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  • 2015-2019  (55)
  • 1930-1934  (1)
  • History  (56)
  • Art History  (56)
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  • 1
    Book
    Book
    Locust Valley, NY : Augustin Publ.
    Show associated volumes/articles
    Language: English
    Pages: 32 cm
    Series Statement: Artibus Asiae 25
    Series Statement: Suppl.
    DDC: 709/.591
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    Keywords: Art ; Burma ; Pagan ; Pagan (Burma) ; History ; Pagan ; Kunst
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  • 2
    ISBN: 0856670022
    Language: English
    Pages: 31 cm
    DDC: 759.954
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    Keywords: Miniature painting ; India ; Punjab ; History
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  • 3
    Language: German
    Pages: 31 cm
    Additional Information: Rezension in [Rezension von: Die Parler und der Schöne Stil, 1350 - 1400; europäische Kunst unter den Luxemburgern, 4, Das internationale Kolloquium vom 5. bis zum 12. März 1979 anlässlich der Ausstellung des Schnütgen-Museums in der Kunsthalle Köln, hrsg. von Anton Legner] 1982
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    Keywords: Parler family ; Exhibitions ; Parler, Peter ; 1330-1399 ; Exhibitions ; Art, Late Gothic ; Exhibitions ; Holy Roman Empire ; History ; House of Luxemburg, 1308-1437 ; Exhibitions ; Ausstellungskatalog ; Luxemburger Dynastie ; Gotik ; Geschichte 1350-1520 ; Parler Familie ; Geschichte 1350-1400 ; Weicher Stil
    Note: Bd. 1 - 3 mit dem Zusatz zum Hauptsacht.: Ein Handbuch zur Ausstellung des Schnütgen-Museums in der Kunsthalle Köln , Gesamtherstellung [der Bde 1 - 3]: Greven & Bechtold, Köln , 1 - 4, Resultatband mit Beilage
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  • 4
    ISBN: 9781478001409 , 9781478001003
    Language: English
    Pages: xx, 395 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
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    Keywords: AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people
    Note: Includes bibliographical references and index
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  • 5
    Orig.schr. Ausgabe: 初版
    Title: 窓展 : 窓をめぐるアートと建築の旅
    Publisher: 東京 : 平凡社
    ISBN: 9784582207187 , 4582207189
    Language: Japanese , English
    Pages: 205 Seiten , 26 cm
    Additional Material: 1 Booklet ([8] Seiten ; 26 cm) "View from a window (remix)" by Kuraya Mika
    Edition: Shohan
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    Keywords: Windows in art Exhibitions ; Art, Modern Exhibitions History 20th century ; Windows Exhibitions History 20th century ; Art, Modern ; Windows ; Windows in art ; Exhibition catalogs ; History ; Bijutsu-Zushū ; Mado ; Ausstellungskatalog National Museum of Modern Art 01.11.2019-02.02.2020 ; Ausstellungskatalog Marugame Genichiro Inokuma Museum of Contemporary Art 11.07.2020-27.09.2020 ; Bildband ; Kunst ; Fenster ; Kunst ; Fenster ; Perspektive
    Note: Catalog of an exhibition held at National Museum of Modern Art, Tokyo, Nov. 1, 2019-Feb. 2. 2020, and at Marugame Genichiro Inokuma Museum of Contemporary Art, July 11-Sept. 27, 2020 , Zeittafel: Seite 24-31 , 主催: 東京国立近代美術館, 一般財団法人窓研究所, 丸亀市猪熊弦一郎現代美術館, 公益財団法人ミモカ美術振興財団 , 企画・運営: 蔵屋美香, 中村麗子, 山田歩, 保坂健二朗, 笹子真利恵 , 翻訳: クリストファー・スティーヴンス, ルース・S・マクレリー , ブックデザイン: 田部井美奈, 田村奈緒 , 編集・制作: 蟹沢格, 出原日向子 , Text japanisch und englisch
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  • 6
    ISBN: 9781478002468
    Language: English
    Pages: 1 Online-Ressource (xx, 395 Seiten)
    Parallel Title: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
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    Keywords: AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Electronic books ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people.
    Abstract: In the 1960s and early 1970s, Chicago witnessed a remarkable flourishing of visual arts associated with the Black Arts Movement. From the painting of murals as a way to reclaim public space and the establishment of independent community art centers to the work of the AFRICOBRA collective and Black filmmakers, artists on Chicago's South and West Sides built a vision of art as service to the people. In Art for People's Sake Rebecca Zorach traces the little-told story of the visual arts of the Black Arts Movement in Chicago, showing how artistic innovations responded to decades of racist urban planning that left Black neighborhoods sites of economic depression, infrastructural decay, and violence. Working with community leaders, children, activists, gang members, and everyday people, artists developed a way of using art to help empower and represent themselves. Showcasing the depth and sophistication of the visual arts in Chicago at this time, Zorach demonstrates the crucial role of aesthetics and artistic practice in the mobilization of Black radical politics during the Black Power era.
    Note: Includes bibliographical references and index
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  • 7
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781350169982 , 9781474249768 , 9781474249782 , 9781474249775
    Language: English
    Pages: xv, 202 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 391.00945/511
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    Keywords: Geschichte 1500-1600 ; Geschichte 1400-1600 ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Geschichte ; Gesellschaft ; Fashion History 16th century ; Men's clothing History 16th century ; Nobility Clothing 16th century ; History ; Masculinity Social aspects 16th century ; History ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Bildnismalerei ; Mann ; Mode ; Männlichkeit ; Männlichkeit ; Männerkleidung ; Europa ; Italien ; Florence (Italy) Court and courtiers 16th century ; History ; Florenz ; Florenz ; Männerkleidung ; Mode ; Männlichkeit ; Männlichkeit ; Mann ; Bildnismalerei ; Geschichte 1400-1600
    Abstract: "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centres used their appearances to project social, sexual, and professional identities. Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honour, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole"...
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  • 8
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    [Evanston, IL] : Block Museum of Art, Northwestern University | Princeton : In association with Princeton University Press
    ISBN: 9780691182681
    Language: English
    Pages: 311 Seiten , Illustrationen, Diagramme, Karten , 29 x 26 cm
    Additional Information: Rezensiert in Sears, Andrew [Rezension von: Kathleen Bickford Berzock, ed., Caravans of gold, fragments in time, art, culture, and exchange across medieval Saharan Africa - Alisa LaGamma, ed., Sahel, art and empires on the shores of the Sahara] 2021
    DDC: 709.01074
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    Keywords: Art objects, Medieval Exhibitions Economic aspects ; Civilization, Medieval Exhibitions ; Kulturaustausch ; Africa Exhibitions Commerce ; History ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2019-21.07.2019 ; Ausstellungskatalog Aga Khan Museum 21.09.2019-23.02.2020 ; Ausstellungskatalog National Museum of African Art (Washington, DC) 08.04.2020-29.11.2020 ; Westafrika ; Sahara ; Mittelalter ; Handelsstraße ; Kunst ; Sachkultur ; Afrika ; Kunst ; Sachkultur ; Sahara ; Handelsstraße ; Ausgrabung ; Funde
    Abstract: "Caravans of Gold, Fragments in Time draws on the latest archaeological discoveries and art historical research to construct a compelling look at medieval trans-Saharan exchange and its legacy. Contributors from diverse disciplines present case studies that form a rich portrayal of a distant time. Topics include descriptions of key medieval cities around the Sahara; networks of exchange that contributed to the circulation of gold, copper, and ivory and their associated art forms; and medieval glass bead production in West Africa's forest region. Featuring a wealth of color images, this fascinating book demonstrates how the rootedness of place, culture, and tradition is closely tied to the circulation of people, objects, and ideas. These "fragments in time" offer irrefutable evidence of the key role that Africa played in medieval history and promote a new understanding of the past and the present"--
    Abstract: Caravans of gold, fragments in time / Kathleen Bickford Berzock -- Sijilmasa's role in the African gold trade / Ron Messier and Abdallah Fili -- Medieval glass bead production and exchange / Adidemi Babatunde Babalola
    Note: "This book is published in conjunction with the exhibition 'Caravans of Gold, Fragments in Time'. Block Museum of Art, Northwestern University, Evanston, IL, January 26-July 21, 2019; The Aga Khan Museum, Toronto, Canada, September 21, 2019-February 23, 2020; National Museum of African Art, Smithsonian Institution, Washington, CD, April 8-November 29, 2020" (Seite [312]) , Literaturverzeichnis Seite [294]-309
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  • 9
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    Chicago, Illinois : Smart Museum of Art | Chicago, Illinois : The University of Chicago Press
    ISBN: 9780935573589
    Language: English
    Pages: 271 Seiten , Karten
    DDC: 700.89/96073
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    Keywords: Arts and society Exhibitions History 20th century ; African American arts Exhibitions History 20th century ; Arts and society Exhibitions ; History ; 20th century ; Illinois ; Chicago ; African American arts Exhibitions ; History ; 20th century ; Illinois ; Chicago ; ART / General ; ART / History / General ; African American arts ; Arts and society ; Civilization ; South Side (Chicago, Ill.) Exhibitions Civilization 20th century ; South Side (Chicago, Ill.) Exhibitions ; Civilization ; 20th century ; Illinois ; Chicago ; Ausstellungskatalog David and Alfred Smart Museum of Art 2018 ; Bildband ; Ausstellungskatalog Smart Museum of Art 13.09.2018-30.12.2018 ; Ausstellungskatalog David and Alfred Smart Museum of Art 2018 ; Bildband ; Ausstellungskatalog Smart Museum of Art 13.09.2018-30.12.2018 ; Chicago, Ill. ; Schwarze ; Kunst ; Black power ; Black arts movement ; Geschichte 1960-1980
    Abstract: "During the 1960s and 70s, Chicago was shaped by art and ideas produced and circulated on its South Side. Informed by the city's social, political, and geographic divides, this history of creative expression left behind a cultural legacy whose impact continues to unfold nationally and internationally. The Time is Now! Art Worlds of Chicago's South Side, 1960-1980, published in tandem with a major exhibition at the Smart Museum of Art, examines this cultural moment--ripe with change and conflict--and the figures who defined it. Focusing primarily on the Black Arts Movement, The Time is Now re-examines watershed cultural moments: from the Hairy Who to the Wall of Respect, from the Civil Rights Movement to AfriCOBRA, from vivid protest posters to visionary outsider art, and from the Free University movement to the radical jazz of the Association for the Advancement of Creative Musicians. The book contains a series of essays, interviews, and other contextual material, along with full-color images of all works included in the exhibition and extensive reproductions of ephemera and historical photographs"--
    Note: Includes bibliographical references , Letzte Seite: "Published on the occasion of the exhibition The Time is Now! Art Worlds of Chicago's South Side, 1960-1980, organized by the Smart Museum of Art, The University of Chicago, presented September 13-December 30, 2018.'"
