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  • Immigrants  (1,085)
  • United States
  • American Studies  (1,319)
  • Musicology  (143)
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  • 1
    Book
    Book
    New York : Dover Publications
    Language: English
    Pages: 25 cm
    Edition: 2. rev. ed
    DDC: 016.398
    RVK:
    Keywords: Folklore Bibliography ; United States ; African Americans Folklore ; Bibliography ; Indians of North America Folklore ; Bibliography ; Folk songs Bibliography ; United States ; Folk songs Bibliography ; History and criticism ; United States ; Afro-Americans Music ; Bibliography ; Afro-Americans Music ; Bibliography ; History and criticism ; Indians of North America Music ; Bibliography ; Indians of North America Music ; Bibliography ; History and criticism ; Bibliografie ; Nordamerika ; Folksong ; Nordamerika ; Volkskultur ; Nordamerika ; Indianer ; Eskimo ; Folksong ; Volkskultur
    Note: The first ed. of this work appeared in one vol
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  • 2
    Language: Undetermined
    DDC: 305.896073
    RVK:
    Keywords: Black persons Social conditions ; History ; United States ; Anthologie ; Du Bois, William E. B. 1868-1963 ; Rede
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  • 3
    Language: Undetermined
    DDC: 305.896073
    RVK:
    Keywords: Black persons Social conditions ; History ; United States ; Anthologie ; Du Bois, William E. B. 1868-1963 ; Rede
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  • 4
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    DDC: 781.650973
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 5
    ISBN: 9780374609900
    Language: English
    Pages: 244 Seiten , Illustrationen , 22 cm
    Edition: First edition
    DDC: 305.868073
    RVK:
    Keywords: Soziale Situation ; Ethnische Identität ; Einwanderung ; Lateinamerikaner ; USA ; Hispanic Americans / Ethnic identity ; Hispanic Americans / Social conditions ; Immigrants / United States / Social conditions ; United States / Race relations ; HISTORY / United States / General ; Hispanic Americans / Ethnic identity ; Hispanic Americans / Social conditions ; Immigrants / Social conditions ; Race relations ; United States ; Lateinamerikaner ; Soziale Situation ; USA ; Einwanderung ; Ethnische Identität
    Abstract: "A new book by the Pulitzer Prize-winning writer about the twenty-first-century Latino experience and identity"--
    Abstract: "Latino" is the most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen Latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation
    Description / Table of Contents: Prologue: Our migrant souls -- Part I: Our country -- Empires ; Walls ; Beginnings ; Cities ; Race ; Intimacies ; Secrets ; Ashes ; Lies ; Part II: Our journey's home -- Light ; Home ; Conclusion: Utopias
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  • 6
    ISBN: 9783990129807
    Language: English
    Pages: X, 242 Seiten , 24 cm x 17 cm
    Series Statement: Beiträge zur Jazzforschung 16
    Series Statement: Beiträge zur Jazzforschung
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1880-1930 ; Jazz ; Jazz ; United States ; Mississippi ; jazz history ; Maximilian Hendler ; Beiträge zur Jazzforschung ; Studies in Jazz Research ; Jazz ; Geschichte 1880-1930
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  • 7
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 8
    ISBN: 9781800109537 , 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Parallel Title: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
    RVK:
    Keywords: Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Abstract: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Note: Includes bibliographical references and index
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  • 9
    ISBN: 9781800109537 , 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Parallel Title: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
    RVK:
    Keywords: Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Abstract: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Note: Includes bibliographical references and index
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  • 10
    ISBN: 9781804292617 , 1804292613
    Language: English
    Pages: 160 Seiten , Illustrationen , 22 cm
    Parallel Title: Erscheint auch als Wark, McKenzie, 1961- Love and money, sex and death
    DDC: 306.76/8092
    RVK:
    Keywords: Wark, McKenzie ; Wark, McKenzie - 1961- ; Transgender women Biography ; Transgender college teachers Biography ; Transgenres féminins - Australie - Biographies ; Transgender college teachers ; Transgender women ; autobiographies (literary works) ; Biographies ; Autobiographies ; Autobiographies ; Australia ; United States ; Biography
    Abstract: "After a successful career, a twenty-year marriage, and raising two kids, McKenzie Wark had a particularly extreme mid-life change: coming out as a trans woman. Changing both social role and bodily form recast her whole relation to the world and revealed it to her as something strange and different. Her past life became a stranger to her, a past she reclaims here by writing to important figures in her life, and addressing the big themes that haunt us all, of love, money, sex and death"--
    Description / Table of Contents: To McKenzie -- Mothers -- Lovers -- Others -- Postscript.
    URL: Cover  (lizenzpflichtig)
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  • 11
    ISBN: 9780197543313
    Language: English
    Pages: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Edition: Sixth edition
    Parallel Title: Online version Starr, Larry American popular music
    RVK:
    Keywords: Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Abstract: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 12
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    ISBN: 978-0-367-74733-6 , 978-0-367-74730-5
    Language: English
    Pages: xxxix, 191 Seiten.
    Series Statement: Futures of data analysis in qualitative research
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: United States ; Qualitative research / United States / Methodology ; Storytelling in education / United States ; Afrofuturism ; Feminist theory / United States ; Research / United States / Philosophy ; Feminist theory ; Qualitative research / Methodology ; Research / Philosophy ; Storytelling in education ; Afrofuturismus ; USA. ; Afrofuturismus
    Abstract: "This research-based book foregrounds Black narrative traditions and honors alternative methods of data collection, analysis, and representation. Toliver presents a semi-fictionalized narrative in an alternative science fiction setting, refusing white-centric qualitative methods and honoring the ways of the griots who were the scholars of their African nations. By utilizing Black storytelling, Afrofuturism, and womanism as an onto-epistemological tool, this book asks readers to elevate Black imaginations, uplift Black dreams, and consider how Afrofuturity is qualitative futurity. By centering Black girls, the book considers the ethical responsibility of researchers to focus upon the words of our participants, not only as a means to better understand our historic and current world, but to better situate inquiry for what the future world and future research could look like. Ultimately, this book decenters traditional, white-centered qualitative methods and utilizes Afrofuturism as an onto-epistemological tool and ethical premise. It asks researchers to consider how we move forward in data collection, data analysis, and data representation by centering how Black girls reclaim and recover the past, counter negative and elevate positive realities that exist in the present, and create new possibilities for the future. The semi-fictionalized narrative of the book highlights the intricate methodological and theoretical work that undergirds the story. It will be an important text for both new and seasoned researchers interested in social justice. Informed and anti-racist researchers will find endarkened storywork a useful tool for educational, cultural, and social critiques now and in the future"--
    Description / Table of Contents: Introduction: my name is Jane and this is my world -- Exploring womanism : finding the othermothers, entering the harbor -- Expanding the literature : speculative maps, activated dreams -- Introducing the research partners : black girls and their world -- Research partner stories : Bailey -- Research partner stories : Victoria -- Research partner stories : Amber -- Research partner stories : Talyn -- Research partner stories : Terrah -- Research partner stories : Avenae'j -- Conclusion: going back, dreaming again
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  • 13
    Book
    Book
    Chicago ; London :The University of Chicago Press,
    ISBN: 978-0-226-81642-5 , 978-0-226-81641-8
    Language: English
    Pages: 195 Seiten.
    Series Statement: Thinking literature
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: United States ; 1900-1999 ; Geschichte 1955-1980 ; African American philosophy ; Philosophy, German ; African American aesthetics ; African Americans / Intellectual life / 20th century ; Critical theory / History ; Criticism / United States / History ; American literature / African American authors / German influences ; Critical theory ; Criticism ; African Americans / Intellectual life ; Schwarze. ; Identität. ; Kritische Theorie. ; Phänomenologie. ; USA. ; History ; Schwarze ; Identität ; Kritische Theorie ; Phänomenologie ; Geschichte 1955-1980
    Abstract: "Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge"--
    Description / Table of Contents: The essence of the matter -- The politics of Black friendship : Gadamer, Baldwin and the Black hermeneutic -- The Aardvark of history : Malcolm X, language and power -- Black aesthetic autonomy : Ralph Ellison, Amiri Baraka, and "literary Negro-ness" -- The revolutionary will not be hypnotized : Eldridge Cleaver and Black ideology -- Unrepeatable : Angela Y. Davis and Black critical theory -- Black aesthetic theory
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  • 14
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 15
    ISBN: 9781419749698
    Language: English
    Pages: XII, 306 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Keywords: Houston, Whitney ; Houston, Whitney / https://isni.org/isni/000000011478617X ; African American women singers / United States / Biography ; African American singers / United States / Biography ; Singers / United States / Biography ; Chanteuses noires américaines / États-Unis / Biographies ; Chanteurs noirs américains / États-Unis / Biographies ; Chanteurs / États-Unis / Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; Houston, Whitney ; African American singers ; African American women singers ; United States ; African American women singers / Biography ; African American singers / Biography ; Biography ; Biography ; Biographies ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Houston, Whitney 1963-2012
    Abstract: "A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing. On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers.
    Abstract: She redefined 'The Star-Spangled Banner.' She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life.
    Abstract: Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon" --
    Description / Table of Contents: Didn't We Almost Have It All?: A Meditation on Loss and Memory -- Under His Eye, Blessed Be The Sound: Faith, Gospel, and the Almighty Power of Cissy Houston -- Home: Newark and the Black American Dreams That Birthed Whitney Houston -- Stuff That You Want, Thing That You Need: The Brilliance and Influence of Whitney's Voice -- My Lonely Heart Calls: On Sex, Desire, and Sexuality -- Miss America, The Beautiful: The Burden of the National Anthem and the Politics of Whitney's Blackness -- Bolder, Blacker, Badder: The Sisters with Voices That Transformed Whitney -- Tell The Truth And Shame The Devil: How Trauma, Shame, and Tabloid Culture Broke Whitney -- The Undoing Of Whitney Houston: Virtue, Vice, and a Requiem for Redemption -- Won't They Always Love You?: Reflections on Meaning and Legacy
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  • 16
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
    RVK:
    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 17
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 18
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316514337
    Language: English
    Pages: xvii, 511 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48420973
    RVK:
    RVK:
    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
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  • 19
    ISBN: 9783030935504 , 3030935507
    Language: English
    Pages: x, 287 Seiten , Illustrationen , 21 cm
    Parallel Title: Erscheint auch als
    DDC: 810.9355
    RVK:
    RVK:
    Keywords: American literature History and criticism 19th century ; American literature History and criticism 20th century ; American literature History and criticism 21st century ; Social change in literature ; Sociology in literature ; American literature ; Civilization ; Social change in literature ; Social conditions ; Sociology in literature ; Criticism, interpretation, etc ; United States Civilization ; United States Social conditions ; United States ; Bourdieu, Pierre 1930-2002 ; Elias, Norbert 1897-1990 ; USA ; Literatur ; Literatursoziologie
    Note: Enthält Literaturangaben und Index
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  • 20
    Book
    Book
    Chicago ; London : University of Chicago Press
    ISBN: 9780226819167 , 9780226819143
    Language: English
    Pages: 248 Seiten , Illustrationen (schwarz-weiß)
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
    Keywords: Hip-Hop ; Rap ; Religion ; Rap (Music) / Religious aspects ; Rap (Music) / History and criticism ; Hip-hop / United States / Religious aspects ; Popular music / Latin America / History and criticism ; Musique populaire / Amérique latine / Histoire et critique ; Hip-hop / Religious aspects ; Popular music ; Rap (Music) ; Latin America ; United States ; Criticism, interpretation, etc ; Hip-Hop ; Rap ; Religion
    Abstract: "The world of hip-hop is saturated with religion, but often this element is glossed over as secondary to hip-hop's other dimensions. In Street Scriptures, Alejandro Nava focuses our attention on this relationship in a fresh way, combining his profound love of hip-hop, his passion for racial and social justice, and his deep theological knowledge. The result is a journey through hip-hop's deep entanglement with the sacred. Street Scriptures examines the reasons behind the rise of a religious heartbeat in hip-hop, looking at the crosscurrents of the sacred and profane in rap, reggaeton, and Latinx hip-hop today. Ranging from Nas, Kendrick Lamar, Chance the Rapper, Lauryn Hill, and Cardi B to St. Augustine and William James, Nava examines the ethical-political, aesthetic-spiritual, and prophetic in hip-hop, probing the pure sonic and aesthetic signatures of music, while also diving deep into the voices that invoke the spirit of protest"--
    Description / Table of Contents: A street theology: between God and hip-hop -- A brief sonic history of hip-hop -- Prophets and emcees: righteous rappers -- The return of God in hip-hop: Kendrick Lamar's street theology -- The dirty Latin South: breaking, reggaeton, and the rise of the global South -- Native tongues
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  • 21
    Book
    Book
    Waltham : Brandeis University Press
    ISBN: 9781684581412
    Language: English
    Pages: xviii, 462 Seiten , Illustrationen , 23 cm
    Edition: New edition ; with a new preface by the editors
    Parallel Title: Erscheint auch als
    DDC: 305.48896073009034
    RVK:
    RVK:
    Keywords: Geschichte ; Politische Beteiligung ; Schwarze Frau ; Feminismus ; Geistesleben ; Weibliche Intellektuelle ; USA ; African American women / Intellectual life / 19th century ; African American women / Biography ; African American intellectuals / Biography ; African American women / Political activity / History / 19th century ; African Americans / Politics and government / 19th century ; African American philosophy ; Feminism / United States / History / 19th century ; African American intellectuals ; African American philosophy ; African American women ; African American women / Intellectual life ; African American women / Political activity ; African Americans / Politics and government ; Feminism ; United States ; 1800-1899 ; Biographies ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze Frau ; Weibliche Intellektuelle ; Politische Beteiligung ; Feminismus ; Geistesleben ; Geschichte
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  • 22
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
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  • 23
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 24
    ISBN: 9781984854995
    Language: English
    Pages: xvii, 385 Seiten , Illustrationen , 22 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.3620820975
    RVK:
    Keywords: Geschichte ; Sklavin ; Schwarze Frau ; South Carolina ; Women slaves / South Carolina / Biography ; Ashley / (Enslaved person in South Carolina) ; Mothers and daughters ; Women slaves / Southern States / Social conditions / 19th century ; Slaves / Family relationships / Southern States / History / 19th century ; Middleton, Ruth Jones / 1903-1942 / Family ; African American women / Biography ; African American women / Family relationships ; Memory / United States ; African American women ; Families ; Memory ; Slaves / Family relationships ; Women slaves ; Women slaves / Social conditions ; South Carolina ; Southern States ; United States ; 1800-1899 ; Biography ; Biographies ; History ; South Carolina ; Schwarze Frau ; Sklavin ; Geschichte
