Anmerkung: In kyrill. Schr., russ

Anmerkung: Includes bibliographical references and index

Anmerkung: Includes bibliographical references

Anmerkung: Includes bibliographical references and index

Anmerkung: Includes bibliographical references (pages 995-1045) and index , Introduction :The idea of northwest coast native art , Interpreting cultural symbols of the People from the Shore , Ḥilth Hiitinkis : from the beach , From explorers to ethnographers, 1770-1870 , Thresholds of meaning : voice, time, and epistemology in the archaeological consideration of Northwest Coast art , Objects and knowledge : early accounts from ethnographers and their written records and collecting practices, ca. 1880-1930 , "That which was most important" : Louis Shotridge on Crest art and clan history , Anthropology of art : shifting paradigms and practices, 1870s-1950 , Going by the book : missionary perspectives , The dark years , Surrealists and the New York avant-garde, 1920-60 , Northwest Coast art and Canadian national identity, 1900-50 , Art/craft in the early twentieth century , Welfare politics, late salvage, and indigenous (in)visibility, 1930-60 , Form first, function follows : the use of formal analysis in Northwest Coast art history , Democratization and Northwest Coast art in the modern period : Native emissaries, non-native connoisseurship, and consumption , History and critique of the "renaissance" discourse , Starting from the beginning , Shifting theory, shifting publics : the anthropology of Northwest Coast art in the postwar era , Value added : the Northwest Coast art market since 1965 , "Where mere words failed" : Northwest Coast art and law , Art for whose sake? , "Fighting with property" : the double-edged character of ownership , Museums and Northwest Coast art , Collaborations : a historical perspective , Pushing boundaries, defying categories : Aboriginal media production on the Northwest Coast , Art claims in the age of Delgamuukw , Stop listening to our ancestors , NWC on the up- load : surfing for Northwest Coast art , The material and the immaterial across borders

Anmerkung: Includes bibliographical references (p. 319-323) , Settlers, administrators, researchers, and explorers : the history of collecting in the Bismarck Archipelago / Klaus-Jochen KrügerMy trips to Oceania / Bart Van Bussel , Bismarck Archipelago art and the avant-garde / Kevin Conru , Artistic traditions of the Bismarck Archipelago / Ingrid Heermann.

Anmerkung: Catalog of an exhibition held at the Padiglione Zimbabwe, Maria della Pietà, Calle della Pietà, Venice, Italy, June 1-Nov. 24, 2013, on the occasion of the 55th ed. of Esposizione internazionale d'arte La Biennale di Venezia

Anmerkung: Literaturverzeichnis: Seiten 305-322

Anmerkung: Literaturverz. S. 321 - 327 , Literaturverz. S. 321 - 327

Anmerkung: Literaturverzeichnis und Filmografie Seite 203-216

Anmerkung: Includes bibliographical references (pages 229-248) and index

Anmerkung: Thirty-plus years of the Iranian revolution: culture and contestation , Part 1. Social context and sexualityIran's green movement in context , Tehrani cultural bricolage: local traditions and global styles of Tehran's non-conformist youth , Social and cultural change and the women's rights movement in Iran , Emerging forms of masculinity in the Islamic Republic of Iran , Part 2. Performing arts and cinemaContemporary Iranian theatre: the emergence of an autonomous space , Dance and the borders of public and private life in post-revolution Iran , Beyond gender: women filmmakers and sociopolitical critique , Part 3. Music'I am an original Iranian man': identity and expression in Tehran's unofficial rock music , Neither 'Islamic' nor a 'Republic': discourses in music , Part 4. RepresentationDigital heroes: identity construction in Iranian video games , Satire in the Iranian media: development and diversity , Gendered taboos in Iran's text message jokes , Iranian mural painting: new trends , From the pen to the rotary press: women book publishers in post-revolutionary Iran , Part 5. Beyond bordersThe other shore: Iranians in the United Arab emirates between visibility and invisibility

