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  • Ethn. Museum Berlin  (943)
  • München BSB  (825)
  • HU-Berlin Edoc
  • English  (1,573)
  • Musik
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Language
Keywords
  • 1
    Journal/Serial
    Journal/Serial
    Abingdon : Routledge | London [u.a.] : Harwood ; 1.1984 -
    ISSN: 0749-4467 , 1027-1929 , 1477-2256 , 1477-2256
    Language: English
    Dates of Publication: 1.1984 -
    Parallel Title: Erscheint auch als Contemporary music review
    DDC: 780
    Keywords: Zeitschrift ; Musik ; Geschichte 1499-1924 ; Geschichte 1499-1924
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  • 2
    Journal/Serial
    Journal/Serial
    Abingdon : Routledge | London [u.a.] : Harwood ; 1.1984 -
    Show associated volumes/articles
    ISSN: 0749-4467 , 1027-1929 , 1477-2256 , 1477-2256
    Language: English
    Dates of Publication: 1.1984 -
    Parallel Title: Erscheint auch als Contemporary music review
    DDC: 780
    Keywords: Zeitschrift ; Musik ; Geschichte 1499-1924 ; Geschichte 1499-1924
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  • 3
    Book
    Book
    London [u.a.] : Oxford Univ. Press
    ISBN: 0198164475
    Language: English
    RVK:
    Keywords: Musik ; Geschichte
    Note: Angabe zum ed. board bei den Vol. 1 - 5; 7 und 10 , 2. ed. auch als "new ed." bezeichnet , Ital. Ausg. u.d.T.: Storia della musica , 2. ed. im Verlag Oxford Univ. Press, Oxford [u.a.], erschienen
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  • 4
    Book
    Book
    London : Macmillan | New York : Grove
    ISBN: 0333608003 , 1561592390
    Language: English
    Edition: 2. ed., repr. with minor corr
    Keywords: Music ; Wörterbuch ; Musik
    Note: Erschienen: Vol. 1 (2002) - Vol. 29 (2002)
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  • 5
    Musical Score
    Musical Score
    London : Oxford University Press
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    Language: English , Undetermined
    Keywords: Afrika ; Musik
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  • 6
    ISBN: 8185616345
    Language: English
    Pages: 25 cm
    DDC: 780/.954/14
    Keywords: Music ; India ; Bengal ; History and criticism ; Indien ; Bengalen ; Musik ; Geschichte
    Note: Includes bibliographical references and index
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  • 7
    Language: English
    Series Statement: Aesthetics in music 5
    Keywords: Musik ; Ästhetik
    Note: Erschienen: Vol. 1 bis Vol. 4
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  • 8
    Book
    Book
    Bayreuth : Bayreuth Univ.
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    Language: English
    Series Statement: Bayreuth African studies series ..
    Keywords: Nigeria ; Yoruba ; Musik
    Note: Vol. 1 ohne Gesamtt , Vol. 1 im Iwalewa-Haus, Bayreuth erschienen
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  • 9
    Book
    Book
    Washington : Gov. Print. Off.
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    Language: English
    Series Statement: Bulletin / Smithsonian Institution, Bureau of American Ethnology ...
    Keywords: Ojibwa ; Musik ; Stamm ; Indianer ; Nordamerika ; Amerika
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  • 10
    Book
    Book
    Aldershot [u.a.] : Ashgate
    Language: English
    Series Statement: SOAS musicology series
    DDC: 781.62957
    Keywords: Music History and criticism ; Korea ; Music Social aspects ; Korea ; Music History and criticism ; Korea ; Music Social aspects ; Korea ; Korea ; Musik ; Gesellschaft ; Geschichte
    Note: Erschienen: 1 - 2
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  • 11
    Language: English
    Keywords: Kap-York-Halbinsel ; Torresstraße ; Papua-Neuguinea ; Musik
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  • 12
    Musical Score
    Musical Score
    Berlin-Lichterfelde : Schlesinger'sche Buch-und Musikhandlung (Rob. Lienau)
    Language: German , French , English
    Edition: [Klavier bzw. Klavierpartitur]
    Keywords: Lateinamerika ; Kreolen ; Musik
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  • 13
    ISBN: 2735112608 , 9782735112609
    Language: French , English , Indonesian
    Pages: 2 Bände + 1 DVD-ROM
    Series Statement: Référentiels, patrimoines immatériels
    RVK:
    Keywords: Toradja ; Ritual ; Musik
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  • 14
    Language: English
    Pages: 44 CDs
    Edition: Limited ed.. digital remastered
    Keywords: Europa ; Schwarze ; Film ; Musik ; Massenmedien
    Note: 3 volumes , Die erste umfassende Dokumentation der Töne und Bilder von Menschen afrikanischer Herkunft in Europa vor 1927
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  • 15
    Journal/Serial
    Journal/Serial
    Copenhagen : Museum Tusculanum Press | Copenhague : Munksgaard ; 1.1935 -
    Language: English
    Dates of Publication: 1.1935 -
    Additional Information: 2=1 von Monumenta musicae Byzantinae / American series Boston : Rees, 1947
    DDC: 780
    Keywords: Monografische Reihe ; Byzantinisches Reich ; Musik ; Geschichte
    Note: Ersch. unregelmäßig
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  • 16
    Media Combination
    Media Combination
    Aldershot [u.a.] : Ashgate | London : Routledge
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    Language: English
    Series Statement: SOAS musicology series
    DDC: 781.6295105117
    Keywords: Folk music History and criticism ; Bands (Music) History ; Folk music ; Bands (Music) ; China Nord ; Musik ; Ritual
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  • 17
    Book
    Book
    London : Johnson | Calcutta : Visva Bharati
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    Language: English
    Keywords: Indien Nord ; Musik ; Raga
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  • 18
    Language: German , English
    Series Statement: Musikhistoriska Museets skrifter ...
    DDC: 780/.89
    Keywords: Ethnomusicology ; Folk music History and criticism ; Eurasien ; Musik ; Musikinstrument ; Schamanismus
    Note: Contributions chiefly in German with several contributions in English , Vol. 2 published by Kungl. Musikaliska Akademien , Previously published articles of the author from 1941 to 1989 , Includes bibliographical references
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  • 19
    Language: French , German , English
    Pages: Medienkombination
    DDC: 780.216
    Keywords: Music libraries Directories ; Music Catalogs Manuscripts ; Quelle ; Katalog ; Bibliografie ; Führer ; Verzeichnis ; CD-ROM ; Musik ; Geschichte ; Musikbibliothek ; Musikhandschrift ; Musikalien
    Description / Table of Contents: v. 1. Canada and the United States -- v. 2. Austria, Belgium, Switzerland, Germany, Denmark, Spain -- v. 3, pt. 1. France, Finland, United Kingdom, Ireland, Luxembourg, Norway, Netherlands, Portugal, Sweden -- v. 4. Australia, Israel, Japan, New Zealand -- v. 5. Czechoslovakia, Hungary, Poland, Yugoslavia
    Note: Teilw. publ. par la Société Internationale de Musicologie et l'Association Internationale des Bibliothèques, Archives et Centres de Documentation Musicaux , Ser. A und C später nur noch im Verlag Bärenreiter, Kassel [u.a.], erschienen , Bis auf B,8 = DKL 1 ersch. Ser. B im Verlag Henle, München , B,1,2 erschien bei Università, Facoltà di Musicologica, Pavia , A, 2, CD-ROM im Verl. Saur, München, New Providence, London, Paris
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  • 20
    Language: Italian , English , French , German
    DDC: 780.9
    Keywords: Music Congresses ; Musicology Congresses ; Konferenzschrift ; Musik ; Geschichte
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  • 21
    Journal/Serial
    Journal/Serial
    Budapest : Akadémiai Kiadó ; 48.2007 -
    ISSN: 1788-6244 , 1789-2422
    Language: English , German
    Dates of Publication: 48.2007 -
    Parallel Title: Online-Ausg. Studia musicologica
    Former Title: Vorg. Magyar Tudományos Akadémia Studia musicologica Academiae Scientiarum Hungaricae
    DDC: 780
    Keywords: Zeitschrift ; Musikwissenschaft ; Musik ; Geschichte
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  • 22
    Journal/Serial
    Journal/Serial
    Rochester, NY : Univ. of Rochester Press | Woodbridge, Suffolk : Boydell & Brewer ; [1.]1994 -
    ISSN: 1071-9989
    Language: English
    Pages: 24 cm
    Dates of Publication: [1.]1994 -
    DDC: 780
    Keywords: Monografische Reihe ; Musik ; Musikwissenschaft
    Note: Ersch. unregelmäßig
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  • 23
    ISBN: 3921029678
    Language: English
    Series Statement: Beiträge zur Ethnomusikologie 7
    Dissertation note: Dissertation Freie Universität Berlin, Fachbereich 14 - Altertumswissenschaften 1978
    Keywords: Hochschulschrift ; Nigeria ; Musik ; Kirchenmusik ; Akkulturation ; Whyte, Ikoli Harcourt 1905-1977
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  • 24
    Book
    Book
    Cambridge [u.a.] : Univ. Press
    Language: English
    Series Statement: Cambridge readings in the literature of music
    Keywords: Griechenland ; Musik ; Quelle
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  • 25
    Language: English
    Pages: ill , 26 cm
    DDC: 781.76
    Keywords: Musicology ; Africa ; Ethnomusicology ; Africa ; Music ; Africa ; History and criticism ; Nketia, J. H. Kwabena ; Afrika ; Musik
    Note: Includes bibliographical references and index
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  • 26
    Journal/Serial
    Journal/Serial
    Warren, Mich. : Harmonie Park Press | Detroit, Mich. : Information Coord. ; 1.1961 -
    ISSN: 0070-3885
    Language: English
    Dates of Publication: 1.1961 -
    Additional Information: 13=1968; 24=1971; 34=1971/74 von A Selected discography of solo song Detroit, Mich. : Information Coordinators, 1968
    Additional Information: 52=1975/82 von Discography of solo song Detroit, Mich. : Information Coordinators, 1984
    DDC: 050
    Keywords: Monografische Reihe ; Bibliografie ; Musik ; Musik
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  • 27
    Language: German , English , French , Italian
    Series Statement: Taschenbücher zur Musikwissenschaft ...
