguing parallel textual lives of Sherlock Holmes and Jack the Ripper. The strange case that she sets out to solve is the extensive but neglected corpus of versus narratives: texts in which the great detective sets out to defeat the Whitechapel murderer. Krawczyk-Żywko convincingly reads these works as part of a rich textual constellation influenced by the overlapping Sherlockian and Ripperological culture texts. Her book’s focus will inevitably intrigue aficionados of Holmes and its insights into aspects of adaptation, neo-Victorianism and biofiction mean it will also appeal strongly to scholars in these areas." —Dr Chris Louttit, Radboud University, The Netherlands In versus narratives Sherlock Holmes is fighting or otherwise engaging Jack the Ripper. These texts pit the archetypal detective against the archetypal serial killer using established formulas as well as new narrative and generic features, a combination that results in their mass appeal among authors and audiences alike. The list of primary sources includes 120 titles – novels, short stories, plays, fanfiction, ‘Grand Game’ studies, movies, TV shows, video and board games – which are treated as a dialogic network of transfictional and transmedial texts. This study unpacks the versus corpus in its media dispersal by analysing Sherlock Holmes and Jack the Ripper as serial figures and culture-texts emphasising the increasing palimpsestousness of the former and the multidirectional polymorphousness of the latter, and tracing the overlapping Doylean culture-text. It also addresses the way character constellations are represented, negotiated, and fed back into the versus network, contextualising them within the coalescence of fact and fiction, Gothic and crime fiction frames, cultural memory, neo-Victorianism, and biofiction. Lucyna Krawczyk-Żywko is Assistant Professor at the Institute of English Studies, University of Warsaw, Poland. She coordinates the research group 'From Queen Anne to Queen Victoria' and initiated the Changing Narratives conference series. Her research combines neo-Victorian, crime fiction, and adaptation studies and focuses on the rewritings of Victorian villains and detectives.
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  • 86
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    ISBN: 9783031525858
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXXI, 290 p. 4 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Science ; Philosophy, Modern.
    Kurzfassung: Chapter 1, Logical Doubts Concerning Induction -- Chapter 2, Socrates and the Skeptical Craft -- Chapter 3, The Active Fallibilism of a Situational Skeptic -- Chapter 4, Pyrrhonian, a School of Skeptics -- Chapter 5, Freedom by Confinement -- Chapter 6, The Sphinx -- Chapter 7, Evidence and Its Refutation -- Chapter 8, Francis Bacon’s Elenchus -- Chapter 9, A Mathematical Method for Physics -- Chapter 10, A Foundational Skepticism -- Chapter 11, Applying the Foundational Method -- Chapter 12, Applying The Experimental Philosophy.
    Kurzfassung: The book sets an ambitious goal. It devises a new account of scientific methodology that makes it possible to explain how scientists manage, at least occasionally, to find true models of reality. The new methods may be contrasted with all those currently available that employ “coherence theories” of knowledge. Under this designation are grouped positions that can seem very different (such as those of Poincaré, Duhem, Popper, Hempel, Quine, Kuhn, and Feyerabend) but are united by the idea that the most general statements of science are merely hypotheses. They may be conjectures, opinions, conventions, posits, paradigms, or even myths. The most we can claim to know from such generalities is that they are internally consistent and coherent with empirical data. Consistency is insufficient to establish the truth of a conceptual system because many different systems, perhaps an infinite number, can be logically consistent and cohere with recorded data. Such is the well-known problem of the empirical under-determination of theories. Francis Bacon’s Skeptical Recipes for New Knowledge suggests a new methodology that solves this fundamental problem of knowledge. Jagdish Hattiangadi is Professor of Philosophy at York University, Canada.
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  • 87
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031590207
    Sprache: Englisch
    Seiten: 1 Online-Ressource(X, 267 p. 1 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Workplace Spirituality and Fulfillment
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    Schlagwort(e): Business ethics. ; Industrial organization. ; Strategic planning. ; Leadership. ; Management. ; Personnel management.