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  • 10
    ISBN: 9780872731844 , 0872731847
    Language: English
    Pages: 152 Seiten , Illustrationen , 27 cm
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism and the arts Exhibitions History 20th century ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism and the arts Exhibitions ; History ; 20th century ; United States ; African American feminists ; African American radicals ; African American women authors ; African American women Political activity ; Feminism and the arts ; Feminist literature United States ; African American feminists ; African American feminists ; African American radicals ; African American radicals ; African American women ; African American women ; African American women authors ; African American women authors ; Feminism and the arts ; Feminism and the arts ; Feminist literature ; Feminist literature ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California Afro-American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Schwarze ; Frauenkunst ; Geschichte 1965-1985
    Abstract: Illustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page
    Note: Includes bibliographical references , Impressum: "Published on the occasion of the exhibition We Wanted a Revolution: Black Radical Women, 1965-85, organized by the Brooklyn Museum. Itinerary Brooklyn Museum, April 21-September 17, 2017, California African American Museum, Los Angeles, October 13, 2017-January 14, 2018, Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018, The Institute of Contemporary Art/Boston, June 26-September 30, 2018."
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  • 11
    ISBN: 9383243201 , 9789383243204
    Language: English
    Pages: 135 Seiten , Illustrationen , 31 cm
    Series Statement: Marg's quarterly publications vol. 69, no. 3
    Series Statement: Mārg publications
    DDC: 294.523
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    Keywords: Prints Technique 19th century ; History ; Prints Technique 20th century ; History ; Hell in art 19th century ; Hell in art 20th century ; Punishment in art ; Chromolithography 19th century ; Chromolithography 20th century ; Hell Hinduism ; Hell in art ; Prints, Indic 19th century ; Prints, Indic 20th century ; Bildband ; Indien ; Druckgrafik ; Hölle ; Strafe ; Geschichte 1800-
    Note: Includes bibliographical references (pages 130-133) and index
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  • 12
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    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Language: English
    Pages: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
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    Keywords: Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Abstract: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Note: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 13
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    Durham ; London :Duke University Press,
    ISBN: 978-0-8223-6145-9 , 978-0-8223-6164-0
    Language: English
    Pages: xvi, 396 Seiten, 32 ungezählte Seiten Farbtafeln : , Illustrationen.
    Parallel Title: Erscheint auch als
    DDC: 700.8996073
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    Keywords: Geschichte 1900-2000 ; Geschichte 1960-1980 ; Geschichte ; Gesellschaft ; Schwarze. USA ; African American artists ; African American arts Social aspects 20th century ; History ; Artists and community History 20th century ; African Americans History 20th century ; Schwarze. ; Kunst. ; Los Angeles (Calif.) Race relations 20th century ; History ; Los Angeles, Calif. ; Amerika. ; Schwarze ; Kunst ; Geschichte 1960-1980
    Note: Includes bibliographical references and index
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  • 14
    ISBN: 9789383221165 , 938322116X
    Language: English
    Pages: xvii, 182 Seiten , Illustrationen, Tabellen , 25 cm
    Edition: 1. published
    DDC: 294.535095482
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    Keywords: Hindu temples Congresses ; History ; India ; Tamil Nadu ; Inscriptions, Tamil Congresses ; Hindu sculpture Congresses ; India ; Tamil Nadu ; Hindu art Congresses ; Pandyas Congresses ; Hindu temples Congresses History ; Inscriptions, Tamil Congresses ; Hindu sculpture Congresses ; Hindu art Congresses ; Pandyas Congresses ; Aufsatzsammlung ; Konferenzschrift ; Tamil Nadu ; Hinduistische Kunst ; Vaigai ; Tamil Nadu ; Hinduismus ; Tempel ; Tamil ; Inschrift
    Note: "The present book of essays is an outcome of a two day ICHR Seminar on Koils in the Vaigai and Tāmirapaṇi basins." , Enthält Bibliografie
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  • 15
    ISBN: 978-90-04-33810-4
    Language: English , Chinese
    Pages: 1 Online-Ressource (XI, 374 Seiten) : , Illustrationen, Diagramme.