Anmerkung: Literaturverz. S. 536 - 574

Anmerkung: Includes bibliographical references and index

Anmerkung: Literaturverz. S. 236 - 248 und Index

Anmerkung: Literaturangaben , Beiträge überwiegend deutsch, teilweise englisch

Anmerkung: Includes bibliographical references (S. [195] - 206) and index

Anmerkung: Literaturverzeichnis ungezählte Seite 674 , Literaturangaben , Mit Register , pt. 1 Expansions : There are no visual media , pt. 1 Expansions :There are no visual media , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence : The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy : Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds : Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories : The mobilized and virtual gaze in modernity : fl(c)Øneur/fl(c)Øneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities : Orientalism and the exhibitionary order , from The colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations : U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence :The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy :Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds :Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories :The mobilized and virtual gaze in modernity : flâneur/flâneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities :Orientalism and the exhibitionary order , fromThe colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations :U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging

Anmerkung: Literaturangaben

Anmerkung: Includes bibliographical references and index

Anmerkung: Literaturangaben , 1.Writing African Modernism into Art History , 16.Modernism and Modernity in African Art , pt. II"Africa Has Always Been Modern"2.Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa , pt. IIIArt in Cosmopolitan Africa: The Nineteenth Century3.Loango Coast Ivories and the Legacies of Afro-Portuguese Arts , 4.Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980) , 5.At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics , 6.African Reimaginations: Presence, Absence, and New Way Architecture , pt. IVModernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century7."One of the Best Tools for Learning": Rethinking the Role of 'Abduh's Fatwa in Egyptian Art History , 8.Congolese and Belgian Appropriations of the Colonial Era: The Commissioned Work of Tshelantende (Djilatendo) and Its Reception , 9.Warriors in Top Hats: Images of Modernity and Military Power on West African Coasts , pt. VColonialism, Modernism, and Art in Independent Nations10.Algerian Painters as Pioneers of Modernism , 11.Kofi Antubam, 1922-1964: A Modern Ghanaian Artist, Educator, and Writer , 12.Patron and Artist in the Shaping of Zimbabwean Art , 13."Being Modern": Identity Debates and Makerere's Art School in the 1960s , 14.The École des Arts and Exhibitionary Platforms in Postindependence Senegal , 15.From Iconoclasm to Heritage: The Osogbo Art Movement and the Dynamics of Modernism in Nigeria , 17.A Century of Painting in the Congo: Image, Memory, Experience, and Knowledge , pt. VIPerspectives on Arts of the African Diaspora18.Visual Expressivity in the Art of the Black Diaspora: Conjunctures and Disjunctures , pt. VIISyntheses in Art of the Late Twentieth Century19.Art and Social Dynamics in Côte d'lvoire: The Position of Vohou-Vohou , 20.Contemporary Contradictions: Bronzecasting in the Edo Kingdom of Benin , 21.Puppets as Witnesses and Perpetrators in Ubu and the Truth Commission , 22.Moroccan Art Museums and Memories of Modernity , pt. VIIIPrimitivism as Erasure23.The Enduring Power of Primitivism: Showcasing "the Other" in Twenty-First-Century France , pt. IXLocal Expression and Global Modernity: African Art of the Twenty-First Century24.Zwelethu Mthethwa's "Postdocumentary" Portraiture: Views from South Africa and Abroad , 25.Creative Diffusion: African Intersections in the Biennale Network , 26.Lacuna: Uganda in a Globalizing Cultural Field , 27.Painted Visions under Rebel Domination: A Cultural Center and Political Imagination in Northern Côte d'lvoire , 28.Postindependence Architecture through North Korean Modes: Namibian Commissions of the Mansudae Overseas Project , 29.Concrete Aspirations: Modern Art at the Roundabout in Ugep

Anmerkung: Includes bibliographical references (p. [142]-[143])

Anmerkung: The many identities of Rubens's Man in Korean costume: New perspectives on old interpretations , Implicit understanding: Rubens and the representation of the Jesuit missions in Asia , Korean contacts with Europeans in Beijing, and European inspiration in early-modern Korean art , The place of the "exotic" in early-seventeenth-century Antwerp

Anmerkung: Ausstellung: Casa Daros, Rio de Janeiro, 23. März bis 8. September 2013. Ursprünglich ausgestellt im Daros Museum in Zürich in zwei Teilen vom 30. Oktober 2004 bis 9. Januar 2005 und 29. Januar bis 17. April 2005. - Text portugiesisch mit engl. und span. Übers

