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  • 1
    ISBN: 0231136765 , 9780231136761
    Language: English
    Pages: XI, 393 S. , Ill.
    Series Statement: Film and culture
    DDC: 303.48/330973
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    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1940 ; Geschichte ; Massenmedien ; Mass media Technological innovations 20th century ; History ; Mass media Ownership 20th century ; History ; Sound Recording and reproducing 20th century ; History ; Tonfilm ; Hörfunk ; Gesellschaft ; USA ; USA ; USA ; Tonfilm ; Gesellschaft ; Geschichte 1920-1940 ; USA ; Hörfunk ; Gesellschaft ; Geschichte 1920-1940
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York, NY : Columbia University Press
    ISBN: 9780231510080
    Language: English
    Pages: 1 online resource , 15 photographs
    Series Statement: Film and Culture Series
    DDC: 303.48/330973
    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1940 ; Genres, other ; Geschichte ; Massenmedien ; Mass media Ownership 20th century ; History ; Mass media Technological innovations 20th century ; History ; Sound Recording and reproducing 20th century ; History ; Hörfunk ; Tonfilm ; Gesellschaft ; USA ; USA ; USA ; Tonfilm ; Gesellschaft ; Geschichte 1920-1940 ; USA ; Hörfunk ; Gesellschaft ; Geschichte 1920-1940
    Description / Table of Contents: 〈〈The〉〉 1920s and 1930s marked some of the most important developments in the history of the American mass media: the film industry's conversion to synchronous sound, the rise of radio networks and advertising-supported broadcasting, the establishment of a federal regulatory framework, and the birth of a new acoustic commodity in which consumers accessed stories, songs, and other products through multiple media formats.The innovations of this period not only restructured and consolidated corporate mass media interests while shifting the conventions of media consumption. They renegotiated the social functions assigned to mass media forms. In this impeccably researched history, Steve J. Wurtzler grasps the full story of sounds media, proving that the ultimate form technology takes is never predetermined but shaped by conflicting visions of technological possibility in economic, cultural, and political realms
    Note: Description based on online resource; title from PDF title page (publisher’s Web site, viewed Nov. 24, 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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