    Series Statement: China studies Volume 37
    Series Statement: China studies
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of London 2009
    DDC: 701/.03
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    Keywords: Geschichte 1900-2000 ; Geschichte ; Kunst ; Art and society History 20th century ; Art Economic aspects 20th century ; History ; Art Societies, etc ; Hochschulschrift
    Note: Revision of the author's thesis (doctoral...University of London, 2009) under the title: The making of a modern art world : the institutionalisation of guohua in Shanghai, 1929-1937. - Includes bibliographical references
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  • 16
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    London : The British Museum | London : Thames & Hudson
    ISBN: 9780500519707
    Language: English
    Pages: 351 Seiten , Illustrationen
    DDC: 951
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    Keywords: Material culture China ; Material culture Pictorial works ; China ; Antiquities ; Material culture ; Material culture China ; Material culture Pictorial works ; China ; Antiquities ; Material culture ; Material culture ; Material culture ; Antiquities ; China ; Pictorial works ; Material culture ; China ; China ; China ; China ; China ; China Antiquities ; China Pictorial works ; Antiquities ; China History ; China Pictorial works ; History ; China ; China Antiquities ; China Pictorial works ; Antiquities ; China History ; China Pictorial works ; History ; China ; Bildband ; China ; Kunst ; Sachkultur
    Abstract: This illustrated introduction to the history of China offers a fresh understanding of China's progress from the Neolithic age to the present. Told in six chapters arranged chronologically, through art, artifacts, people, and places, and richly illustrated with expertly selected objects and artworks, it firmly connects today's China with its internationally engaged past. From the earliest archaeological relics and rituals, through the development of writing and state, to the advent of empire, the author charts China's transformation from ancient civilization into the world's most populous nation and influential economy, offering historical insights and cultural treasures along the way. This accessible book presents an eclectic mix of materials including Chinese theater, the decorative arts, costume, jewelry, and furniture-making, running through to the most recent diffusion of Chinese culture
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 17
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    Tōkyō : Yamakawa Shuppansha
    Title: 知られざる日本写真開拓史
    Publisher: 東京 : 山川出版社
    ISBN: 4634151138 , 9784634151130
    Language: Japanese
    Pages: 295 Seiten , 22 cm
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    Keywords: Photography Exhibitions History 19th century ; Photography Exhibitions ; History ; 19th century ; Japan ; Shashin-Nihon ; Photography ; Japan Pictorial works History 19th century ; Exhibitions ; Japan Pictorial works ; Exhibitions ; History ; 19th century ; Japan ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog Tokyo Metropolitan Museum of Photography 07.03.2017-07.05. 2017
    Note: Museumshomepage: Katalog zur Ausstellung "Dawn of Japanese Photography: The Anthology" am Tokyo Metropolitan Museum of Photography vom 7.3.-7.5.2017. Englischer Titel der Ausstellung nicht im Buch vermerkt , Includes bibliographical references , In japanischer Schrift und Sprache
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  • 18
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    New Delhi, [India] : Hay House Publishers India
    ISBN: 9789385827693
    Language: English
    Pages: 269 Seiten , Illustrationen , 23 cm
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    Keywords: Sikhs Monuments ; History ; Sikhs Monuments ; History ; Sikhs Kings and rulers ; Homes and haunts ; Sikhs Kings and rulers ; Homes and haunts ; Sikh architecture ; Sikh architecture
    Note: Mit Literaturangaben
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  • 19
    ISBN: 9780822369547 , 9780822369813
    Language: English
    Pages: xv, 296 Seiten, 32 ungezählte Seiten , Illustrationen , 23 cm
    Series Statement: Art history publication initiative
    DDC: 704.03/974
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    Keywords: American Indian Movement Influence ; Indian artists Travel 20th century ; History ; Indian art History 20th century ; Indian art ; Indian artists ; American Indian Movement ; Indianer ; Künste ; Geschichte ; Durham, Jimmie 1940-2021 ; Luna, James 1950- ; Kabotie, Fred 1900-1986 ; Walking Stick, Kay 1935- ; Houle, Robert 1947- ; American Indian Movement
    Abstract: The word for world and the word for history are the same: Jimmie Durham, the American Indian Movement, and spatial thinking -- Now that we are Christians we dance for ceremony: James Luna, performing props, and sacred space -- They sent me way out in the foreign country and told me to forget it: Fred Kabotie, Dance memories, and the 1932 U.S. pavilion of the Venice Biennale -- Dance is the one activity that I know of when virtual strangers can embrace: Kay Walkingstick, creative kinship, and Art history's tangled legs -- They advanced to the portraits of their friends and offered them their hands: Robert Houle, Ojibwa tableaux vivants, and transcultural materialism -- Traveling with stones
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  • 20
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    Chiba-ken Sakura-shi : Daigaku Kyōdō Riyō Kikan Hōjin Ningen Bunka Kenkyū Kikō Kokuritsu Rekishi Minzoku Hakubutsukan
    Language: Japanese , English
    Pages: 295, III Seiten , Illustrationen, Diagramme , 30 cm
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    Keywords: Geschichte ; Lackarbeit ; Japan ; Lacquer and lacquering / Japan / History / Exhibitions ; Lacquer and lacquering ; Japan ; Exhibition catalogs ; History ; Ausstellungskatalog National Museum of Japanese History 11.07.-3.11.2017 ; Japan ; Lackarbeit ; Geschichte
    Note: Catalog of exhibits held at Kokuritsu Rekishi Minzoku Hakubutsukan, July 11-September 3, 2017 and Urasoe-shi Bijutsukan, September 15-October 22, 2017 , Überwiegend auf Japanisch, teilweise auf Englisch
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  • 21
    Book
    Book
    London : Bloomsbury Academic
    ISBN: 9781350031630 , 9781474249768
    Language: English
    Pages: XV, 202 Seiten , Illustrationen
    Edition: Paperback edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 391.00945/511
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    Keywords: Geschichte 1500-1600 ; Geschichte 1400-1600 ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Geschichte ; Gesellschaft ; Fashion History 16th century ; Men's clothing History 16th century ; Nobility Clothing 16th century ; History ; Masculinity Social aspects 16th century ; History ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Männlichkeit ; Männerkleidung ; Bildnismalerei ; Mann ; Mode ; Männlichkeit ; Europa ; Italien ; Florence (Italy) Court and courtiers 16th century ; History ; Florenz ; Florenz ; Männerkleidung ; Mode ; Männlichkeit ; Männlichkeit ; Mann ; Bildnismalerei ; Geschichte 1400-1600
    Abstract: "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centres used their appearances to project social, sexual, and professional identities. Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honour, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole"...
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  • 22
    Image
    Image
    Los Angeles, California : The Getty Research Institute
    ISBN: 1606065181 , 9781606065181
    Language: English
    Pages: vii, 107 Seiten , Illustrationen , 21 cm
    Additional Information: Rezensiert in Bizoirre, Mélisande [Rezension von: Kavita Singh, Real birds in imagined gardens. Mughal painting between Persia and Europe] 2018
    Series Statement: GRI Council lecture series
    DDC: 759.54
    RVK:
    Keywords: Painting, Mogul History ; Islamic painting History ; India ; Painting, Renaissance Influence ; Europe ; Islamic painting ; Painting, Mogul ; Painting, Renaissance Influence ; Europe ; India ; History ; Painting, Mogul Empire ; Islamic painting History ; Painting, Renaissance Influence ; Islamic painting ; Painting, Mogul ; Painting, Renaissance ; Europe ; India ; History ; Mogulreich ; Malerei ; Mogulreich ; Malerei
    Abstract: "Mughal painting is said to have begun in the mid-16th century as an offshoot of Persian painting. Within a few decades, however, Mughal art was transformed by European Renaissance art. Most accounts of Mughal painting trace a straightforward "evolutionary" path, with Mughal artists abandoning the Persianate style in favor of a European one. But in her essay, Singh demonstrates that the history of Mughal painting is by no means linear. During the reigns of the emperors Akbar (1556-1605) and Jahangir (1605-27), Mughal painting underwent repeated cycles of adoption, rejection, revival of both Persian and European styles. Singh suggests that the adoption and rejection of these styles was motivated as much by aesthetic interest as by court politics. By methodically unraveling this entangled history of politics and style, Singh explores new ways of understanding the significance of naturalism and stylization in Mughal art." -- Provided by publisher
    Note: "Real Birds in Imagined Gardens publishes Kavita Singh's lecture titled Looking East, Looking West: Mughal Painting between Persia and Europe, held at the Getty Center on 19 November 2015" -- title page verso , Includes bibliographical references
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  • 23
    Image
    Image
    Ottawa, Ontario : National Gallery of Canada
    ISBN: 9780888849823
    Language: English
    Pages: 257 Seiten
    DDC: 709.71
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    Keywords: Art, Canadian History ; Art canadien ; Musée des beaux-arts du Canada ; History ; Katalog ; Ausstellungskatalog ; Bildband ; Bildband ; Katalog ; Katalog ; Ausstellungskatalog ; Bildband ; National Gallery of Canada ; Kanada ; Kunst ; Geschichte
    Abstract: Discover the many themes and movements that have shaped Canada's visual arts landscape since 1968. Continuing the storylines from the new Canadian and Indigenous Galleries, this special exhibition invites visitors to experience more than 150 works in all media, including sculpture, painting, video art, installation, drawing and photography. From the feminist art movement of the 1970s to present-day Inuit art, the richness of the national Canadian and Indigenous contemporary art collections is on full display. Exhibition: National Gallery of Canada, Ottawa, Ontario (03.05.2017 - 06.05.2018).
