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  • HeBIS  (153)
  • HU Berlin  (113)
  • OLC Ethnologie
  • Schwarze  (226)
  • Musicology  (226)
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  • 1
    ISBN: 9783955932626 , 3955932621
    Language: English , German
    Pages: 328 Seiten , Illustrationen , 23.8 cm x 15.8 cm, 400 g
    Edition: Bilingual edition, 1. edition
    DDC: 780.92
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1960-2023 ; Diaspora ; Afroamerikanische Musik ; Neue Musik ; Komponist ; Schwarze ; Europa ; Afrodiaspora ; afrodiasporic musicians ; afrodiasporic composing ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afroamerikanische Musik ; Europa ; Schwarze ; Diaspora ; Komponist ; Neue Musik ; Geschichte 1960-2023
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  • 2
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 3
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231548212
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Leonard Hastings Schoff Lectures
    DDC: 781.650973
    RVK:
    Keywords: Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Abstract: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    URL: Cover
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  • 4
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
    RVK:
    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 6
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501379291 , 9781501379338
    Language: English
    Pages: 140 Seiten
    Parallel Title: Online version Campbell, Mark V. Afrosonic life
    RVK:
    Keywords: Ausdruck ; Musik ; Klang ; Schwarze ; Popular music / African influences ; Black people / Music / History and criticism ; Turntablism ; Remixes / History and criticism ; Musique populaire / Influence africaine ; Noirs / Musique / Histoire et critique ; Platinisme ; Remix / Histoire et critique ; Black people / Music ; Popular music / African influences ; Remixes ; Turntablism ; Criticism, interpretation, etc ; Schwarze ; Musik ; Klang ; Ausdruck
    Abstract: "Explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery"--
    Description / Table of Contents: Soundman/Sound System (S.W. rmx) -- Turning the Tables -- Riddim Science : On Living Hip-Hop's Sonic Innovations -- Dubbing the Remix and Its Uses -- Conclusion. Come Rewind : We were the 1st Robots
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 7
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 8
    ISBN: 9780520281844 , 9780520281837
    Language: English
    Pages: xvii, 287 Seiten
    Series Statement: Phono
    DDC: 780.8996073
    RVK:
    Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Note: Includes bibliographical references and index
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  • 9
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
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  • 10
    ISBN: 9781496832108 , 9781496832115
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele , 23 cm
    Edition: First printing
    DDC: 781.6508996073
    RVK:
    RVK:
    Keywords: Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; USA
    Abstract: In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.
    Note: Literaturangaben
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  • 11
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Resling | Berlin : Walter de Gruyter GmbH
    ISBN: 9783110723168
    Language: English
    Pages: 1 Online-Ressource (VI, 273 p.)
    Edition: 2021
    RVK:
    Keywords: Geschichte 1880-1965 ; Juden ; Schwarze ; Unterhaltungsmusik ; Musikwirtschaft ; Amerikanische Musik ; Ethnizität ; Juden ; Musikindustrie ; HISTORY / General ; USA ; African-American ; American Music ; Civil Rights history ; Ethnicity ; Hegemony ; Jews ; Music industry ; New Left ; Old Left ; Semiotics ; WASP
    Abstract: Stairway to Paradise reveals how American Jewish entrepreneurs, musicians, and performers influenced American popular music from the late nineteenth century till the mid-1960s. From blackface minstrelsy, ragtime, blues, jazz, and Broadway musicals, ending with folk and rock 'n' roll. The book follows the writers and artists' real and imaginative relationship with African-American culture's charisma. Stairway to Paradise discusses the artistic and occasionally ideological dialogue that these artists, writers, and entrepreneurs had with African-American artists and culture. Tracing Jewish immigration to the United States and the entry of Jews into the entertainment and cultural industry, the book allocates extensive space to the charged connection between music and politics as reflected in the Jewish-Black Alliance - both in the struggle for social justice and in the music field. It reveals Jewish success in the music industry and the unique and sometimes problematic relationships that characterized this process, as their dominance in this field became a source of blame for exploiting African-American artistic and human capital. Alongside this, the book shows how black-Jewish cooperation, and its fragile alliance, played a role in the hegemonic conflicts involving American culture during the 20th century. Unintentionally, it influenced the process of decline of the influence of the WASP elite during the 1960s. Stairway to Paradise fuses American history and musicology with cultural studies theories. This inter-disciplinary approach regarding race, class, and ethnicity offers an alternative view of more traditional notions regarding understanding American music's evolution.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
    URL: Cover
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  • 12
    ISBN: 9781912685790
    Language: English
    Pages: 171 Seiten , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
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  • 13
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469661964 , 9781469661957
    Language: English
    Pages: xiii, 121 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.4216490975
    RVK:
    Keywords: OutKast ; Hip-Hop ; Schwarze ; Ethnische Identität ; USA Südstaaten ; Rap (Music) / Social aspects / Southern States ; Rap (Music) / Southern States / History and criticism ; Hip-hop / Southern States ; African Americans / Race identity / Southern States ; OutKast (Musical group) ; OutKast (Musical group) ; African Americans / Race identity ; Hip-hop ; Rap (Music) ; Rap (Music) / Social aspects ; Southern States ; Criticism, interpretation, etc ; USA Südstaaten ; Schwarze ; Hip-Hop ; OutKast ; Ethnische Identität
    Abstract: "Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside from the deeply traumatic experience of these periods of history, they also serve as cornerstones of validating and recognizing southern blacks' experiences. However, the challenge for post-Civil Rights generations of southern blacks is speaking truth to power when their truths depart the trajectory of what was considered power in the past. Chronicling Stankonia updates the black South using hip hop as an agent to reflect multiple intersections of time, race, and southernness in the late twentieth and early twenty-first centuries. Part of southern hip hop culture's truth remains attached to the past but its power is grounded in the fact that younger southerners use hip hop to embrace the possibility of multiple Souths, multiple narratives, and multiple entry points into contemporary southern black identities"--
    Description / Table of Contents: The demo tape ain't nobody wanna hear -- Spelling out the work -- Re-imagining slavery in the hip hop imagination -- Still ain't forgave myself
    Note: Includes bibliographical references and index
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  • 14
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 15
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Language: English
    Pages: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Series Statement: Mississippi scholarship online
    DDC: 781.6508996073
    RVK:
    RVK:
    Keywords: Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Abstract: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 16
    ISBN: 9781479806768 , 9781479871032
    Language: English
    Pages: 247 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    RVK:
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
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  • 17
    ISBN: 9780197549568 , 9780197549551
    Language: English
    Pages: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 781.6296081/42
    RVK:
    Keywords: Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Description / Table of Contents: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
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  • 18
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 19
    ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X
    Language: English
    Pages: xiv, 392 Seiten
    Series Statement: Refiguring american music
    Parallel Title: Online version Mahon, Maureen Black diamond queens
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    Keywords: Schwarze ; Frau ; Rockmusik ; USA
    Abstract: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
    Note: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
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  • 20
    Book
    Book
    Amherst : University of Massachusetts Press
    ISBN: 9781625345141 , 9781625345158
    Language: English
    Pages: xi, 227 Seiten , 24 cm
    Series Statement: African American intellectual history
    DDC: 780.8996073
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    Keywords: Baraka, Amiri ; Geschichte 1960- ; Schwarze ; Afroamerikanische Musik ; Soziale Identität ; Black arts movement ; USA
    Abstract: Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Brick City Vanguard demonstrates the continuity in his thinking about the meaning of black music in the material, psychic, and ideological development of black people. Drawing on primary texts, paratexts (including album liner notes), audio and visual recordings, and archival sources, James Smethurst takes a new look at how Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day. This vision also provides a way of understanding the encounter of black people with what has been called the urban crisis" and a projection of a liberated black future beyond that crisis.
