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  • HU Berlin  (69)
  • MPI Ethno. Forsch.  (13)
  • English  (82)
  • Indonesian
  • History  (82)
  • Musicology  (82)
Datasource
Material
Language
  • English  (82)
  • Indonesian
  • German  (10)
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Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    From St. Petersburg to Vienna : the New Jewish School in music (1908-1938) as part of the Jewish cultural renaissance (2024)
    Wiesbaden : Harrassowitz Verlag
    Details
    ISBN: 9783447111058
    Language: English
    Pages: XIX, 475 Seiten , Illustrationen
    Series Statement: Jüdische Musik Band 17
    Series Statement: Jüdische Musik
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    LS 33120
    Keywords: Geschichte 1908-1938 ; Musik ; Juden ; Musikethnologie ; Neue jüdische Schule ; Moskau ; Wien ; Sankt Petersburg ; Cultural Studies ; East European Studies ; Folkore Studies ; History ; Jewish Studies ; Klezmer ; Musicology ; Religious Studies ; Sankt Petersburg ; Moskau ; Wien ; Neue jüdische Schule ; Juden ; Musik ; Musikethnologie ; Geschichte 1908-1938
    URL: Inhaltsverzeichnis
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    HU Berlin
    Würzburg UB
    Regensburg UB
    KOBV
    BVB
  • 2
    Book
    Book
    Punk revolution! : an oral history of punk rock politics and activism (2023)
    Lanham ; Boulder ; New York ; London :Rowman & Littlefield,
    Details
    ISBN: 978-1-5381-7172-1
    Language: English
    Pages: xviii, 357 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Parallel Title: Erscheint auch als
    DDC: 306.48426
    RVK:
    LB 42000
    RVK:
    LC 86000
    RVK:
    LS 48645
    RVK:
    MS 2350
    Keywords: Geschichte 1970-2022 ; Punk rock music / Political aspects / History ; Punk rock musicians / Interviews ; Punk rock musicians ; Punk Rock. ; Rockmusiker. ; Rockmusikerin. ; Politischer Protest. ; Aktivismus. ; Soziale Bewegung. ; Interview ; History ; Interviews ; Oral histories ; Interview ; Interview ; Interview ; Punk Rock ; Rockmusiker ; Rockmusikerin ; Politischer Protest ; Aktivismus ; Soziale Bewegung ; Geschichte 1970-2022
    Abstract: "This is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through first-hand accounts of roughly 250 musicians and activists. John Malkin brings together punk's most famous figures as well as underground voices, creating a new and insightful history of punk throughout the ages"--
    Description / Table of Contents: Introduction. What You Think Changes How You Act -- Acknowledgments & Gratitude -- Mixing Punk & Politics : Common Ground For The Revolution -- Do It Yourself : DIY Together -- We Are All Pussy Riot : Punk On The Frontlines, Russia To Myanmar, China To Mexico -- East Berlin Punk : Clandestine Concerts Behind The Berlin Wall -- Music Is That Powerful Tool : Blackfire Navajo Punks -- Tijuana No! : Latin Punk Rock From Peru To Mexico To East L.A. -- Pansy Division : Out Of The Closet Into The Slampit -- Positive Force : Mark Andersen And Fugazi In Washington D.C. -- Fight War Not Wars : Punk Rock, Militarism, And War -- Just Another Gulf War : Punk, U.S. Wars In Iraq And Afghanistan, And 9/ -- America! Fuck Yeah! : Punks Perform For U.S. Soldiers -- Nazi Trumps Fuck Off! : Punk In The Trump Era -- I Am An Anarchist : Anti-Authoritarian Soundtrack -- To Hell With Poverty : Capitalism And Class In Punk Rock -- White Riot : Race And Anti-Racism In Punk -- Equal But Different : Gender & Feminism In Punk -- The Revolution Is Personal : Politics With A Small "P" -- The Revolution Will Be Commodified -- Burn Punk London : Joe Corre' And Extinction Rebellion -- How Revolutionary Has Punk Rock Been? -- Where Is The Revolution Now?
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    HeBIS
    BVB
  • 3
    Book
    Book
    The Cambridge companion to K-pop (2023)
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    Details
    ISBN: 9781108837057 , 9781108940030
    Language: English
    Pages: xv, 295 Seiten
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    RVK:
    LQ 94008
    RVK:
    LS 48060
    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    Regensburg UB
    KOBV
    BVB
  • 4
    Book
    Book
    Dark waves : the synthesizer and the dystopian sound of Britain (1977-80) (2023)
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    Details
    ISBN: 9781538165300
    Language: English
    Pages: xi, 187 Seiten
    Series Statement: Popular musics matter: Social, political and cultural interventions
    Parallel Title: Erscheint auch als
    RVK:
    LQ 84007
    RVK:
    LS 48645
    Keywords: Geschichte 1977-1980 ; Elektronische Musik ; Synthesizer ; Popmusik ; Großbritannien ; Electronica (Music) / Great Britain / History and criticism ; Popular music / Great Britain / 1971-1980 / History and criticism ; Synthesizer (Musical instrument) / Great Britain / History ; Electronica (Music) ; Popular music ; Synthesizer (Musical instrument) ; Great Britain ; 1971-1980 ; Criticism, interpretation, etc ; History ; Großbritannien ; Popmusik ; Synthesizer ; Elektronische Musik ; Geschichte 1977-1980
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
  • 5
    Book
    Book
    Electronic dance music : from deviant subculture to culture industry (2023)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781793620392
    Language: English
    Pages: IX, 139 Seiten , Illustrationen, Porträts
    Series Statement: Critical perspectives on music and society
    Parallel Title: Erscheint auch als
    RVK:
    LS 48655
    Keywords: Geschichte 1980-2022 ; Subkultur ; Techno ; Rave ; Musikwirtschaft ; Electronic dance music / Social aspects / History ; Rave culture ; Rave culture ; History ; Rave ; Techno ; Subkultur ; Musikwirtschaft ; Geschichte 1980-2022
    Abstract: "This text explores how the Electronic Dance Music subculture transitioned from a marginalized deviant subculture to a billion-dollar culture industry, looking at how the culture's success has undermined in-group solidarity and marginalized those who helped pioneer it"--
    Description / Table of Contents: Introduction -- Phase I : Beginnings (1980s-1995) Phase II : The Rise of the Rave Outlaw (1995-2009) -- Phase III : EDM as Culture Industry (2010-2022) -- Conclusion -- Appendix. The Rave Act
    Note: Noch nicht erschienen (Stand: 12.05.2023)
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
  • 6
    Book
    Book
    Manchester unspun : pop, property and power in the original modern city (2023)
    Manchester : Manchester University Press
    Details
    ISBN: 9781526168450
    Language: English
    Pages: viii, 365 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 942.733085
    RVK:
    LQ 84407
    RVK:
    LS 48635
    Keywords: Geschichte 1979-2023 ; Stadtentwicklung ; Popkultur ; Sport ; Popmusik ; Manchester ; Popular culture / England / Manchester ; Popular music / England / Manchester ; Property / England / Manchester ; Soccer / England / Manchester ; Manchester (England) / History / 20th century ; Manchester (England) / History / 21st century ; Popular culture ; Popular music ; Property ; Soccer ; England / Manchester ; 1900-2099 ; History ; Manchester ; Popmusik ; Popkultur ; Sport ; Stadtentwicklung ; Geschichte 1979-2023
    Abstract: At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book gives a first-hand account of what happened in between
    Note: Maps on lining paper
    URL: Inhaltsverzeichnis
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    URL: Cover  (lizenzpflichtig)
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    HU Berlin
    München BSB
    KOBV
    BVB
  • 7
    Book
    Book
    Exhibitions, music and the British Empire / (2022)
    Woodbridge :The Boydell Press,
    Details
    ISBN: 978-1-78327-673-8
    Language: English
    Pages: xiii, 246 Seiten : , Illustrationen.
    Series Statement: Music in Britain, 1600-2000 30
    Series Statement: Music in Britain, 1600-2000
    Parallel Title: Erscheint auch als
    RVK:
    LQ 84005
    RVK:
    LQ 91705
    RVK:
    MS 8020
    RVK:
    LQ 94505
    Keywords: Great Britain ; 1800-1899 ; Geschichte 1870-1900 ; Music / Social aspects / Great Britain / History / 19th century ; Exhibitions / Great Britain / History / 19th century ; Musicology / Great Britain / History / 19th century ; Exhibitions ; Music / Social aspects ; Musicology ; Internationale Ausstellung. ; Musik. ; Großbritannien. ; History ; Internationale Ausstellung ; Musik ; Geschichte 1870-1900
    URL: Inhaltsverzeichnis
    URL: Klappentext
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    HU Berlin
  • 8
    Book
    Book
    Dilla time : the life and afterlife of J Dilla, the hip-hop producer who reinvented rhythm (2022)
    New York : Farrar, Straus and Giroux
    Details
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
    RVK:
    LS 48045
    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    BVB
  • 9
    Book
    Book
    Rude citizenship : Jamaican popular music, copyright, and the reverberations of colonial power (2022)
    Chapel Hill : The University of North Carolina Press
    Details
    ISBN: 9781469667249 , 9781469667232
    Language: English
    Pages: 228 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48015
    RVK:
    LS 48700
    Keywords: Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Abstract: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Description / Table of Contents: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    BVB
  • 10
    Book
    Book
    The N-word in music : an American history (2022)
    Jefferson, North Carolina : McFarland & Company
    Details
    ISBN: 9781476687063
    Language: English
    Pages: ix, 257 Seiten
    DDC: 306.4/8420973
    RVK:
    LR 54607
    RVK:
    LC 87610
    Keywords: Popular music Social aspects ; History ; Slurs History ; Music and language History ; Music and race History ; African Americans in popular culture ; African American comedians ; MUSIC / History & Criticism ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Abstract: The N-Word's Musical Contours -- Out of Music : The N-Word's Material, Environmental, and Social Contours -- John Lennon's N-Word Moment -- Interlude. Diverse Opinions -- Philosorock : John Lennon, Bob Dylan, and Other White Musicians Who Sing the N-Word -- Black Demystification, White Bewilderment : Transformation and Numbing in Black Comedy and Black Music -- Muhammad Ali, Rap, and That Word -- A Hip-Hop Icon -- A Sensible Rule : A Case Study -- Inviting Destruction Beyond the Music -- Conclusion. Welcome to the Conversation, Country Music.
