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  • Online Resource  (20)
  • Arts  (10)
  • Stadtplanung  (10)
  • Art History  (20)
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  • 1
    Online Resource
    Online Resource
    Berlin : Humboldt-Universität zu Berlin, Universitätsbibliothek
    Language: German
    Pages: 1 Online-Ressource , Illustrationen, Karten
    Series Statement: Alltag & Kultur 13
    Parallel Title: Elektronische Reproduktion von Binder, Beate Streitfall Stadtmitte
    Dissertation note: Habilitationsschrift Humboldt-Universität zu Berlin 2007
    DDC: 307.12120943155
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    Keywords: Geschichte 1999-2006 ; Geschichtsbewusstsein ; Kommunalpolitik ; Kontroverse ; Volkskunde ; Rekonstruktion ; Stadtplanung ; Platzgestaltung ; Politische Auseinandersetzung ; Schlossplatz ; Stadtschloss Berlin ; Hochschulschrift ; Schlossplatz ; Platzgestaltung ; Stadtplanung ; Geschichtsbewusstsein ; Kontroverse ; Schlossplatz ; Stadtplanung ; Kommunalpolitik ; Volkskunde ; Stadtschloss Berlin ; Rekonstruktion ; Politische Auseinandersetzung ; Geschichte 1999-2006
    Note: Literaturverzeichnis: Seite [305]-327
    URL: Volltext  (kostenfrei)
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  • 2
    Online Resource
    Online Resource
    Cham : Palgrave Macmillan
    ISBN: 9783030371371
    Language: English
    Pages: 1 Online-Ressource (xvii, 252 Seiten)
    Series Statement: New directions in Latino American cultures
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.098
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    Keywords: Geschichte 2000-2019 ; Latin American Culture ; Arts ; Latino Culture ; Ethnology—Latin America ; Arts ; Künste ; Kunstbetrieb ; Kultur ; Brasília ; Brasília ; Kultur ; Künste ; Kunstbetrieb ; Geschichte 2000-2019
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    ISBN: 9783839437803
    Language: German , English
    Pages: 1 Online-Ressource (301 Seiten) , Illustrationen, Karten
    Series Statement: Urban studies
    DDC: 300
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    Keywords: Stadtentwicklung ; Neoliberalismus ; Städtebau ; Großprojekt ; Amman ; Arab World ; Arabische Welt ; Beirut ; City Development ; City ; Doha ; Dubai ; Geographie ; Geography ; Manama ; Marrakech ; Muscat ; Muskat ; Neoliberalism ; Neoliberalismus ; Ramallah ; Raum ; Space ; Stadt ; Stadtentwicklung ; Stadtplanung ; Tunis ; Urban Planning ; Urban Studies ; Neoliberalismus ; SOCIAL SCIENCE / Sociology / Urban ; Kairo ; Marrakesch ; Beirut ; Ram Allah ; Amman ; Tunis ; Maskat ; Arabische Staaten
    Abstract: Die Stadtentwicklung in den Metropolen der arabischen Welt folgt seit dem Jahr 2000 immer stärker neoliberalen Mustern: Ein Stadtneu- und -umbau wird mit Fokus auf Marketingstrategien und Profitmaximierung im Immobiliensektor vollzogen. Den Rahmen für die konzeptionelle Betrachtung der Stadt als ökonomische Ware und Marke bilden hierbei die autoritären politischen Systeme, der rasante Anstieg der Bevölkerung, die Revolten und Aufstände der letzten Jahre und die beachtlichen Investitionen in städtebauliche Großprojekte.In diesem Band werden theoretische und praktische Aspekte der neoliberalen Stadtentwicklung an ausgewählten Fallbeispielen - darunter Kairo, Marrakech und Doha - vorgestellt.
    Abstract: Major construction projects, authoritarian regimes, political instability and population growth - urban development in the metropolises of the Arab world.