    Note: Literaturangaben
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  • 21
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012771 , 1478012773
    Language: English
    Pages: 1 Online-Ressource (xiv, 392 pages) , illustrations
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als
    DDC: 782.421660820973
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    Keywords: Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990
    Abstract: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 22
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226653174
    Language: English
    Pages: 1 Online-Ressource (272 pages) , Illustrations (black and white).
    Series Statement: Chicago scholarship online
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    Keywords: Soulmusiker ; Soul ; Schwarze ; Soul music History and criticism ; Soul music Social aspects ; Soul music Political aspects ; Soul musicians ; African Americans Music ; History and criticism ; Chicago, Ill.
    Abstract: Chicago's place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like 'We're a Winner' and 'I Plan to Stay a Believer.' Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 23
    ISBN: 9781526131232 , 9781526131256
    Language: English
    Pages: xv, 271 Seiten, Seiten I-VIII , Illustrationen
    Series Statement: Music and society
    DDC: 781.64089960421
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    Keywords: Schwarze ; Musikleben ; Sozialer Wandel ; London
    Note: Literaturverzeichnis Seite 248-263
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  • 24
    Book
    Book
    Lanham : Lexington Books
    ISBN: 9781498530989
    Language: English
    Pages: ix, 245 Seiten , 24 cm
    DDC: 781.629697290243
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    Keywords: Geschichte 1945-1965 ; Schwarze ; Rhythm and Blues ; Calypso ; Schallaufzeichnung ; USA
    Note: Literaturverzeichnis: Seite 209-217
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  • 25
    Online Resource
    Online Resource
    Manchester : Manchester University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781526131249
    Language: English
    Pages: 1 Online-Ressource (296 pages)
    Series Statement: Music and Society Ser.
    DDC: 781.64089960421
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    Keywords: Schwarze ; Musikleben ; Sozialer Wandel ; London
    Abstract: This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture.
    Note: Description based on publisher supplied metadata and other sources
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  • 26
    ISBN: 9780199913923 , 9780199913947
    Language: English
    Pages: xiii, 319 Seiten , Illustrationen, Karten
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
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    Keywords: Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Note: Includes bibliographical references and index
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  • 27
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 9781501333323
    Language: English
    Pages: 148 Seiten
    Series Statement: 33 1/3
    DDC: 782.42162130092
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    Keywords: Odetta ; Geschichte 1963 ; Sängerin ; Schwarze ; Musikalbum ; Bürgerrechtsbewegung ; USA
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  • 28
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469646510
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
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    Keywords: Broonzy, Big Bill ; Broonzy, Bill ; Schwarze ; Blues ; Ethnische Identität ; African American musicians Biography ; Blues musicians Biography ; Blues (Music) History and criticism ; Amerika ; Hochschulschrift
    Abstract: Over the course of his long career, legendary bluesman William 'Big Bill' Broonzy (1893-1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the north, to its eventual international acclaim. Through Broonzy's life and times, Kevin D. Greene assesses major themes and events in African American history.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 29
    Book
    Book
    Singapore : Palgrave Macmillan
    ISBN: 9789811335129
    Language: English
    Pages: ix, 179 Seiten , Illustrationen
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    Keywords: Ethnische Identität ; Homosexualität ; Rapmusiker ; Schwarze ; Männlichkeit ; Rap musicians ; Musicians, Black ; Gay musicians ; Music / Social aspects ; Rap (Music) ; Masculinity in music ; Gay musicians ; Masculinity in music ; Music / Social aspects ; Musicians, Black ; Rap (Music) ; Rap musicians ; Rapmusiker ; Schwarze ; Homosexualität ; Männlichkeit ; Ethnische Identität
    Description / Table of Contents: Introduction -- Black masculinity, homosexuality and hip-hop music -- The commoditisation of hip-hop music and queerness -- Revelations from Black gay men who rap -- Facing challenges -- Homosexual masculinity -- Conclusion
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  • 30
    Book
    Book
    Bloomington : Indiana University Press
    ISBN: 9780253041142 , 9780253041135
    Language: English
    Pages: xi, 241 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Wolf, Juan Eduardo, 1971- author Styling blackness in Chile
    DDC: 780.89/96083
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    Keywords: Popular music History and criticism ; Blacks Music ; History and criticism ; Music and race Chile ; Musik ; Schwarze ; Tanz ; Chile ; Chile ; Schwarze ; Musik ; Tanz
    Note: Includes bibliographical references and index
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  • 31
    ISBN: 9781978803596 , 9781978803589
    Language: English
    Pages: xiii, 246 Seiten , Illustrationen , 23 cm
    DDC: 306.484243
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    Keywords: Geschichte 1970- ; Schwarze ; Rhythm and Blues ; Identität ; Sexualität ; Neoliberalismus ; USA
    Abstract: Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
    Note: Literaturverzeichnis: Seite 225-236
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  • 32
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 146964648X , 9781469646480 , 1469646498 , 9781469646497
    Language: English
    Pages: XIII, 226 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Broonzy, Bill ; Schwarze ; Blues ; Ethnische Identität ; Amerika ; Hochschulschrift ; Biografie
    Abstract: "Over the course of his long career, legendary bluesman William 'Big Bill' Broonzy (1893-1958) helped shape the trajectory of the genre ... Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century
    Note: Bibliography Seite 207-218
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  • 33
    Book
    Book
    Hamburg ; Berlin :Orlanda Buchverlag UG,
    ISBN: 978-3-944666-53-2
    Language: German
    Pages: 289 Seiten.
    Edition: 1. Auflage, 2018
    Uniform Title: Black looks
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    Keywords: Schwarze Frau. ; Rassismus. ; Sexismus. ; Stereotyp. ; Schwarze. ; Massenkultur. ; Vermarktung. ; USA. ; Schwarze Frau ; Rassismus ; Schwarze Frau ; Sexismus ; Stereotyp ; Rassismus ; Schwarze ; Massenkultur ; Vermarktung ; Schwarze
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  • 34
    ISBN: 9781476673387
    Language: English
    Pages: vii, 459 Seiten
    DDC: 016.78089/96
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    Keywords: Geschichte 1901-1943 ; Blacks Discography Music ; Field recordings Catalogs ; Schwarze ; Afroamerikanische Musik ; Field Recording ; Schallaufzeichnung ; Karibik ; Westafrika ; USA Südoststaaten ; Diskografie ; Diskografie ; Diskografie ; Westafrika ; Karibik ; USA Südoststaaten ; Schwarze ; Afroamerikanische Musik ; Schallaufzeichnung ; Field Recording ; Geschichte 1901-1943
    Abstract: "Traditional African musical forms have long been accepted as fundamental to the emergence of blues and jazz. This discography brings together recordings that trace the evolution of the African American musical experience, from early wax cylinder recordings made in West Africa to voodoo rituals from the Carribean Basin to the songs of former slaves in the American South"...