    Keywords: Wörterbuch ; Musik ; Englisch ; Musik ; Deutsch ; Französisch ; Musik ; Deutsch ; Italienisch ; Musik ; Deutsch
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  • 28
    Journal/Serial
    Journal/Serial
    Belgrade : Union ; 1.1993 - 23.2004; 32.2008 -
    ISSN: 0354-818X , 0354-4362 , 0354-4362 , 0354-818X , 0354-4362 , 0354-818X
    Language: English
    Dates of Publication: 1.1993 - 23.2004; 32.2008 -
    Parallel Title: Erscheint auch als Novi zvuk
    Parallel Title: Erscheint auch als New sound
    DDC: 070
    RVK:
    Keywords: Zeitschrift ; Musikzeitschrift ; Jugoslawien ; Musik ; Zeitschrift
    Note: Urh. anfangs: Union of Yugoslav Composers' Organizations , 24.2004 - 31.2008 nur online
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  • 29
    ISSN: 0347-5158
    Language: Swedish , English , German
    Dates of Publication: 13.1976 -
    Additional Information: 46,1-2=[19]83 von SMAC (ZDB) Proceedings of the Stockholm Music Acoustics Conference Stockholm : Kungl. Musikaliska Akad., 1985
    Additional Information: 53,1-2=2 von International Council for Traditional Music. Study Group on Music Archaeology Conference of the ICTM Study Group on Music Archaeology Stockholm : Kungl. Musikaliska Akad., 1986
    Additional Information: 62=15 von Musikmuseet (Stockholm) Musikmuseets skrifter Stockholm : Musikmuseet, 1985 0282-8952
    Additional Information: 65=9,3 von Music perception Berkeley, Calif. : Univ. of Calif. Press, 1983 0730-7829
    Former Title: Vorg. Kungliga Musikaliska Akademien Publikationer
    Former Title: Kungliga Musikaliska Akademiens skriftserie
    Former Title: Publikationen der Königlichen Schwedischen Musikakademie
    DDC: 780
    Keywords: Monografische Reihe ; Schweden ; Musik
    Note: Ersch. abwechselnd in schwed., engl. u. dt. Sprache
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  • 30
    Journal/Serial
    Journal/Serial
    Lucca : Libreria Musicale Italiana | Basel : Bärenreiter ; 1.1984 - 9/12.1992/95(1996); 13.1996(1998) -
    Show associated volumes/articles
    ISSN: 0255-8831
    Language: English , German
    Dates of Publication: 1.1984 - 9/12.1992/95(1996); 13.1996(1998) -
    DDC: 780
    RVK:
    Keywords: Zeitschrift ; Musik ; Kunst ; Musikalische Ikonographie
    Note: Urh. anfangs: International Repertory of Musical Iconography
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  • 31
    Online Resource
    Online Resource
    Helsinki : Univ. Print. House ; 1.1992 -
    ISSN: 1459-9465
    Language: English
    Pages: Online-Ressource
    Dates of Publication: 1.1992 -
    Former Title: Druckausg. u. Vorg Nordic journal of African studies
    DDC: 890
    Keywords: Gesellschaft ; Entwicklung ; Kultur ; Literatur ; Musik ; Linguistik ; Religion ; Afrika ; Zeitschrift
    Note: Gesehen am 15.06.2022 , Bis 1999 einzelne Artikel nicht verfügbar
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  • 32
    Journal/Serial
    Journal/Serial
    McLean, Va. : Music Library Assoc. | Rochester, NY [u.a.] : Assoc. | Washington, DC : MLA ; 2.Ser. 1.1943/44 -
    ISSN: 0027-4380 , 1534-150X , 1534-150X
    Language: English
    Pages: 23 cm
    Dates of Publication: 2.Ser. 1.1943/44 -
    Parallel Title: Erscheint auch als Notes
    Former Title: Vorg Music Library Association Notes for the members of the Music Library Association
    DDC: 780
    RVK:
    Keywords: Zeitschrift ; Musikwissenschaft ; Zeitschrift ; Musik ; Zeitschrift ; Musikbibliothek ; Musikwissenschaft ; Musik
    Note: Zusatz wechselt , Erscheinen vierteljährlich , Repr.: New York, NY : AMS Press , Ab 23.1966/67 ohne Serien-Zählung; ersch. vierteljährl. , Index regelmäßig für je 2 Jahre; Index 1/50.1943/93=50A.1993
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  • 33
    ISBN: 9781666932966
    Language: English
    Pages: xiv, 237 Seiten
    Parallel Title: Online version Loza, Steven Joseph Ethnomusicologist's last lecture
    RVK:
    Keywords: Musik ; Musikethnologie ; Philosophie ; Religion ; Globalisierung ; Ethnomusicology ; Music and globalization ; Music / Religious aspects ; Music and philosophy ; Ethnomusicologie ; Musique et mondialisation ; Musique / Aspect religieux ; Musique et philosophie ; ethnomusicology ; Musikethnologie ; Musik ; Globalisierung ; Philosophie ; Religion
    Abstract: "This book critically addresses the conventional practices of studies on music, while taking readers through various global examples of musical expression"--
    Description / Table of Contents: Thinking Globally : Thoughts and the Ideas of Others on Philosophy, Religion, and Music -- Composers and Ideologies through a World Prism -- The Spirituality of the Blues and Related Sacred Music -- Polarities, Windmills, and the Transcendence of the Universe -- James Newton, Composer of Faith -- Masked Phantoms : Thoughts on Our Research and Scholarship in Ethnomusicology -- Challenges to the Euro-Americentric Ethnomusicological Canon : Alternatives for Graduate Readings, Theory, and Method -- Toward a Theory for Religion as Art : From Merriam to Guadalupe -- Social Justice and My Work as a Music Scholar, Teacher, and Artist -- Free Thoughts
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  • 34
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781580467230
    Language: English
    Pages: 1 Online-Ressource (xix, 260 Seiten) , Illustrationen
    Series Statement: Eastman studies in music
    Parallel Title: Erscheint auch als
    DDC: 306.4842094409034
    RVK:
    Keywords: Geschichte 1870-1939 ; Music / Political aspects / France / History / 20th century ; Music / Political aspects / France / History / 19th century ; Nationalism in music ; Musik ; Nation ; Kultur ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation ; Geschichte 1870-1939
    Abstract: Here, essays from musicologists, historians, art historians and literary scholars reconsider the relationship of Debussy, Gaugin, Jolivet, Zola, and other great French creative artists to cultural and political trends (for example, the rise of the press, nationalism, etc.) during the Third Republic
    Note: Previously issued in print: 2008. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 35
    Online Resource
    Online Resource
    Hershey, PA, USA : IGI Global
    ISBN: 9781799858188
    Language: English
    Pages: 1 Online-Ressource (xxii, 254 Seiten) , Diagramme
    Series Statement: Advances in media, entertainment, and the arts (AMEA) book series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.2095
    Keywords: Politische Kommunikation ; Politik ; Musik ; Politisches Engagement ; Asien ; Politics and culture / Asia ; Music / Political aspects / Asia ; Communication in politics ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Asien ; Musik ; Politik ; Politisches Engagement ; Politische Kommunikation
    Abstract: "This book articulates and disseminates research and scholarly work that is specifically and entirely devoted to the intersection of music and political engagement in the Asian political space"
    Note: Uche Titus Onyebadi und Delaware Arif sind die Herausgeber , Includes bibliographical references and index , At head of title: "Premier reference source"
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 36
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009272575
    Language: English
    Pages: 1 Online-Ressource (81 Seiten)
    Series Statement: Cambridge elements
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Geschichte 2006- ; Ethnomusicology / Cross-cultural studies ; Ethnomusicology / Vietnam ; Music / Methods / Cross-cultural studies ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
    Abstract: This Element demonstrates how a combination of stimulated recall and collaborative autoethnographic strategies can be applied to artistic and scholarly work at the intersection of ethnomusicology and practice-led-research. The authors relate recently collected material from fieldwork in Vietnam to the long-term method development within the Vietnamese/Swedish group The Six Tones, of which three authors are the founding members. The discussion centers around the inter-subjective forms of stimulated recall analysis, developed through the creative work of this innovative intercultural music ensemble. The aim of this Element is to create a decolonized methodology-for both music performance and research-and it provides a detailed account of this method development starting in 2006. Furthermore, the authors discuss how this practice was successfully shared with three master performers in the south of Vietnam as part of a collaborative project in 2018-2019
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2023)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 37
    ISBN: 9781009272544 , 9781009272544
    Language: English
    Pages: 81 Seiten , 24 cm
    Series Statement: Cambridge elements: Elements in twenty-first century music practice
    RVK:
    Keywords: Geschichte 2006- ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Ethnomusicology / Vietnam ; Ethnomusicology / Cross-cultural studies ; Music / Methods / Cross-cultural studies ; Ethnomusicologie / Viêt-nam ; Ethnomusicologie / Études transculturelles ; Ethnomusicology ; Music ; Vietnam ; Cross-cultural studies ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