    Abstract: "The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery. This weighty and engaging look at the English language's most explosive slur, described by scholars as the "atomic bomb" of bigoted words, traces the N-word's journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock 'n' roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur's meaning and spelling"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    BSZ
    KOBV
    HeBIS
    BVB
  • 11
    Book
    Book
    The Malay nobat : a history of power, acculturation, and sovereignty (2022)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781666900880
    Language: English
    Pages: xx, 241 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: The Lexington series in historical ethnomusicology: deep soundings
    Parallel Title: Erscheint auch als
    RVK:
    LC 87420
    RVK:
    LS 45700
    Keywords: Geschichte ; Rezeption ; Islam ; Ensemble ; Einflussnahme ; Hofmusik ; Malaysia ; Islamische Staaten ; Nobat ; Music / Southeast Asia / History and criticism ; Music / Political aspects / Southeast Asia / History ; Courts and courtiers / History ; Islam / Southeast Asia / History ; Courts and courtiers ; Islam ; Music ; Music / Political aspects ; Southeast Asia ; Criticism, interpretation, etc ; History ; Malaysia ; Islam ; Hofmusik ; Ensemble ; Einflussnahme ; Rezeption ; Islamische Staaten ; Geschichte
    Abstract: "The Malay Nobat: A History of Power, Acculturation, and Sovereignty explores the history and meaning of the nobat, its spread throughout the Muslim empire, and its emergence as a symbol of power and sovereignty, ultimately showing how existing nobat ensembles in Malaysia and Brunei are the last living legacy of the Mulism world"--
    Description / Table of Contents: Introduction -- Early Histories -- The Malay Nobat -- The Nobat in Early Malay Literature : A Lesson from Patani -- The Adat Aceh and 17th Century European Encounter -- From British Colonialism to Independence -- Conclusion
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    BVB
  • 12
    Book
    Book
    Rock and roll, desegregation movements, and racism in the post-Civil Rights era : an "integrated effort" (2022)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    LS 48630
    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Inhaltsverzeichnis
    URL: Cover
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    HU Berlin
    München BSB
    GBV
    KOBV
  • 13
    Book
    Book
    Breaks in the air : the birth of rap radio in New York City (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    LS 48650
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    BVB
  • 14
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    Book
    Takin' care of business : a history of working people's rock 'n' roll (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197548813
    Language: English
    Pages: 203 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    LS 48630
    RVK:
    LS 48015
    Keywords: Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Description / Table of Contents: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
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  • 15
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    Crossing bar lines : the politics and practices of Black musical space (2021)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 16
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    Book
    Liner notes for the revolution : the intellectual life of black feminist sound (2021)
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    Details
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
    HD 370
    RVK:
    LS 48015
    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 17
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    Tear down the walls : white radicalism and black power in 1960s rock (2021)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    LS 48635
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 18
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    Soundtrack to a movement : African American Islam, jazz, and black internationalism (2021)
    New York : New York University Press
    Details
    ISBN: 9781479806768 , 9781479871032
    Language: English
    Pages: 247 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    LR 57747
    RVK:
    LS 48100
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
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  • 19
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    Citizen Cash : the political life and times of Johnny Cash (2021)
    New York : Basic Books
    Details
    ISBN: 9781541699571
    Language: English
    Pages: ix, 355 Seiten , Illustrationen
    Edition: First edition
    RVK:
    LS 48040
    Keywords: Cash, Johnny Criticism and interpretation ; Cash, Johnny Political activity ; Cash, Johnny Political and social views ; Cash, Johnny ; Politisches Denken ; Country music Political aspects 20th century ; History
    Abstract: "Johnny Cash was an American icon, known for his level bass-baritone voice and somber demeanor, for huge hits like "Ring of Fire" and "I Walk the Line." He's one of the best-selling musicians of all time, and his crossover appeal earned him inductions into the Country Music, Gospel Music, and Rock and Roll Halls of Fame. But he was also the most prominent political artist in the United States, even if he wasn't recognized for it in his own lifetime, or since his death in 2003. Then and now, people have misread Cash's politics, usually accepting the idea of him as a "walking contradiction." Cash didn't fit into easy political categories-liberal or conservative, Red state or Blue state, hawk or dove. Like most people, Cash's politics were remarkably consistent in that they were based not on ideology or scripts-but on emotion, instinct, and identification. He supported Richard Nixon in his Vietnam War policies, while also seeming to stand up both for those asked to fight the war and for those who protested against it. Instead of choosing sides, Cash channeled an emotional discontent that bridged America's youth and the "silent majority." Foley traces the political evolution of the Man in Black as a prominent public citizen. Drawing on untapped archives and new research on social movements and grassroots activism, Citizen Cash offers a major reassessment of a legendary figure
    Note: Literaturangaben
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  • 20
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    Made in Germany : studies in popular music (2021)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780815391784 , 9780815391777
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    LS 48060
    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Abstract: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
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  • 21
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    Fandom and the Beatles : the act you've known for all these years (2021)
    Oxford : Oxford University Press
    Details
    ISBN: 9780190917869 , 9780190917852
    Language: English
    Pages: xii, 283 Seiten , Illustrationen
    DDC: 306.090905
    RVK:
    LS 48040
    Keywords: The Beatles ; Geschichte 1960-2020 ; Fan ; Popular music / 1961-1970 / History and criticism ; Popular music / Social aspects / Great Britain / History / 20th century ; Influence (Literary, artistic, etc ; Music fans ; Popular music ; Popular music / Social aspects ; Beatles / Influence ; Beatles ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 22
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    Listening to the Lomax Archive : the sonic rhetorics of African American folksong in the 1930s (2021)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 21000
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 23
    Image
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    From Manchester with love : the life and opinions of Tony Wilson* : *aka Anthony H. Wilson ; written in 51 sections that prove how all dramatic truth contains fiction (2021)
    London : Faber
    Details
    ISBN: 9780571252497
    Language: English
    Pages: x, 604 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Karte, Porträts
    RVK:
    LP 95900
    RVK:
    LQ 84407
    RVK:
    LS 48635
    Keywords: Wilson, Anthony H. ; Hacienda ; Factory Records ; Geschichte 1950-2007 ; Musikproduzent ; Moderator ; Musikjournalist ; Unternehmer ; Großbritannien ; Wilson, Tony / 1950-2007 ; Factory Records (Firm) / History ; Haçienda (Nightclub) / History ; Sound recording executives and producers / Great Britain / Biography ; Producteurs d'enregistrements sonores / Grande-Bretagne / Biographies ; Factory Records (Firm) ; Haçienda (Nightclub) ; Sound recording executives and producers ; Great Britain ; Biography ; History ; Biografie ; Biografie ; Biografie ; Wilson, Anthony H. 1950-2007 ; Großbritannien ; Musikproduzent ; Unternehmer ; Moderator ; Musikjournalist ; Factory Records ; Hacienda ; Geschichte 1950-2007
    Abstract: Tony Wilson is one of the most legendary music industry figures of his generation. Nicknamed Mr Manchester, he transformed the Northern music scene as founder of Factory Records and the Haçienda nightclub after earning a cult following as a television presenter. Working with legendary bands such as Joy Division, New Order, and the Happy Mondays, Wilson was at the very heart of the Manchester music phenomenon and regenerated the culture of an entire city. Celebrated music journalist Paul Morley knew Wilson personally, and is uniquely placed to tell the fascinating and intimate story of his life. He explores Wilson's existence through the eyes of those closest to him, and offers a rare insight into his own personal papers and diaries
    Description / Table of Contents: Before -- It happens -- After
    Note: "Written in 51 sections that prove how all dramatic truth contains fiction. , Includes index
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  • 24
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    The spirit of resistance in music and spoken word of South Africa's Eastern Cape (2021)
    Lanham : Lexington Books
    Details
    ISBN: 9781498576208 , 9781498576222
    Language: English
    Pages: xiii, 283 Seiten , 24 x 16 cm
    Parallel Title: Erscheint auch als
    RVK:
    LC 60585
    RVK:
    LC 87585
    RVK:
    LS 47949
    RVK:
    MI 65092
    Keywords: Musik ; Künstler ; Widerstand ; Literatur ; Provinz Ostkap ; Music / Social aspects / South Africa / Eastern Cape / History ; Oral tradition / Social aspects / South Africa / Eastern Cape / History ; Government, Resistance to / South Africa / Eastern Cape / History ; Xhosa (African people) / South Africa / Eastern Cape / Social conditions ; Eastern Cape (South Africa) / Social conditions / History ; Eastern Cape (South Africa) / Race relations / History ; Government, Resistance to ; Music / Social aspects ; Oral tradition / Social aspects ; Race relations ; Social conditions ; Xhosa (African people) / Social conditions ; South Africa / Eastern Cape ; History ; Provinz Ostkap ; Künstler ; Widerstand ; Musik ; Literatur
    Abstract: "Explores Eastern Cape performance artists, activists, and organizations that used inventive and historical means to protest and resist oppressive authorities and systems while exhibiting their unique culture. Michie analyzes music and oral poetry to study the region's role in the history of South African protest politics and creativity"--
    Description / Table of Contents: "We Create Our Own Language" -- "Unite Like a Ball of Scrapings": Early History to the 1850s -- "Turn Phalo's Land on Its Head": Late Nineteenth and Early Twentieth Centuries -- "You Sent Us the Light, We Sit in the Dark": 1920s-1940s -- "A Spirit That Could Not Be Broken": 1950s-1960s -- "A Land in Calamity's Shadow": 1970s-1980s -- "Our Bull Has Escaped from the Pound": 1990s to the Present
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  • 25
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    The velvet mafia : the gay men who ran the swinging sixties (2020)
    London : Omnibus Press
    Details
    ISBN: 9781787602311
    Language: English
    Pages: 348 Seiten , 16 ungezählte Seiten Tafeln , Illustrationen, Portraits
    RVK:
    LS 48015
    RVK:
    LQ 84007
    Keywords: Geschichte 1955-1970 ; Unterhaltungsmusiker ; Homosexualität ; LGBT ; Musikbranche ; Großbritannien ; lesbian/gay/bisexual,transgender/transsexual plus studies ; History of music & musical styles ; Musical criticism & theory ; Gay musicians / Great Britain ; Rock music / Great Britain / History / 20th century ; Popular music / Social aspects / Great Britain ; Nineteen sixties ; Great Britain / Social conditions / 1945- ; Gay musicians ; Nineteen sixties ; Popular music / Social aspects ; Rock music ; Social conditions ; Great Britain ; Since 1900 ; History ; Großbritannien ; Unterhaltungsmusiker ; Musikbranche ; LGBT ; Homosexualität ; Geschichte 1955-1970
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  • 26
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    Sittin' in : jazz clubs of the 1940s and 1950s (2020)
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    Details
    ISBN: 9780062914705
    Language: English
    Pages: 256 Seiten
    RVK:
    LS 48100
    Keywords: Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Abstract: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Description / Table of Contents: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
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  • 27
    Online Resource
    Online Resource
    Chapter Introduction (2020)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    Details
    ISBN: 9780429060595
    Language: English
    Pages: 1 Online-Ressource (10 p.)