    Abstract: Art in Canada / Marc Mayer -- A brief history of the National Gallery of Canada / Katherine Stauble -- Message from the National Gallery of Canada Foundation
    Note: Katalog zur Ausstellung in Ottawa, 3. Mai 2017 - 6. Mai 2018
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  • 24
    ISBN: 9783791356808
    Language: English
    Pages: 376 Seiten , 28 cm
    DDC: 700.98/0904
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    Keywords: Geschichte 1960-1985 ; Arts Exhibitions Political aspects 20th century ; History ; Arts Exhibitions Political aspects 20th century ; History ; Arts, Latin American Exhibitions 20th century ; Hispanic American arts Exhibitions 20th century ; Women artists Exhibitions ; Hispanic American women artists Exhibitions ; Künstlerin ; Kunst ; Lateinamerika ; Ausstellungskatalog Hammer Museum 15.09.2017-31.12.2017 ; Ausstellungskatalog Brooklyn Museum 13.04.2018-22.07.2018 ; Bildband ; Ausstellungskatalog Hammer Museum 15.09.2017-31.12.2017 ; Lateinamerika ; Frauenkunst ; Frau ; Geschichte 1960-1985
    Abstract: "This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the tumult and revolution that characterized the latter half of the 20th century in Latin America and the US, women artists were staking their claim in nearly every field. This wide ranging volume examines the work of more than 100 female artists with nearly 300 works in the fields of painting, sculpture, photography, video, performance art, and other experimental media. A series of thematic essays, arranged by country, address the cultural and political contexts in which these radical artists worked, while other essays address key issues such as feminism, art history, and the political body. Drawing its design and feel from the radical underground pamphlets, catalogs, and posters of the era, this is the first examination of a highly influential period in 20th-century art history"--
    Note: Seite 375: "Published on the occasion of the exhibition Radical Women: Latin American Art, 1960-1985, organized and presented by the Hammer Museum, Los Angeles, as part of Pacific Standard Time: LA/LA ... The exhibition is guest curated by Cecilia Fajardo-Hill and Andrea Giunta with Marcela Guerrero ... Exhibition Itinerary Hammer Museum, Los Angeles September 15-December 31, 2017, Brooklyn Museum April 13-July 22, 2018." , Includes bibliographical references and index , Text englisch
    URL: Cover
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  • 25
    ISBN: 9780872731837
    Language: English
    Pages: 319 Seiten , Illustrationen
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism Sources ; Exhibitions ; History ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Black arts movement ; Schwarze Frau ; Frauenkunst ; Engagierte Kunst ; Geschichte 1965-1994
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 26
    Book
    Book
    Delhi, India : New Bharatiya Book Corporation
    ISBN: 9788183153065 , 8183153062
    Language: English
    Pages: vi, 254 Seiten , Illustrationen , 28 cm
    Edition: First edition
    DDC: 355.7095483
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    Keywords: Fortification History ; Fortification Guidebooks ; Military architecture ; Fortification India ; History ; Kerala ; Fortification Guidebooks ; India ; Kerala ; Military architecture India ; Kerala ; Bildband ; Kerala ; Festung ; Architektur
    Note: Includes bibliographical references (pages 234-237) and index
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  • 27
    ISBN: 9780143442097
    Language: English
    Pages: xvii, 230 Seiten , 27 cm
    DDC: 709.54074
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    Keywords: History Sources ; Exhibitions ; Art, Indic Exhibitions ; Art Exhibitions ; Art Exhibitions ; Art, Indic Exhibitions ; History Sources ; Exhibitions ; India Sources ; Exhibitions ; History ; India Sources ; Exhibitions ; History ; Ausstellungskatalog ; Bildband ; Indien ; Kunst ; Kulturaustausch ; Geschichte
    Note: Literaturverzeichnis Seite 221 - 222 , "The presentation of this exhibition is a collaboration between The British Museum, London, Chhattrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai, National Museum, New Delhi"--Page facing title page. - Includes bibliographical references (pages 221-222) and index
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  • 28
    Book
    Book
    Pittsburgh, Pa. : University of Pittsburgh Press
    ISBN: 0822945088 , 9780822945086
    Language: English
    Pages: viii, 335 Seiten , Illustrationen, Pläne , 25 cm
    Series Statement: Culture, politics, and the built environment
    Parallel Title: Erscheint auch als Osayimwese, Itohan Colonialism and Modern Architecture in Germany
    Parallel Title: Erscheint auch als Colonialism and modern architecture in Germany
    DDC: 720.94309034
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    Keywords: Imperialism and architecture History 19th century ; Imperialism and architecture History 20th century ; Architecture and globalization History 19th century ; Architecture and globalization History 20th century ; Architecture History 19th century ; Architecture History 20th century ; Imperialism Social aspects ; History ; Germany ; Architecture, Modern History ; Architecture, German History ; Architecture, German ; Architecture, Modern ; German colonies ; Deutschland ; Kolonialismus ; Architektur ; Geschichte 1850-1930 ; Deutschland ; Architektur ; Kolonialismus ; Geschichte 1850-1930
    Note: Illustrations in this book were funded in part by a grant from the SAH/Mellon Author Awards of the Society of Architectural Historians , Literaturverzeichnis Seite 295 - 324 , Mit Index
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  • 29
    ISBN: 9781909942905
    Language: English
    Pages: 281 Seiten , Illustrationen
    Series Statement: Gingko library art series
    DDC: 303.482176704
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    Keywords: Geschichte 1100-1900 ; Art Economic aspects ; History ; Kunst ; Sachkultur ; Volkskunst ; Islamic countries Relations ; History ; Europe Relations ; History ; Islamic countries Relations ; History ; Asia Relations ; History ; Islamic countries Commerce ; History ; Islamic countries Commerce ; Islamische Staaten ; Naher Osten ; Aufsatzsammlung ; Bibliografie 1972-2014 ; Festschrift ; Festschrift ; Aufsatzsammlung ; Bibliografie ; Festschrift ; Naher Osten ; Islamische Staaten ; Kunst ; Volkskunst ; Sachkultur ; Geschichte 1100-1900
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  • 30
    ISBN: 9782735508464
    Language: French
    Pages: 367 Seiten , Illustrationen , 22 cm
    Series Statement: L'art et l'essai 16
    Series Statement: L' art & l'essai
    DDC: 720
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    Keywords: Architecture Indochina ; French influences ; Architecture Indochina ; History ; 19th century ; Architecture Indochina ; History ; 20th century ; Architecture, French colonial Indochina
    Note: C. Herbelin teaches at the University of Toulouse-Jean-Jaurès , Includes bibliographical references (pages 245-360) and index
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  • 31
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822371458 , 9780822358978
    Language: English
    Pages: XVI, 344 Seiten , Illustrationen, Porträts , 27 cm
    Series Statement: Art history publication initiative
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03/9607300747471
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    Keywords: Geschichte 1960-1990 ; African American art Exhibitions 20th century ; History ; Racism in museum exhibits History 20th century ; Museum exhibits Social aspects 20th century ; History ; Museum exhibits Political aspects 20th century ; History ; Künstler ; Kunst ; Schwarze ; Kunstmuseum ; Kunstausstellung ; Kunstpolitik ; Rassismus ; USA ; Aufsatzsammlung ; New York ; Kunst ; Schwarze ; New York ; Ausstellung ; Museum ; Rassismus ; Geschichte 1900-2000
    Description / Table of Contents: Electronic refractions II at the Studio Museum in HarlemHarlem on my mind at the Metropolitan Museum of Art -- Contemporary Black artists in America at the Whitney Museum of American Art -- Romare Bearden : the prevalence of ritual and the sculpture of Richard Hunt at the Museum of Modern Art.
