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  • Ann Arbor, Michigan : ProQuest  (20)
  • Oxford : Oxford University Press
  • Popmusik  (25)
  • Musicology  (25)
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Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Wiesbaden : Harrassowitz Verlag | Ann Arbor, Michigan : ProQuest
    ISBN: 9783447391801
    Language: German
    Pages: 1 Online-Ressource (475 Seiten)
    Series Statement: Kulturwissenschaftliche Japanstudien v.11
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1955-2005 ; Japanisch ; Literatur ; Popmusik ; Intermedialität ; Electronic books
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  • 2
    Online Resource
    Online Resource
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    ISBN: 9781501368912
    Language: English
    Pages: 1 Online-Ressource (275 pages)
    DDC: 781.63074
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    Keywords: Popmusik ; Museum ; Kommerzialisierung ; Neoliberalismus ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 3
    Online Resource
    Online Resource
    London : Bloomsbury Academic | Ann Arbor, Michigan : ProQuest
    ISBN: 9781501342356
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Bloomsbury handbooks
    DDC: 780.267
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    Keywords: Popmusik ; Musikvideo
    Note: Literaturangaben
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  • 4
    ISBN: 9780190632991
    Language: English
    Pages: xxi, 641 Seiten , Illustrationen
    Edition: Fifth Edition
    Parallel Title: Erscheint auch als Starr, Larry author American popular music
    DDC: 781.640973
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    Keywords: Popular music History and criticism ; USA ; Popmusik
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  • 5
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780472123513
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Tracking Pop
    Parallel Title: Erscheint auch als
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    Keywords: Popmusik ; Intertextualität ; Aufsatzsammlung
    Note: Description based on publisher supplied metadata and other sources
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  • 6
    Online Resource
    Online Resource
    Princeton : Princeton University Press | Oxford : Oxford University Press
    ISBN: 9781400840458
    Language: English
    Pages: 1 Online-Ressourcece
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    Keywords: Sozialgeschichte 1900-2012 ; Geschichte 1949-2012 ; Popmusik ; Musikgattung ; Regierung ; Einflussnahme ; Popular music Social aspects ; Popular music genres ; USA ; China ; Chile ; Nigeria ; Serbien
    Abstract: Why do some music styles gain mass popularity while others thrive in small niches? 'Banding Together' explores this question and reveals the attributes that together explain the growth of 20th century American popular music.
    Note: Previously issued in print: 2012 , Includes bibliographical references and index
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  • 7
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252094576
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
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    Keywords: Sozialgeschichte 1900-1970 ; Popmusik ; Musikgattung ; Regionalismus ; Verbreitung ; Technologie ; Popular music History and criticism ; Popular music Social aspects ; History ; USA
    Abstract: 'Sweet Air' rewrites the history of early twentieth-century pop music in modernist terms. Tracking the evolution of popular regional genres such as blues, country, folk, and rockabilly in relation to the growth of industry and consumer culture, Edward P. Comentale shows how this music became a vital means of exploring the new and often overwhelming feelings brought on by modern life.
    Note: Previously issued in print: 2013 , Includes bibliographical references and index
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  • 8
    ISBN: 9783534742882 , 9783534742899
    Language: German
    Pages: 1 Online-Ressource (223 Seiten) , Illustrationen
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    Keywords: Popmusik
    Note: Literaturverzeichnis Seite 203 - 212
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  • 9
    Online Resource
    Online Resource
    Berlin/Boston : De Gruyter | Ann Arbor, Michigan : ProQuest
    ISBN: 9783110425727
    Language: English
    Pages: 1 Online-Ressource (276 pages)
    Series Statement: Companions to Contemporary German Culture v.6
    DDC: 781.64094299999999
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    Keywords: Geschichte 1945-2016 ; Popmusik ; Deutschland ; Aufsatzsammlung
    Abstract: The series offers lively, comprehensive accounts of contemporary German culture written by experts and designed for advanced student readers and scholars alike. Both in monographs and closely-defined edited collections, it aims to introduce major authors, thinkers, filmmakers, literary topics, genres and landmark individual works, focusing on the period since 1989 but reaching back, where appropriate, to the vital hinterland of the 1970s.
