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  • GBV  (109)
  • BVB  (108)
  • HU Berlin  (27)
  • New York : Oxford University Press  (111)
  • Durham : Duke University Press  (69)
  • Musicology  (174)
  • Engineering
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Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    Times a-changin' : flexible meter as self-expression in singer-songwriter music (2023)
    New York : Oxford University Press
    Details
    ISBN: 9780197635216
    Language: English
    Pages: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
    RVK:
    LS 48620
    Keywords: Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Description / Table of Contents: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    München BSB
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  • 2
    Book
    Book
    Dave Brubeck and the performance of whiteness (2023)
    New York : Oxford University Press
    Details
    ISBN: 9780197525074
    Language: English
    Pages: xi, 301 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Brubeck, Dave / Criticism and interpretation. ; Jazz / History and criticism ; Music and race / United States / History / 20th century
    Abstract: "How can we-historians, writers, musicians, audiences-understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights America. Dave Brubeck and the Performance of Whiteness uses Brubeck's mid-century performances of whiteness across his professional, private, and political lives as a starting point to understand mid-century whiteness, privilege, and white supremacy more fully. How is whiteness performed, and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck, his critics, and his audiences. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his white privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries"--
    Description / Table of Contents: Introduction. Buying the Myth -- "Any Jackass Can Swing" : Sounds in Black and White -- Professors, Housewives, and Playboys : The Jazz Converts -- (In)Visible Men : White Recognition and Trust -- "We Want to Play in the South" : Brubeck's Southern Strategy -- Negotiating Jewish Identity in The Gates of Justice -- Conclusion. Evading Whiteness
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    HU Berlin
    München UB
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    BVB
  • 3
    Book
    Book
    Music and citizenship (2023)
    New York : Oxford University Press
    Details
    ISBN: 9780197555194 , 9780197555187
    Language: English
    Pages: X, 181 Seiten , 21 cm
    Series Statement: Oxford theory in ethnomusicology series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
    RVK:
    LS 18600
    Keywords: Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Description / Table of Contents: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 4
    Online Resource
    Online Resource
    Raving (2023)
    Durham : Duke University Press
    Details
    ISBN: 9781478024040
    Language: English
    Pages: 1 online resource (153 pages)
    Edition: 1st ed.
    Series Statement: Practices Ser.
    Parallel Title: Erscheint auch als
    DDC: 306.109747
    RVK:
    LS 48655
    RVK:
    LC 88610
    Keywords: Electronic books
    Abstract: McKenzie Wark takes readers into the undisclosed locations of New York's thriving queer rave scene, showing how raving to techno is an art and technique at which queer and trans bodies might be particularly adept, but which is for anyone who lets the beat seduce them.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781478024040?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478024040
    URL: Cover
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    BSZ
    GBV
    HeBIS
    MPI-MMG
  • 5
    Online Resource
    Online Resource
    Together, somehow : music, affect, and intimacy on the dancefloor (2023)
    Durham : Duke University Press
    Details
    ISBN: 9781478027058
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 306.4846
    RVK:
    LR 56610
    RVK:
    LS 48655
    Keywords: Geschichte 2000-2023 ; Nachtleben ; Elektronische Tanzmusik ; Nähe ; Party ; House ; Berlin ; Paris ; Chicago, Ill. ; Chicago, Ill. ; Paris ; Berlin ; Elektronische Tanzmusik ; House ; Nachtleben ; Party ; Nähe ; Geschichte 2000-2023
    Note: Bevorzugte Informationsquelle Landingpage (Duke), da weder Titelblatt noch Impressum vorhanden
    DOI: 10.1215/9781478027058
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://www.degruyter.com/isbn/9781478027058
    URL: Cover
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  • 6
    Online Resource
    Online Resource
    Music and citizenship (2023)
    New York : Oxford University Press
    Details
    ISBN: 9780197555224
    Language: English
    Pages: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    LS 18600
    Keywords: Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780197555187.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1093/oso/9780197555187.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 7
    Book
    Book
    The Oxford handbook of music in China and the Chinese diaspora (2023)
    New York : Oxford University Press
    Details
    ISBN: 9780190661960 , 9780190661991
    Language: English
    Pages: xx, 541 Seiten , Illustrationen, Notenbeispiele , 25.5 cm x 18 cm
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    LS 41000
    Keywords: Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; China ; Musik
    Note: Literaturangaben
    DOI: 10.1093/oxfordhb/9780190661960.001.0001
    URL: Inhaltsverzeichnis
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  • 8
    Book
    Book
    From servant to savant : musical privilege, property, and the French Revolution (2022)
    New York : Oxford University Press
    Details
    ISBN: 9780197511510
    Language: English
    Pages: xvii, 313 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.48420944
    RVK:
    LQ 82204
    RVK:
    NW 2335
    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Frankreich ; Hochschulschrift
    Note: Literaturverzeichnis Seite 277-295
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 9
    Online Resource
    Online Resource
    Listening in the Afterlife of Data : Aesthetics, Pragmatics, and Incommunication (2022)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781478022534
    Language: English
    Pages: 1 Online-Ressource (179 p.)
    Series Statement: Thought in the Act : 18
    DDC: 303.48/33
    RVK:
    AP 14900
    RVK:
    AP 15950
    RVK:
    LR 56660
    Abstract: In Listening in the Afterlife of Data, David Cecchetto theorizes sound, communication, and data by analyzing them in the contexts of the practical workings of specific technologies, situations, and artworks. In a time he calls the afterlife of data-the cultural context in which data's hegemony persists even in the absence of any belief in its validity-Cecchetto shows how data is repositioned as the latest in a long line of concepts that are at once constitutive of communication and suggestive of its limits. Cecchetto points to the failures and excesses of communication by focusing on the power of listening-whether through wearable technology, internet-based artwork, or the ways in which computers process sound-to pragmatically comprehend the representational excesses that data produces. Writing at a cultural moment in which data has never been more ubiquitous or less convincing, Cecchetto elucidates the paradoxes that are constitutive of computation and communication more broadly, demonstrating that data is never quite what it seems.
    DOI: 10.1515/9781478022534
    URL: https://doi.org/10.1515/9781478022534?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478022534
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    Online Resource
    Online Resource
    Breaks in the air : the birth of rap radio in New York City (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478023500
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    RVK:
    LS 48650
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Note: Bevorzugte Informationsquelle Ladingpage (Duke), da weder Titelblatt nocht Impressum vorhanden
    DOI: 10.1215/9781478023500
    DOI: 10.1515/9781478023500
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    Book
    Book
    Breaks in the air : the birth of rap radio in New York City (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    LS 48650
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    BVB
  • 12
    Book
    Book
    Musics of the world (2022)
    New York : Oxford University Press
    Details
    ISBN: 9780190235864
    Language: English
    Pages: 358 Seiten
    Parallel Title: Erscheint auch als Williams, Sean, 1959- Musics of the world
    DDC: 780.9
    RVK:
    LC 87000
    RVK:
    LS 19000
    Keywords: World music Analysis, appreciation ; Music appreciation
    Abstract: "Musics of the World offers a rich introduction to world music"--
    Note: Includes bibliographical references and index
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    GBV
    Ethn. Museum Berlin
  • 13
    Book
    Book
    Songbooks : the literature of American popular music (2021)
    Durham : Duke University Press
    Details
    ISBN: 9781478014089 , 9781478011941
    Language: English
    Pages: xxii, 552 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 782.421640973
    RVK:
    LS 48070
    Keywords: Volksmusik ; Popmusik ; USA
    Note: Literaturverzeichnis Seite 446-512
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  • 14
    Book
    Book
    Sound alignments : popular music in Asia's cold wars (2021)
    Durham : Duke University Press
    Details
    ISBN: 9781478010678 , 9781478011798
    Language: English
    Pages: vi, 295 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    RVK:
    LS 33000
    Keywords: Geschichte 1950-1980 ; Popmusik ; Asien ; Popular music / Asia / History and criticism ; Popular music / Political aspects / Asia ; Cold War ; Music / Asia / History and criticism ; Music / 20th century / History and criticism ; Music / Social aspects / Asia ; Music ; Music / Social aspects ; Popular music ; Popular music / Political aspects ; Asia ; 1900-1999 ; Criticism, interpretation, etc ; Asien ; Popmusik ; Geschichte 1950-1980
    Abstract: "The contributors to Sound Alignments explore the myriad forms of popular music that circulated across Asia under the uneven Cold War situation of the 1950s, 1960s and beyond. Geographically, the regions covered stretch from India to Indonesia, Hong Kong, China, South Korea, Okinawa, and Japan. The genres of music explored include various forms of pop, rock, folk, and "yellow music," as well as traditional musics of Asia. Because the Cold War meant radically different things depending on location and time, it is examined from multiple perspectives: socialist internationalism, the nonaligned movement, and the anti-communist developmentalist and capitalist blocs"--
    Description / Table of Contents: Musical travels of the Coconut Isles and the socialist popular / Jennifer Lindsay -- Vehicles of progress : the Kerala rikshawala at the intersection of communism and social realism / Nisha Kommattam -- East Asian pop music and an incomplete regional contemporary / C. J. W.-L. Wee -- Searching for youth, the people (Minjung), and "another" West while living through anti-communist Cold War politics : South Korean "folk song" in the 1970s / Hyunjoon Shin -- Cosmopolitanism, vernacular cosmopolitanism, and sound alignments : covers and Cantonese cover songs in 1960s Hong Kong / Hon-Lun Yang -- Sonic imaginaries of Okinawa : Daiku Tetsuhiro's cosmopolitan "paradise" / Marié Abe -- Translated fronts : popular songs of socialist cosmopolitanism in Cold War India / Anna Schultz -- Yellow music criticism during China's anti-rightist movement / Qian Zhang -- Afterword: Asia's soundings of the Cold War / Christine R. Yano
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
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  • 15
    Book
    Book
    Transforming ethnomusicology; Volume 1: Methodologies, institutional structures & policies (2021)
    New York : Oxford University Press
    In:  1
    Details
    ISBN: 9780197517611 , 9780197517604
    Language: English
    Pages: viii, 272 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
    RVK:
    LC 87000
    RVK:
    LS 16000
    RVK:
    LS 17000
    Keywords: Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Wissenschaftsethik
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    Würzburg UB
    KOBV
    BVB
    Bayreuth UB
  • 16
    Book
    Book
    Transforming ethnomusicology; Volume 2: Political, social & ecological issues (2021)
    New York : Oxford University Press
    In:  2
    Details
    ISBN: 9780197517567 , 9780197517550
    Language: English
    Pages: viii, 260 Seiten , Illustrationen, Diagramme, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 2
    RVK:
    LC 87000
    RVK:
    LS 16000
    RVK:
    LS 17000
    Keywords: Kolonialismus ; Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
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    BVB
    Bayreuth UB
  • 17
    Book
    Book
    Brithop : the politics of UK rap in the new century (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Parallel Title: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
    RVK:
    LS 48650
    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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    BSZ
    GBV
  • 18
    Book
    Book
    Sampling politics : music and the geocultural (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780190855475
    Language: English
    Pages: xii, 345 Seiten , Illustrationen, Karten
    DDC: 306.4842
    RVK:
    LR 57720
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    GBV
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    Ethn. Museum Berlin
  • 19
    Book
    Book
    Transcending dystopia : Music, mobility, and the Jewish community in Germany, 1945-1989 (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780197532973
    Language: English
    Pages: xxiii, 613 Seiten , Illustrationen , 243 mm
    Parallel Title: Erscheint auch als
    DDC: 780.8992404309045
    RVK:
    LS 33260
    Keywords: Geschichte 1945-1989 ; Musikleben ; Musiker ; Juden ; Deutschland ; Deutschland ; Musiker ; Juden ; Geschichte 1945-1989 ; Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Author Tina Frühauf provides a kaleidoscopic panorama ofmusical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity-from its role in commemorations and community events to synagogue concerts and its presence on the radio-across the divided Germany until the Fall of the Wall in 1989. Frühauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on thecirculation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States andIsrael, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context
    URL: Inhaltsverzeichnis
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    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Rezension  (H-Soz-Kult)
    URL: Inhaltsverzeichnis
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    Bayreuth UB
  • 20
    Online Resource
    Online Resource
    Songbooks : The Literature of American Popular Music (2021)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781478021391
    Language: English
    Pages: 1 Online-Ressource (552 p.)