    Abstract: "Sitting in the Smithsonian's National Museum of African American History and Culture is a rough cotton bag, called "Ashley's Sack," embroidered with just a handful of words that evoke a sweeping family story of loss and of love passed down through generations. In 1850s South Carolina, just before nine-year-old Ashley was sold, her mother, Rose, gave her a sack filled with just a few things as a token of her love. Decades later, Ashley's granddaughter, Ruth, embroidered this history on the bag--including Rose's message that "It be filled with my Love always." Historian Tiya Miles carefully follows faint archival traces back to Charleston to find Rose in the kitchen where she may have packed the sack for Ashley. From Rose's last resourceful gift to her daughter, Miles then follows the paths their lives and the lives of so many like them took to write a unique, innovative history of the lived experience of slavery in the United States. The contents of the sack--a tattered dress, handfuls of pecans, a braid of hair, "my Love always"--speak volumes and open up a window on Rose and Ashley's world. As she follows Ashley's journey, Miles metaphorically "unpacks" the sack, deepening its emotional resonance and revealing the meanings and significance of everything it contained. These include the story of enslaved labor's role in the cotton trade and apparel crafts and the rougher cotton "negro cloth" that was left for enslaved people to wear; the role of the pecan in nutrition, survival, and southern culture; the significance of hair to Black women and of locks of hair in the nineteenth century; and an exploration of Black mothers' love and the place of emotion in history"--
    Description / Table of Contents: Introduction: love's practitioners -- Ruth's record -- Searching for Rose -- Packing the sack -- Rose's inventory -- The auction block -- Ashley's seeds -- The bright unspooling -- Conclusion: it be filled
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  • 25
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
    RVK:
    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 26
    ISBN: 9780802127129 , 0802127126 , 9780802159854 , 0802159850
    Language: English
    Pages: xviii, 364 Seiten, 16 ungezählte Seiten , Illustrationen , 24 cm
    Edition: First edition
    RVK:
    Keywords: Jones, Rickie Lee ; Jones, Rickie Lee ; Jones, Rickie Lee ; Women rock musicians Biography ; Women singers Biography ; Rock musicians Biography ; Singers Biography ; Musiciennes rock Biographies ; Chanteuses Biographies ; Musiciens rock Biographies ; Chanteurs Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; MUSIC / Genres & Styles / Jazz ; Rock musicians ; Singers ; Women rock musicians ; Women singers ; United States ; Biografie ; collective biographies ; Autobiographies ; Biographies
    Abstract: "A tender and intimate memoir by one of the most remarkable, trailblazing, and tenacious women in music, the two-time Grammy Award-winning "premiere song-stylist and songwriter of her generation" (New Yorker), Rickie Lee Jones. Have you met Ms. Jones? One weekend night on primetime television, a then-unknown singer and vital part of the burgeoning Los Angeles jazz pop scene skyrocketed to fame overnight after a now- iconic performance on Saturday Night Live. The year was 1979, the song "Chuck E's in Love," and the singer, donning her trademark red beret, was the soon-to-be-pronounced "Duchess of Coolsville" (Time), Rickie Lee Jones. Last Chance Texaco is the first-ever no-holds-barred account of the life of one of rock's hardest working women, in her own words. With candor and lyricism Rickie Lee Jones takes us on the journey of her exceptional life: from her nomadic childhood as the granddaughter of vaudevillian performers, to her father's abandonment of the family and her years as a teenage runaway, her beginnings at LA's Troubadour club, to her tumultuous relationship with Tom Waits, her battle with drugs, and longevity as a woman in rock and roll. These are never-before-told stories of the girl in "the raspberry beret," a songwriter who has inspired American culture for decades
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Includes discography (pages 361-364)
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  • 27
    ISBN: 9780231191234
    Language: English
    Pages: viii, 149 Seiten , Illustrationen , 22 cm
    Series Statement: Short cuts : introductions to film studies
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; USA ; Musical films / United States / History and criticism ; Popular music / Social aspects / United States / History ; Motion pictures and music ; Musical films ; Popular music / Social aspects ; United States ; Criticism, interpretation, etc ; History
    Note: Bibliography Seite 137-142
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  • 28
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496837431 , 9781496832221
    Language: English
    Pages: xx, 289 Seiten, 10 ungezählte Seiten Tafeln , Illustrationen , 25 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1950-2020 ; Jazzmusiker ; Jazz musicians / United States / Interviews ; MUSIC / Genres & Styles / Jazz ; MUSIC / History & Criticism ; Jazz musicians ; Amram, David / Interviews ; Blake, Ran / Interviews ; Cranshaw, Bob / Interviews ; Crow, Bill / 1927- / Interviews ; Davis, Charles / 1933-2016 / Interviews ; Hyman, Dick / 1927- / Interviews ; Jordan, Clifford / Interviews ; Kuhn, Steve / Interviews ; Lateef, Yusef / Interviews ; Owens, Jimmy / 1943- / Interviews ; Pizzarelli, Bucky / Interviews ; Ponomarev, Valery / Interviews ; Porcelli, Bob / Interviews ; Rollins, Sonny / Interviews ; Stewart, Sandy / 1937- / Interviews ; Sudhalter, Carol / Interviews ; Terry, Brad / Interviews ; Terry, Clark / Interviews ; Tucker, Mickey / Interviews ; Turre, Steve / Interviews ; Williams, Buster / Interviews ; Amram, David ; Blake, Ran ; Cranshaw, Bob ; Davis, Charles / 1933-2016 ; Hyman, Dick / 1927- ; Kuhn, Steve ; Lateef, Yusef ; Owens, Jimmy / 1943- ; Pizzarelli, Bucky ; Ponomarev, Valery ; Rollins, Sonny ; Terry, Clark ; Tucker, Mickey ; Turre, Steve ; Williams, Buster ; United States ; Interviews ; Interview
    Abstract: "The Jazz Masters: Setting the Record Straight features twenty-one conversations with musicians who have had at least fifty years of professional experience, and several as many as seventy-five. In all, these voices reflect some seventeen hundred years' worth of paying dues. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words. Five of the interviewees-Dick Hyman, Jimmy Owens, Sonny Rollins, Clark Terry, and Yusef Lateef-have received the National Endowment for the Arts' prestigious Jazz Masters Fellowship, attesting to their importance and ability. While not official masters, the rest are veteran performers willing to share their experiences and knowledge. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. The musicians interviewed for the book range in age from their early seventies to mid-nineties. Older musicians started their careers during the segregation of the Jim Crow era, while the youngest came up during the struggle for civil rights. All grapple with issues of race, performance, and jazz's rich legacies. In addition to performing, touring, and recording, many have composed and arranged, and others have contributed as teachers, historians, studio musicians, session players, producers, musicians' advocates, authors, columnists, poets, and artists. The interviews in The Jazz Masters are invaluable primary material for scholars and will appeal to musicians inspired by these veterans' stories and their different approaches to music
    Note: Before words -- , A requiem for Cedar -- , Blowin' in from Chicago : Clifford Jordan, Charles Davis, and Bob Cranshaw -- , The big kahunas : Sonny Rollins and Clark Terry -- , Old school : Sandy Stewart, Dick Hyman, and Bucky Pizzarelli -- , On the scene : Bobby Porcelli and Valery Ponomarev -- , The philosophers : David Amram and Ran Blake , Local 802 : Jimmy Owens and Bill Crow -- , Shells and whistles : Brad Terry and Steve Turre -- , The mutual appreciation society : Mickey Tucker and Carol Sudhalter -- , Something more : Steve Kuhn and Buster Williams -- , The gentle giant : Yusef Lateef -- , RIP, 2012-2020
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  • 29
    Book
    Book
    Cambridge, UK ; Medford, MA, USA :Polity Press,
    ISBN: 978-1-5095-1925-5 , 978-1-5095-1924-8
    Language: English
    Pages: 210 Seiten ; , 24 cm.
    Series Statement: Key contemporary thinkers
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Du Bois, W. E. B. / (William Edward Burghardt) / 1868-1963 ; Du Bois, William E. B. ; United States / Race relations ; United States ; African Americans / Study and teaching ; African American educators ; Critical theory ; Racism / United States ; African Americans / Politics and government ; Race relations ; Racism ; 1868-1963 Du Bois, William E. B.
    Abstract: "The pioneering work of America's greatest black nineteenth-century thinker explained"--
    Description / Table of Contents: Introduction : Du Bois's Lifework -- The Philadelphia Negro : Early Work and the Inauguration of American Sociology -- The Souls of Black Folk : Critique of Racism and Contributions to Critical Race Studies -- "The Souls of White Folk" : Critique of White Supremacy and Contributions to Critical White Studies -- "The Damnation of Women" : Critique of Patriarchy, Contributions to Black Feminism, and Early Intersectionality -- Black Reconstruction : Critique of Capitalism, Contributions to Black Marxism, and Discourse on Democratic Socialism -- Conclusion : Du Bois's Legacy
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  • 30
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 31
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 32
    ISBN: 9781469660783 , 9781469660776
    Language: English
    Pages: xi, 222 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Fahey, John ; Fahey, John / 1939-2001 / Criticism and interpretation ; Guitarists / United States ; Musicologists / United States ; Music / Social aspects / United States ; Music / Political aspects / United States ; Fahey, John / 1939-2001 ; Guitarists ; Music / Political aspects ; Music / Social aspects ; Musicologists ; United States ; Criticism, interpretation, etc ; Fahey, John 1939-2001
    Abstract: "For over sixty years, American guitarist John Fahey (1939-2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with African American blues, including his own. In this book, George Henderson mines Fahey's parallel careers as essayist, notorious liner note stylist, musicologist, and fabulist for the first time. These vocations, inspired originally by Cold War educators' injunction to creatively express rather than suppress feelings, took utterly idiosyncratic and prescient turns"--
    Description / Table of Contents: Manufacturing discontent -- The puberty of political economy, or communism -- The politics of the songster -- The great liner note breakdown -- Performance as war -- Some music. Some dancing. Some unusual intermingling
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  • 33
    ISBN: 9781680539509 , 1680539507
    Language: English
    Pages: XI, 261 pages , 24 cm
    DDC: 302.343
    RVK:
    Keywords: Cancel culture ; Freedom of speech ; Cancel culture ; Freedom of speech ; United States
    Note: Includes bibliographical references
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  • 34
    ISBN: 9780393357622 , 0393357627
    Language: English
    Pages: xxi, 441 Seiten , Illustrationen , 21 cm
    Edition: First published as a Norton paperback
    DDC: 305.48/896073
    RVK:
    RVK:
    Keywords: African American young women Social conditions 19th century ; African American young women Social conditions 20th century ; African American young women Sexual behavior ; History ; Single women Social conditions 19th century ; Single women Social conditions 20th century ; Urban women Social conditions 19th century ; Urban women Social conditions 20th century ; Sex customs History ; Prostitution History ; Man-woman relationships ; Man-woman relationships ; Prostitution ; Sex customs ; Single women ; Social conditions ; Urban women ; Social conditions ; History ; United States ; USA ; Schwarze Frau ; Sexualverhalten ; Soziale Situation ; Geschichte
    Abstract: "A breathtaking exploration of the lives of young black women in the early twentieth century. In Wayward Lives, Beautiful Experiments, Saidiya Hartman examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. Free love, common-law and transient marriages, serial partners, cohabitation outside of wedlock, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work. Beautifully written and deeply researched, Wayward Lives recreates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them--domestic service, second-class citizenship, and respectable poverty--and whose intimate revolution was apprehended as crime and pathology. For the first time, young black women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives recovers their radical aspirations and insurgent desires."--Publisher's description
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  • 35
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910037 , 9781517910044
    Language: English
    Pages: 192 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-2020 ; Afroamerikanische Musik ; Kulturkontakt ; Musik ; USA ; Südasien ; African Americans / Music / History and criticism ; Popular music / United States / South Asian influences ; Popular music / United States / History and criticism ; African Americans / Music ; Popular music ; United States ; Criticism, interpretation, etc ; USA ; Afroamerikanische Musik ; Südasien ; Musik ; Kulturkontakt ; Geschichte 1960-2020
    Abstract: "A sixty-year history of Afro-South Asian musical collaborations"--
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 36
    Book
    Book
    [Erscheinungsort nicht ermittelbar] : Jazz Internationale
    ISBN: 9781527278059 , 1527278050
    Language: English
    Pages: xxv, 345 Seiten , Illustrationen , 25 cm
    Edition: [Revised edition]
    RVK:
    Keywords: Russell, George ; Russell, George, - 1923-2009 ; Jazz musicians Biography. ; Composers Biography. ; Jazzmusiker ; Composers ; Jazz musicians ; Biographies ; United States ; Biografie
    Note: Previous edition: ©2010 , Includes bibliographical references and index
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 37
    ISBN: 0367335700 , 9780367335700
    Language: English
    Pages: viii, 160 Seiten , 24 cm
    Series Statement: Ethnic and racial studies
    DDC: 781.63086912
    RVK:
    Keywords: Popular music Social aspects ; Immigrants ; Immigrants ; Popular music ; Social aspects ; Aufsatzsammlung ; Europa ; Nordamerika ; Einwanderer ; Unterhaltungsmusik
    Note: Includes bibliographical references and index
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  • 38
    Book
    Book
    [Los Angeles] : Michael Stradford
    ISBN: 9781647865573 , 1647865573
    Language: English
    Pages: xii, 200 Seiten , Illustrationen , 23 cm
    Edition: First edition
    RVK:
    Keywords: Davis, Miles ; Davis, Miles Clothing ; Davis, Miles ; Jazz musicians Biography ; Clothing and dress ; Jazz musicians ; Biographies ; Biographies ; United States ; Davis, Miles 1926-1991
    Abstract: "...examines the fashion of Miles Davis, one of the best dressed men of the 20th century (GQ & Esquire) through biography, photos and exclusive interviews with friends, bandmates, designers, photographers ex-wives and fashionistas like Quincy Jones, Lenny Kravitz, Bryan Ferry, Ron Carter and many more."--
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  • 39
    Book
    Book
    Minneapolis, Minnesota : Graywolf Press
    ISBN: 9781644450215
    Language: English
    Pages: 342 Seiten , Illustrationen, Diagramme, Karten, Portraits (zum Teil farbig) , 24 cm
    DDC: 305.896073
    RVK:
    Keywords: Whites / Race identity / United States ; African Americans / Social conditions / 21st century ; African Americans / Social conditions ; Race relations ; Social conditions ; Whites / Race identity ; Ethnische Beziehungen ; United States / Race relations / 21st century ; United States / Social conditions / 21st century ; United States ; USA ; Essays ; Essays ; USA ; Ethnische Beziehungen
    Abstract: "At home and in government, contemporary America finds itself riven by a culture war in which aggression and defensiveness alike are on the rise. It is not alone. In such partisan conditions, how can humans best approach one another across our differences? Taking the study of whiteness and white supremacy as a guiding light, Claudia Rankine explores a series of real encounters with friends and strangers - each disrupting the false comfort of spaces where our public and private lives intersect, like the airport, the theatre, the dinner party and the voting booth - and urges us to enter into the conversations which could offer the only humane pathways through this moment of division. Just Us is an invitation to discover what it takes to stay in the room together, and to breach the silence, guilt and violence that surround whiteness. Brilliantly arranging essays, images and poems along with the voices and rebuttals of others, it counterpoints Rankine's own text with facing-page notes and commentary, and closes with a bravura study of women confronting the political and cultural implications of dyeing their hair blonde."--Publisher's description
    Description / Table of Contents: What if -- Liminal spaces I -- Evolution -- Lemonade -- Outstretched -- Daughter -- Notes on the state of whiteness -- Tiki torches -- Study on white male privilege -- Tall -- Social contract -- Violent -- Sound and fury -- Big little lies -- Ethical loneliness -- Liminal spaces II -- José Martí -- Boys will be boys -- Complicit freedoms -- Whitening -- Liminal spaces III.