    Note: Literaturangaben , Beiträge teilweise deutsch, teilweise englisch
    URL: Cover
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  • 4
    ISBN: 9780192573476
    Language: English
    Pages: 1 Online-Ressource (178 Seiten)
    Edition: First edition
    Parallel Title: Erscheint auch als Saumarez Smith, Otto Boom cities
    DDC: 307.1216094109046
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    Keywords: Urban renewal ; Great Britain ; History ; 20th century ; City planning ; Great Britain ; History ; 20th century ; Electronic books ; Großbritannien ; Stadtplanung ; Stadtumbau ; Städtebau ; Architektur ; Geschichte 1960-1970
    Abstract: 'Boom Cities' is the first published history of the profound transformations of British city centres in the 1960s. It has often been said that urban planners did more damage to Britain's cities than even the Luftwaffe had managed, and this study details the rise and fall of modernist urban planning, revealing its origins and the dissolution of the cross-party consensus, before the ideological smearing that has ever since characterized the high-rise towers, dizzying ring roads and concrete precincts that were left behind.
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  • 5
    ISBN: 9789811054815
    Language: English
    Pages: 1 Online-Ressource (XXII, 394 p. 190 illus)
    Parallel Title: Erscheint auch als
    DDC: 306.095
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    Keywords: Culture / Study and teaching ; Ethnology / Asia ; Cultural heritage ; Tourism ; Management ; Landscape architecture ; Urban planning ; City planning ; Sustainable development ; Cultural and Media Studies ; Asian Culture ; Cultural Heritage ; Tourism Management ; Landscape Architecture ; Urbanism ; Sustainable Development ; Nachhaltigkeit ; Stadtplanung ; Asien ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 6
    Online Resource
    Online Resource
    Wien ; Köln ; Weimar : Böhlau Verlag
    ISBN: 9783205205852
    Language: German
    Pages: 1 Online-Ressource (288 Seiten) , Illustrationen, Karten, Pläne
    Parallel Title: Erscheint auch als
    DDC: 720
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    Keywords: Geschichte 1934-1938 ; Baupolitik ; Städtebau ; Wohnungspolitik ; Wien ; Austrofaschismus ; Das Rote Wien ; Siedlerbewegung ; Stadtplanung ; Vaterländische Front ; Zwischenkriegszeit ; Wien ; Städtebau ; Baupolitik ; Wohnungspolitik ; Geschichte 1934-1938
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 7
    Online Resource
    Online Resource
    Bielefeld : transcript | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839429204
    Language: German
    Pages: 1 Online-Ressource (244 Seiten) , Illustrationen, Karten
    Series Statement: Sozial- und Kulturgeographie Band 4
    DDC: 910
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    Keywords: Weltstadt ; Stadtplanung ; Städtebau ; Gentrifizierung ; Stadtentwicklung ; Globalisierung ; Stadtsoziologie ; Sozialgeografie ; Gentrifizierung ; Geographie ; Global City ; Globalisierung ; London ; Raum ; Sozialgeographie ; Stadt ; Stadtgeographie ; Stadtplanung ; Urban Studies ; London ; Aufsatzsammlung
    Abstract: Die Deregulierung des britischen Finanzsektors hat London zu einer der führenden Wirtschaftsmetropolen im transnationalen Wettbewerb gemacht und die Stadt verstärkt dem Einfluss der Globalisierung ausgesetzt. Seitdem hat sich London zu einer Global City der höchsten Rangstufe verändert. Der Band thematisiert die städtebaulichen, wirtschaftlichen, sozialen und planerischen Folgen, etwa die Überformung des Stadtkörpers durch den Bau neuer Büro- und Wohnhochhäuser, die Gentrifizierung ehemaliger Arbeiterquartiere oder die Zunahme der sozialräumlichen Disparitäten
    Abstract: The deregulation of the British financial sector in the 1980s and the intention of the Thatcher government to make London a new economic metropolis have increased the city's exposure to the influence of globalization. Today, London has turned from an aged industrial capital into a global city of highest rank. This volume looks at this transition and provides information about the great consequences for urban construction, economy, society, and planning, such as the over-shaping of the cityscape through the construction of new office and residential high rises, the gentrification of former working class areas, or the increased disparities of social spaces
    Note: Literaturangaben
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    ISBN: 9783035606706
    Language: English
    Pages: 1 Online-Resource (224 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 711.409633
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    Keywords: Addis Abeba ; Architektur ; Äthiopien ; Stadtplanung ; Architecture and society ; Architecture, Domestic ; City planning ; City planning
    Abstract: Äthiopien gilt als "Tiger-Staat Afrikas" (Süddeutsche Zeitung, 6./7.12.2014). Die Entwicklung von Addis Abeba mit ihren Chancen und Problemen ist typisch für die von sogenannten "emerging territories" und wird in dieser Publikation beispielhaft analysiert. Ziel ist, vorhandene Kompetenzen und Resourcen zu nutzen, um Fehler einer aufgepfropften Architektur und Stadtplanung nach westlichem Muster zu vermeiden
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed Jul. 04., 2016) , In English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    ISBN: 9783658029173 , 365802917X
    Language: German
    Pages: 1 Online-Ressource (VI, 285 Seiten) , 61 Illustrationen, 20 Abb. in Farbe.