    Series Statement: Refiguring American Music : 25
    DDC: 782.421640973
    RVK:
    LS 48070
    Keywords: Volksmusik ; Popmusik ; USA ; Electronic books
    Abstract: In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre-cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
    URL: https://doi.org/10.1515/9781478021391?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478021391
    URL: Cover
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  • 21
    Online Resource
    Online Resource
    Transforming ethnomusicology Volume I : methodologies, institutional structures, & policies (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780197517642
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Transforming ethnomusicology
    DDC: 780.89
    RVK:
    LB 30000
    RVK:
    LC 87000
    RVK:
    LS 16000
    Keywords: Ethnomusicology ; Ethnomusicology Methodology ; Electronic books ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.
    Note: Description based on publisher supplied metadata and other sources
    DOI: 10.1093/oso/9780197517604.001.0001
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
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  • 22
    Online Resource
    Online Resource
    Play the way you feel : the essential guide to jazz stories on film (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190948306
    Language: English
    Pages: 1 online resource (304 pages) , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 791.436
    RVK:
    LS 48100
    Keywords: Jazz films History and criticism ; Jazz musicians in motion pictures ; Jazz ; Jazzmusiker ; Film
    Abstract: Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years-from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 30, 2020)
    DOI: 10.1093/oso/9780190847579.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 23
    Online Resource
    Online Resource
    The Oxford handbook of digital technology and society (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190932626 , 9780190932619
    Language: English
    Pages: 1 Online-Ressource (xli, 756 Seiten) , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als
    DDC: 303.4833
    RVK:
    MS 4850
    RVK:
    ZN 6030
    Keywords: Sozialwissenschaften ; Digitalisierung ; Gesellschaft ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Digitalisierung ; Gesellschaft ; Sozialwissenschaften
    Note: Includes bibliographical references and index , Introduction to the Oxford Handbook of Digital Technology and Society: Terms, Domains, and Themes - Ronald E. Rice, Simeon J. Yates, Jordana Blejmar -- - Boundary Management and Communication Technologies - Marta E. Cecchinato, Anna L. Cox -- - The Changing Nature of Work in the Age of Intelligent Machines - Crispin Coombs, Donald Hislop, Stanimira Taneva, Sarah Barnard -- - ESRC Review: Communities and Identities - Simeon J. Yates, Jordana Blejmar, Bridgette Wessels, Claire Taylor -- - Workplace "Digital Culture" and the Uptake of Digital Solutions:Personal and Organizational Factors - Simeon J. Yates, Eleanor Lockley -- - ESRC Review: Citizenship and Politics - Simeon J. Yates, Bridgette Wessels, Paul Hepburn, Alexander Frame, Vishanth Weerakkody -- - Digital Ecology of Free Speech: Authenticity, Identity, and Self-Censorship - Yenn Lee, Alison Scott-Baumann -- - ESRC Review: Economy and Organizations , - Simeon J. Yates, Paul Hepburn, Ronald E. Rice, Bridgette Wessels, Elinor Carmi -- - ESRC Review: Data and Representation - Simeon J. Yates, Liz Robson, Ronald E. Rice, Elinor Carmi -- - Digital Citizenship in the Age of Datafication - Arne Hintz -- - Digitizing Cultural Complexity: Representing Rich Cultural Data in a Big Data Environment - Georgina Nugent-Folan, Jennifer Edmond -- - ESRC Review: Methodology - Simeon J. Yates, Iona C. Hine, Michael Pidd, Jerome Fuselier, Paul Watry -- - Motivations for Online Knowledge Sharing - Kristin Page Hocevar, Audrey N. Abeyta, Ronald E. Rice -- - ESRC Review: Governance and Security - Simeon J. Yates, Gerwyn Jones, William H. Dutton, Elinor Carmi -- - Governance and Accountability in Internet of Things (IoT) Networks - Naomi Jacobs, Peter Edwards, Caitlin D. Cottrill, Karen Salt -- - ESRC Review: Future Research on the Social, Organisational, and Personal Impacts of Automation: Findings from Two Expert Panels , - Simeon J. Yates, Jordana Blejmar -- - Conclusion: Cross-Cutting, Unique, and General Themes in the Handbook of Digital Technology and Society - Ronald E. Rice, Simeon J. Yates, Jordana Blejmar -- - Digital Engagement and Class: Economic, Social, and Cultural Capital in a Digital Age - Simeon J. Yates, Eleanor Lockley -- - ESRC Review: Health and Wellbeing - Simeon J. Yates, Leanne Townsend, Monica Whitty, Ronald E. Rice, Elinor Carmi -- - Computer-Mediated Communication and Mental Health: A Computational Scoping Review of an Interdisciplinary Field - Adrian Meier, Emese Domahidi, Elisabeth G unther -- - Digital Inclusion and Women's Health and Well-Being in Rural Communities - Sharon Wagg, Louise Cooke, Boyka Simeonova -- - Digital Technology for Older People: A Review of Recent Research - Helen Petrie, Jenny S. Darzentas -- - A Digital Nexus: Sustainable HCI and Domestic Resource Consumption - Nicola Green, Rob Comber, Sharron Kuznesof -- , - ESRC Review: Communication and Relationships - Simeon J. Yates, Rich Ling, Laura Robinson, Catherine Brooks, Adam Joinson, Monica Whitty, Elinor Carmi -- - Media Mastery by College Students: A Typology and Review - Ronald E. Rice, Nicole Zamanzadeh, Ingunn Hagen
    DOI: 10.1093/oxfordhb/9780190932596.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    MPI Ethno. Forsch.
  • 24
    Online Resource
    Online Resource
    Beyond engineering : how society shapes technology (2020)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197561027
    Language: English
    Pages: 1 Online-Ressource (xii, 358 pages).
    Series Statement: The Sloan technology series
    Series Statement: Oxford scholarship online
    DDC: 600
    RVK:
    MS 1290
    RVK:
    ZG 8700
    Keywords: Geschichte ; Technikbewertung ; Kernenergie ; Techniksoziologie ; Technischer Fortschritt ; Technik ; Technology and civilization ; Technology Social aspects ; Technological innovations Social aspects
    Abstract: We have long recognized technology as a driving force behind much historical and cultural change. The invention of the printing press initiated the Reformation. The development of the compass ushered in the Age of Exploration and the discovery of the New World. The cotton gin created the conditions that led to the Civil War. Now, in 'Beyond Engineering', science writer Robert Pool turns the question around to examine how society shapes technology. Drawing on such disparate fields as history, economics, risk analysis, management science, sociology and psychology, Pool illuminates the complex, often fascinating interplay between machines and society, in a book that will revolutionize how we think about technology.
    Note: Previously issued in print: 1997 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780195107722.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780195107722.001.0001
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  • 25
    Online Resource
    Online Resource
    The invention of Latin American music : a transnational history (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780197510483
    Language: English
    Pages: 1 Online-Ressource XI, 272 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    LS 48800
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century
    Note: Includes bibliographical references and index
    DOI: 10.1093/oso/9780190687403.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://dx.doi.org/10.1093/oso/9780190687403.001.0001
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    BVB
  • 26
    Book
    Book
    The Mahalia Jackson reader (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190461652
    Language: English
    Series Statement: Readers on American musicians series
    Parallel Title: Erscheint auch als The Mahalia Jackson reader
    DDC: 782.25/4092
    RVK:
    LS 48400
    RVK:
    LS 48040
    Keywords: Jackson, Mahalia ; African American gospel singers Biography ; Gospel singers Biography ; African Americans Music ; History and criticism ; Gospel music History and criticism
    Abstract: ""African American gospel singer Mahalia Jackson was just sixty years old when her heart finally gave out on January 27, 1972, as she lay alone in her sick bed at Little Company of Mary Hospital just south of Chicago. Obituaries faithfully recounted the best-known story lines of her unlikely career: how the power of her voice was rooted in her devout Baptist upbringing; her birth in 1911 and rise from dire poverty in Uptown New Orleans to international celebrity; a dedication to the black freedom struggle that further elevated her to the status of cultural and political symbol. Together, Jackson's voice, faith, prestige, and activism, made her at the time of her death, in the assessment of her friend Harry Belafonte, "the single most powerful black woman in the United States." Yet her reputation is also complex. Invoking the charisma of Martin and Malcolm, the persuasion of statesmen and despots, and the splendor of divas and diadems, Maceo Bowie's letter to the editor of the Chicago Defender seems to both celebrate and grapple with the substance of Jackson dynamism as a gospel singer and her consequence as an illustrious black public figure. In an editorial in the Defender following Jackson's death, E. Duke McNeil acknowledged Jackson's habitual acclaim as the "Queen of the gospel singers," while also observing: "You can almost say that Mahalia was the 'greatest' because she was the only gospel singer known everywhere." Indeed, for scholars of black gospel, the music itself is often hidden in plain sight. On the one hand, gospel voices are inescapable, audible not just within the music industry, where they have become a lingua franca for pop singers, but also in recurring representations of the black church, in the omnipresent sound of the black gospel choir, and in the personal histories of many black artists. On the other, in comparison with such genres as jazz, blues, country music, and hip hop, documentation of black gospel music, which has thrived in in-group settings, is relatively scant, leaving researchers with limited sources and largely reliant on oral history. Fortunately, the scope and coverage of Jackson's caereer produced a paper trail that enables us to study her personal and professional life while gaining insight into the black gospel field of which she was such an integral part. In compiling a wide swath of these sources on Jackson, The Mahalia Jackson Reader seeks to paint a fuller and more vivid picture of one of the most resonant musi ...