    Note: Includes bibliographical references and index
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  • 35
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252099939
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: The new black studies series
    DDC: 810.9/896073
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    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; American literature African American authors ; History and criticism ; Jazz in literature ; Modernism (Literature) ; African Americans Music ; History and criticism ; Black nationalism History 20th century ; African Americans Social life and customs 20th century ; USA
    Abstract: 'Jazz Internationalism' argues for the critical significance of jazz in Afro-modernist literature, from the beginning of the Great Depression through the radical social movements of the 1960s.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 36
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781469638621
    Language: English
    Pages: 1 Online-Ressource (xiv, 280 Seiten)
    Series Statement: The John Hope Franklin Series in African American History and Culture
    Parallel Title: Erscheint auch als
    DDC: 782.25089/96073
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    Keywords: Schwarze ; Anthem ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 37
    ISBN: 9781438469874 , 9781438469867
    Language: English
    Pages: xxvi, 200 Seiten , Illustrationen , 23 cm
    Series Statement: SUNY series, philosophy and race
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073043
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    Keywords: Geschichte 1918-1939 ; Philosophy, German 20th century ; Jazz History and criticism 20th century ; Blacks Race identity 20th century ; History ; Jazz ; Schwarze ; Nationalsozialismus ; Ethnische Identität ; Afroamerikanische Musik ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext)
    Note: Includes bibliographical references and index
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  • 38
    ISBN: 9780472053407 , 9780472073405
    Language: English
    Pages: XI, 311 Seiten , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    Parallel Title: Erscheint auch als
    DDC: 306.4/8425094309042
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    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1933 ; Geschichte 1921-1930 ; Geschichte ; Gesellschaft ; Jazz Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race ; Ethnische Identität ; Soziale Funktion ; Kulturleben ; Jazz ; Schwarze ; Deutschland ; Germany Civilization ; American influences ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Kulturleben ; Ethnische Identität ; Soziale Funktion ; Geschichte 1918-1933 ; Deutschland ; Jazz ; Geschichte 1921-1930
    Note: Includes bibliographical references and index
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  • 39
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252094460
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 133.4308996073
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    Keywords: Schwarze ; Wodu ; Hoodoo (Cult) ; Vodou ; African American magic ; Medicine, Magic, mystic, and spagiric ; African Americans Religion ; African Americans Folklore ; Amerika
    Abstract: Katrina Hazzard-Donald explores African Americans' experience and practice of the herbal, healing folk belief tradition known as Hoodoo. Working against conventional scholarship, Hazzard-Donald argues that Hoodoo emerged first in three distinct regions she calls oregional Hoodoo clusters - and that after the turn of the 19th century, Hoodoo took on a national rather than regional profile.
    Note: Previously issued in print: 2012 , Includes bibliographical references and index
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  • 40
    Book
    Book
    New York, NY :Oxford University Press,
    ISBN: 978-0-19-026487-1
    Language: English
    Pages: XI, 276 Seiten : , Illustrationen, Porträts.
    Parallel Title: Erscheint auch als Katherine Dunham
    DDC: 792.8092
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    Keywords: Dunham, Katherine ; Dunham, Katherine ; Geschichte 1909-2006 ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts / bisacsh ; PERFORMING ARTS / Dance / Modern / bisacsh ; Dancers Biography ; Women dancers Biography ; African American dancers Biography ; Anthropologists Biography ; African American anthropologists Biography ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; PERFORMING ARTS / Dance / Modern ; Tänzerin. ; Choreografin. ; Schwarze. ; USA ; USA. ; Autobiografie ; Biografie ; 1909-2006 Dunham, Katherine ; Tänzerin ; Choreografin ; Schwarze ; Geschichte 1909-2006
    Abstract: Katherine Dunham (1909–2006) was one of the twentieth century’s most important dance artists. As an African American woman, she broke several barriers of race and gender, most notably as the founder of a dance company that toured the world for several decades. She was also one of the first choreographers to conduct anthropological research and then translate her findings for the theatrical stage. Katherine Dunham: Dance and the African Diaspora makes the argument that Dunham was not only a dancer but also an intellectual and activist who influenced the long black freedom struggle on an international scale. From the New Negro Movement to the Civil Rights Movement to the Black Power Movement and beyond, Dunham articulated a place for dance in the fight against racial inequality and emphasized a diasporic perspective. The book examines how Dunham struggled to balance these political commitments with artistic dreams, personal desires, and economic needs, all in the face of racism and sexism. It assesses her dance performances as a form of black feminist protest while also presenting new material about her schools in New York and East St. Louis, her work in Haiti, and her network of interlocutors that included figures as diverse as ballet choreographer George Balanchine and Senegalese president Léopold Sédar Senghor. By drawing on a vast, never-utilized trove of archival materials, along with oral histories, choreographic analysis, and embodied research, Katherine Dunham: Dance and the African Diaspora offers new insight about how this remarkable woman built political solidarity through the arts.
    Note: Literaturverzeichnis Seite 247-257
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  • 41
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226451640 , 9780226451503
    Language: English
    Pages: x, 360 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64089/96073
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    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1812-1925 ; Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Unterhaltungsmusik ; Schwarze ; Mittelstand ; Ethnische Identität ; Nationalismus ; USA ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes bibliographical references and index
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  • 42
    ISBN: 9780253024947 , 9780253353573
    Language: English
    Pages: xxxvi, 199 pages , Illustrationen
    Edition: New edition
    DDC: 305.896/073076335
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    Keywords: Schwarze ; Jazz ; Religion ; Identität ; New Orleans, La.
    Note: Bibliography: Seite 175-188
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  • 43
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
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    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 44
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252099939
    Language: English
    Pages: 1 Online-Ressource (183 pages)
    Series Statement: New Black Studies Ser.
    DDC: 810.98960729999999
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    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 45
    ISBN: 9780195307245
    Language: English
    Pages: xxxv, 240 Seiten , Karten
    DDC: 780.8996
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    Keywords: Geschichte ; Afroamerikanische Musik ; Schwarze ; Soziokultureller Wandel ; Diaspora ; Musiker ; Migration ; Soziale Funktion
    Note: Bibliography Seite 221-233
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  • 46
    ISBN: 9781433145650 , 9781433145704
    Language: English
    Series Statement: Black Studies & Critical Thinking vol. 103
    Series Statement: Black Studies & Critical Thinking
    DDC: 370
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    Keywords: Musikerziehung ; Jazz ; Schwarze ; Akademisierung ; Jazzmusiker ; Identität ; USA ; Black ; Called ; Conversations ; Culture ; Education ; Jazz ; Phillips ; Soul ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
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  • 47
    ISBN: 9780252041334 , 9780252082863
    Language: English
    Pages: xi, 227 Seiten , 23 cm
    Series Statement: The new black studies series
    Parallel Title: Erscheint auch als Jazz internationalism
    DDC: 810.9/896073
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    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; USA
    Abstract: "Jazz Internationalism offers a bold reconsideration of jazz's influence in Afro-modernist literature. Ranging from the New Negro Renaissance through the social movements of the 1960s, John Lowney articulates nothing less than a new history of Afro-modernist jazz writing. Jazz added immeasurably to the vocabulary for discussing radical internationalism and black modernism in leftist African American literature. Lowney examines how Claude McKay, Ann Petry, Langston Hughes, and many other writers employed jazz as both a critical social discourse and mode of artistic expression to explore the possibilities "and challenges "of black internationalism. The result is an expansive understanding of jazz writing sure to spur new debates"--
    Note: Literaturangaben: Seite [205]-220
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  • 48
    ISBN: 9780253024947 , 9780253025128 (Sekundärausgabe) , 9780253024947 (Sekundärausgabe)
    Language: English
    Pages: 240 pages
    Edition: Online-Ausg. Online-Ressource ISBN 9780253025128
    Edition: ISBN 9780253024947
    Edition: [Online-Ausg.]
