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  • London [u.a.] : Tauris  (6)
  • Durham : Duke University Press
  • History  (10)
  • Allgemeines  (10)
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  • 1
    Buch
    Buch
    Photographic returns : racial justice and the time of photography (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478004684 , 9781478004073
    Sprache: Englisch
    Seiten: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Paralleltitel: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
    RVK:
    AP 95000
    RVK:
    HD 474
    RVK:
    MS 1235
    RVK:
    MS 3530
    Schlagwort(e): Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Kurzfassung: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Kurzfassung: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Anmerkung: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Buch
    HU Berlin
    BSZ
    GBV
  • 2
    Online-Ressource
    Online-Ressource
    Photographic returns : racial justice and the time of photography (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478005537
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 236 Seiten)
    Paralleltitel: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779.93058
    RVK:
    AP 95000
    RVK:
    MS 3530
    RVK:
    MS 1235
    RVK:
    HD 474
    Schlagwort(e): Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; Photography in ethnology-United States-History ; Electronic books ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; Rassenfrage ; Fotografie
    Kurzfassung: In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
    DOI: 10.1215/9781478005537
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9781478005537
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781478005537
    URL: https://www.degruyter.com/isbn/9781478005537
    URL: Cover
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    BSZ
    GBV
    HeBIS
    MPI-MMG
  • 3
    Buch
    Buch
    A dictionary of environmental history (2013)
    London [u.a.] : Tauris
    Details
    ISBN: 9781845114626
    Sprache: Englisch
    Seiten: XII, 578 S. , 24 cm
    Serie: Environmental history and global change series 2
    Serie: Environmental history and global change series
    DDC: 304.2
    RVK:
    NB 5600
    RVK:
    AR 13120
    Schlagwort(e): Human ecology Encyclopedias History ; Human ecology ; History ; Encyclopedias ; Wörterbuch ; Historische Umweltforschung
    Anmerkung: Literaturverz. S. 501 - 570 , Mit Reg
    URL: Autorenbiografie
    URL: Verlagsangaben
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    BSZ
    GBV
  • 4
    Buch
    Buch
    Israeli cinema : East/West and the politics of representation (2010)
    London [u.a.] : Tauris
    Details
    ISBN: 1845113136 , 1845113128 , 9781845113131 , 9781845113124
    Sprache: Englisch
    Seiten: VIII, 377 S. , Ill. , 24 cm
    Ausgabe: New ed.
    Serie: Library of modern Middle East studies 78
    Serie: Library of modern Middle-East studies
    DDC: 791.43095694
    RVK:
    AP 59467
    RVK:
    AP 44967
    Schlagwort(e): Motion pictures History ; Motion pictures Political aspects ; Popular culture ; Politics in motion pictures ; Motion pictures ; Israel ; History ; Politics in motion pictures ; Israel ; Film ; Geschichte
    Anmerkung: Literaturverz. S. [349] - 354
    URL: Inhaltsverzeichnis
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    The apartment plot : urban living in American film and popular culture, 1945 to 1975 (2010)
    Durham : Duke University Press
    Details
    ISBN: 9780822392989
    Sprache: Englisch
    Seiten: 1 Online-Ressource (342 Seiten)
    Paralleltitel: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    Paralleltitel: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    DDC: 791.43/658209732
    RVK:
    HU 1691
    RVK:
    AP 44983
    Schlagwort(e): City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures History 20th century ; Performing arts ; Performing Arts / Film / History & Criticism ; City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures ; United States ; History ; 20th century ; Electronic books ; USA ; Film ; Wohnung ; Geschichte 1945-1975
    Kurzfassung: Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based
    Beschreibung / Inhaltsverzeichnis: Introduction: a philosophy of urbanism -- A primer in urbanism : Rear Window's archetypal apartment plot -- "We like our apartment" : the playboy indoors -- The great reprieve : modernity, femininity, and the apartment -- The suburbs in the city : the housewife and the apartment -- Movin' on up : the African american apartment.
    Anmerkung: Includes bibliographical references (p. [289] - 302) and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    MPI Ethno. Forsch.