    Note: Description based on publisher supplied metadata and other sources
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  • 10
    Online Resource
    Online Resource
    Lanham, MD : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    ISBN: 9781442242456
    Language: English
    Pages: 1 Online-Ressource (165 pages)
    Series Statement: Tempo: A Rowman & Littlefield Music Series on Rock, Pop, and Culture
    DDC: 782.421640973
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    Keywords: Popmusik ; Musikleben ; Song ; Kanon ; Popular music - United States - History and criticism ; USA ; Electronic books
    Abstract: The American Songbook explores key aspects of individual song's popularizations, addressing how and why the tradition of standards was eventually usurped by rock and roll in the 1950s and 1960s, as well as how it has continued to hold historic, nostalgic, and contemporary value for listeners.
    Note: Description based on publisher supplied metadata and other sources
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  • 11
    Online Resource
    Online Resource
    Boston : BRILL | Ann Arbor, Michigan : ProQuest
    ISBN: 9783846760819
    Language: German
    Pages: 1 Online-Ressource (119 pages)
    Edition: 1st ed.
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    Keywords: Mozart, Wolfgang Amadeus ; Musikästhetik ; Klassische Musik ; Popmusik ; Pop-Kultur ; Popularität ; Gleichartigkeit ; Verschiedenheit ; Cross-over ; Electronic books
    Abstract: ›Pop‹ ist ein kurzes und prägnantes three letter word. Sein Sinn erschließt sich schnell. ›Pop‹ ist die Kurzfassung für ›populär‹. Im Wort Popmusik schwingt mit, dass diese Musik keine Scheu vor trivialen Knalleffekten hat. Genau dies aber kann auch bei sogenannter ernster Musik der Fall sein - sie kann zum Gassenhauer werden. Was also sind Gemeinsamkeiten und Unterschiede zwischen E- und U-Musik? Der Fall Mozart ist bestens geeignet, um deutlich zu machen, wie reizvoll heikel es um die Unterscheidung von E- und U-Musik steht. Viele seiner Kompositionen sind zweifellos populär, ja sie sind Pop-Musik. Man denke nur an die Kleine Nachtmusik, die unzählige Pop-Bearbeitungen erfahren hat, auch deshalb, weil sie sich dafür anbietet. Oder an die 'irre' Arie der Königin der Nacht aus der Zauberflöte, an die etwa die virtuosen Gitarren-Variationen von Jimi Hendrix erinnern. Unübersehbar ist auch, dass der junge Mozart lange, bevor es den Begriff gab, von seinem Vater zum Popstar aufgebaut und als Wunderkind vermarktet wurde. Parallelen zu Michael Jackson drängen sich geradezu zwanghaft auf. Virtuosen wie der Teufelsgeiger Niccolò Paganini oder der akrobatische Pianist Franz Liszt haben sich im neunzehnten Jahrhundert ungemein erfolgreich selbst als Popstars avant la lettre inszeniert.
    Note: Description based on publisher supplied metadata and other sources
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  • 12
    Online Resource
    Online Resource
    Berkerley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520965317
    Language: English
    Pages: 1 Online-Ressource (385 pages)
    Edition: 1st ed.
    DDC: 781.64
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    Keywords: Geschichte 1900-2000 ; Popmusik ; Musikgattung ; Musikalischer Stil ; Soziale Identität ; USA
    Abstract: Categorizing Sound addresses the relationship between categories of music and categories of people, particularly how certain ways of organizing sounds becomes integral to how we perceive ourselves and how we feel connected to some people and disconnected from others. Presenting a series of case studies ranging from race music and old-time music of the 1920s through country and R&B of the 1980s, David Brackett explores the processes by which genres are produced. Using in-depth archival research and sophisticated theorizing about how musical categories are defined, Brackett has produced a markedly original work.
    Note: Description based on publisher supplied metadata and other sources
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  • 13
    Online Resource
    Online Resource
    Bielefeld : transcript | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839408506
    Language: German
    Pages: 1 Online-Ressource (369 pages)
    Edition: 1st ed.
    Series Statement: texte zur populären musik
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    Keywords: Musikwirtschaft ; Popmusik ; Globalisierung ; Tonträgerindustrie ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 14
    Online Resource
    Online Resource
    Berlin : Suhrkamp Verlag | Ann Arbor, Michigan : ProQuest
    ISBN: 9783518771891
    Language: German
    Pages: 1 Online-Ressource (277 pages)
    Edition: 1st ed.