    Edition: 1st edition 2015
    Series Statement: Kunst und Gesellschaft
    Parallel Title: Erscheint auch als Beziehungsanalysen. Bildende Künste in Westdeutschland nach 1945
    DDC: 306
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    Keywords: Geschichte ; Geschichte 1945- ; Gesellschaft ; Künstler ; Ausstellung ; Kunst ; Kunstbetrieb ; Culture ; Culture Study and teaching ; History ; Arts ; Sociology of Culture ; Cultural Studies ; History ; Arts ; Westdeutschland ; Deutschland ; Konferenzschrift ; Aufsatzsammlung
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  • 10
    ISBN: 9783839426838
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Edition Kulturwissenschaft 24
    Parallel Title: Erscheint auch als
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    Keywords: Beuys, Joseph ; Morrison, Jim ; Geschichte ; Ethnologie ; Religiosität ; Spiritualität ; Culture ; Kultur ; Kulturanthropologie ; Kunst ; Ethnology ; Arts ; Cultural Anthropology ; Jim Morrison ; Joseph Beuys ; Kulturelle Aneignung ; Künstlertum ; Künstlerfigur ; Kunstgeschichte ; Kunstsoziologie ; Art History ; Sociology of Art ; Rezeption ; Schamanismus ; Künstler ; Hochschulschrift ; Hochschulschrift ; Morrison, Jim 1943-1971 ; Beuys, Joseph 1921-1986 ; Schamanismus ; Rezeption ; Künstler ; Schamanismus ; Geschichte
    Abstract: »Shaman as superstar« - Jim Morrison und Joseph Beuys entwarfen sich selbst als indigene religiöse Spezialisten. Wie kam es dazu? Mit dieser Frage beginnt eine spannende historische Reise entlang der auf erstaunliche Weise diskursiv verknüpften Entstehungswege der Konzepte »Künstler« und »Schamane«. Sie mündet in eine detailreiche Analyse der höchst individuellen und kreativen Weisen, auf die die beiden Künstler sich die Figur des Schamanen und ihren semantischen Kontext aneigneten und in ihre Werke integrierten - und eröffnet eine ungewohnte Perspektive auf zentrale erkenntnistheoretische Fragen der Ethnologie
    Abstract: Shaman as superstar: Jim Morrison and Joseph Beuys styled themselves as indigenous religious specialists. How did it come to this? This question marks the start of a thrilling historic journey along the formative paths of the concepts »artist« and »shaman«, these being discursively intertwined in astonishing ways. It leads to a detail-rich analysis of the highly individual and creative manner in which both artists appropriated the figure of the shaman along with its semantic context and integrated it into their works, introducing an unfamiliar perspective on central epistemological questions of ethnology
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  • 11
    Online Resource
    Online Resource
    Pittsburgh, Pa. :Univ. of Pittsburgh Press,
    ISBN: 978-0-8229-6302-8 , 978-0-8229-7957-9
    Language: English
    Pages: 1 Online-Ressource (XII, 440 S.) : , Ill., Kt.
    Series Statement: Culture, politics, and the built environment
    Parallel Title: Erscheint auch als Architecture, politics, & identity in divided Berlin
    DDC: 720.943/15509045
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    Keywords: Geschichte 1900-2000 ; Geschichte 1961-1989 ; ARCHITECTURE / Criticism ; HISTORY / Europe / Germany ; ARCHITECTURE / Urban & Land Use Planning ; Architektur ; Geschichte ; Politik ; Stadtplanung ; Architecture History 20th century ; Architecture Political aspects 20th century ; History ; Architecture and society History 20th century ; City planning History 20th century ; Group identity History 20th century ; Berlin Wall, Berlin, Germany, 1961-1989 ; ARCHITECTURE / Criticism ; HISTORY / Europe / Germany ; ARCHITECTURE / Urban & Land Use Planning ; Architektur. ; Deutschland ; Europa ; Germany (West) Relations ; Germany (East) Relations ; Berlin (Germany) Social conditions 20th century ; Berlin (Germany) Politics and government 1945-1990 ; Berlin ; Berlin ; Architektur ; Geschichte 1961-1989
    Abstract: "Emily Pugh provides an original comparative analysis of selected works of architecture and urban planning in East and West Berlin during the 'Wall era,' to reveal the importance of these structures to the formation of political, cultural, and social identities"..