    DDC: 305.896/073076335
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    Keywords: Schwarze ; Jazz ; Religion ; Identität ; New Orleans, La. ; Online-Publikation
    Note: Online-Ausg.:
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  • 49
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469622712
    Language: English
    Pages: 1 Online-Ressource , Illustrations, maps
    DDC: 780.89/9607307471
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    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; African Americans Music ; History and criticism ; Ragtime music History and criticism ; Ragtime music Social aspects 20th century ; History ; Music and race History 20th century ; USA
    Abstract: This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
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  • 50
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520963412
    Language: English
    Pages: 1 Online-Ressource (xvi, 261 Seiten) , Illustrationen
    Series Statement: Music of the african diaspora 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6508996073044361
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    Keywords: Geschichte 1900-2000 ; Geschichte 1945-1961 ; Jazz musicians 20th century ; African American musicians 20th century ; Jazz History and criticism ; African American authors 20th century ; Amerikanischer Einwanderer ; Schriftsteller ; Kulturkontakt ; Ethnische Identität ; Jazzmusiker ; Schwarze ; Frankreich ; Paris (France) Race relations 20th century ; Paris ; Paris ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Geschichte 1945-1961
    Abstract: "At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians...and African American artists based in Europe like writer and social critic James Baldwin...adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"...Provided by publisher
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 51
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226362403 , 9780226362540
    Language: English
    Pages: XX, 307 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.63096822/1
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    Keywords: Geschichte 1994-2014 ; Kwaito (Music) Social aspects ; Kwaito (Music) Philosophy and aesthetics ; Kwaito (Music) Political aspects ; Musicians, Black ; Politischer Wandel ; Kwaito ; Soziale Funktion ; Jugend ; Schwarze ; South Africa Social conditions 1994- ; Südafrika ; Südafrika ; Kwaito ; Politischer Wandel ; Jugend ; Schwarze ; Soziale Funktion ; Geschichte 1994-2014
    Abstract: In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country s urban black youth developed "kwaito" a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today who face high unemployment, extreme inequality, and widespread crime Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that music is always political, Steingo elucidates a music that thrives on its its radically ambiguous relationship with politics, power, and the state. - Gavin Steingo is assistant professor of music at the University of Pittsburgh.
    Note: Includes bibliographical references and index
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  • 52
    Book
    Book
    Berkeley : University of California Press
    ISBN: 9780520279346 , 9780520279353
    Language: English
    Pages: xvi, 261 Seiten , Illustrationen
    Series Statement: Music of the African diaspora 18
    DDC: 781.6508996073044361
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    Keywords: Geschichte 1945-1961 ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Paris
    Note: Literaturverzeichnis Seite 227 - 242
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  • 53
    ISBN: 1609278615 , 9781609278618 , 9781634871068 , 9781634872676
    Language: English
    Pages: xii, 140 Seiten , Illustrationen
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    Keywords: Schwarze ; Sklaverei ; Kaste ; Musikleben ; Rezeption ; Blues ; Westafrika ; Mississippidelta
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  • 54
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199354016 , 9780199354047 (Sekundärausgabe)
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white, and colour)
    Edition: Online-Ausg. Online-Ressource ISBN 9780199354047
    Edition: [Online-Ausg.]
    DDC: 791.08996073
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    Keywords: Geschichte 1920-1945 ; Schwarze ; Darstellende Kunst ; Afroamerikanische Musik ; Harlem renaissance ; Rezeption ; Kultur ; Moderne ; USA
    Abstract: 'Some of These Days' shows how interwar European audiences, artists, and intellectuals particularly associated with modernism, used Black American culture - for which 'jazz' was often a shorthand - to negotiate the disorientating experience of modernity and modernization. One manifestation of this process was the fashionable Negrophilia of the 1920s, the decade in which the two most successful Black American stars of their era first made their names: Josephine Baker and Paul Robeson. The book is threaded around their careers, their travels, and their relationships.
    Note: Includes bibliographical references and index , Online-Ausg.:
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  • 55
    Book
    Book
    Lanham, Md. : Rowman & Littlefield
    ISBN: 978-0-8108-8832-6
    Language: English
    Pages: XV, 331 S.
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1920-1940 ; Jazz / California / Los Angeles / 1921-1930 / History and criticism ; Jazz / California / Los Angeles / 1931-1940 / History and criticism ; African American jazz musicians / California / Los Angeles / Interviews ; Jazz musicians / California / Los Angeles / Interviews ; African American jazz musicians ; Jazz ; Jazz musicians ; Jazzmusiker ; Schwarze ; Central Avenue (Los Angeles, Calif.) ; California / Los Angeles ; California / Los Angeles / Central Avenue ; Los Angeles, Calif. ; Los Angeles, Calif. ; Jazzmusiker ; Schwarze ; Geschichte 1920-1940
    Note: Includes bibliographical references and index , Andrew "Andy" Blakeney -- Gideon Joseph "Gid" Honore, Jr -- George Robert Orendorff -- Nathaniel Jack "Monk" McFay -- Floyd Payne Turnham, Jr -- Betty Hall Jones -- Mclure "Red Mack" Morris -- Caughey Wesley Roberts II -- Chester C. Lane -- Isadore Leonidas "Monte" Easter -- William King "Billy" Hadnott -- Norman "Norm" Leland Bowden -- John Richard "Streamline" Ewing -- Charles L. "Chuck" Thomas, Jr -- Jesse John Sailes -- "Red" Minor W. Robinson
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  • 56
    Book
    Book
    Chapel Hill : The Univ. of North Carolina Press
    ISBN: 1469622696 , 9781469622699
    Language: English
    Pages: XIV, 291 S. , Ill.
    DDC: 780.89/9607307471
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    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; USA
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  • 57
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839405970
    Language: German
    Pages: 1 Online-Ressource (180 p.)
    Edition: 1st ed.
    Series Statement: Cultural Studies 24
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    Keywords: Geschichte 1967-1975 ; Geschichte 1968-1980 ; Kultur ; Rezeption ; Kulturkontakt ; Schwarze ; Amerikanisierung ; Deutschland ; Deutschland ; USA
    Abstract: Soul-Musik und »Black Power«-Solidarität, blonde »Afros« und schwarz-weiße Werbekampagnen: Afroamerikanisches hatte in verschiedenen Feldern der Gegen- und Popkultur der Bundesrepublik um 1968 Konjunktur. Diese Studie zeigt Formen und Hintergründe der »Afroamerikanophilie« auf und zeichnet damit ein ungewohntes Bild der Zeit um 1968, als ein zunehmend »exklusives« afroamerikanisches Selbstbewusstsein entstand und die »weiße« Suche nach imaginären Einlassstellen in die »schwarze« Welt zugleich eine neue Qualität gewann. Aus einer Vielzahl von Quellen werden dabei auch theoretische Fragen nach dem Zusammenspiel von Identifikation und Solidarität, Rassismus, Aneignung und Nachahmung entwickelt.