Anmerkung: Text engl. und niederländ. - Literaturangaben

Anmerkung: Literaturverz. S. 242 - 248 , Faszination Fremde : Kulturgeschichtliche Aspekte aus Vergangenheit und Gegenwart , Mythos Italien : Kat. Nr. 1-22 , Barbizon : Zentrum einer neuen Kunstauffassung : Kat. Nr. 23-28 , Berg- und Eiswelten : Kat. Nr. 29-35 , Faszination Orient : Kat. Nr. 36-46 , Bilder aus der Neuen Welt : Kat. Nr. 47-58 , Fremde Menschen im Bild : Kat. Nr. 59-84 , Künstlerische Aneignung der Fremde : Fallbeispiele : Kat. Nr. 85-94 , Faszination Fremde als Trend : Marktorientierung und Spezialisierung : Kat. Nr. 95-100 , Aufbruch zu neuem Sehen und Gestalten : die Fremde in der Moderne : Kat. Nr. 101-112 , Imaginationen der Fremde : Kat. Nr. 113-120 , Die schöpferische Kraft des Archaischen : Willi Baumeister und Leo Frobenius : Kat. Nr. 121-129 , AnhangLiteraturAbbildungsnachweisFotonachweisAbkürzungsverzeichnisPersonenregisterImpressum.

Anmerkung: Literaturverz. S. 242 - 248 , Faszination Fremde : Kulturgeschichtliche Aspekte aus Vergangenheit und Gegenwart , Mythos Italien : Kat. Nr. 1-22 , Barbizon : Zentrum einer neuen Kunstauffassung : Kat. Nr. 23-28 , Berg- und Eiswelten : Kat. Nr. 29-35 , Faszination Orient : Kat. Nr. 36-46 , Bilder aus der Neuen Welt : Kat. Nr. 47-58 , Fremde Menschen im Bild : Kat. Nr. 59-84 , Künstlerische Aneignung der Fremde : Fallbeispiele : Kat. Nr. 85-94 , Faszination Fremde als Trend : Marktorientierung und Spezialisierung : Kat. Nr. 95-100 , Aufbruch zu neuem Sehen und Gestalten : die Fremde in der Moderne : Kat. Nr. 101-112 , Imaginationen der Fremde : Kat. Nr. 113-120 , Die schöpferische Kraft des Archaischen : Willi Baumeister und Leo Frobenius : Kat. Nr. 121-129 , AnhangLiteraturAbbildungsnachweisFotonachweisAbkürzungsverzeichnisPersonenregisterImpressum.

Anmerkung: Text teilw. dt., teilw. engl

Anmerkung: Wendebuch , Text engl. und franz.

Anmerkung: Literaturverz. S. 222-259

Anmerkung: Literaturangaben

Anmerkung: Literaturverz. S. 165 - 174

Anmerkung: Literaturverz. S. [297] - 322

Anmerkung: Met bibliogr

Anmerkung: Literaturverz. S. 412 - 423

Anmerkung: Text dt. und engl.

Anmerkung: Text dt. und engl

Anmerkung: Literaturangaben

Anmerkung: Includes bibliographical references (pages 251-256) and index , The arts of India to 1500 / Anne R. Bromberg, Frederick M. Asher, Robert Warren Clark , The arts of the Mughal period / Anne R. Bromberg, Catherine B. Asher, Frederick M. Asher , The arts of the Himalayas / Anne R. Bromberg, Robert Warren Clark , The arts of Southeast Asia / Anne R. Bromberg, Nancy Tingley.

Anmerkung: Includes bibliographical references (p. 311-319) and indexes

Anmerkung: Includes bibliographical references (pages 177-199) and index

Anmerkung: Literaturangaben

Anmerkung: Begleitet die Ausstellung "Sehnsucht Persien: Austausch und Rezeption in der Kunst Persiens und Europas im 17. Jahrhundert & Gegenwartskunst aus Teheran" im Museum Rietberg Zürich vom 27. September 2013 bis 12. Januar 2014. - Literaturangaben

Anmerkung: Literaturverz. S. [330] - 335

Anmerkung: Includes bibliographical references and index

Anmerkung: Includes bibliographical references and index