    Note: Includes bibliographical references and index
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  • 12
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401792400
    Language: English
    Pages: Online-Ressource (XII, 736 p. 1332 illus., 1135 illus. in color, online resource)
    Series Statement: Stichting Foundation Rembrandt Research Project 6
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 6: Rembrandt's paintings revisited
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    Keywords: Humanities ; History ; Arts ; Humanities / Arts ; Humanities ; History ; Arts ; Werkverzeichnis ; Rembrandt Harmensz van Rijn 1606-1669 ; Genremalerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Historienmalerei
    Abstract: A revised survey of Rembrandt’s complete painted oeuvre. The question of which 17th-century paintings in Rembrandt’s style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt’s own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master’s work from that of his followers? Do we yet have methods of investigation that would deliver objective evidence of authenticity? To what extent do research techniques used in the physical sciences help? Or are we, after all, still dependent on the subjective, expert eye of the connoisseur? The book provides answers to these questions. Prof. Ernst van de Wetering, the author of our forthcoming book which deals with these questions, has been closely involved in all aspects of this research since 1968, the year the renowned Rembrandt Research Project (RRP) was founded. In particular, he played an important role in developing new criteria for authentication. Van de Wetering was also witness to the way the often overly zealous tendency to doubt the authenticity of Rembrandt’s paintings got out of hand. In this book he re-attributes to the master a substantial number of unjustly rejected Rembrandts. He also was closely involved in the (re)discovery of a considerable number of lost or completely unknown works by Rembrandt. The verdicts of earlier specialists - including the majority of members of the original RRP (up to 1989) - were based on connoisseurship: the self-confidence in one’s ability to recognise a specific artist’s style and ‘hand’. Over the years, Van de Wetering has carried out seminal research into 17th-century studio practice and ideas about art current in Rembrandt’s time. In this book he demonstrates the fallibility of traditional connoisseurship, especially in the case of Rembrandt, who was par excellence a searching artist. The methodological implications of this critical view are discussed in an introductory chapter which relates the history of the developments in this turbulent field of research. Van de Wetering’s account of his own i ...
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 13
    ISBN: 9783839420904
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Image 13
    Parallel Title: Erscheint auch als
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    Keywords: Adéagbo, Georges ; Afrika ; Postkolonialismus ; Kunst ; Arts ; Postcolonialism ; Africa ; Benin ; Kunstgeschichte ; Art History ; Kunstwissenschaft ; Fine Arts ; Ortsspezifik ; Kulturtransfer/Transkulturalität ; Installationskunst ; Objektkunst ; Sammeln ; Dinge ; Künstlermythen ; Afrikanische Kunst ; African Art ; Kunstgeschichte ; Kunst ; Kunstethnologie ; Globalisierung ; Afrika ; Hochschulschrift ; Adéagbo, Georges 1942- ; Globalisierung ; Kunst ; Afrika ; Kunstgeschichte ; Afrika ; Kunstethnologie
    Abstract: Georges Adéagbo zählt zu den bekanntesten Gegenwartskünstlern Afrikas. Seine ästhetische Praxis zwischen Kulturtransfer und Ortsspezifik setzt eine Auflösung kolonialkultureller Hierarchien zwischen Afrika und Europa in Gang, ohne Differenz zu nivellieren. Sie besitzt Modellcharakter für den Umgang mit Alterität jenseits von Exotismus oder Universalismus und eignet sich deshalb besonders gut dazu, Paradoxien des globalen Kunstsystems aufzuzeigen.Angesichts der eurozentristischen Rezeption von Kunst aus Afrika dient Adéagbos Arbeitsweise in diesem Band als Ausgangspunkt für ebenso systematische wie fruchtbare Überlegungen zu einer transkulturellen Kunstgeschichtsschreibung
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  • 14
    Online Resource
    Online Resource
    Vienna : Springer
    ISBN: 9783709110621 , 9781299337848
    Language: English
    Pages: Online-Ressource (416 p. 150 illus. in color, digital)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Susanna Fritscher - blanc de titre
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    Keywords: Humanities ; Arts ; Humanities / Arts ; Humanities ; Arts ; Bildband ; Fritscher, Susanna 1960- ; Installation ; Fritscher, Susanna 1960- ; Installation