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  • 40
    Book
    Book
    Amherst ; Boston : University of Massachusetts Press
    ISBN: 9781625345301 , 9781625345295
    Language: English
    Pages: xii, 220 Seiten
    Series Statement: American popular music
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Gellert, Lawrence ; Geschichte ; Protestbewegung ; Folk music ; Afroamerikanische Musik ; African Americans / Music / History and criticism ; Folk music / United States / History and criticism ; Protest songs / United States / History and criticism ; Gellert, Lawrence / 1898-1979 ; Music / Historiography ; African Americans / Historiography ; Music / Political aspects / United States / History / 20th century ; Gellert, Lawrence / 1898-1979 ; African Americans / Historiography ; African Americans / Music ; Folk music ; Music / Historiography ; Music / Political aspects ; Protest songs ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Gellert, Lawrence 1898-1979 ; Afroamerikanische Musik ; Folk music ; Protestbewegung ; Geschichte
    Abstract: "Lawrence Gellert has long been a mysterious figure in American folk and blues studies, gaining prominence in the left-wing folk revival of the 1930s for his fieldwork in the U.S. South. A "lean, straggly-haired New Yorker," as Time magazine called him, Gellert was an independent music collector, without formal training, credentials, or affiliation. At a time of institutionalized suppression, he worked to introduce white audiences to a tradition of black musical protest that had been denied and overlooked by prior white collectors. By the folk and blues revival of the 1960s, however, when his work would again seem apt in the context of the civil rights movement, Gellert and his collection of Negro Songs of Protest were a conspicuous absence. A few leading figures in the revival defamed Gellert as a fraud, dismissing his archive of black vernacular protest as a fabrication-an example of left-wing propaganda and white interference. A Sound History is the story of an individual life, an excavation of African American musical resistance and dominant white historiography, and a cultural history of radical possibility and reversal in the defining middle decades of the U.S. twentieth century"--
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  • 41
    Book
    Book
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    ISBN: 9780062914705
    Language: English
    Pages: 256 Seiten
    RVK:
    Keywords: Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Abstract: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Description / Table of Contents: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
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  • 42
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496831224 , 9781496831217
    Language: English
    Pages: x, 351 Seiten , Illustrationen, Porträt
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; USA ; Punk rock music / United States / History and criticism ; Music and race / United States / History / 20th century ; Music and race ; Punk rock music ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History
    Note: Literaturverzeichnis Seite 305-321
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  • 43
    ISBN: 9781419748547
    Language: English
    Pages: 236 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Grecco, Michael ; Geschichte 1978-1991 ; Rockmusiker ; Rockgruppe ; Musikleben ; Porträtfotografie ; Fotografie ; Rockmusiker ; Punk Rock ; USA ; Punk rock musicians / United States / History / 20th century / Pictorial works ; Punk rock music / United States / History / 20th century / Pictorial works ; Punk rock music ; Punk rock musicians ; United States ; 1900-1999 ; Illustrated works ; Bildband ; Bildband ; USA ; Rockmusiker ; Rockgruppe ; Punk Rock ; Musikleben ; Porträtfotografie ; Geschichte 1978-1991 ; Grecco, Michael 1958- ; USA ; Fotografie ; Punk Rock ; Rockmusiker ; Geschichte 1978-1991
    Abstract: "Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late '70s to the early '90s. From the Cramps to Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. Presented here for the first time are images of the clubs and bands as they evolve into the icons that they have become today."--Back cover
    Note: Includes index
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  • 44
    ISBN: 9781419748547
    Language: English
    Pages: 236 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Grecco, Michael ; Geschichte 1978-1991 ; Rockmusiker ; Rockgruppe ; Musikleben ; Porträtfotografie ; Fotografie ; Rockmusiker ; Punk Rock ; USA ; Punk rock musicians / United States / History / 20th century / Pictorial works ; Punk rock music / United States / History / 20th century / Pictorial works ; Punk rock music ; Punk rock musicians ; United States ; 1900-1999 ; Illustrated works ; Bildband ; USA ; Rockmusiker ; Rockgruppe ; Punk Rock ; Musikleben ; Porträtfotografie ; Geschichte 1978-1991 ; Grecco, Michael 1958- ; USA ; Fotografie ; Punk Rock ; Rockmusiker ; Geschichte 1978-1991
    Abstract: "Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late '70s to the early '90s. From the Cramps to Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. Presented here for the first time are images of the clubs and bands as they evolve into the icons that they have become today."--Back cover
    Note: Includes index
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  • 45
    ISBN: 9781419742132 , 1419742132
    Language: English
    Pages: xiv, 380 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Gruen, Bob Right Place, Right Time
    DDC: 770.92
    RVK:
    RVK:
    Keywords: Gruen, Bob ; Gruen, Bob ; Photographers Biography ; Rock musicians Anecdotes ; Photographers ; Rock musicians ; Anecdotes ; Autobiographies ; Biographies ; Autobiographies ; Anecdotes ; United States ; Autobiografie ; Autobiografie ; Gruen, Bob 1945- ; Fotografie ; Rockmusik ; Rockmusiker
    Abstract: Introduction -- Where it all began -- Growing up -- The Emerald City -- Where there's smoke -- The rise and fall of Glitterhouse -- The Ike and Tina express -- 1971: it's all happening -- Elephant's memory -- Coast to coast -- Some time in New York City -- In the thick of it -- Surreal days -- New York to LA and back again -- Airborne! -- New York clubs -- Central Park to Byblos -- Whatever gets you through the night -- Right place, right time -- Money honey -- Trouble in Japan -- The club scene -- London calling -- Everything will be alright -- Anarchy in the UK -- Anarchy in the USA -- All-access pass -- Full moon rising -- The record plant -- Now he is everywhere -- The view from here -- See you in Jamaica -- Stars in my eyes -- Happy birthday to me -- Epilogue.
    Abstract: The veteran rock-and-roll photographer shares memories from nearly half a century in the industry, from his cross-country trip with the Ike and Tina Turner band to his backstage encounters with KISS
    Abstract: For more than fifty years Gruen has documented the music scene in pictures that have captured the world's attention. Here he tells of his winding, adventure-filled journey in a series of wildly entertaining stories. Gruen offers a unique window into the evolution of American music culture over the last five decades. -- adapted from jacket
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  • 46
    ISBN: 9780847868384
    Language: English
    Pages: 256 Seiten
    DDC: 782.42164/092/2
    RVK:
    Keywords: Beastie Boys Pictorial works ; Beastie Boys ; Beastie Boys ; Rap musicians Pictorial works ; Rap musicians ; United States ; Bildband ; Pictorial works
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  • 47
    ISBN: 9780385494229 , 038549422X
    Language: English
    Pages: xvii, 424 pages, 8 unnumbered pages of plates , illustrations , 21 cm
    Edition: 20th anniversary edition
    DDC: 305.235
    RVK:
    Keywords: Teenagers Diaries ; Toleration ; Teenagers ; Toleration ; Diaries ; Diaries ; United States
    Abstract: Foreword / Zlata Filipovic -- Freshman Year-Fall 1994 -- Ms. Gruwell's diary entry -- First day of school -- Racial segregation at school -- Getting "jumped" -- Race riot on campus -- Buying a gun -- Death of a friend -- Gang initiation -- Rushing a sorority -- Tagging -- Proposition 187: discrimination -- Dyslexia -- Juvenile hall -- Projects -- Russian roulette -- Freshman Year- Spring 1995 -- Ms Gruwell's diary entry -- Romeo and Juliet: gang rivalry -- Teenage love and running away -- Coping with weight -- Learning about diversity -- Oklahoma bombing -- Farewell to Manzanar: Japanese internment camps -- Overcoming adversity panel -- John Tu: father figure vs absent father -- Freshman turnaround -- Sophomore Year-Fall 1995 -- Ms Gruwell's diary entry -- Homelessness -- Cystic fibrosis -- Shyness -- Twelve angry men -- Honors English -- Medieval Times -- Lesson on tolerance -- Toast for change -- Change for the better -- Testifying in murder case -- Teenage alcoholism -- Shoplifting -- Anne Frank's diary -- Teen diarists -- Zlata's diary, Bosnia vs. LA riots -- Peter Maass: article on Bosnia -- Zlata -- Sophomore Year-Spring 1996 -- Letter to Zlata -- Ms Gruwell's diary entry -- Meeting a Holocaust survivor -- Woman who sheltered Anne Frank's family -- Moment -- Zlata accepts our invitation -- Dinner with Zlata -- Diverse friendships -- I am a human being -- Terrorism -- Day of tolerance: a field trip -- Doing speed -- Basketball for Bosnia: weight -- Zlata's letter -- Divorce -- Friends join class -- Letter from Miep -- Junior Year, Fall 1996 -- Ms Gruwell's diary entry -- Racist teacher -- Grandmother's death -- Race riot -- Grade accountability -- Suicide -- Running away -- Getting a job -- Misogyny -- Molestation -- Boyfriend abuse -- Domestic violence -- Child abuse -- Death of brother -- Junior Year-Spring 1997 -- Ms Gruwell's diary entry -- Anne Frank's friends visit -- Masking fears -- Living in the projects -- Dyslexia -- Letter from Miep -- Student editing -- Abortion -- Catalysts for change -- Freedom Riders -- American diary-voices from an undeclared war -- Fund-raiser concert -- Freedom writer poem -- Freedom writers unite -- Strict father -- Arlington Cemetery -- Lincoln Memorial: Freedom Writers have a dream -- Covering up the swastika -- Hate crimes -- Holocaust Museum -- Dr. Mengele's experiment with twins -- Dinner with Secretary Riley -- Stand -- Secretary Riley receives Freedom Writers' diary -- Candlelight vigil -- Departing DC -- Returning a family hero -- Jeremy Strohmeyer: murder -- David Cash -- Peace march for Sherrice Iverson -- Senior Class President -- Separation anxiety -- Staying together -- Senior Year- Fall 1997 -- Ms. Gruwell's diary entry -- Cheryl Best: inspiration -- Eviction notice -- Financial problems -- Illegal immigrant -- First Latina Secretary of Education -- Pursuing filmmaking -- Road not taken: contemplating college -- Finding a mentor -- Being a mentor -- Los Angeles Times article -- Letter from prison -- Deadbeat dad -- Sorority hazing -- Fear of losing a father -- Death of a mother -- Senior Year- Spring 1998 -- Ms Gruwell's diary entry -- GUESS? Sponsorship -- Spirit of Anne Frank Award -- New York City roommates -- Celebrating Anne Frank -- Abuse of power -- Peter Maass: the role of a journalist -- Book agent -- Getting published -- Basketball playoffs: teamwork -- Lesson from Animal farm -- Attitude adjustment -- Introducing Senator Barbara Boxer -- Attention deficit disorder -- Homosexuality -- Prom queen -- Whoever saves one life saves the world entire -- Breaking the cycle -- Football all-American -- Baseball dilemma -- College acceptance -- Fear of abandonment -- Teenage pregnancy -- Southwest Airlines -- Computers for college! -- Giving tree: crackhead parents -- Graduation class speaker -- From drugs to honors -- Overcoming the odds -- Graduation! -- Epilogue -- Tenth-anniversary journal entries -- Twentieth-anniversary journal entries -- Acknowledgments.