    Kurzfassung: 1. Introduction -- 2. Superstition: An overview of key disciplinary perspectives -- 3 -- Workplace spirituality -- 4. The relationship between religion, superstition and spirituality -- 5. Superstitious beliefs and behaviours -- 6. Superstition and rationality -- 7. Key assumptions about the nature of superstition -- 8. Individual and group factors associated with superstitious beliefs -- 9. Numerological and related superstitions -- 10. Mainstream industries and organisations influenced by superstition -- 11. Industries and organisations thriving on superstitious and New Age beliefs -- 12. Concluding remarks.
    Kurzfassung: This book addresses how people and organisations sometimes respond to uncertainty in making decisions. Those decisions are rooted in beliefs and behaviours that are not always rational, especially in response to perceived randomness, chaos and unexpected circumstances. The author uses a transdisciplinary approach to the study of superstition in the context of business and management, taking care to acknowledge that what is regarded as superstition to one person may well be constructed as a spiritual belief by another. Respect and sensitivity in explicating individual and social constructions of spirituality is a core value in structuring the narrative of the text. The work also explores the interwoven relationships amongst superstition, religion, spirituality and empiricism and how cultural, political, economic and environmental factors are likely to influence organisations and those who are employed by them. Further, it examines the influence of beliefs related to topics such as feng shui, astrology, phrenology and the I Ching in recruitment. This comprehensive treatment of the role of superstition in business will advance the scholarly conversation on uncertainty in decision making. It points to the power of belief that defies empirical validation and how it can be used in a variety of contexts, such as the marketing of products and images to manipulate unwary consumers or inhibit the implementation of health advice in times of COVID-19. .
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  • 88
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031399206
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 253 p. 9 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Reasoning. ; Philosophy. ; Methodology. ; Philosophy
    Kurzfassung: Chapter 1. What Kind of Approach This Study Takes and What It Does Not -- Part I How a “Most-Explanatory Theory” of Rationality May Aid Understanding and Debates -- Chapter 2. Positioning the Argument: Goals, Terminologies, Assumptions, Directions -- Chapter 3. Tidying the Rational* Home -- Chapter 4. The Ontology of Rationality -- Chapter 5. Further Considerations of the Most Explanatory Theory of Rationality*: Does It Do Justice to Rationality and Humanity? -- Part II Aspects of a Most Explanatory Theory of Rationality -- Chapter 6. Rationality’s Precepts and Cognates (Irrational, Nonrational, Arational, etc.) -- Chapter 7. [Rationality vs. Authority] Versus [Rationality + Authority] -- Chapter 8. Why Rationality? The Growth and Normativity of Rationality -- Chapter 9. Rationality Personal and Social -- Chapter 10. Extensive Example and Closing Remarks.
    Kurzfassung: Rationality has been philosophers’ concern stretching back to ancient times. But just what is rationality? In trying to answer this question, rationality is found to be more complex than supposed. This book investigates this supposition and thereby aspires to bring together the facets of the peculiar phenomenon that is rationality. Rationality is shown to be both more complex than presumed and yet more accessible than many may have feared. One argument concedes the common assumption that those interested in rationality need only rely on intuitions about this phenomenon. Yet, even moderate research reveals the concept’s profound fuzziness. This book aims to set forth a theory, explanation, and unification of the kindred and disparate understandings of this elusive concept, rationality. Lantz Fleming Miller, a visiting professor of philosophy at Ashoka University in India, focuses on moral, social, and political philosophy, especially pertaining to technological developments. He has published dozens of articles on these subjects in prominent journals. He has also taught philosophy at the University of Twente, Netherlands, and institutes in Paris and New York.
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  • 89
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031553332
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIX, 190 p. 8 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: New Directions in Philosophy and Cognitive Science
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    Schlagwort(e): Technology ; Philosophy of mind. ; Artificial intelligence.
