ISBN:
9781351548267
Sprache:
Englisch
Seiten:
1 Online-Ressource (265 pages)
Serie:
Ashgate Popular and Folk Music
Paralleltitel:
Print version Bloustien, Gerry "Sonic Synergies: Music, Technology, Community, Identity
DDC:
306.4842
Kurzfassung:
Cover -- Half Title -- Title -- Copyright -- Contents -- List of Figures -- List of Tables -- Notes on Contributors -- General Editor's Preface -- Acknowledgements -- Introduction -- PART 1 SHIFTING CONTEXTS -- Introduction to Part 1 -- 1 Music, Cities, and Cultural and Creative Industries Policy -- 2 Futures for Webcasting: Regulatory Approaches in Australia and the US -- 3 Postmusics -- 4 On the Fetish Character of Sound and the Progression of Technology: Theorizing Japanese Audiophiles -- 5 The Elvis Spectacle and the Culture Industry -- PART 2 PLACING MUSIC -- Introduction to Part 2 -- 6 Popular Music, Media and the Narrativization of Place -- 7 There's No There There -- 8 Ethnic and Social Differences in Music Behaviour in a Fragmented Berlin -- 9 'Dis is England's new voice': Anger, Activism & the Asian Dub Foundation -- 10 From Folk Devils to Folk Music: Tracing the Malay Heavy Metal Scene in Singapore -- 11 The Jamaican Dancehall Sound System as a Commercial and Social Apparatus -- PART 3 CREATING AGENCY -- Introduction to Part 3 -- 12 Use, Misuse and Abuse: Problems Surrounding Popular Music and its Young Performers -- 13 The Idol Audience: Judging, Interactivity and Entertainment -- 14 Risky Economies: Community-Based Organizations and the Music-Making Practices of Marginalized Youth -- 15 'Unalienated Labour' and Creative Industries: Situating Micro-Entrepreneurial Dance Music Subcultures in the New Economy -- 16 Up the Down Staircase: Grassroots Entrepreneurship in Young People's Music Practices -- Bibliography -- Index
Permalink