    Additional Information: Enthalten in The Global Politics of Jazz in the Twentieth Century
    DDC: 306.48425
    RVK:
    LS 48200
    RVK:
    LS 48100
    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; Regional studies ; USA ; Arts ; Music ; Western Music Styles (Early & Classical) ; 20th Century Music ; Popular Music ; Jazz ; Humanities ; History ; Contemporary History 1945- ; The Cold War ; Media & Film Studies ; Popular Music ; History of Popular Music ; Politics & International Relations ; International Relations ; Foreign Policy ; International Relations Theory ; International Political Economy ; International Politics
    Abstract: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
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    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 28
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    〈〈The〉〉 Royal College of Music and its contexts : an artistic and social history (2020)
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore :Cambridge University Press,
    Details
    ISBN: 978-1-107-16338-6
    Language: English
    Pages: xix, 369 Seiten : , Illustrationen.
    Series Statement: Music since 1900
    Parallel Title: Erscheint auch als
    RVK:
    LR 57030
    Keywords: Royal College of Music (Great Britain) / History ; Royal College of Music (Great Britain) ; England / London ; Royal College of Music ; Geschichte ; Conservatories of music / England / London / History ; Conservatories of music ; History ; Geschichte
    Abstract: Located between the great Victorian museums of South Kensington and the Royal Albert Hall, the Royal College of Music, founded in 1883, has been a central influence on British musical life ever since. This wide-ranging account of the College places it within its musical and educational environments. It argues that its significance lies not only in its famous performers and composers, but also in the generations of its more anonymous former students who have done so much to improve the musical life of the localities in which they have worked as teachers and amateurs. As a social and cultural history, this account also captures how significantly society's consumption of music - from new technologies to changing cultural perspectives of historical and world musics - has changed since the College was founded, and how very different our points of musical reference now are. This history traces the effects of these developments on the College's work
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  • 29
    Book
    Book
    Deindustrialisation and popular music : Punk and "Post-Punk" in Manchester, Düsseldorf, Torino and Tampere (2020)
    London : Rowman & Littlefield International
    Details
    ISBN: 9781786607379
    Language: English
    Pages: viii, 212 Seiten
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als Bottà, Giacomo, 1974 - Deindustrialisation and Popular Music
    DDC: 781.66
    RVK:
    LS 48645
    Keywords: Popular music Social aspects ; History ; Punk rock music Social aspects ; History ; Post-punk music Social aspects ; History ; Deindustrialization ; Punk ; Postpunk ; Musikleben ; Manchester ; Düsseldorf ; Turin ; Tampere ; Europa ; Unterhaltungsmusik ; Deindustrialisierung
    Abstract: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place.
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Note: Literaturverzeichnis: Seite 197-207
    URL: Rezension
    URL: Rezension
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    Weltkulturen Museum
    BSZ
    GBV
    BVB
  • 30
    Book
    Book
    Hip-hop en français : an exploration of hip-hop culture in the Francophone world (2020)
    Lanham, Maryland ; Boulder ; New York : London : Rowman & Littlefield Publishing Group
    Details
    ISBN: 9781538116326
    Language: English
    Pages: XXV, 233 Seiten
    Parallel Title: Online version Hip hop en français
    RVK:
    LS 48000
    RVK:
    LS 48650
    Keywords: Geschichte 1990-2020 ; Musikleben ; Hip-Hop ; Soziale Identität ; Rap ; Französisches Sprachgebiet ; Rap (Music) / France / History and criticism ; Rap (Music) / French-speaking countries / History and criticism ; Hip-hop / France / History ; Hip-hop / French-speaking countries / History ; Hip-hop ; Rap (Music) ; France ; French-speaking countries ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc ; History ; Französisches Sprachgebiet ; Hip-Hop ; Rap ; Musikleben ; Soziale Identität ; Geschichte 1990-2020
    Abstract: "This edited volume presents an overview of the emergence and development of hip-hop culture in France, French Caribbean, Canada, and Francophone Africa from its origins until today. Contributors discuss the artists' interactions with media arts, social media, literature, race, political landscapes, as well as hip-hop based education"--
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    HeBIS
    BVB
  • 31
    Image
    Image
    Provincial headz : British hip hop and critical regionalism (2020)
    Sheffield, South Yorkshire ; Bristol, CT : Equinox Publishing
    Details
    ISBN: 9781781796450 , 9781781796443
    Language: English
    Pages: XVI, 339 Seiten , Illustrationen , 24 cm
    Series Statement: Transcultural music studies
    Parallel Title: Online version Paor-Evans, Adam de, author Provincial headz
    RVK:
    LS 48650
    Keywords: Geschichte ; Hip-Hop ; Regionalismus ; Rap ; Großbritannien ; Rap (Music) / Great Britain / History and criticism ; Hip-hop / Great Britain / History / 20th century ; Hip-hop ; Rap (Music) ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; Hip-Hop ; Rap ; Regionalismus ; Geschichte
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    BVB
  • 32
    Book
    Book
    The northern soul scene (2019)
    Sheffield : Equinox Publishing
    Details
    ISBN: 9781781795583 , 9781781795576 , 9781781795583
    Language: English
    Pages: 353 Seiten
    Series Statement: Studies in popular music
    Parallel Title: Erscheint auch als
    DDC: 781.64409427
    RVK:
    LS 48060
    RVK:
    LQ 84307
    RVK:
    LS 48640
    Keywords: Geschichte 1970- ; Soul (Music) History and criticism ; Soul (Music) Social aspects ; History ; Musikleben ; Soul ; England ; Midlands ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; England Nord ; Midlands ; Soul ; Musikleben ; Geschichte 1970-
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    BVB
  • 33
    Image
    Image
    Lunch with the wild frontiers : a history of Britpop and excess in 131/2 chapters (2019)
    London, England : Jawbone Press
    Details
    ISBN: 9781911036494
    Language: English
    Pages: 270 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 22
    Edition: First edition
    RVK:
    LQ 84007
    RVK:
    LS 48635
    Keywords: Geschichte 1990-2000 ; Musikleben ; Britpop ; Großbritannien ; Savidge Phill ; Alternative rock music / Great Britain / History and criticism ; Popular music / 1991-2000 / History and criticism ; Alternative rock musicians / Great Britain ; Popular music / Great Britain / History and criticism ; Popular culture / Great Britain / History / 20th century ; Alternative rock music ; Alternative rock musicians ; Popular culture ; Popular music ; Great Britain ; 1900-2000 ; Criticism, interpretation, etc ; History ; Großbritannien ; Britpop ; Musikleben ; Geschichte 1990-2000
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    BVB
  • 34
    Book
    Book
    The relentless pursuit of tone : timbre in popular music (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780199985234
    Language: English
    Pages: xvii, 386 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Klangfarbe ; Geschichte 1930- ; Musikproduktion ; Unterhaltungsmusik ; Schallaufzeichnung ; Popular music / History and criticism ; Popular music / Production and direction / History ; Tone color (Music) ; Popular music ; Tone color (Music) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Description / Table of Contents: Introduction. Chasing the dragon : in search of tone in popular music / Robert Fink, Zachary Wallmark, and Melinda Latour -- Genre. Hearing timbre : perceptual learning among early Bay Area ravers / Cornelia Fales ; The twang factor in country music / Jocelyn R. Neal ; The sound of evil : timbre, body, and sacred violence in death metal / Zachary Wallmark ; Below 100 Hz : toward a musicology of subbass / Robert Fink -- Voice. Timbre and legal likeness : the case of Tom Waits / Mark C. Samples ; The triumph of Jimmy Scott : a voice beyond category / Nina Sun Eidsheim ; Auto-Tune, labor, and the pop music voice / Catherine Provenzano -- Instrument. Hearing luxe pop : Jay Z, Isaac Hayes, and the six degrees of symphonic soul / John Howland ; Santana and the metaphysics of tone : feedback loops, volume knobs and the quest for transcendence / Melinda Latour ; Synthesizers as social protest in early 1970s funk / Griffin Woodworth ; Crossing the electronic divide: guitars, synthesizers, and the shifting sound field of fusion / Steve Waksman -- Production. Clash of the timbres : recording authenticity in the California rock scene, 1966-68 / Jan Butler ; The death rattle of a laughing hyena : the sound of musical democracy / Albin J. Zak III ; The sound of nowhere : reverb and the construction of sonic space / Paul Théberge ; The spectromorphology of recorded popular music : the shaping of sonic cartoons through record production / Simon Zagorski-Thomas -- Afterword / Simon Frith
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Würzburg UB
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    BVB
  • 35
    Online Resource
    Online Resource
    Middlebrow modernism : Britten's operas and the great divide (2018)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520970700 , 0520970705 , 9780520298651 , 0520970705 , 9780520298651 , 9780520970700
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als
    Parallel Title: Print version Chowrimootoo, Christopher, 1985- Middlebrow modernism
    RVK:
    LP 91536
    Keywords: Britten, Benjamin ; Britten, Benjamin ; Britten, Benjamin ; Music ; Opera ; Modernism (Music) ; Music Philosophy and esthetics 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Music Philosophy and esthetics 20th century ; Electronic books ; MUSIC / History & Criticism ; Modernism (Music) ; Opera ; Operas (Britten, Benjamin) ; History ; Electronic books ; Britten, Benjamin 1913-1976 ; Oper ; Soziale Situation ; Massenkultur ; Neue Musik
    Abstract: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Abstract: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 36
    Online Resource
    Online Resource
    Popular music, stars and stardom (2018)
    Acton, ACT, Australia : Australian National University Press
    Details