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  • 38
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Language: English
    Pages: X, 181 Seiten , 21 cm
    Series Statement: Oxford theory in ethnomusicology series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Keywords: Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Description / Table of Contents: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
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  • 39
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 40
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197555224
    Language: English
    Pages: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    Keywords: Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 41
    ISBN: 9780197511541
    Language: English
    Pages: 1 Online-Ressource (xvii, 313 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.48420944
    Keywords: Geschichte 1700-1800 ; Music / Social aspects / France / History / 18th century ; Musicians / France / Social conditions / 18th century ; Musicians / France / Economic conditions / 18th century ; Soziale Situation ; Musik ; Musiker ; Wirtschaftliche Lage ; France / History / First Republic, 1792-1804 ; Frankreich ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Geschichte 1700-1800
    Abstract: 'From Servant to Savant' exposes the fundamental role that the French Revolution played in the emergence of modern professional musicianship. Geoffroy-Schwinden demonstrates how the French Revolution set the stage for the emergence of so-called musical 'Romanticism' among the likes of Beethoven and the legacies that continue to haunt musical institutions and industries
    Note: Also issued in print: 2022. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 42
    Book
    Book
    Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia : Cambridge University Press
    ISBN: 9781108421928 , 9781108433068
    Language: English
    Pages: xxiv, 247 Seiten , Notenbeispiele, Karte
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Musik ; Karibik ; Aufsatzsammlung ; Karibik ; Musik
    Note: Literaturangaben
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  • 43
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 44
    ISBN: 9781469667249 , 9781469667232
    Language: English
    Pages: 228 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Abstract: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Description / Table of Contents: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
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  • 45
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108379779
    Language: English
    Pages: 1 Online-Ressource (xxiv, 247 Seiten) , Notenbeispiele, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musik ; Kulturelle Identität ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Karibik ; Musik ; Kulturelle Identität ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 46
    Online Resource
    Online Resource
    Rochester : University of Rochester Press
    ISBN: 9781800102095
    Language: English
    Pages: 1 Online-Ressource (xi, 405 Seiten)
    Series Statement: Rochester studies in African history and the diaspora
    Series Statement: 92
    Parallel Title: Erscheint auch als
    DDC: 302.23083096
    RVK:
    RVK:
    Keywords: Mass media and youth / Africa ; Youth / Africa / Social conditions ; Popular culture / Africa ; Arts and youth / Africa ; Medien ; Jugendkultur ; Musik ; Kunst ; Afrika ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; Jugendkultur ; Musik ; Kunst ; Medien
    Abstract: "The edited collection focuses on the links between young people and African popular culture. It explores popular culture produced and consumed by young people in contemporary Africa. And by "culture," we mean all kinds of texts or representations-visual, oral, written, performative, fictional, social, and virtual-created by African youth, mostly about their lives and their immediate societies, and for themselves, but also consumed by the larger public, and shared locally and globally. We proceed from the premise that cultural texts not only function as "social facts" as Karin Barber argues, but that they double as "commentaries upon, and interpretations of, social facts. They are part of social reality, but they also take up an attitude to social reality" (2007, 04). So, the work focuses specifically on what African youth produce as popular culture, under what conditions or contexts they produce such work, how they produce those texts, why they produce them, the aesthetic dimensions of these texts as cultural artifacts, and why these textual practices matter as social facts, as interpretive acts, and as cultural symbols of the general cultural activism of young people in a rapidly changing world, a world where the global cultural economy is the prime terrain for the relentless struggles over the meanings that come to shape political-economic and social systems"--
    Note: Introduction: Youth, Media, and Popular Arts Culture in Contemporary Africa / Paul Ugor, Illinois State University -- Hip-Hop, Civic Awareness and Anti-Establishment Politics in Senegal: The Rise of the Y'en a marre Movement / Bamba Ndiaye -- Rapping, Imagination and Urban Space in Dar es Salaam / David Kerr -- Entertainers & Breadwinners: Music in the Lives of Street Children in Abidjan, CoÌte d'Ivoire / Ty-Juana Taylor -- Young People, Music, and Socio-Political Change in Post-War Sierra Leone / Ibrahim Bangura -- The Politics of Pleasure in Nigerian Afrobeats / Paul Ugor -- The Regeneration of Play: Popular Culture as Infra-politics on Instagram / James Yeku -- "This is very embarrassing and insulting": Flash Fiction Ghana and Transgressive Writing / Kwabena Opoku-Agyemang -- Queering Ugandan Popular Culture(s): Luganda Pop and "Un-African" Sexualities / Austin Bryan -- Twitter, Youth Agency, and New Narratives of Power in #RhodesMustFall / Jendele Hungbo -- Resisting Political Oppression: Youth and Social Media in Zimbabwe / Godfrey Maringira & Simbarashe Gukurume -- Dressing en Style: Fashion and Fandom in Niger / Adeline Masquelier -- The Revolution Lost: Generational Change and Urban Youth Logics in Conakry's Dance Music / Adrienne Cohen -- Culture Players & Poly-Ticks: Botswana Youth, Popular Culture Practices & Resonances / Connie Rapoo -- 'Born Free': it's cute, but it's a lie': #FeesMustFall and Youth Deconstruction of South Africa's Liberation Narrative / Kristi Heather Kenyon, Juliana Coughlin and David Bosc -- Afterword: Young People and the Future of African Worlds / Nadine Dolby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 47
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501379291 , 9781501379338
    Language: English
    Pages: 140 Seiten
    Parallel Title: Online version Campbell, Mark V. Afrosonic life
    RVK:
    Keywords: Ausdruck ; Musik ; Klang ; Schwarze ; Popular music / African influences ; Black people / Music / History and criticism ; Turntablism ; Remixes / History and criticism ; Musique populaire / Influence africaine ; Noirs / Musique / Histoire et critique ; Platinisme ; Remix / Histoire et critique ; Black people / Music ; Popular music / African influences ; Remixes ; Turntablism ; Criticism, interpretation, etc ; Schwarze ; Musik ; Klang ; Ausdruck
    Abstract: "Explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery"--
    Description / Table of Contents: Soundman/Sound System (S.W. rmx) -- Turning the Tables -- Riddim Science : On Living Hip-Hop's Sonic Innovations -- Dubbing the Remix and Its Uses -- Conclusion. Come Rewind : We were the 1st Robots
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 48
    Online Resource
    Online Resource
    Woodbridge, Suffolk ; Rochester, NY : The Boydell Press
    ISBN: 9781800104518
    Language: English
    Pages: 1 Online-Ressource (xiii, 246 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 306.4/842094109034
    RVK:
    RVK:
    RVK:
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    Keywords: Geschichte 1870-1900 ; Music / Social aspects / Great Britain / History / 19th century ; Exhibitions / Great Britain / History / 19th century ; Musicology / Great Britain / History / 19th century ; Musik ; Internationale Ausstellung ; Großbritannien ; Großbritannien ; Internationale Ausstellung ; Musik ; Geschichte 1870-1900
    Note: Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into debates about music's role in society. International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, tracing these through the networks of communication that existed within the British Empire at the time
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 49
    ISBN: 9781785273858
    Language: English
    Pages: 1 Online-Ressource (vi, 241 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Music and transnationalism ; Ethnomusicology ; Music and race ; Postcolonialism and music ; Music / Portuguese-speaking countries ; Musicians / Portuguese-speaking countries ; Postkolonialismus ; Musik ; Interkulturalität ; Migration ; Portugiesisches Sprachgebiet ; Aufsatzsammlung ; Aufsatzsammlung ; Portugiesisches Sprachgebiet ; Postkolonialismus ; Migration ; Interkulturalität ; Musik