    Note: Includes bibliographical references (pages 319-333) and index
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  • 32
    Book
    Book
    London : Routledge, Taylor & Francis Group
    ISBN: 9781138248212 , 9780754664222
    Language: English
    Pages: xvii, 304 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen , 25 cm
    Edition: First issued in paperback
    Series Statement: An Ashgate book
    DDC: 720.9561094
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    Keywords: Architecture, Turkish ; Europe ; Architecture and society ; Europe ; History ; 18th century ; Architecture and society ; Europe ; History ; 19th century ; Pavilions ; Europe ; Design and construction ; Case studies ; Mosques ; England ; London ; Design and construction ; Case studies ; Bathhouses ; Europe ; Design and construction ; Case studies ; Europe ; Civilization ; Turkish influences ; Architektur ; Orientalismus ; Geschichte 1728-1876
    Note: Includes bibliographical references and index
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  • 33
    ISBN: 3837630773 , 9783837630770
    Language: German
    Pages: 446 Seiten , Illustrationen , 225 mm x 148 mm, 618 g
    Additional Information: Rezensiert in Barr, Helen [Rezension von: Barbara Martin, Zwischen Verklärung und Verführung. Die Frau in der französischen Plakatkunst des späten 19. Jahrhunderts] 2017
    Series Statement: Image Band 78
    Series Statement: Image
    Uniform Title: Die Frau in der französischen Plakatkunst des späten 19. Jahrhunderts
    Parallel Title: Erscheint auch als Martin, Barbara, 1983 - Zwischen Verklärung und Verführung
    Parallel Title: Erscheint auch als Martin, Barbara Zwischen Verklärung und Verführung
    Parallel Title: Erscheint auch als Martin, Barbara Zwischen Verklärung und Verführung
    Dissertation note: Dissertation Fakultät für Architektur am Karlsruher Institut für Technologie (KIT) 2014
    DDC: 745.4
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    Keywords: Women Posters 19th century ; History ; Posters, French History 19th century ; Women in art History 19th century ; Hochschulschrift ; Frankreich ; Plakat ; Frau ; Geschlechterstereotyp ; Geschichte 1870-1910 ; Frauenbild ; Soziale Rolle
    Abstract: Ende des 19. Jahrhunderts avancierten Plakate von Frankreich ausgehend von blosser Werbung zu einer veritablen Kunstform. Als Blickfang dienten vor allem Frauenfiguren - von der verklärten Idealgestalt bis hin zur verführerischen Lebedame. Anhand der zentralen Werbestereotype der damaligen Zeit erläutert Barbara Martin, welche Vorstellungen von Weiblichkeit den Darstellungen zugrunde liegen und wie Plakate das Rollenbild der Frau in der Gesellschaft spiegelten und zugleich veränderten. Untersucht werden Werke von Jules Chéret bis Théophile Steinlen, von Alfons Mucha bis Henri de Toulouse-Lautrec
    Note: Literaturverzeichnis: Seite 399-423
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  • 34
    ISBN: 9783658116057 , 9783658116040
    Language: English
    Pages: 1 Online-Ressource (XV, 192 p. 52 illus)
    Edition: 1st ed. 2016
    DDC: 306
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    Keywords: Social sciences ; History ; Cultural studies ; Area studies ; Hochschulschrift
    URL: Volltext  (lizenzpflichtig)
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  • 35
    ISBN: 9783205202097 , 3205202090
    Language: English
    Pages: 316 Seiten , Illustrationen , 24 cm x 17 cm
    Parallel Title: Erscheint auch als Karl, Barbara, 1977 - Embroidered histories
    DDC: 746.095409469
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    Keywords: Coverlets 17th century ; Coverlets 16th century ; Coverlets 17th century ; Embroidery industry History 16th century ; Embroidery industry History 17th century ; Textile fabrics, Indic Portuguese influences 16th century ; Textile fabrics, Indic Portuguese influences 17th century ; Coverlets 16th century ; India Commerce 16th century ; History ; India Commerce 17th century ; History ; Portugal Commerce 16th century ; History ; Portugal Commerce 17th century ; History ; Indien ; Textilien ; Textilhandel ; Portugal ; Geschichte 1500-1700 ; Indien ; Portugal ; Textilhandel ; Geschichte 1500-1700
    URL: Cover
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  • 36
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    Auckland : Auckland University Press in association with Auckland Art Gallery Toi o Tāmaki
    ISBN: 186940856X , 9781869408565
    Language: English
    Pages: 283 Seiten , Illustrationen , 32 cm
    DDC: 759.993
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    Keywords: Lindauer, Gottfried Criticism and interpretation ; Lindauer, Gottfried ; Maori (New Zealand people) Exhibitions History ; Maori (New Zealand people) Portraits ; Exhibitions ; Kaipeita ; Kōrero nehe ; Maori (New Zealand people) ; Tūpuna ; Waituhi ; Whakaahua ; Lindauer, Gottfried ; Criticism, interpretation, etc ; Exhibition catalogs ; History ; Ausstellungskatalog ; Ausstellungskatalog Auckland City Art Gallery 10.2016-02.2017 ; Lindauer, Gottfried 1839-1926 ; Maori ; Bildnismalerei ; Neuseeland
    Abstract: "From the 1870s to the early twentieth century, the Bohemian immigrant artist Gottfried Lindauer travelled to marae and rural towns around New Zealand and – commissioned by Māori and Pākehā – captured in paint the images of key Māori figures. The book presents 67 major portraits and 8 genre paintings alongside detailed accounts of the subject and work, followed by essays by leading scholars that take us inside Lindauer and his world: from his artistic training in Bohemia to his travels around New Zealand as Māori and Pākehā commissioned him to paint portraits; his artistic techniques and deep relationship with photography; Henry Partridge’s gallery of Lindauer works on Queen Street in Auckland where Māori visited to see their ancestors; and the afterlife of the paintings in marae and memory"--Publisher information
    Abstract: The view from Central Europe: a Bohemian artist in New Zealand / Zara Stanhope and Ngahtiraka Mason
    Note: Includes bibliographical references , Aus dem Kolophon: "In conjunction with the exhibition The Maori portraits: Gottfried Lindauer's New Zealand curated by Ngahiraka Mason, Auckland Art Gallery Toi o Tāmaki, October 2016 - February 2017" , Hier auch später erschienene, unveränderte Auflagen und Nachdrucke
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  • 37
    ISBN: 019946684X , 9780199466849
    Language: English
    Pages: xlv, 304 Seiten , Illustrationen , 24 cm
    Edition: First edition
    Parallel Title: Erscheint auch als Maholay-Jaradi, Priya Fashioning a national art
    Dissertation note: Dissertation National University of Singapore$d2012
    DDC: 700
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    Keywords: Sayaji Rao Gaekwar Art collections ; Sayaji Rao Gaekwar III 1863-1939 Art collections ; Baroda Museum and Picture Gallery (India) History ; Art, Indic ; Art History ; Art History ; Art Collectors and collecting ; History ; Art, Indic India ; Baroda (Princely State) ; Art History ; India ; Baroda (Princely State) ; Art ; Art, Indic ; Sayaji Rao Gaekwar III 1863-1939 ; Baroda (Princely State) ; Baroda (Princely State) Kings and rulers ; Art collections ; Hochschulschrift ; Sayaji Rao Gaekwar III. Vadodara, Maharadscha 1863-1939 ; Kunst ; Sammlung ; Baroda Museum and Picture Gallery
    Abstract: This book is about how the Baroda Palace Collection came into being under its patron-collector Maharaja Sayajirao Gaekwad III. It throws light on Sayajirao's private collecting practice that shaped Baroda's modern art and craft institutions and industries. Taking rare archival records from 1875 as its point of departure, the work demonstrates how the Maharaja's private collecting practice and its egalitarian ideas both shaped and participated in the institutional, industrial, and commercial realms within Baroda, India, and Euro-America. For the first time, a native prince emerged simultaneously as an exemplar of international collecting, an arbiter of taste and value, and a spokesperson and strategist for a colonized India's national concerns. The book sheds light on numerous elite and subaltern plots: the role of Dewan T.O Madhavarao and other state officials as resource persons and advisors; a significant oil portraitist Tiroovengada Naidu, who preceded Raja Ravi Varma at Baroda; numerous contracts between European and native painters and sculptors; ivory craftsman, Neelakandan Asari; establishment of Baroda's premier polytechnic, Kalabhavan and the Nazarpaga and State Furniture Works; 'star pieces' on the exhibitions' trail such as the Baroda Screen and Baroda Balcony, select luxury goods inspired by Baroda designs and exhaustive loans' inventories for exhibitions
    Note: Literaturverzeichnis Seite 276 - 288 , Mit Index
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  • 38
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    Mumbai, India : Marg Foundation
    ISBN: 9789383243143 , 9383243147
    Language: English
    Pages: 141 Seiten , Illustrationen, Karten , 32 cm
    Series Statement: Marg's quarterly publications vol. 68, no. 1
    Series Statement: Mārg publications
    DDC: 720.47
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    Keywords: Water and architecture History ; Water and architecture History ; Water resources development History ; Water resources development History ; Water resources development Environmental aspects ; History ; Water resources development Environmental aspects ; History ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Rajasthan ; Wasserbau ; Bewässerung ; Teich ; Tīrtha
    Note: Includes bibliographical references and index , Introduction , Urban planning at Bundi: subterranean water structures , Jaigarh in amber: techniques of water harvesting , Ecomoral aesthetics at Mathura's Vishram Ghat: three ways of seeing a river , "waters should be made to flow ..." : Babur's obsession with running water , Barapula Nallah and its tributaries: watershed architecture in Sultanate and Mughali Delhi , Jaipur's waterscape : a cultural perspective , Jaina sites: water structures and symbolism , Water in South Indian temples: tirthas, tanks and vasanta-mandapas , Ellora-Khuldabad-Daulatabad: water and sacred spaces