    ISBN: 9781760462123 , 1760462136 , 1760462128 , 1760462136 , 9781760462123 , 9781760462130
    Language: English
    Pages: 1 Online-Ressource (x, 162 pages)
    Parallel Title: Print version Popular music, stars and stardom
    RVK:
    LR 57730
    RVK:
    MS 7850
    Keywords: Mercury, Freddie Criticism and interpretation ; Caballé, Montserrat Criticism and interpretation ; Jacques, Judy Criticism and interpretation ; Saddington, Wendy Criticism and interpretation ; Beyoncé Criticism and interpretation ; Mercury, Freddie ; Caballé, Montserrat ; Jacques, Judy ; Saddington, Wendy ; Beyoncé ; Rock music ; Popular music Political aspects ; Popular music Social aspects ; Popular music History and criticism ; Fame Political aspects ; Minstrel music History ; Women musicians ; Popular music ; Rock music ; Popular music ; Popular music ; Popular music ; Fame ; Minstrel music ; Women musicians ; Popular music ; Electronic books ; Beyoncé ; Caballé, Montserrat ; Mercury, Freddie ; Music ; Popular culture ; Media, information & communication industries ; Minstrel music ; Popular music ; Popular music ; Political aspects ; Popular music ; Social aspects ; Rock music ; Women musicians ; Australia ; Criticism, interpretation, etc ; History ; Electronic books ; Popmusik ; Popsänger ; Popsängerin ; Starkult
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: kostenfrei
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  • 37
    Book
    Book
    Female highlife performers in Ghana : expression, resistance, and advocacy (2018)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781498564663
    Language: English
    Pages: xvii, 172 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63082/09667
    RVK:
    LS 46720
    Keywords: Highlife (Music) History and criticism ; Women musicians ; Popular music Political aspects ; History ; Musikerin ; Highlife ; Ghana ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Ghana ; Highlife ; Musikerin
    Abstract: This book offers a detailed analysis of the history of female musicians in the Highlife music tradition of the Republic of Ghana, particularly the challenges and constraints these women faced and overcame. Highlife – a form of West African music infusing Ghana’s traditional Akan dance rhythms and melodies with European instruments and harmonies – grew in popularity throughout the 20th century and hit its peak in the 1970s and 1980s. Although women played significant roles in the evolution and survival of the genre, few of their contributions have been thoroughly explored or documented. Despite being disregarded and ignored in many spheres, female Highlife musicians thrived and became trailblazers in the Ghanaian music industry, making particularly vibrant contributions to Highlife music in the 1970s. This book presents the voices of female Highlife artists and documents the ideological transformations expressed through their musical works, exploring the challenges they confronted throughout their musical careers and their contributions to music and culture in Ghana. - Nana Abena Amoah-Ramey is adjunct assistant professor in the Department of African American and African diaspora studies at Indiana University.
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    BVB
    Bayreuth UB
  • 38
    Online Resource
    Online Resource
    The Oxford handbook of music listening in the 19th and 20th centuries (2018)
    New York : Oxford University Press
    Details
    ISBN: 9780190466992
    Language: English
    Pages: 1 online resource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music listening in the 19th and 20th centuries
    DDC: 781.1/709
    RVK:
    LR 56606
    Keywords: Listening ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Concerts History 19th century ; Concerts History 20th century ; Music ; Social aspects ; History ; 19th century ; Music ; Social aspects ; History ; 20th century ; Concerts ; History ; 19th century ; Concerts ; History ; 20th century ; Listening ; Aufsatzsammlung ; Konferenzschrift 2012 ; Musikhören ; Konzert ; Konzert ; Geschichte 1800-2000 ; Musiksoziologie
    Abstract: This handbook takes on the task of examining the history of music listening over the past two hundred years. It uses the "art of listening" as a leitmotif encompassing an entanglement of interdependent practices and discourses about a learnable mode of perception. The art of listening first emerged around 1800 and was adopted and adapted across the public realm to suit a wide range of collective listening situations from popular to serious art forms up to the present day. Because this is a relatively new subject in historical research, the volume combines case studies from several disciplines in order to investigate whether, how, and why practices of music listening changed. Focusing on a diverse set of locations and actors and using a range of historical sources, it attempts to historicize and reconstruct the evolution of listening styles to show the wealth of variants in listening.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 2, 2018)
    DOI: 10.1093/oxfordhb/9780190466961.001.0001
    URL: lizenzpflichtig
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  • 39
    Book
    Book
    Loft jazz : improvising New York in the 1970s (2017)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520285415 , 9780520285408
    Language: English
    Pages: x, 257 Seiten , Illustrationen, Karten
    DDC: 781.6509747
    RVK:
    LQ 89507
    RVK:
    LS 48270
    Keywords: Geschichte 1900-2000 ; Sozialgeschichte 1970-1980 ; Geschichte ; Gesellschaft ; Jazz History and criticism 1971-1980 ; Jazz Social aspects 20th century ; History ; Loft ; Jazz ; Fabrikgebäude ; Lagerhalle ; Musikleben ; New York, NY ; New York, NY ; Jazz ; Fabrikgebäude ; Lagerhalle ; Loft ; Musikleben ; Sozialgeschichte 1970-1980
    Abstract: "The New York loft jazz scene of the 1970s was a pivotal period for uncompromising, artist-produced work. Faced with a flagging jazz economy, a group of young avant-garde improvisers chose to eschew the commercial sphere and develop alternative venues in the abandoned factories and warehouses of Lower Manhattan. Loft Jazz provides the first book-length study of this period, tracing its history amid a series of overlapping discourses surrounding collectivism, urban renewal, experimentalist aesthetics, underground archives, and the radical politics of self-determination"...Provided by publisher
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    BSZ
    GBV
    KOBV
    BVB
  • 40
    Online Resource
    Online Resource
    Between air and electricity : microphones and loudspeakers as musical instruments (2017)
    New York : Bloomsbury Academic
    Details
    ISBN: 9781501327612 , 9781501327629
    Language: English
    Pages: 1 Online-Ressource (xvi, 198 Seiten) , Illustrationen
    Edition: First published
    Series Statement: Music & sound studies
    Parallel Title: Erscheint auch als Eck, Cathy van, 1979 - Between air and electricity
    DDC: 781.49
    RVK:
    LR 57790
    Keywords: Sound Recording and reproducing ; History ; Electronic music History and criticism ; Microphone ; Loudspeakers ; Sound Recording and reproducing ; History ; Electronic music History and criticism ; Microphone ; Loudspeakers ; Audiotechnik ; Musikinstrument ; Mikrofon ; Lautsprecher ; Musikinstrument
    Abstract: Machine generated contents note: 1
    Note: Includes bibliographical references and index
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 41
    Book
    Book
    The jazz republic : music, race, and American culture in Weimar Germany (2017)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 9780472053407 , 9780472073405
    Language: English
    Pages: XI, 311 Seiten , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    Parallel Title: Erscheint auch als
    DDC: 306.4/8425094309042
    RVK:
    LS 48100
    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1933 ; Geschichte 1921-1930 ; Geschichte ; Gesellschaft ; Jazz Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race ; Ethnische Identität ; Soziale Funktion ; Kulturleben ; Jazz ; Schwarze ; Deutschland ; Germany Civilization ; American influences ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Kulturleben ; Ethnische Identität ; Soziale Funktion ; Geschichte 1918-1933 ; Deutschland ; Jazz ; Geschichte 1921-1930
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://d-nb.info/1142821293/04
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    BSZ
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    HeBIS
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  • 42
    Book
    Book
    No future : punk, politics and British youth culture, 1976-1984 (2017)
    Cambridge, United Kingdom : Cambridge University Press
    Details
    ISBN: 9781107176898 , 9781316625606
    Language: English
    Pages: xiii, 404 Seiten , Illustrationen , 23 cm
    DDC: 305.235094109047
    RVK:
    HD 403
    RVK:
    LS 48645
    RVK:
    MS 2350
    RVK:
    HD 505
    RVK:
    MS 1212
    Keywords: Youth Social conditions ; 20th century ; Great Britain ; Youth Political activity ; History ; 20th century ; Great Britain ; Punk culture History ; 20th century ; Great Britain ; Punk culture History ; 20th century ; Great Britain ; Youth Political activity ; History ; 20th century ; Great Britain ; Youth Social conditions ; 20th century ; Great Britain ; Punk culture ; Youth ; Youth ; Großbritannien ; Jugendkultur ; Geschichte 1976-1984
    Note: Literaturverzeichnis: Seiten 343-379. - Index
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030002710&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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  • 43
    Online Resource
    Online Resource
    The Jazz republic : music, race, and American culture in Weimar Germany (2017)
    Ann Arbor : University of Michigan Press | The Hague : OAPEN Foundation
    Details
    ISBN: 9780472122660
    Language: English
    Pages: 1 Online-Ressource (xi, 311 Seiten) , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    DDC: 306.4/8425094309042
    RVK:
    LS 48100
    RVK:
    LS 48200
    RVK:
    LS 48060
    RVK:
    NQ 1090
    Keywords: Kultur ; Jazz ; Modernität ; Ethnische Beziehungen ; Deutschland ; Electronic books ; Criticism, interpretation, etc ; History ; Electronic book ; Electronic book ; Criticism, interpretation, etc. ; History ; Electronic books.
    URL: kostenfrei
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    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
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    URL: Project MUSE
    URL: https://hdl.loc.gov/loc.gdc/gdcebookspublic.2020707233
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    HBZ
    Bayreuth UB
    MPI Ethno. Forsch.