    Abstract: 〈i〉Music Scenes and Migrations〈/i〉 brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested models for conceptualizing international musical relations and hierarchies of powers and influence, such as global/local or centre/periphery, the volume draws attention instead to the role of the city, and in particular, in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world. In considering the roles played by cities as hubs of cultural intersection, socialization, exchange and transformation; as sites of political intervention and contestation; and as homes to large concentrations of consumers, technologies and media, Rio de Janeiro necessarily figures prominently, given its historical importance as an international port at the centre of the Lusophone Atlantic world. The volume also gives attention to other urban centres, within Brazil and abroad, towards which musicians and musical traditions have migrated and converged - such as São Paulo, Lisbon and Madrid - where they have reinvented themselves; where notions of Brazilian and Lusophone identity have been reconfigured; and where independent, peripheral and underground scenes have contested the hegemony of the musical 'mainstream'. 〈br〉〈br〉The contributions to the volume are grouped according to three key thematic areas: Colonial and post-Colonial transnationalisms, migrations and diasporas; relocating Rio de Janeiro; and demetropolitanizing the musical city: other scenes, industries, technologies
    Note: Title from publisher's bibliographic system (viewed on 20 Jan 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 50
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367229856 , 9781032042374
    Language: English
    Pages: xi, 199 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Einfluss ; Musik ; Brauch ; Fest ; Brasilien ; Portugal ; Afrika ; Brasilien Südost ; Fest ; Brauch ; Musik ; Einfluss ; Portugal ; Afrika
    Abstract: "Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the 18th century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil -- from liturgical music in the style of European art music to Afro-Brazilian musical expressions. Its content and structure are informed by Norbert Elias' idea of the civilizing process, which is explored regarding its relevance in interpreting sociocultural processes and choreo-musical expressions in the small town Morro Vermelho. The book's innovative feature is its focus on a little-known area to non-Brazilian scholars,and its focus on the colonial and European heritage in Brazil. Morro Vermelho's cultural traditions have received relatively limited attention. The Catholic festival of Our Lady of Nazareth provides a setting for the documentation and analysis of the musical setting and is thus placed at the centre of the discussion. It leads through the vast writings on Brazilian identity and challenges the view on Brazilian-ness as constructed in terms of the mixing of races. Norbert Elias's concept of the "civilizing process" structures the book and is relevant for understanding the cultural sphere of the festival of Our Lady of Nazareth. The book combines discourses of Portugueseness with historical sources and observations from fieldwork and community building in the virtual world. The focus on the music to support social constructions of "Portugueseness" is supported with evidence from diverse data sources: music (literature and fieldwork recordings), original interviews, marketing materials and historical narratives. The combination of archival, ethnographic and bibliographic research methods attempts a seamless narrative. Its approach to fieldwork and frank reflections on the process and relevant issues help to contex++
    Description / Table of Contents: Festivals and Music as Civilizing Forces in Colonial Minas -- History as Memory, Heritage and Brand in Morro Vermelho -- Sounding the Sacred and Civilized -- Sounding the Afro-Brazilian Resistance -- Conclusion : Sounding Portugueseness in Southeast Brazil
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  • 51
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030907600
    Language: English
    Pages: xxi, 367 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.095
    Keywords: Geschichte 1990- ; Asian Culture ; Diaspora Studies ; Globalization ; History of Korea ; Asian Languages ; Ethnology—Asia ; Culture ; Emigration and immigration ; Globalization ; Korea—History ; Asia—Languages ; Gesellschaft ; Musik ; Globalisierung ; Sprache ; Film ; Südkorea ; Nordkorea ; Aufsatzsammlung ; Aufsatzsammlung ; Nordkorea ; Südkorea ; Film ; Musik ; Sprache ; Gesellschaft ; Globalisierung ; Geschichte 1990-
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  • 52
    Online Resource
    Online Resource
    Leiden ; Boston : Brill
    ISBN: 9789004517073
    Language: English
    Pages: 1 Online-Ressource (XV, 441 Seiten)
    Series Statement: Collected works of Jao Tsung-i: Xuantang anthology volume 1
    Series Statement: Collected works of Jao Tsung-i: Xuantang anthology
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 53
    Book
    Book
    Amsterdam : Amsterdam University Press
    ISBN: 9463725121 , 9789463725125
    Language: English
    Pages: 204 Seiten , Illustrationen, Karten
    Series Statement: Global Asia 14
    Series Statement: Global Asia
    DDC: 950
    RVK:
    Keywords: Musik ; Palauinseln
    Abstract: Music Worlding in Palau: Chanting, Atmospheres, and Meaningfulness' is a detailed study of the performing arts in Palau, Micronesia as holistic techniques enabling the experiential corporeality of music?s meaningfulness - that distinctly musical way of making sense of the world with which the felt body immediately resonates but which, to a significant extent, escapes interpretive techniques. Drawing on long-term ethnographic research alongside Pacific Islander and neo-phenomenological conceptual frameworks, 'Music Worlding' distinguishes between meaning(s) and meaningfulness in Palauan music-making. These are not binary phenomena, but deeply intertwined. However, unlike meaning, meaningfulness to a significant extent suspends language and is thus often prematurely considered ineffable. The book proposes a broader understanding of how the performing arts give rise to a sense of meaningfulness whose felt-bodily affectivity is pivotal to music-making and lived realities. 'Music Worlding' thus seeks to draw the reader closer to the holistic complexity of music-making both in Palau and more generally
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  • 54
    ISBN: 9780197609118 , 9780197609101
    Language: English
    Pages: xviii, 272 Seiten , Diagramme, 1 Karte
    Parallel Title: Erscheint auch als Music, communities, sustainability
    Parallel Title: Erscheint auch als Music, communities, sustainability
    DDC: 306.4/842
    RVK:
    Keywords: Convention for the Safeguarding of the Intangible Cultural Heritage ; Cultural property Protection ; Cultural policy ; Intangible property ; Sustainability ; Music Social aspects ; Applied ethnomusicology ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Immaterielles Kulturerbe ; Musik
    Abstract: Foreword / Jeff Todd Titon -- Introduction. Approaching music as Intangible Cultural Heritage (ICH) / Anthony Seeger and Huib Schippers -- PART ONE. THE GENESIS OF THE ICH CONVENTION. Recognizing Intangible Cultural Heritage / Richard Kurin ; Modalities for community participation in implementing the UNESCO ICH Convention / Noriko Aikawa-Faure ; Definitions related to the safeguarding of living culture : Words matter / Wim van Zanten (summary; full text available on companion website) ; Reclaiming community agency in managing Intangible Cultural Heritage : Paperwork, people, and the potential of the public voice / Naila Ceribašić -- PART TWO. THE ICH CONVENTION IN ACTION. The "ICH Movement" in China : The Status of Traditional Musics after ICH Certification / Xiao Mei & Yang Xiao ; UNESCO-based and UNESCO-free : Governmental and Non-Governmental Efforts for Safeguarding Intangible Cultural Heritage / Olcay Muslu ; Community Engagement as a Site of Struggle : UNESCO Conventions, Intangible Cultural Heritage, and State Agendas / Tan Sooi Beng ; There Is No Price for That: UNESCO as Translator Between Conflicting Value Systems in Guatemala / Logan Elizabeth Clark ; Sustainability, Agency, and the Ecologies of Music Heritage in Alentejo, Portugal / Slwa El-Shawan Castelo-Branco -- PART THREE. FUTURE PERSPECTIVES. Reading ICH in Cultural Space : China's National Cultural Ecosystem (Experimental) Conservation Areas / Gao Shu ; Archives, Technology, Communities, and Sustainability : Overcoming the Tragedy of Humpty Dumpty / Anthony Seeger ; Mapping musical vitality : A comparative approach to identifying musical heritage in need of safeguarding / Catherine Grant ; Working Musically Through Crisis : What Will It Take to Push for a Sound(er) Future for Haiti? / Rebecca Dirksen.
