Ihre E-Mail wurde erfolgreich gesendet. Bitte prüfen Sie Ihren Maileingang.

Leider ist ein Fehler beim E-Mail-Versand aufgetreten. Bitte versuchen Sie es erneut.

Vorgang fortführen?

Exportieren
Filter
  • New Haven : Yale University Press  (6)
  • Durham : Duke University Press
  • History  (10)
  • Allgemeines  (10)
Materialart
Sprache
Erscheinungszeitraum
  • 1
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478004684 , 9781478004073
    Sprache: Englisch
    Seiten: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Paralleltitel: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Kurzfassung: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Kurzfassung: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478005537
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 236 Seiten)
    Paralleltitel: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779.93058
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; Photography in ethnology-United States-History ; Electronic books ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; Rassenfrage ; Fotografie
    Kurzfassung: In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Buch
    Buch
    New Haven : Yale University Press
    ISBN: 9780300220391 , 0300220391
    Sprache: Englisch
    Seiten: xii, 280 Seiten , Illustrationen
    DDC: 306.40942/06
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Sleep Social aspects 17th century ; History ; Sleep Social aspects 18th century ; History ; Sleeping customs History ; Sleep History ; Social change History ; Sleep Social aspects ; History ; 17th century ; England ; Sleep Social aspects ; History ; 18th century ; England ; Sleeping customs History ; England ; Sleep History ; England ; Social change History ; England ; HISTORY / Europe / Great Britain ; HISTORY / Modern / 17th Century ; SOCIAL SCIENCE / Customs & Traditions ; HISTORY / Social History ; England Social life and customs ; England Social conditions ; England Social life and customs ; England Social conditions ; England ; Schlaf ; Geschichte 1600-1800
    Kurzfassung: Sleep, Medicine and the Body -- Healthy Sleep and the Household -- Faithful Slumber -- Sleeping at Home -- Sleep and Sociability -- Sleep, Sensibility and Identity
    Kurzfassung: "Drawing on diverse archival sources and material artifacts, Handley reveals that the way we sleep is as dependent on culture as it is on biological and environmental factors. After 1660 the accepted notion that sleepers lay at the mercy of natural forces and supernatural agents was challenged by new medical thinking about sleep's relationship to the nervous system. This breakthrough coincided with radical changes shaping everything from sleeping hours to bedchambers. Handley's illuminating work documents a major evolution in our conscious understanding of the unconscious"--
    Anmerkung: Includes bibliographical references , Includes bibliographical references
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Online-Ressource
    Online-Ressource
    New Haven : Yale University Press
    ISBN: 9780300208481
    Sprache: Englisch
    Seiten: 1 Online-Ressource (359 p)
    Serie: Eurasia Past and Present
    Paralleltitel: Print version Evans, Christine Elaine Between Truth and Time : A History of Soviet Central Television
    Paralleltitel: Evans, Christine Between truth and time
    DDC: 302.2345094709045
    RVK:
    RVK:
    Schlagwort(e): Soviet Union--Social life and customs ; Television Soviet Union ; History ; 20th century ; Soviet Union Social life and customs ; Electronic books ; Electronic books ; Electronic books ; Sowjetunion ; Fernsehen ; Geschichte
    Kurzfassung: Cover -- Half title -- Title -- Copyright -- Contents -- Preface -- Acknowledgments -- Introduction: Stagnation and Experimentation in the Russian Era of Television -- CHAPTER ONE: Not a Mirror but a Magnifying Glass: Soviet Television Enthusiasm -- CHAPTER TWO: Programmnaia Politika: Audience Research and the Creation of the Channel 1 Schedule -- CHAPTER THREE: From Café to Contest: New Year's Variety Shows and the Soviet Festive System -- CHAPTER FOUR: Time and the Problem of Boredom -- CHAPTER FIVE: "Spiritual Coauthorship": Seventeen Moments of Spring and the Soviet TV Miniseries
    Kurzfassung: CHAPTER SIX: "KVN Is an Honest Game": Game Shows and the Problem of Authority -- CHAPTER SEVEN: A Dress Rehearsal for Life: Artloto and What? Where? When? -- Epilogue: The Origins of Central Television's Perestroika -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
    Anmerkung: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    ISBN: 9780300197457 , 0300197454
    Sprache: Englisch
    Seiten: 184 S , zahlr. Ill , 29 cm
    Ausgabe: 1. ed.