    Note: Includes bibliographical references and index
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    BSZ
    GBV
  • 27
    Book
    Book
    Brithop : the politics of UK rap in the new century (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xiii, 212 Seiten , Illustrationen, Portraits (schwarz-weiß)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48650
    Keywords: Rap (Music) / Political aspects / Great Britain / History / 21st century ; Rap (Music) / Great Britain / History and criticism
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
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  • 28
    Book
    Book
    The meaning of soul : black music and resilience since the 1960s (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478009597 , 9781478008699
    Language: English
    Pages: x, 217 Seiten
    Series Statement: Refiguring American music
    DDC: 781.644
    RVK:
    LS 48640
    Keywords: Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
    URL: Inhaltsverzeichnis
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    HU Berlin
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    HeBIS
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  • 29
    Online Resource
    Online Resource
    Tehrangeles dreaming : intimacy and imagination in Southern California's Iranian pop music (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478012009 , 1478012005
    Language: English
    Pages: 1 Online-Ressource (xiv, 245 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 781.63089/915507949
    RVK:
    LS 37000
    Keywords: Iranians / Music / California / Los Angeles ; Popular music / History and criticism / California / Los Angeles ; Iranians / Ethnic identity / California / Los Angeles ; Iranian diaspora ; Popular music / History and criticism / Iran ; Music / Political aspects / History / 20th century / Iran ; Iranischer Einwanderer ; Iranier ; Popmusik ; Los Angeles, Calif. ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9781478012009
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 30
    Book
    Book
    Space is the place : the lives and times of Sun Ra (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478008415
    Language: English
    Pages: XXXIV, 476 Seiten, 8 ungezählte Seiten , Illustrationen
    Edition: Republished with new preface
    Parallel Title: Online version Szwed, John F., 1936- Space is the place
    RVK:
    LS 48040
    Keywords: Sun Ra ; Biografie ; Biografie
    Abstract: "Sun Ra - a/k/a Herman Poole "Sonny" Blount - was born in Alabama on May 22, 1914. But like Father Divine and Elijah Muhammad, he made a lifelong effort to obscure many of the facts of his early life. After years as a rehearsal pianist for nightclub revues and in blues and swing bands, including Wynonie Harris's and Fletcher Henderson's, Sun Ra set out in the 1950s to find a way to impart his values about the galaxy, Black people, and spiritual matters through the various incarnations of the Intergalactic Arkestra. His repertoire ranging from boogie-woogie, swing, and bebop to free form, fusion, and whatever, Sun Ra was above all a paragon of contradictions: profundity and vaudeville; technical pianistic virtuosity and irony; assiduous attention to arrangements and encouragement of collective improvisation; respect for tradition and celebration of the fresh"--
    Note: Selected bibliography Seite 409-425 , Discography Seite 427-448 , "This is a paperback re-issue of the 1997 hardcover title published by Pantheon"--Provided by publisher
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  • 31
    Online Resource
    Online Resource
    The meaning of soul : Black music and resilience since the 1960s (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478012245 , 1478012242
    Language: English
    Pages: 1 Online-Ressource (x, 217 pages)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 781.644
    RVK:
    LS 48640
    Keywords: Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-
    Abstract: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9781478012245
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9781478012245?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478012245
    URL: Cover
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    Bayreuth UB
  • 32
    Book
    Book
    The invention of Latin American music : a transnational history (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    LS 48800
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
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    HBZ
    Ethn. Museum Berlin
  • 33
    Book
    Book
    World music and the Black Atlantic : producing and consuming African-Cuban musics on world music stages (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190083946 , 9780190083953
    Language: English
    Pages: viii, 254 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Whitmore, Aleysia World music and the Black Atlantic
    DDC: 782.4216/3097291
    RVK:
    LS 48050
    RVK:
    LS 48050
    Keywords: AfroCubism ; Orchestra Baobab ; Geschichte ; Weltmusik ; Globalisierung ; Afrokubanische Musik ; Orchestra Baobab ; AfroCubism (Musical group) ; Music and globalization ; World music / History and criticism ; Popular music / Africa / Cuban influences ; AfroCubism ; Orchestra Baobab ; Afrokubanische Musik ; Weltmusik ; Globalisierung ; Geschichte
    Abstract: ""In the mid-20th century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. This book examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. This book offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange. ""--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 34
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    Book
    A blaze of light in every word : analyzing the popular singing voice (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190052218 , 9780190052201
    Language: English
    Pages: ix, 199 Seiten , Illustrationen
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als Malawey, Victoria, 1977- A blaze of light in every word
    DDC: 782.42/164143
    RVK:
    LS 48015
    RVK:
    LR 11000
    Keywords: Popular music Analysis, appreciation ; Singing ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Abstract: Introduction. Why Voice? Why Voice Analysis? -- Pitch -- Prosody -- Quality -- The Area in Between : Mediation with Technology -- Synthesis, or Why Covers of Elliott Smith Songs Don't Work.
    Abstract: "Singing Voice presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners' perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multi-dimensionality of singing voices"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 35
    Book
    Book
    Tehrangeles dreaming : intimacy and imagination in Southern California's Iranian pop music (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478007906 , 9781478008361
    Language: English
    Pages: xiv, 245 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Parallel Title: Erscheint auch als Hemmasi, Farzaneh, 1975- Tehrangeles dreaming
    DDC: 781.63089915507949
    RVK:
    LS 37000
    Keywords: Popmusik ; Iranier ; Iranischer Einwanderer ; Los Angeles, Calif. ; Iranians / California / Los Angeles / Music ; Popular music / California / Los Angeles / History and criticism ; Iranians / California / Los Angeles / Ethnic identity ; Iranian diaspora ; Popular music / Iran / History and criticism ; Music / Political aspects / Iran / History / 20th century ; Iranian diaspora ; Iranians / Ethnic identity ; Music / Political aspects ; Popular music ; California / Los Angeles ; Iran ; 1900-1999 ; Criticism, interpretation, etc ; History ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: "Tehrangeles, a name that combines Tehran and Los Angeles, is the home of an extensive Iranian expatriate culture industry. The music and popular culture created in Tehrangeles is broadcast by satellite television around the globe and has been immensely popular in Iran and throughout the Iranian diaspora. In TEHRANGELES DREAMING, Farzaneh Hemmasi traces the sources of the music's popularity, showing the ways it is unquestionably Iranian yet able to express ideas and affects not possible within the country itself. The attachment to homeland comes through the Iranian rhythms, but the music frequently features female solo singers or dancers, which are forbidden within the Iranian state. At the same time the music is associated with stereotypes of rich emigres and Southern California, and thus dismissed by others. The music is unabashedly pop and generally apolitical, which Hemmasi shows to be the source of its politics.
    Abstract: The introduction sets up the argument and tells the story of the growth of the industry and the Los Angeles Iranian community in the context of post-revolutionary Iran. Chapter 2 describes the origins of Tehrangeles dance pop and its use of the six/eight time signature, a traditional Iranian dance rhythm long-associated with intimacy. Hemmasi argues that the practices and attitudes around six/eight time establish a sense of common sociality among cultural insiders but are also a sometime source of embarrassment. Chapter 3 focuses on expatriate narratives of Iranian popular music history. Hemmasi provides three views on the history of Iranian popular music prior to the revolution from four men involved with the music business since the 1950s and 1960s. Chapter 4 is about homeland, and the desire to return to the homeland of Iran through music and the reinvention of culture.
    Abstract: Cultural producers in Tehrangeles operate within multiple moral, legal, and transnational regimes that they often only partially predict or comprehend. Chapters 5 and 6 focus on two expatriate musical celebrities who have claimed to reach and represent the nation from afar: Googoosh, who is a popular female singer; and Dariush Eghbali, who is an activist whose music and media exist in the space between political and personal transformation. The book concludes with a chapter on the changes that have occurred in Iran since the Iranian Revolution and the establishment of expatriate industries in Southern California, affirming the dreaming space of music, creation, and negotiation of both expatriates and people living in Iran. This book will be of interest to scholars in ethnomusicology, transnational media studies, Middle Eastern studies, and cultural studies"--
    Description / Table of Contents: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 36
    Book
    Book
    Theological stains : art music and the Zionist Project (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780197504642
    Language: English
    Pages: xx, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.89/92405694
    RVK:
    LS 33100
    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature ; Israel ; Kunstmusik ; Literatur ; Zionismus ; Juden ; Ethnische Identität ; Geschichte 1950-2000
    Abstract: Introduction. Stains? -- Non-Biblical Tonalities -- Biblocentrism in Modern Hebrew Culture and its Operatic Undoing -- Horizontal Realizations : The Agency of Non-Western Jewish Musical Traditions in Art Music of the 1950s and '60s -- Broken Hebrewist Vessels -- Compositional Solutions (in the double sense of the word)
    Abstract: "Theological Stains traces the growth of art music in Israel from the mid twentieth century to the turn of the twenty-first. In a riveting and provocative account, Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers grappling with biblical redemptive promises and diasporic patrimonies. Unveiling the network that bred territorial nationalism and Hebrew culture, Shelleg shows how this mechanism infiltrated composers' work as much as it triggered less desirable responses from composers who sought to realize to the non-territorial Diasporic options Zionism has renounced. In the process compositional aesthetics gets stained by the state's nationalization of the theological, by diasporism that refuses redemption, and by Jewish musical traditions that permeated inaudibly to compositions written throughout the second half of the twentieth century. Accompanying this rich and dramatic story are equivalent developments in modern Hebrew literature and poetry alongside vast and previously unstudied archival sources. The book is also lavishly illuminated with 135 music examples that render it an incisive guide to fundamental chapters in modern and late modern art music"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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  • 37
    Book
    Book
    Which side are you on? : 20th century American history in 100 protest songs (2019)
    New York : Oxford University Press
    Details
    ISBN: 9780190660307
    Language: English
    Pages: xvii, 242 Seiten , Illustrationen
    DDC: 782.4215920973
    RVK:
    LS 21520
    Keywords: Geschichte 1900-2000 ; Protestsong ; USA
    Note: Literaturverzeichnis Seite 215-218
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 38
    Book
    Book
    Rites, rights & rhythms : a genealogy of musical meaning in Colombia's Black Pacific (2019)
    New York : Oxford University Press
    Details
    ISBN: 9780199913923 , 9780199913947
    Language: English
    Pages: xiii, 319 Seiten , Illustrationen, Karten
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
    RVK:
    LS 48800
    Keywords: Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
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    KOBV
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  • 39
    Book
    Book
    Sounds of vacation : political economies of Caribbean tourism (2019)
    Durham : Duke University Press
    Details
    ISBN: 9781478004882 , 9781478004288
    Language: English
    Pages: viii, 234 Seiten
    Parallel Title: Erscheint auch als
    DDC: 306.4/842409729
    RVK:
    LS 48700
    Keywords: Music and tourism / Caribbean Area ; Music / Social aspects / Caribbean Area ; Music / Economic aspects / Caribbean Area ; Tourism / Political aspects / Caribbean Area ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: It sounds better in the Bahamas : musicians, management, and markets in Nassau's all-inclusive hotels / Timothy Rommen -- Touristic rhythms : the Club Remix / Jerome Camal -- Listening for noise : seeking disturbing sounds in tourist spaces / Susan Harewood -- On butterflies that are caterpillars still in chrysalis : what the study of all-inclusive resorts on Sint Maarten tells us about our common decolonial state / Francio Guadeloupe and Jordi Halfman -- Sound management : listening to Sandals Halcyon in Saint Lucia / Jocelyne Guilbault -- Epilogue. The political economy of music and sound / Percy C. Hintzen.
    Note: Includes bibliographical references and index.