    Kurzfassung: PARTI: Echoes of technological mind -- 1. Introduction -- 2. Is artificial intelligence intelligent? -- 3. Anthropomorphizing and trusting social robots -- 4. What neurohacking can tell us about the mind. Cybercrime, mind upload and the Artificial Extended Mind -- 5. On Neuroenhancement: Between bioethics and biotechnology -- PARTII: Challenging mind: Between Cognition and Art -- 6. Consciousness, Theory, and Mental Appearance -- 7. Theoretical virtues of cognitive extension -- 8. Hypnotic AI. The Altered States of Media Matter -- 9. The Digital Playful River, a River Out of Eden. How the internet shaped my planetary perception. -- 10. The mind, embodiment and technology: Experience, aesthetic sensibility and production of meaning.
    Kurzfassung: This book presents a set of texts that reflect different approaches to the relationship between mind and technology. In today’s increasingly technological world, a myriad of different and dizzying challenges face humanity: the ever-closer relationship between man and machine, the exponential development of Artificial Intelligence, man's relationship with virtual worlds, the relationship with new realities such as the neuro potentiation of his capacities, the appearance of robots in everyday life, and so on. In this volume, renowned world specialists explore these concerns, and discuss limitations and possible problems surrounding the interaction of man and machine. The book provides a well-researched, thought-provoking analysis of the need to rethink the theory of the mind, proposing relevant answers to pressing questions and raising new questions that need to be considered. Paulo Alexandre e Castro is a full member of the Institute for Philosophical Studies atthe University of Coimbra, Portugal, and visiting professor at the University of Caxias do Sul, Brazil.
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  • 90
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031513299
    Sprache: Englisch
    Seiten: 1 Online-Ressource(VIII, 104 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Continental Philosophy. ; Phenomenology . ; Philosophy
    Kurzfassung: 1: Introduction -- 2: Facts And Essences -- 3: Intentionality -- 4: The Incomplete Reduction -- 5: Phenomenology And Non-Phenomenology -- 6: Conclusion.
    Kurzfassung: This book offers a critical re-appraisal of what is perhaps Merleau-Ponty’s most widely read text, the Preface to his Phenomenology of Perception. Although open and enigmatic text, the Preface is still often used to introduce phenomenology in general and Merleau-Ponty’s work specifically to students, scholars in disciplines other than philosophy, and art practitioners. Taking advantage of the fact that many of his course notes have been posthumously published in the last few decades, this book situates the Preface to the Phenomenology of Perception in the context of Merleau-Ponty's later work and shows how it contains many of the threads on which Merleau-Ponty would later pull. In doing so, the book chapters elaborate key themes in the Preface: “Phenomenology and its Paradoxes,” “Phenomenology and its Method,” “Phenomenology and its Incompletion,” “Phenomenology and Non-Phenomenology." Readers will learn about the radicality of Merleau-Ponty’s early articulation of phenomenology, how much it already suggests the profound transformation of phenomenology usually associated with his more mature work. .