    Abstract: "The 2003 UNESCO Convention on the Safeguarding of Intangible Cultural Heritage was a major step in addressing concerns about musical diversity and vitality on a global scale. 180 nation-states have ratified the Convention to date. Many have developed policies to address the sustainability of their music practices. On the eve of its twentieth anniversary of the Convention, 14 experts were invited to reflect on two decades of approaching music as Intangible Cultural Heritage. In introducing the contributions to this volume, this chapter introduces the genesis of the Convention, its most prominent features, its workings and successes, and the challenges that have arisen from using this framework to address threats to music sustainability worldwide"--
    Note: Includes bibliographical references and index
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  • 55
    ISBN: 9783031055546
    Language: English
    Pages: xv, 275 Seiten , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 941
    RVK:
    Keywords: Geschichte 1945-1950 ; History of Britain and Ireland ; Modern History ; Cultural History ; Social History ; Music ; Great Britain—History ; History, Modern ; Civilization—History ; Social history ; Music ; Musik ; Subkultur ; Bebop ; London-Soho ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London-Soho ; Bebop ; Musik ; Subkultur ; Geschichte 1945-1950
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  • 56
    Book
    Book
    Edinburgh : Edinburgh University Press | [Karachi?] : The aga Khan university
    ISBN: 978-1-4744-9185-3
    Language: English
    Pages: xxiii, 280 Seiten , Illustrationen, Porträts, Notenbeispiele (schwarz-weiß) , 24 cm
    Series Statement: Music and performance in Muslim contexts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Jalāl al-Dīn Rūmī / Maulana / 1207-1273 / Criticism and interpretation ; Jalāl al-Dīn Rūmī / Maulana / 1207-1273 ; Ǧalāl-ad-Dīn Rūmī ; Mevleviyeh ; Sufi music / History and criticism ; Music / Philosophy and aesthetics ; Derviches tourneurs ; Musique soufie / Histoire et critique ; Musique / Philosophie et esthétique ; Mevleviyeh ; Music / Philosophy and aesthetics ; Sufi music ; Sufismus ; Sufi-Bruderschaft ; Musik ; Derwisch ; Turkey / History / Ottoman Empire, 1288-1918 ; Empire ottoman / Histoire ; Turkey ; Osmanisches Reich ; Ǧalāl-ad-Dīn Rūmī 1207-1273 ; Osmanisches Reich ; Sufi-Bruderschaft ; Derwisch ; Musik ; Sufismus
    Description / Table of Contents: Preface -- Part I : History and culture of the Melevi dervishes. Introduction : Continuities and ruptures in the Mevlevi tradition ; Defining the mystical music of the Mevlevi dervishes ; The Mevlevi phenomenon ; Development and cultural affinities of the Mevlevi Ayin ; The ney in Mevlevi music ; The Mevlevi Neyzen as an ideal representation of Ottoman culture -- Part II : Music of the Mevlevis. The position of music within the Mevleviye ; The musical structure of the Ayin ; Music, poetry, and composition in the Ayin ; The Sema'i in the Third Selam and the Son Yürük Sema'i: nucleus of the antecendent Samā'? -- Postlude : Music, poetry, and mysticism in the Ottomon Empire
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  • 57
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253060082
    Language: English
    Pages: 1 Online-Ressource (xvii, 297 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Music and the early modern imagination
    Parallel Title: Erscheint auch als Music and Jewish culture in early modern Italy
    Parallel Title: Erscheint auch als
    DDC: 780.89/924045
    RVK:
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    Keywords: Geschichte 1500-1700 ; Musik ; Juden ; Italien ; Jews / Italy / Music / 16th century / History and criticism ; Jews / Italy / Music / 17th century / History and criticism ; Music / Italy / 16th century / History and criticism ; Music / Italy / 17th century / History and criticism ; Jews / Music ; Music ; Italy ; 1500-1699 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Juden ; Musik ; Geschichte 1500-1700
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  • 58
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253060105
    Language: English
    Pages: xvii, 297 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music and the early modern imagination
    Parallel Title: Online version Music and Jewish culture in early modern Italy
    Parallel Title: Erscheint auch als Music and Jewish culture in early modern Italy
    DDC: 780.89/924045
    RVK:
    RVK:
    Keywords: Geschichte 1500-1700 ; Musik ; Juden ; Italien ; Jews / Italy / Music / 16th century / History and criticism ; Jews / Italy / Music / 17th century / History and criticism ; Music / Italy / 16th century / History and criticism ; Music / Italy / 17th century / History and criticism ; Jews / Music ; Music ; Italy ; 1500-1699 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Juden ; Musik ; Geschichte 1500-1700
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  • 59
    ISBN: 9780197558249 , 9780197558232
    Language: English
    Pages: xi, 205 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als Ó Briain, Lonán, 1983 - Voices of Vietnam
    DDC: 780.9597
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    Keywords: Đài Tiếng nói Việt Nam ; Radio and music ; Music Political aspects ; Vietnam ; Hörfunk ; Musik ; Revolution ; Propaganda ; Geschichte
    Abstract: Introduction. On Radio, Red Music, and Revolution -- Sound, Technology, and Culture in French Indochina -- Battle of the Airwaves during the First Indochina War -- Songs of the Golden Age in the Democratic Republic -- National Radio in the Reform Era -- Studio Production in Contemporary Vietnam -- Conclusion. Nostalgia for the Past, Hope for the Future.
    Abstract: "On September 2, 1945, Ho Chi Minh read the Declaration of Independence via a makeshift wired loudspeaker system to thousands of listeners in Hanoi. Five days later, Ho's Viet Minh forces set up a clandestine radio station using equipment brought to Southeast Asia by colonial traders. The revolutionaries garnered support for their coalition on air by interspersing political narratives with red music (nhạc đỏ). Voice of Vietnam Radio (VOV) grew from these communist and colonial foundations to become contemporary Vietnam's largest producer of music. In the first comprehensive English-language study on the history of radio music in mainland Southeast Asia, Lonán Ó Briain examines the broadcast voices that reconfigured Vietnam's cultural, social, and political landscape over a century. Ó Briain draws on a year of ethnographic fieldwork at the VOV studios (2016-17), interviews with radio employees and listeners, historical recordings and broadcasts, and archival research in Vietnam, France, and the United States. From the Indochinese radio clubs of the 1920s to the 75th anniversary celebrations of the VOV in 2020, Voices of Vietnam offers a fresh perspective on this turbulent period by demonstrating how music production and sound reproduction are integral to the unyielding process of state formation"--
    Note: Includes bibliographical references and index
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  • 60
    ISBN: 9780226810027 , 022681002X , 9780226810164
    Language: English
    Pages: xxx, 438 Seiten , Illustrationen, Karten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 780.89928073
    RVK:
    Keywords: Äthiopischer Einwanderer ; Musik ; USA
    Note: Bibliography Seite 391-416
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  • 61
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197546437 , 9780197546475
    Language: English
    Pages: xiv, 246 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.899240569442
    RVK:
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    Keywords: Geschichte 1880-1977 ; Musik ; Jerusalem ; Israel
    Note: Literaturverzeichnis Seite [225]-237
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  • 62
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057549 , 9780253057532
    Language: English
    Pages: xi, 309 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musikwirtschaft ; Kultur ; Politik ; Musik ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
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  • 63
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367243142
    Language: English
    Pages: xiii, 260 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 711-1610 ; Rezeption ; Musik ; Musikhandschrift ; Spanien ; al- Andalus ; Music / Spain / 500-1400 / History and criticism ; Music / Spain / To 1500 / History and criticism ; Music / Spain / 16th century / History and criticism ; Music / Spain / 17th century / History and criticism ; Muslims / Spain / Music / History and criticism ; Arabs / Spain / Music / History and criticism ; Spanien ; al- Andalus ; Musik ; Musikhandschrift ; Rezeption ; Geschichte 711-1610
    Abstract: "The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved"--
    Description / Table of Contents: Section One: Music in Iberia and the Mashriq up to 711 -- Chapter 1: Music in Iberia to 711 -- Chapter 2: Arab music to 711 -- Section Two: Andalusi Music to the Fall of the Umayyad Caliphate, 711–1031 -- Chapter 3: From the conquest to the reign of ‘Abd al-Raḥmān II, 711–822 -- Chapter 4: ‘Abd al-Raḥmān II and Ziryāb, 822–852 -- Chapter 5: The final years of the Caliphate, 858–1031 -- Section Three: Music in the Medieval Mediterranean -- Chapter 6: Instrumentarium -- Chapter 7: Music Theory and Performance Practices -- Section Four: The Musical Revolution in al-Andalus -- Chapter 8: From Ṣawt to Muwashshaḥ -- Chapter 9: Hebrew Muwashshaḥāt -- Section Five: Post-Umayyad Iberia (11th–17th c.) -- Chapter 10: The Era of the "Petty Kings," Almoravids, and Almohads (11th–12th c.) -- Chapter 11: The Age of Minstrels (13th –15th c.) -- Chapter 12: Music of the Moriscos (16th–17th c.)
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  • 64
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012573 , 1478012579
    Language: English
    Pages: 1 Online-Ressource (xiii, 221 pages) , illustrations
    Series Statement: Errantries
    Parallel Title: Erscheint auch als
    DDC: 305.896073
    RVK:
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    Keywords: African Americans / Study and teaching ; African Americans / Social conditions ; Race / Philosophy ; African American feminists ; Cross-cultural studies ; Schwarze ; Musik ; Philosophie ; Kunst ; Rassismus ; Identität ; Schwarze ; Identität ; Rassismus ; Philosophie ; Kunst ; Musik
    Abstract: He Liked to Say That This Love Was the Result of a Clinical Error -- Curiosities (My Heart Makes My Head Swim) -- Footnotes (Books and Papers Scattered about the Floor) -- The Smallest Cell Remembers a Sound -- Consciousness (Feeling like, Feeling like This) -- Something That Exceeds All Efforts to Definitively Pin It Down -- No Place, Unknown, Undetermined -- Notes -- Black Ecologies. Coral Cities. Catch a Wave -- Charmaine's Wire -- Polycarbonate, Aluminum (Gold), and Lacquer -- Black Children -- Telephone Listing -- Failure (My Head Was Full of Misty Fumes of Doubt) -- The Kick Drum Is the Fault -- (Zong) Bad Made Measure -- I Got Life/Rebellion Invention Groove -- (I Entered the Lists) -- Dear Science
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 65
    ISBN: 9783962332730
    Language: German , English
    Pages: 271 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München Band 16
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1800-1945 ; Musik ; Juden ; Süddeutschland ; Aufsatzsammlung ; Konferenzschrift 2019 ; Aufsatzsammlung ; Konferenzschrift 2019 ; Süddeutschland ; Juden ; Musik ; Geschichte 1800-1945
    Note: Rezensiert in: Musik in Bayern, Band 87 (2022), Seite 115-116 (Ulrich Scheinhammer-Schmid)
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  • 66
    ISBN: 9781498576208 , 9781498576222
    Language: English
    Pages: xiii, 283 Seiten , 24 x 16 cm
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Musik ; Künstler ; Widerstand ; Literatur ; Provinz Ostkap ; Music / Social aspects / South Africa / Eastern Cape / History ; Oral tradition / Social aspects / South Africa / Eastern Cape / History ; Government, Resistance to / South Africa / Eastern Cape / History ; Xhosa (African people) / South Africa / Eastern Cape / Social conditions ; Eastern Cape (South Africa) / Social conditions / History ; Eastern Cape (South Africa) / Race relations / History ; Government, Resistance to ; Music / Social aspects ; Oral tradition / Social aspects ; Race relations ; Social conditions ; Xhosa (African people) / Social conditions ; South Africa / Eastern Cape ; History ; Provinz Ostkap ; Künstler ; Widerstand ; Musik ; Literatur
    Abstract: "Explores Eastern Cape performance artists, activists, and organizations that used inventive and historical means to protest and resist oppressive authorities and systems while exhibiting their unique culture. Michie analyzes music and oral poetry to study the region's role in the history of South African protest politics and creativity"--
    Description / Table of Contents: "We Create Our Own Language" -- "Unite Like a Ball of Scrapings": Early History to the 1850s -- "Turn Phalo's Land on Its Head": Late Nineteenth and Early Twentieth Centuries -- "You Sent Us the Light, We Sit in the Dark": 1920s-1940s -- "A Spirit That Could Not Be Broken": 1950s-1960s -- "A Land in Calamity's Shadow": 1970s-1980s -- "Our Bull Has Escaped from the Pound": 1990s to the Present
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  • 67
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris | London : Bloomsbury Publishing
    ISBN: 9780755617913 , 9780755617906 , 9780755617890
    Language: English
    Pages: 1 Online-Ressource (284 Seiten)
    Edition: First edition
    Series Statement: Early and Medieval Islamic World
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9
    RVK:
    Keywords: Geschichte 800-1400 ; Music Islamic countries ; History ; Musicians Islamic countries ; History ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."