    URL: Inhaltsverzeichnis
    URL: https://www.dukeupress.edu/sounds-of-vacation
    URL: Inhaltsverzeichnis
    URL: https://www.dukeupress.edu/sounds-of-vacation
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    Würzburg UB
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    Ethn. Museum Berlin
  • 40
    Book
    Book
    Spaceship in the desert : energy, climate change, and urban design in Abu Dhabi (2019)
    Durham : Duke University Press
    Details
    ISBN: 9781478000914 , 9781478000723
    Language: English
    Pages: xi, 256 Seiten , Illustrationen
    Series Statement: Experimental futures
    Parallel Title: Erscheint auch als
    DDC: 307.1/16095357
    RVK:
    LB 73355
    RVK:
    LC 51355
    RVK:
    ZH 3060
    RVK:
    ZH 9400
    RVK:
    RR 23909
    Keywords: Nachhaltigkeit ; Masdar City ; Abu Dhabi
    Note: Literaturverzeichnis (Seiten [237]-247) und Index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    MPI Ethno. Forsch.
  • 41
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    Book
    The race of sound : listening, timbre, and vocality in African American music (2019)
    Durham : Duke University Press
    Details
    ISBN: 9780822368564 , 9780822368687
    Language: English
    Pages: xiv, 268 Seiten , Illustrationen, Diagramme, Noten
    Series Statement: Refiguring American music
    Parallel Title: Online version Eidsheim, Nina Sun, 1975- author Race of sound
    DDC: 781.2308996073
    RVK:
    LS 48015
    Keywords: Afroamerikanische Musik ; Klang ; Zuhören
    Abstract: Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    München UB
    Würzburg UB
    Regensburg UB
    HeBIS
    BVB
    HBZ
    Bayreuth UB
    Ethn. Museum Berlin
    MPI-MMG
  • 42
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    Book
    Theory, method, sustainability, and conflict (2019)
    New York : Oxford University Press
    Details
    ISBN: 9780190885694
    Language: English
    Pages: x, 312 Seiten
    Series Statement: An Oxford handbook of applied ethnomusicology / edited by Svanibor Pettan and Jeff Todd Titon Volume 1
    Series Statement: Oxford handbooks
    Series Statement: An Oxford handbook of applied ethnomusicology
    DDC: 780.89
    RVK:
    LB 32000
    RVK:
    LB 36000
    RVK:
    LC 87000
    RVK:
    LS 16000
    Keywords: Applied ethnomusicology ; Angewandte Musikwissenschaft
    Abstract: An introduction to applied ethnomusicology. Applied ethnomusicology : a descriptive and historical account / Jeff Todd Titon ; Applied ethnomusicology in the global arena / Svanibor Pettan ; An introduction to the chapters / Jeff Todd Titon and Svanibor Pettan -- Theoretical and methodological considerations. Transcending researcher vulnerability through applied ethnomusicology / Dan Bendrups ; Evaluating values in applied ethnomusicology / Klisala Harrison ; Cultural engagement and ownership through participatory approaches in applied ethnomusicology / Tan Sooi Beng ; Applied ethnomusicology and intangible cultural heritage : understanding ecosystems of music as a tool for sustainability / Huib Schippers ; Sustainability, resilience, and adaptive management for applied ethnomusicology / Jeff Todd Titon -- Conflict. The role of applied ethnomusicology in post-conflict and post-catastrophe communities / Erica Haskell ; The study of survivors' music / Joshua D. Pilzer ; Music and conflict resolution : the public display of migrants in nationalist conflicts in Europe : an analytical reflection on university-based ethnomusicological activism / Britta Sweers
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 43
    Online Resource
    Online Resource
    Sounds of Vacation : Political Economies of Caribbean Tourism (2019)
    Durham : Duke University Press
    Details
    ISBN: 9781478005315
    Language: English
    Pages: 1 online resource (249 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.4842409729
    RVK:
    LS 48700
    Keywords: Music and tourism-Caribbean Area ; Music-Social aspects-Caribbean Area ; Music ; Social aspects ; Caribbean Area ; Music and tourism ; Caribbean Area ; Electronic books ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung
    Abstract: Cover -- Contents -- Acknowledgments -- Prologue -- Introduction. The Political Economy of Music and Sound: Case Studies in the Caribbean Tourism Industry -- 1. It Sounds Better in the Bahamas: Musicians, Management, and Markets in Nassau's All-Inclusive Hotels -- 2. Touristic Rhythms: The Club Remix -- 3. Listening for Noise: Seeking Disturbing Sounds in Tourist Spaces -- 4. All-InclusiveResorts in Sint Maarten and Our Common Decolonial State: On Butterflies That Are Caterpillars Still in Chrysalis -- 5. Sound Management: Listening to Sandals Halcyon in Saint Lucia -- Epilogue: The Political Economy of Music and Sound -- References -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: http://dx.doi.org/10.1215/9781478005315
    URL: https://doi.org/10.1515/9781478005315?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478005315
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: http://dx.doi.org/10.1215/9781478005315?locatt=mode:legacy
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    Bayreuth UB
  • 44
    Online Resource
    Online Resource
    The Sonic Episteme : Acoustic Resonance, Neoliberalism, and Biopolitics (2019)
    Durham : Duke University Press
    Details
    ISBN: 9781478007371
    Language: English
    Pages: 1 online resource (257 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    AP 14900
    RVK:
    LR 56608
    RVK:
    LR 56828
    Keywords: Music-Social aspects-History-21st century ; Music ; Social aspects ; History ; 21st century ; Electronic books ; Electronic books
    Abstract: Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy.
    Abstract: Cover -- Contents -- Acknowledgments -- Introduction -- 1. Neoliberal Noise and the Biopolitics of (Un)Cool: Acoustic Resonance as Political Economy -- 2. Universal Envoicement: Acoustic Resonance as Political Ontology -- 3. Vibration and Diffraction: Acoustic Resonance as Materialist Ontology -- 4. Neoliberal Sophrosyne: Acoustic Resonance as Subjectivity and Personhood -- 5. Social Physics and Quantum Physics: Acoustic Resonance as the Model for a "Harmonious" World -- Conclusion -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- V -- W.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9781478007371?locatt=mode:legacy
    URL: https://doi.org/10.1515/9781478007371?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478007371
    URL: Cover
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  • 45
    Book
    Book
    Dawn of the DAW : the studio as musical instrument (2018)
    New York : Oxford University Press
    Details
    ISBN: 9780190296612 , 9780190296605
    Language: English
    Pages: xviii, 229 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.49
    RVK:
    LS 17200
    Keywords: Geschichte ; Sound recordings Production and direction ; Popular music Production and direction ; Musikproduktion ; Tonstudio ; Musiker ; Unterhaltungsmusik ; Unterhaltungsmusik ; Musiker ; Tonstudio ; Musikproduktion ; Geschichte
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    HU Berlin
    München BSB
    KOBV
    BVB
    HBZ
  • 46
    Book
    Book
    The musical language of rock (2018)
    New York : Oxford University Press
    Details
    ISBN: 9780190653774 , 9780190870522
    Language: English
    Pages: xiii, 292 Seiten , Diagramme, Notenbeispiele
    DDC: 781.66117
    RVK:
    LS 48015
    Keywords: Einführung ; Einführung ; Einführung ; Einführung
    Note: Literaturverzeichnis: Seite 267-275
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 47
    Online Resource
    Online Resource
    The race of sound : listening, timbre, and vocality in African American music (2018)
    Durham : Duke University Press
    Details
    ISBN: 9780822372646 , 0822372649
    Language: English
    Pages: 1 Online-Ressource (xiv, 268 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/308996073
    RVK:
    LS 48015
    Keywords: Anderson, Marian 1897-1993 ; Holiday, Billie 1915-1959 ; Scott, Jimmy 1925-2014 ; Vocaloid (Computer file) ; African Americans Music ; Social aspects ; Music and race United States ; Voice culture Social aspects ; United States ; Tone color (Music) Social aspects ; United States ; Music Social aspects ; United States ; Singing Social aspects ; United States ; Zuhören ; Afroamerikanische Musik ; Klang ; Electronic books ; Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    DOI: 10.1215/9780822372646
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    HeBIS
    BVB
    Bayreuth UB
  • 48
    Book
    Book
    Discordant notes : marginality and social control in Madrid, 1850-1930 (2018)
    New York : Oxford University Press
    Details
    ISBN: 9780199392469
    Language: English
    Pages: xii, 258 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    DDC: 306.4842094641
    RVK:
    LQ 83206
    Keywords: Geschichte 1850-1930 ; Musik ; Gesellschaft ; Sozialordnung ; Madrid
    URL: Inhaltsverzeichnis
    URL: https://global.oup.com/academic/product/discordant-notes-9780199392469
    URL: Inhaltsverzeichnis
    URL: https://global.oup.com/academic/product/discordant-notes-9780199392469
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  • 49
    Book
    Book
    On site, in sound : performance geographies in América Latina (2018)
    Durham : Duke University Press
    Details
    ISBN: 9780822368557 , 9780822368670
    Language: English
    Pages: IX, 241 Seiten , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 780.98
    RVK:
    LR 56500
    RVK:
    LS 48800
    Keywords: Geschichte 1960-2017 ; Music and globalization ; Music Social aspects ; Music Political aspects ; Music History and criticism ; Raum ; Anthropogeografie ; Musik ; Musikproduktion ; Globalisierung ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Musikproduktion ; Raum ; Globalisierung ; Anthropogeografie ; Geschichte 1960-2017
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
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    KOBV
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  • 50
    Online Resource
    Online Resource
    The Oxford handbook of country music (2017)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190248192
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: Oxford handbooks online
    DDC: 781.64209
    RVK:
    LS 48610
    Keywords: Countrymusic ; Musikbranche
    Abstract: Country music studies is a thriving interdisciplinary field. 'The Oxford Handbook of Country Music' draws upon the expertise of leading and emerging scholars to present an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century and to suggest potential avenues for further research.
    Note: Includes bibliographical references and index
    DOI: 10.1093/oxfordhb/9780190248178.001.0001
    URL: http://dx.doi.org/10.1093/oxfordhb/9780190248178.001.0001
    URL: Volltext
    URL: lizenzpflichtig
    URL: Volltext
    URL: lizenzpflichtig
    URL: Volltext
    URL: lizenzpflichtig
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    MPI Ethno. Forsch.
  • 51
    Book
    Book
    Listening for Africa : freedom, modernity, and the logic of Black music's African origins (2017)
    Durham : Duke University Press
    Details
    ISBN: 9780822363705 , 9780822363545
    Language: English
    Pages: xii, 360 Seiten , Illustrationen, Diagramme
    DDC: 780.8996073
    RVK:
    LS 48050
    Keywords: Geschichte ; Afroamerikanische Musik ; Rezeption ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; USA ; Afrika ; Rezension ; Rezension
    Note: Literaturverzeichnis Seite 323-344
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
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    Weltkulturen Museum
    Frobenius-Institut
    BSZ
    GBV
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    HeBIS
    BVB
    HBZ
    Bayreuth UB
    Ethn. Museum Berlin
  • 52
    Book
    Book
    Lions of the north : sounds of the new Nordic radical nationalism (2017)
    New York : Oxford University Press
    Details
    ISBN: 9780190212605 , 9780190212599
    Language: English
    Pages: xv, 210 Seiten , Illustrationen
    DDC: 306.484240948
    RVK:
    LS 48015
    RVK:
    LS 28470
    RVK:
    LR 57720
    Keywords: Popmusik ; Rap ; Reggae ; Folk music ; Radikalismus ; Nationalismus ; Schweden
    Note: Literaturverzeichnis: Seite 189-206
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    MPI Ethno. Forsch.