    Abstract: "In 1994, an idealistic first-year teacher in Long Beach, California, named Erin Gruwell confronted a room of 'unteachable, at risk' students. She had intercepted a note with an ugly racial caricature and angrily declared that this was precisely the sort of thing that led to the Holocaust. She was met by uncomprehending looks - none of her students had heard of one of the defining moments of the twentieth century. So she rebooted her entire curriculum, using treasured books such as Anne Frank's diary as her guide to combat intolerance and misunderstanding. Her students began recording their thoughts and feelings in their own diaries, eventually dubbing themselves "the Freedom Writers."--Back cover
    Note: Previous editions of this book were published in 1999 and 2009 by Broadway Books , "With new journal entries and an introduction by Erin Gruwell"--Cover
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  • 48
    ISBN: 9780349700366 , 9780349700380
    Language: English
    Pages: xii, 323 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Immigrants / United States / Social conditions ; Minorities / United States / Social conditions ; Immigrants / United States / Public opinion ; United States / Social conditions / 21st century ; Immigrants / Public opinion ; Immigrants / Social conditions ; Minorities / Social conditions ; Social conditions ; United States ; 2000-2099
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  • 49
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253040244
    Language: English
    Pages: 1 Online-Ressource (xiii, 309 Seiten) , Illustrationen, Noten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1800-1900 ; Juden ; Kirchenmusikpflege ; Synagoge ; USA ; Jews / United States / Music / History and criticism ; Synagogue music / United States / 19th century / History and criticism ; Jews / Music ; Synagogue music ; United States ; 1800-1899 ; Criticism, interpretation, etc ; USA ; Juden ; Synagoge ; Kirchenmusikpflege ; Geschichte 1800-1900
    Description / Table of Contents: Early strata : of choirs and reform through the mid-nineteenth century -- The sound of German Jewry : hymnals and singing societies in Wilhelm Fischer's zemirot -- Yisrael -- Bildungsmusik : G.M. Cohen, B'nai B'rith, and the voices of American Jewish cultivation -- Musical populists : G.S. Ensel, Simon Hecht, and the quest for the singing congregation -- The 1866 Sulzerfeier : the Viennese model and the grandeur of the urban worship -- A new cantor, a new repertoire : zimrath yah -- The path to the union hymnal -- Conclusion : restoring the soundtrack of Jewish life in nineteenth-century America
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  • 50
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476674698
    Language: English
    Pages: viii, 169 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42165092
    RVK:
    Keywords: Holiday, Billie ; Holiday, Billie / 1915-1959 ; Holiday, Billie / 1915-1959 / Influence ; Holiday, Billie / 1915-1959 / Criticism and interpretation ; Civil rights movements / United States / History / 20th century ; Civil rights movements / United States / History / 21st century ; African American women jazz singers / Biography ; Women jazz singers / Biography ; Jazz singers / United States / Biography ; Holiday, Billie / 1915-1959 ; African American women jazz singers ; Civil rights movements ; Influence (Literary, artistic, etc.) ; Jazz singers ; Women jazz singers ; United States ; 1900-2099 ; Biography ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Holiday, Billie 1915-1959
    Abstract: ""Eleanora "Lady Day" Fagan, better known as Billie Holiday, played a primary role in the development of American jazz culture and in African American history. Devoted to the enduring jazz icon, covering many aspects of her career, image and legacy, these essays range from musical and vocal analyses, to critical assessments of film depictions of the singer, to analysis of the social movements and protests addressed by her signature songs, including her impact on contemporary movements such as #BlackLivesMatter. More than a century after her birth, Billie Holiday's abiding relevance and impact is a testament to the power of musical protest. This collection pays tribute to her creativity, bravery and lasting legacy."--
    Description / Table of Contents: Introduction / Jessica McKee and Michael V. Perez -- In stereotragic hi-fidelity : performing Billie Holiday / Michael V. Perez -- Billie reverberates her blues : advertising Love for sale that costs More than you know / Tammie Jenkins -- Lady sings the blues? : tragedy, autobiography and reassessment / Anna Maria Barry -- Merging artists : the legacy of Motown's Lady sings the blues / Claudius Stemmler -- "Owning" Billie Holiday in several representative jazz poems / William Levine -- Brigitte loves Billie : channeling Holiday in Domino (1988) / Fernando Gabriel Pagnoni Berns -- Seeing is believing? : reading Billie Holiday through photography / Matthew Duffus -- Shouting back : cohering Lady Day through Kevin Young's jazz poem anthology / Taylor Joy Mitchell -- Reevaluating Lady sings the blues and What's love got to do with it : ambivalent representations of black female artistry / Jesse Schlotterbeck -- Easy to love : representations of Billie Holiday in contemporary American poetry / Tara Betts -- The fruit is on the ground : the impact of "Strange fruit" on Black Lives Matter / Devona Mallory
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  • 51
    ISBN: 978-0-14-313403-9 , 0-14-313403-5
    Language: English
    Pages: xxxiv, 350 Seiten ; , 20 cm.
    Series Statement: Penguin classics
    Parallel Title: Online version Bulosan, Carlos America is in the heart
    RVK:
    RVK:
    Keywords: Bulosan, Carlos / Fiction ; Bulosan, Carlos ; Philippines / Social life and customs / 20th century / Fiction ; United States / Race relations / History / 20th century / Fiction ; United States ; Philippines ; 1900-1999 ; Filipino Americans / Fiction ; Filipino American migrant agricultural laborers / Fiction ; Racism / United States / Fiction ; Nineteen thirties / Fiction ; Racism ; Race relations ; Nineteen thirties ; Filipino American migrant agricultural laborers ; Filipino Americans ; Manners and customs ; Fiktionale Darstellung ; Biografie ; Political fiction ; History ; Fiction ; Autobiographical fiction ; Biographies
    Abstract: "Bulosan's semi-autobiographical novel begins with the narrator's rural childhood in the Philippines and the struggles of land-poor peasant families affected by US imperialism after the Spanish American War of the late 1890s. Carlos's experiences with other Filipino migrant laborers, who endured intense racial abuse in the fields, orchards, towns, cities and canneries of California and the Pacific Northwest in the 1930s, reexamine the ideals of the American dream"--
    Note: "First published in the United States of America by Harcourt, Brace and Company, Inc. 1943."
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  • 52
    ISBN: 9788797078013 , 8797078018
    Language: English
    Pages: 176 Seiten , Illustrationen , 28 cm
    Series Statement: Unseen Nordic archives
    RVK:
    Keywords: Hendrix, Jimi Pictorial works ; Hendrix, Jimi ; Rock musicians Biography ; Rock musicians ; Biographies ; Illustrated works ; Pictorial works ; Biographies ; Illustrated works ; United States
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  • 53
    ISBN: 9780486832623
    Language: English
    Pages: 1 Online-Ressource (467 Seiten)
    Parallel Title: Erscheint auch als Lock, Graham Forces in Motion : Anthony Braxton and the Meta-reality of Creative Music: Interviews and Tour Notes, England 1985
    DDC: 781.65092
    RVK:
    Keywords: Braxton, Anthony ; Braxton, Anthony ; Jazz musicians Biography ; Composers Biography ; Jazz musicians ; MUSIC ; Instruction & Study ; Theory ; Biographies ; Composers ; United States ; Braxton, Anthony 1945- ; Geschichte 1985
    Abstract: Based on interviews from a 1985 tour, this book profiles one of jazz's most important figures. Anthony Braxton discusses the expression of his musical visions and related ethical, political, and spiritual beliefs. ""Absolutely essential reading.""--The Wire
    Note: Includes bibliographical references (pages 411-415) and index
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  • 54
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190634933
    Language: English
    Pages: 1 Online-Ressource (xvi, 472 Seiten)
    DDC: 782.254092
    RVK:
    RVK:
    Keywords: Jackson, Mahalia 1911-1972 ; African American gospel singers Biography ; United States ; Gospel singers Biography ; United States ; African Americans Music ; History and criticism ; Gospel music History and criticism ; Jackson, Mahalia 1911-1972 ; Afroamerikanische Musik ; Gospelsong ; USA
    Abstract: Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago gospel pioneers and the influential National Baptist Convention, earned a reputation as a dynamic church singer. Eventually, Jackson achieved unprecedented mass-mediated celebrity, breaking through in the late 1940s as an internationally recognized recording artist for Apollo and Columbia Records who also starred in her own radio and television programs. But the book is also a study of the black gospel field of which Jackson was a part. Over the course of the 1940s and 1950s, black gospel singing, both as musical worship and as pop-cultural spectacle, grew exponentially, with expanded visibility, commercial clout, and forms of prestige. Methodologically informed by a Bourdiean field analysis approach that develops a more granular, dynamic, and encompassing picture of post-war black gospel, the book persistently considers Jackson, however exceptional she may have been, in relation to her fellow gospel artists, raising fresh questions about Jackson, gospel music, and the reception of black vernacular culture.
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  • 55
    Online Resource
    Online Resource
    Heidelberg : Universitätsverlag Winter
    ISBN: 9783825377830
    Language: English
    Series Statement: American Studies – A Monograph Series v.286
    Parallel Title: Erscheint auch als Kunow, Rüdiger Material bodies
    DDC: 570
    RVK:
    RVK:
    Keywords: Human body Social aspects ; Human body (Philosophy) ; Human body in popular culture ; National characteristics, American ; Human Body ; Social Conditions ; Popular Culture ; Biology-Miscellanea ; Electronic books ; Human body in popular culture ; Human body (Philosophy) ; Human body ; Social aspects ; National characteristics, American ; Social conditions ; United States Social conditions ; United States ; United States
    Abstract: Cover -- Titel -- Imprint -- Acknowledgements -- Table of Contents -- Preface -- Introduction: Biologizing Culture / Culturing Biology -- Familiar Strangers, or, When Biology Meets Culture -- Disciplining Biology -- Biocultures: An Interdisciplinary Synthesis? -- Biology and the Research Imagination of American Cultural Studies -- Subjects in Biological Difference (Race and Gender) -- I. The Materialism of Biological Encounters -- 1. Embodied Encounters: Emergence and Emergency -- On the Materialism of Biological Encounters -- Biology and Human Mobility -- A Culpable Biography -- The "Yellow Peril" Medicalized: Chinese Immigrants and the Bubonic Plague of 1899/1900 -- Biological Transit across the American Hemisphere -- Yellow Fever and the Biopolitics of Location -- The White Man's "Biological Burden": Empire and Disease -- Cuba and the Reed Yellow Fever Commission -- The Philippines and the Specter of "Colonial Burnout'' -- 2. The Public Life of Public Diseases: Epidemics and the Mass Media -- Public Opinion and Public Diseases -- Disease Imaginaries and Narrative Form -- Dark Invaders": The Military Response Narrative -- Biomedical Jeremiads, or, How Have the Revelers Fallen -- From Scratch: Medical Sherlocks -- Imagined Immunities for Imagined Communities -- Conclusion: Biological Encounters and the Culture of Blame -- II. Not Normatively Human: Cultural Grammars and the Human Body -- 1. Corporeal Norms and the Experience of Inequality -- Norms as Imaginary Grammar of Cultural Oughtness -- The Normal and the Pathological: Canguilhem -- Normalizing Society: Foucault -- Communicative Normalization: Habermas -- When Life Goes Public: Biological Normophilia(s) -- Norms and the Institutionalization of Judgment -- At the Far End of the Normative Body: Late Life and Disability -- 2. "Age" as Cultural Norm and Form
    Abstract: The Age Chill Factor: Late Life as Bio-Cultural Pathology -- Normal Not to Be Normal: Gerontology and Age Studies -- New Age"? Late Life and the Promises of Molecular Biology -- Apocalyptic Embodiment: The Civic Identity of Late Life -- Where "Age" Is: Cultural Topographies of Late Life -- Age": Embodied Selfhood or Cultural Brand Name? -- 3. Exception Incorporated: Disability as Inscription of Cultural Otherness -- Oppositional Bodies, or, Disability's Challenge to Able-Bodied Normativity -- The Hero's Two Bodies: Disabled Veterans -- Left Behind: Disability in Veteran (Auto)Biographies -- A Culture of Hope"? Disability as Media Format -- Zones of Vulnerability: Disability and Environmental Exposure -- Spectral Disabilities, or, What You See Is What you (Don't) Get -- Markers of (Un)Certainty: "Age," "Disability" and Communicative Interaction -- III. Corporeal Semiotics: The Body of the Text / the Text of the Body -- 1. Textualizing Lifeâan Incomplete Project -- Bodies in Emergence and Emergency -- National Intimacies: The "Politics of Life" and the Religious Right -- Re-Writing the Book of Life: Genomics -- Finding a Text for the Book of Life -- Biological Futures -- Parables of the Possible: Contours of an Enhanced Life -- We the People, in Order to Have More Perfect Bodies: Biotechnology and Neoliberal Governance -- 2. Representations and the Traces of Suffering -- Putting It in Words, or, Another Distrust in the Signifier -- Emphatic Embodiment -- Private Practice: Pain as Inner Experience -- The We of Pain -- Pain as Relationship and Relation -- 3. The Silent Killer: Cancer(s) -- Stories We Die By: Cancers as Story Generators -- Somatics, Semantics and the Allegory of Unregulated Growth -- When the Flesh Becomes Word, or, The SemioticModel of Human Embodiment -- InConclusive: Human Biology and the Work of Cultural Critique
    Abstract: Biology, American Studies and Cultural Critique -- Figures of the Collective: Human Biology as Cultural Idiom and Issue -- References -- Backcover
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  • 56
    ISBN: 9780830851812 , 083085181X
    Language: English
    Pages: xv, 286 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Hodge, Daniel White, 1974- Homeland insecurity
    RVK:
    Keywords: Christianity and culture ; Hip-hop Religious aspects ; Christianity ; African Americans Religion ; Missions ; Hip-hop Aspect religieux ; Christianisme ; Noirs américains Religion ; Hip-hop Religious aspects ; Christianity ; African Americans Religion ; Christianity and culture ; Missions ; United States
    Abstract: "Homeland Insecurity is Hodge's finest book to date, a must-read for anyone - especially white Christians of any political persiasion - who find themselves working in and with black and brown communities." -- Back cover
    Abstract: North American domestic missions are now situated in a complex landscape of changing faith, ethnic diversity, and racial unrest. But most missiological approaches continue under colonialist assumptions and lack the cultural competency to navigate new realities. Missiologist Daniel White Hodge explores the contours of post-civil rights contexts and focuses on Hip Hop theology as a framework for radical engagement of emerging adult populations. He critiques the impaired missiology of imperialist and white supremacist approaches to modern urban and short-term missions. With keen cultural exegesis of the wild, he explores the contours of a more contextualized Hip Hop Jesus. Reexamining the importance of race and ethnicity in mission, Hodge offers theological space for protest and social disruption and suggests conceptual models for domestic missions within a growing multiethnic demographic. Grounded in Hip Hop studies and youth ministry, Hodge constructs a hybridity of lived missiology where dissent and disruption open new possibilities for Christian faith in the twenty-first century. -- ‡c From publisher's description
    Note: Bibliographie: Seite 269-286
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  • 57
    ISBN: 9780008297664 , 9780062748201
    Language: English
    Pages: xxviii, 171 Seiten , Illustration , 22 cm
    Edition: Paperback edition
    DDC: 306.3620973
    RVK:
    Keywords: Lewis, Cudjo Interviews ; Lewis, Cudjo Interviews ; Slaves History ; 19th century ; United States ; Slave trade History ; 19th century ; United States ; Slave trade History ; 19th century ; United States ; Slaves History ; 19th century ; United States ; Slave trade ; Slaves ; Lewis, Cudjo ; Erlebnisbericht ; Interview ; Erlebnisbericht ; Interview ; USA ; Sklaverei
    Abstract: Abducted from Africa, sold in America. A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker. This account illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade. In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis, who was abducted from Africa on the last "Black Cargo" ship to arrive in the United States. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.