    Note: Section I. Musical culture in the early Islamic courts. Chapter 1. Music and musicians ; Chapter 2. Musicianship and performance ; Chapter 3. Patronage -- Section II. Representations of musicianship and identity. Chapter 4. Literary performance of music and reading musical identity ; Chapter 5.Slavery and gender ; Chapter 6. Ethnos and gens -- Section III. Diversions of pleasure Chapter 7. Discomfort and censure ; Chapter 8. "Sama" and practice ; Chapter 9. The politics of listening
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 68
    ISBN: 9781912685806
    Language: English
    Pages: 1 Online-Ressource (171 Seiten) , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 69
    ISBN: 9781912685790
    Language: English
    Pages: 171 Seiten , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
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  • 70
    Language: English
    Series Statement: The world of music (new series), vol. 10, 2 (2021)
    Series Statement: The world of music
    DDC: 780
    Keywords: Aufsatzsammlung ; Musik ; Klang ; Hören ; Kolonialismus ; Kultur ; Name ; Begriff ; Mensch ; Umwelt
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  • 71
    ISBN: 9783896466730
    Language: English , German
    Pages: 150 Seiten , Illustrationen , 29.7 cm x 21 cm, 890 g
    Series Statement: Studien zur Musikarchäologie 12
    Series Statement: Orient Archäologie Band 43
    Series Statement: Studien zur Musikarchäologie
    Series Statement: Orient Archäologie
    RVK:
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    Keywords: Archäologie ; Musikwissenschaft ; Vor- und Frühgeschichte ; Musik ; Altertum ; Musikarchäologie ; Alter Orient ; Mesopotamien ; Musikinstrument ; Musik ; Forschungsgeschichte ; Music archaeology / Congresses ; Archéologie musicale - Congrès ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift Friedrich-Schiller-Universität 19.09.2017-20.09.2017 ; Musikarchäologie ; Musikwissenschaft ; Musik ; Mesopotamien ; Altertum ; Alter Orient ; Vor- und Frühgeschichte ; Archäologie
    Note: Beiträge teilweise englisch, teilweis deutsche mit Zusammenfassungen in der jeweils anderen Sprache
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  • 72
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057525
    Language: English
    Pages: 1 Online-Ressource (323 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 780.953
    RVK:
    Keywords: Geschichte ; Music Social aspects ; Politik ; Musik ; Kultur ; Musikwirtschaft ; Persian Gulf Region ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
    Note: Includes index
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  • 73
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197549599
    Language: English
    Pages: 1 Online-Ressource (320 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.629608142
    RVK:
    Keywords: Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Afrikanischer Einwanderer ; Schwarze ; Musiksoziologie ; Identität ; Musik ; Bahia ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: In 'Africanness in Action', author Juan Diego D iaz examines musicians' agency, constructions of blackness and Africanness, musical structure, performance practices, and rhetoric in Brazil, and provides a model for the study of African-derived music in other diasporic locales
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 74
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501360053
    Language: English
    Pages: xiii, 258 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.4/842095
    RVK:
    RVK:
    Keywords: Soziokultur ; Musik ; Audiovisuelle Medien ; Pazifischer Raum ; Südostasien ; Music / Social aspects / Southeast Asia ; Music / Political aspects / China ; Music / Political aspects / Southeast Asia ; Mass media and music / Southeast Asia ; Mass media and music / China ; Music / Social aspects / Vanuatu ; Music / Social aspects / Hawaii ; Mass media and music ; Music / Political aspects ; Music / Social aspects ; China ; Hawaii ; Southeast Asia ; Vanuatu ; Konferenzschrift University of Nottingham 19.10.2018-20.10.2018 ; Konferenzschrift University of Nottingham 19.10.2018-20.10.2018 ; Südostasien ; Pazifischer Raum ; Musik ; Audiovisuelle Medien ; Soziokultur
    Abstract: "Investigates the circulation of musical culture via broadcast media in the Asia Pacific"--
    Description / Table of Contents: Introduction. Musical Media in the Asia Pacific / Lonán Ó Briain and Min Yen Ong -- Vocalizing Community. Getting Our Voices Heard : Radio Broadcasting and Secrecy in Vanuatu / Monika Stern / Sounding an Indigenous Domain : Radio, Voice, and Lisu Media Evangelism / Ying Diao ; Narrowcasting into the Infinite Margins : Internet Sonorities of Transient Indonesian Domestic Workers in Singapore / Shzr Ee Tan -- Transforming Tradition. Harmonies for the Homeland: Traditional Music and the Politics of Intangible Cultural Heritage on Vietnamese Radio / Lonán Ó Briain ; Mediation of Tradition : Television and Studio Productions of Khmer Music in Cambodia / Francesca Billeri ; Going with the Flow : Livestreaming and Korean Wave Narratives in P'ansori Anna Yates-Lu -- Sounding Authority. North Korea: Controlling the Airwaves, Harmonizing the People / Keith Howard ; The Party and the People : Shifting Sonic Politics in Post-1949 Tiananmen Square / Joseph Lovell ; Broadcasting Infrastructures and Electromagnetic Fatality : Listening to Enemy Radio in Socialist China / Hang Wu -- Performing Activism. "Change the World Gently with Singing": Queer Audibility and Soft Activism in China / Hongwei Bao ; Sounds of Political Reform : Indie Rock in Late New Order Indonesia / M. Rizky Sasono; Finding Agency in Hawaiian Online Collaborative Music Videos : Reclaiming Kaulana Na Pua in a Contemporary Context / Min Yen Ong and Jordan Anthony Kapono Bee
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  • 75
    ISBN: 9783030790998
    Language: English
    Pages: xiv, 304 Seiten , Illustrationen
    Series Statement: Palgrave studies in creativity and culture
    Parallel Title: Erscheint auch als
    DDC: 302
    Keywords: McCartney, Paul ; Geschichte 1957-1979 ; Personality and Social Psychology ; Music ; Sociology of Culture ; Popular Culture ; Audio-Visual Culture ; Personality ; Social psychology ; Music ; Culture ; Popular Culture ; Motion pictures ; Kreativität ; Musikproduktion ; Musik ; Komposition ; McCartney, Paul 1942- ; Komposition ; Musikproduktion ; Kreativität ; Geschichte 1957-1979 ; McCartney, Paul 1942- ; Musik ; Kreativität
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  • 76
    Online Resource
    Online Resource
    London : Routledge, Taylor & Francis Group
    ISBN: 9781000289527
    Language: English
    Pages: 1 Online-Ressource (235 Seiten)
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    DDC: 780.89927
    RVK:
    Keywords: Geschichte 711-1610 ; Arabs Music ; Rezeption ; Musik ; Musikhandschrift ; Spanien ; al- Andalus ; Spanien ; al- Andalus ; Musik ; Musikhandschrift ; Rezeption ; Geschichte 711-1610
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  • 77
    ISBN: 9780190869137 , 9780190869144
    Language: English
    Pages: xxi, 304 Seiten , Illustrationen , 24 cm
    Series Statement: American musicspheres
    DDC: 780.8997120798
    RVK:
    Keywords: Indigenes Volk ; Musik ; Alaska
    Abstract: Sound Relations: Native Ways of Doing Music History in Alaska delves into histories of Inuit musical life in Alaska to amplify the broader significance of sound as integral to self-determination and sovereignty. The book offers radical and relational ways of listening to Inuit music across a range of genres-from hip hop to Christian hymnody and drumsongs to funk and R&B - to register how a density (not difference) of Indigenous ways of musicking from a vast archive of presence sounds out radical and relational entanglements between structures of Indigeneity and colonialism. The research aims to dismantle stereotypical understandings of "Eskimos," "Indians," and "Natives" by addressing the following questions: What exactly is "Native" about Native music? What does it mean to sound (or not sound) Native? Who decides? And how can in-depth analyses of Native music that center Indigeneity reframe larger debates of race, power, and representation in twenty-first century American music historiography? Instead of proposing singular truths or facts, this book invites readers to consider the existence of multiple simultaneous truths, a density of truths, all of which are culturally constructed, performed, and in some cases politicized and policed. A sound relations approach endeavors to advance a more Indigenized music studies and a more sounded Indigenous studies that works to move beyond colonial questions of containment - "who counts as Indigenous" and "who decides" - and measurement - "how much Indigenous is this person/performance" - and toward an aesthetics of self-determination and resurgent world-making.