  • 53
    Online Resource
    Online Resource
    Dust of the Zulu : Ngoma aesthetics after Apartheid (2017)
    Durham : Duke University Press
    Details
    ISBN: 9780822373636
    Language: English
    Pages: 1 Online-Ressource (338 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.62/963986
    RVK:
    LS 47940
    Keywords: Gesellschaft ; Musik ; Ngoma ; Zulu ; Südafrika (Staat) ; Ngoma (Drum) music / Social aspects / South Africa ; Zulu (African people) / Music / Social aspects / South Africa ; Zulu ; Ngoma
    Note: Bevorzugte Informationsquelle Landingpage, da weder Titelblatt noch Impressum vorhanden (Due Univeristy Press)
    DOI: 10.1215/9780822373636
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://www.degruyter.com/isbn/9780822373636
    URL: Cover
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    Bayreuth UB
  • 54
    Book
    Book
    The transformation of black music : the rhythms, the songs, and the ships of the African diaspora (2017)
    New York : Oxford University Press
    Details
    ISBN: 9780195307245
    Language: English
    Pages: xxxv, 240 Seiten , Karten
    DDC: 780.8996
    RVK:
    LS 46000
    RVK:
    MS 3450
    Keywords: Geschichte ; Afroamerikanische Musik ; Schwarze ; Soziokultureller Wandel ; Diaspora ; Musiker ; Migration ; Soziale Funktion
    Note: Bibliography Seite 221-233
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029608187&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: Inhaltsverzeichnis
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    Bayreuth UB
    MPI-MMG
  • 55
    Online Resource
    Online Resource
    The Oxford handbook of music making and leisure (2017)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190244736
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: Oxford handbooks online
    DDC: 306.4842
    RVK:
    LR 56600
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Music has been a vital part of leisure activity across time and cultures. Contemporary commodification, commercialization, and consumerism, however, have created a chasm between conceptualizations of music making and numerous realities in our world. From a broad range of perspectives and approaches, this handbook explores avocational involvement with music (i.e., amateur, recreation) as an integral part of the human condition. The chapters in The Oxford Handbook of Music Making and Leisure present a myriad of ways for reconsidering-refocusing attention on-the rich, exciting, and emotionally charged ways in which people of all ages make time for making music through music learning and participation.
    Note: Includes bibliographical references and index
    DOI: 10.1093/oxfordhb/9780190244705.001.0001
    URL: http://dx.doi.org/10.1093/oxfordhb/9780190244705.001.0001
    URL: Volltext
    URL: lizenzpflichtig
    URL: Volltext
    URL: lizenzpflichtig
    URL: Volltext
    URL: lizenzpflichtig
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    Online Resource
    BSZ
    GBV
    KOBV
    HeBIS
    MPI Ethno. Forsch.
  • 56
    Book
    Book
    What will I be : American music and Cold War identity (2017)
    New York : Oxford University Press
    Details
    ISBN: 9780190299590
    Language: English
    Pages: viii, 187 Seiten , Illustrationen, Diagramme
    DDC: 306.4/84240973
    RVK:
    LQ 89307
    Keywords: Geschichte ; Musik ; Identität ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis: Seite [173]-182
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 57
    Book
    Book
    Audible states : socialist politics and popular music in Albania (2016)
    New York : Oxford University Press
    Details
    ISBN: 9780190467814 , 9780190467821
    Language: English
    Pages: xiv, 263 Seiten , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 781.64094965
    RVK:
    LS 20750
    Keywords: Geschichte 1945-2010 ; Politik ; Popular music Political aspects ; Music and state ; Popular music History and criticism ; Entwicklung ; Soziologie ; Musikpolitik ; Gesellschaft ; Staat ; Popmusik ; Albanien ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Albanien ; Popmusik ; Staat ; Musikpolitik ; Gesellschaft ; Soziologie ; Entwicklung ; Geschichte 1945-2010
    Note: Includes bibliographical references and index ; revised dissertation
    URL: Inhaltsverzeichnis
    URL: Literaturverzeichnis
    URL: Register // Gemischte Register
    URL: Inhaltsverzeichnis
    URL: Literaturverzeichnis
    URL: Register // Gemischte Register
    URL: Inhaltsverzeichnis
    URL: Literaturverzeichnis
    URL: Register // Gemischte Register
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  • 58
    Book
    Book
    Tropical renditions : making musical scenes in Filipino America (2016)
    Durham : Duke University Press
    Details
    ISBN: 9780822359586 , 9780822360018
    Language: English
    Pages: xviii, 230 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 780.899921073
    RVK:
    LS 48050
    Keywords: Geschichte 1945-2015 ; Filipinos ; Unterhaltungsmusik ; Musikleben ; Soziale Funktion ; Kulturelle Identität ; USA
    Note: Bibliography Seite 207-218
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    GBV
    KOBV
    HeBIS
    Ethn. Museum Berlin
  • 59
    Book
    Book
    Life and death on the New York dance floor, 1980-1983 (2016)
    Durham : Duke University Press
    Details
    ISBN: 0822361868 , 0822362023 , 9780822361862 , 9780822362029
    Language: English
    Pages: xxi, 578 Seiten , Illustrationen , 24 cm
    DDC: 781.64
    RVK:
    LS 48655
    RVK:
    LQ 89507
    Keywords: Geschichte 1980-1983 ; Popmusik ; Tanzmusik ; Musikleben ; Subkultur ; New York, NY
    Abstract: "As the 1970s gave way to the '80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. [This book] chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city's subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film"--Page 4 of cover
    Note: Literaturverzeichnis, Diskogafie und Filmografie Seite 515-535
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
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    BSZ
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    BVB
  • 60
    Book
    Book
    Cajun breakdown : the emergence of an American-made music (2016)
    New York : Oxford University Press
    Details
    ISBN: 9780190628444 , 9780195343069
    Language: English
    Pages: xv, 317 Seiten , Illustrationen
    Edition: First published as an Oxford University Press paperback
    Series Statement: American musicspheres
    DDC: 781.62/410763
    RVK:
    LS 20980
    RVK:
    LS 48050
    Keywords: Geschichte 1900-2008 ; Cajun musicœxHistory and criticism ; Popular musicœxSocial aspectsœzUnited States ; CajunsœxHistory ; Cajun-Music ; Louisiana ; Louisiana ; Cajun-Music ; Geschichte 1900-2008
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
    URL: Klappentext
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  • 61
    Book
    Book
    Singing God's words : the performance of biblical chant in contemporary Judaism (2016)
    New York : Oxford University Press
    Details
    ISBN: 9780190497088 , 9780199844081
    Language: English
    Pages: 293 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: American musicspheres
    DDC: 782.3/6
    RVK:
    BD 7230
    RVK:
    LS 33240
    RVK:
    LS 33260
    Keywords: Jews Music ; History and criticism ; Judaism Liturgy ; Judentum ; Liturgie ; Moderne
    Note: Includes bibliographical references (pages 275-283) and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Regensburg UB
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    Bayreuth UB
  • 62
    Book
    Book
    Spirit song : Afro-Brazilian religious music and boundaries (2016)
    New York : Oxford University Press
    Details
    ISBN: 9780199368211 , 9780199368228
    Language: English
    Pages: x, 220 Seiten , Illustrationen, Notenbeispiele , 24 cm
    DDC: 781.7/968981
    RVK:
    LQ 90600
    RVK:
    LR 57740
    RVK:
    LS 48800
    Keywords: Batuque music History and criticism ; Quimbanda music History and criticism ; Umbanda music History and criticism ; Batuque (Cult) ; Quimbanda (Cult) ; Umbanda (Cult) ; Porto Alegre (Rio Grande do Sul, Brazil) Religious life and customs ; Brasilien ; Pôrto Alegre ; Batuque ; Umbanda ; Spiritualität
    Note: Includes bibliographical references (pages 199-210) and index
    URL: Cover
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Inhaltsverzeichnis
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  • 63
    Book
    Book
    The hip hop & Obama reader (2015)
    New York : Oxford University Press
    Details
    ISBN: 9780199341801 , 9780199341818
    Language: English
    Pages: xx, 313 Seiten
    DDC: 306.4842490973
    RVK:
    LS 48650
    RVK:
    NQ 8346
    RVK:
    NQ 8495
    Keywords: Obama, Barack ; Politik ; Hip-Hop ; Politisierung ; Sozialer Wandel ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 64
    Online Resource
    Online Resource
    Sounds French : globalization, cultural communities, and pop music, 1958-1980 (2015)
    New York : Oxford University Press
    Details
    ISBN: 9780199377091
    Language: English
    Pages: 1 Online-Ressource (XI, 226 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 48015
    Keywords: Geschichte 1950-1980 ; Popular music / France / 1951-1960 / History and criticism ; Popular music / France / 1961-1970 / History and criticism ; Popular music / France / 1971-1980 / History and criticism ; Music and globalization ; Music and globalization ; Popular music ; Kulturleben ; Unterhaltungsmusik ; Globalisierung ; France ; Frankreich ; Frankreich ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben ; Geschichte 1950-1980
    Abstract: 'Sounds French' reveals how French society mediated the challenges of globalization through the consumption and production of popular music, itself increasingly an expression of globalized culture. As recorded music became more commonplace and crossed national boundaries in the second half of the twentieth century, French musicians and their audiences articulated new types of communal identities around popular music genres that reflected the impact of social, political, economic, and cultural transformations after the 1950s.
    Note: Includes bibliographical references and index , Sounds young : copains and the community of youth -- Sounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization
    DOI: 10.1093/acprof:oso/9780199377060.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 65
    Book
    Book
    Lion songs : Thomas Mapfumo and the music that made Zimbabwe (2015)
    Durham : Duke University Press
    Details
    ISBN: 9780822359081 , 0822359081
    Language: English
    Pages: 362 pages, 40 pages of unnumbered plates , illustrations, portraits , 24 cm
    DDC: 781.63092
    RVK:
    LS 47895
    Keywords: Mapfumo, Thomas ; Blacks Unlimited (Musical group) ; Popular music History and criticism ; Popular music Political aspects ; Revolutionary ballads and songs
    Description / Table of Contents: Chimurenga nightsRhodesia -- England is the chameleon, and I the fly -- Singing Shona -- When the spirit comes -- Songs for the book of history -- Bishop and pawn -- Agony of victory -- Zimbabwe -- Snakes in the forest -- Corruption -- Big daddy and the Zimbabwe playboys -- Sporting lions -- Too many ghosts -- Breaking the cycle -- America -- Striking at empires -- Dancing with devils -- The land of the horses -- Lions in winter.