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  • 58
    Book
    Book
    London [u.a.] : Routledge
    ISBN: 9780415881807 , 9780415881814 , 9781315857671
    Language: English
    Pages: XV, 465 S. , Ill., Notenbeisp.
    Additional Material: 1 CD
    Edition: 2. ed.
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
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    Keywords: African Americans / Music / History and criticism ; Musik ; Schwarze. USA ; Musik ; Afroamerikanische Musik ; Musikleben ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Musik ; USA ; Schwarze ; Musikleben ; Afroamerikanische Musik
    Note: Previous ed.: 2006
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  • 59
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781469622712
    Language: English
    Pages: 1 Online-Ressource (308 pages)
    DDC: 780.899607307471
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    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 60
    ISBN: 9780199354016
    Language: English
    Pages: 271 Seiten , Illustrationen
    DDC: 791.08996073
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    Keywords: Geschichte 1920-1945 ; Schwarze ; Darstellende Kunst ; Afroamerikanische Musik ; Harlem renaissance ; Rezeption ; Kultur ; Moderne ; USA
    Note: Bibliography Seite 259-268
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  • 61
    Book
    Book
    Jackson : Univ. Press of Mississippi
    ISBN: 9781628460391
    Language: English
    Pages: XIX, 256 S.
    Series Statement: American made music series
    Uniform Title: Free jazz - black power
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073
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    Keywords: Geschichte ; Geschichte 1945-1970 ; Geschichte ; Gesellschaft ; Schwarze. USA ; Jazz History and criticism ; Free jazz History and criticism ; African Americans History 1964- ; Jazz Social aspects ; Black power ; Free Jazz ; Schwarze ; USA ; USA ; Free Jazz ; Black power ; Geschichte ; USA ; Free Jazz ; Schwarze ; Geschichte 1945-1970
    Note: Includes bibliographical references and index
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  • 62
    Book
    Book
    Philadelphia, Pa. : Univ. of Pennsylvania Press
    ISBN: 9780812246841
    Language: English
    Pages: 219 S. , graph. Darst.
    Series Statement: American governance
    DDC: 782.4216491599
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    Keywords: Rap (Music) Political aspects 20th century ; History ; Rap (Music) Political aspects 21st century ; History ; African Americans Politics and government 20th century ; African Americans Politics and government 21st century ; African Americans Political activity 20th century ; History ; African Americans Political activity 21st century ; History ; African Americans Attitudes 20th century ; History ; African Americans Attitudes 21st century ; History ; Politik ; Schwarze ; Hip-Hop ; USA ; USA ; Schwarze ; Hip-Hop ; Politik
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  • 63
    Online Resource
    Online Resource
    Philadelphia, Pa. : University of Pennsylvania Press
    ISBN: 9780812291131
    Language: English
    Pages: 1 Online-Ressource (219 Seiten)
    Series Statement: American Governance
    Parallel Title: Erscheint auch als
    DDC: 782.421649/1599
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    Keywords: Politik ; Hip-Hop ; Schwarze ; USA ; USA ; Schwarze ; Hip-Hop ; Politik
    Note: In English
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  • 64
    ISBN: 9780810883505
    Language: English
    Pages: VIII, 848 S. , zahlr. Ill.
    Edition: 2. ed.
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    Keywords: Schwarze ; Musical ; Afroamerikanische Musik ; USA
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  • 65
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199936373 , 9780199346455 (Sekundärausgabe)
    Language: English
    Pages: 1 Online-Ressource
    Edition: Online-Ausg. Online-Ressource ISBN 9780199346455
    Edition: [Online-Ausg.]
    DDC: 809.896
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    Keywords: Afroamerikanische Musik ; Literatur ; Solidarität ; Schwarze ; Musik ; Afrika
    Abstract: 'Africa In Stereo' examines the role that African American music has played in the pan-Africanist imagination since the end of the 19th century. Throughout, Jaji marshals a wide array of critical, archival, literary, visual, and sonic sources to craft an argument centered on the stereophonic echoes between three sites on the African continent emblematic of pan-Africanism (Ghana, Senegal, and South Africa) and black musical cultures in the US (as well as few other placeson the diasporic landscape).
    Note: Includes bibliographical references and index , Online-Ausg.:
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  • 66
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839420607
    Language: German
    Pages: 1 Online-Ressource (502 p.)
    Edition: 1st ed.
    Series Statement: Post_koloniale Medienwissenschaft 1
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    Keywords: Geschichte 1900 ; Geschichte ; Geschichte 1880-1930 ; Modetanz ; Schwarze ; Gesellschaftstanz ; Ästhetik ; Cakewalk ; Rassismus ; Kolonialismus ; Ethnische Beziehungen ; Alltagskultur ; USA ; Europa
    Abstract: Die Geschichte schwarzer Modetänze wird bislang meist augenzwinkernd als ansteckendes Tanzfieber verhandelt. Doch nicht mysteriöse Erreger, sondern handfeste politische Konflikte um Bürgerschaft, Arbeitsteilung und Geschlechterverhältnisse waren ihre Grundlage. Die Ästhetik der schwarzen Diaspora machte diese Konflikte auf den Tanzflächen neu verhandelbar. Tanztechnik verbündete sich dabei mit Medientechniken, die ebenfalls mit Bewegung, Wahrnehmung und der Möglichkeit von Verwandlung experimentierten. Astrid Kusser geht dieser Geschichte zwischen New York, Buenos Aires, Kapstadt, Viktoria in Kamerun und Berlin nach.
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  • 67
    ISBN: 9780199394043 , 9780199895403
    Language: English
    Pages: xi, 244 Seiten , Illustrationen
    Edition: First issued as an Oxford University Press paperback
    Uniform Title: The dozens
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    Keywords: Afroamerikanische Musik ; Sozialverhalten ; Schwarze ; Verbalaggression ; Sprachspiel ; Amerika ; Amerika ; Schwarze ; Verbalaggression ; Sprachspiel ; Sozialverhalten ; Afroamerikanische Musik
    Note: Originally published as The dozens: a history of rap's mama
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  • 68
    ISBN: 1-4724-2979-6 , 978-1-4724-2979-7 , 978-1-4724-2978-0 , 1-4724-2978-8 , 978-1-4724-2980-3 , 1-4724-2980-X , 9781315547343
    Language: English
    Pages: 1 online resource (X, 221 Seiten).
