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  • BSZ  (210)
  • München UB  (18)
  • History
  • Monografische Reihe
  • Zeitschrift
  • Musicology  (222)
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  • 1
    Journal/Serial
    Journal/Serial
    London : Soc. ; 1.1965/69 -
    ISSN: 0531-9684 , 2056-6166 , 2056-6166
    Language: English
    Dates of Publication: 1.1965/69 -
    Parallel Title: Erscheint auch als Folk music journal
    Former Title: Vorg. English Folk Dance and Song Society Journal of the English Folk Dance and Song Society
    Former Title: the journal of traditional song, music & dance
    DDC: 390
    RVK:
    Keywords: Zeitschrift
    Note: Repr. 1.1965/69: Nendeln : Kraus
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  • 2
    ISSN: 0013-8231
    Language: Undetermined
    Dates of Publication: 1.1936 -
    Additional Information: Beil. English Folk Dance and Song Society Journal of the English Folk Dance and Song Society
    Former Title: English dance & song
    Former Title: ED & S
    Former Title: England's foremost folk music magazine
    DDC: 390
    RVK:
    Keywords: Zeitschrift
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  • 3
    Journal/Serial
    Journal/Serial
    Warszawa : [Verlag nicht ermittelbar] ; 1.1950,Apr. - 7.1956,Jan./Febr. = Nr. 1-70/71; [N.S.]1.1956 = Nr. 1 -
    ISSN: 0541-4830 , 0027-5344
    Language: Polish , English
    Dates of Publication: 1.1950,Apr. - 7.1956,Jan./Febr. = Nr. 1-70/71; [N.S.]1.1956 = Nr. 1 -
    Additional Information: CD-Beil. Folk music collection
    Parallel Title: Erscheint auch als Muzyka
    DDC: 780
    RVK:
    Keywords: Zeitschrift ; Musikwissenschaft
    Note: Index als Bibliografia bezeichnet , Beteil. Körp. anfangs: Pánstwowy Instytut Sztuki, Związek Kompozytorów Polskich , Index 1/18.1956/73; 19/23.1974/78; 24/33.1979/88; [N.S.]1/49.1956/2005
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  • 4
    Journal/Serial
    Journal/Serial
    Dublin : Four Courts | Dublin : Irish Academy Press ; 1.1990 -
    Language: English
    Dates of Publication: 1.1990 -
    DDC: 780
    RVK:
    Keywords: Music ; Ireland ; Monografische Reihe ; Irland ; Musik
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  • 5
    Journal/Serial
    Journal/Serial
    Innsbruck : StudienVerl. ; 1.2008 -
    Language: German
    Dates of Publication: 1.2008 -
    DDC: 780
    RVK:
    Keywords: Monografische Reihe
    Note: Ersch. unregelmäßig
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  • 6
    Journal/Serial
    Journal/Serial
    Aachen : Shaker | Bamberg : Univ.-Bibliothek Bamberg | Münster : MV Wiss., Verl.-Haus Monsenstein und Vannerdat OHG ; 1.1990(1992) -
    ISSN: 0943-4224
    Language: German
    Pages: 21 cm
    Additional Material: CD-ROMs als Beil
    Dates of Publication: 1.1990(1992) -
    Former Title: Berichte aus dem ICTM-Nationalkomitee Deutschland
    Former Title: Bericht über die Tagung des Nationalkomitees der Bundesrepublik Deutschland im International Council for Traditional Music (UNESCO) am
    Former Title: Berichte aus dem Nationalkomitee der Bundesrepublik Deutschland im ICTM
    Former Title: Berichte aus dem Nationalkomitee der Bundesrepublik Deutschland im International Council for Traditional Music (ICTM/UNESCO)
    DDC: 780.8905
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Monografische Reihe ; Musikethnologie
    Note: Bis 8.1998 mit Kassettenbeil.; ab 9/10.1999/2000 mit CD-Beil , Ersch. unregelmäßig; enthaltener Kongress ab 20/21.2010/2013 als Monografie behandelt
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  • 7
    Journal/Serial
    Journal/Serial
    Paris : UN ; 1.1977 -
    ISSN: 0251-5164
    Language: Undetermined
    Dates of Publication: 1.1977 -
    Parallel Title: Erscheint auch als Protection du patrimoine culturel / Cahiers techniques: musées et monuments
    DDC: 050
    RVK:
    Keywords: Monografische Reihe
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  • 8
    Journal/Serial
    Journal/Serial
    Leipzig : Zentralhaus-Publ. | Leipzig : Kabinett für Kulturarbeit der Stadt Leipzig | Leipzig : Gruppe Folkländer ; 1.1978 -
    Language: German
    Dates of Publication: 1.1978 -
    Additional Information: Einzelne Bd. zugl. Bd. von Bibliographie der Literatur zum deutschen Volkslied Leipzig : Zentralhaus-Publ., 1987
    DDC: 780
    RVK:
    RVK:
    Keywords: Monografische Reihe ; Deutsch ; Volkslied
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  • 9
    Journal/Serial
    Journal/Serial
    Paris : Michel ; Nachgewiesen Nr. 1.1967
    Language: Undetermined
    Dates of Publication: Nachgewiesen Nr. 1.1967
    DDC: 790
    RVK:
    Keywords: Zeitschrift
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  • 10
    Journal/Serial
    Journal/Serial
    Austin, Tex. : Univ. of Texas Press ; 1.1980 -
    ISSN: 0163-0350 , 1536-0199 , 1536-0199
    Language: English , Spanish , Portuguese
    Dates of Publication: 1.1980 -
    Parallel Title: Erscheint auch als Latin American music review
    Former Title: Vorg. Yearbook for Inter-American musical research
    DDC: 780
    RVK:
    Keywords: Zeitschrift
    Note: Index 1/10.1980/89 in: 10.1989
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  • 11
    Journal/Serial
    Journal/Serial
    Wien : Universal Ed. ; 1970 -
    Language: German
    Dates of Publication: 1970 -
    DDC: 780
    RVK:
    RVK:
    Keywords: Monografische Reihe
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  • 12
    Journal/Serial
    Journal/Serial
    Barcelona : Orféo Català ; 1.1904 - 33.1936[?]; 2.ép. 1.1984 - 7.1990 = Nr. 1-74; 4.ép. 23.2006,Mai=Nr. 259 -
    ISSN: 1136-7458
    Language: Catalan
    Dates of Publication: 1.1904 - 33.1936[?]; 2.ép. 1.1984 - 7.1990 = Nr. 1-74; 4.ép. 23.2006,Mai=Nr. 259 -
    Additional Information: 3.ép. 8.1991 - 23.2006,Apr. Catalunya música Barcelona, 1991 1136-7458
    DDC: 390
    RVK:
    Keywords: Zeitschrift
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  • 13
    Journal/Serial
    Journal/Serial
    Hoyerswerda : Stadt Hoyerswerda, Stadtmuseum | Hoyerswerda : Stadtverwaltung Hoyerswerda ; Nr. 1.1998 -
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    Language: German
    Pages: 22 cm
    Dates of Publication: Nr. 1.1998 -
    Former Title: Vorg. Hoyerswerdaer Geschichtshefte
    DDC: 900
    RVK:
    Keywords: Zeitschrift ; Hoyerswerda ; Heimatkunde ; Hoyerswerda ; Geschichte ; Landkreis Hoyerswerda ; Musik ; Geschichte
    Note: Ersch. jährl.
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  • 14
    Journal/Serial
    Journal/Serial
    Champaign, Ill. : University of Illinois Press | Middletown, Conn. [u.a.] : Society for Ethnomusicology ; [1.]1953/57=Nr. 1-11; 2.1958 -
    ISSN: 0014-1836
    Language: English
    Dates of Publication: [1.]1953/57=Nr. 1-11; 2.1958 -
    Additional Information: Bibliographie ab 2000 Ographies
    Parallel Title: Online-Ausg. Ethnomusicology
    Former Title: newsletter
    RVK:
    Keywords: Zeitschrift
    Note: Index 21/30(1977/1986); 31/40.1987/96 in: 41.1997,2
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  • 15
    ISSN: 0177-445X
    Language: German
    Pages: 30 cm
    Dates of Publication: 1.1984-
    Additional Information: Supplement zu Schönere Heimat
    Additional Information: Supplement zu Der Bauberater
    Former Title: Volksmusik
    Former Title: Mitteilungsblatt der Volksmusikberatungsstellen des Bayerischen Landesvereins für Heimatpflege e.V.
    DDC: 780
    RVK:
    Keywords: Bayern ; Volksmusik ; Zeitschrift ; Bayern ; Volksmusik
    Note: Erscheint jährlich, bis 2021 vierteljährlich , Früher herausgegeben von der Bayerischen Landesstelle für Volkskunde
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  • 16
    Journal/Serial
    Journal/Serial
    Champaign, Ill. : University of Illinois Press | Middletown, Conn. [u.a.] : Society for Ethnomusicology ; [1.]1953/57=Nr. 1-11; 2.1958 -
    ISSN: 0014-1836
    Language: English
    Dates of Publication: [1.]1953/57=Nr. 1-11; 2.1958 -
    Additional Information: Bibliographie ab 2000 Ographies
    Parallel Title: Erscheint auch als Ethnomusicology
    Former Title: newsletter
    DDC: 390
    RVK:
    Keywords: Zeitschrift
    Note: Index 21/30(1977/1986); 31/40.1987/96 in: 41.1997,2
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  • 17
    Journal/Serial
    Journal/Serial
    Grahamstown | Johannesburg | Roodeport ; 1.1954/57 - 7.1991/99; 8.2007 -
    ISSN: 0065-4019
    Language: English
    Dates of Publication: 1.1954/57 - 7.1991/99; 8.2007 -
    Parallel Title: Erscheint auch als African music
    Former Title: Vorg. African Music Society Newsletter / African Music Society
    Former Title: journal of the African Music Society
    DDC: 780
    RVK:
    Keywords: Zeitschrift
    Note: Repr.: Amsterdam : Swets & Zeitlinger
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  • 18
    Journal/Serial
    Journal/Serial
    Champaign, Ill. : University of Illinois Press | Middletown, Conn. [u.a.] : Society for Ethnomusicology ; [1.]1953/57=Nr. 1-11; 2.1958 -
    ISSN: 0014-1836
    Language: English
    Dates of Publication: [1.]1953/57=Nr. 1-11; 2.1958 -
    Additional Information: Bibliographie ab 2000 Ographies
    Parallel Title: Erscheint auch als Ethnomusicology
    Former Title: newsletter
    DDC: 390
    RVK:
    Keywords: Zeitschrift
    Note: Index 21/30(1977/1986); 31/40.1987/96 in: 41.1997,2
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  • 19
    Journal/Serial
    Journal/Serial
    Berlin : Logos Verlag Berlin | Stockholm : Nordiska Musikförl. | Halle an der Saale : Stekovics | Münster : MV-Wissenschaft, Monsenstein und Vannerdat ; 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
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    ISSN: 2191-5261
    Language: English
    Pages: 24 cm
    Dates of Publication: 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    Additional Information: 1=3; 2=4; 3=5; 4=6; 5=7; 6=8; 7=9 von Musikmuseet (Stockholm) Musikhistoriska Museets skrifter Stockholm : Norstedt, 1964 0081-5675
    Additional Information: 1=2; 2=3; 4=4; 5=5; 6=6; 7=7 von International Folk Music Council. Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Folk Music Council Stockholm : Musikhistoriska Museet, 1969
    Additional Information: 8=10; 9=14; 10=24 von Musikmuseet (Stockholm) Musikmuseets skrifter Stockholm : Musikmuseet, 1985 0282-8952
    Additional Information: 8=8 von International Council for Traditional Music. Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Council for Traditional Music Stockholm : Musikmuseet, 1985
    Additional Information: 9=9; 10=10; 11=11; 12=12 von International Council for Traditional Music. Study Group on Folk Musical Instruments Report from the ... international meeting of the International Council for Traditional Music's Study Group on Folk Musical Instruments Stockholm : Musikmuseet, 1989
    Additional Information: 15=15 von International Council for Traditional Music. Study Group on Folk Musical Instruments Proceedings from the ... international meeting Stockholm : Svensk Visarkiv, 2005
    DDC: 780
    RVK:
    RVK:
    Keywords: Zeitschrift ; Volksmusikinstrument ; Volksmusik ; Volksmusikinstrument ; Volksmusik ; Volksmusikinstrument
    Note: 13 u. 14 nicht ersch.