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    ISBN: 9783031499456
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIV, 300 p. 17 illus., 13 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Continental Philosophy. ; Aesthetics. ; Literature
    Kurzfassung: Part I Theoretical Advances in the Pulsatile Imaginary and Disimagination -- Chapter 1 Introduction -- Chapter 2 States Of Image: Elan, Pulsion, Rapt, Rupture, Caesura and Syncopation -- Part II Emergences – Resurgences. Pulsatile Flow -- Chapter 3 Emergences and Resurgences: Notes on the Unformed in Conversation with Henri Michaux -- Chapter 4 Pulsatile Choreography: Rhythm, (Dis)Enchantment, and Disimagination in Premodern Dance -- Chapter 5 Passing and Flowing: Rhythmical Entanglements of Writing, Painting and Knitting in Virginia Woolf and Berthe Morisot -- Chapter 6 Confusion at Sea: The Return to Water -- Part III Tearing Mimesis – Ways Of Disimagination And Re-Incarnation Of Image -- Chapter 7 Incarnation and Déchirure; Annunciation and Crucifixion -- Chapter 8 Painting Matter and Trace. Reflections on Horia Bernea’s art -- Chapter 9 Rite of Spring – Rite of Disimagination: An Inquiry into the Pulsatile Imaginary of Stravinsky’s Le Sacre -- Chapter 10 Kneading dreams: Material imagination and agency in performative clay works -- Part IV Vibrant Mimesis, New Materialism, And Otherness -- Chapter 11 Vibrant Mimesis: New Materialism to Mimetic Studies -- Chapter 12 Motor of Darkness: On the Cartographic Visual Drive of Anthropocene Culture -- Chapter 13 A Venture into the realm of the nonhuman - or how artistic performative methods can propose a practice of exchanging knowledge with matter.
    Kurzfassung: Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites Of Disimagination brings together scholars from art history and image theory, literary studies and philosophy. Chapters of this volume engage with the overarching theme of imagination as a pulsatile force embedded in words, images, and all imaginative modes of instantiation of the work of art in their elemental aspects, expressed in visual arts, and literature, as well as bodily schemata of choreographic and musical performances. The papers employ contrasting and complementing methods from literary studies and image theory, especially phenomenology and new materialism, such as G. Bachelard and M. Merleau-Ponty, G. Bataille, J. Kristeva, P. Lacoue-Labarthe and J. Sallis, G. Didi-Huberman, H. Belting and A. Warburg, J. Bennett and Jason M. Wirth, as well as performance studies. Chapters in this volume inquire into the imaginative forces that disrupt and disinhibit the traditional habits of imagination to create pulsatile imaginaries, i.e., a dynamic process of “emergence-resurgence” of image manifested in the act of creation and in perception. This process does not properly imply a destruction of image, but rather a withdrawal of image from the realm of representation to give way to new images and new imaginative experiences. The newly coined term “rite of disimagination” points out to this operation, consecutively implying imagining and disimaging that both denies, as well as validates image – it valorizes matter. The affirmation of the materiality of image is “the re-incarnation of image.” Nicoletta Isar is Associate Professor Emerita in the Department of Arts and Cultural Studies at the University of Copenhagen (Denmark). She is author of numerous peer-reviewed articles and the books XOPÓΣ: The Dance of Adam. The Making of Byzantine Chorography (2011) and Elemental Chorology, Vignettes Imaginales (2020).
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  • 92
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031459368
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 229 p. 4 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature, Modern ; Literature, Modern ; Comparative literature. ; European literature. ; America ; Literature.
    Kurzfassung: 1. WAYS OF BELONGING -- 2. NAOMI FONTAINE’S INDIGENOUS WRTING: SELF, COMMUNITY, SOCIETY -- 3. ABLA FARHOUD: MONTREAL MIGRATIONS AND THE GHOST OF LEBANON -- 4. ANITA ALOISIO AND AKOS VERBOCZY: CHILDREN OF LA LOI 101 -- 5 CONCLUSION: INSCRIBING HOME IN QUÉBEC.
    Kurzfassung: This book focuses on modes of cultural belonging in Québec. It looks at recent literary memoir, autobiographical fiction, and documentary testimony. Through four in-depth case studies of cultural creators, one Indigenous and three non-Indigenous, Dervila Cooke discusses multicultural and ethnically diverse society in Québec, examining current tensions, challenges, and opportunities. Works studied range from Abla Farhoud’s first novel in 1998 to Anita Aloisio’s 2022 documentary film Calliari QC. Topics include the desire for freedom to self-ascribe and enact cultural identity, self-reinvention through fiction, expressions of Indigeneity in Naomi Fontaine, the term “Québécois”, especially after Bill 21, and the thorny question of integration of immigrants, discussed in relation to Akos Verboczy’s Rhapsodie québécoise. As with the companion volume on France, societal factors are discussed, here relating to the cultural renaissance of Indigenous writing, Farhoud’s Libano-Québécois context, and language laws in Québec, including the foundational Bill 101 and the more recent Bill 96. Dervila Cooke teaches in the School of Applied Language and Intercultural Studies at Dublin City University, Ireland. She is the author of Present Pasts: Patrick Modiano's (Auto) Biographical Fictions (2005) and editor of New Work on Immigration and Identity in Contemporary France, Québec and Ireland (2016), and of Modiano et l’image (2012).