    Note: Includes bibliographical references (pages 341-343), discography (pages 337-339) and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 66
    Book
    Book
    Keywords in sound (2015)
    Durham : Duke University Press
    Details
    ISBN: 9780822359036 , 9780822358893 , 9780822375494
    Language: English
    Pages: 260 Seiten
    Parallel Title: Erscheint auch als Keywords in sound
    Parallel Title: Erscheint auch als Keywords in sound
    DDC: 152.1/5
    RVK:
    LR 56660
    RVK:
    LR 56820
    RVK:
    EC 2440
    Keywords: Sound Terminology ; Aufsatzsammlung ; Wörterbuch ; Aufsatzsammlung ; Wörterbuch ; Klang ; Musikphilosophie ; Klang ; Musikphilosophie ; Klang ; Musik ; Wahrnehmung
    Note: Literaturverzeichnis: Seiten 230-231 , Acoustemology , Acoustics , Body , Deafness , Echo , Hearing , Image , Language , Listening , Music , Noise , Phonography , Radio , Religion , Resonance , Silence , Space , Synthesis , Transduction , Voice
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Weltkulturen Museum
    BSZ
    GBV
    MPI-MMG
  • 67
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    Book
    Some of these days : black stars, jazz aesthetics, and modernist culture (2015)
    New York : Oxford University Press
    Details
    ISBN: 9780199354016
    Language: English
    Pages: 271 Seiten , Illustrationen
    DDC: 791.08996073
    RVK:
    NK 4940
    RVK:
    MS 3450
    RVK:
    LS 48200
    Keywords: Geschichte 1920-1945 ; Schwarze ; Darstellende Kunst ; Afroamerikanische Musik ; Harlem renaissance ; Rezeption ; Kultur ; Moderne ; USA
    Note: Bibliography Seite 259-268
    URL: Inhaltsverzeichnis
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    HU Berlin
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  • 68
    Online Resource
    Online Resource
    Remixing reggaetón : the cultural politics of race in Puerto Rico (2015)
    Durham : Duke University Press
    Details
    ISBN: 9780822375258 , 0822375257
    Language: English
    Pages: 1 Online-Ressource (xii, 224 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 781.646097295
    RVK:
    LS 48900
    Keywords: Geschichte 1980-2015 ; Reggaetón / History and criticism ; Reggaeton ; Puerto Rico ; Einführung ; Einführung ; Einführung ; Electronic books ; Einführung ; Puerto Rico ; Reggaeton ; Geschichte 1980-2015
    Abstract: Introduction: reggaetón takes its place -- Iron fist against rap -- The perils of perreo -- Loíza -- Fingernails con feeling -- Enter the Hurbans -- Conclusion: reggaetón's limits, possibilities, and futures
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822375258
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822375258
    URL: Volltext  (URL des Erstveröffentlichers)
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    BVB
    Bayreuth UB
  • 69
    Image
    Image
    Real men don't sing : crooning in American culture (2015)
    Durham : Duke University Press
    Details
    ISBN: 9780822359173 , 9780822359364
    Language: English
    Pages: xiv, 429 Seiten , Illustrationen , 24 cm
    Series Statement: Refiguring American music
    DDC: 782.421640811
    RVK:
    HD 375
    RVK:
    LS 48615
    RVK:
    LS 48050
    Keywords: Crooning ; Male singers United States ; Popular music History and criticism ; 1921-1930 ; United States ; Popular music History and criticism ; 1931-1940 ; United States ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940
    Abstract: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920 -- Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond)
    Description / Table of Contents: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond).
    Note: Formerly CIP. - Includes bibliographical references and index
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    GBV
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  • 70
    Online Resource
    Online Resource
    Spirits rejoice! : jazz and American religion (2015)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190230944
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    Edition: [First edition].
    DDC: 201.678165
    RVK:
    LS 48100
    RVK:
    LS 48200
    RVK:
    HD 370
    Keywords: Geschichte ; Jazz ; Religion ; Jazz Religious aspects ; Jazz History and criticism ; Music Social aspects ; USA
    Abstract: This is the first comprehensive comparative study of religions in the history of American jazz, and of jazz's contributions to American religions. Going beyond extant biographical studies of individual exemplars, or cursory attention to either 'spirituality' or jazz in the civil rights movement, the book argues for the centrality of religious experiences to any legitimate understanding of jazz, while also suggesting that attention to jazz opens up new interpretations of American religious history.
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780190230913.001.0001
    URL: http://dx.doi.org/10.1093/acprof:oso/9780190230913.001.0001
    URL: lizenzpflichtig
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  • 71
    Online Resource
    Online Resource
    Modern moves : dancing race during the ragtime and jazz eras (2015)
    New York : Oxford University Press
    Details
    ISBN: 9780199379866
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Robinson, Danielle Modern moves
    DDC: 793.33097471
    RVK:
    AP 83983
    RVK:
    LS 48100
    Keywords: Ballroom dancing History 20th century ; Dance History 20th century ; Dance Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race History 20th century ; Immigrants History 20th century ; Racism History 20th century ; New York (N.Y.) Race relations 20th century ; History ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung
    Abstract: 'Modern Moves' examines the movement of American social dances between black and white cultural groups and immigrant and migrant communities during the early twentieth century. It is structured by five overlapping case studies drawn from the disparate and yet related dance scenes of Manhattan, a black Atlantic capital into which diverse people and dances flowed and intermingled, and out of which new dances were marketed globally.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 24, 2015)
    DOI: 10.1093/acprof:oso/9780199779215.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 72
    Online Resource
    Online Resource
    Sounds French : globalization, cultural communities and pop music in France, 1958-1980 (2015)
    New York : Oxford University Press
    Details
    ISBN: 9780199377091
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Briggs, Jonathyne, 1970 - Sounds French
    DDC: 781.64094409045
    RVK:
    LS 48015
    Keywords: Popular music History and criticism 1951-1960 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; Music and globalization ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben
    Abstract: 'Sounds French' reveals how French society mediated the challenges of globalization through the consumption and production of popular music, itself increasingly an expression of globalized culture. As recorded music became more commonplace and crossed national boundaries in the second half of the twentieth century, French musicians and their audiences articulated new types of communal identities around popular music genres that reflected the impact of social, political, economic, and cultural transformations after the 1950s.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 20, 2015)
    DOI: 10.1093/acprof:oso/9780199377060.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 73
    Online Resource
    Online Resource
    Spinning mambo into salsa : Caribbean dance in global commerce (2015)
    New York : Oxford University Press
    Details
    ISBN: 9780190246068
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 793.33
    RVK:
    AP 85500
    RVK:
    LS 48800
    Keywords: Salsa (Dance) ; Salsa (Dance) ; Salsa (Dance) ; Mambo (Dance) ; Dance ; Karibik ; Kuba ; New York, NY ; Los Angeles, Calif. ; Florida Süd ; Salsa ; Mambo ; USA ; Kommerzialisierung ; Sozialer Wandel
    Abstract: This study chronicles histories of salsa dance in the United States, starting from its incarnation as mambo in the late 1940s, through the creation of salsa as a musical genre in the 1970s, into the formation of a global salsa dance industry in the 1990s and 2000s. Equally informative for those interested in the dance's changing aesthetics and its relationship to evolving music styles and those concerned with how sociopolitical issues related to race, class, ethnicity, nationality, and gender played into this history, the text considers dance as both an object and an agent of change.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on May 26, 2015)
    DOI: 10.1093/acprof:oso/9780199324637.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 74
    Online Resource
    Online Resource
    Bollywood sounds : the cosmopolitan mediations of Hindi film song (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780190200701
    Language: English
    Pages: 1 Online-Ressource (XX, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.5/420954
    RVK:
    AP 51450
    RVK:
    LS 49500
    Keywords: Motion picture music History and criticism ; Musikleben ; Bollywood ; Filmmusik ; Musikethnologie ; Kulturelle Identität ; Indien ; Indien ; Ozeanien ; Fallstudiensammlung ; Fallstudiensammlung ; Indien ; Bollywood ; Filmmusik ; Ozeanien ; Musikleben ; Musikethnologie ; Kulturelle Identität
    Abstract: This title surveys the music of seventy years of Hindi films and provides a long-term investigation of film songs and their musical and cinematic conventions. Focusing on the music of Hindi language films (i.e. Bollywood) in their historical, social, and commercial contexts, the author pays special attention to the meanings that songs generate inside and outside film narratives and within Indian society at large.
    DOI: 10.1093/acprof:oso/9780199993468.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    München BSB
    BVB
    Bayreuth UB
  • 75
    Online Resource
    Online Resource
    Austin city limits : a history (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199394319
    Language: English
    Pages: 1 Online-Ressource (231 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 791.45/72
    RVK:
    LS 48050
    RVK:
    LS 48610
    Keywords: Austin City Limits Music Festival ; Austin city limits (Television program) ; Austin city limits ; Geschichte 2002- ; Geschichte 1976- ; Country music History and criticism ; Folk music ; Fernsehen ; Musiksendung ; Countrymusic ; Musikfestspiel ; Rockmusik ; USA ; Austin city limits ; Austin City Limits Music Festival Austin, Tex. ; USA ; Fernsehen ; Musiksendung ; Geschichte 1976- ; USA ; Musikfestspiel ; Rockmusik ; Countrymusic ; Folk music ; Geschichte 2002-
    DOI: 10.1093/acprof:oso/9780199812417.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 76
    Online Resource
    Online Resource
    More than Bollywood : studies in Indian popular music (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199369751
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.630954
    RVK:
    AP 59465
    RVK:
    LR 53509
    RVK:
    LS 39000
    RVK:
    LS 48060
    Keywords: Popular music History and criticism ; Motion picture music History and criticism ; Bollywood ; Popmusik ; Filmmusik ; Indien ; Indien ; Aufsatzsammlung ; Aufsatzsammlung ; Indien ; Popmusik ; Filmmusik ; Bollywood
    Abstract: This text tackles the diverse styles and multiple histories of popular musics in India. Fourteen of the world's leading scholars on Indian popular music have contributed chapters on a range of topics from the classic songs of Bollywood to Indian rock music, summarized by a reflective afterword by popular music scholar Timothy Taylor
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780199928835.001.0001
    URL: Volltext
    URL: Volltext
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  • 77
    Book
    Book
    Dance floor democracy : the social geography of memory at the Hollywood Canteen (2014)
    Durham : Duke University Press
    Details
    ISBN: 9780822357421 , 9780822357575
    Language: English
    Pages: XXIV, 384 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 940.53/1
    RVK:
    LS 48015
    Keywords: Hollywood Canteen ; Hollywood Canteen ; Geschichte 1900-2000 ; Geschichte 1942-1945 ; Geschichte ; Gesellschaft ; Weltkrieg (1939-1945) ; World War, 1939-1945 Social aspects ; Memory Social aspects ; Dance Social aspects 20th century ; History ; Soldat ; Filmstar ; Swing ; Restaurant ; USA ; Los Angeles (Calif.) Social conditions 20th century ; Los Angeles, Calif. ; Los Angeles, Calif. ; Restaurant ; Swing ; Filmstar ; Soldat ; Geschichte 1942-1945 ; Hollywood Canteen ; Geschichte 1942-1945
    Note: Includes bibliographical references (pages 351-363) and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    HU Berlin
    München BSB
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    HeBIS
    BVB
  • 78
    Book
    Book
    Aurality : listening and knowledge in nineteenth-century Colombia (2014)
    Durham : Duke University Press
    Details
    ISBN: 9780822357360 , 9780822357513
    Language: English
    Pages: XIII, 266 S.