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  • 20
    Journal/Serial
    Journal/Serial
    Leipzig : Dt. Verl. für Musik ; 1.1971 -
    ISSN: 0323-8318
    Language: German
    Dates of Publication: 1.1971 -
    DDC: 050
    RVK:
    Keywords: Monografische Reihe ; Deutschland ; Musikwissenschaft
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  • 21
    Language: Serbian , English
    Dates of Publication: 1.1950 -
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja / Srpska Akademija Nauka i Umetnosti Beograd : [Wechselnde Verleger], 1960 0352-1850
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja / Srpska Akademija Nauka i Umetnosti Beograd : [Wechselnde Verleger], 1960 0352-1850
    DDC: 300
    RVK:
    Keywords: Monografische Reihe
    Note: Wechselnde Parallelsacht , Urh. anfangs: Srpska Akademija Nauk, Etnografski Institut , Ersch. unregelmäßig , Teils in kyrill. Schr.; Text serb.
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  • 22
    Journal/Serial
    Journal/Serial
    Wien : Hollitzer | Graz [u.a.] : Universal-Ed. | Graz : Akad. Dr.- u. Verl.-Anst. ; 1.1969(1970) -
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    ISSN: 0075-3572
    Language: German , English
    Pages: 24 cm
    Dates of Publication: 1.1969(1970) -
    Additional Information: 12=4 von Internationale Jazzwissenschaftliche Tagung (ZDB) Bericht / Internationale Jazzwissenschaftliche Tagung Graz : Akadem. Druck- u. Verl.-Anst., 1980
    DDC: 780
    RVK:
    RVK:
    Keywords: Jazz ; Zeitschrift ; Jazz ; Jazz
    Note: 1. beteil. Körp. bis 29.1997: Institut für Jazzforschung an der Hochschule für Musik und Darstellende Kunst in Graz , Ersch. jährl. , Index 1/19.1969/87 in: 20.1988
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  • 23
    Journal/Serial
    Journal/Serial
    Kassel : Merseburger | Köln [u.a.] : Staufen-Verl. | Köln : Volk ; H. 1.1952 -
    ISSN: 0522-7046
    Language: German
    Dates of Publication: H. 1.1952 -
    Additional Information: Index 1/155=82a von Arbeitsgemeinschaft für Rheinische Musikgeschichte Mitteilungen / Arbeitsgemeinschaft für Rheinische Musikgeschichte e.V. Köln, 1955 0948-1222
    Additional Information: 136=1984; 140=1985; 142=1986; 149=1991; 157=1992; 155=1995; 159=1998 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte Kassel : Merseburger, 1986 0522-7046
    Additional Information: 136=1984; 140=1985; 142=1986; 149=1991; 157=1992; 155=1995; 159=1998 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte Kassel : Merseburger, 1986 0522-7046
    Additional Information: 6=1; 125=2 von Beiträge zur Musikgeschichte der Stadt Aachen Köln [u.a.], 1954
    Additional Information: 20=1; 52=2; 62=3; 112-4;119=5 von Studien zur Musikgeschichte des Rheinlandes Köln : Volk, 1956
    Additional Information: 26=1957 von "Referate der Jahrestagung für Rheinische Musikgeschichte"
    Additional Information: 43=1; 53=2; 58=3; 64=4; 69=5; 80=6; 97=7; 111=8; 150=10 von Rheinische Musiker Kassel : Merseburger, 1960
    Additional Information: 61=1 von Musik in Mönchengladbach Mönchengladbach : Kulturamt, 1965
    Additional Information: 61=[1]; 109=2 u.a. von Studien zur Musikgeschichte der Stadt Mönchengladbach Köln : Volk, 1965
    Additional Information: 104,1=2; 104,2=3 von Josef-Rheinberger-Archiv (Vaduz) Veröffentlichungen des Josef Rheinberger-Archivs, Vaduz Köln : Volk, 1974
    Additional Information: 121=7 von Musikalische Volkskunde Essen : Verl. Die Blaue Eule, 1971
    Additional Information: 149=1249; 155=1255; 157=1257; 159=1259; 169=1269; 170=1270; 172=1272; 173=1273 von Edition Merseburger Kassel : Verlag Merseburger, 1947
    Additional Information: 170=2004 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Tagung der Arbeitsgemeinschaft für Rheinische Musikgeschichte ... Kassel : Merseburger, 2005
    Former Title: Veröffentlichungen der Arbeitsgemeinschaft für Rheinische Musikgeschichte e.V.
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Rheinland ; Musik ; Geschichte ; Rheinland ; Musik ; Geschichte
    Note: Einzelne Bd. Medienkombination aus Druckwerken und Tonträger , Darin: Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte , Springende Ersch.-Jahre; ersch. unregelmäßig
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  • 24
    Journal/Serial
    Journal/Serial
    Wiesbaden : Harrassowitz ; 1.2004 -
    ISSN: 1613-7493 , 2748-9523
    Language: German
    Dates of Publication: 1.2004 -
    Parallel Title: Erscheint auch als Jüdische Musik
    DDC: 780
    RVK:
    RVK:
    Keywords: Monografische Reihe ; Juden ; Musik
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  • 25
    Journal/Serial
    Journal/Serial
    [Annaberg-Buchholz] : Erzgebirgische Theater- und Orchester GmbH ; 2021/2022 [?]-
    Language: German
    Pages: Bände
    Dates of Publication: 2021/2022 [?]-
    Former Title: Fortsetzung von Eduard-von-Winterstein-Theater (Annaberg-Buchholz) Mach mit!
    DDC: 792
    RVK:
    RVK:
    Keywords: Zeitschrift ; Annaberg-Buchholz ; Theaterpädagogik ; Kindertheater ; Jugendtheater ; Aufführung ; Orchestermusik ; Konzert ; Programmheft
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  • 26
    Language: German
    Pages: Online-Ressource
    Dates of Publication: Nummer 22 (Wintersemester 2006/07)-
    Parallel Title: Erscheint auch als Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig MT-Journal
    DDC: 780
    RVK:
    RVK:
    Keywords: Zeitschrift ; Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig
    Note: Ungezählte Beilage: Beilage , Ausgaben erscheinen jeweils zum Wintersemester und Sommersemester
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  • 27
    Language: German
    Dates of Publication: 2.1992 -
    Former Title: Vorg. Beiträge zur Jazzforschung
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Jazz
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  • 28
    ISSN: 0081-7341
    Language: German
    Pages: 25 cm
    Dates of Publication: 1.1965 -
    Former Title: Studien zur Musikgeschichte des neunzehnten Jahrhunderts
    DDC: 050
    RVK:
    Keywords: Monografische Reihe ; Musik ; Geschichte 1800-1900
    Note: Bd. 20; 32 u. 45 nicht ersch.; unregelmäßig
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  • 29
    Journal/Serial
    Journal/Serial
    Wilhelmshaven : Noetzel | Heidelberg : Quelle & Meyer | Wilhelmshaven : Heinrichshofen ; 1.1959 -
    Language: German
    Dates of Publication: 1.1959 -
    Former Title: Vorg. Musikpädagogische Bibliothek
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Musikerziehung
    Note: Repr.: Walluf bei Wiesbaden : Sändig
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  • 30
    Journal/Serial
    Journal/Serial
    Paris : Musée du Quai Branly | Paris : Musée de l'Homme ; 1.1895/96 - 5.1904; N.S. 1.1903/04 -
    Show associated volumes/articles
    ISSN: 0037-9174 , 1957-7842
    Language: French
    Pages: 28 cm
    Dates of Publication: 1.1895/96 - 5.1904; N.S. 1.1903/04 -
    Additional Information: Beil.: Société des Américanistes de Paris Actes de la Société
    Additional Information: Ab 68.1982 darin Bibliographie américaniste / Archéologie et préhistoire, anthropologie et ethnohistoire. Archéologie et préhistoire, anthropologie et ethnohistoire
    Additional Information: Bis 1964 darin u. ab 1965 Beil. Bibliographie américaniste
    Parallel Title: Digital. Ausg. Société des Américanistes de Paris Journal de la Société des Américanistes
    Parallel Title: Online-Ausg. Société des Américanistes de Paris Journal de la Société des Américanistes
    Former Title: Journal de la Société des Américanistes de Paris
    Former Title: Journal
    RVK:
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    Keywords: Zeitschrift
    Note: Repr.: New York, NY : Johnson , Ersch. jährl. , Index 64/72.1977/86 in: 73.1987
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  • 31
    Journal/Serial
    Journal/Serial
    Darmstadt : WBG | Stuttgart : Theiss ; 1984,1; 1985 - 1988; 5.1989 -
    ISSN: 0176-8522
    Language: German
    Pages: 28 cm
    Dates of Publication: 1984,1; 1985 - 1988; 5.1989 -
    Additional Information: Supplement Archäologie in Deutschland. Sonderheft
    Additional Information: 2007 - 2011 Beil. Archäologie in Deutschland / Sonderheft Plus
    Parallel Title: Erscheint auch als Archäologie in Deutschland
    Former Title: das Magazin
    DDC: 936.3
    RVK:
    RVK:
    Keywords: Archäologie ; Zeitschrift ; Deutschland ; Archäologie
    Note: Bis 17.2001 ohne Zusatz , Zählung nur auf d. Index; ersch. 6x jährl.