    Serie: The Henry Roe Cloud series on American Indians and modernity
    DDC: 978.004/97
    RVK:
    RVK:
    Schlagwort(e): Poolaw, Horace Exhibitions ; Poolaw, Horace 1906-1984 Exhibitions ; Kiowa Indians Pictorial works History 20th century ; Exhibitions ; Documentary photography Exhibitions ; Indians of North America Pictorial works History 20th century ; Exhibitions ; Indian photographers Biography ; Kiowa Indians Biography ; Indians of North America Pictorial works ; Exhibitions ; History ; 20th century ; Great Plains ; Kiowa Indians Pictorial works ; Exhibitions ; History ; 20th century ; Documentary photography Exhibitions ; United States ; Indian photographers Biography ; Kiowa Indians Biography ; Photography / Individual Photographers / Monographs ; History / Native American ; Photography / Photoessays & Documentaries ; Great Plains Pictorial works Social life and customs 20th century ; Exhibitions ; Great Plains Pictorial works ; Exhibitions ; Social life and customs ; 20th century ; Bildband ; Ausstellungskatalog 2014 ; Poolaw, Horace 1906-1984 ; Fotografie ; Oklahoma ; Kiowa ; Alltag ; Geschichte 1925-1960
    Kurzfassung: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Kurzfassung: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Anmerkung: "This volume [is] a companion piece to the National Museum of the American Indian (NMAI) exhibition ... ; [it] represents the only major publication of Horace Poolaw's work and celebrates the first retrospective exhibition of his photographs in almost twenty-five years"--Foreword. - Published in conjunction with the exhibition For a Love of His People: the Photography of Horace Poolaw, opening at the National Museum of the American Indian, New York, on August 9, 2014. - Includes bibliographical references (pages 169-174) and index , Foreword , Introduction: The Transcendence of the Everyday , Insider Knowledge , "An Age of Pictures More than Words" : Theorizing Early American Indian Photography , Breaking the Bounds of Documentation , For a Love of His People , Reflections , Why Horace Poolaw's Indians Won't Vanish , Horace Poolaw : "Pictures by an Indian" , Fancy , Planes, Flags, and Automobiles : Horace Poolaw's American Legacy , Beaded Buckskins and Bad-Girl Bobs : Kiowa Female Identity, Industry, and Activism in Horace Poolaw's Portraits , Justin Poolaw Comes to Visit [+ untitled reflections] , Afterword ; This is My Family , Appendix A: Horace Poolaw Biography , Appendix B: Kiowa names and their phonetic spellings ; Checklist ; Contributors.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 6
    ISBN: 9780300197457 , 0300197454
    Sprache: Englisch
    Seiten: 184 S , zahlr. Ill , 29 cm
    Ausgabe: 1. ed.
    Serie: The Henry Roe Cloud series on American Indians and modernity
    DDC: 978.004/97
    RVK:
    RVK:
    Schlagwort(e): Poolaw, Horace Exhibitions ; Poolaw, Horace 1906-1984 Exhibitions ; Kiowa Indians Pictorial works History 20th century ; Exhibitions ; Documentary photography Exhibitions ; Indians of North America Pictorial works History 20th century ; Exhibitions ; Indian photographers Biography ; Kiowa Indians Biography ; Indians of North America Pictorial works ; Exhibitions ; History ; 20th century ; Great Plains ; Kiowa Indians Pictorial works ; Exhibitions ; History ; 20th century ; Documentary photography Exhibitions ; United States ; Indian photographers Biography ; Kiowa Indians Biography ; Photography / Individual Photographers / Monographs ; History / Native American ; Photography / Photoessays & Documentaries ; Great Plains Pictorial works Social life and customs 20th century ; Exhibitions ; Great Plains Pictorial works ; Exhibitions ; Social life and customs ; 20th century ; Bildband ; Ausstellungskatalog 2014 ; Bildband ; Ausstellungskatalog 2014 ; Poolaw, Horace 1906-1984 ; Fotografie ; Oklahoma ; Kiowa ; Alltag ; Geschichte 1925-1960