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    Keywords: Popmusik ; Aufsatzsammlung ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 15
    Online Resource
    Online Resource
    Bielefeld : transcript | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839401507
    Language: German
    Pages: 1 Online-Ressource (235 pages)
    Edition: 1st ed.
    Series Statement: texte zur populären musik
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    Keywords: Popmusik ; Sound ; Klangfarbe ; Rockmusik ; Aufsatzsammlung ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 16
    Online Resource
    Online Resource
    Bielefeld : transcript | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839404065
    Language: German
    Pages: 1 Online-Ressource (215 Seiten)
    Edition: 1st edition
    Series Statement: Beiträge zur Popularmusikforschung
    DDC: 781.64
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    Keywords: Geschichte 1930-2004 ; Popmusik ; Musikwettbewerb ; Konferenzschrift 2004
    Note: Description based on publisher supplied metadata and other sources
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  • 17
    Online Resource
    Online Resource
    New York : Cambridge University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781107248267
    Language: English
    Pages: 1 Online-Ressource (344 pages)
    Series Statement: Music since 1900
    DDC: 306.484209046
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    Keywords: Geschichte 1968 ; Musik ; Politik ; Popmusik ; Rockmusik
    Abstract: In fifteen case studies from around the world, contributors explore the relationship between music and socio-political protest in 1968.
    Note: Description based on publisher supplied metadata and other sources
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  • 18
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252094576
    Language: English
    Pages: 1 Online-Ressource (298 pages)
    Series Statement: Music in American Life
    DDC: 782.421640973
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    Keywords: Sozialgeschichte 1900-1970 ; Popmusik ; Musikgattung ; Regionalismus ; Verbreitung ; Technologie ; USA
    Abstract: Finding meaning in the clash of modern life and local, rural musical culture.
    Note: Description based on publisher supplied metadata and other sources
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  • 19
    Online Resource
    Online Resource
    London : Routledge | Ann Arbor, Michigan : ProQuest
    ISBN: 9781315631172
    Language: English
    Pages: 1 Online-Ressource (181 pages)
    DDC: 782.42164/159
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    Keywords: Popmusik ; Liebeslied ; Gefühlsempfindung
    Note: Description based on publisher supplied metadata and other sources
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  • 20
    ISBN: 9780195175479 , 0195175476 , 9780195321234 , 0195321235
    Language: English
    Pages: xiv, 311 p.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 785.680972983
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    Keywords: Geschichte ; Geschichte ; Gesellschaft ; Steel band music History and criticism ; Steel bands (Music) History ; Popular music Social aspects ; Steelband ; Gesellschaft ; Popmusik ; Tobago ; Trinidad ; Trinidad ; Popmusik ; Gesellschaft ; Tobago ; Geschichte ; Trinidad ; Steelband ; Tobago ; Geschichte
    Note: Discography , Includes bibliographical references and index
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  • 21
    ISBN: 9780199851522
    Language: English
    Pages: 1 online resource (xiv, 311 p.) , ill., maps.
    Parallel Title: Erscheint auch als
    DDC: 785.680972983
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    Keywords: Steel band music History and criticism ; Steel bands (Music) History ; Popular music Social aspects ; Trinidad ; Steelband ; Tobago ; Trinidad ; Popmusik ; Gesellschaft ; Tobago
    Abstract: 'Music from behind the Bridge' tells the story of the steelband a symbol of Trinidadian culture, from the point of view of musicians who overcame disadvantages of poverty and prejudice with their extraordinary ambition.
    Note: Includes bibliographical references, discography and index. - Description based on print version record
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  • 22
    ISBN: 9780754683155
    Language: English
    Pages: 1 Online-Ressource (268 pages)
    Series Statement: Ashgate Popular and Folk Music Ser.