    Abstract: Susanna Fritscher’s installation works cannot be separated from their environment. On the basis of core elements such as space and movement, they directly address our visual perceptions.This book documents sixteen of her completed works, including: the new Vienna Airport (with Baumschlager Eberle) and the Centre des Archives Nationales in Pierrefitte-sur-Seine (with Massimiliano Fuksas).In the first section of the book, the artist explains its guiding concept of artistic space. Together with the book designer Ruedi Baur, she develops a symbiosis of her own art with ink and the printed page.With texts by Philippe Alain Michaud (Curator of the film collection of the Musée d'Art Moderne,Centre Georges Pompidou), Sabine Folie (Director of the Generali Foundation), Hugues Fontenas (architect, lecturer at the École nationale supérieure d'architecture, Paris, Val de Seine) and Jean-Luc Nancy (Prof. emeritus, philosopher)
    Note: Includes bibliographical references
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 15
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9781402057861
    Language: English
    Pages: Online-Ressource (XVIII, 674 p. 898 illus., 629 illus. in color, online resource)
    Series Statement: Stichting Foundation Rembrandt Research Project 5
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 5: Small-scale history paintings
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    Keywords: Humanities ; History ; Arts ; Humanities / Arts ; Humanities ; History ; Arts ; Werkverzeichnis ; Rembrandt Harmensz van Rijn 1606-1669 ; Malerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Genremalerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Historienmalerei
    Abstract: This is the fifth volume of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandts own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandts self-portraits. This fifth volume is about the small-scale history and genre paintings. The so-called histories (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills known in Rembrandts time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandts own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandts own work with that of his pupils has furthermore provided a detailed access to Rembrandts own criteria regarding artistic quality
    Abstract: This is the fifth volume of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandt’s own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandt’s self-portraits. This fifth volume is about the small-scale history and genre paintings. The so-called ‘histories’ (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills - known in Rembrandt’s time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandt’s own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandt’s own work with that of his pupils has furthermore provided a detailed access to Rembrandt’s own criteria regarding artistic quality
    Description / Table of Contents: PrefaceBibliographical and other Abbreviations -- Essays: -- I. Towards a Reconstruction of Rembrandt’s Art Theory -- II. An Illustrated Chronological Survey of Rembrandt’s Small-Scale ‘Histories’: Paintings, Etchings and a Selection of Drawings, with Remarks on Art-Theoretical Aspects, Function and Questions of Authenticity -- III. Rembrandt’s Prototypes and Pupils’ Production of Variants -- IV. On Quality: Comparative Remarks on the Functioning of Rembrandt’s Pictorial Mind -- V. More than One Hand in Paintings by Rembrandt -- Catalogue of the Small-Scale History and Genre Paintings 1642-1669 by Rembrandt and his Pupils -- Corrigenda et Addenda -- Indexes.
    Note: At head of title: Stichting Foundation Rembrandt Research Project , Accompanied by folded leaf of small history paintings , Includes bibliographical references and indexes
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 16
    Online Resource
    Online Resource
    Bloomington : Indiana University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780253004963 , 0253004969
    Language: English
    Pages: 1 Online-Ressource (xii, 378 pages) , Illustrations
    DDC: 307.7609678/1
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    Keywords: Kolonialstadt ; Städtebau ; Stadtplanung ; Sansibar
    Abstract: Across Africa and elsewhere, colonialism promised to deliver progress and development. In urban spaces like Zanzibar, the British vowed to import scientific techniques and practices, ranging from sanitation to urban planning, to create a perfect city. Rather than remaking space, these designs often unraveled. Plans were formulated and then fell by the wayside, over and over again. By focusing on these flawed efforts to impose colonial order, William Cunningham Bissell offers a different view of colonialis.