    Series Statement: Ashgate popular and folk music series
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    DDC: 781.64086/91
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    Keywords: Taha, Rachid ; Taha, Rachid Criticism and interpretation ; Geschichte 1945-2010 ; MUSIC / Instruction & Study / Theory ; Blacks ; Music and race ; Popular music / Social aspects ; Reggae music ; Ska (Music) ; Blacks / Great Britain / Music / History and criticism ; Music and race / Great Britain ; Popular music / Social aspects / Great Britain ; Reggae (Music) / Great Britain / History and criticism ; Ska (Music) / Great Britain / History and criticism ; Taha, Rachid / Criticism and interpretation ; Gesellschaft ; Musik ; Popular music Music Social aspects ; Music and race History and criticism ; Ska (Music) History and criticism ; Reggae music History and criticism ; Blacks ; Schwarze. ; Reggae. ; Ska. ; Ethnische Identität. ; Musiksoziologie. ; Großbritannien ; Großbritannien. ; Schwarze ; Reggae ; Ska ; Ethnische Identität ; Musiksoziologie ; Geschichte 1945-2010
    Description / Table of Contents: "A West Indian? you must be joking! I come out of the East end" : Kenny Lynch and English racism in the 1950s and 1960s -- Chris Blackwell and "my boy lollipop" : ska, race and British popular music -- The travels of Johnny Reggae : from Jonathan King to prince Far-I; from skinhead to rasta -- "Ob-la-di ob-la-da" : Paul McCartney, diaspora and the politics of identity -- "Brother Louie" and the representation of interracial relationships in the United Kingdom and the United States of America -- Skin deep : ska and reggae on the racial faultline in Britain, 1968-1981 -- Rachid Taha and the postcolonial presence in French popular music -- "Police on my back" and the postcolonial experience
    Description / Table of Contents: Jon Stratton explores the concept of 'song careers', referring to how a song is picked up and then transformed by being revisioned by different artists and in different cultural contexts, to examine the ways that music has crossed racial faultlines that have developed in the post-Second World War era as a consequence of the movement of previously colonized peoples to the countries that colonized them. It is this migration of music that will appeal not only to those studying popular music, but also cultural studies and race
    Note: Print version record
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  • 69
    ISBN: 9781472434319 , 9781472418357
    Language: English
    Pages: xv, 339 Seiten
    DDC: 305.896073
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    Keywords: Ice T ; Schwarze ; Bande ; Soziale Situation ; USA ; Aufsatzsammlung
    Note: Literaturangaben
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  • 70
    ISBN: 9781137071392
    Language: English
    Pages: 1 Online-Ressource (XXVII, 284 Seiten)
    Series Statement: Contemporary Black History
    DDC: 305.896073
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    Keywords: Schwarze ; Volkskultur ; Protestsong ; Hip-Hop ; USA ; Aufsatzsammlung
    Abstract: Considers the misappropriation of African American popular culture through various genres, largely Hip Hop, to argue that while such cultural creations have the potential to be healing agents, they are still exploited -often with the complicity of African Americans- for commercial purposes and to maintain white ruling class hegemony.
    Note: Description based upon print version of record
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  • 71
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199394043 , 9780199895403
    Language: English
    Pages: XI, 244 S. , Ill.
    Edition: 1. issued as an Oxford Univ. Press paperback
    DDC: 782.4216490973
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    Keywords: Schwarze ; Verbalaggression ; Sprachspiel ; Sozialverhalten ; Afroamerikanische Musik ; Amerika
    Note: Literaturverz. S. [227] - 231
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  • 72
    Online Resource
    Online Resource
    New York, NY : Palgrave Macmillan | Ann Arbor, Michigan : ProQuest
    ISBN: 9781137305251
    Language: English
    Pages: 1 Online-Ressource (xii, 187 Seiten)
    DDC: 305.896073
    RVK:
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    Keywords: Schwarze ; Hip-Hop ; Subkultur ; Soziale Situation ; USA
    Note: Literaturangaben , Description based upon print version of record
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  • 73
    Online Resource
    Online Resource
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780199936380
    Language: English
    Pages: 1 Online-Ressource (289 pages)
    DDC: 809/.896
    RVK:
    Keywords: Afroamerikanische Musik ; Literatur ; Solidarität ; Schwarze ; Musik ; Afrika
    Note: Description based on publisher supplied metadata and other sources
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  • 74
    Book
    Book
    Oxford : Oxford Univ. Press
    ISBN: 9780199936397 , 0199936374 , 0199936390 , 9780199936373
    Language: English
    Pages: XI, 272 S. , Ill.
    DDC: 809.896
    RVK:
    Keywords: Afroamerikanische Musik ; Literatur ; Solidarität ; Schwarze ; Musik ; Afrika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Includes bibliographical references (pages 249-259) and index. , Enth.: Stereomodernism and amplifying the Black Atlantic. Sight reading: early Black South African transcriptions of freedom. Négritude musicology: poetry, performance and statecraft in Senegal. What women want: selling hi-fi in consumer magazines and film. 'Soul to soul': echo-locating histories of slavery and freedom from Ghana. Pirate's choice: hacking into (post-)pan-African futures. Epilogue: Singing songs.
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  • 75
    Book
    Book
    Basingstoke [u.a.] : Palgrave Macmillan
    ISBN: 023039096X , 9780230390966
    Language: English
    Pages: VIII, 80 S.
    Series Statement: Theatre &
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    Keywords: Theater ; Schwarze ; USA
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  • 76
    Book
    Book
    Santa Barbara, Calif. : Praeger
    ISBN: 0313395772 , 9780313395772
    Language: English
    Pages: VII, 297 Seiten , Illustrationen , 25 cm
    DDC: 973.932
    RVK:
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    Keywords: Schwarze ; Hip-Hop ; Alltagskultur ; Öffentliche Meinung ; USA
    Note: Literaturverzeichnis Seite 267-285
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  • 77
    Online Resource
    Online Resource
    London : Taylor and Francis | Ann Arbor, Michigan : ProQuest
    ISBN: 9781136475276
    Language: English
    Pages: 1 Online-Ressource (138 pages)
    DDC: 306.08996073
    RVK:
    Keywords: Geschichte 1829-2000 ; Massenkultur ; Schwarze ; USA
    Abstract: This volume is an authoritative introduction to the history of African Americans in US popular culture, examining its development from the early nineteenth century to the present. Kevern Verney examines:* the role and significance of race in all major forms of popular culture, including sport, film, television, radio and music* how the entertainment industry has encouraged racism through misrepresentations and caricatured images of African Americans.African Americans have made a unique contribution to the richness and diversity of US popular culture. Rooted in African society and traditions, black slaves in America created a dynamic culture which continues to evolve. Present day hip-hop and rap music are still shaped by the historical experience of slavery and the ongoing will to oppose oppression and racism.Any student of African-American history or cultural studies will find this a fascinating and highly useful book.
    Note: Description based on publisher supplied metadata and other sources
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  • 78
    Book
    Book
    Durham [u.a.] : Duke Univ. Press
    ISBN: 9780822351498 , 0822351498 , 9780822351634 , 0822351633
    Language: English
    Pages: 383 S. , Ill.
    DDC: 781.64208996073
    RVK:
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    Keywords: Countrymusic ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 79
    Book
    Book
    Urbana, Ill. [u.a.] : University of Illinois Press
    ISBN: 9780252037290 , 0252037294 , 9780252078767 , 0252078764
    Language: English
    Pages: X, 234 S. , Ill. , 23 cm
    DDC: 133.4308996073
    RVK:
    RVK:
    Keywords: Schwarze ; Wodu ; Amerika ; Bibliografie ; Bibliografie
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  • 80
    ISBN: 9783837620603 , 3837620603
    Language: German
    Pages: 501 S. , Ill. , 225 mm x 148 mm, 768 g
    Series Statement: Post-koloniale Medienwissenschaft 1
    Series Statement: Post-koloniale Medienwissenschaft
    Parallel Title: Online-Ausg. Kusser, Astrid Körper in Schieflage
    Parallel Title: Erscheint auch als Kusser, Astrid Körper in Schieflage
    Dissertation note: Zugl.: Köln, Univ., Diss.