    DDC: 306.48423
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    Keywords: Musik ; Gesellschaft ; Popmusik ; Popkultur ; Identität ; Politik ; Globalisierung ; Aufsatzsammlung
    Abstract: How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. Similarly, popular musics have been used 'from the ground up' as sites for both populist and popular critiques of nationalist sentiment, from the position of both a globalizing and a 'local' vernacular culture. The contributions in this book arrive at a critical moment in the development of the study of national cultures and musicology. The book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisis for national cultural identities: the evolution of these identities, particularly with reference to the concept of 'authenticity' in music, is situated within broader debates on power, political economy and constructions of the self. Theorizations of practice are employed after the manner of Bourdieu, Gramsci, Goffman, Gadamer, Habermas, Bhabha, Lacan and Zizek. Each contribution acts as a case study to characterize the strategies through which differing modes of musical discourse engage, critique or obscure discourses on national identity. The studies include discussions of: musical representations of Irishness; the relationship between Afropop and World Music; Norwegian club music; the revival of traditional music in Serbia; resistance to cultural homogeneity in Brazil; contemporary Uyghur song in Northwest China; rap and race in French society; technobanda from the barrios of Los Angeles, and Spanish/Moroccan raï. In...
    Abstract: this way, the book seeks to characterize the ideological configurations that help to activate and sustain hegemonic, amb.
    Note: Description based on publisher supplied metadata and other sources
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  • 23
    ISBN: 9781402040979
    Language: English
    Pages: 1 Online-Ressource (ix, 311 Seiten)
    Edition: 1st ed.
    Series Statement: Computer supported cooperative work volume 35
    DDC: 306.4
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    Keywords: Geschichte 1990-2005 ; Musikkonsum ; Musikelektronik ; Popmusik ; Musikhören ; iTunes ; iPod ; Aufsatzsammlung
    Abstract: Listening to, buying and sharing music is an immensely important part of everyday life. Yet, recent technological developments are increasingly changing how we use and consume music. This book collects together the most recent studies of music consumption, and new developments in music technology. It combines the perspectives of both social scientists and technology designers, uncovering how new music technologies are actually being used, along with discussions of new music technologies still in development. With a specific focus on the social nature of music, the book breaks new ground in bringing together discussions of both the social and technological aspects of music use. The chapters cover topics such as the use of the iPod, music technologies which encourage social interaction in public places, and music sharing on the Internet. A valuable collection for anyone concerned with the future of music technology, this book will be of particular interest to those designing new music technologies, those working in the music industry, along with students of music and new technology.
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  • 24
    Online Resource
    Online Resource
    Abingdon, Oxon : Taylor and Francis | Ann Arbor, Michigan : ProQuest
    ISBN: 9780203329757
    Language: English
    Pages: 1 Online-Ressource (295 pages)
    Edition: 1st ed.
    DDC: 780
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    Keywords: Popmusik ; Folk music ; Propaganda ; Protestbewegung ; Politischer Protest ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Music, Power, and Politics presents sixteen different cultural perspectives on the concept of music as a site of socio-political struggle. Essays by scholars from around the world explore the means by which music's long-acknowledged potential to persuade, seduce, indoctrinate, rouse, incite, or even silence listeners, has been used to advance agendas of power and protest. The essays included examine: music used to convey political ideology in Nazi Germany, apartheid-era South Africa, and modern-day North Korea postcolonial musical efforts to reclaim ethnic heritage in Serbia and the Caribbean music as a means of establishing new cultural identities for recently empowered social groups in the UK and Brazil the subversion of racial stereotypes through popular music in the USA music as a tool of popular resistance to oppressive government policies in modern day Iran and the Bolivian Andes.
    Note: Description based on publisher supplied metadata and other sources
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  • 25
    Online Resource
    Online Resource
    Thousand Oaks : SAGE Publications | Ann Arbor, Michigan : ProQuest
    ISBN: 9781452249698
    Language: English
    Pages: 1 Online-Ressource (237 pages)
    Edition: 1st ed.
    DDC: 306.484
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    Keywords: Popmusik ; Geschlechterrolle ; Postmoderne
    Abstract: The migration of cynical academic ideas about postmodernism into music journalism are traced in this book. The result of this migration is a widespread fatalism over the ability of the music industry to absorb any expression of defiance in popular music. The book synthesizes a number of fields: American and British academic and journalistic music criticism; aesthetic and literary history and theory from romanticism through postmodernism; alternative music such as feminist punk and grunge; political economy, which has fueled the obsession with commercial incorporation; and subcultural sociology.
    Note: Description based on publisher supplied metadata and other sources
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