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  • 32
    Journal/Serial
    Journal/Serial
    Berlin : VWB, Verl. für Wiss. und Bildung | Paris : Internat. Music Council | Kassel : Bärenreiter | Mainz : Schott | Roma : Ed. Lerici | Wilhelmshaven : Heinrichshofen | Wilhelmshaven : Verl. Noetzel ; Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
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    ISSN: 0043-8774 , 2941-3680 , 2941-3680
    Language: German , English , French
    Pages: 23 cm
    Dates of Publication: Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    Additional Information: Beil. International Music Council Bulletin of the International Music Council (Unesco)
    Additional Information: 52=17 von Intercultural music studies Berlin : VWB, Verl. für Wiss. und Bildung, 1990 1435-5590
    Parallel Title: Erscheint auch als The world of music
    Former Title: Darin aufgeg. Darin aufgeg. ---〉 Musique dans le monde
    Former Title: Die Welt der Musik
    Former Title: Le monde de la musique
    Former Title: journal of the Department of Ethnomusicology, Otto-Friedrich University of Bamberg
    Former Title: The world of music bibliography
    DDC: 780.89
    RVK:
    Keywords: Musikethnologie ; Zeitschrift ; Musikethnologie
    Note: Gesamttitel teils: Intercultural music studies , Beteil. Körp. bis 32.1990: International Institute of Comparative Music Studies and Documentation (Berlin); International Music Council (UNESCO); 33.1991 - 38.1996: International Institute of Traditional Music (Berlin) , Ersch. 2x jährl., anfangs 3x jährl.; 52.2010 - 53.2011 in 1 Bd. ersch. , Text engl., früher dt., engl., franz. , Index 19/29.1977/87=30.1988,1; Index [1]/52.1959/2010=53.2011
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  • 33
    Journal/Serial
    Journal/Serial
    Santiago de Chile ; 1.1945/46 - ; auch mit durchgehender Nr.-Zählung
    ISSN: 0716-2790 , 0717-6252 , 0717-6252
    Language: Undetermined
    Additional Material: CDs u. CD-ROMs als Beil
    Dates of Publication: 1.1945/46 - ; auch mit durchgehender Nr.-Zählung
    Parallel Title: Erscheint auch als Revista musical chilena
    DDC: 780
    RVK:
    Keywords: Zeitschrift
    Note: Index 1945/74 in: 29.1975
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  • 34
    Journal/Serial
    Journal/Serial
    Darmstadt : WBG | Stuttgart : Theiss ; 1984,1; 1985 - 1988; 5.1989 -
    Show associated volumes/articles
    ISSN: 0176-8522
    Language: German
    Pages: 28 cm
    Dates of Publication: 1984,1; 1985 - 1988; 5.1989 -
    Additional Information: Supplement Archäologie in Deutschland. Sonderheft
    Additional Information: 2007 - 2011 Beil. Archäologie in Deutschland / Sonderheft Plus
    Parallel Title: Erscheint auch als Archäologie in Deutschland
    Former Title: das Magazin
    DDC: 936.3
    RVK:
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    Keywords: Archäologie ; Zeitschrift ; Deutschland ; Archäologie
    Note: Bis 17.2001 ohne Zusatz , Zählung nur auf d. Index; ersch. 6x jährl.
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  • 35
    ISBN: 9783828850569
    Language: German
    Pages: 1 Online-Ressource (IX, 189 Seiten) , Notenbeispiele
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart Band 9
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart
    Parallel Title: Erscheint auch als Bugert, Thomas Das Jahr der Innovationen im Jazz
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    Keywords: Geschichte ; Analyse ; Improvisation ; Musik ; Rezeptionsgeschichte ; 50er Jahre ; History ; music ; analysis ; Musikgeschichte ; Music History ; reception history ; Jazz ; 1950s ; origins ; Ursprünge ; 1959 ; albums ; Alben ; harmonic concepts ; Bill Evans ; Dave Brubeck ; Giant Steps ; jazz albums ; harmonisch-melodische Konzepte ; melodic concepts ; Jazzalben ; Jazz-Alben ; precursors ; John Coltrane ; records ; Kind of Blue ; Miles Davis ; Ornette Coleman ; Portrait in Jazz ; Schallplatten ; The Shape of Jazz to Come ; Time Out ; Vorläufer
    Abstract: 1959 entstanden mit Dave Brubecks "Time Out", John Coltranes "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" und Ornette Colemans "The Shape of Jazz to Come" stilprägende Alben, die für die weitere Entwicklung des Jazz wegweisend waren. In ihnen finden sich metrische und harmonisch-melodische Konzepte sowie grundlegende Neuerungen in der Organisation des Zusammenspiels und im Umgang mit improvisierter Musik, die heute fester Bestandteil des Jazz sind. Der Autor geht den Ursprüngen und Vorläufern dieser Konzepte nach, untersucht die biografischen Bezüge der Protagonisten zu den Konzepten und zum Zeitgeist und betrachtet die Rezeptionsgeschichte der Alben.
    Abstract: The year 1959 saw the release of Dave Brubeck's "Time Out", John Coltrane's "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" and Ornette Coleman's "The Shape of Jazz to Come", all style-defining albums that were groundbreaking in the development of jazz. They contain metrical and harmonic-melodic concepts as well as fundamental innovations in the organisation of ensemble playing and the handling of improvised music, which are an integral part of jazz today. The author traces the origins and antecedents of these concepts, examines the protagonists' biographical references to the concepts and the zeitgeist, and looks at the reception history of the albums.
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  • 36
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197685914
    Language: English
    Pages: x, 222 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Parallel Title: Erscheint auch als Hild, Elaine Stratton Music in medieval rituals for the end of life
    DDC: 781.5/880902
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    Keywords: Gregorian chants History and criticism ; Death Religious aspects To 1500 ; Christianity ; History ; Death Social aspects To 1500 ; History ; Funeral rites and ceremonies, Medieval History ; Sterben ; Musik ; Liturgie ; Geschichte 600-1500 ; Requiem ; Geschichte 600-1500
    Abstract: "Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--
    Description / Table of Contents: Introduction : Contemporary approaches to medieval rituals for the dying -- Religious elites : Rome, "old Roman" tradition -- Political and religious leaders : Sens, Cathedral of Saint Stephen -- With the laity : Orsières, Switzerland -- Among women : Abbey of Saint Mary the Virgin and Saint Francis without Aldgate (England) -- Analysis : variation and continuity within the liturgical tradition -- Final considerations : Why sing?
    Note: Includes bibliographical references and index
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  • 37
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris
    ISBN: 9780755641819
    Language: English
    Pages: 284 Seiten
    Edition: Paperback edition
    Series Statement: The early and medieval Islamic world
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 800-1400 ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Music / Islamic countries / History / To 1500 ; Musicians / Islamic countries / History / To 1500 ; Musicology / Islamic countries ; Islamic countries / Social conditions ; Music ; Musicians ; Musicology ; Social conditions ; Islamic countries ; To 1500 ; History ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."--
    Note: Literaturverzeichnis Seite [255]-271
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  • 38
    ISBN: 9781789384215 , 1789384214
    Language: English
    Pages: xxv, 446 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Ainsworth, Alan John Sight Readings
    DDC: 781.650973
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    Keywords: Jazz in art ; Photography History 20th century ; Jazz History and criticism ; Jazz ; Jazz in art ; Photography ; Criticism, interpretation, etc ; History ; USA ; Fotografie ; Jazz ; Jazzmusiker ; Geschichte 1900-1960
    Note: Includes bibliographical references (pages 366-424) and index
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  • 39
    Book
    Book
    Jefferson, North Carolina : McFarland & Company
    ISBN: 9781476687063
    Language: English
    Pages: ix, 257 Seiten
    DDC: 306.4/8420973
    RVK:
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    Keywords: Popular music Social aspects ; History ; Slurs History ; Music and language History ; Music and race History ; African Americans in popular culture ; African American comedians ; MUSIC / History & Criticism ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Abstract: The N-Word's Musical Contours -- Out of Music : The N-Word's Material, Environmental, and Social Contours -- John Lennon's N-Word Moment -- Interlude. Diverse Opinions -- Philosorock : John Lennon, Bob Dylan, and Other White Musicians Who Sing the N-Word -- Black Demystification, White Bewilderment : Transformation and Numbing in Black Comedy and Black Music -- Muhammad Ali, Rap, and That Word -- A Hip-Hop Icon -- A Sensible Rule : A Case Study -- Inviting Destruction Beyond the Music -- Conclusion. Welcome to the Conversation, Country Music.
    Abstract: "The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery. This weighty and engaging look at the English language's most explosive slur, described by scholars as the "atomic bomb" of bigoted words, traces the N-word's journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock 'n' roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur's meaning and spelling"--
    Note: Includes bibliographical references and index
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  • 40
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
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    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 41
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Parallel Title: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Note: Includes bibliographical references and index
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  • 42
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197531372
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.4216490941
    RVK:
    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) ; Political aspects ; Great Britain ; History ; 21st century ; Rap (Music) ; Great Britain ; History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: 'Brithop' investigates rap music's politics in the 21st century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain's political discourses. The rappers in this volume critique the United Kingdom's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
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  • 43
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815391784 , 9780815391777
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Abstract: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
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  • 44
    Online Resource
    Online Resource
    Ithaca : Cornell University Press
    ISBN: 9781501759857
    Language: English
    Pages: 1 Online-Ressource (368 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.48428
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    Keywords: Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
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  • 45
    ISBN: 9781501759840
    Language: English
    Pages: xiii, 351 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Thurman, Kira Singing like Germans
    Parallel Title: Erscheint auch als Thurman, Kira Singing like Germans
    DDC: 306.4/8428
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    Keywords: Musicians, Black History 20th century ; Musicians, Black History 20th century ; Musicians, Black History 19th century ; Musicians, Black History 19th century ; African American musicians History 20th century ; African American musicians History 20th century ; African American musicians History 19th century ; African American musicians History 19th century ; Music Social aspects ; History ; Music Social aspects ; History ; Music Political aspects ; History ; Music Political aspects ; History ; Music and race ; Deutschland ; Musiker ; Amerika ; Schwarze ; Geschichte 1870-1961 ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    Abstract: How Beethoven Came to Black America -- African American Intellectual and Musical Migration to Central Europe, 1870-1914 -- The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914 -- Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign -- Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe -- "A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism -- "And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life -- Breaking with the Past : Race, Gender, and Opera after 1945 -- Singing in the Promised Land : Black Musicians in the German Democratic Republic -- Conclusion : "What Should a Negro Do with Beethoven?!".
    Abstract: "This book examines the history of Black musicians in Germany and Austria in the nineteenth and twentieth centuries"--
    Note: Includes bibliographical references and index
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  • 46
    ISBN: 9783412523930 , 3412523933
    Language: German
    Pages: 468 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Fornoff-Petrowski, Christine, 1984 - Künstler-Ehe
    Parallel Title: Erscheint auch als Fornoff-Petrowski, Christine Künstler-Ehe
    Dissertation note: Dissertation Carl von Ossietzky Universität Oldenburg 2020
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    Keywords: Kinkel, Gottfried ; Schumann, Clara ; Music Social aspects 19th century ; History ; Musicians Public opinion ; Musicians' spouses Public opinion ; Artist couples Public opinion ; Bildnis ; Hochschulschrift ; Biografie ; Musiker ; Musikerin ; Ehepaar ; Bürgerliche Gesellschaft ; Geschlechterverhältnis ; Geschichte 1800-1899 ; Musiker ; Musikerin ; Ehepaar ; Geschichte 1800-1899 ; Künstler ; Ehepaar ; Geschichte 1800-1899
    Abstract: Auch zu Clara Schumann und Gottfried Kinkel
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  • 47
    Book
    Book
    London : Routledge, Taylor and Francis Group
    ISBN: 9780367322052
    Language: English
    Pages: VI, 126 Seiten , Illustrationen, Faksimile , 22 cm
    Series Statement: Royal Musical Association monographs 35
    Parallel Title: Erscheint auch als
    DDC: 306.48420942109034
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    Keywords: Giardini, Felice ; Music Social aspects 18th century ; History ; Music Economic aspects 18th century ; History ; Music publishing History 18th century ; Musicians History 18th century ; Giardini, Felice 1716-1796 ; Musikleben ; Musikverlag ; Musikwirtschaft ; London ; Geschichte 1750-1760
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  • 48
    ISBN: 9780190084080 , 9780190938284
    Language: English
    Pages: xiv, 321 Seiten , Illustrationen, Notenbeispiele
    Series Statement: The new cultural history of music series
    DDC: 306.4/8420943809048
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    Keywords: Music Political aspects 20th century ; History
    Note: Includes bibliographical references and index
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  • 49
    ISBN: 9780253050267 , 9780253050250
    Language: English
    Pages: xii, 303 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Music in world war II
    DDC: 780.9/04
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    Keywords: World War, 1939-1945 Music and the war ; Music History and criticism 20th century ; Music History and criticism 20th century ; Popular music History and criticism 1941-1950 ; Popular music History and criticism 1931-1940 ; Music Political aspects 20th century ; History ; Zweiter Weltkrieg ; Musik ; Unterhaltungsmusik ; Europa ; USA ; Aufgabensammlung ; Europa ; USA ; Zweiter Weltkrieg ; Musikleben ; Musikpolitik ; Musikpolitik ; Weltgesellschaft ; Zweiter Weltkrieg ; Kulturelle Einrichtung ; Sound ; Musik ; Geschichte
    Abstract: "How can music withstand the death and destruction brought on by war? Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of "war music" in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized "home" and constructing politicized notions of national and ethnic identity. This fascinating and well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II"--
    Note: Literaturverzeichnis: Seiten 275-287
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  • 50
    Online Resource
    Online Resource
    New York : Cambridge University Press
    ISBN: 9781108645638 , 9781108486187 , 9781108731928
    Language: English
    Pages: 1 online resource (xxviii, 315 pages) , digital, PDF file(s).