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  • 39
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    Chicago : The University of Chicago Press
    ISBN: 9780226131054 , 022613105X
    Language: English
    Pages: 285 Seiten , illustrationen , 24 cm
    DDC: 700.89/96073
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    Keywords: Contemporary Black Artists in America (Exhibition) 〈(1971〉 ; De Luxe Show (Exhibition) 〈(1971〉 ; Contemporary Black Artists in America (Exhibition) ; De Luxe Show (Exhibition) ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; Art, American Exhibitions 20th century ; History ; Art and race ; Art and society ; Modernism (Art) Social aspects ; Nineteen seventy-one, A.D ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; United States ; Art, American Exhibitions ; History ; 20th century ; Art and race ; Art and society United States ; Modernism (Art) Social aspects ; United States ; Nineteen seventy-one, A.D ; African American art Exhibitions ; 20th century ; USA ; Schwarze ; Person of Color ; Kunst ; Kulturpolitik ; Kunstausstellung ; Rassismus ; Geschichte 1971
    Abstract: Introduction: Social experiments with modernism -- The figure of the black modernist -- Making a show of discomposure: Contemporary Black Artists in America -- Local color and its discontents: the DeLuxe show -- Appendix: Raymond Saunders, Black is a color
    Abstract: In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts〈U+2014〉and those of their advocates〈U+2014〉to further that aim through public exhibition. Amid calls to define a black aesthetic, these experiments with modernist art prioritized cultural interaction and instability. 'Contemporary Black Artists in America' highlighted abstraction as a stance against normative approaches, while 'The DeLuxe Show' positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists〈U+2014〉among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas〈U+2014〉rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture〈U+2019〉s preoccupation with color
    Note: Includes bibliographical references and index , Introduction: Social experiments with modernism , How it looks to be a problem , Making a show of discomposure: Contemporary Black Artists in America , Local color and its discontents: the DeLuxe show , Appendix: Raymond Saunders, Black is a color (1967)
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  • 40
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    Chicago : The University of Chicago Press
    ISBN: 9780226131054 , 022613105X
    Language: English
    Pages: 285 Seiten , illustrationen , 24 cm
    DDC: 700.89/96073
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    Keywords: Contemporary Black Artists in America (Exhibition) 〈(1971〉 ; De Luxe Show (Exhibition) 〈(1971〉 ; Contemporary Black Artists in America (Exhibition) ; De Luxe Show (Exhibition) ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; Art, American Exhibitions 20th century ; History ; Art and race ; Art and society ; Modernism (Art) Social aspects ; Nineteen seventy-one, A.D ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; United States ; Art, American Exhibitions ; History ; 20th century ; Art and race ; Art and society United States ; Modernism (Art) Social aspects ; United States ; Nineteen seventy-one, A.D ; African American art Exhibitions ; 20th century ; USA ; Schwarze ; Person of Color ; Kunst ; Kulturpolitik ; Kunstausstellung ; Rassismus ; Geschichte 1971
    Abstract: Introduction: Social experiments with modernism -- The figure of the black modernist -- Making a show of discomposure: Contemporary Black Artists in America -- Local color and its discontents: the DeLuxe show -- Appendix: Raymond Saunders, Black is a color
    Abstract: In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts〈U+2014〉and those of their advocates〈U+2014〉to further that aim through public exhibition. Amid calls to define a black aesthetic, these experiments with modernist art prioritized cultural interaction and instability. 'Contemporary Black Artists in America' highlighted abstraction as a stance against normative approaches, while 'The DeLuxe Show' positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists〈U+2014〉among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas〈U+2014〉rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture〈U+2019〉s preoccupation with color
    Note: Includes bibliographical references and index , Introduction: Social experiments with modernism , How it looks to be a problem , Making a show of discomposure: Contemporary Black Artists in America , Local color and its discontents: the DeLuxe show , Appendix: Raymond Saunders, Black is a color (1967)
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  • 41
    Book
    Book
    Abingdon, Oxon : Routledge
    ISBN: 9781138687189 , 9781138844957 , 9781315728469
    Language: English
    Pages: xv, 266 Seiten , Illustrationen , 24 cm
    Series Statement: Routledge contemporary Russia and Eastern Europe series 61
    Series Statement: Routledge contemporary Russia and Eastern Europe series
    DDC: 701/.0309470905
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    Keywords: Art Political aspects 21st century ; History ; Art and society History 21st century ; Protest movements History 21st century ; Russland ; Gegenkultur ; Politischer Protest ; Geschichte 2000-2014 ; Russland ; Gegenkultur ; Politischer Protest ; Kunst ; Geschichte 2000-2014
    Abstract: A history of dissensus, consensus and illusions of a new era -- An other gaze in art -- Art on trial -- Dissent in art -- Art of engagement: a counterculture in the making -- Political action -- Art and protest after Bolotnaya
    Description / Table of Contents: A history of dissensus, consensus and illusions of a new eraAn other gaze in art -- Art on trial -- Dissent in art -- Art of engagement: a counterculture in the making -- Political action -- Art and protest after Bolotnaya.
    Note: Includes bibliographical references and index
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  • 42
    ISBN: 9786055250461
    Language: English
    Pages: 255 S. , zahlr. Ill., Kt. , 24 cm
    Edition: 1. ed.
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    Keywords: Photography History 19th century ; Photography Social aspects 19th century ; History ; Photography in historiography ; Turkey Pictorial works History Ottoman Empire, 1288-1918 ; Istanbul (Turkey) Pictorial works History 19th century ; Istanbul (Turkey) Pictorial works Social life and customs 19th century ; Ausstellungskatalog ; Osmanisches Reich ; Fotografie ; Geschichte 1840-1914
    Note: Türkische Ausg. u.d.T.: Camera Ottomana: Osmanlı İmparatorluğu'nda fotoğraf ve modernite, 1840-1914 , Transferring antiquity to ink - ruins from the Americas to Asia Minor and the development of photolithography , The origins and development of photolithography , Powerful images -- The dissemination and impact of photography in the Ottoman Empire, 1870-1914 , Photographing mundane modernity
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  • 43
    Book
    Book
    London : Victoria & Albert Museum
    ISBN: 9781851778508 , 1851778500
    Language: English
    Pages: 344 S , zahlr. Ill
    DDC: 391
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    Keywords: Fashion design History 20th century ; Fashion History 20th century ; Fashion ; Fashion ; Fashion design ; England ; Fashion design ; England ; History ; London ; England ; London ; History ; London ; 1900-1999 ; 20th century ; History ; Verzeichnis ; London ; Mode ; Design ; Haute couture ; Modeschöpfer ; Modeschöpferin ; Geschichte 1923-1975
    Abstract: An academically rigorous and beautiful new publication on a crucial chapter in fashion history, London Couture is the first book to examine, in detail, the luxurious garments produced by the rarefied London couture industry - from lavish ballgowns to sharply tailored suits and spectacular court dress - as well as the designers who conceived them, their clients and the prestigious publications that disseminated and promoted the 'London Look' to an international audience. Expert authors from around the world have delved into museum collections, as well as the archives of prestigious designers, textile suppliers and fashionable journals, to bring together this pioneering study of the London couture houses of the early to mid-twentieth century, renowned for their superb craftsmanship and attention to detail. The full breadth of London's offering is examined, from royal favourite Norman Hartnell to pioneer Charles James, and prestigious houses such as Lucile, Worth and Hardy Amies. The ancillary dressmaking trades in London are also considered, as are the international markets for London couture, and the impact of royal dress on high-end fashion. A wealth of visual material supports the extensive, original research - from beautiful features by celebrated photographer Norman Parkinson to the elegant illustrations of Francis Marshall. Previously unseen garments are illustrated throughout the book, alongside historical photography that documents the houses of the great designers, their favoured fabrics and their most glamorous clients, including Queen Elizabeth II, Margot Fonteyn, and many stars of stage and screen
