Ihre E-Mail wurde erfolgreich gesendet. Bitte prüfen Sie Ihren Maileingang.

Leider ist ein Fehler beim E-Mail-Versand aufgetreten. Bitte versuchen Sie es erneut.

Vorgang fortführen?

Exportieren
Filter
  • Englisch  (18)
  • Durham : Duke University Press  (18)
  • USA  (18)
  • Allgemeines  (18)
Materialart
Sprache
  • Englisch  (18)
Erscheinungszeitraum
  • 1
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478015642 , 9781478018285
    Sprache: Englisch
    Seiten: x, 315 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Spigel, Lynn TV snapshots
    Paralleltitel: Erscheint auch als Spigel, Lynn, 1955 - TV snapshots
    DDC: 302.23/45
    RVK:
    RVK:
    Schlagwort(e): Television Social aspects ; Photography Social aspects ; Television viewers Attitudes ; Popular culture History 20th century ; PERFORMING ARTS / Television / History & Criticism ; USA ; Fotografie ; Fernsehen ; Geschichte 1950-1970
    Kurzfassung: TV portraits : picturing families and household things -- TV performers : a theater of everyday life -- TV dress-up : fashion poses and everyday glamour -- TV pinups : sex and the single TV -- TV memories : snapshots in digital times.
    Kurzfassung: "In TV Snapshots, Lynn Spigel explores snapshots of people posing in front of their television sets in the 1950s through the early 1970s. Like today's selfies, TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture. Drawing on her collection of over 5,000 TV snapshots, Spigel shows that people did not just watch TV: women used the TV set as a backdrop for fashion and glamour poses; people dressed in drag in front of the screen; and, in pinup poses, people even turned the TV setting into a space for erotic display. While the TV industry promoted on-screen images of white nuclear families in suburban homes, the snapshots depict a broad range of people across racial, ethnic, and class backgrounds that do not always conform to the reigning middle-class nuclear family ideal. Showing how the television set became a central presence in the home that exceeded its mass entertainment function, Spigel highlights how TV snapshots complicate understandings of the significance of TV in everyday life"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478006817 , 9781478008101
    Sprache: Englisch
    Seiten: xiii, 247 Seiten , Illustrationen
    Serie: A camera obscura book
    Paralleltitel: Erscheint auch als Wallace, Leonelle Mary, 1962- Reattachment theory
    DDC: 306.84/8
    RVK:
    RVK:
    Schlagwort(e): Same-sex marriage ; Marriage ; Lesbianism in motion pictures ; Homosexuality in motion pictures ; Gleichgeschlechtliche Ehe ; Motiv ; Film ; USA
    Kurzfassung: "REATTACHMENT THEORY eschews dominant queer critiques of same-sex marriage to examine the varied histories of queer influences on marriage. According to the traditional queer critique, the legalization of same-sex marriage signaled a neoliberal and homonormative assimilation into normative structures of heterosexism and reproductive futurism. Countering this argument, queer film scholar Lee Wallace claims that, since the eighteenth century, marriage has allowed for many queer and non-normative plotlines. In this book, Wallace is more interested in marriage as a narrative-both in how marriage is narrativized, as well as the story of the changing meaning of marriage-than she is in marriage as a legal institution. Drawing on historians of marriage, Wallace traces the iterations of love associated with marriage vows: from obligation or duty, to romance, and finally to intimacy. Historicizing the discourse of intimacy, Wallace claims that the valorization of intimacy across the twentieth century led to an idealization of the couple form, regardless of heterosexual or homosexual affiliation. Furthermore, Wallace draws on twentieth-century formulations of sexual reciprocity and sexual satisfaction regardless of marital status-and their links to the discourses of intimacy-to reveal how these concepts proved flexible enough to include homosexuality. Tracking these changing narratives of marriage throughout the twentieth century, Wallace grounds her analyses in an archive of popular culture films. Using Stanley Cavell's notion that, following the "marriage crisis" created by divorce in the early twentieth century, all marriage is remarriage, Wallace argues that after the advent of same-sex marriage, all marriage is gay marriage. Chapter 1, which doubles as the introduction, lays out the stakes of the project. Chapter 2 examines nineteenth-century literature and early twentieth-century popular culture to reveal the changing story of marriage. Chapter 3 situates the 1936 film Craig's Wife as an anticipation of gay and lesbian alternatives to marriage. Chapter 4 reads Tom Ford's film production of Christopher Isherwood's A Single Man as a means to extend homosexual style as a "brand" of cultural and emotional capital. Chapters 6 and 7 engage directly with Cavell's theory of remarriage as an analytic to examine same-sex marriage. This book will be of interest to students and scholars of queer theory, feminist studies, and film studies"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478009337