    Series Statement: Sign, storage, transmission
    DDC: 302.2/24209861
    RVK:
    LQ 90304
    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Kolumbien ; Zuhören ; Sprache ; Musik ; Stimme ; Klang ; Geschichte 1800-1900
    Description / Table of Contents: Introduction: the ear and the voice in the lettered city's geophysical history -- On vocalization -- On popular song -- On the ethnographic ear -- On vocal immunity -- Epilogue: the oral in the aural.
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
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    HeBIS
    BVB
  • 79
    Online Resource
    Online Resource
    Music endangerment : how language maintenance can help (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199352210
    Language: English
    Pages: 1 Online-Ressource (XIII, 206 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LC 87000
    RVK:
    LR 57710
    RVK:
    LS 18600
    Keywords: Applied ethnomusicology ; Sustainability ; Language maintenance ; Musik ; Sprache ; Musikethnologie ; Nachhaltigkeit ; Kulturerbe ; Gefährdung ; Musikethnologie ; Musik ; Sprache ; Gefährdung ; Kulturerbe ; Nachhaltigkeit
    DOI: 10.1093/acprof:oso/9780199352173.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 80
    Online Resource
    Online Resource
    Aurality : listening and knowledge in nineteenth-century Colombia (2014)
    Durham : Duke University Press
    Details
    ISBN: 9780822376262
    Language: English
    Pages: Online-Ressource (281 p)
    Edition: Online-Ausg.
    Series Statement: Sign, Storage, Transmission
    Series Statement: Sign, Storage, Transmission Ser.
    Parallel Title: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
    RVK:
    LQ 90304
    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Description / Table of Contents: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822376262
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822376262?locatt=mode:legacy
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  • 81
    Online Resource
    Online Resource
    Greeted with smiles : Bukharian Jewish music and musicians in New York (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199379064
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    DDC: 780.8992407471
    RVK:
    LS 33100
    Keywords: Jews, Bukharan Music ; History and criticism ; Jews Music ; History and criticism ; Jewish musicians ; Music History and criticism ; New York, NY ; Buchara ; Juden ; Musikleben ; Religiöse Identität
    Abstract: 'Greeted with Smiles' explores the circumstances facing new American immigrants, using the music of the Bukharian Jews to gain entrance into their community and their culture. Author Evan Rapport investigates the transformation of Bukharian identity through an examination of corresponding changes in its music, focusing on three of these distinct but overlapping repertoires - maquom, Jewish religious music and popular music.
    Note: Includes bibliographical references, discography, and index. - Description based on online resource; title from home page (viewed on November 4, 2014)
    DOI: 10.1093/acprof:oso/9780199379033.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 82
    Online Resource
    Online Resource
    A different voice, a different song : reclaiming community through the natural voice and world song (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199354580
    Language: English
    Pages: 1 Online-Ressource (XXII, 351 Seien) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.5
    RVK:
    LS 19000
    Keywords: Gesellschaft ; Natural voice singing ; Singing Social aspects ; Weltmusik ; Chorgesang ; Gemeinschaftsgefühl ; Kulturvergleich ; Chorgesang ; Gemeinschaftsgefühl ; Weltmusik ; Kulturvergleich
    Abstract: Caroline Bithell explores the history and significance of the natural voice movement and its culture of open-access community choirs, weekend workshops, and summer camps. Founded on the premise that 'everyone can sing', the movement is distinguished from other choral movements by its emphasis on oral transmission and its eclectic repertoire of songs from across the globe.
    DOI: 10.1093/acprof:oso/9780199354542.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    München BSB
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    Bayreuth UB
  • 83
    Online Resource
    Online Resource
    Danzón : circum-Caribbean dialogues in music and dance (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199369874
    Language: English
    Pages: 1 online resource , illustrations (black and white), music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Danzón
    DDC: 781.64
    RVK:
    AP 85600
    RVK:
    LS 48700
    Keywords: Danzones (Music) History and criticism ; Danzón ; Musik ; Tanz ; Kuba ; Mexiko ; Gesellschaftstanz
    Abstract: Initially branching out of the European contradance tradition the danzón first emerged as a distinct form of music and dance among black performers in 19th-century Cuba. By the early 20th-century, it had exploded in popularity throughout the Gulf of Mexico and Caribbean basin. This book studies the emergence hemisphere-wide influence, and historical and contemporary significance of this phenomenon of music and dance.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 11, 2013)
    DOI: 10.1093/acprof:oso/9780199965809.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 84
    Online Resource
    Online Resource
    Popular music in India : studies in Indian popular music (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199369751
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als More than Bollywood
    DDC: 781.630954
    RVK:
    LR 53509
    RVK:
    LS 39000
    Keywords: Popular music History and criticism ; Motion picture music History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Indien ; Unterhaltungsmusik
    Abstract: This text tackles the diverse styles and multiple histories of popular musics in India. Fourteen of the world's leading scholars on Indian popular music have contributed chapters on a range of topics from the classic songs of Bollywood to Indian rock music, summarized by a reflective afterword by popular music scholar Timothy Taylor.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 10, 2014)
    DOI: 10.1093/acprof:oso/9780199928835.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 85
    Online Resource
    Online Resource
    Radical traditions : reimagining culture in Balinese contemporary music (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199345908
    Language: English
    Pages: 1 online resource , illustrations (black and white), map (black and white), music
    Parallel Title: Erscheint auch als
    DDC: 780.9598
    RVK:
    LS 45300
    Keywords: Music History and criticism ; Music Social aspects
    Abstract: In this work, author Andrew Clay McGraw shows how Balinese contemporary music, music kontemporer, embodies the tensions between culture as represented and lived. Through a highly interdisciplinary approach, this book presents an all-encompassing social and musical history of musik kontemporer.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 6, 2014)
    DOI: 10.1093/acprof:oso/9780199941407.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 86
    Online Resource
    Online Resource
    Jewish contiguities and the soundtrack of Israeli history (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199354962 , 9780199354955
    Language: English
    Pages: 1 Online-Ressource (XV, 280 Seiten) , Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89924
    RVK:
    LS 33120
    Keywords: Geschichte ; Juden ; Musik ; Music / Israel / History and criticism ; Music by Jewish composers / History and criticism ; Jews / Music / History and criticism ; Musik ; Religiöse Identität ; Juden ; Komponist ; Israel ; Israel ; Juden ; Komponist ; Musik ; Religiöse Identität ; Geschichte
    Abstract: Shelleg revolutionizes the study of modern Israeli art music by tracking the surprising itineraries of Jewish art music in the move from Europe to Mandatory Palestine and Israel. Leaving behind clich es about East and West, Arab and Jew, this book provocatively exposes the legacies of European antisemitism and religious Judaism in the making of Israeli art music
    DOI: 10.1093/acprof:oso/9780199354948.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Bayreuth UB
  • 87
    Online Resource
    Online Resource
    Voices from the cane fields : folksongs from Japanese immigrant workers in Hawai'i (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199345328
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    DDC: 782.421629560969
    RVK:
    LS 43900
    Keywords: Sugar workers Songs and music ; Immigrants Songs and music ; Japanese Americans History ; Folk songs, English History and criticism ; Hawaii ; Japanischer Einwanderer ; Arbeiter ; Zuckerrohrplantage ; Volkslied ; Arbeitslied
    Abstract: Holehole bushi, folk songs of Japanese workers in Hawaii's plantations, describe the experiences of this particular group caught in the global movements of capital, empire, and labour during the late 19th and early 20th centuries. In this book author Franklin Odo situates over two hundred of these songs, in translation, in a hitherto largely unexplored historical context.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 6, 2014)
    DOI: 10.1093/acprof:oso/9780199813032.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 88
    Online Resource
    Online Resource
    Playing with something that runs : technology, improvisation, and composition in DJ and laptop performance (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199380909
    Language: English
    Pages: 1 Online-Ressource (xiii, 262 Seiten)
    Parallel Title: Erscheint auch als Butler, Mark J. Playing with something that runs
    DDC: 306.09
    RVK:
    LR 57790
    Keywords: Underground dance music History and criticism ; Underground dance music Production and direction ; Underground dance music ; History and criticism ; Underground dance music ; Production and direction ; Underground dance music History and criticism ; Underground dance music Production and direction ; Elektronische Musik ; Subkultur ; Discjockey ; Improvisation ; Komposition ; Tanzmusik ; Subkultur ; Discjockey ; Improvisation ; Komposition
    Abstract: The DJs and laptop performers of electronic dance music use preexistent elements such as records and digital samples to create extended improvisations. Analysis of these technologically mediated performances reveals a complex dynamic in which a modular approach to musical structure enables flexible adaptation and transformation of seemingly 'fixed' products in live contexts. This book covers the following topics: ontology; interface design and liveness in performance; the interaction of the preexistent and the novel within improvisation; and musical design as performative technology.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on July 9, 2014)
    DOI: 10.1093/acprof:oso/9780195393613.001.0001
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 89
    Online Resource
    Online Resource
    Resonances of the Raj : India in the English musical imagination, 1897-1947 (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199372959
    Language: English
    Pages: 1 online resource , illustrations (black and white), music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Ghuman, Nalini Resonances of the Raj
    DDC: 780.9410954
    RVK:
    LS 39820
    Keywords: Music History and criticism 20th century ; Music History and criticism 20th century ; Music Indic influences ; Großbritannien ; Kolonialismus ; Musical ; Indienbild
    Abstract: This text examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the British Raj on the English musical imagination. Through a series of case studies, author Nalini Ghuman integrates music directly into the cultural history of the British Raj, revealing unexpected minglings of peoples, musics, and ideas that raise questions about 'Englishness', about the nature of Empire, and about the fixedness of identity.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on July 8, 2014)
    DOI: 10.1093/acprof:oso/9780199314898.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 90
    Online Resource
    Online Resource
    Making samba : a new history of race and music in Brazil (2013)
    Durham : Duke University Press
    Details
    ISBN: 0822391902 , 0822354152 , 0822354306 , 9780822391906 , 9780822354154 , 9780822354307
    Language: English
    Pages: Online-Ressource (xvii, 364 pages) , illustrations
    Edition: Online-Ausg.