    Abstract: An academically rigorous and beautiful new publication on a crucial chapter in fashion history London Couture is the first book to examine, in detail, the luxurious garments produced by the rarefied London couture industry - from lavish ballgowns to sharply tailored suits and spectacular court dress - as well as the designers who conceived them, their clients and the prestigious publications that disseminated and promoted the 'London Look' to an international audience. Expert authors from around the world have delved into museum collections, as well as the archives of prestigious designers, textile suppliers and fashionable journals, to bring together this pioneering study of the London couture houses of the early to midtwentieth century, renowned for their superb craftsmanship and attention to detail. The full breadth of London's offering is examined, from royal favourite Norman Hartnell to pioneer Charles James, and prestigious houses such as Lucile, Worth and Hardy Amies. The ancillary dressmaking trades in London are also considered, as are the international markets for London couture, and the impact of royal dress on high-end fashion.A wealth of visual material supports the extensive, original research - from beautiful features by celebrated photographer Norman Parkinson to the elegant illustrations of Francis Marshall.0Previously unseen garments are illustrated throughout the book, alongside historical photography that documents the houses of the great designers, their favoured fabrics and their most glamorous clients, including Queen Elizabeth II, Margot Fonteyn, and many stars of stage and screen
    Note: Includes bibliographical references (pages 331-334) and index
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  • 44
    ISBN: 9782752102546
    Language: French
    Pages: 265 Seiten , 25 cm
    Series Statement: Collection Avant-gardes
    DDC: 700.943
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    Keywords: Arts, German Congresses 20th century ; Art Congresses history 20th century ; Arts Congresses Political aspects 20th century ; History ; Auswärtige Kulturpolitik ; Nachkriegszeit ; Auswirkung ; Kunst ; Künstler ; Kulturkontakt ; Umerziehung ; Diskussion ; Germany Congresses Intellectual life 20th century ; Germany Congresses History 1945-1955 ; Deutschland ; Aufsatzsammlung ; Konferenzschrift 2014 ; Kunst ; Geschichte 1945-1949 ; Deutschland ; Besetzung ; Künste ; Kulturpolitik ; Geschichte 1945-1949
    Description / Table of Contents: Sur les traces d'une "esthétique du traumatisme" : La face (un)heimlich du renouveau de l'art allemand (1945-1949) -- Karlheinz Stockhausen et Gesang der Jiinglinge : Convergences et métamorphoses de la pensée sérielle d'un ancien "Adolescent dans la fournaise" -- Paul Celan et la poésie de la destruction -- L'enseignement artistique comme moyen de rééducation dans l'immédiat après-guerre : L'exemple de la Sarre en zone française d'occupation -- Cinéma et rééducation en zone française d'occupation (1945-1949) -- La politique culturelle dans les zones d'occupation française et américaine : Quelle place pour l'art moderne ? -- La rééducation du peuple allemand entre 1945 et 1949 : Place et rôle de l'art dans l'organe officiel du gouvernement militaire américain -- Catharsis et rééducation : La résistance allemande contre le nazisme dans le théâtre d'après-guerre en Allemagne (1945-1949) -- "Thomas Mann doit-il rentrer en Allemagne ?"Enjeux des adversaires dans la "grande controverse" -- Les politiques musicales dans la zone d'occupation soviétique -- Groupes littéraires et esthétique moderniste : La formation du champ littéraire en zone d'occupation soviétique -- Le "débat Lucullus" (1949-1952) : Procès de l'esthétique brechtienne en RDA -- Les Ferienkurse de Darmstadt entre 1946 et 1949: Enjeux musicaux français en zone d'occupation américaine -- Résumés et Biographies
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  • 45
    Book
    Book
    [London] : Allen Lane an imprint of Penguin books
    ISBN: 9781846147685
    Language: English
    Pages: 612 Seiten , Illustrationen (schwarz-weiß)
    Edition: First published
    DDC: 720.94309045
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    Keywords: Communism and architecture History ; Architecture History ; Architecture Political aspects 20th century ; History ; City planning History 20th century ; Land use, Urban History 20th century ; Architecture and society ; Osteuropa ; Kommunismus ; Städtebau ; Architektur ; Geschichte
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  • 46
    ISBN: 9789810973490
    Language: English
    Pages: 290 Seiten , 30 cm
    DDC: 709.59074
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    Keywords: Art, Southeast Asian Exhibitions 19th century ; Art, Southeast Asian Exhibitions 20th century ; Art, Southeast Asian Exhibitions 21st century ; Art History ; Art ; Art ; Art, Southeast Asian ; Art, Southeast Asian ; Art, Southeast Asian ; Art, Southeast Asian ; Southeast Asia ; Exhibition catalogs ; History ; 1800-2099 ; Ausstellungskatalog ; Bildband ; Südostasien ; Kunst
    Note: Homepage: Katalog zur Dauerausstellung seit der Wiedereröffnung 2015 , In English
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  • 47
    ISBN: 1851778314 , 9781851778317
    Language: English
    Pages: 160 S , überwiegend Ill., Kt. , zahlr. Ill
    Edition: 1. publ.
    DDC: 391.0094109041
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    Keywords: Firbank, Heather Clothing ; Firbank, Heather Clothing ; Fashion History ; 20th century ; Great Britain ; Fashion Pictorial works ; History ; 20th century ; Great Britain ; Needlework, Edwardian ; Fashion History ; 20th century ; Great Britain ; Fashion Pictorial works ; History ; 20th century ; Great Britain ; Needlework, Edwardian ; Firbank, Heather ; Sammlung ; Großbritannien ; Damenmode ; Geschichte 1905-1925 ; Bildband ; Katalog ; Firbank, Heather 1888-1954 ; Kleidung ; Mode ; Geschichte 1905-1925 ; Victoria and Albert Museum ; Firbank, Heather 1888-1954 ; Sammlung
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  • 48
    ISBN: 9782503553337
    Language: English
    Pages: XI, 168 Seiten , Illustrationen, 1 Diagramm
    Series Statement: Studies in European urban history 37
    Series Statement: Studies in European urban history
    Parallel Title: Erscheint auch als The Seven Sorrows Confraternity of Brussels
    DDC: 232.91
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    Keywords: Civilization ; Sorrows of the Blessed Virgin Mary, Devotion to ; Sorrows of the Blessed Virgin Mary, Devotion to History ; Belgium ; Brussels ; Belgium Civilization ; Belgium ; Belgium ; Brussels ; Church history ; History ; Brussels (Belgium) Church history ; Brussels (Belgium) History ; Aufsatzsammlung ; Aufsatzsammlung ; Niederlande ; Brüssel ; Bruderschaft ; Marienverehrung ; Sieben Schmerzen Mariä ; Schmerzensmutter ; Religiöses Leben ; Stadtleben ; Geschichte
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  • 49
    ISBN: 9789004300545
    Language: English
    Pages: XXI, 319 Seiten , Illustrationen , 25 cm
    Series Statement: Brill's Indological library volume 48
    Series Statement: Brill's Indological library
    Parallel Title: Erscheint auch als Belli Bose, Melia Royal umbrellas of stone
    DDC: 736/.509544
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    Keywords: Rajput (Indic people) Social life and customs ; Rajput (Indic people) Religion ; Sepulchral monuments History ; Funeral rites and ceremonies History ; Rajput art History ; Art and society History ; Memory Social aspects ; History ; Politics and culture History ; Group identity History ; Rajasthan (India) Social life and customs ; Rajput (Indic people) Social life and customs ; Rajput (Indic people) Religion ; Sepulchral monuments History ; India ; Rajasthan ; Funeral rites and ceremonies History ; India ; Rajasthan ; Rajput art History ; Art and society History ; India ; Rajasthan ; Memory Social aspects ; History ; India ; Rajasthan ; Politics and culture History ; India ; Rajasthan ; Group identity History ; India ; Rajasthan ; Rajasthan (India) Social life and customs ; Radschputen ; Bestattung ; Kultur ; Radschputen ; König ; Herrschaft ; Symbol ; Schirm ; Radschputen ; Bestattung ; Kultur ; Geschichte 1500-1925 ; Radschputen ; König ; Herrschaft ; Symbol ; Schirm ; Geschichte 1500-1925
    Abstract: "In Royal Umbrellas of Stone : Memory, Politics, and Public Identity in Rajput Funerary Art, Melia Belli Bose provides the first analysis of Rajput chatrīs ('umbrellas'; cenotaphs) built between the sixteenth to early-twentieth centuries. New kings constructed chatrīs for their late fathers as statements legitimacy. During periods of political upheaval patrons introduced new forms and decorations to respond to current events and evoke a particular past. Offering detailed analyses of individual cenotaphs and engaging with art historical and epigraphic evidence, as well as ethnography and ritual, this book locates the chatrīs within their original social, political, and religious milieux. It also compares the chatrīs to other Rajput arts to understand how arts of different media targeted specific audiences"--Provided by publisher
    Abstract: "In Royal Umbrellas of Stone : Memory, Politics, and Public Identity in Rajput Funerary Art, Melia Belli Bose provides the first analysis of Rajput chatrīs ('umbrellas'; cenotaphs) built between the sixteenth to early-twentieth centuries. New kings constructed chatrīs for their late fathers as statements legitimacy. During periods of political upheaval patrons introduced new forms and decorations to respond to current events and evoke a particular past. Offering detailed analyses of individual cenotaphs and engaging with art historical and epigraphic evidence, as well as ethnography and ritual, this book locates the chatrīs within their original social, political, and religious milieux. It also compares the chatrīs to other Rajput arts to understand how arts of different media targeted specific audiences"--Provided by publisher
    Description / Table of Contents: Chronological chart of Rajput and other dynastiesIntroduction: Rajputs and their royal umbrellas -- Interrupted continuities : the chatris of the Kachhwaha Rajputs of Amber and Jaipur -- Keeping up with the Kachhwahas : the chatris of the Narukas of Alwar, the Dadu Panthis, and the Shekhawati merchants -- A deceptive message of resistance : nostalgia and the early Jodha Rathores' renaissant devals -- Shifting allegiances, shifting styles : later Jodha Rathore memorials -- Devi Kund Sagar : the iconography of sati and its absence in Bikaner's chatris -- Eklingji's divine darbar : the Sisodia chatris of Mewar -- Conclusion: Beyond Rajasthan -- Glossary 299.