    Kurzfassung: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Kurzfassung: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Anmerkung: "This volume [is] a companion piece to the National Museum of the American Indian (NMAI) exhibition ... ; [it] represents the only major publication of Horace Poolaw's work and celebrates the first retrospective exhibition of his photographs in almost twenty-five years"--Foreword. - Published in conjunction with the exhibition For a Love of His People: the Photography of Horace Poolaw, opening at the National Museum of the American Indian, New York, on August 9, 2014. - Includes bibliographical references (pages 169-174) and index , Foreword , Introduction: The Transcendence of the Everyday , Insider Knowledge , "An Age of Pictures More than Words" : Theorizing Early American Indian Photography , Breaking the Bounds of Documentation , For a Love of His People , Reflections , Why Horace Poolaw's Indians Won't Vanish , Horace Poolaw : "Pictures by an Indian" , Fancy , Planes, Flags, and Automobiles : Horace Poolaw's American Legacy , Beaded Buckskins and Bad-Girl Bobs : Kiowa Female Identity, Industry, and Activism in Horace Poolaw's Portraits , Justin Poolaw Comes to Visit [+ untitled reflections] , Afterword ; This is My Family , Appendix A: Horace Poolaw Biography , Appendix B: Kiowa names and their phonetic spellings ; Checklist ; Contributors.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 7
    ISBN: 9780822392989
    Sprache: Englisch
    Seiten: 1 Online-Ressource (342 Seiten)
    Paralleltitel: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    Paralleltitel: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    DDC: 791.43/658209732
    RVK:
    RVK:
    Schlagwort(e): City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures History 20th century ; Performing arts ; Performing Arts / Film / History & Criticism ; City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures ; United States ; History ; 20th century ; Electronic books ; USA ; Film ; Wohnung ; Geschichte 1945-1975
    Kurzfassung: Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based
    Beschreibung / Inhaltsverzeichnis: Introduction: a philosophy of urbanism -- A primer in urbanism : Rear Window's archetypal apartment plot -- "We like our apartment" : the playboy indoors -- The great reprieve : modernity, femininity, and the apartment -- The suburbs in the city : the housewife and the apartment -- Movin' on up : the African american apartment.
    Anmerkung: Includes bibliographical references (p. [289] - 302) and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 8
    ISBN: 0300098960 , 0920785743 , 8188204145
    Sprache: Englisch
    Seiten: 342 S. , zahlr. Ill. , 28cm
    DDC: 770/.954/09034
    RVK:
    Schlagwort(e): Photography History 19th century ; Architectural photography History 19th century ; India Civilization 1765-1947 ; India Colonial influence 19th century ; History ; Ausstellungskatalog ; Indien ; Architekturfotografie ; Rezeptionsästhetik ; Kolonialismus
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 9
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9780822384717 , 082238471X
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 286 Seiten) , Illustrationen
    Serie: Objects/histories
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Photography History ; Photography Social aspects ; History ; Fotografie ; Indigenes Volk ; Geschichte ; Electronic books ; Konferenzschrift 1997 ; Indigenes Volk ; Fotografie ; Geschichte