  • 44
    Online Resource
    Online Resource
    Instruments for new music : sound, technology, and modernism (2016)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520963122 , 0520963121 , 9780520288027 , 0520288025
    Language: English
    Pages: 1 Online-Ressource (xii, 236 pages)
    Parallel Title: Erscheint auch als Patteson, Thomas, 1981 - Instruments for new music
    Parallel Title: Print version Patteson, Thomas Instruments for new music
    RVK:
    LR 11180
    Keywords: Music and technology History. ; Electronic musical instruments History. ; Music Philosophy and aesthetics. ; Engineering ; Civil engineering ; Communication ; Mass media ; Musical instruments ; Musical instruments. ; Engineering. ; Civil engineering. ; Communication. ; Mass media. ; Music Philosophy and aesthetics ; Electronic musical instruments History ; Music and technology History ; Engineering ; Civil engineering ; Communication ; Mass media ; Musical instruments ; Music ; Electronic musical instruments ; Music and technology ; Civil engineering ; Communication ; Electronic musical instruments ; Engineering ; Mass media ; Music and technology ; Music ; Philosophy and aesthetics ; Musical instruments ; Musikinstrument ; Neue Musik ; Musik ; Music History & Criticism, Instrumental ; Music ; Music, Dance, Drama & Film ; MUSIC ; History & Criticism ; History ; Electronic books
    Abstract: "Player pianos, radio-electric circuits, gramophone records, and optical sound film-these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson's fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts."--Provided by publisher.
    Abstract: Listening to instruments -- "The joy of precision": mechanical instruments and the aesthetics of automation -- "The alchemy of tone": Jörg Mager and electric music -- "Sonic handwriting": media instruments and musical inscription -- "A new, perfect musical instrument": the trautonium and electric music in the 1930s -- The expanding instrumentarium
    Note: Includes bibliographical references (pages 209-228) and index , English
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
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    URL: OAPEN Library: description of the publication
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  • 45
    Book
    Book
    Music, art and diplomacy : East-West cultural interactions and the Cold War (2016)
    London ; New York : Routledge
    Show associated volumes/articles
    Details
    ISBN: 9781472468086 , 9781472468093 , 9781472468109
    Language: English
    Pages: xx, 180 Seiten
    Series Statement: An Ashgate book
    DDC: 303.48/24701713
    RVK:
    LR 57720
    Keywords: Geschichte 1900-2000 ; Geschichte 1938-1981 ; Geschichte ; Musik ; Politik ; Music and diplomacy ; Music Political aspects 20th century ; History ; Arts and diplomacy ; Cold War ; Musik ; Künste ; Ost-West-Konflikt ; Kulturaustausch ; Diplomatische Beziehungen ; Konferenzschrift 2012 ; Aufsatzsammlung ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Ost-West-Konflikt ; Musik ; Künste ; Kulturaustausch ; Diplomatische Beziehungen ; Geschichte 1938-1981
    Description / Table of Contents: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Rezension
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  • 46
    Online Resource
    Online Resource
    Post-punk, politics and pleasure in Britain (2016)
    London : Palgrave Macmillan
    Details
    ISBN: 9781137497802
    Language: English
    Pages: 1 Online-Ressource (XI, 228 Seiten)
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    DDC: 941
    RVK:
    LS 48645
    RVK:
    MG 42094
    Keywords: History ; Music ; Great Britain / History ; Civilization / History ; History of Britain and Ireland ; Cultural History ; Geschichte ; Musik ; Politik ; Musik ; Postpunk ; Kultur ; Großbritannien ; Großbritannien ; Electronic books ; Großbritannien ; Kultur ; Musik ; Postpunk ; Großbritannien ; Postpunk ; Politik
    DOI: 10.1057/978-1-137-49780-2
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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    MPI Ethno. Forsch.
  • 47
    Book
    Book
    Sounds of the New Deal : the Federal Music Project in the west (2015)
    Urbana ; Chicago ; Springfield :University of Illinois Press,
    Details
    ISBN: 978-0-252-03904-1
    Language: English
    Pages: XVI, 259 Seiten, 7 ungezählte Seiten, 14 Seiten Bildtafeln : , Illustrationen.
    Series Statement: Music in American life
    Parallel Title: Erscheint auch als
    DDC: 780.7973
    RVK:
    LQ 89400
    RVK:
    LQ 89300
    Keywords: Federal Music Project (U.S.) ; Federal Music Project. ; Geschichte 1900-2000 ; Geschichte 1933-1939 ; Geschichte ; Gesellschaft ; Musik ; Government aid to music ; Music Social aspects 20th century ; History ; Music and state History 20th century ; New Deal, 1933-1939 ; New Deal. ; Wirtschaftspolitik. ; Musikförderung. ; USA ; USA. ; New Deal ; Geschichte 1933-1939 ; Wirtschaftspolitik ; Musikförderung ; Geschichte 1933-1939
    Note: Includes bibliographical references and index
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027915452&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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  • 48
    Book
    Book
    Mongolian film music : tradition, revolution and propaganda (2015)
    Surrey : Ashgate
    Details
    ISBN: 9781472446237 , 9781472446244
    Language: English
    Pages: 192 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.5/42095173
    RVK:
    LR 53509
    Keywords: Motion picture music Political aspects 20th century ; History ; Motion picture music History and criticism 20th century ; Socialism and motion pictures ; Mongolei ; Filmmusik
    Abstract: In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as 'professional music' that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime
    Abstract: In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as 'professional music' that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime
    Description / Table of Contents: Tradition, politics and film musicTradition and transition in Mongolian music -- New beginnings : patriotism, propaganda and professional music -- Socialist cinema from conception to dissemination -- A standard of socialist cinema : the Clear River tamir (Tungalag tamir, 1970-1973) -- Perestroika, a wise queen and a delinquent rock star -- New directions : the democratic revolution and the aftermath of the socialist era -- Tradition, revolution, propaganda and consolidation : a brief conclusion.
    Note: Includes bibliographical references and index
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    MPI Ethno. Forsch.
  • 49
    Book
    Book
    Negotiating difference in French Louisiana music : categories, stereotypes, and identifications (2015)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781628461459
    Language: English
    Pages: XI, 383 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    DDC: 781.62/410763
    RVK:
    LQ 89400
    RVK:
    LS 48220
    RVK:
    MS 3450
    Keywords: Geschichte ; Alltag, Brauchtum ; Geschichte ; Gesellschaft ; Difference (Philosophy) in music ; Cajun music History and criticism ; Folk music History and criticism ; Zydeco music History and criticism ; Popular music Social aspects ; History ; Cajuns Social life and customs ; Musikleben ; Musiksoziologie ; Differenz ; Zydeco ; Cajun-Music ; Kreolen ; Louisiana ; Louisiana ; Kreolen ; Cajun-Music ; Zydeco ; Musikleben ; Differenz ; Musiksoziologie ; Geschichte
    Description / Table of Contents: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 50
    Book
    Book
    〈〈The〉〉 sound of innovation : Stanford and the computer music revolution (2015)
    Cambridge, Mass. :MIT Press,
    Details
    ISBN: 978-0-262-02876-9
    Language: English
    Pages: IX, 236 Seiten : , Illustrationen ; , 24 cm.
    Series Statement: Inside technology
    DDC: 786.7/60979473
    RVK:
    LR 57790
    Keywords: Stanford University. ; Stanford University. ; Stanford University ; Geschichte ; Geschichte ; Musik ; Computer music History and criticism ; Music Computer programs ; History ; Music and technology History ; Computermusik. ; Softwareproduktion. ; Technologie. ; Programm. ; Computermusik ; Softwareproduktion ; Technologie ; Geschichte ; Center for Computer Research in Music and Acoustics ; Computermusik ; Softwareproduktion ; Technologie ; Programm ; Geschichte
    Note: Includes bibliographical references and index
    URL: Rezension
    URL: Inhaltsverzeichnis
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    HU Berlin
  • 51
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    Book
    Rancid aphrodisiac : subjectivity, desire, and rock 'n' roll (2015)
    New York [u.a.] : Bloomsbury Acad.
    Details
    ISBN: 9781441183620 , 9781441149053 , 9781623560140
    Language: English
    Pages: 150 S. , Ill.
    Edition: 1. publ.
    DDC: 306.4/8426
    RVK:
    LS 48630
    Keywords: Lacan, Jacques ; Geschichte ; Gesellschaft ; Psychologie ; Rock music Psychological aspects ; Rock music Social aspects ; History ; Rock music History and criticism ; Popularität ; Affekt ; Rock 'n' Roll ; Psychoanalyse ; Rock 'n' Roll ; Popularität ; Affekt ; Lacan, Jacques 1901-1981 ; Psychoanalyse
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 52
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    Book
    Pulse of the people : political rap music and black politics (2015)
    Philadelphia, Pa. : Univ. of Pennsylvania Press
    Details
    ISBN: 9780812246841
    Language: English
    Pages: 219 S. , graph. Darst.
    Series Statement: American governance
    DDC: 782.4216491599
    RVK:
    LS 48050
    Keywords: Rap (Music) Political aspects 20th century ; History ; Rap (Music) Political aspects 21st century ; History ; African Americans Politics and government 20th century ; African Americans Politics and government 21st century ; African Americans Political activity 20th century ; History ; African Americans Political activity 21st century ; History ; African Americans Attitudes 20th century ; History ; African Americans Attitudes 21st century ; History ; Politik ; Schwarze ; Hip-Hop ; USA ; USA ; Schwarze ; Hip-Hop ; Politik
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 53
    Book
    Book
    Dance floor democracy : the social geography of memory at the Hollywood Canteen (2014)
    Durham : Duke University Press
    Details
    ISBN: 9780822357421 , 9780822357575
    Language: English
    Pages: XXIV, 384 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 940.53/1
    RVK:
    LS 48015
    Keywords: Hollywood Canteen ; Hollywood Canteen ; Geschichte 1900-2000 ; Geschichte 1942-1945 ; Geschichte ; Gesellschaft ; Weltkrieg (1939-1945) ; World War, 1939-1945 Social aspects ; Memory Social aspects ; Dance Social aspects 20th century ; History ; Soldat ; Filmstar ; Swing ; Restaurant ; USA ; Los Angeles (Calif.) Social conditions 20th century ; Los Angeles, Calif. ; Los Angeles, Calif. ; Restaurant ; Swing ; Filmstar ; Soldat ; Geschichte 1942-1945 ; Hollywood Canteen ; Geschichte 1942-1945
    Note: Includes bibliographical references (pages 351-363) and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    München BSB
    GBV
    HeBIS
    BVB
  • 54
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    Book
    Living politics, making music : the writings of Jan Fairley (2014)
    Farnham [u.a.] : Ashgate
    Details
    ISBN: 9781472412669
    Language: English
    Pages: X, 208 S.