    Note: Literaturverzeichnis Seite [269]-290
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  • 78
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226723471 , 9780226723334
    Language: English
    Pages: xix, 244 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 781.7/7009611
    RVK:
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    Keywords: Sufismus ; Musik ; Ritual ; Öffentlicher Raum ; Tunesien ; Sufi music / Tunisia / History and criticism ; Sufi music / Social aspects / Tunisia ; Music / Tunisia / Religious aspects ; Sufism / Tunisia / Rituals ; Islamic music / Tunisia / History and criticism ; Islamic music / Social aspects / Tunisia ; MUSIC / History & Criticism ; Islamic music ; Music / Religious aspects ; Sufi music ; Sufism / Rituals ; Tunisia ; Criticism, interpretation, etc ; Tunesien ; Sufismus ; Musik ; Ritual ; Öffentlicher Raum
    Abstract: "Ambient Sufism is a study of the intertwined musical lives of several ritual communities in Tunisia that invoke the healing powers of long-deceased Muslim saints through music-driven trance rituals. Richard C. Jankowsky illuminates the (virtually undocumented) role of women and minorities in shaping the ritual musical ecology of the region, with case studies on men's and women's Sufi orders, Jewish and black Tunisian healing musical troupes, and the popular music of hard-drinking laborers, as well as the cohorts involved in mass-mediated staged spectacles of ritual that continue to inject ritual sounds into the public sphere. He uses the term "ambient Sufism" to illuminate these adjacent ritual practices, each serving as a musical, social, and devotional-therapeutic niche while contributing to a larger, shared ecology of practices surrounding and invoking the figures of saints. And he argues that ritual musical form--that is, the large-scale structuring of ritual through musical organization--has agency; that is, form is revealing and constitutive of experience and encourages particular subjectivities. Ambient Sufism promises many useful ideas for ethnomusicology, anthropology, Islamic and religious studies, and North African studies"--
    Description / Table of Contents: Introduction : Ambient Sufism -- Ritual reflexivity : musicality, Sufi pedigrees, and the masters of "intoxication" -- Ritual hospitality : women Sufis and the musical ethnics of accommodation -- Ritual alterity : the musical management of Sub-Saharan otherness -- Ritual remnants : legacies of Jewish-Muslim ritual musical convergences -- Ritual as resource : set-list modularity and the cultural politics of staging Sufi music -- Conclusion : ritual niches and the social work of musical form
    Note: Audio, video, and musical examples may be accessed on the accompanying website, https:///sites.tufts.edu/ambientsufism
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  • 79
    Book
    Book
    Berlin : VWB - Verlag für Wissenschaft und Bildung
    ISBN: 9783861356561 , 3861356562
    Language: English
    Pages: IV, 447 Seiten , Illustrationen , 25 cm, 1060 g
    Series Statement: Intercultural music studies 24
    DDC: 780.89
    RVK:
    RVK:
    Keywords: Musik ; Interkulturalität ; Musikleben ; Musikethnologie ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017
    Note: Literaturverzeichnis Seite 371-414
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  • 80
    ISBN: 9780197549568 , 9780197549551
    Language: English
    Pages: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 781.6296081/42
    RVK:
    Keywords: Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Description / Table of Contents: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
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  • 81
    ISBN: 9783487155326 , 348715532X
    Language: English
    Pages: 188 Seiten , Illustrationen, Karten , 23 cm, 320 g
    Series Statement: Center for World Music. Studies in music Band 5
    Dissertation note: Dissertation Universität Hildesheim 2020
    DDC: 786.843
    RVK:
    Keywords: Bura ; Musik ; Xylofon ; Musikinstrument ; Bestattungsmusik ; Soziokultur ; Nigeria ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis
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  • 82
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253049940
    Language: English
    Pages: 1 Online-Ressource (xx, 376 Seiten) , Illustrationen
    Series Statement: Musical meaning and interpretation
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.62
    Keywords: Musical meter and rhythm ; Music Interpretation (Phrasing, dynamics, etc.) ; Music Performance ; Physiological aspects ; Musikalische Semantik ; Aufführung ; Musik ; Interpretation ; Impuls ; Bewegung ; Musik ; Aufführung ; Interpretation ; Bewegung ; Impuls ; Musikalische Semantik
    Note: Includes bibliographical references and index
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  • 83
    Online Resource
    Online Resource
    Chicago ; London : University of Chicago Press
    ISBN: 9780226667263
    Language: English
    Pages: 1 Online-Ressource (263 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1770-1839 ; Kulturkontakt ; Musik ; Geräusch ; China ; Europa ; China ; Europa ; Musik ; Geräusch ; Kulturkontakt ; Geschichte 1770-1839
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 84
    ISBN: 9780226740485
    Language: English
    Pages: 1 Online-Ressource (xii, 351 Seiten) , Illustrationen
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
    DDC: 780.72/1
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1891-1961 ; Mittelalter ; Kolonialismus ; Rezeption ; Musik ; Mission ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Afrika ; Deutsches Sprachgebiet ; Musicology / Germany / History ; Mission music / German East Africa / History and criticism ; Missions / German East Africa / History / 20th century ; Ethnomusicology / Germany / History ; Ethnomusicology / German East Africa / History ; Musicologists / Germany ; Music / 15th century / History and criticism ; Medievalism / Germany ; Music / Social aspects / Germany ; Music and youth / Germany / History / 20th century ; Afrika ; Deutsches Sprachgebiet ; Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Geschichte 1891-1961
    Abstract: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions
    Abstract: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 85
    ISBN: 9780429996290 , 0429996292 , 9780429504235 , 0429504233 , 9780429996276 , 0429996276 , 9780429996283 , 0429996284
    Language: English
    Pages: 1 Online-Ressource (xix, 319 Seiten) , Illustrationen, Karten
    Series Statement: SOAS studies in music series
    Series Statement: SOAS studies in music series
    Parallel Title: Erscheint auch als
    DDC: 780.9598
    RVK:
    Keywords: Music / Indonesia ; Musik ; Christ ; Inkulturation ; Indonesien ; Indonesien ; Christ ; Musik ; Inkulturation
    Abstract: This book is a study of music inculturation in Indonesia. It shows how religious expression can be made relevant in an indigenous context and how grassroots Christianity is being realized by means of music. Through the discussion of indigenous expressions of Christianity, the book presents multiple ways in which Indonesians reiterate their identity through music by creatively forging Christian and indigenous elements. This study moves beyond the discussion (and charge) of syncretism, showing that the inclusion of local cultural manifestations is an answer to creating a truly indigenous Christian expression. Marzanna Poplawska, while telling the story of Indonesian Christians and the multiple ways in which they live Christianity through music, emphasizes the creative energy and agency of local people. In their practices she finds optimism for the continuing existence of many traditional genres and styles. Indonesian Christians perform their Christian faith through music, dance, and theater, generating innovative cultural products that enrich the global Christian heritage. The book is addressed to a broad spectrum of readers: scholars from a variety of disciplines - music, religion, anthropology, especially those interested in interactions between Christianity and indigenous cultures; general music lovers and World Music enthusiasts eager to discover musics outside of European realm; as well as Christian believers, church musicians, and choir directors curious to learn about Christian music beyond Euro-American context. Students of religion, sacred music, (ethno)musicology, theater, and dance will also benefit from learning about a variety of indigenous arts employed in Christian churches in Indonesia
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 86
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197510483
    Language: English
    Pages: 1 Online-Ressource XI, 272 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 87
    ISBN: 9781785273841
    Language: English
    Pages: vi, 241 Seiten , Illustrationen, Portraits
    Series Statement: Anthem Brazilian studies
    Parallel Title: ebook version
    RVK:
    Keywords: Interkulturalität ; Postkolonialismus ; Migration ; Musik ; Portugiesisches Sprachgebiet ; Music and transnationalism ; Ethnomusicology ; Music and race ; Postcolonialism and music ; Music / Portuguese-speaking countries ; Musicians / Portuguese-speaking countries ; Music ; Portuguese-speaking countries ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Portugiesisches Sprachgebiet ; Postkolonialismus ; Migration ; Interkulturalität ; Musik
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  • 88
    Book
    Book
    Chicago ; London : University of Chicago Press
    ISBN: 9780226667126
    Language: English
    Pages: 263 Seiten
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1770-1839 ; Musik ; Geräusch ; Kulturkontakt ; Europa ; China ; China ; Europa ; Musik ; Geräusch ; Kulturkontakt ; Geschichte 1770-1839
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  • 89
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910037 , 9781517910044
    Language: English
    Pages: 192 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-2020 ; Afroamerikanische Musik ; Kulturkontakt ; Musik ; USA ; Südasien ; African Americans / Music / History and criticism ; Popular music / United States / South Asian influences ; Popular music / United States / History and criticism ; African Americans / Music ; Popular music ; United States ; Criticism, interpretation, etc ; USA ; Afroamerikanische Musik ; Südasien ; Musik ; Kulturkontakt ; Geschichte 1960-2020
    Abstract: "A sixty-year history of Afro-South Asian musical collaborations"--
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 90
    ISBN: 9781138587052
    Language: English
    Pages: xix, 319 Seiten , Illustrationen
    Series Statement: SOAS studies in music series
    DDC: 261.578
    RVK:
    Keywords: Christ ; Musik ; Inkulturation ; Indonesien
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  • 91
    Online Resource
    Online Resource
    Woodbridge : The Boydell Press
    ISBN: 9781787449374
    Language: English
    Pages: 1 Online-Ressource (xvii, 265 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 306.48420944
    RVK:
    Keywords: Geschichte 1730-1789 ; Music / Political aspects / France / History / 18th century ; Pantomime / Political aspects / France / History / 18th century ; Aufklärung ; Freiheit ; Musik ; Pantomime ; Frankreich ; Frankreich ; Musik ; Pantomime ; Aufklärung ; Freiheit ; Geschichte 1730-1789
    Abstract: How did composers and performers use the lost art of pantomime to explore and promote the Enlightenment ideals of free expression?