    Series Statement: New studies in European history
    Parallel Title: Erscheint auch als Kaldewey, Helma, 1962 - A people's music
    DDC: 781.650943/1
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    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Jazz ; Germany ; 20th century ; History and criticism ; Music and state ; Germany ; History ; 20th century ; Jazz ; Political aspects ; Germany ; History ; 20th century ; Jazz ; Social aspects ; Germany ; History ; 20th century ; Jazz ; Germany (East) ; History and criticism ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1945-1990
    Abstract: A People's Music presents the first full history of jazz in East Germany, drawing on new and previously unexamined sources and vivid eyewitness accounts. Helma Kaldewey chronicles the experiences of jazz musicians, fans, and advocates, and charts the numerous policies state socialism issued to manage this dynamic art form. Offering a radical revision of scholarly views of jazz as a musical genre of dissent, this vivid and authoritative study marks developments in the production, performance, and reception of jazz decade by decade, from the GDR's beginning in the 1940s to its end in 1990, examining how members of the jazz scene were engaged with (and were sometimes complicit with) state officials and agencies throughout the Cold War. From postwar rebuilding, to Stalinism and partition, to détente, Ostpolitik, and glasnost, and finally to its acceptance as a national art form, Kaldewey reveals just how many lives jazz has lived.
    Note: Title from publisher's bibliographic system (viewed on 18 Dec 2019)
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  • 51
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190938314
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: The new cultural history of music
    Series Statement: Oxford scholarship online
    DDC: 306.48420943809048
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    Keywords: NSZZ "Solidarność" ; Geschichte 1980-1990 ; Musik ; Politischer Protest ; Untergrund ; Music Political aspects 20th century ; History ; Polen ; Poland Politics and government 1980-1989
    Abstract: A vibrant study of music and protest that focuses on the Solidarity movement in 1980s Poland, 'Musical Solidarities' explores how and why sound mattered to the opposition to state socialism. Unfurling the rich soundscapes of political action at demonstrations, church services, meetings, and in detention, it offers a nuanced portrait of this pivotal decade of European and global history.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 52
    ISBN: 9781786607379
    Language: English
    Pages: viii, 212 Seiten
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als Bottà, Giacomo, 1974 - Deindustrialisation and Popular Music
    DDC: 781.66
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    Keywords: Popular music Social aspects ; History ; Punk rock music Social aspects ; History ; Post-punk music Social aspects ; History ; Deindustrialization ; Punk ; Postpunk ; Musikleben ; Manchester ; Düsseldorf ; Turin ; Tampere ; Europa ; Unterhaltungsmusik ; Deindustrialisierung
    Abstract: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place.
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Note: Literaturverzeichnis: Seite 197-207
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  • 53
    ISBN: 9780755601974
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen
    Edition: Paperback edition
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945
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  • 54
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108776233
    Language: English
    Pages: 1 Online-Ressource (346 Seiten)
    Edition: First published
    Series Statement: New Studies in European History
    Parallel Title: Erscheint auch als
    DDC: 781.650943/1
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    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Electronic books ; Electronic books ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik
    Abstract: Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
    Note: Description based on publisher supplied metadata and other sources
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  • 55
    Online Resource
    Online Resource
    London ; New York : Rowman & Littlefield International
    ISBN: 9781786607386
    Language: English
    Pages: 1 Online-Ressource (viii, 213 Seiten)
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1980-1990 ; Musikleben ; Punk ; Punk Rock ; Großstadt ; Deindustrialisierung ; Heavy Metal ; Postpunk ; Sozialer Wandel ; Europa ; Tampere ; Turin ; Manchester ; Düsseldorf ; Popular music / Social aspects / Europe / History ; Punk rock music / Social aspects / Europe / History ; Post-punk music / Social aspects / Europe / History ; Deindustrialization / Europe ; Deindustrialization ; Popular music / Social aspects ; Europe ; Electronic books ; History ; Turin ; Tampere ; Manchester ; Düsseldorf ; Deindustrialisierung ; Punk ; Heavy Metal ; Musikleben ; Sozialer Wandel ; Geschichte 1980-1990 ; Europa ; Großstadt ; Deindustrialisierung ; Punk Rock ; Postpunk ; Musikleben ; Sozialer Wandel
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Description / Table of Contents: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place
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  • 56
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108477246
    Language: English
    Pages: xviii, 365 Seiten , 10 Illustrationen , 26 cm
    Parallel Title: Online version Collins, Marcus, 1971- The Beatles and sixties Britain
    DDC: 782.42166092/2
    RVK:
    Keywords: The Beatles ; Geschichte 1960-1970 ; Politik ; Soziokultur ; Großbritannien ; Beatles ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Beatles ; Nineteen sixties ; Popular music ; Popular music / Social aspects ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: "This book seeks to understand what the Beatles meant to people in 1960s Britain. It argues that they were iconic, divisive, atypical and prefigurative: themes introduced and illustrated in the preface using contemporary cartoons. Their depiction as icons in the 1964 Daily Mail cartoon contrasted starkly with their first appearance in a Fleet Street cartoon twelve months previously, when theirs was one of a barrage of British records raining down on the Kremlin in a display of soft power. They received minor billing in February 1963 compared to Susan Maughan, Helen Shapiro, Cliff Richard, Adam Faith, Marty Wilde and the Tornados, as befitted a band whose second single (Please Please Me) was competing for the number one spot with Frank Ifield's The Wayward Wind (1963). Over the following year, they achieved what commentators agreed to be an unprecedented celebrity"--
    Description / Table of Contents: The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
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  • 57
    ISBN: 978-3-8376-5285-7
    Language: German
    Pages: 427 Seiten : , Illustrationen, Notenbeispiele ; , 24 cm x 15.5 cm, 741 g.
    Series Statement: Histoire Band 180
    Series Statement: Histoire
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Max-Planck-Institut für Bildungsforschung Berlin
    DDC: 303.3209431
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    Keywords: Geschichte 1945-1973 ; Jugend. ; Musikleben. ; Gefühl. ; Sozialistische Lebensweise. ; Politische Sozialisation. ; Jugendpolitik. ; Deutschland ; Zukunftsforschung ; Lieder ; Singen ; Fühlen ; Gefühl ; Jugend ; Musik ; Emotion ; Freie Deutsche Jugend ; Sowjetische Besatzungszone ; Bundesrepublik Deutschland ; Jugenderziehung ; Jugendpolitik ; Gefühlserziehung ; Herrschaft ; Macht ; Regime ; Kulturgeschichte ; Bildung ; Biopolitik ; Deutsche Geschichte ; Emotionsgeschichte ; Zeitgeschichte ; Geschichte des 20. Jahrhunderts ; Geschichtswissenschaft ; German History After 1945 ; Foresight ; Songs ; Singing ; Feel ; Youth ; Music ; Free German Youth ; Federal Republic of Germany ; Youth Education ; Youth Policy ; Power Relations ; Power ; Regimes ; Cultural History ; Education ; Biopolitics ; German History ; History of Emotions ; Contemporary History ; History of the 20th Century ; History ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jugend ; Musikleben ; Gefühl ; Sozialistische Lebensweise ; Politische Sozialisation ; Jugendpolitik ; Geschichte 1945-1973
    URL: Cover
    URL: Cover
    URL: Cover
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  • 58
    ISBN: 9781478007906 , 9781478008361
    Language: English
    Pages: xiv, 245 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Parallel Title: Erscheint auch als Hemmasi, Farzaneh, 1975- Tehrangeles dreaming
    DDC: 781.63089915507949
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    Keywords: Popmusik ; Iranier ; Iranischer Einwanderer ; Los Angeles, Calif. ; Iranians / California / Los Angeles / Music ; Popular music / California / Los Angeles / History and criticism ; Iranians / California / Los Angeles / Ethnic identity ; Iranian diaspora ; Popular music / Iran / History and criticism ; Music / Political aspects / Iran / History / 20th century ; Iranian diaspora ; Iranians / Ethnic identity ; Music / Political aspects ; Popular music ; California / Los Angeles ; Iran ; 1900-1999 ; Criticism, interpretation, etc ; History ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: "Tehrangeles, a name that combines Tehran and Los Angeles, is the home of an extensive Iranian expatriate culture industry. The music and popular culture created in Tehrangeles is broadcast by satellite television around the globe and has been immensely popular in Iran and throughout the Iranian diaspora. In TEHRANGELES DREAMING, Farzaneh Hemmasi traces the sources of the music's popularity, showing the ways it is unquestionably Iranian yet able to express ideas and affects not possible within the country itself. The attachment to homeland comes through the Iranian rhythms, but the music frequently features female solo singers or dancers, which are forbidden within the Iranian state. At the same time the music is associated with stereotypes of rich emigres and Southern California, and thus dismissed by others. The music is unabashedly pop and generally apolitical, which Hemmasi shows to be the source of its politics.
    Abstract: The introduction sets up the argument and tells the story of the growth of the industry and the Los Angeles Iranian community in the context of post-revolutionary Iran. Chapter 2 describes the origins of Tehrangeles dance pop and its use of the six/eight time signature, a traditional Iranian dance rhythm long-associated with intimacy. Hemmasi argues that the practices and attitudes around six/eight time establish a sense of common sociality among cultural insiders but are also a sometime source of embarrassment. Chapter 3 focuses on expatriate narratives of Iranian popular music history. Hemmasi provides three views on the history of Iranian popular music prior to the revolution from four men involved with the music business since the 1950s and 1960s. Chapter 4 is about homeland, and the desire to return to the homeland of Iran through music and the reinvention of culture.