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9
    RVK:
    LS 12100
    Keywords: World music History and criticism ; Popular music History and criticism ; Popular music Political aspects 20th century ; History ; Popular music History and criticism
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
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    HBZ
    Ethn. Museum Berlin
  • 55
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    Book
    Vibe merchants : the sound creators of Jamaican popular music (2014)
    Farnham [u.a.] : Ashgate
    Details
    ISBN: 9781472421869
    Language: English
    Pages: 240 S. , Ill., Notenbeisp.
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64097292
    RVK:
    LS 48700
    Keywords: Popular music Production and direction ; History ; Sound recording executives and producers ; Popmusik ; Musikproduktion ; Jamaika ; Jamaika ; Popmusik ; Musikproduktion
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Bayreuth UB
    Ethn. Museum Berlin
  • 56
    Online Resource
    Online Resource
    The black musician and the white city : race and music in Chicago, 1900-1967 (2014)
    Ann Arbor : University of Michigan Press | Berlin : Knowledge Unlatched
    Details
    ISBN: 9780472029983
    Language: English
    Pages: 1 Online-Ressource (xi, 202 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Absher, Amy The black musician and the white city
    RVK:
    LQ 89507
    Keywords: African Americans Illinois ; Chicago ; Music ; History and criticism ; Popular music Illinois ; Chicago ; History and criticism ; Popular music Social aspects ; Illinois ; Chicago ; History ; 20th century ; Music and race Illinois ; Chicago ; History ; 20th century ; African American musicians Illinois ; Chicago ; Music trade Illinois ; Chicago ; History ; 20th century ; African American musicians Labor unions ; Illinois ; Chicago ; History ; 20th century ; Musicians Labor unions ; Illinois ; Chicago ; History ; 20th century
    Abstract: Musicians and the segregated city : Chicago in the early 1900s-1930s -- From south to south side : musicians in 1940s Chicago -- Redefining the music industry : independent music in Chicago, 1948-1953 -- From south side to the south and the nation, 1954-1963 -- "The fact remains ... we are negroes" : dissonance and the desegregation of Chicago's musicians' union, 1963-1967
    Abstract: Amy Absher’s The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s to 1950s. Absher takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city’s music community.
    URL: Volltext  (kostenfrei)
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    MPI Ethno. Forsch.
  • 57
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    Book
    Aurality : listening and knowledge in nineteenth-century Colombia (2014)
    Durham : Duke University Press
    Details
    ISBN: 9780822357360 , 9780822357513
    Language: English
    Pages: XIII, 266 S.
    Series Statement: Sign, storage, transmission
    DDC: 302.2/24209861
    RVK:
    LQ 90304
    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Kolumbien ; Zuhören ; Sprache ; Musik ; Stimme ; Klang ; Geschichte 1800-1900
    Description / Table of Contents: Introduction: the ear and the voice in the lettered city's geophysical history -- On vocalization -- On popular song -- On the ethnographic ear -- On vocal immunity -- Epilogue: the oral in the aural.
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 58
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    Book
    Sonic modernities in the Malay world : a history of popular music, social distinction and novel lifestyles (1930s - 2000s) (2014)
    Leiden [u.a.] : Brill
    Details
    ISBN: 9789004259867 , 9789004261778
    Language: English
    Pages: XI, 375 S. , Ill., Notenbeisp.
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 290
    Series Statement: Southeast Asia mediated 4
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde
    Series Statement: Southeast Asia mediated
    Parallel Title: Erscheint auch als
    DDC: 781.6309595/1
    RVK:
    LS 40080
    RVK:
    NQ 5770
    Keywords: Geschichte 1900-2000 ; Geschichte 1930-2010 ; Geschichte ; Gesellschaft ; Musik ; Popular music History and criticism ; Popular music History and criticism ; Music Social aspects 20th century ; History ; Music Social aspects 20th century ; History ; Popmusik ; Musiksoziologie ; Indonesien ; Malaysia ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Malaysia ; Indonesien ; Popmusik ; Musiksoziologie ; Geschichte 1930-2010
    Abstract: "Sonic Modernities situates Southeast Asian popular music in specific socio-historical settings, hoping that a focus on popular culture and history may shed light on how some people in a particular part of the world have been witnessing the emergence of all things modern. In its focus on pioneering artists, their creative use of new genres and border crossing technologies it aims at a rewriting of Southeast Asia's twentieth century from the perspective of popular music makers, the entertainment industry and its ever changing audiences"..
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
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  • 59
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    Book
    How it feels to be free : black women entertainers and the civil rights movement (2013)
    Oxford ; New York :Oxford University Press,
    Details
    ISBN: 978-0-19-531403-8
    Language: English
    Pages: 296 Seiten : , Illustrationen.
    Parallel Title: Escheint auch als
    DDC: 323.1196073
    RVK:
    LR 56610
    RVK:
    MS 3155
    Keywords: Geschichte 1900-2000 ; Geschichte 1940-1980 ; Geschichte ; Musik ; Politik ; Schwarze. USA ; African American women political activists History 20th century ; African American women entertainers Political activity 20th century ; History ; Performing arts Political aspects 20th century ; African Americans Music 20th century ; Political aspects ; History ; African Americans Civil rights 20th century ; History ; Schwarze Frau. ; Entertainerin. ; Bürgerrechtsbewegung. ; Black power. ; USA ; United States Race relations 20th century ; History ; USA. ; Schwarze Frau ; Entertainerin ; Bürgerrechtsbewegung ; Black power ; Geschichte 1940-1980
    Note: Includes bibliographical references (pages 197-272) and index
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027299111&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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    HeBIS
  • 60
    Online Resource
    Online Resource
    My voice is my weapon : music, nationalism, and the poetics of Palestinian resistance (2013)
    Durham : Duke University Press
    Details
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Language: English
    Pages: Online-Ressource
    Edition: Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
    RVK:
    LS 21520
    RVK:
    LS 35340
    Keywords: Music ; Politics ; History ; Palestine ; Music Political aspects ; Music Political aspects ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Abstract: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
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    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
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  • 61
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    Prove it on me : new Negroes, sex, and popular culture in the 1920s (2012)
    Oxford [u.a.] :Oxford Univ. Press,
    Details
    ISBN: 978-0-19-975831-9 , 978-0-19-975832-6
    Language: English
    Pages: XII, 189 S. : , Ill.
    DDC: 305.48896073
    RVK:
    MS 3450
    RVK:
    LR 56617
    RVK:
    MS 3000
    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1930 ; Geschichte ; Weibliche Schwarze. Amerika ; African American women in popular culture History 20th century ; African American women Intellectual life 20th century ; African American women Social conditions 20th century ; Popular culture History 20th century ; Harlem Renaissance ; Frau. ; Schwarze. ; Soziale Situation. ; USA ; United States Race relations 20th century ; History ; USA. ; Frau ; Schwarze ; Soziale Situation ; Geschichte 1920-1930
    Note: Includes bibliographical references (p. 173-182) and index
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024996821&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    BSZ
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    Bayreuth UB
  • 62
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    Primitive modernities : Tango, Samba, and nation (2011)
    Stanford, Calif. [u.a.] : Stanford Univ. Press
    Details
    ISBN: 9780804762496 , 9780804762502
    Language: English
    Pages: XI, 200 S. , Ill.
    DDC: 784.18/8850982
    RVK:
    LS 48800
    Keywords: Geschichte ; Tangos History and criticism 20th century ; Tango (Dance) History 20th century ; Sambas History and criticism 20th century ; Samba (Dance) History 20th century ; Music Political aspects 20th century ; History ; Music Political aspects 20th century ; History ; National characteristics, Argentine ; National characteristics, Brazilian ; Nationalbewusstsein ; Tanz ; Samba ; Tango ; Lateinamerika ; Tango ; Samba ; Geschichte ; Lateinamerika ; Tanz ; Nationalbewusstsein ; Geschichte
    Note: Includes bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://www.h-net.org/reviews/showrev.php?id=39222
    URL: Cover
    URL: Inhaltsverzeichnis
    URL: http://www.h-net.org/reviews/showrev.php?id=39222
    URL: Cover
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  • 63
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    〈〈The〉〉 Italian traditions & Puccini : compositional theory and practice in nineteenth-century opera (2011)
    Bloomington, Ind. [u.a.] :Indiana Univ. Press,
    Details
    ISBN: 978-0-253-35626-0
    Language: English
    Pages: XX, 407 S. : , Ill., Notenbeisp.
    Series Statement: Musical meaning and interpretation
    DDC: 782.10945/09034
    RVK:
    LP 65250
    RVK:
    LQ 81605
    RVK:
    LR 54171
    Keywords: Puccini, Giacomo Criticism and interpretation ; Puccini, Giacomo ; Geschichte 1800-1900 ; Geschichte 1800-1925 ; Geschichte ; Musik ; Opera 19th century ; Music theory History 19th century ; Composition (Music) History 19th century ; Music Instruction and study 19th century ; History ; Oper. ; Kompositionslehre. ; Musiktheorie. ; Musikerziehung. ; Italien ; Italien. ; 1858-1924 Puccini, Giacomo ; Oper ; Geschichte 1800-1925 ; Kompositionslehre ; Musiktheorie ; Musikerziehung ; Geschichte 1800-1925
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022574849&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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    HU Berlin
  • 64
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    Book
    Music and urban society in colonial Latin America (2011)
    Cambridge [u.a.] : Cambridge Univ. Press
    Details
    ISBN: 9780521766869
    Language: English
    Pages: XIX, 371 S. , Ill.
    Edition: 1. publ.