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  • 93
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031561016
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 105 p. 7 illus., 6 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Africa ; Cultural property. ; Ethnology ; Culture. ; Civilization
    Kurzfassung: Chapter 1: A Tipping Point in Restitution Claims -- Chapter 2: Reframing the Narrative -- Chapter 3: The Looting and its Legacy -- Chapter 4: The issues -- Chapter 5: After the Decision -- Chapter 6: Recent developments and longer term reflections.
    Kurzfassung: This book offers a detailed case study of the transfer of ownership to Nigeria in November 2022 of the 72 artworks in the Horniman’s collections looted by the British from Benin City in 1897, as an occasion to explore the current state of the issue of restitution of cultural objects. It argues that we are at a tipping point, where decades of debate but little action about restitution is now changing to a period when at least the most egregious examples of colonial looting are being addressed. It summarises the key issues involved in these returns, outlines the processes and procedures undertaken by the Horniman, and offers recommendations and reflections for the future. Dr Nick Merriman was Chief Executive of the Horniman Museum and Gardens in London from 2018 –2024. In 2022 the organisation was awarded the Art Fund Museum of the Year prize. Previously he was Director of the Manchester Museum at the University of Manchester, and prior to that Reader in Museum and Heritage Studies at the Institute of Archaeology, University College London. He is Honorary Professor of Museum Studies at UCL and the University of Manchester. Among many other appointments has been President of the Council for British Archaeology, and Chair of ICOM UK. He is known for his contributions to the development of public archaeology and museum studies, and for influencing the heritage sector around issues of cultural diversity, sustainability and the future of collections. He took up the role of Chief Executive of English Heritage in February 2024.
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  • 94
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031558733
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 347 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Buddhism. ; Religion and sociology. ; Religions.
    Kurzfassung: 1. Introduction -- 2. The Stage of Stream-Entry -- 3. The Stage of Non-returning -- 4. The Stage of Arahantship -- 5. The Four Stages as a Collective Set in the Pāli Nikāyas -- 6. Development of the Sub-stages -- 7. The Four Stages in the Context of the Liberating Experience of the Buddha and the Early Buddhist Disciples -- 8. The Theory of the Four Stages with Regard to Socio-religious Contexts -- 9. The Four Stages Forming an Integrated Soteriological Path Scheme in Pāli Abhidhamma and Pāli Commentarial Literature -- 10. The Four Stages Exalted to Peak of Spiritual Attainment in Pāli Abhidhamma and Pāli Commentarial Literature -- 11. Conclusion.
    Kurzfassung: This book investigates the origins and development of the theory of four stages of liberation in Pāli literature. This theory is an important soteriological cartography in early Buddhism, particularly Theravāda Buddhism. Amrita Nanda challenges the traditional interpretation of the four stages by recognizing the impact of the changing socio-religious factors on the theory’s origins and subsequent development. Based primarily on the Pali literary sources, this study utilizes sometimes-overlooked aspects of these texts. This book first traces the origins of each stage individually; then, it traces the formation of the theory and its subsequent development. Amrita Nanda is a lecturer at the Centre of Buddhist Studies at the University of Hong Kong.
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  • 95
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031366369
    Sprache: Englisch
    Seiten: 1 Online-Ressource(VII, 215 p.)
