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  • 2020-2024  (54)
  • 1975-1979
  • Durham : Duke University Press  (54)
  • USA  (54)
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Language
Years
Year
  • 1
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 2
    ISBN: 9781478019633 , 9781478016991
    Language: English
    Pages: xi, 186 Seiten , Illustrationen
    Additional Information: Rezensiert in Moreira de Andrade, Thaís [Rezension von: Castañeda, Michelle, 1987-, Disappearing rooms] 2024
    Series Statement: Dissident acts
    Parallel Title: Erscheint auch als Castañeda, Michelle, 1987- Disappearing rooms
    Parallel Title: Erscheint auch als Castañeda, Michelle, - 1987- Disappearing rooms
    Keywords: Emigration and immigration law ; Hispanic Americans Legal status, laws, etc ; Discrimination in justice administration ; Performative (Philosophy) ; SOCIAL SCIENCE / Ethnic Studies / American / Hispanic American Studies ; SOCIAL SCIENCE / Sociology / General ; USA ; Einwanderung ; Zuwanderungsrecht ; Abschiebungshaft ; Kriminalisierung ; Rassismus
    Abstract: "In Disappearing Rooms Michelle Castañeda lays bare the criminalization of race enacted every day in U.S. immigration courts and detention centers. She uses a performance studies perspective to show how the theatrical concept of mise-en-scéne offers new insights about immigration law and the absurdist dynamics of carceral space. Castañeda draws upon her experiences in immigration trials as an interpreter and courtroom companion to analyze the scenography-lighting, staging, framing, gesture, speech, and choreography-of specific rooms within the immigration enforcement system. Castañeda's ethnographies of proceedings in a "removal" office in New York City, a detention center courtroom in Texas, and an asylum office in the Northeast reveal the depersonalizing violence enacted in immigration law through its embodied, ritualistic, and affective components. She shows how the creative practices of detained and disappeared peoples living under acute duress imagine the abolition of detention and borders. Featuring original illustrations by artist-journalist, Molly Crabapple, Disappearing Rooms shines a light into otherwise hidden spaces of law within the contemporary deportation regime. Duke University of Press Scholars of Color First Book Award Recipient"--
    Description / Table of Contents: Removal room : disappearance and the practice of accompaniment -- The prison-courtroom : no-show justice in family detention -- Bring me the room : tragic recognition and the right not to tell your story.
    Note: Includes bibliographical references (159-176) and index
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  • 3
    ISBN: 9781478093565
    Language: English
    Pages: 1 Online-Ressource (xi, 186 pages) , illustrations
    Additional Information: Rezensiert in Moreira de Andrade, Thaís [Rezension von: Castañeda, Michelle, 1987-, Disappearing rooms] 2024
    Series Statement: Dissident acts
    Parallel Title: Erscheint auch als Castañeda, Michelle, 1987 - Disappearing rooms
    Keywords: Emigration and immigration law ; Hispanic Americans Legal status, laws, etc ; Discrimination in justice administration ; Performative (Philosophy) ; SOCIAL SCIENCE / Ethnic Studies / American / Hispanic American Studies ; SOCIAL SCIENCE / Sociology / General ; USA ; Einwanderung ; Zuwanderungsrecht ; Abschiebungshaft ; Kriminalisierung ; Rassismus
    Abstract: In Disappearing Rooms Michelle Castañeda lays bare the criminalization of race enacted every day in US immigration courts and detention centers. She uses a performance studies perspective to show how the theatrical concept of mise-en-scène offers new insights about immigration law and the absurdist dynamics of carceral space. Castañeda draws upon her experiences in immigration trials as an interpreter and courtroom companion to analyze the scenography - lighting, staging, framing, gesture, speech, and choreography - of specific rooms within the immigration enforcement system. Castañeda’s ethnographies of proceedings in a “removal” office in New York City, a detention center courtroom in Texas, and an asylum office in the Northeast reveal the depersonalizing violence enacted in immigration law through its embodied, ritualistic, and affective components. She shows how the creative practices of detained and disappeared people living under acute duress imagine the abolition of detention and borders. Featuring original illustrations by artist-journalist Molly Crabapple, Disappearing Rooms shines a light into otherwise hidden spaces of law within the contemporary deportation regime. Duke University of Press Scholars of Color First Book Award Recipient
    Note: In English
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  • 4
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478022466
    Language: English
    Pages: 1 Online-Ressource (281 Seiten)
    Series Statement: ANIMA: critical race studies otherwise
    Parallel Title: Erscheint auch als Bow, Leslie, 1962 - Racist love
    DDC: 305.895073
    Keywords: Electronic books ; USA ; Asiaten ; Ethnische Beziehungen ; Rassismus
    Abstract: Leslie Bow traces the ways in which Asian Americans become objects of anxiety and desire, showing how attraction to Asianized objects and images functions as a source of anti-Asian bias and violence.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478015642 , 9781478018285
    Language: English
    Pages: x, 315 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Spigel, Lynn TV snapshots
    Parallel Title: Erscheint auch als Spigel, Lynn, 1955 - TV snapshots
    DDC: 302.23/45
    RVK:
    RVK:
    Keywords: Television Social aspects ; Photography Social aspects ; Television viewers Attitudes ; Popular culture History 20th century ; PERFORMING ARTS / Television / History & Criticism ; USA ; Fotografie ; Fernsehen ; Geschichte 1950-1970
    Abstract: TV portraits : picturing families and household things -- TV performers : a theater of everyday life -- TV dress-up : fashion poses and everyday glamour -- TV pinups : sex and the single TV -- TV memories : snapshots in digital times.