    Note: Umschlag: Foreword by Alice Walker , Literaturverzeichnis: Seite 169-171 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 58
    Book
    Book
    New York, New York : Penguin Books
    ISBN: 9780143132332 , 0143132334
    Language: English
    Pages: 260 pages , 20 cm.
    Series Statement: A Penguin Original
    Parallel Title: Erscheint auch als Coviello, Peter Long players
    DDC: 306.70811
    RVK:
    Keywords: Coviello, Peter Relations with women ; Coviello, Peter ; Men Biography ; Popular music fans Biography ; Man-woman relationships ; FAMILY & RELATIONSHIPS General ; Man-woman relationships ; Men ; Popular music fans ; Relations with women ; United States ; Autobiographies ; Biographies
    Abstract: A passionate, heartfelt story about the many ways we fall in love: with books, bands and records, friends and lovers, and the families we make. Have you ever fallen in love--exalting, wracking, hilarious love--with a song? Long Players is a book about that everyday kind of besottedness--and, also, about those other, more entangling sorts of love that songs can propel us into. We follow Peter Coviello through his happy marriage, his blindsiding divorce, and his fumbling post marital forays into sex and romance. Above all we travel with him as he calibrates, mix by mix and song by song, his place in the lives of two little girls, his suddenly ex-stepdaughters. In his grief, he considers what keeps us alive (sex, talk, dancing) and the limitless grace of pop songs
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  • 59
    ISBN: 1538137666 , 9781538137666
    Language: English
    Pages: xi, 218 Seiten , Illustrationen , 23 cm
    DDC: 781.49092
    RVK:
    Keywords: Schmitt, Al ; Sound recording executives and producers Biography ; Sound recording executives and producers ; Autobiographies ; Biographies ; Autobiographies ; Autobiographies ; United States ; Autobiography
    Note: Includes bibliographical references (pages 205-210) and index
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  • 60
    ISBN: 9780190499679
    Language: English
    Pages: 1 Online-Ressource (xiv, 253 Seiten)
    Additional Information: Rezensiert in Koch, Anne, 1971 - Singing the Congregation 2020
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264.2
    RVK:
    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; United States ; USA ; Evangelikale Bewegung ; Anbetung ; Musik
    Abstract: Singing the Congregation examines how contemporary worship music shapes the way evangelical Christians understand worship and argues that participatory worship-music performances have brought into being new religious social constellations (“modes of congregating”). Through ethnographic investigation of five of these modes—concert, conference, church, public, and networked congregations—this book seeks to reinvigorate the analytic categories of “congregation” and “congregational music.” Drawing from theoretical models in ethnomusicology, congregational studies, and ecclesiology, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice—in this case, the musically structured participatory activity known as “worship.” By extension, “congregational music-making” is recast as a participatory religious musical practice capable of weaving together a religious community inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a potent way to identify with far-flung individuals, institutions, and networks that this global religious community comprises. The unique congregations examined in each chapter include but extend far beyond local churches, revealing widespread conflicts over religious authority and far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
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  • 61
    ISBN: 9780520294455 , 9780520294448
    Language: English
    Pages: x, 157 Seiten
    Series Statement: American studies now 5
    Series Statement: American studies now
    Parallel Title: Erscheint auch als Streeby, Shelley, 1963- author Imagining the future of climate change
    DDC: 304.2/80897
    RVK:
    RVK:
    Keywords: Climatic changes ; Global warming ; Indigenous peoples Ecology ; Climatic changes ; Climatic changes ; Global warming ; Global warming ; Indigenous peoples ; Indigenous peoples ; United States ; USA ; Science-Fiction ; Klimaänderung ; Soziale Bewegung ; Aktivismus
    Abstract: "From the 1960s to the present, activists, artists, and science fiction writers have imagined the consequences of climate change and its impacts on our future. Authors such as Octavia Butler and Leslie Marmon Silko, movie directors such as Bong Joon-Ho, and creators of digital media such as the makers of the Maori web series Anamata Future News have all envisioned future worlds in the wake of imminent environmental collapse, engaging audiences to think about the earth's sustainability. As public awareness of climate change has grown, so has the popularity of imaginative works of climate fiction that connect science with activism. Today real-world social movements helmed by Indigenous people and people of color are leading the way against the greatest threat to our environment: the fossil fuel industry. It is through these stories and movements by Natives and people of color--both in the real world and imagined through science fiction--that we understand the relationship between culture and activism and how both can be a valuable tool in creating our future. Imagining the Future of Climate Change introduces readers to the history and most significant flashpoints in climate justice through speculative fictions and social movements to explore post-disaster possibilities and the art of world-making."--Provided by publisher
    Abstract: #NoDAPL : native American and indigenous science, fiction, and futurisms -- Climate refugees in the greenhouse world : archiving global warming with Octavia E. Butler -- Climate change as a world problem : shaping change in the wake of disaster
    Note: Literaturangaben
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  • 62
    ISBN: 0813326672 , 9780813326672 , 0367315440 , 9780367315443
    Language: English
    Pages: xii, 322 Seiten , Illustrationen , 23 cm
    DDC: 305.897
    RVK:
    Keywords: Indians in popular culture ; Indians in popular culture ; United States ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: List of figures --Acknowledgments --Introduction: constructing the Indian, 1830s-1990s /S. Elizabeth Bird --The First but not the last of the "vanishing Indians": Edwin Forrest and mythic re-creations of the native population /Sally L. Jones --The Narratives of Sitting Bull's surrender: Bailey, Dix & Mead's photographic western /Frank Goodyear --Reduced to images: American Indians in nineteenth-century advertising /Jeffrey Steele --"Hudson's Bay Company Indians": images of native pople and the Red River pageant, 1920 /Peter Geller --Science and spectacle: Native American representation in early cinema /Alison Griffiths --"There is madness in the air": the 1926 Haskell homecoming and popular representations of sports in federal Indian boarding schools /John Bloom --Indigenous versus colonial discourse: alcohol and American Indian identity /Bonnie Duran --"My grandmother was a Cherokee princess": representations of Indians in Southern history /Joel W. Martin --Florida Seminoles and the marketing of the last frontier /Jay Mechling --Segregated stories: the colonial contours of the Little Bighorn Battlefield National Monument /C. Richard King --A War of words: how news frames define legitimacy in a native conflict /Cynthia-Lou Coleman --Going Indian: discovery, adoption, and renaming toward a "true American" from Deerslayer to Dances with wolves /Robert Baird --"Her beautiful savage": the current sexual image of the Native American male /Peter van Lent --Cultural heritage in Northern exposure /Annette M. Taylor.
    Abstract: Not my fantasy: the persistence of Indian imagery in Dr. Quinn, medicine woman /S. Elizabeth Bird --Moo Mesa: some thoughts on stereotypes and image appropriation /Theodore S. Jojola --What does one look like? /Debra L. Merskin --Bibliography --About the book --About the contributors --Index.
    Abstract: "One hundred members of NatChat, an electronic mail discussion group concerned with Native American issues, responded to the recent Disney release Pocahontas by calling on parents to boycott the movie, citing its historical inaccuracies and saying that "Disney has let us down in a cruel, irresponsible manner." Their anger was rooted in the fact that, although Disney claimed that the film's portrayal of American Indians would be "authentic," the Pocahontas story their movie told was really white cultural myth. The actual histories of the characters were replaced by mythic narratives depicting the crucial moments when aid was given to the white settlers. As reconstructed, the story serves to reassert for whites their right to be here, easing any lingering guilt about the displacement of the native inhabitants." "To understand current imagery, it is essential to understand the history of its making, and these essays mesh to create a powerful, interconnected account of image creation over the past 150 years. The contributors, who represent a range of disciplines and specialties, reveal the distortions and fabrications white culture has imposed on significant historical and current events as represented by treasured artifacts such as photographic images taken of Sitting Bull following his surrender, the national monument at the battlefield of Little Bighorn, nineteenth-century advertising, the television phenomenon Northern Exposure, and the film Dances with Wolves."--Jacket
    Note: Includes bibliographical references and index
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  • 63
    ISBN: 9781481308823 , 9781602583146
    Language: English
    Pages: xxiv, 311 Seiten , Illustrationen
    Edition: Second edition
    DDC: 398.24/54
    RVK:
    Keywords: Ghosts ; Ghouls and ogres ; Animals, Mythical ; Supernatural ; Popular culture History ; Monsters ; Monsters ; Ghosts ; Ghouls and ogres ; Animals, Mythical ; Supernatural ; Popular culture ; United States ; History
    Description / Table of Contents: Preface : with a warning to the unsuspecting reader -- Introduction : the bloody chords of memory -- Monstrous beginnings -- Goth Americana -- Weird science -- Alien invasions -- Deviant bodies -- Haunted houses -- Undead Americans -- Epilogue : worse things waiting -- Filmography -- Note on sources.
    Note: Includes bibliographical references and index. - Includes filmography (p. 229-230). - Preface : with a warning to the unsuspecting reader -- Introduction : the bloody chords of memory -- Monstrous beginnings -- Goth Americana -- Weird science -- Alien invasions -- Deviant bodies -- Haunted houses -- Undead Americans -- Epilogue : worse things waiting -- Filmography -- Note on sources
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  • 64
    Online Resource
    Online Resource
    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271080055
    Language: English
    Pages: 1 Online-Ressource (196 Seiten) , Illustrationen
    Series Statement: Refiguring modernism
    Parallel Title: Erscheint auch als Bachman, Erik M., 1981 - Literary obscenities
    DDC: 809.93353823
    RVK:
    Keywords: Lewis, Wyndham 1882-1957 Criticism and interpretation ; Caldwell, Erskine 1903-1987 Criticism and interpretation ; Smith, Lillian 1897-1966 Criticism and interpretation ; Caldwell, Erskine, 1903-1987 Criticism and interpretation ; Lewis, Wyndham, 1882-1957 Criticism and interpretation ; Smith, Lillian, 1897-1966 (Lillian Eugenia) ; Criticism and interpretation ; Sex in literature History ; 20th century ; Pornography in literature History ; 20th century ; Obscenity (Law) History ; 20th century ; United States ; Naturalism in literature History ; 20th century ; Naturalism in literature History ; 20th century ; Obscenity (Law) United States ; History ; 20th century ; Pornography in literature History ; 20th century ; Sex in literature History ; 20th century ; Lewis, Wyndham 1882-1957 ; Caldwell, Erskine 1903-1987 ; Smith, Lillian Eugenia 1897-1966 ; USA ; Obszönität ; Sexualverhalten ; Pornografie
    Abstract: "Examines U.S. obscenity trials in the early twentieth century and how they framed a wide-ranging debate about the printed word's power to deprave, offend, and shape behavior"...Provided by publisher
    Note: Angekündigt unter dem Titel: Getting off the page
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  • 65
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822372646 , 0822372649
    Language: English
    Pages: 1 Online-Ressource (xiv, 268 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/308996073
    RVK:
    Keywords: Anderson, Marian 1897-1993 ; Holiday, Billie 1915-1959 ; Scott, Jimmy 1925-2014 ; Vocaloid (Computer file) ; African Americans Music ; Social aspects ; Music and race United States ; Voice culture Social aspects ; United States ; Tone color (Music) Social aspects ; United States ; Music Social aspects ; United States ; Singing Social aspects ; United States ; Zuhören ; Afroamerikanische Musik ; Klang ; Electronic books ; Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 66
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 9781501342707 , 9781501320668
    Language: English
    Pages: xiii, 271 Seiten , 23 cm
    Series Statement: David Foster Wallace studies Vol. 1
    Series Statement: David Foster Wallace studies
    Parallel Title: Erscheint auch als Thompson, Lucas, author Global Wallace
    Parallel Title: Erscheint auch als Thompson, Lucas Global Wallace
    DDC: 813/.54
    RVK:
    Keywords: Wallace, David Foster Criticism and interpretation ; Wallace, David Foster Criticism and interpretation ; American literature Foreign influences ; Internationalism in literature ; Literature and society History 20th century ; American fiction History and criticism 20th century ; American literature Foreign influences ; Internationalism in literature ; Literature and society History ; 20th century ; United States ; American fiction History and criticism ; 20th century ; Wallace, David Foster 1962-2008 ; Weltliteratur ; Rezeption