    Ausgabe: 1st ed. 2024.
    Serie: African Histories and Modernities
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    Schlagwort(e): Creative nonfiction. ; African literature. ; Literature.
    Kurzfassung: Chapter 1- Introduction -- Chapter 2 - Place and Privilege in Helene Cooper’s The House at Sugar Beach: In Search of a Lost African Childhood -- Chapter 3. Exiled Place in Sisonke Msimang’s Always Another Country: A Memoir of Exile and Home -- Chapter 4 - Family History and Place in Leila Ahmed’s A Border Passage: From Cairo to America – A Woman’s Journey -- Chapter 5- Redemptive Place in Elamin Abdelmahmoud’s Son of Elsewhere: A Memoir in Pieces -- Chapter 6- Disillusioned Place in Noo Saro-Wiwa’s Looking for Transwonderland: Travels in Nigeria -- Chapter 7- Place and Politics in Douglas Rogers’s The Last Resort: A Memoir of Zimbabwe -- Chapter 8 - Place and Trauma in The Girl Who Smiled Beads: A Story of War and What Comes After by Clemantine Wamariya and Elizabeth Weil -- Chapter 9 - From Place to Place in Aminatta Forna’s Autobiographical Writing -- Chapter 10- Home and Nation in Autobiographical Writing.
    Kurzfassung: This book looks at contemporary autobiographical works by writers with African backgrounds in relation to the idea of ‘place’. It examines eight authors’ works – Helen Cooper’s The House at Sugar Beach, Sisonke Msimang’s Always Another Country, Leila Ahmed’s A Border Passage, Noo Saro-Wiwa’s Looking for Transwonderland, Douglas Rogers’s The Last Resort, Elamin Abdelmahmoud’s Son of Elsewhere, Clemantine Wamariya and Elizabeth Weil’s The Girl Who Smiled Beads and Aminatta Forna’s autobiographical writing – to argue that place is particularly central to personal narrative in texts whose authors have migrated multiple times. Spanning Liberia, Nigeria, Sierra Leone, Egypt, Rwanda, Zambia, and Zimbabwe, this book interrogates the label ‘African’ writing which has been criticized for ignoring local contexts. It demonstrates how in their works these writers seek to reconnect with a bygone ‘Africa’, often after complex experiences of political upheavals and personal loss. The chapters also provide in-depth analyses of key concepts related to place and autobiography: place and privilege, place and trauma, and the relationship between place and nation. Lena Englund currently works as senior researcher at the School of Humanities, University of Eastern Finland. She is the author of South African Autobiography as Subjective History: Making Concessions to the Past (Palgrave, 2021).
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  • 96
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031396465
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIX, 402 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature ; Creative nonfiction. ; Literature, Modern
    Kurzfassung: 1 Introduction -- 2 Early years, the 1920s; and William Blake -- 3 The 1930s; and John Bunyan -- 4 The 1940s; and Charles Dickens -- 5 The 1950s; and George Meredith -- 6 The 1960s – mid 1970s; and William Morris -- 7 The late 1970s – 1990; and William Blake, revisited -- 8 Conclusion.
    Kurzfassung: “In what is undoubtedly a landmark work, Cranny-Francis has found a cogent and immensely satisfying line through Lindsay’s life and writing. It provides welcome access to Lindsay-fications of five great writers, which will provoke and inspire readers to reassess those writers’ works. I can think of no one better placed to tell Lindsay's story, and Lindsay's story is an important one to tell.” — Henry Stead, University of St Andrews, UK This book offers an in-depth analysis of the work of prolific writer, activist and publisher, Jack Lindsay (1900-1990). It maps the development of his ideas across the twentieth century by reference to the five British writers about whom he published major studies: William Blake, John Bunyan, Charles Dickens, George Meredith and William Morris. At the same time it maps the formation through the twentieth-century of Left cultural politics, which Lindsay repeatedly anticipated in areas such as the fundamental interconnectedness of human beings and the natural world, the formative role of culture in both social and individual being, the crucial role of the senses in embodied being and the rejection of mind/body dualism. Through his analysis Lindsay foretold both the social alienation and the environmental degradation that characterise the beginning of the twenty-first century, while his interdisciplinary research and transdisciplinary analysis provide models for how we might address these critical concerns. Anne Cranny-Francis is Adjunct Professor in the Faculty of Arts and Social Sciences, University of Technology Sydney, Australia. She is known for her work in feminist and gender studies, cultural literacy, popular culture studies, and studies of embodiment, the senses (particularly touch) and human-technology engagement.