    Abstract: Cultural producers in Tehrangeles operate within multiple moral, legal, and transnational regimes that they often only partially predict or comprehend. Chapters 5 and 6 focus on two expatriate musical celebrities who have claimed to reach and represent the nation from afar: Googoosh, who is a popular female singer; and Dariush Eghbali, who is an activist whose music and media exist in the space between political and personal transformation. The book concludes with a chapter on the changes that have occurred in Iran since the Iranian Revolution and the establishment of expatriate industries in Southern California, affirming the dreaming space of music, creation, and negotiation of both expatriates and people living in Iran. This book will be of interest to scholars in ethnomusicology, transnational media studies, Middle Eastern studies, and cultural studies"--
    Description / Table of Contents: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index
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  • 59
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476674698
    Language: English
    Pages: viii, 169 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42165092
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    Keywords: Holiday, Billie ; Holiday, Billie / 1915-1959 ; Holiday, Billie / 1915-1959 / Influence ; Holiday, Billie / 1915-1959 / Criticism and interpretation ; Civil rights movements / United States / History / 20th century ; Civil rights movements / United States / History / 21st century ; African American women jazz singers / Biography ; Women jazz singers / Biography ; Jazz singers / United States / Biography ; Holiday, Billie / 1915-1959 ; African American women jazz singers ; Civil rights movements ; Influence (Literary, artistic, etc.) ; Jazz singers ; Women jazz singers ; United States ; 1900-2099 ; Biography ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Holiday, Billie 1915-1959
    Abstract: ""Eleanora "Lady Day" Fagan, better known as Billie Holiday, played a primary role in the development of American jazz culture and in African American history. Devoted to the enduring jazz icon, covering many aspects of her career, image and legacy, these essays range from musical and vocal analyses, to critical assessments of film depictions of the singer, to analysis of the social movements and protests addressed by her signature songs, including her impact on contemporary movements such as #BlackLivesMatter. More than a century after her birth, Billie Holiday's abiding relevance and impact is a testament to the power of musical protest. This collection pays tribute to her creativity, bravery and lasting legacy."--
    Description / Table of Contents: Introduction / Jessica McKee and Michael V. Perez -- In stereotragic hi-fidelity : performing Billie Holiday / Michael V. Perez -- Billie reverberates her blues : advertising Love for sale that costs More than you know / Tammie Jenkins -- Lady sings the blues? : tragedy, autobiography and reassessment / Anna Maria Barry -- Merging artists : the legacy of Motown's Lady sings the blues / Claudius Stemmler -- "Owning" Billie Holiday in several representative jazz poems / William Levine -- Brigitte loves Billie : channeling Holiday in Domino (1988) / Fernando Gabriel Pagnoni Berns -- Seeing is believing? : reading Billie Holiday through photography / Matthew Duffus -- Shouting back : cohering Lady Day through Kevin Young's jazz poem anthology / Taylor Joy Mitchell -- Reevaluating Lady sings the blues and What's love got to do with it : ambivalent representations of black female artistry / Jesse Schlotterbeck -- Easy to love : representations of Billie Holiday in contemporary American poetry / Tara Betts -- The fruit is on the ground : the impact of "Strange fruit" on Black Lives Matter / Devona Mallory
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  • 60
    Book
    Book
    Saint-Joseph-du-Lac (Québec), Canada : M Éditeur
    ISBN: 9782924924068
    Language: French
    Pages: 197 Seiten , Illustrationen , 21 cm
    Series Statement: Collection Mouvements
    DDC: E
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    Keywords: Free jazz History ; Free jazz ; History ; Québec (Province) History 1960- ; Québec ; Free Jazz ; Provinz Quebec ; Québec
    Abstract: "Quelle est la place du free jazz dans les luttes menées contre le capitalisme et l'impérialisme anglo-saxon au lendemain de la Révolution tranquille? En quoi l'improvisation collective en musique est-elle le moteur d'une révolte politico-culturelle, voire le vecteur d'une utopie collective? Quel est le rôle des travailleur·euses culturel·les dans le militantisme politique du Québec des années 1960 et 1970? Cette histoire du groupe Jazz libre retrace le parcours emprunté par un collectif d'improvisateurs engagés dans la recherche de nouvelles formes de communication et d'organisation : de leurs débuts à « L'Atelier de jazz » au centre-ville jusqu'à l'Amorce dans le Vieux-Montréal, en pas­sant par l'Association espagnole, la Colonie artistique de Val-David et la commune socialiste « P'tit Québec libre ». La pratique musicale du groupe se veut rassembleuse, participative, démocratique et libératrice. Elle l'amène à participer aux expérimentations de Raôul Duguay et de Walter Boudreau dans l'Infonie, et celles de Robert Charlebois et de ses complices de l'Osstidcho. Elle est surtout une « musique-action », c'est-à-dire un outil de désaliénation avec lequel le Jazz libre invite les gens à communiquer ensemble pour ensuite prendre conscience de leur capacité d'agir et de se libérer - individuellement puis collectivement. Cette démarche lui permet d'établir des réseaux avec des membres de la revue Parti pris et du Front de libération du Québec ainsi que des militant·es étudiant·es et ouvrier·ères. Dès lors, sa destinée est fatalement liée à celle de la gauche indépendantiste ; une gauche bigarrée qui, à la fin des années 1960 et au début des années 1970, fait face aux champs des possibles."--Page 4 of cover
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  • 61
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
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    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Image
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  • 62
    ISBN: 0367869772 , 9780367869779
    Language: English
    Pages: 271 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Routledge global popular music series
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    Keywords: Popular music History and criticism ; Popular music Social aspects ; History ; Frankreich ; Popmusik
    Note: First published by Routledge
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  • 63
    ISBN: 9780190908027
    Language: English
    Pages: 1 Online-Ressource (xviii, 386 Seiten)
    DDC: 781.641234
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    Keywords: Popular music History and criticism ; Popular music Production and direction ; History ; Tone color (Music) ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Abstract: The Relentless Pursuit of Tone: Timbre in Popular Music assembles a wide spectrum of contemporary perspectives on how sound functions in an equally wide array of popular music. With subjects ranging from the twang of country banjos and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume attempts to bridge the gap between timbre, the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. The book’s chapters engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. The chapters in Part I, “Genre,” ask how sonic signatures define musical identities and publics; Part II, “Voice,” considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; Part III, “Instrument,” tells stories of the way some iconic pop music machines—guitars, strings, synthesizers—got (or lost) their distinctive sounds; and Part IV, “Production,” puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons, rockist authenticity, empty space?), and what it all might mean. The book includes a general theoretical introduction by the editors and an afterword by noted popular music scholar Simon Frith.
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  • 64
    ISBN: 9781438469874 , 9781438469867
    Language: English
    Pages: xxvi, 200 Seiten , Illustrationen , 23 cm
    Series Statement: SUNY series, philosophy and race
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073043
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    Keywords: Geschichte 1918-1939 ; Philosophy, German 20th century ; Jazz History and criticism 20th century ; Blacks Race identity 20th century ; History ; Jazz ; Schwarze ; Nationalsozialismus ; Ethnische Identität ; Afroamerikanische Musik ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext)
    Note: Includes bibliographical references and index
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  • 65
    ISBN: 9780755601974 , 9781784538583
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen , 22 cm
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Jazz ; Jazz ; Propaganda ; Radio broadcasting ; Radio broadcasting ; Radio broadcasting ; Radio in propaganda ; Radio in propaganda ; World War, 1939-1945 ; Germany ; Great Britain ; World War (1939-1945) ; History ; 1900-1999 ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945 ; Jazz ; Zweiter Weltkrieg ; Kultur ; Geschichte
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 66
    ISBN: 9781409444398
    Language: English
    Pages: XII, 279 S. , Ill., Kt., Notenbeisp. , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 306.4842094
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    Keywords: Music Social aspects ; History ; Sound Social aspects ; History ; Noise Social aspects ; History ; Aufsatzsammlung
    Note: "Includes bibliographical references and index"
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  • 67
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520285415 , 9780520285408
    Language: English
    Pages: x, 257 Seiten , Illustrationen, Karten
    DDC: 781.6509747
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    Keywords: Geschichte 1900-2000 ; Sozialgeschichte 1970-1980 ; Geschichte ; Gesellschaft ; Jazz History and criticism 1971-1980 ; Jazz Social aspects 20th century ; History ; Loft ; Jazz ; Fabrikgebäude ; Lagerhalle ; Musikleben ; New York, NY ; New York, NY ; Jazz ; Fabrikgebäude ; Lagerhalle ; Loft ; Musikleben ; Sozialgeschichte 1970-1980
    Abstract: "The New York loft jazz scene of the 1970s was a pivotal period for uncompromising, artist-produced work. Faced with a flagging jazz economy, a group of young avant-garde improvisers chose to eschew the commercial sphere and develop alternative venues in the abandoned factories and warehouses of Lower Manhattan. Loft Jazz provides the first book-length study of this period, tracing its history amid a series of overlapping discourses surrounding collectivism, urban renewal, experimentalist aesthetics, underground archives, and the radical politics of self-determination"...Provided by publisher
    Note: Includes bibliographical references and index
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  • 68
    ISBN: 9780472053407 , 9780472073405
    Language: English
    Pages: XI, 311 Seiten , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    Parallel Title: Erscheint auch als
    DDC: 306.4/8425094309042
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    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1933 ; Geschichte 1921-1930 ; Geschichte ; Gesellschaft ; Jazz Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race ; Ethnische Identität ; Soziale Funktion ; Kulturleben ; Jazz ; Schwarze ; Deutschland ; Germany Civilization ; American influences ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Kulturleben ; Ethnische Identität ; Soziale Funktion ; Geschichte 1918-1933 ; Deutschland ; Jazz ; Geschichte 1921-1930
    Note: Includes bibliographical references and index
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  • 69
    Journal/Serial
    Journal/Serial
    [Annaberg-Buchholz] : Winterstein Theater ; 2017/2018 [?]
    Language: German
    Pages: Bände
    Dates of Publication: 2017/2018 [?]
    Subsequent Title: Fortgesetzt durch Erzgebirgische Theater- und Orchester GmbH Nah dran
    DDC: 792
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    Keywords: Zeitschrift ; Annaberg-Buchholz ; Theaterpädagogik ; Kindertheater ; Jugendtheater ; Aufführung ; Orchestermusik ; Konzert ; Programmheft
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  • 70
    ISBN: 9780190610753 , 9780195384864
    Language: English
    Pages: xi, 292 Seiten , Illustrationen
    Edition: First issued as an Oxford University Press paperback
    DDC: 306.48426097309046
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    Keywords: Geschichte 1900-2000 ; Sozialgeschichte 1960-1970 ; Geschichte ; Gesellschaft ; Rock music Social aspects 20th century ; History ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Rock music History and criticism 1961-1970 ; Rockmusik ; USA ; USA ; Vietnam ; Rock music / Social aspects / History / 20th century / United States ; Rock music / Social aspects / History / 20th century / Vietnam ; Rock music / History and criticism / 1961-1970 / United States ; Rock music / History and criticism / 1961-1970 / Vietnam ; USA ; Vietnam ; Rockmusik ; Sozialgeschichte 1960-1970
    Note: Includes bibliographical references and index
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  • 71
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | The Hague : OAPEN Foundation
    ISBN: 9780472122660
    Language: English
    Pages: 1 Online-Ressource (xi, 311 Seiten) , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    DDC: 306.4/8425094309042
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    Keywords: Kultur ; Jazz ; Modernität ; Ethnische Beziehungen ; Deutschland ; Electronic books ; Criticism, interpretation, etc ; History ; Electronic book ; Electronic book ; Criticism, interpretation, etc. ; History ; Electronic books.