    Abstract: "In TV Snapshots, Lynn Spigel explores snapshots of people posing in front of their television sets in the 1950s through the early 1970s. Like today's selfies, TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture. Drawing on her collection of over 5,000 TV snapshots, Spigel shows that people did not just watch TV: women used the TV set as a backdrop for fashion and glamour poses; people dressed in drag in front of the screen; and, in pinup poses, people even turned the TV setting into a space for erotic display. While the TV industry promoted on-screen images of white nuclear families in suburban homes, the snapshots depict a broad range of people across racial, ethnic, and class backgrounds that do not always conform to the reigning middle-class nuclear family ideal. Showing how the television set became a central presence in the home that exceeded its mass entertainment function, Spigel highlights how TV snapshots complicate understandings of the significance of TV in everyday life"--
    Note: Includes bibliographical references and index
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  • 6
    ISBN: 9781478018315 , 9781478015680
    Language: English
    Pages: 260 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Kim, Jodi, 1970- Settler garrison
    Parallel Title: Erscheint auch als Kim, Jodi, 1970 - Settler garrison
    DDC: 325/.32
    Keywords: Militärstandort ; Kolonialismus ; Postkolonialismus ; Internationale Wirtschaftsbeziehungen ; Asiatisch-pazifischer Raum ; USA ; Military bases, American ; Debts, Public ; Imperialism ; Postcolonialism ; HISTORY / World ; POLITICAL SCIENCE / Colonialism & Post-Colonialism ; United States Territorial expansion ; United States Foreign economic relations ; Pacific Area Foreign economic relations
    Abstract: "Settler Garrison offers an analysis of how transpacific cultural productions provide an alternative, anti-militarist, and decolonial archive to U.S. militarist settler imperialism in Asia and the Pacific. Focusing on the post-World War II era, Jodi Kim theorizes militarist settler imperialism as a set of relations significantly structured and continually reproduced through temporal and spatial exceptions. Kim argues that that the temporal exception is debt imperialism, a process through which the United States rolls over its significant national debt indefinitely and does not conform to the time of repayment that it imposes on others at multiple scales. The spatial exception is the creation of juridically ambiguous spaces where sovereignties at once proliferate, compete, and cancel one another out. Focusing on three types of spatial exceptions-the military base and attendant camp town, the POW camp, and the unincorporated territory or military colony of Guam-the book argues that such spaces are remade into America's settler garrison."
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  • 7
    ISBN: 9781478018186 , 9781478015550
    Language: English
    Pages: xiv, 215 Seiten
    Parallel Title: Erscheint auch als Lumba, Allan E. S., 1981- Monetary authorities
    DDC: 330.12/2v
    Keywords: 1898-1935 ; Postkolonialismus ; Kolonialismus ; Geldpolitik ; Philippinen ; USA ; Capitalism ; Decolonization ; Anti-imperialist movements ; Colonization Economic aspects 19th century ; History ; HISTORY / United States / General ; HISTORY / Asia / Southeast Asia ; Philippines History 1898- ; Philippines Politics and government 1898-1935 ; Philippines Economic conditions ; Philippines Foreign economic relations ; United States Foreign economic relations ; Philippinen ; USA ; Postkolonialismus ; Kolonialismus ; Geldpolitik ; Antiimperialismus ; Geschichte 1850-1950
    Abstract: The wealth of colonies -- Mongrel currencies -- Bad money -- An orgy of mismanagement -- Under common wealth.