    Abstract: "David Foster Wallace is invariably seen as an emphatically American figure. Lucas Thompson challenges this consensus, arguing that Wallace's investments in various international literary traditions are central to both his artistic practice and his critique of US culture. Thompson shows how, time and again, Wallace's fiction draws on a diverse range of global texts, appropriating various forms of world literature in the attempt to craft fiction that critiques US culture from oblique and unexpected vantage points. Using a wide range of comparative case studies, and drawing on extensive archival research, Global Wallace reveals David Foster Wallace's substantial debts to such unexpected figures as Jamaica Kincaid, Julio Cortázar, Jean Rhys, Octavio Paz, Leo Tolstoy, Zbigniew Herbert, and Albert Camus, among many others. It also offers a more comprehensive account of the key influences that Wallace scholars have already perceived, such as Fyodor Dostoevsky, Franz Kafka, and Manuel Puig. By reassessing Wallace's body of work in relation to five broadly construed geographic territories -- Latin America, Russia, Eastern Europe, France, and Africa -- the book reveals the mechanisms with which Wallace played particular literary traditions off one another, showing how he appropriated vastly different global texts within his own fiction. By expanding the geographic coordinates of Wallace's work in this way, Global Wallace reconceptualizes contemporary American fiction, as being embedded within a global exchange of texts and ideas"--
    Abstract: "Graduate students and scholars studying contemporary American fiction, David Foster Wallace, and world and comparative literature"--
    Abstract: Machine generated contents note: -- Series Editor's Introduction -- Acknowledgments -- Introduction. Wallace and the World -- Chapter One. Wallace and World Literature -- Chapter Two. Wallace and Latin America -- Chapter Three. Wallace and Russia -- Chapter Four. Wallace and Eastern Europe: Kafka and Others -- Chapter Five. French Existentialism's Afterlives: Wallace and the Fiction of the U.S. South -- Chapter Six. African-American Appropriations: Race, Hip-Hop, and Popular Anthropology -- Conclusion. "It's a Small Continent After All"? Wallace and the World -- Bibliography -- Index
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Includes bibliographical references (pages 247-263) and index
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  • 67
    ISBN: 9780393264241
    Language: English
    Pages: xx, 410 Seiten , Illustrationen , 22 cm
    Edition: First edition
    Series Statement: Norton critical editions American realism & reform
    DDC: 306.3/62092
    RVK:
    Keywords: Northup, Solomon ; Northup, Solomon Film and video adaptations ; Northup, Solomon 1808-1863? Film adaptions ; Twelve years a slave (Motion picture) ; 12 years a slave (Motion picture) ; African Americans Biography ; Plantation life History 19th century ; Slavery History 19th century ; Slaves' writings, American ; Slaves Biography ; Slaves' writings, American History and criticism ; Slaves Biography ; United States ; Slaves' writings, American ; African Americans Biography ; Plantation life History ; 19th century ; Louisiana ; Slavery History ; 19th century ; Louisiana ; Slaves' writings, American History and criticism ; Northup, Solomon 1808-1863
    Abstract: "Twelve Years a Slave follows the life of Solomon Northup, a free blackman who was kidnapped and sold into slavery before the Civil War. Northup's memoir, published in 1853, riveted contemporary audiences but fell out of print for several generations at the start of the twentieth century. Although it was kept alive in the writings of literary scholars, historians, and bibliographers, it wouldn't return to print until 1968, and soon found a place in the canon of the literary genre known as "the slave narratives." Northup's memoir was adapted for film in 2013 by black British auteur Steve McQueen, and the film received the Oscar for "Best Motion Picture" in 2014. Readers of this critical edition will find the Editor's Preface from 1853, the 1853 edition of the text and its appendices, as well as a number of illustrations from the original publication. "Contemporary Sources (1853-1865)" offers a range of contemporary reviews and responses, an excerpt from Harriet Beecher Stowe, and coverage of the court case brought against Northup's kidnappers. "A Genealogy of Secondary Sources (1880-2014)" provides readers with a comprehensive overview of early and modern commentary on Twelve Years a Slave. "Film Criticism & Reviews: 12 Years a Slave (2013)" includes responses to the film adaptation and an interview with the director Steve McQueen. A Chronology and Selected Bibliography are also included, along with an introduction by the volume's co-authors."--Provided by publisher
    Note: Enthält "the text of the 1853 first edition" sowie "contemporary sources (1853-62)", "a genealogy of secondary sources (1881-2015) und "the 2013 film adaption ... with criticism" - Hinterer Buchumschlag , Auswahlbibliografie: Seite 405-410 , Includes bibliographical references
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  • 68
    ISBN: 022644869X , 9780226448558 , 9780226448695
    Language: English
    Pages: xii, 179 Seiten , 23 cm
    Parallel Title: Erscheint auch als Gebhardt, Nicholas Vaudeville melodies
    DDC: 792.70973
    RVK:
    RVK:
    Keywords: Vaudeville ; Revues ; Music-halls (Variety-theaters, cabarets, etc.) ; Popular music ; Music-halls (Variety-theaters, cabarets, etc.) ; Popular music ; Revues ; Vaudeville ; United States ; USA ; Vaudeville ; Varieté ; Kleinkunst ; Geschichte 1870-1929 ; USA ; Vaudeville ; Varieté ; Kleinkunst ; Geschichte 1870-1929
    Abstract: That's entertainment -- There's no business like show business -- Rites of passage -- Elementary structures -- Show me the money -- On with the show -- In search of an audience -- Vaudeville melodies -- Nothing succeeds like success -- Applause
    Note: Mit Bibliographie (Seiten 163-172) und Register
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  • 69
    Book
    Book
    Lanham : Rowman & Littlefield
    ISBN: 9780810895041
    Language: English
    Pages: XXXII, 171 Seiten , 24 cm
    DDC: 781.6609410973
    RVK:
    RVK:
    Keywords: Geschichte 1960-1970 ; Rock music / United States / 1961-1970 / History and criticism ; Rock music / Great Britain / 1961-1970 / History and criticism ; Rock music ; Rezeption ; Popmusik ; Great Britain ; United States ; Großbritannien ; USA ; USA ; Großbritannien ; Großbritannien ; Popmusik ; Rezeption ; USA ; Geschichte 1960-1970
    Note: Includes bibliographical references and index. - First published in hardback 2015
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  • 70
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253029232 , 9780253029300 , 0253029236 , 0253029309
    Language: English
    Pages: ix, 382 Seiten , Illustrationen , 18 cm
    Series Statement: The year's work: studies in fan culture and cultural theory
    Parallel Title: Online version Schill, Brian James, author Year's work in the punk bookshelf, or, lusty scripts
    Parallel Title: Erscheint auch als Schill, Brian James The year's work in the punk bookshelf, or, lusty scripts
    DDC: 306/.1
    RVK:
    Keywords: Subculture ; Punk culture ; Punk rock music Philosophy and aesthetics ; Influence (Literary, artistic, etc.) History 20th century ; Reading interests ; Reading interests ; Youth Books and reading ; Subculture ; Punk culture ; Punk rock music Philosophy and aesthetics ; Influence (Literary, artistic, etc.) History ; 20th century ; Reading interests United States ; Reading interests Great Britain ; Youth Books and reading ; Influence (Literary, artistic, etc.) ; Punk culture ; Punk rock music Philosophy and aesthetics ; Reading interests ; Subculture ; Youth Books and reading ; Great Britain ; United States
    Note: Includes bibliographical references and index
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  • 71
    Book
    Book
    New York : Fordham University Press
    ISBN: 0823275310 , 0823275302 , 9780823275304 , 9780823275311
    Language: English
    Pages: 270 Seiten , 24 cm
    Parallel Title: Erscheint auch als Lim, Jeehyun Bilingual Brokers
    DDC: 306.44/60973
    RVK:
    RVK:
    RVK:
    Keywords: Bilingualism and literature ; Bilingualism Social aspects ; Language and culture Social aspects ; Linguistic minorities Social aspects ; Bilingualism and literature ; American literature Asian American authors ; History and criticism ; American literature Hispanic American authors ; History and criticism ; Bilingualism in literature ; Bilingualism and literature ; Bilingualism Social aspects ; United States
    Abstract: Cultural brokers in interwar Orientalism -- Bilingual personhood and the American dream -- Schooling bilinguals in and against multiculturalism -- Dormant bilingualism in neoliberal America -- Global English and the predicament of monolingual multiculturalism -- Epilogue: The future of bilingual brokering
    Note: Formerly CIP. - Includes bibliographical references and index
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  • 72
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226152653 , 9780226599069
    Language: English
    Pages: 541 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Dinerstein, Joel The Origins of Cool in Postwar America.
    DDC: 306.0973/0904
    RVK:
    Keywords: Popular culture History 20th century ; Cool (The English word) ; Cool (The English word) ; Cool (The English word) ; Manners and customs ; Popular culture ; Popular culture ; United States ; United States ; History ; 1900-1999 ; United States Social life and customs 1945-1970 ; USA ; Lebensstil ; Soziale Distanz ; Verweigerung ; Geschichte 1945-1965
    Abstract: Prelude: Paris, 1949 -- Introduction: the origins of cool -- Lester Young and the birth of cool -- Humphrey Bogart and the birth of noir cool from the Great Depression -- Albert Camus and the birth of existential cool from the idea of rebellion (and the blues) -- Billie Holiday and Simone de Beauvoir: toward a postwar cool for women -- Cool convergences, 1950: jazz, noir, existentialism -- A generational interlude: postwar II (1953-1963) and the shift in cool -- Kerouac and the cool mind: jazz and zen -- From noir cool to Vegas cool: swinging into prosperity with Frank Sinatra -- American rebel cool: Brando, Dean, Elvis -- Sonny Rollins and Miles Davis sound out cool individuality -- Hip versus cool in the Fugitive kind (1960) and Paris blues -- Lorraine Hansberry and the end of postwar cool -- Epilogue: the many lives of postwar cool
    Note: Includes bibliographical references and index
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  • 73
    ISBN: 9781138278240
    Language: English
    Pages: 222 Seiten
    Edition: First issued in paperback
    Series Statement: Ashgate popular and folk music series
    Series Statement: An Ashgate book
    DDC: 781.621009045
    RVK:
    Keywords: Folk songs, English History and criticism ; United States ; Folk songs, English History and criticism ; Canada ; Folk songs, English History and criticism ; United States ; Folk songs, English History and criticism ; Canada ; USA ; Kanada ; Folk music ; Revival ; Geschichte 1945-1980
    Abstract: Defining the people's songs : national identity and the origins of the North American folk revival to 1958 -- Visions of diversity : cultural pluralism and the great boom of the folk revival, 1958-1965 -- Folk music and community in the village : Greenwich Village and Yorkville in the sixties -- The post-revival folk : Canadian dreams and American nightmares in the late 1960s and 1970s -- Folk since the seventies : diversity and insularity
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Literaturverzeichnis: Seite 187-207. - Diskografie: Seite 209-210
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  • 74
    Book
    Book
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780199844937 , 0199844933
    Language: English
    Pages: xx, 285 Seiten
    Parallel Title: Erscheint auch als Sorett, Josef Spirit in the dark
    DDC: 810.9/896073
    RVK:
    RVK:
    Keywords: American literature African American authors ; History and criticism ; Religion and literature History 20th century ; Religion in literature ; African Americans in literature ; Blacks Race identity ; American literature African American authors ; History and criticism ; Religion and literature History ; 20th century ; United States ; Religion in literature ; African Americans in literature ; Blacks Race identity ; United States ; African Americans in literature ; American literature African American authors ; Blacks Race identity ; Religion and literature ; Religion in literature United States ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Literatur ; Das Religiöse ; Spiritualität ; Ethnische Identität ; Geschichte 1920-1960
    Abstract: Church, spirit, and the history of racial aesthetics -- The church and the Negro spirit -- Ancestral spirits -- Catholic spirits -- As the spirit moves -- An international spirit -- That spirit is Black -- Contrary spirits -- You can't keep a good church down!
    Note: Includes bibliographical references and index
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  • 75
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496805805
    Language: English
    Pages: viii, 272 Seiten
    Edition: First printing
    Series Statement: American made music series
    Parallel Title: Online version Wise, Timothy E., author Yodeling and meaning in American music
    DDC: 782.00973
    RVK:
    Keywords: Popular music History and criticism ; United States ; Yodeling ; Country music History and criticism ; Mountain people in popular culture ; Cowboys in popular culture ; Humor in music ; Country music ; Cowboys in popular culture ; Humor in music ; Mountain people in popular culture ; Popular music ; Yodeling United States ; USA ; Jodeln ; Geschichte
    Abstract: Timothy E. Wise presents the first book to focus specifically on the musical content of yodeling in our culture. He shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyzes this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond. Wise posits the reasons for yodeling's changing status in our music. How and why was yodeling introduced into professional music making in the first place? What purposes has it served in musical texts? Why was it expunged from classical music? Why did it attach to some popular music genres and not others? Why does yodeling now appear principally at the margins of mainstream tastes?