    Note: Title from publisher's bibliographic system (viewed on 21 Sep 2020)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 92
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
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  • 93
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469660592 , 9781469660585
    Language: English
    Pages: xii, 208 Seiten , 24 cm (pbk.)
    DDC: 305.896/07301732
    Keywords: African Americans Segregation ; Segregation History ; African Americans Social life and customs ; African Americans Social conditions 1975- ; African Americans Economic conditions 20th century ; History ; USA ; Schwarze ; Segregation ; Siedlung ; Stadtviertel ; Straße ; Geschichte ; USA ; Literatur ; Film ; Musik ; Schwarze ; Siedlung ; Straße ; Geschichte
    Abstract: How the streets were made -- The secret of selling the Negro: the creation of black urban consumerism -- From the street to the streets: black literary production and urban space -- Music born of the streets: hip hop's articulations of urban life and identity -- A hood genre: visualizing the streets in TV and film.
    Abstract: "In this book, Yelena Bailey examines the creation of 'the streets' not just as a physical, racialized space produced by segregationist policies but also as a sociocultural entity that has influenced our understanding of blackness in America for decades. Drawing from fields such as media studies, literary studies, history, sociology, film studies, and music studies, this book engages in an interdisciplinary analysis of the how the streets have shaped contemporary perceptions of black identity, community, violence, spending habits, and belonging"--
    Note: Yelena Bailey is director of education policy at the State of MinnesotaÄs Professional Educator Licensing and Standards Board , Includes bibliographical references and index
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  • 94
    Book
    Book
    Minneapolis : University of Minnesota Press
    ISBN: 9781517907693 , 9781517907686
    Language: English
    Pages: 319 Seiten , Illustrationen , 22 cm
    Series Statement: Indigenous Americas
    Parallel Title: Erscheint auch als
    DDC: 780.89/97071
    RVK:
    Keywords: Geschichte 1990-2020 ; Indigenes Volk ; Entkolonialisierung ; Musik ; Multikulturelle Gesellschaft ; Partizipation ; Kulturkontakt ; Kanada
    Abstract: "This highly theoretical work of ethnomusicology is a reclamation of Indigenous ceremonial and artistic practice arguing that the inclusion and appropriation of Indigenous performers in classical music traditions only enriches the settler nation-state. Robinson gives shape to Western musical and aesthetic practices as well as to Indigenous listening practices in order to eschew traditional (Western) forms of musical analysis. Instead, the work argues that new modes of listening and studying reception, emerging out of critical Indigenous studies, are essential to understanding Indigenous musical expression in ways that do not reify the power of the settler state"--
    Note: Introduction. Writing Indigenous Space -- Hungry Listening -- Event Score for Guest Listening I -- Writing about Musical Intersubjectivity -- xwélalà:m, Raven Chacon's Report -- Contemporary Encounters Between Indigenous and Early Music -- Event Score for Return -- Ethnographic Redress, Compositional Responsibility -- Event Score for Responsibility : "qimmit katajjaq / sqwélqwel tl'sqwmá:y" -- Feeling Reconciliation -- Event Score to Act
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  • 95
    ISBN: 9783840502392
    Language: English
    Pages: 2 Bände (Vol. 1, Edition: xxix, 476 Seiten , Notenbeispiele , Vol. 2, Critical report: 399 Seiten). - 29,6 cm
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe XXVI Band 26
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe XXVI
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Westfälische Wilhelms-Universität Münster 2017
    RVK:
    Keywords: Ali Ufki ; Ali Ufki ; Geschichte ; Musik ; Osmanisches Reich ; Wojciech/Albert Bobowski ; Music history ; Ottoman Empire ; MS Turc 292 ; Mündlichkeit und Schriftlichkeit ; Transkulturalität ; Musikgeschichte ; Osmanisches Reich ; Orality and writing ; Transculturality ; Hochschulschrift ; Ali Ufki 1610-1675 ; Osmanisches Reich ; Musik ; Geschichte ; Ali Ufki 1610-1675 Mecmûa-i sâz ü söz
    URL: Volltext  (kostenfrei)
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  • 96
    ISBN: 9780190887834
    Language: English
    Pages: xi, 344Seiten , Illustrationen , 24 cm
    Edition: First issued as an Oxford University Press paperback
    DDC: 780.956709051
    RVK:
    RVK:
    Keywords: Iraq War, 2003-2011 Music and the war ; Music Psychological aspects ; Iraq War, 2003-2011 Psychological aspects ; Music in the army ; Sound Psychological aspects ; Golfkrieg ; Musik ; Geräusch ; Musikpsychologie
    Note: Includes bibliographical references and index
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  • 97
    ISBN: 9780190077518
    Language: English
    Pages: x, 349 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Howard, Keith, 1956- Songs for "great leaders"
    DDC: 780.95193
    RVK:
    RVK:
    Keywords: Music History and criticism ; Music Political aspects ; Music and state ; Dance History ; Nordkorea ; Musik ; Propaganda ; Politisches Lied ; Lied
    Abstract: Songs for the Great Leader -- Instruments of the People -- Pulling at Harp Strings -- Opera for the Revolution -- Contextualizing Revolutionary Operas -- What Revolutionary Operas Do -- From Spectacles to Dance -- Composing the Nation -- Songs for New Leaders.
    Abstract: "North Korea is often said to be unknown: a reclusive and secretive state. It behaves as if the whole country is a theatre that projects itself through performance. Song, together with other music and dance production, forms the soundtrack to the theater of daily life, embedding messages that tell the official history, the exploits of leaders, and the socialist utopia yet-to-come. Songs form the foundation stones of revolutionary operas, of instrumental and orchestral tone poems, and are rearranged in countless versions for use by children in kindergartens, for 50,000 young people who dance annually in celebration of the Eternal President's birthday, and for the 100,000 participants of mass spectacles such as the Arirang Festival. North Koreans are reminded daily on state-controlled television news how their songs are beamed around the world by satellite, and songs are today routinely uploaded to YouTube and Youku. This is the first book-length account of North Korean music and dance in any language other than Korean. It is based on fieldwork, on interviews, and resources researched in private and public archives and libraries in North Korea, but also in South Korea, China, North America and Europe. It explores revolutionary songs written in the 1940s and pop songs from the 2010s, exploring in a critical but informed way not just songs, but also developments of Korean instruments, the creation of revolutionary operas that embed the state's ideology of juche "self-reliance", mass spectacles, dance and dance notation, and composers and compositions"--
    Note: Includes index
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  • 98
    Image
    Image
    New Delhi : Oxford University Press
    ISBN: 9780190121129 , 0190121122
    Language: English
    Pages: ix, 272 Seiten , Illustrationen
    DDC: 306.4840954
    RVK:
    Keywords: Music History and criticism ; Music ; Music Social aspects ; India Civilization 21st century ; Aufsatzsammlung ; Aufsatzsammlung ; Indien ; Musik ; Geschichte 1900-
    Note: Literaturverzeichnis: Seite 253-268 und Index
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  • 99
    ISBN: 9780226740348
    Language: English
    Pages: xii, 351 Seiten , Illustrationen, Notenbeispiele, Porträts
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
    DDC: 780.721
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1891-1961 ; Mittelalter ; Kulturvergleich ; Mission ; Kolonialismus ; Vergleichende Musikwissenschaft ; Musik ; Rezeption ; Deutsches Sprachgebiet ; Afrika ; Afrika ; Deutsches Sprachgebiet ; Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Geschichte 1891-1961
    Abstract: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--
    Description / Table of Contents: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions
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  • 100
    Online Resource
    Online Resource
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780190616946
    Language: English
    Pages: 1 Online-Ressource (vii, 553 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    DDC: 306.484209034
    Keywords: Geschichte 1800-1900 ; Music / Social aspects / History / 19th century ; Music / 19th century / History and criticism ; Intellectual life / History / 19th century ; Geistesleben ; Musik ; Musik ; Geistesleben ; Geschichte 1800-1900
    Abstract: In this handbook, contributors consider the fascinating and unexpected ways that nineteenth-century writing on music contributed to debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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