    Anmerkung: Includes bibliographical references (pages [261]-276) and index , Introduction - "How the other half..." - Christopher Pinney -- - 1. PERSONAL ARCHIVES -- - Relating to photographs - Jo-Anne Driessens -- - Growing up with aborigines - Michael Aird -- - When is a photograph worth a thousand words? - Hulleah J. Tsinhnahjinnie -- - 2. VISUAL ECONOMIES -- - The making of professional "savages": from P.T. Barnum (1883) to the Sunday Times (1998) - Roslyn Poignant -- - Navajo and photography - James Faris -- - The Japanese colonial eye: science, exploration, and empire - Morris Low -- - The changing photographic contract: aborigines and image ethics - Nicolas Peterson -- - Supple bodies: the Papua New Guinea photographs of Captain Francis R. Barton, 1899-1907 - Christopher Wright -- - 3. SELF-FASHIONING AND VERNACULAR MODERNISM -- - Figueroa Aznar and the Cusco Indigenistas: photography and modernism in early-twentieth-century Peru - Deborah Poole -- - Notes from the surface of the image: photography, postcolonialism, and vernacular modernism - Chrisopher Pinney -- - Imagined journeys: the Likoni Ferry phototgrpahers of Mombasa, Kenya - Heike Behrend -- - Yoruba photogrpahy: how the Yoruba see themselves - Stephen Sprague
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 10
    Buch
    Buch
    New Haven : Yale University Press
    ISBN: 9780300089554 , 0300089554
    Sprache: Englisch
    Seiten: xiii, 270 Seiten , Illustrationen, Karten , 28 cm
    Suppl.: Rezensiert in Pastore, Christopher [Rezension von: Bloom, Jonathan M., Paper before Print: The History and Impact of Paper in the Islamic World] 2003
    DDC: 676.09176710902
    RVK:
    Schlagwort(e): Paper History ; Middle East ; Paper ; Middle East ; History ; Naher Osten ; Islam ; Papier ; Geschichte 600-1500 ; Naher Osten ; Islam ; Papier ; Geschichte 600-1500 ; Islamische Staaten ; Papier ; Geschichte ; Islam ; Papier ; Geschichte
    Beschreibung / Inhaltsverzeichnis: Machine generated contents note: I INTRODUCTION -- ONE -- 16 THE INVENTION OF PAPER -- Clay Tablets and Papyrus Rolls -- Wooden Tablets and Parchment Codices -- Bamboo Strips and Silk Cloth -- The Invention of Paper -- The Diffusion of Paper -- The Introduction of Paper in the Islamic Lands -- TWO -- 46 THE SPREAD OF PAPERMAKING -- ACROSS THE ISLAMIC LANDS -- Iraq -- Syria -- Iran and Central Asia -- Egypt -- The Maghrib (North Africa and Spain) -- THREE -- 90 PAPER AND BOOKS -- The Koran and Oral Culture -- Written Arabic -- An Explosion of Books -- Collections and Libraries -- A Culture of Writing -- FOUR -- I24 PAPER AND SYSTEMS OF NOTATION -- Mathematics -- Commerce -- Cartography -- Music, Genealogy, and Battle Plans -- FIVE -- 160 PAPER AND THE VISUAL ARTS -- Before the Thirteenth Century -- From the Thirteenth Century -- SIX -- 202 THE TRANSFER OF PAPER AND PAPERMAKING -- TO CHRISTIAN EUROPE -- Byzantium -- Spain -- Italy -- Europe North of the Alps -- SEVEN -- 214 PAPER AFTER PRINT -- 227 BIBLIOGRAPHICAL ESSAY -- 249 WORKS CITED -- 263 INDEX
    Beschreibung / Inhaltsverzeichnis: Machine generated contents note: I INTRODUCTION -- ONE -- 16 THE INVENTION OF PAPER -- Clay Tablets and Papyrus Rolls -- Wooden Tablets and Parchment Codices -- Bamboo Strips and Silk Cloth -- The Invention of Paper -- The Diffusion of Paper -- The Introduction of Paper in the Islamic Lands -- TWO -- 46 THE SPREAD OF PAPERMAKING -- ACROSS THE ISLAMIC LANDS -- Iraq -- Syria -- Iran and Central Asia -- Egypt -- The Maghrib (North Africa and Spain) -- THREE -- 90 PAPER AND BOOKS -- The Koran and Oral Culture -- Written Arabic -- An Explosion of Books -- Collections and Libraries -- A Culture of Writing -- FOUR -- I24 PAPER AND SYSTEMS OF NOTATION -- Mathematics -- Commerce -- Cartography -- Music, Genealogy, and Battle Plans -- FIVE -- 160 PAPER AND THE VISUAL ARTS -- Before the Thirteenth Century -- From the Thirteenth Century -- SIX -- 202 THE TRANSFER OF PAPER AND PAPERMAKING -- TO CHRISTIAN EUROPE -- Byzantium -- Spain -- Italy -- Europe North of the Alps -- SEVEN -- 214 PAPER AFTER PRINT -- 227 BIBLIOGRAPHICAL ESSAY -- 249 WORKS CITED -- 263 INDEX
    Anmerkung: Literaturverzeichnis: Seite 249-261 , Mit Register
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
Schließen ⊗
Diese Webseite nutzt Cookies und das Analyse-Tool Matomo. Weitere Informationen finden Sie hier...