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 290 Seiten)
    Serie: Sign, Storage, Transmission
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.76/63
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Lesbian Herstory Archives ; Geschichte 1970-2020 ; SOCIAL SCIENCE / Media Studies ; Archival materials Digitization ; Social aspects ; Archives Social aspects ; Digital media Social aspects ; Lesbian feminism Archival resources ; Lesbians Archival resources ; Queer theory ; Medien ; Queer-Theorie ; Soziale Bewegung ; Lesbe ; Kommunikation ; Feminismus ; USA ; Hochschulschrift ; Hochschulschrift ; Aufsatzsammlung ; USA ; Lesbe ; Feminismus ; Soziale Bewegung ; Medien ; Kommunikation ; Queer-Theorie ; Geschichte 1970-2020 ; Lesbian Herstory Archives
    Kurzfassung: For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. InInformation Activism Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on-the-fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478009849 , 9781478010890
    Sprache: Englisch
    Seiten: xv, 271 Seiten, 12 ungezählte Seiten , Illustrationen
    Serie: A camera obscura book
    Paralleltitel: Erscheint auch als Mani, Bakirathi Unseeing Empire
    DDC: 909/.04914
    RVK:
    RVK:
    RVK:
    Schlagwort(e): South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Kurzfassung: "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in US public culture and to reflect on their desires to be represented"--
    Anmerkung: Literaturverzeichnis: Seiten 245-259
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478004684 , 9781478004073
    Sprache: Englisch
    Seiten: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Paralleltitel: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Kurzfassung: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Kurzfassung: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 6
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478012436
    Sprache: Englisch
    Seiten: 1 online resource (301 pages)
    Serie: A Camera Obscura Book Ser.
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Mani, Bakirathi Unseeing empire
    DDC: 909.04914
    RVK:
    RVK:
    RVK:
    Schlagwort(e): South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; South Asian Americans-Ethnic identity ; South Asian Americans-Cultural assimilation-United States ; South Asian Americans-Ethnic identity.. ; South Asian diaspora ; South Asian Americans-Cultural assimilation-United States.. ; Electronic books ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Kurzfassung: Bakirathi Mani examines the visual and affective relationships between South Asian diasporic viewers, artists, and photographic representations of immigrant subjects, showing how empire continues to haunt South Asian American visual cultures.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 7
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478012733
    Sprache: Englisch
    Seiten: 1 online resource (257 pages)
    Paralleltitel: Erscheint auch als Sheller, Mimi, 1967 - Island futures
    DDC: 304.209792
    RVK:
    Schlagwort(e): Human ecology Sociological aspects ; Sustainable development ; Human ecology Political aspects ; Human ecology-Political aspects-Caribbean Area ; Karibischer Raum Haiti ; naturkatastrophe ; Klimawandel ; Verhältnis Mensch - Natur ; Humanökologie ; Anthropozän ; Postkolonialismus ; Caribbean Haiti ; Climate change ; Human ecology ; Anthropocene ; Postcolonialism ; Electronic books ; Caribbean Area Environmental aspects ; Caribbean Area Climatic factors ; Karibik ; Klimaänderung ; Naturkatastrophe ; Haiti ; USA ; Humanökologie
    Kurzfassung: Mimi Sheller delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region, showing how vulnerability to ecological collapse and the quest for a "just recovery" in the Caribbean emerge from specific transnational political, economic, and cultural dynamics.