    Note: Includes bibliographical references (pages 233-245) and index , 1.Classifying Yodeled Effects in Popular Music Yodel Species , 2.Yodel Sign and Yodel Idea in Nineteenth-Century Art Music , 3.Yodeling in Nineteenth-Century Vocal Music , 4.Americanizing the Yodel , 5.Jimmie Rodgers and the Hillbilly Yodel , 6.Cowboys and Yodeling , 7.The Vicissitudes of a Musical Sign How the Yodel Became a Joke
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  • 76
    Book
    Book
    Boston, MA : Da Capo Press
    ISBN: 9780306817991
    Language: English
    Pages: xiv, 658 Seiten
    Edition: First Da Capo Press edition
    DDC: 782.42/13
    RVK:
    Keywords: Composers Interviews ; Lyricists Interviews ; Popular music History and criticism ; AVS ; MUS038000 ; Individual composers & musicians, specific bands & groups ; United States ; Popular music ; Interviews ; Popular music - United States - History and criticism ; Composers ; Composers - United States ; Lyricists - United States ; Lyricists ; Criticism, interpretation, etc ; Songwriting ; Geschichte
    Abstract: Marjorie Guthrie. On Woody Guthrie -- Jerry Leiber and Mike Stoller. A bridge built on the blues -- Richard Sherman. Writing songs for Disney -- Jeff Barry. River deep mountain high -- Paul Anka. From "Diana" to "My way" -- Kenny Gamble. Inventing the Philly sound -- Norman Whitfield. Through the grapevine -- Loretta Lynn. Songs from Butcher Holler -- Sheldon Harnick. Of Fiddlers on the roof -- Peter, Paul and Mary. The power of song -- Herbie Hancock. On a journey of jazz -- John Stewart. Daydream believing -- John Sebastian. A Loving Spoonful -- Gene Clark. Still the Byrds -- Stephen Stills. The one you're with -- Paul Simon. Love and hard times -- Ringo Starr. The Beatles and beyond -- Brian Wilson. Beyond the Beach Boys -- Kris Kristofferson. Another word for freedom -- Bernie Taupin. Writing with Elton -- Paul Williams. Only just begun -- Maurice White. Inside Earth, Wind & Fire -- Bryan Ferry. Of Roxy Music -- Elvis Costello. A man out of time -- Joe Jackson. Night and day -- Rickie Lee Jones. Flying with the cowboys -- Daryl Hall. Of Sacred songs -- Patti Smith. Still Dancing barefoot -- Chrissie Hynde. On the chain gang -- John Prine. Mailman of miracles -- Michael Smith. Tulips beneath the snow -- Dave Stewart. Eurythmics and beyond -- Joan Armatrading. Walking under ladders -- Chris Difford and Glenn Tilbrook. Being Squeeze -- Aimee Mann. On memory lane -- James Taylor. The secret o' songwriting -- Randy Newman. The world isn't fair -- Alice Cooper. Inventing Alice -- Donald Fagen. Being Steely Dan -- Jorge Calderon. On writing with Zevon -- Don McLean. American pie and beyond -- Richard Thompson. Inside the beeswing -- Rob Zombie. Doing the impossible -- Jo Henry. With Blood from stars -- Sia. On a Chandelier -- Matisyahu. Darkness into light
    Note: Includes bibliographical references and index
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  • 77
    Book
    Book
    Austin : University of Texas Press
    ISBN: 9780292759435
    Language: English
    Pages: viii, 198 Seiten , Illustrationen, Porträts , 23 cm
    Edition: First edition
    Series Statement: American music series
    DDC: 782.421643092
    RVK:
    Keywords: Blige, Mary J. ; Blige, Mary J. ; Blige, Mary J. ; African American women singers / United States / Biography ; Soul musicians / United States / Biography ; Sound recording executives and producers / United States / Biography ; Rap musicians / United States / Biography ; Rhythm and blues musicians / United States / Biography ; Gospel musicians / United States / Biography ; African American actresses / United States / Biography ; African American actresses ; African American women singers ; Gospel musicians ; Rap musicians ; Rhythm and blues musicians ; Soul musicians ; Sound recording executives and producers ; United States ; USA ; Biografie ; Biografie ; Biografie ; Blige, Mary J. 1971-
    Abstract: Mary J. Blige is an icon who represents the political consciousness of hip hop and the historical promise of soul. She is an everywoman, celebrated by Oprah Winfrey and beloved by pop music fans of all ages and races. Blige has sold over fifty million albums, won numerous Grammys, and even played at multiple White House events, as well as the 2013 Nobel Peace Prize ceremony. Displaying astonishing range and versatility, she has recorded everything from Broadway standards to Led Zeppelin anthems and worked with some of popular music's greatest artists-Aretha Franklin, Eric Clapton, Elton John, Whitney Houston, Sting, U2, and Beyonce, among them. Real Love, No Drama: The Music of Mary J. Blige tells the story of one of the most important artists in pop music history. Danny Alexander follows the whole arc of Blige's career, from her first album, which heralded the birth of "hip hop soul," to her critically praised 2014 album, The London Sessions. He highlights the fact that Blige was part of the historically unprecedented movement of black women onto pop radio and explores how she and other women took control of their careers and used their music to give voice to women's (and men's) everyday struggles and dreams. This book adds immensely to the story of both black women artists and artists rooted in hip hop and pays tribute to a musician who, by expanding her reach and asking tough questions about how music can and should evolve, has proven herself an artistic visionary. - Beginning his career about the same time Mary J. Blige signed her first record deal, music journalist Danny Alexander has worked as an associate editor for Dave Marsh's music newsletter Rock & Rap Confidential and covered rock, hip hop, and soul for various publications. He is the author of "Liner Notes: Soul Asylum". He lives in Overland Park, Kansas
    Description / Table of Contents: 〈〈The〉〉 artist of a generation -- The slow bomb -- Ladies, ladies, it is our turn -- Uptown -- What's the 411? -- Changes I've been going through -- Hip hop a go-go -- My life -- Natural woman -- Share my world -- On the road with MJB : Alyson Williams -- The tour -- Sisters in the studio : Channette and Channoah Higgens -- Mary, the album -- No more drama -- Love & life -- Live from Los Angeles -- Message in our music -- The breakthrough -- Growing pains -- Stronger with each tear -- Hard times come again no more -- My life II : the journey continues (act 1) -- A Mary Christmas -- Think like a man too -- The London sessions -- Being with you
    Note: Includes bibliographical references and discography
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  • 78
    Book
    Book
    London : Simon & Schuster
    ISBN: 9781471157790
    Language: English
    Pages: 510 Seiten , Illustrationen
    Edition: First published
    RVK:
    RVK:
    Keywords: Springsteen, Bruce ; Rock musicians Biography ; United States
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  • 79
    Book
    Book
    London : Routledge
    ISBN: 9781409423768 , 140942376X
    Language: English
    Pages: 179 Seiten , Illustrationen , 24 cm
    Series Statement: An Ashgate book
    Series Statement: Ashgate popular and folk music series
    DDC: 781.66
    RVK:
    Keywords: Grunge music ; Social aspects ; United States
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  • 80
    ISBN: 9780198796541
    Language: English
    Pages: xii, 403 Seiten , Illustrationen, Karten , 24 cm
    Edition: First edition
    DDC: 305.800973
    RVK:
    Keywords: Racism History ; United States ; Indians of North America Colonization ; United States ; African Americans Colonization ; Africa ; United States Race relations ; History ; 18th century ; United States Race relations ; History ; 19th century ; USA ; Rassentrennung ; Geschichte
    Note: Includes bibliographical references and index
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  • 81
    Online Resource
    Online Resource
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 0674974646 , 9780674974647
    Language: English
    Pages: 1 Online-Ressource (340 pages)
    Edition: [Place of publication not identified] HathiTrust Digital Library 2019 Electronic reproduction
    Parallel Title: Erscheint auch als Shelby, Tommie, 1967- Dark ghettos
    DDC: 304.3/3660973
    RVK:
    RVK:
    Keywords: Inner cities ; Social justice ; Racism in public welfare ; African Americans Social conditions ; Inner cities Government policy ; Inner cities ; Government policy ; Racism in public welfare ; Social justice ; Armut ; Schwarze ; Soziale Situation ; Soziale Ungleichheit ; Sozialpolitik ; Stadtviertel ; African Americans ; Social conditions ; Inner cities ; United States ; USA
    Abstract: "Why do ghettos persist?" Tommie Shelby asks in Dark Ghettos. Today, ghettos are widely seen as social problems that public policy should aim to solve. Shelby calls this the "medical model" because it portrays ghettos as sick patients in need of treatment. In his view, this model ignores the political agency of the ghetto poor and the underlying social structures that perpetuate disadvantage in black communities. Shelby argues that we should conceive of ghettos within a "justice paradigm" instead. Adopting a Rawlsian framework, he considers the existence of ghettos as a sign of deeply embedded social injustice, and he offers a "nonideal" social theory, establishing what the government and citizens are obligated and permitted to do within fundamentally unfair conditions. His theory arises through practical considerations: should the American government enforce residential diversity? Should welfare programs disincentivize single motherhood? For those who live in ghettos, is voluntary non-work--or street violence, or hip-hop--a just and valid form of dissent? Ultimately, Shelby aims to establish principles that will lead to the abolishment of ghettos through just reform.--
    Abstract: Introduction: Rethinking the problem of the ghetto -- Part I. Liberty, equality, fraternity. Injustice ; Community ; Culture -- Part II. Of love and labor. Reproduction ; Family ; Work -- Part III. Rejecting the claims of law. Crime ; Punishment ; Impure dissent -- Epilogue: Renewing ghetto abolitionism.
    Note: Includes bibliographical references and index , Electronic reproduction
    URL: Volltext  (lizenzpflichtig)
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  • 82
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 022630339X , 9780226303390
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als Gluck, Bob Miles Davis Lost Quintet
    DDC: 785/.32195165
    RVK:
    Keywords: Davis, Miles ; Davis, Miles ; Jazz History and criticism 1971-1980 ; Jazz musicians Biography ; Jazz History and criticism 1961-1970 ; MUSIC ; Genres & Styles ; Chamber ; Jazz ; Jazz musicians ; Avantgarde ; Quintett ; Elektronische Musik ; Rock-Jazz ; Biographies ; Criticism, interpretation, etc ; United States ; Biografie ; Biografie
    Abstract: Miles Davis's 'Bitches Brew' is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. Here, jazz historian and musician Bob Gluck explores the performances of this revolutionary group, to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in
    Abstract: Miles goes electric -- "Bitches brew," in the studio and on the road -- Anthony Braxton : Leroy Jenkins, Musica Elettronica Viva, and the "Peace Church" concert -- Interlude : musical rumblings in Chelsea -- Miles Davis's increasingly electric 1970, and a reflection on his 1971-75 bands -- Circle -- The Revolutionary Ensemble -- Ornette Coleman's children : comparisons and contrasts inside and outside the jazz economy.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 83
    Book
    Book
    London : Melville House UK
    ISBN: 9780993414916
    Language: English
    Pages: 180 Seiten , 20 cm
    Parallel Title: Erscheint auch als Nelson, Maggie, 1973 - The Argonauts
    DDC: 306.85092
    RVK:
    Keywords: Nelson, Maggie 1973- ; Dodge, Harry ; Sexual minorities' families Biography ; United States ; Fiktionale Darstellung ; Fiktionale Darstellung ; Familie ; Transsexualität
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  • 84
    Online Resource
    Online Resource
    Bielefeld, GERMANY : Transcript Verlag
    ISBN: 383943503X , 9783839435038
    Language: German
    Pages: 1 Online-Ressource (315)
    Series Statement: American Culture Studies 15
    DDC: 305.800973
    RVK:
    Keywords: Racism ; SOCIAL SCIENCE ; Discrimination & Race Relations ; SOCIAL SCIENCE ; Minority Studies ; Racism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: #BlackLivesMatter: Protest und Widerstand heute Der Fall Michael Brown: (Symbolische) Polizeigewalt und kollektive Fantasie ; Die Bürgerrechtsbewegung in der Langzeitperspektive ; Autorinnen und Autoren.
    Abstract: Cover; Inhalt ; Dank ; Einleitung ; Die Lange Bürgerrechtsbewegung und die politische Instrumentalisierung von Geschichte ; Von der Sklaverei zur Bürgerrechtsbewegung: Rassenbeziehungen in Amerika, 1770 bis 1945.
    Abstract: Der demographische Wandel in den Vereinigten Staaten und die Zukunft der Obama-Koalition Detroit, Philadelphia, Baltimore: Rassenkonflikte in urbanen Brennpunkten ; "The Death of the Sixties"?: Afroamerikanische Geschichte in Colson Whiteheads John Henry Days.
    Abstract: Guess Who's Coming to Dinner: Liebe zwischen Schwarz und Weiß im amerikanischen Film und Fernsehen Der War on Drugs, die Hyperinhaftierung sozial schwacher Afroamerikaner und Perspektiven der Strafrechtsreform ; Black Leadership: Prophetische Stimmen des Widerstands.
    Abstract: Was ist aus Martin Luther Kings Traum geworden? Amerikas schwarze Minderheit seit der Bürgerrechtsbewegung Lynchmorde und der weiße Süden nach 1945 ; Der Schatten Jim Crows: Segregation des öffentlichen Raumes in Nashville -- damals und heute.
    Abstract: Was ist aus Martin Luther Kings Vision von einem Amerika der Gleichheit, Gerechtigkeit und Selbstbestimmung geworden? Fünfzig Jahre später haben die USA einerseits ihren ersten afroamerikanischen Präsidenten gewählt, andererseits ist die Alltagserfahrung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 85
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 0520283988 , 0520283996 , 9780520283985 , 9780520283992
    Language: English
    Pages: xi, 205 Seiten , Illustrationen , 23 cm
    Edition: First edition
    DDC: 782.421649
    RVK:
    Keywords: Rap (Music) Social aspects ; Music and race ; Race awareness ; Racism in popular culture ; Rap (Music) Social aspects ; United States ; Music and race ; Race awareness United States ; Racism in popular culture United States ; USA ; Rap ; Hip-Hop ; Ethnische Identität
    Abstract: "As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. Sounding Race in Rap Songs argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. The book traces the changing sounds of race across some of the best-known rap songs of the past thirty-five years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats. Each chapter explores the process behind the production of hit songs by musicians including Grandmaster Flash and the Furious Five, The Sugarhill Gang, Run-D.M.C., Public Enemy, N.W.A., Dr. Dre, and Eminem. This series of case studies highlights stylistic differences in sound, lyrics, and imagery, with musical examples and illustrations that help answer the core question: can we hear race in rap songs? Integrating theory from interdisciplinary areas, this book will resonate with students and scholars of popular music, race relations, urban culture, ethnomusicology, sound studies, and beyond"--Provided by publisher
    Description / Table of Contents: "Rapper's delight" : from genre-less to new genre"Rebel without a pause" : public enemy revolutionizes the break -- "Let me ride" : gangsta rap's drive into the popular mainstream -- "My name is" : signifying whiteness, rearticulating race -- Conclusion : sounding race in the twenty-first century.
    Note: Includes bibliographical references (pages 183-191), discography (pages 179-180), filmography (page 181), and index
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  • 86
    ISBN: 9780859654401 , 0859654400
    Language: English
    Pages: 299 Seiten , Illustrationen , 23 cm
    Edition: Revised and updated
    DDC: 782.42166092
    RVK:
    Keywords: Morrison, Jim Interviews ; Morrison, Jim - 1943-1971 ; Doors (Musical group) ; Doors (Musical group) ; Rock musicians Biography ; Rock musicians Death ; Musiciens rock - États-Unis - Biographies ; Musiciens rock - États-Unis - Mort ; Rock musicians ; Rock musicians - Death ; Biographies ; Interviews ; United States
    Description / Table of Contents: The biography. The child ; The scholar ; The poet ; The rock star ; The drunk ; The exile ; Weird scenes ; Inside goldmine -- The Interviews. Los Angeles Free Press, John Carpenter, Summer 1968 ; WNET-TV Critique, Richard Goldstein, Spring 1969 ; Rolling Stone, Jerry Hopkins, Spring 1969 ; Zigzag, John Tobler, Autumn 1970 ; Circus, Salli Stevenson, Winter 1970 ; Los Angeles Free Press, Bob Chorush, Spring 1971 ; Rolling Stone, Ben Fong-Torres, Spring 1971 ; Creem, Lizze James, Autumn 1969 ; The Village Voice, Howard Smith, Winter 1970 -- Last words.
    Note: Previous edition: 2010, 2006
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  • 87
    ISBN: 978-0-87140-873-0
    Language: English
    Pages: XXIX, 365 S., [4] Bl. , Ill.
    Edition: 1. ed.
    RVK:
    Keywords: Redding, Otis / 1941-1967 ; Redding, Otis / 1941-1967 ; Soul musicians / United States / Biography ; Soul music / History and criticism ; Soul music ; Soul musicians ; United States ; USA ; Biografie
    Abstract: "A soul icon and the southern music he helped popularize come to life in this moving requiem,"--Amazon.com
    Note: Includes bibliographical references (pages 315-337) and index , Introduction : The Big O -- Prologue : "It was music" -- Son of a preacher man -- Heebie jeebies -- Rockin' Redding -- "It's something called soul" -- "A lousy singer" -- "Wait, we got time for another kid" -- Chops like a wolf -- Turning the knife -- The King of Soul -- Just one more day -- Crossing over -- The whole damn body -- Making the white feel black -- "The only son-of-a-gun this side of the sun" -- London calling -- Peace, love, and Otis Redding -- Hard to handle -- "So I guess I'll remain the same" -- Amen -- Epilogue : "Wouldn't that have been somethin'?"