    DDC: 306.4/842098091732
    RVK:
    LQ 80064
    Keywords: Geschichte 1540-1800 ; Geschichte ; Gesellschaft ; Musik ; Music Social aspects To 1800 ; History ; Urbanität ; Musik ; Kolonialismus ; Lateinamerika ; Lateinamerika ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Lateinamerika ; Musik ; Kolonialismus ; Urbanität ; Geschichte 1540-1800
    Note: "The Spanish colonial project in Latin America from the sixteenth to the eighteenth centuries was distinctly urban in focus. The impact of the written word on this process was explored in Ángel Rama's seminal book The Lettered City, and much has been written by historians of art and architecture on its visible manifestations, yet the articulation of sound, urban geography and colonial power - 'the resounding city' - has been passed over in virtual silence. This collection of essays by leading scholars examines the role of music in Spanish colonial urbanism in the New World and explores the urban soundscape and music profession as spheres of social contact, conflict, and negotiation. The contributors demonstrate the role of music as a vital constituent part of the colonial city, as Rama did for writing, and therefore illustrate how musicology may illuminate and take its place in the broader field of Latin American urban history"-- Provided by publisher. , Includes bibliographical references and index
    URL: Cover image
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    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    BSZ
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    KOBV
    BVB
    MPI-MMG
  • 65
    Online Resource
    Online Resource
    Rhythms of the Afro-Atlantic World : Rituals and Remembrances (2010)
    Ann Arbor : University of Michigan Press | Baltimore, Md. : Project MUSE
    Details
    ISBN: 9780472027477 , 0472027476
    Language: English
    Pages: 1 Online-Ressource (292 p. :) , Ill.
    DDC: 780.89/96
    RVK:
    LS 48900
    Keywords: Geschichte ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Amerika ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references and index , Description based on print version record
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
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    MPI Ethno. Forsch.
  • 66
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    Sound diplomacy : music and emotions in transatlantic relations, 1850 - 1920 (2009)
    Chicago, Ill. [u.a.] : Univ. of Chicago Press
    Details
    ISBN: 9780226292151 , 0226292150
    Language: English
    Pages: XV, 335 S. , Ill.
    DDC: 306.484209430973
    RVK:
    LQ 80100
    RVK:
    LQ 89300
    RVK:
    LR 57720
    RVK:
    NK 4940
    RVK:
    NP 1330
    Keywords: Geschichte 1850-1920 ; Music Social aspects ; History ; Music German influences ; Nationalism in music ; Musik ; Kulturaustausch ; Deutschland ; USA ; USA ; Musik ; Nationalismus ; Deutschland ; Musik ; Kulturaustausch ; USA ; Geschichte 1850-1920
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://www.h-net.org/reviews/showrev.php?id=29717
    URL: http://www.h-net.org/reviews/showrev.php?id=30545
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: http://www.h-net.org/reviews/showrev.php?id=29717
    URL: http://www.h-net.org/reviews/showrev.php?id=30545
    URL: Rezension
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    HU Berlin
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    Würzburg UB
    Regensburg UB
    BSZ
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  • 67
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    In the studio with Michael Jackson (2009)
    New York [u.a.] : Hal Leonard
    Details
    ISBN: 9781423464952
    Language: English
    Pages: XVII, 191 S. , Ill.
    DDC: 781.49/092
    RVK:
    LR 57440
    RVK:
    LR 57790
    RVK:
    LS 48000
    RVK:
    LS 48040
    Keywords: Swedien, Bruce ; Jackson, Michael ; Swedien, Bruce ; Geschichte 1980-2004 ; Geschichte ; Sound engineers Biography ; Popular music Production and direction ; History ; Sound recordings Production and direction ; History ; Schallplattenaufzeichnung ; Tonträger ; USA ; Biografie ; Verzeichnis ; Biografie ; Verzeichnis ; Biografie ; Verzeichnis ; Jackson, Michael 1958-2009 ; Schallplattenaufzeichnung ; Geschichte 1980-2004 ; Swedien, Bruce 1934-2020 ; Jackson, Michael 1958-2009 ; Jackson, Michael 1958-2009 ; Tonträger
    Note: Includes discography (p. [155]-174) and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 68
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    Sound commitments : avant-garde music and the sixties (2009)
    Oxford [u.a.] : Oxford Univ. Press
    Details
    ISBN: 019533664X , 0195336658 , 9780195336641 , 9780195336658
    Language: English
    Pages: XI, 292 S. , Ill., Notenbeisp. , 24 cm
    DDC: 780.9/04
    RVK:
    LP 19507
    RVK:
    LP 91020
    RVK:
    LR 57720
    RVK:
    LR 57730
    RVK:
    LS 48000
    Keywords: Music Political aspects 20th century ; History ; Avant-garde (Music) ; Nineteen sixties ; Konferenzschrift ; Konferenzschrift 2004 ; Konferenzschrift 2004 ; Konferenzschrift 2004 ; Edited volumes ; Konferenzschrift ; Musik ; Geschichte 〈1960-1970〉
    Note: Includes bibliographical references and index , Avant-garde : some introductory notes on the politics of a label , Ideologies. "Demolish serious culture!" : Henry Flynt and Workers World Party , Rethinking the popular. "Music is a universal human right" : Musica Elettronica Viva , The problem of the political in Steve Reich's Come out , Politicising performance. ONCE and the sixties , The challenge of institutionalization. After the October revolution : the jazz avant-garde in New York, 1964-65
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
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    Regensburg UB
    GBV
    KOBV
    BVB
    Bayreuth UB
  • 69
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    Music education : source readings from ancient Greece to today (2008)
    New York [u.a.] :Routledge,
    Details
    ISBN: 978-0-415-95778-6
    Language: English
    Pages: XVI, 496 S.
    Edition: 3. ed.
    DDC: 780.71
    RVK:
    LR 56900
    Keywords: Geschichte ; Geschichte ; Musik ; Music Sources Instruction and study ; History ; Music Philosophy and aesthetics ; Musikerziehung. ; Musikphilosophie. ; Musikästhetik. ; Quelle ; Musikerziehung ; Geschichte ; Musikphilosophie ; Musikästhetik ; Geschichte
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016417486&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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    HU Berlin
  • 70
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    Beyond the art of finger dexterity : reassessing Carl Czerny (2008)
    Rochester, NY :Univ. of Rochester Press [u.a.],
    Details
    ISBN: 978-1-58046-250-1
    Language: English
    Pages: XII, 280 S. : , Ill., Notenbeisp.
    Edition: 1. publ.
    Series Statement: Eastman studies in music 53
    Series Statement: Eastman studies in music
    DDC: 786.2092
    RVK:
    LP 63600
    Keywords: Czerny, Carl 〈1791-1857〉 - Critique et interprétation ; Czerny, Carl Criticism and interpretation ; Czerny, Carl ; Geschichte 1800-1900 ; Geschichte 1800-1900 ; Musique - 19e siècle - Histoire et critique ; Piano - Exécution - Histoire - 19e siècle ; Geschichte ; Musik ; Music History and criticism 19th century ; Piano Performance 19th century ; History ; Klavierspiel. ; Musikalische Aufführungspraxis. ; Aufsatzsammlung ; 1791-1857 Czerny, Carl ; Klavierspiel ; Musikalische Aufführungspraxis ; Geschichte 1800-1900
    Note: Hier auch später erschienene, unveränderte Nachdrucke. - Includes bibliographical references and index
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016297582&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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    HU Berlin
  • 71
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    Young choristers : 650 - 1700 (2008)
    Woodbridge :Boydell & Brewer,
    Details
    Language: English
    Pages: IX, 265 S. : , Ill., Notenbeisp.
    Edition: 1. publ.
    Series Statement: Studies in medieval and Renaissance music 7
    Series Statement: Studies in medieval and Renaissance music
    DDC: 782.22083
    RVK:
    LP 19500
    RVK:
    LR 13050
    RVK:
    LR 12580
    Keywords: Geschichte 〈650-1700〉 ; Choirboys / History ; Choirboys / Training of / History ; Church musicians / History ; Geschichte ; Choirboys History ; Choirboys Training of ; History ; Church musicians History ; Kinderchor. ; Musikerziehung. ; Musik. ; Aufsatzsammlung ; Kinderchor ; Musikerziehung ; Geschichte 〈650-1700〉 ; Kinderchor ; Musik ; Geschichte 〈650-1700〉
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016963310&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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    HU Berlin
  • 72
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    French music, culture, and national identity, 1870 - 1939 (2008)
    Rochester, NY : Univ. of Rochester Press
    Details
    ISBN: 9781580462723
    Language: English
    Pages: XIX, 260 S. , Ill.
    Edition: 1. publ.
    Series Statement: Eastman studies in music 54
    Series Statement: Eastman studies in music
    DDC: 306.4/842094409034
    RVK:
    LQ 82206
    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1870-1939 ; Geschichte ; Musik ; Politik ; Music Political aspects 20th century ; History ; Music Political aspects 19th century ; History ; Nationalism in music ; Musik ; Kultur ; Nation ; Frankreich ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation ; Geschichte 1870-1939
    Abstract: Here, essays from musicologists, historians, art historians and literary scholars reconsider the relationship of Debussy, Gaugin, Jolivet, Zola, and other great French creative artists to cultural and political trends (for example, the rise of the press, nationalism, etc.) during the Third Republic.
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    Regensburg UB
    BSZ
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    HeBIS
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  • 73
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    Freedom sounds : civil rights call out to jazz and Africa (2007)
    Oxford [u.a.] :Oxford Univ. Press,
    Details
    ISBN: 978-0-19-512825-3
    Language: English
    Pages: XI, 402 S. : , Ill., graph. Darst., Notenbeisp.