    Kurzfassung: Cover -- Contents -- Preface: An Autobiography of My Mother -- Acknowledgments -- Introduction: Im/Mobile Disaster -- 1. Kinopolitical Power -- 2. Water Power -- 3. Aerial Power -- 4. Digital Power -- 5. Bordering Power -- 6. Sexual Power -- Conclusion: Surviving the Anthropocene -- Afterword: This is Not a Requiem -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 8
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478005537
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 236 Seiten)
    Paralleltitel: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779.93058
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; Photography in ethnology-United States-History ; Electronic books ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; Rassenfrage ; Fotografie
    Kurzfassung: In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 9
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478008880
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 310 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.5/2
    RVK:
    RVK:
    Schlagwort(e): SOCIAL SCIENCE / Anthropology / Cultural & Social ; Celebrities in mass media ; Fame Social aspects ; Hispanic American mass media ; Hispanic Americans in mass media ; Mass media and culture ; Mass media Political aspects ; Paparazzi ; Popular culture ; Women journalists ; Berühmte Persönlichkeit ; Paparazzo ; Regenbogenpresse ; Diskriminierung ; USA ; Los Angeles- Hollywood ; USA ; Los Angeles- Hollywood ; Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung
    Kurzfassung: In Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture. Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz examines the racialized and gendered labor involved in manufacturing and selling relatable celebrity personas. Celebrity reporters, most of whom are white women, are expected to leverage their sexuality to generate coverage, which makes them vulnerable to sexual exploitation and assault. Meanwhile, the predominantly male Latino paparazzi can face life-threatening situations and endure vilification that echoes anti-immigrant rhetoric. In pointing out the precarity of those who hustle to make a living by generating the bulk of celebrity media, Díaz highlights the profound inequities of the systems that provide consumers with 24/7 coverage of their favorite stars
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 10
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478009436 , 9781478008545
    Sprache: Englisch
    Seiten: xvi, 310 Seiten , Illustrationen
    DDC: 305.52
    RVK:
    RVK:
    Schlagwort(e): Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung ; USA ; Los Angeles- Hollywood
    Anmerkung: Literaturverzeichnis Seite 271-300
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 11
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478000419 , 9781478000549
    Sprache: Englisch
    Seiten: xii, 236 Seiten , Illustrationen
    DDC: 305.896073
    RVK:
    Schlagwort(e): Massenkultur ; Schwarze ; USA
    Anmerkung: Literaturverzeichnis Seite 211-218
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 12
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478000945 , 9781478000730
    Sprache: Englisch
    Seiten: xiv, 359 Seiten, 8 ungezählte Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Kondo, Dorinne K., author Worldmaking
    DDC: 792.089/950973
    RVK:
    RVK:
    Schlagwort(e): Asian American theater Social aspects ; Theater and society ; Racism and the arts ; Creation (Literary, artistic, etc.) Social aspects ; American drama Asian American authors ; History and criticism ; USA ; Asiatischer Einwanderer ; Theater ; Hierarchie ; Diskriminierung ; Rassismus ; Ethnizität ; Affekt ; Feldforschung
    Kurzfassung: Inhaltsverzeichnis: Theoretical scaffolding, formal architecture -- Racialized economies -- (En)acting theory -- The drama behind the drama -- Revising race -- Playwriting as reparative creativity -- Seamless, a full-length play.
    Anmerkung: Literaturverzeichnis: Seite 325-347
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 13
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 1478090731 , 9781478090731
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Ausgabe: [Open access version]
    Serie: A Camera Obscura book
    Paralleltitel: Erscheint auch als DuCille, Ann Technicolored
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Émissions télévisées ; Noirs américains à la télévision ; Race à la télévision ; Racisme à la télévision ; African Americans on television ; PERFORMING ARTS ; Race on television ; Racism on television ; Television programs ; African Americans on television ; Race on television ; Racism on television ; Television programs ; Rassismus ; Fernsehsendung ; Schwarze ; USA ; United States ; Electronic books ; Electronic books ; USA ; Schwarze ; Fernsehsendung ; Rassismus
    Kurzfassung: From early sitcoms such as "I Love Lucy" to contemporary prime-time dramas like "Scandal" and "How to Get Away with Murder," African Americans on television have too often been asked to portray tired stereotypes of blacks as villains, vixens, victims, and disposable minorities. In this book, black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with the new medium of TV to examine how televisual representations of African Americans have changed over the last sixty years. Whether explaining how watching Shirley Temple led her to question her own self-worth or how televisual representation functions as a form of racial profiling, the author traces the real-life social and political repercussions of the portrayal and presence of African Americans on television. Neither a conventional memoir nor a traditional media study, this book offers one lifelong television watcher's careful, personal, and timely analysis of how television continues to shape notions of race in the American imagination
    Beschreibung / Inhaltsverzeichnis: Introduction: black and white and technicolored: channeling the TV life -- What's in a game?: quiz shows and the "prism of race" -- "Those thrilling days of yesteryear": stigmatic blackness and the rise of technicolored TV -- The Shirley Temple of my familiar : take two -- Interracial loving : sexlessness in the suburbs of the 1960s -- "A credit to my race": acting Black and Black acting from Julia to Scandal -- A clear and present absence: Perry Mason and the case of the missing "minorities" -- "Soaploitation": getting away with murder in primetime -- The Punch and Judge Judy shows: really real TV and the dangers of a day in court -- The autumn of his discontent: Bill Cosby, fatherhood, and the politics of palatability -- The "thug default": why racial representation still matters -- Epilogue: final spin: "that's not my food"
    Anmerkung: In English
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 14
    ISBN: 9780822375982
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 349 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als Thompson, Krista, 1972 - Shine
    DDC: 302.2/22
    RVK:
    RVK:
    Schlagwort(e): Mass media and culture ; United States ; Mass media and culture ; Caribbean Area ; Photography ; Social aspects ; United States ; Art and popular culture ; African diaspora ; Electronic books ; Electronic books ; Electronic books ; USA ; Karibik ; Afrikaner ; Diaspora ; Selbstdarstellung ; Massenmedien ; Alltagskultur ; USA ; Jamaika ; Bahamas ; Schwarze ; Ethnische Identität ; Fotografie ; Video ; Massenkultur ; Geschichte 1990-2015
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 15
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822376804
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 470 Seiten) , Illustrationen
    DDC: 302.230973
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Sexualität ; Massenmedien ; Film ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Aufsatzsammlung
    Kurzfassung: Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media-film and television, recorded sound, and publishing-that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams.