    URL: Volltext  (Kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: JSTOR
    URL: OAPEN
    URL: OAPEN
    URL: Image  (Thumbnail cover image)
    URL: FULL  ((Currently Only Available on Campus))
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 72
    Book
    Book
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781107176898 , 9781316625606
    Language: English
    Pages: xiii, 404 Seiten , Illustrationen , 23 cm
    DDC: 305.235094109047
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    Keywords: Youth Social conditions ; 20th century ; Great Britain ; Youth Political activity ; History ; 20th century ; Great Britain ; Punk culture History ; 20th century ; Great Britain ; Punk culture History ; 20th century ; Great Britain ; Youth Political activity ; History ; 20th century ; Great Britain ; Youth Social conditions ; 20th century ; Great Britain ; Punk culture ; Youth ; Youth ; Großbritannien ; Jugendkultur ; Geschichte 1976-1984
    Note: Literaturverzeichnis: Seiten 343-379. - Index
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  • 73
    ISBN: 9781138887824 , 9781138887817 , 1138887811 , 113888782X
    Language: English
    Pages: xviii, 364 Seiten , Illustrationen , 24 cm
    Series Statement: Transnational studies in jazz
    DDC: 781.6509
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    Keywords: Jazz Political aspects 20th century ; History ; Totalitarianism and music ; Jazz History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Totalitarismus ; Internationaler Vergleich
    Abstract: Jazz and fascism : contradictions and ambivalences in the diffusion of jazz music under the Italian fascist dictatorship (1925-1935) / Marilisa Merolla -- Jazz in Moscow after Stalinism / Rüdiger Ritter -- Four spaces four meanings : narrating jazz in late-Stalinist Estonia / Heli Reimann -- Jazz in Poland : totalitarianism, Stalinism, socialist realism / Igor Pietraszewski -- Jazz in socialist Czechoslovakia during the 1950s and 1960s / Wolf-Georg Zaddach -- Trouble with the neighbours : jazz, geopolitics, and Finland's totalitarian shadow / Marcus O'Dair -- Performing the "anti-Spanish" body : jazz and biopolitics in the early Franco regime (1939-1957) / Iván Iglesias -- "The purest essence of jazz" : the appropriation of blues in Spain during Franco's dictatorship / Joseph Pedro -- Jazz and the Portuguese dictatorship before and after WWII : from moral panic to suspicious acceptance / Pedro Roxo -- A kind of "in-between" : jazz and politics in Portugal (1958-1974) / Pedro Cravinho -- A climbing vine through concrete : jazz in 1960s Apartheid South Africa / Jonathan -- "Fanfare for the warriors" : jazz, education, and state control in 1980s South Africa and after / Mark Duby -- From the 'Sultan' to the 'Persian side' : jazz in Iran and Iranian jazz since the 1920s / Gay Breyley -- On the marginality of contemporary jazz in China : the case of Beijing / Adiel Portugali -- Afterword : conclusions / Bruce Johnson
    Abstract: "Jazz and Totalitarianism" examines jazz in a range of regimes that in significant ways may be described as totalitarian, historically covering the period from the Franco regime in Spain beginning in the 1930s to present day Iran and China. The book presents an overview of the two central terms and their development since their contemporaneous appearance in cultural and historiographical discourses in the early twentieth century, comprising fifteen essays written by specialists on particular regimes situated in a wide variety of time periods and places. Interdisciplinary in nature, this compelling work will appeal to students from Music and Jazz Studies to Political Science, Sociology, and Cultural Theory
    Note: Includes bibliographical references (pages 353-354) and index
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  • 74
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 1107109256 , 9781107109254
    Language: English
    Pages: ix, 284 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    DDC: 306.4/842094
    RVK:
    RVK:
    RVK:
    Keywords: Music Social aspects ; History ; Music therapy History ; Plague History ; Pest ; Musik ; Geschichte 1400-1600 ; Pest ; Geschichte 1400-1600
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  • 75
    ISBN: 9781107184800 , 9781316636145
    Language: English
    Pages: xviii, 305 Seiten , Illustrationen , 26 cm
    Series Statement: New perspectives in music history and criticism
    DDC: 941.081092
    RVK:
    RVK:
    Keywords: Drew, Mary Gladstone ; Gladstone, W. E Family ; Drew, Mary Gladstone 1847-1927 ; Socialites Biography ; Musicians Biography ; Women Political activity 19th century ; History ; Salons History 19th century ; Music History and criticism 19th century ; Private secretaries Biography ; Music Political aspects ; History ; 19th century ; Great Britain ; Liberalism History ; 19th century ; Great Britain ; Salons History ; 19th century ; England ; London ; Great Britain Intellectual life ; 19th century ; Great Britain Politics and government ; 1837-1901 ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Musikleben ; Geistesleben ; Geschichte ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Kultur ; Politik ; Musik ; Geschichte ; Royal College of Music ; Geschichte
    Abstract: "The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--
    Abstract: Machine generated contents note: Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '... there ought to be some melody in poetry': Tennyson's salon readings; 7. '... musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion
    Note: Literaturverzeichnis: Seite 273-294 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 76
    ISBN: 9781472468086 , 9781472468093 , 9781472468109
    Language: English
    Pages: xx, 180 Seiten
    Series Statement: An Ashgate book
    DDC: 303.48/24701713
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1938-1981 ; Geschichte ; Musik ; Politik ; Music and diplomacy ; Music Political aspects 20th century ; History ; Arts and diplomacy ; Cold War ; Musik ; Künste ; Ost-West-Konflikt ; Kulturaustausch ; Diplomatische Beziehungen ; Konferenzschrift 2012 ; Aufsatzsammlung ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Ost-West-Konflikt ; Musik ; Künste ; Kulturaustausch ; Diplomatische Beziehungen ; Geschichte 1938-1981
    Description / Table of Contents: Includes bibliographical references and index
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  • 77
    Book
    Book
    [England] : British Violin Making Association
    ISBN: 9780954970291 , 0954970292
    Language: English
    Pages: 112 Seiten , Illustrationen, Karten, Porträts , 31 cm
    Edition: Standard edition
    DDC: 787.219
    RVK:
    Keywords: W.E. Hill & Sons History ; W.E. Hill & Sons ; Violin makers History ; Violin bows Construction ; History ; Violin makers ; History
    Note: Includes bibliographical references and index
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  • 78
    ISBN: 9781498528764
    Language: English
    Pages: xxi, 267 Seiten
    Parallel Title: Online version McGregor, Elizabeth Vihlen Jazz and postwar French identity
    DDC: 781.650944/09045
    RVK:
    Keywords: Jazz Social aspects 20th century ; History ; French Ethnic identity ; France Social conditions 20th century ; Frankreich ; Jazz ; Kulturelle Identität ; Geschichte 1940-1970
    Abstract: "In the context of a shifting domestic and international status quo that was evolving in the decades following World War II, French audiences used jazz as a means of negotiating a wide range of issues that were pressing to them and to their fellow citizens. Despite the fact that jazz was fundamentally linked to the multicultural through its origins in the hands of African-American musicians, happenings within the French jazz public reflected much about France&#x;s postwar society. In the minds of many, jazz was connected to youth culture, but instead of challenging traditional gender expectations, the music tended to reinforce long-held stereotypes. French critics, musicians, and fans contended with the reality of American superpower strength and often strove to elevate their own country's stature in relation to the United States by finding fault with American consumer society and foreign policy aims. Jazz audiences used this music to condemn American racism and to support the American civil rights movement, expressing strong reservations about the American way of life. French musicians lobbied to create professional opportunities for themselves, and some went so far as to create a union that endorsed preferential treatment for French nationals. As France became more ethnically and religiously diverse due immigration from Africa, Asia, and the Caribbean, French jazz critics and fans noted the insidious appearance of racism in their own country and had to contend with how their own citizens would address the changing demographics of the nation, even if they continued to insist that racism was more prevalent in the United States. As independence movements brought an end to the French empire, jazz enthusiasts from both former colonies and France had to reenvision their relationship to jazz and to the music&#x;s international audiences. In these postwar decades, the French were working to preserve a distinct national identity in the face of weakened global authority, most forcefully represented by decolonization and American hegemony. Through this originally African American music, French listeners, commentators, and musicians participated in a process that both challenged and reinforced ideas about their own culture and nation"--Back cover
    Abstract: e Monde du jazz -- The gendered jazz public -- The question and politics of race -- More than an American music -- Red, white, and blue notes: French jazz -- And what of empire? -- Conclusion: improvising the nation
    Note: Includes bibliographical references and index
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  • 79
    ISBN: 9781138253780 , 9781409439790
    Language: English
    Pages: xviii, 342 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Music in nineteenth-century Britain
    Series Statement: An Ashgate book
    Parallel Title: Erscheint auch als
    DDC: 306.4842094109034
    RVK:
    Keywords: 1800-1899 ; Music Social aspects 19th century ; History ; Performance practice (Music) History 19th century ; Musique - Aspect social - Grande-Bretagne - Histoire - 19e siècle ; Pratique de l'exécution (Musique) - Grande-Bretagne - Histoire - 19e siècle ; Music - Social aspects ; Performance practice (Music) ; History ; Great Britain
    Note: Originally published: Farnham: Ashgate, 2012
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  • 80
    Online Resource
    Online Resource
    London : Palgrave Macmillan
    ISBN: 9781137497802
    Language: English
    Pages: 1 Online-Ressource (XI, 228 Seiten)
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    DDC: 941
    RVK:
    RVK:
    Keywords: History ; Music ; Great Britain / History ; Civilization / History ; History of Britain and Ireland ; Cultural History ; Geschichte ; Musik ; Politik ; Musik ; Postpunk ; Kultur ; Großbritannien ; Großbritannien ; Electronic books ; Großbritannien ; Kultur ; Musik ; Postpunk ; Großbritannien ; Postpunk ; Politik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 81
    ISBN: 9789004314986
    Language: English
    Pages: 1 online resource (397 pages) , illustrations, photographs.