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  • 97
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031554568
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 187 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Phenomenology . ; Continental Philosophy. ; Knowledge, Theory of.
    Kurzfassung: Chapter 1: The Problem of Standpoint in Phenomenology -- Chapter 2: Standpoint Epistemology/Standpoint Phenomenology -- Chapter 3: Three Methodologies: Breakdown, Sign, & Wonder -- Chapter 4: The Methodology of Breakdown as a Standpoint Approach -- Chapter 5: Of Signs and Signals -- Chapter 6: Wonder and Standpoint -- Chapter 7: Finding Out Who We are Together.
    Kurzfassung: This book introduces a standpoint approach to phenomenology and reconceives the phenomenological project as not an individual but a communal endeavor—one that, importantly, requires insight from across the spectrum of human experience and especially experiences of those who have traditionally been absent from the discipline. To develop this approach, the book draws on the feminist tradition of standpoint epistemology. The book borrows two of standpoint epistemology’s key theses—that of situated knowledge (what we know is shaped and often limited by our social location) and inverted privilege (epistemological advantage can in some contexts be inversely related to one’s social location). In standpoint phenomenology, these develop into the thesis of situated phenomenology and inverted phenomenological privilege respectively. This book presents three specific methodologies that support the standpoint approach to phenomenology: the methodologies of breakdown, sign, and wonder. All have their origins in the classical phenomenological work of Heidegger and Merleau-Ponty. Though these methods are used by these phenomenologists, they are not explicitly articulated or explained in any detail. The book lays out how and why these methodologies can be used to reveal the conditions supporting human existence and then highlights the role each might play in a standpoint approach to phenomenology. Katherine Ward is Assistant Professor of Philosophy at Bucknell University (USA).
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  • 98
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031579660
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 259 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Ethics. ; Continental Philosophy. ; Political science.
    Kurzfassung: Chapter 1: Introduction -- Chapter 2: Jacques Derrida on Unconditional and Conditional Hospitality -- Chapter 3: Is Unconditional Hospitality a Regulative Idea of Reason? -- Chapter 4: The Hyper-Ethics of Hospitality -- Chapter 5: The Decision of Hospitality -- Chapter 6: The Event of Hospitality -- Chapter 7: Aporias of Responsibility: Sacrificing Others in The Name of The Other -- Chapter 8: The Necessary Contamination of The Unconditional Ethics of Hospitality By Its Other: Sacrificing The Other in The Name of Others -- Chapter 9: The Aporetic Relationship Between The Unconditional Ethics of Hospitality and Politics -- Chapter 10: Hospitality and Non-Human Beings.