  • 6
    Buch
    Buch
    Brazil on screen : cinema novo, new cinema, utopia (2007)
    London [u.a.] : Tauris
    Details
    ISBN: 9781845113285 , 9781845114480
    Sprache: Englisch
    Seiten: XXII, 162 S. , Ill , 24cm
    Serie: Tauris world cinema series
    DDC: 791.430981
    RVK:
    AP 59789
    RVK:
    IQ 88192
    Schlagwort(e): Motion pictures Brazil ; History ; Utopias in motion pictures ; Brasilien ; Film ; Geschichte 1959-2002 ; Brasilien ; Film ; Utopie ; Geschichte 1995-2002 ; Brasilien ; Film ; Utopie ; Geschichte 1959-2002
    Anmerkung: Includes bibliographical references and index , Formerly CIP
    URL: Inhaltsverzeichnis
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Buch
    Ethn. Museum Berlin
  • 7
    Buch
    Buch
    Filming the Modern Middle East : politics in the cinemas of Hollywood and the Arab World (2006)
    London [u.a.] : Tauris
    Details
    ISBN: 1845111915 , 1845111923 , 9781845111915 , 9781845111922
    Sprache: Englisch
    Seiten: VIII, 242 S. , Ill.
    Serie: Library of modern Middle East studies 57
    Serie: Library of modern Middle-East studies
    Paralleltitel: Online-Ausg. Khatib, Lina Filming the modern Middle East
    DDC: 791.43658
    RVK:
    AP 50300
    RVK:
    AP 59768
    Schlagwort(e): Politics in motion pictures ; Motion pictures Arab countries ; History ; Motion pictures United States ; History ; Arabische Länder Vereinigte Staaten ; Internationale Medienbeziehungen/Kommunikation/Information ; Kultur/Sprache/Kunst ; Middle East In mass media ; USA ; Naher Osten ; Film ; Politik ; Araber ; Naher Osten ; Film ; Politik ; USA ; Film ; Islam ; Araber ; Film ; Islam ; USA ; Naher Osten ; Film ; Orientalismus
    Anmerkung: Bibliography S. [211] - 227 , Hier auch später erschienene unveränderte Nachdrucke
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    Ethn. Museum Berlin
  • 8
    Online-Ressource
    Online-Ressource
    Film and community: Britain and France : from La R̀egle du jeu to Room at the top (2004)
    London [u.a.] : Tauris
    Details
    ISBN: 9781417583669 , 1417583665 , 9780857712646 , 0857712640 , 1282528939 , 9781282528932
    Sprache: Englisch
    Seiten: XI, 252 S.
    Ausgabe: Electronic reproduction, Boulder, Colo : NetLibrary, 2005
    Serie: Cinema and Society
    Serie: EBSCOhost eBook Collection
    Paralleltitel: Druckausg. u.d.T. Butler, Margaret Film and community: Britain and France ; from La R̀egle du jeu to Room at the top
    RVK:
    AP 44930
    RVK:
    AP 44935
    Schlagwort(e): Motion pictures Great Britain ; History ; Motion pictures France ; History ; War Films Great Britain ; War Films France ; Motion pictures Great Britain ; History ; Motion pictures France ; History ; World War, 1939-1945 Motion pictures and the war ; War Films Great Britain ; War Films France ; World War, 1939-1945 Motion pictures and the war ; Motion pictures History ; France ; Motion pictures History ; Great Britain ; War films Great Britain ; War films France ; Guerre mondiale, 1939-1945 Cinéma et guerre ; Guerre mondiale, 1939-1945 Grande-Bretagne ; Guerre mondiale, 1939-1945 France ; Cinéma Aspect social ; Grande-Bretagne ; Cinéma Aspect social ; France ; Motion pictures France ; History ; Motion pictures Great Britain ; History ; War Films France ; War Films Great Britain ; World War, 1939-1945 Motion pictures and the war ; World War, 1939-1945 Great Britain ; World War, 1939-1945 France ; Motion pictures Social aspects ; Great Britain ; Motion pictures Social aspects ; France ; Electronic books ; Electronic books ; Großbritannien ; Film ; Geschichte ; Frankreich ; Film ; Geschichte
    Kurzfassung: Britain and France and the concept of "community" -- Film industries at war : projecting "community" -- Countryside and city, Paysage et patrie at war -- Countryside, city, and region in post-war film -- Cinema of the return : acceptance and alienation -- Women in Britain : "returned" or renewed? -- "Liberation" and Les femmes françaises
    Kurzfassung: Relations between France and Britain have always been uneasy and ambivalent. But in cinema the WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and div
    Anmerkung: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2005 , Electronic reproduction, Boulder, Colo : NetLibrary, 2005
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    MPI Ethno. Forsch.