    Series Statement: Intersections Volume 43
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Identities, Intertextuality and Performance in Song Culture (2012 : Amsterdam) Identity, intertextuality, and performance in early modern song culture
    DDC: 782.0094
    RVK:
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    Keywords: Autograph albums History 16th century ; Music Social aspects 16th century ; History ; Music Social aspects 17th century ; History ; Music Social aspects 18th century ; History ; Music Social aspects 19th century ; History ; Vocal music History and criticism 16th century ; Vocal music History and criticism 17th century ; Vocal music History and criticism 18th century ; Vocal music History and criticism 19th century ; Vocal music ; Europe ; 16th century ; History and criticism ; Vocal music ; Europe ; 17th century ; History and criticism ; Vocal music ; Europe ; 18th century ; History and criticism ; Vocal music ; Europe ; 19th century ; History and criticism ; Music ; Social aspects ; Europe ; History ; 16th century ; Music ; Social aspects ; Europe ; History ; 17th century ; Music ; Social aspects ; Europe ; History ; 18th century ; Music ; Social aspects ; Europe ; History ; 19th century ; Autograph albums ; Netherlands ; History ; 16th century ; Electronic books ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012 ; Vokalmusik ; Volkslied ; Liederbuch ; Geschichte 1450-1850
    Abstract: Contents -- Acknowledgements -- Notes on the Editors -- Notes on the Contributors -- List of Illustrations -- Chapter 1 Introduction -- Chapter 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries -- Chapter 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 -- Chapter 4 Guilielmus Bolognino's Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion -- Chapter 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries -- Chapter 6 'Social Networking is in Our Dna': Women's Alba Amicorum as Places to Build and Affirm Group Identities -- Chapter 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women's Alba -- Chapter 8 Exploring Love's Options: Song and Youth Culture in the Sixteenth Century Netherlands -- Chapter 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany -- Chapter 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790-1820) -- Chapter 11 Folksongs, Conflicts and Social Protest in Early Modern France -- chapter 12 "Fortune My Foe": The Circulation of an English Super-Tune -- Chapter 13 Samuel Pepys and the Making of Ballad Publics -- Chapter 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750-1838 -- Index Nominum
    Note: Includes bibliographical references at the end of each chapters and index. Description based on print version record
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  • 82
    ISBN: 9783839434246
    Language: German
    Pages: 1 online resource
    Series Statement: Histoire 88
    DDC: 900
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    Keywords: 1960er Jahre ; 1960s ; 1968 ; 1970er Jahre ; 1970s ; Contemporary History ; Cultural History ; Deutsche Geschichte ; Deutschland ; Europa ; Europe ; German History ; Germany ; Geschichte des 20. Jahrhunderts ; Geschichtswissenschaft ; History of the 20th Century ; History ; Kulturgeschichte ; Music ; Musik ; Pop Music ; Popkultur ; Popmusik ; Populärkultur ; Transnational History ; Transnationale Geschichte ; USA. ; Usa ; Zeitgeschichte ; HISTORY / Europe / Germany ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Als experimentelle bundesdeutsche Popmusik im Laufe der 1970er Jahre zu transnationalem Ruhm kam, begann eine neue Ära der Popmusik. Zum ersten Mal in der Geschichte des Pop kamen neueste Innovationen nicht mehr aus den Vereinigten Staaten oder dem Vereinigten Königreich, sondern aus der Bundesrepublik. Für einige Jahre galten Bands wie Kraftwerk, Can, Tangerine Dream, Amon Düül, Popol Vuh oder Faust - neben vielen anderen - als Pop-Avantgarde: in Europa, Nordamerika und weit darüber hinaus.Alexander Simmeth erforscht die Wurzeln des sogenannten Krautrock im Umfeld der jugendlichen Revolte am Ende der 1960er Jahre, die Rezeption zu Hause und in den beiden Ursprungsländern des Pop, und die Gründe für den andauernden Einfluss des Phänomens. Er identifiziert Krautrock als zentrales Moment kultureller Transnationalisierung in der Bundesrepublik, indem er grenzübergreifende Erfahrungen ebenso in den Blick nimmt wie den Austausch von Konzepten und Ideen
    Abstract: When West-German experimental pop rose to transnational fame in the early 1970s, it marked nothing less than the beginning of a new era. For the first time in pop history, the latest innovations originated outside the United States and the United Kingdom; for several years, bands such as Kraftwerk, Can, Tangerine Dream, Amon Düül or Faust - among many others - were considered pop avant-garde, across Europe and the United States. In his book, Alexander Simmeth traces the roots of the so-called Krautrock in West Germany's late 1960s, its zealous reception at home and in the two motherlands of pop, and the reasons for its lasting impact in the decades to come. He identifies Krautrock as a key site of the transnational in West-German cultural history, focusing on the exchange of concepts and ideas, on shared experiences across borders, as well as on mutual key concepts such as authenticity and identity
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 83
    Book
    Book
    Turnhout : Brepols Publishers
    ISBN: 9782503566283
    Language: English , Italian
    Pages: xiii, 418 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music, criticism & politics Volume 1
    Series Statement: Music, criticism & politics
    DDC: 306.4/842
    RVK:
    Keywords: Protest songs Congresses History and criticism 20th century ; Music Congresses Political aspects 20th century ; History ; Konferenzschrift ; Musik ; Politischer Protest ; Protestsong ; Geschichte 1900-2000
    Abstract: This book focuses on protest music and "dissident" composers and musicians during the twentieth century, with a particular focus on the forms with which dissent may be expressed in music and the ways composers and performers have adopted stances on political and social dissent. Twenty-one articles by scholars of different nationalities explore not only the way in which protest music is articulated in artistic-cultural discourse and the political matter, but also the role it played in situations of mutual benefit. Moreover, the phenomenon of dissent is investigated within the contexts of musical historiography and criticism, approaching the topic from historical, sociological, and philosophical perspectives
    Abstract: part 1. Protest music and politics: Irish traditional music, nationalist politics and the struggle for recognition / Roger W.H. Savage -- Right-extremist protest music and the idea of metapolitical activism / James Garratt -- An evolution of protest : genre and extreme-right music / Joe Stroud -- "If this isn't love, it's red propaganda" / James O'Leary -- Exposing demagoguery : the use of mass-communication as anti-totalitarian protest in Mauricio Kagel's Der Tribun (1979) / Christine Dysers -- Kurt Weill's and Georg Kaiser's Der Silbersee : ein Wintermärchen : a tall tale of protest / Russ Manitt -- Jazz as rebellion : Jewish musical protest surrounding World War II / Kara Stewart Meredith -- The corruption of the homeland : Carl Orff's repudiation of Friedrich Hebbel in Die Bernauerin / Andrew S. Kohler -- Visionary lines, avant-garde sounds : Francisco de Goya as an aesthetic and ideological reference-point in Spanish contemporary music / Germán Gan Quesada
    Abstract: part 2. Social and protest songs: "You say you want a revolution?" : a new analysis of John Lennon's political music / David Thurmaier, John Cox -- Cercando la nostra musica : note sulla appropriazione della Nueva Canción Chilena nell'Italia degli anni '80 / Stefano Gavagnin -- Protest songs and record labels : political opposition and the music industry in Latin-America / Santiago Niño Morales -- Communities, territories and genres on the Uruguayan "Resistance Music", 1962-2011 / Marita Fornaro Bordolli -- Charly García: el 'Lewis Carroll" del rock and roll argentino / Maria Favoretto -- Niggaz Wit' Attitude (N.W.A.), Fuck the polics and the 1992 Los Angeles rebellion / Jessica Winterson -- 'People getting angry' : The Specials' Ghost Town (1981) as political discourse / Marie Bennett -- Morphology of the protest in the music of area / Giuseppe Sergi -- Taking which power back? Overpowerments of Rage Against the Machine / Henrik Marstal -- From romance to protest : the folklorisation of an Armenian song in Iran / Upa Mesbahian -- Antoonee in Armenian ethnic music / Tatevik Shakhkulyan
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  • 84
    ISBN: 9781138777996
    Language: English
    Pages: XII, 222 S. , Ill.
    Series Statement: Routledge studies in ethnomusicology 5
    Series Statement: Routledge studies in ethnomusicology
    DDC: 780.944/09034
    RVK:
    RVK:
    Keywords: Music History and criticism 19th century ; Music Social aspects 19th century ; History ; Music History and criticism 19th century ; Travelers' writings, French History and criticism 19th century ; France Foreign relations 19th century ; Frankreich ; Reise ; Musik ; Geschichte 1800-1900
    Description / Table of Contents: Literaturverz. S. [201] - 211
    Note: Includes bibliographical references and index
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  • 85
    ISBN: 0367879395 , 9780367879396
    Language: English
    Pages: xii, 244 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Music in 19th-century Britain
    DDC: 306.09
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    Keywords: Costa, Michael ; Costa *1808-1884* ; Conductors (Music) Biography ; Music Performance 19th century ; History ; Music History and criticism 19th century ; Costa, Michele 1808-1884 ; Großbritannien ; Dirigent ; Geschichte 1808-1884 ; Großbritannien ; Konzert ; Musikproduktion ; Kulturwandel ; Geschichte 1800-1900
    Note: First published 2015 by Ashgate Publishing
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  • 86
    ISBN: 1783270640 , 9781783270644
    Language: English
    Pages: 329 Seiten , Illustrationen , 24 cm
    Edition: First published
    Series Statement: Music in Britain, 1600 - 2000
    DDC: 780.92
    RVK:
    RVK:
    Keywords: Smart, George ; Smart, George ; Conductors (Music) Biography ; Composers Biography ; Concerts History 19th century ; Music Performance 19th century ; History ; Music History and criticism ; Smart, George Thomas 1776-1867
    Abstract: Sir George Thomas Smart (1776-1867) was a significant musical animateur of the early nineteenth century, who earned his living primarily as a conductor but was also significant as an organist, composer and recorder of events. Smart established successful and pioneering London concert series, was a prime mover in the setting up of the Philharmonic Society and the Royal Academy of Music, and taught many of the leading singers of the day, being well versed in the Handelian concert tradition. He also conducted the opera at the Covent Garden Theatre and introduced significant new works to the public - he was most notably an early champion of the music of Beethoven. His journeys to Europe, and his contacts with the leading European musical figures of the day (including Weber, Meyerbeer, Spohr, and Mendelssohn), were crucial to the direction music was to take in nineteenth-century Britain. This detailed account of Smart's life and career presents him within the context of the vibrant concert life of London and wider European musical culture. It is the first full length, critical study of this influential musical figure
    Abstract: Sir George Thomas Smart (1776-1867) was a significant musical animateur of the early nineteenth century, who earned his living primarily as a conductor but was also significant as an organist, composer and recorder of events. Smart established successful and pioneering London concert series, was a prime mover in the setting up of the Philharmonic Society and the Royal Academy of Music, and taught many of the leading singers of the day, being well versed in the Handelian concert tradition. He also conducted the opera at the Covent Garden Theatre and introduced significant new works to the public - he was most notably an early champion of the music of Beethoven. His journeys to Europe, and his contacts with the leading European musical figures of the day (including Weber, Meyerbeer, Spohr, and Mendelssohn), were crucial to the direction music was to take in nineteenth-century Britain. This detailed account of Smart's life and career presents him within the context of the vibrant concert life of London and wider European musical culture. It is the first full length, critical study of this influential musical figure
    Note: Literaturverzeichnis: Seiten 293-303
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  • 87
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199379866
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Robinson, Danielle Modern moves
    DDC: 793.33097471
    RVK:
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    Keywords: Ballroom dancing History 20th century ; Dance History 20th century ; Dance Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race History 20th century ; Immigrants History 20th century ; Racism History 20th century ; New York (N.Y.) Race relations 20th century ; History ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung
    Abstract: 'Modern Moves' examines the movement of American social dances between black and white cultural groups and immigrant and migrant communities during the early twentieth century. It is structured by five overlapping case studies drawn from the disparate and yet related dance scenes of Manhattan, a black Atlantic capital into which diverse people and dances flowed and intermingled, and out of which new dances were marketed globally.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 24, 2015)
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  • 88
    ISBN: 9781782385004 , 1782385002
    Language: English
    Pages: xiii, 264 Seiten , Illustrationen
    Series Statement: Explorations in culture and international history volume 7
    Series Statement: Explorations in culture and international history
    Parallel Title: Online-Ausg. Music and international history in the twentieth century
    DDC: 7809/.04
    RVK:
    Keywords: Music Political aspects 20th century ; History ; Music and diplomacy ; Music and state ; Kulturbeziehungen ; Bedeutung ; Rolle ; Musik ; Ost-West-Konflikt ; Auswärtige Kulturpolitik ; Erde ; Aufsatzsammlung ; Musik ; Politik ; Diplomatie ; Geschichte 1890-1990 ; Musik ; Politik ; Geschichte 1890-1990
    Abstract: Introduction: Sonic history, or, Why music matters in International history / Jessica C. E. Gienow-Hecht -- Part I: Music, international relations and the absence of the state. The wicked Barrisons / David Monod. The International Society for Contemporary Music and its political context (Prague 1935) / Anne C. Shreffler -- Part II: Music, international history, and the state. Music and international relations in occupied Germany, 1945-49 / Toby Thacker. Instruments of diplomacy : writing music into the history of Cold War international relations / Danielle Fosler-Lussier. "To reach... into the hearts and minds of our friends" : America's symphonic tours and the Cold War / Jonathan Rosenberg. Music diplomacy in an emergency: Eisenhower's "secret weapon," Iceland, 1954-59 / Emily Abrams Ansari. Intimate histories of the musical Cold War : Fred Prieberg and Igor Blazhkov's unofficial diplomacy / Peter J. Schmelz. "Where I cannot roam, my song will take wing": Polish cultural promotion in Belarus, 1988 / Andrea F. Bohlman
    Note: Literaturangaben , Introduction. Sonic history, or, why music matters in International history , I: Music, international relations and the absence of the state ; 1. The wicked Barrisons , 2.The International Society for Contemporary Music and its political context (Prague, 1935) , II: Music, international history, and the state ; 3. Music and international relations in occupied Germany, 1945-49 , 4. Instruments of diplomacy: writing music into the history of Cold War international relations , 5. "To reach... into the hearts and minds of our friends": America's symphonic tours and the Cold War , 6. Music diplomacy in an emergency: Eisenhower's "secret weapon," Iceland, 1954-59 , 7. Intimate histories of the musical Cold War Fred Prieberg and Igor Blazhkov's unofficial diplomacy , 8. "Where I cannot roam, my song will take wing": Polish cultural promotion in Belarus, 1988
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  • 89
    ISBN: 9783487085616 , 3487085615 , 9789996905506 , 9996905500 , 9783487085609 , 3487085607 , 9789996905490 , 9996905497
    Language: English
    Pages: 320 Seiten , zahlreichen Abbildungen, durchgehend 4farbig , 33.6 cm x 42 cm, 7925 g
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 725.822095353022
    RVK:
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    Keywords: Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ ; Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ History ; Opera History ; Theaters History ; Royal Opera House Muscat ; Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ ; Opera ; Theaters ; Oman ; Muscat ; History ; Bildband ; Royal Opera House Muscat ; Oman ; Maskat ; Theaterbau ; Opernhaus ; Musiktheater ; Oper ; Geschichte ; Royal Opera House Muscat ; Ibn-az-Zubair, Muḥammad
    Note: Nebentitel in arabischer Schrift , Includes bibliographical references (page 312)
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  • 90
    Book
    Book
    Philadelphia, Pa. : Univ. of Pennsylvania Press
    ISBN: 9780812246841
    Language: English
    Pages: 219 S. , graph. Darst.
