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  • 1
    Book
    Book
    New York, NY [u.a.] : Routledge
    ISBN: 9780415886383 , 0415886384
    Language: English
    Pages: X, 168 S. , Ill.
    Series Statement: Routledge advances in television studies 1
    Series Statement: Routledge advances in television studies
    DDC: 302.23450973
    RVK:
    Keywords: Geschichte 1950-1960 ; Fernsehsendung ; Parodie ; USA
    Note: Hardback. Paper over boards , Includes bibliographical references and index
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  • 2
    Article
    Article
    In:  The _comedy studies reader Austin: 2018, Seite 143-153
    Language: English
    Titel der Quelle: The _comedy studies reader
    Angaben zur Quelle: Austin: 2018, Seite 143-153
    Note: First published as "Comedy Verité? The Observational Documentary Meets the Televisual Sitcom", in: The Velvet Light Trap, vol. 60 (fall 2007), Seite 64-64, 67-72
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  • 3
    E-Resource
    E-Resource
    In:  The _Velvet Light Trap [Elektronische Ressource] : 2007, 1 Online-Ressource (Seite 63-72)
    Language: English
    Titel der Quelle: The _Velvet Light Trap [Elektronische Ressource]
    Angaben zur Quelle: : 2007, 1 Online-Ressource (Seite 63-72)
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  • 4
    Online Resource
    Online Resource
    Routledge : New York,
    ISBN: 9780203832936 , 9781136839757 , 9781136839795 , 9781136839801
    Language: English
    Pages: 1 online resource (x, 168 pages)
    Series Statement: Routledge advances in television studies no. 1
    Parallel Title: Erscheint auch als
    DDC: 302.2345
    Keywords: Television broadcasting Social aspects ; Television broadcasting History 20th century ; Parody ; Popular culture History 20th century
    Abstract: Introduction : the parodic impulse in the (Not-So) fabulous Fifties -- The new, sick sense: the mediation of America's health and humor at mid-century -- What, me subversive? MAD Magazine and the textual strategies and cultural politics of parody -- The parodic sensibility and the sophisticated gaze : nasculinity and taste in Playboy's penthouse -- Ernie Kovacs and the logics of television parody and electronic trickery -- Black tie, straightjacket : Oscar Levant's sick life on TV -- Conclusion : television for people who hate television?
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  • 5
    Online Resource
    Online Resource
    New York : Routledge
    ISBN: 9780415886383
    Language: English
    Pages: Online-Ressource (x, 168 p) , ill
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Series Statement: Routledge advances in television studies no. 1
    Parallel Title: Print version Parody and Taste in Postwar American Television Culture
    DDC: 302.23/45
    Keywords: Parody ; Television broadcasting History 20th century ; Popular culture History 20th century ; Television broadcasting Social aspects
    Abstract: In this original study, Thompson explores the complicated relationships between Americans and television during the 1950s, as seen and effected through popular humor. Parody and Taste in Postwar American Television Culture documents how Americans grew accustomed to understanding politics, current events, and popular culture through comedy that is simultaneously critical, commercial, and funny. Along with the rapid growth of television in the 1950s, an explosion of satire and parody took place across a wide field of American culture-in magazines, comic books, film, comedy albums, and on televis
    Description / Table of Contents: Introduction : the parodic impulse in the (not-so) fabulous Fifties -- The new, sick sense: the mediation of America's health and humor at mid-century -- What, me subversive? MAD Magazine and the textual strategies and cultural politics of parody -- The parodic sensibility and the sophisticated gaze : nasculinity and taste in Playboy's Penthouse -- Ernie Kovacs and the logics of television parody and electronic trickery -- Black tie, straightjacket : Oscar Levant's sick life on TV -- Conclusion : television for people who hate television?
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
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  • 6
    Online Resource
    Online Resource
    New York : NYU Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780814733097
    Language: English
    Pages: 1 Online-Ressource (298 pages)
    DDC: 302.2345
    RVK:
    Keywords: Fernsehsendung ; Satire ; Politik ; USA ; Aufsatzsammlung
    Abstract: Satirical TV has become mandatory viewing for citizens wishing to make sense of the bizarre contemporary state of political life. Shifts in industry economics and audience tastes have re-made television comedy, once considered a wasteland of escapist humor, into what is arguably the most popular source of political critique. From fake news and pundit shows to animated sitcoms and mash-up videos, satire has become an important avenue for processing politics in informative and entertaining ways, and satire TV is now its own thriving, viable television genre. Satire TV examines what happens when comedy becomes political, and politics become funny. A series of original essays focus on a range of programs, from The Daily Show to South Park, Da Ali G Show to The Colbert Report, The Boondocks to Saturday Night Live, Lil' Bush to Chappelle's Show, along with Internet D.I.Y. satire and essays on British and Canadian satire. They all offer insights into what today's class of satire tells us about the current state of politics, of television, of citizenship, all the while suggesting what satire adds to the political realm that news and documentaries cannot.
    Note: Description based on publisher supplied metadata and other sources
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  • 7
    Online Resource
    Online Resource
    Florence : Taylor and Francis | Ann Arbor, Michigan : ProQuest
    ISBN: 9780203832936
    Language: English
    Pages: 1 Online-Ressource (181 pages)
    Edition: 1st ed.
    Series Statement: Routledge Advances in Television Studies
    DDC: 302.23450973
    Keywords: Geschichte 1950-1960 ; Fernsehsendung ; Parodie ; USA
    Abstract: In this original study, Thompson explores the complicated relationships between Americans and television during the 1950s, as seen and effected through popular humor. Parody and Taste in Postwar American Television Culture documents how Americans grew accustomed to understanding politics, current events, and popular culture through comedy that is simultaneously critical, commercial, and funny. Along with the rapid growth of television in the 1950s, an explosion of satire and parody took place across a wide field of American culture-in magazines, comic books, film, comedy albums, and on television itself. Taken together, these case studies don't just analyze and theorize the production and consumption of parody and television, but force us to revisit and revise our notions of postwar "consensus" culture as well.
    Note: Description based on publisher supplied metadata and other sources
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