    Kurzfassung: The book systematically presents Derrida’s views on hospitality, as reflected in his texts and lectures from 1995 until his death in October 2004. Derrida’s engagement with hospitality is perhaps the most important and extensive philosophical attempt to respond critically to the growing hostility of many governments worldwide towards specific categories of foreigners, such as refugees and immigrants. Particular emphasis is placed on the ‘aporetic’ nature of hospitality that Derrida describes: namely, that, on the one hand, the provision of hospitality brings us face to face with the hyper-ethical ‘law’ of ‘unconditional hospitality,’ which requires the unconditional reception of the other, i.e. the provision of hospitality to the foreigner without conditions, restrictions or expecting anything in return. On the other hand, the provision of hospitality forces us to face the ‘conditional’ laws of hospitality, which, while establishing a right to and a duty of hospitality, simultaneously restrict hospitality by setting conditions for the arrival and stay of the foreigner. The book also analyses the ‘decision’ and the ‘event’ of hospitality, as well as the unresolved ‘aporia’ at the heart of the ethics of hospitality (or of ethics in general), an aporia or contradiction related to the fact that we cannot be hospitable towards a singularity without ‘sacrificing’ some other singularities. Attention is paid to Derrida’s attempt to open the provision of hospitality beyond humans, that is, to other living beings. Derrida’s views on hospitality are examined in the book in the light of the philosophical thought of Emmanuel Levinas, Immanuel Kant and René Schérer. Gerasimos Kakoliris is Associate Professor in Contemporary Continental Philosophy at the National and Kapodistrian University of Athens, Greece. His previous publications include Derrida’s Deconstructive Double Reading: The Case of Rousseau (2022, open access).
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  • 99
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031474088
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 402 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature ; Literature ; European literature.
    Kurzfassung: 1 Interpretation -- 2 Fiction -- 3 Performativity and Performance -- 4 Intertextuality -- 5 Genre -- 6 Periodization.
    Kurzfassung: This monograph offers new insights into the fundamentals of literary theory. It synthesizes and evaluates research from recent decades, critically examining this work from a transnational perspective and with a particular focus on publications in English, French and German. The book is divided into six sub-theories that tackle problems of interpretation, fictionality, performativity and performance, intertextuality, genre and periodization. Drawing on texts from Classical Antiquity to English, German, French, Spanish and Italian literature, the book brings together a range of different scholarly traditions in different languages. Klaus W. Hempfer is Professor Emeritus of Romance Literatures at the Freie Universität Berlin, Germany.
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  • 100
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031246852
    Sprache: Englisch
    Seiten: 1 Online-Ressource(5 illus., 3 illus. in color. eReference.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Popular Culture. ; Philosophy.
    Kurzfassung: The Good Place as Philosophy: Moral Adventures in the Afterlife.-Twilight Zone as Philosophy 101 -- Star Trek as Philosophy: Spock as Stoic Sage -- Star Trek: The Next Generation as Philosophy: Gene Roddenberry’s Argument for Humanism -- Battlestar Galactica as Philosophy: Breaking the Biopolitical Cycle -- Black Sails as Philosophy: Pirates and Political Discourse -- Doctor Who as Philosophy: Four-Dimensionalism and Time Travel -- Breaking Bad as Philosophy -- The Handmaid’s Tale as Philosophy: Autonomy and Reproductive Freedom -- Mister Rogers’ Neighborhood as Philosophy: Children as Philosophers -- Futurama as Philosophy: Wisdom from the Ignorance of a Delivery Boy -- Firefly as Philosophy: Social Contracts, Political Dissent, and Virtuous Communities -- Arrested Development as Philosophy: Family First? What We Owe Our Parents -- The Doctor as Philosopher: The Collectivist-Realist Pacificism ofthe Doctor and the Quest for Social Justice. .
    Kurzfassung: Much philosophical work on pop culture apologises for its use; using popular culture is a necessary evil, something merely useful for reaching the masses with important philosophical arguments. But works of pop culture are important in their own right--they shape worldviews, inspire ideas, change minds. We wouldn't baulk at a book dedicated to examining the philosophy of The Great Gatsby or 1984--why aren't Star Trek and Superman fair game as well? After all, when produced, the former were considered pop culture just as much as the latter. This will be the first major reference work to right that wrong, gathering together entries on film, television, games, graphic novels and comedy, and officially recognizing the importance of the field. It will be the go-to resource for students and researchers in philosophy, culture, media and communications, English and history and will act as a springboard to introduce the reader to the other key literature inthe field.
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