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  • 88
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9780786474462
    Language: English
    Pages: X, 234 Seiten , Illustrationen , 26 cm
    RVK:
    Keywords: Rhythm and blues musicians / United States / Biography ; Rockabilly musicians / United States / Biography ; Country musicians / United States / Biography ; Rock musicians / United States / Biography ; Musicians / United States / Interviews ; Country musicians ; Musicians ; Rhythm and blues musicians ; Rock musicians ; Rockabilly musicians ; United States ; USA ; Biografie ; Biografie
    Abstract: "Disc jockey Alan Freed coined the term "rock and roll" in the 1950s. Rock and roll's originators and revivalists continue to entertain crowds at roots music festivals worldwide. This book presents stories about performers' lives on the road and in the studio, along with the stories behind popular songs. Informative biographical profiles are provided"--
    Description / Table of Contents: Includes bibliographical references and index
    Description / Table of Contents: Rhythm and blues and Doo-wop legends -- Rockabilly pioneers -- Sun stars -- Country hit makers -- Pop sensations -- Roots revivalists -- International rockabilly performers
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  • 89
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 162892943X , 9781628929430
    Language: English
    Pages: xvii, 129 Seiten , 17 cm
    Series Statement: 33 1/3 110
    Series Statement: 33 1/3
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Davis, Miles / Bitches brew ; Davis, Miles / Criticism and interpretation ; Davis, Miles ; Bitches brew (Davis, Miles) ; Jazz musicians / United States / Biography ; Jazz / History and criticism ; Jazz ; Jazz musicians ; United States ; USA ; Biografie
    Abstract: It was 1969, and Miles Davis, prince of cool, was on the edge of being left behind by a dynamic generation of young musicians, an important handful of whom had been in his band. Rock music was flying off in every direction, just as America itself seemed about to split at its seams. Following the circumscribed grooves and ambiance of In A Silent Way; coming off a tour with a burning new quintet-called 'The Lost Band'-with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette; he went into the studio with musicians like frighteningly talented guitarist John McLaughlin, and soulful Austrian keyboardist Joe Zawinul. Working with his essential producer, Teo Macero, Miles set a cauldron of ideas loose while the tapes rolled. At the end, there was the newly minted Prince of Darkness, a completely new way forward for jazz and rock, and the endless brilliance and depth of Bitches Brew. --Publisher's description
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 90
    Online Resource
    Online Resource
    Heidelberg : Universitätsverlag Winter
    ISBN: 9783825375164
    Language: English
    Pages: 1 Online-Ressource (421 pages)
    Series Statement: Publikationen der Bayerischen Amerika-Akademie v. 16
    Series Statement: Publications of the Bavarian American Academy
    Parallel Title: Erscheint auch als Banita, Georgiana Electoral Cultures : American Democracy and Choice
    DDC: 303.3
    RVK:
    RVK:
    Keywords: Democracy ; Political culture ; Democracy ; Political culture ; Politics and government ; United States Politics and government ; United States ; Online-Publikation
    Abstract: Acknowledgements; Table of Contents; Georgiana Banita and Sascha Pöhlmann Life, Liberty, and the Pursuit of the Presidency: Elections and American Culture; Suffrage and Disenfranchisement; Manfred Berg -- From White Supremacy to the White House: Racial Disfranchisement, Party Politics, and Black Political Integration; Volker Depkat -- African Americans Voting: Visual Narratives of the Reconstruction Period; Sascha Pöhlmann -- Vote With a Bullet: The Aesthetics of Assassination in Stephen King's The Dead Zone and ""11/22/63""
    Abstract: Georgiana Banita -- Voting for American Energy: Elections, Oil, and US CultureVoting, Campaigning, and Electability; Michael Hochgeschwender -- The Rise and Decline of the American Catholic Vote; Georg Schild -- Lincoln the Campaigner: The Issue of Slavery in Election Campaigns of the 1850s; Andrew Gross -- Goldwater's Phoenix: Emerging from the Ashes of an Unsuccessful Presidential Campaign; Gerd Hurm -- A Crisis of Rhetoric? 2012 Campaign Speeches and the Dilemma of American Exceptionalism; Mediating Choice: Visibility, Performance, Race.
    Abstract: Diana Owen -- The Political Culture of American Presidential Elections: A Media PerspectiveAndreas Etges -- "A Great Box-Office Actor": John F. Kennedy, Television, and the 1960 Presidential Election; Reingard M. Nischik and Gabriele Metzler -- Culture and Charisma: The 2008 Presidential Election; Sabine Sielke -- The Blackening of Barack Obama and the Browning of America, or: How Race and Ethnicity Mattered in the 2012 Presidential Race; Symbolism and Narrative; Brendon O'Connor -- Buying into American Dreams: US Presidential Elections, Exceptionalism, and Global Power.
    Abstract: Karsten Fitz -- Crafting the Presidential Story: The Electoral Narrative in Recent Presidential CampaignsSebastian M. Herrmann -- "To Tell a Story to the American People": Elections, Postmodernism, and Popular Narratology; Greta Olson -- Confessing Self, Confessing Nation: Life Narratives in the 2012 Presidential Election; Sabrina Hüttner -- "Stay in Control of Your Narrative, If You Let the Other Guys Define You": Hockey Moms, Hawks, and Heroes on the (Political) Stage; Antje Dallmann -- Absences and Presences: Campaigns, Candidates, and Voters in American Film; Contributors.
    Abstract: Presidential elections are essential to US culture, shaping the nation's stability and global influence. This volume is the first to establish an interdisciplinary platform for a broad investigation of election mechanics and legacies. Historians, political scientists, literary scholars, and cultural theorists shed light on the narratives of election successes and failures. Beginning with the struggle for voting rights and extending to current representations of candidates and campaigns, Electoral Cultures examines elections as complex cultural phenomena. Analyzing political processes and perso
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  • 91
    Image
    Image
    Durham : Duke University Press
    ISBN: 9780822359173 , 9780822359364
    Language: English
    Pages: xiv, 429 Seiten , Illustrationen , 24 cm
    Series Statement: Refiguring American music
    DDC: 782.421640811
    RVK:
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    Keywords: Crooning ; Male singers United States ; Popular music History and criticism ; 1921-1930 ; United States ; Popular music History and criticism ; 1931-1940 ; United States ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940
    Abstract: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920 -- Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond)
    Description / Table of Contents: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond).
    Note: Formerly CIP. - Includes bibliographical references and index
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  • 92
    ISBN: 9780292771314
    Language: English
    Pages: xi, 204 Seiten , Illustrationen
    DDC: 305.48868073
    RVK:
    Keywords: Hispanic American women Social conditions ; Women immigrants Social conditions ; United States ; Women foreign workers Social conditions ; United States ; Hispanic American women in literature ; Hispanic American women in mass media ; United States Emigration and immigration ; Social aspects
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  • 93
    Book
    Book
    [London] : Rogan House
    ISBN: 9780952954088 , 0952954087
    Language: English
    Pages: 1200 Seiten , Illustrationen , 24 cm
    Series Statement: Byrds Volume 1
    Series Statement: Rogan, Johnny Byrds.
    DDC: 782.421660922
    RVK:
    Keywords: Byrds (Musical group) ; Rock groups ; United States ; Biography ; Rock musicians ; United States ; Biography
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  • 94
    ISBN: 9780810891715
    Language: English
    Pages: VII, 237 S. , 24 cm
    DDC: 741.5/973
    RVK:
    RVK:
    RVK:
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    Keywords: Comic books, strips, etc History and criticism ; Graphic novels ; Superheroes Social aspects ; Superheroes in literature ; Superheroes in art ; Superheroes in literature ; Superheroes ; Social aspects ; United States ; Comic strip characters ; United States ; Literature and society ; United States ; USA ; Comic ; Superheld
    Description / Table of Contents: The significance of the superhero examinedThe academization of comics: Where are the superheroes? -- The battle between fans and creators -- The comic relaunch -- The iconography of superheroes -- Superhero storytelling -- The role superheroes play in children's learning -- Diversity in superheroes -- Why superheroes never die -- Technology and the superhero -- Reflections on creating a canon -- Appendix: The canon of superhero literature.
    Note: Includes bibliographical references (pages 217-228) and index
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  • 95
    ISBN: 9781906615581
    Language: English
    Pages: 349 pages , 22 cm
    Edition: [Revised and updated edition]
    RVK:
    Keywords: Dream Theater (Musical group) ; Dream Theater (Musical group) ; Dream Theater ; Geschichte ; Rock groups / United States / Biography ; Rock groups ; United States ; USA ; Biografie ; Dream Theater ; Geschichte
    Note: This book covers the band's history from the mid-1980s to today. This updated edition includes the departure of founding drummer Mike Portner and the search for his replacement
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  • 96
    Book
    Book
    Cambridge, Mass. [u.a.] : Harvard University Press
    ISBN: 9780674045859 , 0674045858
    Language: English
    Pages: XIII, 363 S. , Ill., Kt. , 25 cm
    Parallel Title: Online-Ausg. Kelman, Ari, 1968 - A Misplaced Massacre
    DDC: 978.8004/97353
    RVK:
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    Keywords: Chivington, John M ; United States History ; United States History ; Cheyenne Indians Wars, 1864 ; Sand Creek Massacre, Colo., 1864 ; Cheyenne 〈Volk〉 ; Sand Creek 〈Colo.〉 ; Gedenken ; Massaker ; Geschichte ; Chivington, John M ; (John Milton), 1821-1894 ; United States ; Army ; Colorado Cavalry Regiment, 3rd (1864) ; History ; United States ; Army ; Colorado Cavalry Regiment, 1st (1862-1865) ; History ; Sand Creek Massacre, Colo., 1864 ; Cheyenne Indians ; Wars, 1864 ; Sand-Creek-Massaker ; Gedenken ; Geschichte
    Note: Includes bibliographical references and index
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  • 97
    Book
    Book
    Ann Arbor, MI : University of Michigan Press
    ISBN: 0472071807 , 0472051806 , 9780472071807 , 9780472051809
    Language: English
    Pages: VIII, 349 S. , Ill. , 24 cm
    Series Statement: Jazz perspectives
    Dissertation note: Zugl.: Göttingen, Univ., Diss., 2012
    DDC: 781.65092
    RVK:
    RVK:
    Keywords: Armstrong, Louis ; Jazz musicians Biography ; Jazz History and criticism ; Autobiography ; Armstrong, Louis, 1901-1971 ; Jazz musicians ; United States ; Biography ; Jazz ; History and criticism ; Autobiography ; Autobiografie ; Hochschulschrift ; Armstrong, Louis 1901-1971
    Description / Table of Contents: "Music is my life and I love to play": Louis Armstrong's jazz autobiographics -- "I have always been a great observer" : New Orleans musicking -- " I done forgot the words": versioning autobiography -- "Diddat come outa mee?" writing scat and typing swing -- "A happy go lucky sort of type of fellow": the productive ambiguities of minstrel sounding -- "He didn't need black face to be funny": the double resonance of postcolonial performance -- "My mission is music": Armstrong's cultural politics -- "What do you know about that?": final thoughts on 'Laughin' Louie.
    Note: Includes discography (p. 325-326), bibliographical references (p. 327-333) and index
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  • 98
    Book
    Book
    New York : Farrar, Straus and Giroux
    ISBN: 9780374104078
    Language: English
    Pages: 370 Seiten , Illustrationen , 21 cm
    Edition: First edition
    DDC: 305.891/497073
    RVK:
    Keywords: Marafioti, Oksana ; Romanies Biography ; Immigrants Biography ; Romanies Biography ; Marafioti, Oksana ; Immigrants ; Romanies ; Soviet Union ; Biography
    Abstract: Fifteen-year-old Oksana Marafioti is a Gypsy. This means touring with the family band from the Mongolian deserts to the Siberian tundra. It means getting your hair cut in zthe Lioness.y It also means enduring sneering racism from every segment of Soviet society. Her father is determined that his girls lead a better, freer life. In America! Also, he wants to play guitar with B.B. King. And cure cancer with his personal magnetism. All of this he confides to the woman at the American embassy, who inexplicably allows the family entry. Soon they are living on the sketchier side of Hollywood
    Note: Titelzusatz auf dem Einband: "A memoir"
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  • 99
    Book
    Book
    Philadelphia, Pa. : University of Pennsylvania Press
    ISBN: 0812244222 , 9780812244229 , 9780812223170
    Language: English
    Pages: X, 446 S. , Ill. , 23 cm
    Edition: 1. ed.
    DDC: 810.9/896073
    RVK:
    Keywords: African Americans in literature History and criticism ; American literature African American authors ; History and criticism ; African Americans Race identity ; History ; African Americans Legal status, laws, etc ; History ; Crime and race History ; Citizenship ; African Americans in literature ; History and criticism ; American literature ; African American authors ; History and criticism ; African Americans ; Race identity ; History ; African Americans--Legal status, laws, etc ; History ; Crime and race ; United States ; History ; Citizenship ; United States ; USA ; Literatur ; Öffentliche Meinung ; Schwarze ; Ethnizität ; Kriminalität ; USA ; Rasse ; Ethnizität ; Kriminalität ; Bürger ; Politische Identität ; Kulturelle Identität
    Note: Includes bibliographical references and index
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  • 100
    ISBN: 9783643902542 , 3643902549
    Language: English
    Pages: 102 S. , Notenbeisp. , 21 cm
    Series Statement: MasteRResearch Bd. 4
    Series Statement: MasteRResearch
    DDC: 782.421592
    RVK:
    Keywords: Mingus, Charles Criticism and interpretation ; Civil rights movements Songs and music ; History and criticism ; Protest songs History and criticism 20th century ; Music Social aspects 20th century ; History ; Civil rights movements ; Mingus, Charles, 1922-1979 ; Criticism and interpretation ; Civil rights movements ; United States ; Songs and music ; Protest songs ; United States ; 20th century ; History and criticism ; Music ; Social aspects ; United States ; History ; 20th century ; Civil rights movements ; United States ; Mingus, Charles 1922-1979 ; Jazz ; USA ; Bürgerrechtsbewegung ; Protestsong ; Geschichte 1950-1970
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