  • 9
    Online-Ressource
    Online-Ressource
    Photography's other histories (2003)
    Durham : Duke University Press
    Details
    ISBN: 9780822384717 , 082238471X
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 286 Seiten) , Illustrationen
    Serie: Objects/histories
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    AP 91500
    RVK:
    AP 95000
    RVK:
    LB 33000
    Schlagwort(e): Photography History ; Photography Social aspects ; History ; Fotografie ; Indigenes Volk ; Geschichte ; Electronic books ; Konferenzschrift 1997 ; Indigenes Volk ; Fotografie ; Geschichte
    Anmerkung: Includes bibliographical references (pages [261]-276) and index , Introduction - "How the other half..." - Christopher Pinney -- - 1. PERSONAL ARCHIVES -- - Relating to photographs - Jo-Anne Driessens -- - Growing up with aborigines - Michael Aird -- - When is a photograph worth a thousand words? - Hulleah J. Tsinhnahjinnie -- - 2. VISUAL ECONOMIES -- - The making of professional "savages": from P.T. Barnum (1883) to the Sunday Times (1998) - Roslyn Poignant -- - Navajo and photography - James Faris -- - The Japanese colonial eye: science, exploration, and empire - Morris Low -- - The changing photographic contract: aborigines and image ethics - Nicolas Peterson -- - Supple bodies: the Papua New Guinea photographs of Captain Francis R. Barton, 1899-1907 - Christopher Wright -- - 3. SELF-FASHIONING AND VERNACULAR MODERNISM -- - Figueroa Aznar and the Cusco Indigenistas: photography and modernism in early-twentieth-century Peru - Deborah Poole -- - Notes from the surface of the image: photography, postcolonialism, and vernacular modernism - Chrisopher Pinney -- - Imagined journeys: the Likoni Ferry phototgrpahers of Mombasa, Kenya - Heike Behrend -- - Yoruba photogrpahy: how the Yoruba see themselves - Stephen Sprague
    DOI: 10.1215/9780822384717
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    BVB
  • 10
    Buch
    Buch
    Islamic law : theory and practice (2001)
    London [u.a.] : Tauris
    Dazugehörige Bände/Artikel
    Details
    ISBN: 1860646522
    Sprache: Englisch
    Seiten: VI, 248 S.
    DDC: 340.5/9
    RVK:
    PU 9300
    RVK:
    AA 16800
    Schlagwort(e): Islamic law Congresses ; Islamic law Congresses ; Philosophy ; Islamic law Congresses ; History ; Islam ; Rechtsanwendung ; Rechtsordnung ; Geschichte ; Islamische Staaten ; a ; Islamic law ; Congresses ; a ; Islamic law ; Philosophy ; Congresses ; a ; Islamic law ; History ; Congresses ; Konferenzschrift ; Islamisches Recht
    Beschreibung / Inhaltsverzeichnis: Chaumont, Eric: Ijtihad et histoire en islam sunnite classique selon quelques juristes et théologiens. - S. 7-23 Gleave, Robert: Akhbari Shi'i usul al-fiqh and the juristic theory of Yusuf b. Ahmad al-Bahrani. - S. 24-45 Fadel, Mohammad: Rules, judicial discretion and the rule of law in Nasrid Granada: an analysis of al-Hadiqa al-mustaqilla al-nadra fi al-fatawa al-sadira 'an 'ulama' al-hadra. - S. 49-86 Zomeño, Amalia: Kafa'a in the Maliki school: a fatwa from fifteenth-century Fez. - S. 87-106 Kabra, Patricia: Water rights and irrigation practices in the medieval Maghrib. - S. 107-118 Jokisch, Benjamin: Ijtihad in Ibn Taymiyya's fatawa. - S. 119-137 Kermeli, Eugenia: Ebu's Su'ud's definitions of church vakfs: theory and practice in Ottoman law. - S. 141-156 Hollander, Isaac: Halakha, shari'a and custom: a legal saga from Highland Yemen, 1900-1940. - S. 157-181 Krawietz, Birgit: Darura in modern Islamic law: the case of organ transplantation. - S. 185-193 Mitchell, Ruth: Family law in Algeria befor
    Anmerkung: The papers in this collection were originally presented at a conference entitled 'Islamic law : theory and practice' held at Ashburne Hall, University of Manchester in June 1995".--CIP introd , Literaturverz. S. 232 - 244
    URL: http://www.loc.gov/catdir/description/hol052/2001271189.html
    URL: http://www.loc.gov/catdir/bios/hol058/2001271189.html
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    MPI Ethno. Forsch.
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