    Note: Includes bibliographical references and index
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  • 50
    Book
    Book
    New Delhi : National Mission for Manuscripts | New Delhi : Dev Publishers
    ISBN: 9789380829081 , 819040296X
    Language: English , Hindi
    Pages: xiv, 184 Seiten , Illustrationen , 23 cm
    Series Statement: Samīkṣikā series no. 7
    Series Statement: Samīkṣikā series
    DDC: 720.95483
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    Keywords: Architecture Congresses ; History ; India ; Kerala ; Architecture Congresses ; History ; India ; Tamil Nadu ; Hindu temples Congresses ; India ; Kerala ; Hindu temples Congresses ; India ; Tamil Nadu ; Vāstu Congresses ; India ; Kerala ; Vāstu Congresses ; India ; Tamil Nadu ; Konferenzschrift ; Tamil Nadu ; Kerala ; Tempel ; Architektur ; Tamil Nadu ; Kerala ; Vāstuśāstra
    Note: Includes bibliographical references , The current Samikshika volume presents the proceedings of the seminar on "Studies of Indian Architecture in Kerala and Tamilnadu" ... organized in the Oriental Research Institute & Manuscripts Library, University of Kerala ... -- Foreword , One article in Hindi (Devanagari)
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  • 51
    ISBN: 0878468129 , 9780878468126
    Language: English
    Pages: 159 Seiten , Illustrationen (farbig) , 27 cm
    Edition: First edition
    DDC: 745.0973
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    Keywords: Decorative arts, Early American Exhibitions ; Decorative arts, Spanish colonial Exhibitions ; Decorative arts Exhibitions Asian influences ; Decorative arts Exhibitions Asian influences ; Decorative arts, Early American Exhibitions ; Asian influences ; Decorative arts Exhibitions ; History ; Asian influences ; 17th century ; South America ; Decorative arts Exhibitions ; History ; Asian influences ; 18th century ; South America ; Ausstellungskatalog ; Ausstellungskatalog Museum of Fine Arts 18.08.2015-15.02.2016 ; Ausstellungskatalog Winterthur Museum, Garden and Library 15.03.2016-08.01.2017 ; Amerika ; Asien ; Kulturaustausch ; Geschichte 1500-1800
    Note: "Made in the Americas reveals the lengthy overlooked history of the profound influence of Asia on the arts of the colonial Americas"--Jkt , Aus dem Impressum, letzte Seite: "Published in conjunction with the exhibition Made in the Americas: The New World Discovers Asia, organised by the Museum of Fine Arts, Boston: August 18, 2015 to February 15, 2016. Winterthur Museum, Garden and Library, Delaware: March 15, 2016-January 8, 2017" , Includes bibliographical references (p. 134-146) and index
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  • 52
    ISBN: 9782600005586 , 2600005587
    Language: French
    Pages: 380 S. , Ill.
    Series Statement: Titre courant 58
    Series Statement: Titre courant
    DDC: 306.09
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    Keywords: Villard, active 13th century *de Honnecourt* ; Architectural design France ; History ; To 1500 ; Architecture, Medieval France ; Hochschulschrift ; Frankreich ; Architektur ; Baumeister ; Geschichte 1200-1300 ; Villard de Honnecourt
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  • 53
    ISBN: 9783658029173 , 365802917X
    Language: German
    Pages: 1 Online-Ressource (VI, 285 Seiten) , 61 Illustrationen, 20 Abb. in Farbe.
    Edition: 1st edition 2015
    Series Statement: Kunst und Gesellschaft
    Parallel Title: Erscheint auch als Beziehungsanalysen. Bildende Künste in Westdeutschland nach 1945
    DDC: 306
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    Keywords: Geschichte ; Geschichte 1945- ; Gesellschaft ; Künstler ; Ausstellung ; Kunst ; Kunstbetrieb ; Culture ; Culture Study and teaching ; History ; Arts ; Sociology of Culture ; Cultural Studies ; History ; Arts ; Westdeutschland ; Deutschland ; Konferenzschrift ; Aufsatzsammlung
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  • 54
    ISBN: 9783869352558
    Language: German
    Pages: 399 S. , zahlr. Ill., graph. Darst., Kt. , 22 x 29 cm
    Series Statement: Schriften des Architekturmuseums der Technischen Universität Berlin 5
    DDC: 720.94315509034
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    Keywords: Museums Exhibitions Design and construction 19th century ; History ; Museumsinsel (Berlin, Germany) Exhibitions Planning ; Berlin (Germany) Exhibitions Buildings, structure,s etc ; Ausstellungskatalog Architekturmuseum der Technischen Universität Berlin 16.09.2015-11.10.2015 ; Museumsinsel ; Erweiterung ; Architekturwettbewerb ; Geschichte 1883-1884
    Abstract: Museumsvisionen? / Bénédicte Savoy, Nikolaus Bernau und Hans-Dieter Nägelke -- Von der Freistätte zur Museumsinsel / Nikolaus Bernau -- Für eine Geopoetik des Museums / Bénédicte Savoy-- Berliner Stilfragen / Hans-Dieter Nägelke -- Das deutsche Wettbewerbswesen im 19. Jahrhundert / Heidede Becker -- Deutsche Museumskonkurrenzen im ausgehenden 19. Jahrhundert / Merten Lagatz -- Die Berliner Antikensammlungen um 1880 / Volker Kästner -- Wie man ein Denkmal wird / Neville Rowley -- Die Jury des Kronprinzen? / Moritz Dapper -- "Den wahren Herzschlag der modernen Architektur verfolgen" / Mei-Hau Kunzi -- Katalog der Wettbewerbsbeiträge
    Description / Table of Contents: Quellen- und Literaturverz. S. [383] - 397
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  • 55
    ISBN: 9783487085616 , 3487085615 , 9789996905506 , 9996905500 , 9783487085609 , 3487085607 , 9789996905490 , 9996905497
    Language: English
    Pages: 320 Seiten , zahlreichen Abbildungen, durchgehend 4farbig , 33.6 cm x 42 cm, 7925 g
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 725.822095353022
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    Keywords: Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ ; Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ History ; Opera History ; Theaters History ; Royal Opera House Muscat ; Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ ; Opera ; Theaters ; Oman ; Muscat ; History ; Bildband ; Royal Opera House Muscat ; Oman ; Maskat ; Theaterbau ; Opernhaus ; Musiktheater ; Oper ; Geschichte ; Royal Opera House Muscat ; Ibn-az-Zubair, Muḥammad
    Note: Nebentitel in arabischer Schrift , Includes bibliographical references (page 312)
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  • 56
    ISSN: 0341-969X
    Language: German
    Dates of Publication: 1.1872 - 28.1942; 29.1949 - 73/74.1993/94
    Additional Information: 35=1955; 38=1958; 41=1961; 44=1964; 47=1967; 50=1970; 53=1973; 56=1976 von Friesisches Jahrbuch [Wechselnde Verlagsorte] : [Verlag nicht ermittelbar], 1955 0429-7490
    Additional Information: 35=30; 38=32; 41=34; 44=35 von Nordfriesischer Verein für Heimatkunde und Heimatliebe Jahrbuch des Nordfriesischen Vereins für Heimatkunde und Heimatliebe Aurich : Verl. Ostfriesische Landschaft, 1922
    Additional Information: 41=7; 44=9 von Nordfriisk Instituut Jahrbuch des Nordfriesischen Instituts Aurich, 1949
    Additional Information: 47=N.F. 3; 50=N.F. 6; 53=N.F. 9 usw. von Nordfriesisches Jahrbuch Bräist/Bredstedt : Nordfriisk Inst., 1965 0078-1045
    Additional Information: 35=1955; 38=1958; 41=1961; 44=1964; 47=1967; 50=1970; 53=1973; 56.1979 von Fryske Akademy Jierboek fan de Fryske Akademy Ljouwert : Akademy, 1955
    Parallel Title: Erscheint auch als Gesellschaft für Bildende Kunst und Vaterländische Altertümer seit 1820 Jahrbuch der Gesellschaft für Bildende Kunst und Vaterländische Altertümer zu Emden
    Former Title: Jahrbuch
    Former Title: Emder Jahrbuch
    Subsequent Title: Forts. Emder Jahrbuch für historische Landeskunde Ostfrieslands
    DDC: 700
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    Keywords: a ; Frisians ; History ; Periodicals ; a ; Friesland (Germany) ; History ; Periodicals ; Zeitschrift ; Ostfriesland ; Geschichte ; Zeitschrift ; Historische Landeskunde ; Emden ; Staat Hannover ; Niedersachsen ; Deutschland
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