    Note: Title from PDF title page (viewed Feb. 20, 2012) , Includes bibliographical references and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 17
    Online Resource
    Online Resource
    Bloomington : Indiana University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780253004963
    Language: English
    Pages: 1 Online-Ressource (394 pages)
    DDC: 307.7609678/1
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    Keywords: Kolonialstadt ; Städtebau ; Stadtplanung ; Sansibar
    Abstract: Across Africa and elsewhere, colonialism promised to deliver progress and development. In urban spaces like Zanzibar, the British vowed to import scientific techniques and practices, ranging from sanitation to urban planning, to create a perfect city. Rather than remaking space, these designs often unraveled. Plans were formulated and then fell by the wayside, over and over again. By focusing on these flawed efforts to impose colonial order, William Cunningham Bissell offers a different view of colonialism and cities, revealing the contradictions, confusion, and even chaos that lay at the very core of British rule. At once an engaging portrait of a cosmopolitan African city and an exploration of colonial irrationality, Urban Design, Chaos, and Colonial Power in Zanzibar opens up new perspectives on the making of modernity and the metropolis.
    Note: Description based on publisher supplied metadata and other sources
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  • 18
    Online Resource
    Online Resource
    New York, NY : Princeton Architectural Press
    ISBN: 9781568986449
    Language: English
    Pages: Online-Ressource , v.: digital
    Edition: Online-Ausg. Springer eBook Collection. Humanities, Social Science and Law Electronic reproduction; Available via World Wide Web
    DDC: 709.2
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    Keywords: Humanities ; Arts ; Bildband ; Hutchinson, Peter 1932- ; Naturkunst
    Abstract: Although Peter Hutchinson has been working with land art since the 1960s, he has yet to receive his proper due. His work isn't found in galleries and he doesn't practice the kind of sensationalism that is typical of the art world. He is a refreshingly modest artist, and his delicate, fleeting work is extraordinarily beautiful, remarkably intelligent, and endlessly charming. It is our hope that
    Abstract: Although Peter Hutchinson has been working with land art since the 1960s, he has yet to receive his proper due. His work isn't found in galleries and he doesn't practice the kind of sensationalism that is typical of the art world. He is a refreshingly modest artist, and his delicate fleeting work is extraordinarily beautiful, remarkably intelligent, and endlessly charming. It is our hope that ""Thrown Rope"" will place Hutchinson where he belongs in the canon of modern art alongside Andy Goldsworthy and Robert Smithson. Hutchinson's works are ephemeral and evanescent, produced out in the open
    Description / Table of Contents: Preliminary; Hutchinson's Travels; Living Variously; Back matter;
    Note: "A Blind Spot Book , Includes bibliographical references , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (lizenzpflichtig)
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  • 19
    Online Resource
    Online Resource
    New York, NY : Harvey Tulcensky and Laetitia Wolff
    ISBN: 9781568986654
    Language: English
    Pages: Online-Ressource , v.: digital
    Edition: Online-Ausg. Springer eBook Collection. Humanities, Social Science and Law Electronic reproduction; Available via World Wide Web
    DDC: 973.91/022/2
    RVK:
    RVK:
    Keywords: Humanities ; Arts ; Bildband ; USA ; Soziale Wirklichkeit ; Alltag ; Fotografie ; Sammlung ; Geschichte 1900-2000 ; Postkarte
    Abstract: It may be hard to believe, but there actually was a time when the postcard image was not a cliche. To reach it, you'll have to set your clock back to the end of the nineteenth century, when an Act of Congress allowed Americans to mail a card for just one cent. A few years later, Kodak introduced an easy-to-use and affordable folding camera that put postcard power into the hands of ordinary citizens, setting off a craze.
    Note: A selection of these cards was first exhibited under the title Postmarked at the K.S. Art Gallery, New York, May 2004 , Includes interview with artist , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (lizenzpflichtig)
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  • 20
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9781402044410
    Language: English
    Pages: Online-Ressource (XXXII, 690 p, online resource)
    Series Statement: Rembrandt Research Project Foundation 4
    Series Statement: SpringerLink
    Series Statement: Bücher
    Series Statement: Springer-11648
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 4: The self-portraits
    RVK:
    Keywords: History ; Arts ; Humanities ; Humanities / Arts / Design
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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