    DDC: 306.484609
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    Keywords: Alltag ; Arbeit ; Cakewalk ; Kolonialismus ; Kultur ; Medien ; Rassismus ; Tanz ; Widerstand ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Modetanz ; Cakewalk ; Rassismus ; Kolonialismus ; Ethnische Beziehungen ; Alltagskultur ; Schwarze ; Modetanz
    Note: Literaturverz. S. [467] - 501
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  • 81
    Book
    Book
    Farnham, Surrey [u.a.] : Ashgate
    ISBN: 9781409455103 , 9781138274280
    Language: English
    Pages: VIII, 194 S. , Ill.
    Series Statement: Ashgate Popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42166092
    RVK:
    Keywords: Jackson, Michael ; Minstrel show ; Maske ; Schwarze ; Jackson, Michael 1958-2009 ; Schwarze ; Maske ; Minstrel show
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  • 82
    Book
    Book
    New York, NY ; Oxford : University Press
    ISBN: 9780199895403
    Language: English
    Pages: XI, 244 Seiten , 25 cm
    DDC: 398.7089/96073
    RVK:
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    Keywords: African American wit and humor ; Invective Humor ; Dozens (Game) ; African Americans Social life and customs ; Rap (Music) ; African Americans Music ; Afroamerikanische Musik ; Sozialverhalten ; Sprachspiel ; Verbalaggression ; Schwarze ; Amerika ; Amerika ; Schwarze ; Verbalaggression ; Sprachspiel ; Sozialverhalten ; Afroamerikanische Musik
    Description / Table of Contents: A Trip down Twelfth Street -- The Name of the Game -- Singing the Dozens -- Country Dozens and Dirty Blues -- The Literary Dozens -- Studying the Street -- The Martial Art of Rhyming -- Around the World with Your Mother -- African Roots -- Slipping Across the Color Line -- Why Do They (We) Do That? -- Rapping, Snapping, and Battling
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  • 83
    Book
    Book
    Oxford [u.a.] :Oxford Univ. Press,
    ISBN: 978-0-19-975831-9 , 978-0-19-975832-6
    Language: English
    Pages: XII, 189 S. : , Ill.
    DDC: 305.48896073
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1930 ; Geschichte ; Weibliche Schwarze. Amerika ; African American women in popular culture History 20th century ; African American women Intellectual life 20th century ; African American women Social conditions 20th century ; Popular culture History 20th century ; Harlem Renaissance ; Frau. ; Schwarze. ; Soziale Situation. ; USA ; United States Race relations 20th century ; History ; USA. ; Frau ; Schwarze ; Soziale Situation ; Geschichte 1920-1930
    Note: Includes bibliographical references (p. 173-182) and index
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  • 84
    Book
    Book
    Ann Arbor : Univ. of Michigan Press
    ISBN: 9780472118489 , 9780472035755 , 9780472028696
    Language: English
    Pages: XII, 203 S. , Ill.
    DDC: 781.64097291
    RVK:
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    Keywords: Sozialgeschichte 1990-2010 ; Alltag, Brauchtum ; Timba (Music) History and criticism ; Dance music History and criticism ; Dance ; Blacks Race identity ; Blacks Social life and customs ; Ethnische Identität ; Schwarze ; Timba ; Cuba Social life and customs ; Kuba ; Kuba ; Schwarze ; Timba ; Ethnische Identität ; Sozialgeschichte 1990-2010
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 85
    Online Resource
    Online Resource
    London : Taylor and Francis | Ann Arbor, Michigan : ProQuest
    ISBN: 9780203214459
    Language: English
    Pages: 1 Online-Ressource (613 pages)
    Edition: 1st ed.
    DDC: 781.643/0973
    RVK:
    Keywords: Schwarze ; Afroamerikanische Musik ; Rassendiskriminierung ; Ethnische Identität ; USA
    Abstract: Brian Ward is Lecturer in American History at the University of Newcastle upon Tyne .; This book is intended for american studies, American history postwar social and cultural history, political history, Black history, Race and Ethnic studies and Cultural studies together with the general trade music.
    Note: Description based on publisher supplied metadata and other sources
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  • 86
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252094460
    Language: English
    Pages: 1 Online-Ressource (250 pages)
    DDC: 133.4308996073
    RVK:
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    Keywords: Schwarze ; Wodu ; Amerika
    Note: Description based on publisher supplied metadata and other sources
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  • 87
    Online Resource
    Online Resource
    Philadelphia : Temple University Press
    ISBN: 9781439902394
    Language: English
    Pages: xviii, 201 p.
    Series Statement: African soundscapes
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.27/08905960068754
    RVK:
    Keywords: Evangelische Kirche ; Geschichte ; Musik ; Church music ; Church music Protestant churches ; Colored people (South Africa) Music ; History and criticism ; Kirchenmusik ; Schwarze ; Südafrika (Staat) ; Graaff-Reinet ; Graaff-Reinet ; Schwarze ; Kirchenmusik ; Geschichte
    Description / Table of Contents: Introduction : the challenges of inscribing coloured voices -- Karoo people and places -- Hidden transcripts : how hymns reveal history -- Senzeni na : interrelationships between the music of mission and independent African church denominations -- Singing the "Queen's English" : church choirs in Kroonvale -- Mothers of the church : women's society music and the politics of gender -- Conclusion : reflections on Karoo sonic spaces
    Note: Includes bibliographical references (p. [169]-189) and index
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  • 88
    Book
    Book
    Chicago : Lawrence Hill Books
    ISBN: 9781556528170 , 1556528175
    Language: English
    Pages: 248 S. , Ill. , 23x16x1 cm
    DDC: 781.64089960
    RVK:
    Keywords: Schwarze ; Black power ; Musik ; USA
    Note: Paperback / softback. Trade paperback (US). Unsewn / adhesive bound
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  • 89
    ISBN: 9781439902370 , 9781439902394
    Language: English
    Pages: XVIII, 201 S. , Ill., Notenbeisp.
    Series Statement: African soundscapes
    DDC: 782.27/08905960068754
    RVK:
    Keywords: Evangelische Kirche ; Geschichte ; Alltag, Brauchtum ; Musik ; Church music ; Church music Protestant churches ; Colored people (South Africa) Music ; History and criticism ; Schwarze ; Kirchenmusik ; Südafrika (Staat) ; Graaff-Reinet (South Africa) Social life and customs ; Graaff-Reinet ; Graaff-Reinet ; Schwarze ; Kirchenmusik ; Geschichte
    Note: Includes bibliographical references and index
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  • 90
    ISBN: 9781609278618 , 1609278615
    Language: English
    Pages: XIII, [2] Bl., 160 S. , zahlr., Ill.
    Edition: 1. publ.
    RVK:
    RVK:
    Keywords: Musik ; Schwarze. USA ; Blues (Music) ; Music ; Aesthetics, African ; African Americans Music ; Schwarze ; Musikleben ; Rezeption ; Sklaverei ; Blues ; Kaste ; Mississippidelta ; Westafrika ; Westafrika ; Schwarze ; Sklaverei ; Kaste ; Musikleben ; Rezeption ; Mississippidelta ; Blues
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  • 91
    Book
    Book
    Minneapolis, Minn. [u.a.] : Univ. of Minnesota Press
    ISBN: 9780816669875 , 0816669872 , 9780816669882 , 0816669880
    Language: English
    Pages: 245 S.
    DDC: 305.896/073
    RVK:
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    Keywords: Schwarze ; Hip-Hop ; Politische Einstellung ; USA
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  • 92
    ISBN: 9780195328530 , 9780195328929 , 0195328531 , 0195328922
    Language: English
    Pages: XIV, 235 S.