    Series Statement: American governance
    DDC: 782.4216491599
    RVK:
    Keywords: Rap (Music) Political aspects 20th century ; History ; Rap (Music) Political aspects 21st century ; History ; African Americans Politics and government 20th century ; African Americans Politics and government 21st century ; African Americans Political activity 20th century ; History ; African Americans Political activity 21st century ; History ; African Americans Attitudes 20th century ; History ; African Americans Attitudes 21st century ; History ; Politik ; Schwarze ; Hip-Hop ; USA ; USA ; Schwarze ; Hip-Hop ; Politik
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  • 91
    ISBN: 9780739166932 , 9781498508759
    Language: English
    Pages: vi, 310 Seiten , 24 cm
    Parallel Title: Erscheint auch als Risch, William Jay Youth and Rock in the Soviet Bloc
    DDC: 306.4/84260947
    RVK:
    RVK:
    Keywords: Popular music Political aspects 20th century ; History ; Popular music Social aspects 20th century ; History ; Popular music Political aspects ; Popular music Social aspects ; Music and state History 20th century ; Music and state ; Youth History 20th century ; Youth ; Cold War Music and the war ; Aufsatzsammlung ; Aufsatzsammlung ; Osteuropa ; Jugend ; Popmusik ; Rockmusik ; Kulturpolitik ; Jugendkultur ; Musiksoziologie ; Geschichte 1945-1989
    Abstract: Swinging between East and West: Yugoslav Communism and the Dilemmas of Popular Music
    Note: Includes bibliographical references, select bibliography (Seite 285-292) and index
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  • 92
    Book
    Book
    Bloomington ; Indianapolis : Indiana University Press
    ISBN: 9780253017680 , 9780253018038
    Language: English
    Pages: xiii, 346 pages , illustrations , 23 cm
    Series Statement: African expressive cultures
    Series Statement: Ethnomusicology multimedia
    DDC: 780.96891
    RVK:
    Keywords: Zimbabwe ; Colonial influence ; Zimbabwe ; Social conditions ; 20th century ; Missions ; Zimbabwe ; Popular music ; Political aspects ; Zimbabwe ; History ; 20th century ; Popular music ; Social aspects ; Zimbabwe ; History ; 20th century ; Popular music / Social aspects / Zimbabwe / History / 20th century ; Popular music / Political aspects / Zimbabwe / History / 20th century ; Missions / Zimbabwe ; Zimbabwe / Social conditions / 20th century ; Zimbabwe / Colonial influence
    Description / Table of Contents: Introduction: cross-cultural encounters: song, power, and being -- Missionary witchcrafting African being: cultural disarmament -- Purging the "heathen" song, mis/grafting the missionary hymn -- "Too many don'ts": reinforcing, disrupting the criminalization of African musical cultures -- Architectures of control: African urban re/creation -- The "tribal dance" as a colonial alibi: ethnomusicology and the tribalization of African being -- Chimanjemanje: performing and contesting colonial modernity -- The many moods of "Skokiaan": criminalized leisure, underclass defiance, and self-narration -- Usable pasts: crafting Madzimbabwe through memory, tradition, song -- Cultures of resistance: genealogies of Chimurenga song -- Jane Lungile Ngwenya: a transgenerational conversation -- Epilogue: postcolonial legacies: song, power, and knowledge production..
    Note: Includes bibliographical references (pages 311-326), discography (pages 311-326) and index
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  • 93
    ISBN: 9781472427175 , 9781472427182 , 9781472427199
    Language: English
    Pages: XII, 229 S , Ill.
    Series Statement: Music in nineteenth-century Britain
    DDC: 784.2092
    RVK:
    RVK:
    RVK:
    Keywords: Costa, Michael ; Costa *1808-1884* ; Conductors (Music) Biography ; Music Performance 19th century ; History ; Music History and criticism 19th century ; Biografie ; Biografie ; Costa, Michele 1808-1884 ; Costa, Michele 1808-1884 ; Großbritannien ; Dirigent ; Geschichte 1808-1884 ; Großbritannien ; Konzert ; Musikproduktion ; Kulturwandel ; Geschichte 1800-1900
    Note: Includes bibliographical references and index
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  • 94
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press
    ISBN: 022613895X , 9780226138954
    Language: English
    Pages: 1 Online-Ressource (291 pages) , illustrations
    Parallel Title: Erscheint auch als Fry, Andy Paris Blues : African American Music and French Popular Culture, 1920-1960
    DDC: 781.65089/96073044
    RVK:
    RVK:
    Keywords: Jazz History and criticism 20th century ; Musical theater History 20th century ; Musical films History 20th century ; African American jazz musicians ; African Americans in the performing arts History 20th century ; PERFORMING ARTS ; Theater ; General ; African American jazz musicians ; African Americans in the performing arts ; Jazz ; Musical films ; Musical theater ; Jazz ; Afroamerikanische Musik ; Rezeption ; Afroamerikansk musik ; historia ; Jazz ; historia ; Jazzmusiker ; Music ; Music, Dance, Drama & Film ; Music History & Criticism, Popular - Jazz, Rock, etc ; Criticism, interpretation, etc ; History ; Frankrike ; Frankreich ; France ; Electronic books
    Abstract: Introduction -- Rethinking the Revue nègre : black musical theatre after Josephine Baker -- Jack à l'opéra : jazz bands in black and white -- "Du jazz hot à la créole" : Josephine Baker sings Offenbach -- "That gypsy in France" : Django Reinhardt's occupation blouze -- Remembrance of jazz past : Sidney Bechet in France.
    Abstract: The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France's complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation reinvention in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.--
    Note: Includes bibliographical references and index , English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 95
    ISBN: 9789004261778 , 900426177X
    Language: English
    Pages: 1 Online-Ressource (xi, 375 Seiten) , Illustrations
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal- volume 290
    Series Statement: Southeast Asia mediated ; volume 5
    DDC: 781.6309595/1
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Popular music History and criticism ; Music Social aspects 20th century ; History ; Music Social aspects 20th century ; History ; MUSIC Instruction & Study ; Theory ; Music Social aspects ; Popular music ; MUSIC / Genres & Styles / General ; Musiksoziologie ; Popmusik ; Criticism, interpretation, etc ; History
    Abstract: "Sonic Modernities situates Southeast Asian popular music in specific socio-historical settings, hoping that a focus on popular culture and history may shed light on how some people in a particular part of the world have been witnessing the emergence of all things modern. In its focus on pioneering artists, their creative use of new genres and border crossing technologies it aims at a rewriting of Southeast Asia's twentieth century from the perspective of popular music makers, the entertainment industry and its ever changing audiences"--...
    Note: Includes bibliographical references (pages 369-370) and index
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  • 96
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822376262
    Language: English
    Pages: Online-Ressource (281 p)
    Edition: Online-Ausg.
    Series Statement: Sign, Storage, Transmission
    Series Statement: Sign, Storage, Transmission Ser.
    Parallel Title: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
    RVK:
    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Description / Table of Contents: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 97
    ISBN: 9780822357360 , 9780822357513
    Language: English
    Pages: XIII, 266 S.
    Series Statement: Sign, storage, transmission
    DDC: 302.2/24209861
    RVK:
    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Kolumbien ; Zuhören ; Sprache ; Musik ; Stimme ; Klang ; Geschichte 1800-1900
    Description / Table of Contents: Introduction: the ear and the voice in the lettered city's geophysical history -- On vocalization -- On popular song -- On the ethnographic ear -- On vocal immunity -- Epilogue: the oral in the aural.
    Note: Includes bibliographical references and index
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  • 98
    ISBN: 9781472412669
    Language: English
    Pages: X, 208 S.
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9
    RVK:
    Keywords: World music History and criticism ; Popular music History and criticism ; Popular music Political aspects 20th century ; History ; Popular music History and criticism
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  • 99
    ISBN: 9781472421869
    Language: English
    Pages: 240 S. , Ill., Notenbeisp.
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64097292
    RVK:
    Keywords: Popular music Production and direction ; History ; Sound recording executives and producers ; Popmusik ; Musikproduktion ; Jamaika ; Jamaika ; Popmusik ; Musikproduktion
    Note: Includes bibliographical references and index
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  • 100
    ISBN: 9781137311641 , 9781137311658
    Language: English
    Pages: 1 Online-Ressource(xii, 219 Seiten) , Illustrationen, Notenbeispiele
    Edition: Online-Ausgabe
    Series Statement: Palgrave studies in cultural and intellectual history
    Parallel Title: Erscheint auch als Linden, Bob van der Music and empire in Britain and India
    DDC: 780.9171/241
    RVK:
    RVK:
    RVK:
    Keywords: Music Social aspects 20th century ; History ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music Indic influences ; Music Western influences ; Music Social aspects 19th century ; History ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Great Britain-History ; Electronic books ; Electronic books ; Indien ; England ; Geschichte 1649-1660 ; Musik ; Kulturkontakt ; Geschichte
    Abstract: Partly because of academic disciplinary boundaries, music remains a neglected subject in British Imperial history and, indeed, intellectual history at large. Nonetheless, the imperial encounter was, as this richly detailed new study demonstrates, a sound exercise, and music was a key dimension of identity formation as well as transnational networks and transcultural communication between colonizer and colonized. Specifically, it explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization and modernization of 'classical' music converged and diverged in
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
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