    DDC: 781.65/1599
    RVK:
    LS 48100
    RVK:
    LR 57720
    RVK:
    LS 48200
    RVK:
    MS 3450
    RVK:
    LR 57727
    Keywords: Geschichte 1900-2000 ; Geschichte 1950-1970 ; Geschichte ; Gesellschaft ; Politik ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; Jazz Social aspects ; Jazz Political aspects ; African-Americans Civil rights 20th century ; History ; Jazz. ; Gesellschaft. ; Politik. ; Schwarze. ; Bürgerrechtsbewegung. ; USA ; USA. ; Jazz ; Geschichte 1950-1970 ; Jazz ; Gesellschaft ; Politik ; Geschichte 1950-1970 ; Schwarze ; Bürgerrechtsbewegung ; Geschichte 1950-1970
    Abstract: An insightful examination of the impact of the civil rights movement and African independence on jazz in the 1950s and 60s, this text traces the complex relationships between music, politics, aesthetics, and activism through the lens of racial and economic issues.
    Note: Includes bibliographical references (p. ) and index
    URL: Table of contents only
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015963776&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: Table of contents only
    URL: Inhaltsverzeichnis
    URL: Table of contents only
    URL: Inhaltsverzeichnis
    URL: Table of contents only
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    Bayreuth UB
  • 74
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    Electric sounds : technological change and the rise of corporate mass media (2007)
    New York : Columbia University Press
    Details
    ISBN: 0231136765 , 9780231136761
    Language: English
    Pages: XI, 393 S. , Ill.
    Series Statement: Film and culture
    DDC: 303.48/330973
    RVK:
    AP 19830
    RVK:
    LR 57255
    RVK:
    LR 57790
    RVK:
    ZN 6820
    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1940 ; Geschichte ; Massenmedien ; Mass media Technological innovations 20th century ; History ; Mass media Ownership 20th century ; History ; Sound Recording and reproducing 20th century ; History ; Tonfilm ; Hörfunk ; Gesellschaft ; USA ; USA ; USA ; Tonfilm ; Gesellschaft ; Geschichte 1920-1940 ; USA ; Hörfunk ; Gesellschaft ; Geschichte 1920-1940
    Note: Includes bibliographical references and index
    URL: Table of contents only
    URL: Inhaltsverzeichnis
    URL: Table of contents only
    URL: Inhaltsverzeichnis
    URL: Table of contents only
    URL: Inhaltsverzeichnis
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    KOBV
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    Bayreuth UB
  • 75
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    Echo and reverb : fabricating space in popular music recording, 1900 - 1960 (2005)
    Middletown, Conn. : Wesleyan Univ. Press
    Details
    ISBN: 0819567930 , 9780819567949 , 0819567949
    Language: English
    Pages: 293 S. , 24 cm
    Edition: 1. ed.
    Series Statement: Music/culture
    DDC: 781.64/149
    RVK:
    LR 57440
    RVK:
    LR 57790
    RVK:
    LS 48070
    RVK:
    ZN 6820
    Keywords: Geschichte 1900-1960 ; Enregistrements sonores - Production et réalisation - Histoire ; Geluidsopnamen ; Musique populaire - Histoire et critique ; Popmuziek ; Geschichte ; Popular music History and criticism ; Sound recordings Production and direction ; History ; Popmusik ; Schallaufzeichnung ; Popmusik ; Schallaufzeichnung ; Geschichte 1900-1960
    Note: Includes bibliographical references (p. 263-274), discography (p. 275-277), and index.
    URL: Table of contents
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/toc/ecip0512/2005013310.html
    URL: Table of contents
    URL: Inhaltsverzeichnis
    URL: Table of contents
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/toc/ecip0512/2005013310.html
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/toc/ecip0512/2005013310.html
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    HU Berlin
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    Würzburg UB
    BSZ
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    BVB
    Ethn. Museum Berlin
  • 76
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    The producer as composer : shaping the sounds of popular music (2005)
    Cambridge, Mass. [u.a.] : MIT Press
    Details
    ISBN: 0262134578
    Language: English
    Pages: XIX, 143 S.
    DDC: 781.49
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Geschichte 1960-2005 ; Enregistrements sonores - Production et réalisation - Histoire ; Musique populaire - Analyse et appréciation ; Musique populaire - Production et mise en scène - Histoire ; Geschichte ; Popular music Production and direction ; History ; Popular music Analysis, appreciation ; Sound recordings Production and direction ; History ; Klangerzeugung ; Schallaufzeichnung ; Popmusik ; Popmusik ; Schallaufzeichnung ; Klangerzeugung ; Geschichte 1960-2005
    Note: Includes discography and bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 77
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    Music education : source readings from Ancient Greece to today (2002)
    New York [u.a.] :Routledge,
    Details
    ISBN: 0-415-93679-9 , 0-415-93678-0
    Language: English
    Pages: XI, 324 S.
    Edition: 2. ed.
    DDC: 780/.71
    RVK:
    LR 56900
    Keywords: Geschichte ; Musique - Philosophie et esthétique ; Musique - Étude et enseignement - Histoire - Sources ; Geschichte ; Musik ; Music Sources Instruction and study ; History ; Music Philosophy and aesthetics ; Musikphilosophie. ; Musikästhetik. ; Musikerziehung. ; Quelle ; Musikphilosophie ; Musikästhetik ; Geschichte ; Musikerziehung ; Geschichte
    Note: Includes bibliographical references and index
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    HU Berlin
  • 78
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    The Crawdaddy! book : writings (and images) from the magazine of rock (2002)
    Milwaukee, Wis. : Hal Leonard
    Details
    ISBN: 0634029584
    Language: English
    Pages: 319 S. , Ill.
    Edition: 1. ed.
    DDC: 781.66/05
    RVK:
    LS 48635
    RVK:
    LR 57157
    RVK:
    LS 48000
    Keywords: Crawdaddy! (New York, N.Y.) ; Geschichte 1966-1979 ; Popular music History and criticism 1961-1970 ; Rock music Periodicals ; History ; Rockmusik ; Geschichte ; USA ; Crawdaddy 〈Zeitschrift〉 ; Crawdaddy 〈Zeitschrift〉 ; Crawdaddy 〈Zeitschrift〉 ; Crawdaddy 〈Zeitschrift〉 ; Crawdaddy 〈Zeitschrift〉 ; Geschichte ; USA ; Rockmusik ; Geschichte 1966-1979
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    HU Berlin
    München BSB
    KOBV
    BVB
    HBZ
  • 79
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    A history of dance in American higher education : dance and the American university (2000)
    Lewiston [u.a.] : Mellen
    Details
    ISBN: 0773477993
    Language: English
    Pages: XII, 401 S. , Ill.
    Series Statement: Studies in dance 1
    Series Statement: Studies in dance
    DDC: 792.8/071/173
    RVK:
    AL 42100
    RVK:
    AP 83983
    RVK:
    LR 53185
    Keywords: Geschichte Anfänge-1998 ; Geschichte ; Dance Study and teaching (Higher) ; History ; Tanzerziehung ; USA ; USA ; USA ; Tanzerziehung ; Geschichte Anfänge-1998
    Library Location Call Number Volume/Issue/Year Availability
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    HU Berlin
    KOBV
    BVB
    Bayreuth UB
  • 80
    Book
    Book
    Pop dreams : music, movies, and the media in the 1960s (1999)
    Fort Worth, Tex. [u.a.] : Harcourt Brace College Publishers
    Details
    ISBN: 0155041460
    Language: English
    Pages: VIII, 232 S. , Ill.
    Series Statement: Harbrace books on America since 1945
    DDC: 302.230973
    RVK:
    AP 19830
    RVK:
    NK 5270
    RVK:
    LS 48050
    Keywords: Mass media ; United States ; History ; 20th century ; USA ; Gesellschaft ; Pop-Kultur ; Geschichte 1960-1970
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    München BSB
    BSZ
    GBV
    BVB
    MPI Ethno. Forsch.
  • 81
    Book
    Book
    Scripts, grooves, and writing machines : representing technology in the Edison era (1999)
    Stanford, Calif. :Stanford Univ. Press,
    Details
    ISBN: 0-8047-3270-1
    Language: English
    Pages: VIII, 282 S. : Ill.
    DDC: 302.2/0973
    RVK:
    MS 7850
    RVK:
    LR 57790
    RVK:
    LR 57606
    Keywords: Alphabétisation - Innovations - États-Unis - Histoire ; Communication et technologie - États-Unis - Histoire ; Geluidsregistratie ; Schrijfmachines ; Sociologische aspecten ; Technologie ; Geschichte ; Communication and technology History ; Literacy Technological innovations ; History ; Kommunikationstechnik. ; Geschichte. ; USA ; USA. ; Kommunikationstechnik ; Geschichte
    Abstract: "This is a richly imaginative study of machines for writing and reading at the end of the nineteenth century in America. Its aim is to explore writing and reading as culturally contingent experiences, and at the same time to broaden our view of the relationship between technology and textuality." "At the book's heart is the proposition that technologies of inscription are materialized theories of language. Whether they failed (like Thomas Edison's "electric pen") or succeeded (like typewriters), inscriptive technologies of the late nineteenth century were local, often competitive embodiments of the way people experienced writing and reading. Such a perspective cuts through the determinism of recent accounts while simultaneously arguing for an interdisciplinary method for considering texts and textual production." "The phonograph and the typewriter may be things of the past, but this book will resonate with readers who are engaged daily with computer networks, hypertexts, and the forms that mass media will take in the new century."--BOOK JACKET.
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009296901&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/description/cam0210/99030422.html
    URL: http://www.loc.gov/catdir/toc/cam027/99030422.html
    URL: http://www.loc.gov/catdir/enhancements/fy0710/99030422-b.html
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/description/cam0210/99030422.html
    URL: http://www.loc.gov/catdir/toc/cam027/99030422.html
    URL: http://www.loc.gov/catdir/enhancements/fy0710/99030422-b.html
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    HU Berlin
    München BSB
    BSZ
    GBV
    KOBV
    BVB
    Bayreuth UB
  • 82
    Book
    Book
    London live : from the Yardbirds to Pink Floyd to the Sex Pistols: the inside story of live bands in the capital's trail-blazing music clubs (1999)
    London : Balafon
    Details
    ISBN: 1871547806 , 9781871547801
    Language: English
    Pages: 192 Seiten , Illustrationen , 24 cm
    DDC: 780.9421
    RVK:
    LS 48000
    RVK:
    LS 48635
    Keywords: Rock music History 1991-2000 ; Rock music ; History ; England ; London
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    HU Berlin
    München BSB
    BSZ
    KOBV
    BVB
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