    DDC: 788.7/165092
    RVK:
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    Keywords: Coltrane, John ; Spiritualität ; Schwarze ; Jazz ; Religion ; USA
    Note: Includes bibliographical references and index
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  • 93
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520262829 , 9780520262836
    Language: English
    Pages: ix, 280 p
    Series Statement: Music of the African diaspora 14
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/960729
    RVK:
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    Keywords: Brown, James Criticism and interpretation ; Brown, James ; Geschichte ; Musik ; Schwarze. USA ; Blacks Music ; History and criticism ; African Americans Music ; History and criticism ; Musik ; Schwarze ; Karibik ; Karibik ; Schwarze ; Musik ; Geschichte ; Brown, James 1933-2006
    Note: Includes bibliographical references and index
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  • 94
    Book
    Book
    Cambridge, Mass. [u.a.] : Harvard Univ. Press
    ISBN: 9780674035706 , 0674035704 , 9780674060234 , 0674060237
    Language: English
    Pages: 207 S.
    Series Statement: W. E. B. Du Bois lectures
    DDC: 305.896073
    RVK:
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    Keywords: Du Bois, William E. B. ; Geschichte ; Schwarze ; Gruppenidentität ; Amerikanisierung ; Ethnische Identität ; Individualisierung ; Verbraucherverhalten ; Globalisierung ; Kulturwandel ; USA
    Note: Includes bibliographical references and index
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  • 95
    Online Resource
    Online Resource
    New York City : Oxford University Press
    ISBN: 0195328531 , 0199716501 , 9780195328530 , 9780199716500
    Language: English
    Pages: 1 Online-Ressource (xiv, 235 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 788.7/165092
    RVK:
    RVK:
    Keywords: Coltrane, John Criticism and interpretation ; Coltrane, John ; Fine Arts ; MUSIC / Musical Instruments / Woodwinds ; Musik ; Religion ; Schwarze. USA ; Jazz History and criticism ; Jazz Religious aspects ; African Americans Music Religious aspects ; Jazz musicians Interviews ; Jazz ; Spiritualität ; Religion ; Schwarze ; USA ; Coltrane, John 1926-1967 ; Spiritualität ; USA ; Schwarze ; Jazz ; Religion
    Note: Includes bibliographical references and index , You have to be invited: reflections on music making and musician creation in Black American culture - Leonard L. Brown -- - In his own words: Coltrane's responses - Leonard L. Brown -- - John Coltrane and the practice of freedom - Herman Gray -- - John Coltrane as the personification of spirituality in black music - Anthony Brown -- - Freedom is a constant struggle: Alice Coltrane and the redefining of the jazz avante-garde - Tammy L. Kernodle -- - When bar walkers preach: John Coltrane and the crisis of the black intellectual - Tommy L. Lott -- - "Don't let the devil (make you) lose your joy": a look at late Coltrane - Salim Washington -- - The spiritual ethos of black musica nd its quintessential exemplar, John Coltrane - Emmett G. Price III -- - Somebody please say, "amen!" - Eric D. Jackson -- - Masters on a master introduction: Anthony Brown's and Leonard Brown's conversations with Olly Wilson, Yusef Lateef and Billy Taylor: Conversation with Olly Wilson; Conversation with Yusef Lateef; Conversation with Billy Taylor -- - Coda: George Russell on John Coltrane , John Coltrane's unique and powerful saxophone sound is commonly recognized among scholars and fans of Black American music and jazz as having a "spiritual" nature, imbued with the performer's soul, which deeply touches musicians and listeners worldwide. This revered and respected musician created new standards, linked tradition with innovation, challenged common assumptions, and relentlessly pursued spiritual goals in his music, which he aimed openly to use as a means to help listeners see the beauty of life. More than four decades after Coltrane's death, it is this spiritual nature
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  • 96
    Book
    Book
    Ann Arbor, Mich. : Univ. of Michigan Press
    ISBN: 9780472071081 , 9780472051083
    Language: English
    Pages: XIII, 250 S.
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    DDC: 781.6401
    RVK:
    Keywords: Geschichte ; Religion ; Musikästhetik ; Musik ; Popmusik ; Blues ; Spiritualität ; Soul ; Schwarze ; Musikphilosophie ; USA ; African Americans--Music--History and criticism. ; Soul music--History and criticism. ; Blues (Music)--History and criticism. ; Music--Religious aspects. ; Music and philosophy. ; USA ; Schwarze ; Musik ; Geschichte ; Soul ; Blues ; Spiritualität ; Geschichte ; USA ; Schwarze ; Popmusik ; Musikphilosophie ; Musikästhetik ; Spiritualität ; USA ; Popmusik ; Religion ; Spiritualität
    Note: Incl. bibliogr. references, discography and filmogr. and index
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  • 97
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9780719076213
    Language: English
    Pages: XII, 296 Seiten , Diagramme
    Series Statement: Music and society
    DDC: 782.421646
    RVK:
    Keywords: Geschichte 1970-2000 ; Reggae music / History and criticism ; Reggae music / Social aspects ; Memory in music ; Time in music ; Gesellschaft ; Schwarze ; Sklaverei ; Gesellschaft ; Diaspora ; Kollektives Gedächtnis ; Reggae ; Rassismus ; Erinnerung ; Reggae ; Gesellschaft ; Geschichte 1970-2000 ; Reggae ; Erinnerung ; Geschichte 1970-2000 ; Schwarze ; Sklaverei ; Diaspora ; Rassismus ; Kollektives Gedächtnis ; Reggae
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  • 98
    Online Resource
    Online Resource
    Philadelphia : University of Pennsylvania Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780812203011
    Language: English
    Pages: 1 Online-Ressource (419 pages)
    Series Statement: Contemporary Ethnography
    DDC: 306.664008996073
    RVK:
    Keywords: Glaubenserfahrung ; Pfingstbewegung ; Gospelsong ; Schwarze ; USA
    Abstract: Fire in My Bones contributes to our understanding of gospel-and of the nature of religious experience in general.
    Note: Description based on publisher supplied metadata and other sources
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  • 99
    Book
    Book
    New York [u.a.] :Routledge,
    ISBN: 0-415-80486-8 , 978-0-415-80486-8
    Language: English
    Pages: XVI, 142 S. : , Ill.
    Edition: 1. publ.
    Series Statement: Studies in African American history and culture
    DDC: 305.896/07300904
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte ; Gesellschaft ; Schwarze. USA ; African Americans in popular culture History 20th century ; African-American arts 20th century ; African Americans Intellectual life 20th century ; African Americans Race identity ; Racism in popular culture History 20th century ; Stereotypes (Social psychology) ; Hip-hop Social aspects ; Rap (Music) Social aspects ; Popular culture History 20th century ; Schwarze. ; Massenkultur. ; Ethnische Identität. ; Ethnische Beziehungen. ; USA ; USA. ; Schwarze ; Massenkultur ; Ethnische Identität ; Schwarze ; Ethnische Beziehungen
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  • 100
    ISBN: 9780773438316 , 0773438319
    Language: English
    Pages: VIII, 257 S. , zahlr. Ill.
    DDC: 780.92/396073
    RVK:
    Keywords: Schwarze ; Musiker ; Amerika ; Biographie ; Biografie ; Biografie ; Biografie
    Note: Literaturverz. S. 233 - 252 , Literaturangaben
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