    Anmerkung: Literaturverzeichnis: Seite 435-450 , Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: eDuke
    URL: JSTOR
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 16
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9780822347019 , 9780822346920
    Sprache: Englisch
    Seiten: xii, 388 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Wilderson, Frank B., 1956 - Red, white & black
    DDC: 791.43/6529
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Minorities in motion pictures ; Race in motion pictures ; African Americans in motion pictures ; Indians in motion pictures ; Motion pictures History ; USA ; Schwarze ; Indianer ; Weiße ; Filmanalyse ; USA ; Film ; Minderheit ; Rasse
    Kurzfassung: The ruse of analogy -- The narcissistic slave -- Fishing for Antwone -- Cinematic unrest : Bush Mama and the Black Liberation Army -- Absurd mobility -- The ethics of sovereignty -- Excess lack -- The pleasures of parity -- "Savage" Negrophobia -- A crisis in the commons -- Half-white healing -- Make me feel good
    Beschreibung / Inhaltsverzeichnis: The ruse of analogy -- The narcissistic slave -- Fishing for Antwone -- Cinematic unrest : Bush Mama and the Black Liberation Army -- Absurd mobility -- The ethics of sovereignty -- Excess lack -- The pleasures of parity -- "Savage" Negrophobia -- A crisis in the commons -- Half-white healing -- Make me feel good.
    Beschreibung / Inhaltsverzeichnis: Includes bibliographical references and index
    Anmerkung: Bibliographie: Seite [365]-374
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 17
    ISBN: 9780822392989
    Sprache: Englisch
    Seiten: 1 Online-Ressource (342 Seiten)
    Paralleltitel: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    Paralleltitel: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    DDC: 791.43/658209732
    RVK:
    RVK:
    Schlagwort(e): City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures History 20th century ; Performing arts ; Performing Arts / Film / History & Criticism ; City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures ; United States ; History ; 20th century ; Electronic books ; USA ; Film ; Wohnung ; Geschichte 1945-1975
    Kurzfassung: Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based
    Beschreibung / Inhaltsverzeichnis: Introduction: a philosophy of urbanism -- A primer in urbanism : Rear Window's archetypal apartment plot -- "We like our apartment" : the playboy indoors -- The great reprieve : modernity, femininity, and the apartment -- The suburbs in the city : the housewife and the apartment -- Movin' on up : the African american apartment.
    Anmerkung: Includes bibliographical references (p. [289] - 302) and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 18
    ISBN: 0822332019
    Sprache: Englisch
    Seiten: 290 p. , 25 cm
    DDC: 371.195
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1880-1980 ; 1880-1889 ; 1890-1899 ; 20e siècle ; Administration scolaire ; Finalité de l'éducation ; Histoire ; Relation école-industrie ; Université ; Geschichte ; Business and education History 19th century ; Business and education History 20th century ; Education, Higher Economic aspects ; Universität ; Wirtschaft ; États-Unis ; USA ; USA ; USA ; Universität ; Wirtschaft ; Geschichte 1880-1980
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
Schließen ⊗
Diese Webseite nutzt Cookies und das Analyse-Tool Matomo. Weitere Informationen finden Sie hier...