    Parallel Title: Print version Making samba
    DDC: 781.640981
    RVK:
    LS 48800
    Keywords: Blacks Race identity ; Blacks Music ; History ; Music and race History ; Sambas History ; Sambas Social aspects ; History ; Sambas -- Brazil -- History ; Sambas -- Social aspects -- Brazil -- History ; Blacks -- Brazil -- Music -- History ; Music and race -- Brazil -- History ; Blacks -- Race identity -- Brazil ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈DIV〉By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.〈/div〉
    Description / Table of Contents: Contents; A Note about Brazilian Terminology, Currency, and Orthography; Abbreviations; Acknowledgments; Introduction; One. Between Fascination and Fear, Musicians' Worlds in Nineteenth-Century Rio de Janeiro; Two. Beyond the Punishment Paradigm, Popular Entertainment and Social Control after Abolition; Three. Musicians Outside the Circle, Race, Wealth, and Property in Fred Figner's Music Market; Four. "Our Music", "Pelo telefone," the Oito Batutas, and the Rise of "Samba""; Five. Mediators and Competitors, Musicians, Journalists, and the Roda do Samba
    Description / Table of Contents: Six. Bodies and Minds: Mapping Africa and Brazil during the Golden AgeSeven. Alliances and Limits: The SBAT and the Rise of the Entertainment Class; Eight. Everywhere and Nowhere: The UBC and the Consolidation of Racial and Gendered Difference; Nine. After the Golden Age: Reinvention and Political Change; Conclusion; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages [299]-335) and index
    URL: Volltext
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822391906
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822391906?locatt=mode:legacy
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    GBV
    KOBV
  • 91
    Book
    Book
    Unfree masters : recording artists and the politics of work (2013)
    Durham : Duke University Press
    Details
    ISBN: 9780822353287 , 9780822353430
    Language: English
    Pages: X, 296 Seiten
    Series Statement: Refiguring American music
    DDC: 338.47/780973
    RVK:
    LS 48015
    Keywords: Popular music Writing and publishing ; Popular music Economic aspects ; Intellectual property ; Sound recording industry ; Wirtschaftliche Abhängigkeit ; Autonomie ; Label ; Popmusiker ; Musikwirtschaft ; USA ; Popmusiker ; Musikwirtschaft ; Label ; Autonomie ; Wirtschaftliche Abhängigkeit
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    München BSB
    München UB
    GBV
    KOBV
    BVB
  • 92
    Online Resource
    Online Resource
    Cumbia! : scenes of a migrant Latin American music genre (2013)
    Durham : Duke University Press
    Details
    ISBN: 0822391929 , 9780822391920
    Language: English
    Pages: 1 Online-Ressource (302 pages) , map
    Parallel Title: Erscheint auch als
    DDC: 781.64098
    RVK:
    LS 26690
    Keywords: Cumbia (Music) / History and criticism / America ; Working class / Songs and music / History and criticism / America ; Musiksoziologie ; Cumbia ; Amerika ; Aufsatzsammlung ; Aufsatzsammlung ; Amerika ; Cumbia ; Musiksoziologie
    Abstract: Cumbia music in Colombia: origins, transformations, and evolution of a coastal music genre / Leonardo D'Amico -- ¿Pa' dónde vas Marioneta? ¿Pa' donde va la gaita? : la Cumbiamba Eneyé returns to San Jacinto / Jorge Arévalo Mateus with Martín Vejarano -- Cumbia in Mexico's northeastern region / José Juan Olvera Gudiño -- Rigo Tovar, cumbia, and the transnational grupero boom / Alejandro L. Madrid -- Communicating the collective imagination : the socio-spatial world of the Mexican sonidero in Puebla, New York and New Jersey / Cathy Ragland -- From the world of the poor to the beaches of Eisha : cumbia, and the search for a popular subject in Peru / Joshua Tucker -- Pandillar in the jungle : regionalism and tecno-cumbia in Amazonian Peru / Kathryn Metz -- Gender tensions in Cumbia villera's lyrics / Pablo Semán and Pablo Vila -- Feliz, feliz / Cristian Alarcón -- El "tú" tropical, el "vos" villero, and places in between : language ideology, music, and the spatialization of difference in Uruguay / Matthew J. Van Hoose -- On music and Colombianess : towards a critique of the history of cumbia / Héctor Fernández L'Hoeste
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822391920
    URL: Volltext  (lizenzpflichtig)
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    Online Resource
    GBV
  • 93
    Online Resource
    Online Resource
    French moves : the cultural politics of le hip hop (2013)
    New York : Oxford University Press
    Details
    ISBN: 9780199347353
    Language: English
    Pages: 1 Online-Ressource (xxxviii, 202 Seiten) , Illustrationen
    Series Statement: Oxford studies in dance theory
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 793.3
    RVK:
    LS 48650
    Keywords: Sozialgeschichte ; Alltag, Brauchtum ; Gesellschaft ; Politik ; Hip-hop dance ; Hip- hop Social aspects ; Hip-hop Political aspects ; Hip-Hop ; Tanz ; Frankreich ; France Social life and customs ; Frankreich ; Frankreich ; Hip-Hop ; Tanz ; Sozialgeschichte
    Abstract: This study - the first in English to introduce readers to the French mouv' - analyzes the choreographic development of hip hop into la danse urbaine, touring on national and international stages, as hip hoppeurs move beyond the banlieue, figuring new forms within the mobility brought by new media and global migration
    Note: Enthält bibliographische Angaben und Index. - Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780199939954.001.0001
    URL: Volltext
    URL: Volltext
    URL: Volltext
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    Online Resource
    München BSB
    KOBV
    BVB
  • 94
    Online Resource
    Online Resource
    Danzón : circum-Caribbean dialogues in music and dance (2013)
    New York : Oxford University Press
    Details
    ISBN: 9780199369874
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    AP 85600
    RVK:
    LS 48700
    Keywords: Danzones (Music) History and criticism ; Gesellschaftstanz ; Danzón ; Mexiko ; Kuba ; Aufsatzsammlung ; Aufsatzsammlung ; Danzón ; Kuba ; Mexiko ; Gesellschaftstanz
    Abstract: Initially branching out of the European contradance tradition the danz on first emerged as a distinct form of music and dance among black performers in 19th-century Cuba. By the early 20th-century, it had exploded in popularity throughout the Gulf of Mexico and Caribbean basin. This book studies the emergence hemisphere-wide influence, and historical and contemporary significance of this phenomenon of music and dance
    Note: Published to Oxford Scholarship Online: January 2014 , Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780199965809.001.0001
    URL: Volltext
    URL: Volltext
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    Online Resource
    München BSB
    BVB
  • 95
    Online Resource
    Online Resource
    Radical traditions : reimagining culture in Balinese contemporary music (2013)
    New York : Oxford University Press
    Details
    ISBN: 9780199345908
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 780.9598
    RVK:
    LS 45300
    Keywords: Gesellschaft ; Musik ; Music / Indonesia / Bali Island / History and criticism ; Music / Social aspects / Indonesia / Bali Island ; Gamelan ; Musik ; Musikethnologie ; Interkulturalität ; Bali ; Bali ; Musik ; Gamelan ; Interkulturalität ; Musikethnologie
    Abstract: In this work, author Andrew Clay McGraw shows how Balinese contemporary music, music kontemporer, embodies the tensions between culture as represented and lived. Through a highly interdisciplinary approach, this book presents an all-encompassing social and musical history of musik kontemporer
    Note: Published to Oxford Scholarship Online: January 2014 , Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780199941407.001.0001
    URL: Volltext
    URL: Volltext
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    Online Resource
    München BSB
    BVB
  • 96
    Online Resource
    Online Resource
    Klezmer's afterlife : an ethnography of the Jewish music revival in Poland and Germany (2013)
    New York : Oxford University Press
    Details
    ISBN: 9780199346424
    Language: English
    Pages: 1 Online-Ressource (IX, 302 S.)
    Parallel Title: Erscheint auch als
    DDC: 781.62/924043
    RVK:
    LQ 86507
    RVK:
    LS 33640
    Keywords: Gesellschaft ; Klezmer music History and criticism ; Klezmer music History and criticism ; Klezmer music Social aspects ; Klezmer music Social aspects ; Rezeption ; Klezmer ; Deutschland ; Polen ; Deutschland ; Polen ; Klezmer ; Rezeption ; Deutschland ; Polen
    Abstract: Klezmer has been a controversial phenomenon in post-Holocaust Europe, ever since this traditional Jewish wedding music made it to concert halls and discos. Played mostly by non-Jews and for non-Jewish audiences, it quickly gained the epithet of 'fakelore' and was branded commercially-motivated heritage appropriation. The present book documents this remarkable music revival in its two European epicentres: Berlin and Krak ow, investigating not only its roots and motivations, but also the consequences that performing Jewish music has had for non-Jewish klezmer revivalists
    Note: Published to Oxford Scholarship Online: January 2014 , Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780199995790.001.0001
    URL: Volltext
    URL: Volltext
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    Online Resource
    München BSB
    BVB
  • 97
    Online Resource
    Online Resource
    Voices from the cane fields : folksongs from Japanese immigrant workers in Hawai'i (2013)
    New York : Oxford University Press
    Details
    ISBN: 9780199345328
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    DDC: 782.42162/9560969
    RVK:
    LS 43900
    Keywords: Geschichte ; Einwanderer ; Geschichte ; Sugar workers Songs and music ; Immigrants Songs and music ; Japanese Americans History ; Folk songs, English History and criticism ; Volkslied ; Zuckerrohrplantage ; Arbeiter ; Japanischer Einwanderer ; Arbeitslied ; Hawaii ; Hawaii ; Japanischer Einwanderer ; Arbeiter ; Zuckerrohrplantage ; Volkslied ; Arbeitslied ; Geschichte
    Abstract: Holehole bushi, folk songs of Japanese workers in Hawaii's plantations, describe the experiences of this particular group caught in the global movements of capital, empire, and labour during the late 19th and early 20th centuries. In this book author Franklin Odo situates over two hundred of these songs, in translation, in a hitherto largely unexplored historical context
    Note: Published to Oxford Scholarship Online: January 2014 , Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780199813032.001.0001
    URL: Volltext
    URL: Volltext
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    Online Resource
    München BSB
    BVB
  • 98
    Online Resource
    Online Resource
    The culture of connectivity : a critical history of social media (2013)
    New York : Oxford University Press
    Details
    ISBN: 9780199307425 , 9780199307425
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 302.30285
    RVK:
    AP 15934
    RVK:
    LR 57848
    RVK:
    MS 7965
    RVK:
    SR 850
    RVK:
    ST 252
    Keywords: Geschichte ; Soziale Software ; Social media / History ; Online social networks / History ; Social media ; History ; Online social networks ; History ; Soziale Software ; Geschichte
    Abstract: This book studies the rise of social media in the first decade of the twenty-first century, up until 2012. It provides both a historical and a critical analysis of the emergence of networking services in the context of a changing ecosystem of connective media. Such history is needed to understand how the intricate constellation of platforms profoundly affects our experience of online sociality
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780199970773.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    BVB
  • 99
    Book
    Book
    Assimilate : a critical history of industrial music (2013)
    New York : Oxford University Press
    Details
    ISBN: 9780199832606 , 9780199832583
    Language: English
    Pages: xiv, 361 Seiten
    DDC: 781.64809
    RVK:
    LS 48900
    RVK:
    LS 48015
    Keywords: Geschichte ; Industrial Rock
    Note: Forthcoming publication
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026094875&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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    Book
    HU Berlin
    München BSB
    GBV
    KOBV
    HeBIS
    BVB
    HBZ
    Bayreuth UB
    Ethn. Museum Berlin
  • 100
    Online Resource
    Online Resource
    My voice is my weapon : music, nationalism, and the poetics of Palestinian resistance (2013)
    Durham : Duke University Press
    Details
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Language: English
    Pages: Online-Ressource
    Edition: Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
    RVK:
    LS 21520
    RVK:
    LS 35340
    Keywords: Music ; Politics ; History ; Palestine ; Music Political aspects ; Music Political aspects ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Abstract: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
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    BSZ
    GBV
    KOBV
    MPI Ethno. Forsch.
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