    Abstract: "In Monetary Authorities Allan E. S. Lumba explores how money worked to justify racial and class hierarchies, enforce capitalist exploitation, and counter movements for decolonization in the American colonial Philippines. By tracing the archives of economic experts from the late nineteenth century through the 1930s, Lumba illuminates the colonial state's obsession with policing the economic activities of colonized subjects, who they believed could radically threaten the security of capital accumulation and U.S. imperial sovereignty. Authority over money, however, did not remain the possession of American colonizers. Filipino statesmen would attempt to gain control over colonial money, coveting both its material and meaning-making power. Lumba thus examines how struggles over the colonial monetary system would resonate with broader struggles over capitalism and decolonization in the Philippines and U.S. empire."
    Note: Includes bibliographical references and index
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  • 8
    Online Resource
    Online Resource
    Durham : Duke University Press | The Hague : OAPEN FOUNDATION
    ISBN: 9781478007494 , 9781478006077 , 9781478006749
    Language: English
    DDC: 305.86872079466
    Keywords: USA ; Human geography ; social movements ; activism ; place ; race ; Chicano movement ; place-making ; Oakland ; geography ; ethnic studies
    Abstract: Juan Herrera maps 1960s Chicano Movement activism in the Latinx neighborhood of Fruitvale in Oakland, California, showing how activists there constructed a politics forged through productions of space.
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  • 9
    ISBN: 9781478017943 , 9781478015321
    Language: English
    Pages: xv, 207 Seiten , Illustrationen
    Series Statement: Dissident acts
    Parallel Title: Erscheint auch als Schaeffer, Felicity Amaya Unsettled borders
    DDC: 304.8/721
    Keywords: Border crossing Social aspects ; Border security ; Indigenous peoples Social conditions ; Traditional ecological knowledge ; Indian activists ; SOCIAL SCIENCE / Emigration & Immigration ; SOCIAL SCIENCE / Indigenous Studies ; SCIENCE / Philosophy & Social Aspects ; Mexican-American Border Region Emigration and immigration ; Social aspects ; USA ; Staatsgrenze ; Mexiko ; Indianer ; Militär ; Überwachung ; Grundeigentum
    Abstract: "The story of how the U.S.-Mexico border has become more dangerous for migrant crossing has preoccupied scholars across a range of fields. As necessary as this has been, the overwhelming focus on border crossers has eclipsed the consequences of military occupation on Native tribes whose land and bodies spill across the border, including mounting numbers of Maya refugees. Unsettled Borders follows the science and technological development of border surveillance back to military innovations tasked with seeing the invisible movements of Apache and Chiricahua warriors across the rugged terrain of the western frontier. Felicity Amaya Schaeffer follows a range of militarized surveillance innovations across time and space, recalling the Spanish lookout points erected to monitor Maya in the Yucatan, the superior eyes of Indian scouts, automated border avatars, and swarming bee drones. From the perspective of Native border inhabitants, a broader story emerges about how mechanized seeing attempts to eradicate Native sacred and animate relation with land. With an eye on the more-than-human world, Apache, O'odham and Maya teach us about the impossibility of borders in their sacred scientific worldviews that see relation where westerners impose segregated seeing and knowing. Unsettled Borders returns to ancestral practices-from beekeepers caring for the Melipona bees who bring back their forests to O'odham relations with saguaro peoplehood amputated by border walls. The border comes alive with a resurgent force of Native land defenders who refuse extraction, occupation, and surveillance by the futile attempts to build virtual and iron-cast walls that will ultimately fail to contain life and erect borders around the world"--
    Note: Literaturverzeichnis: Seiten 185-200
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  • 10
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478007494 , 9781478006077 , 9781478006749
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: USA ; Human geography
    Abstract: Juan Herrera maps 1960s Chicano Movement activism in the Latinx neighborhood of Fruitvale in Oakland, California, showing how activists there constructed a politics forged through productions of space
    Note: English
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  • 11
    ISBN: 9781478022688
    Language: English
    Pages: 1 Online-Ressource (320 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Carmody, Todd, 1979 - Work requirements
    DDC: 361.973
    Keywords: Öffentliche Sozialleistungen ; Randgruppe ; Behinderte Arbeitskräfte ; Rasse ; Arbeit ; Reputation ; Geschichte ; USA ; Public welfare History ; Welfare recipients History ; Work Social aspects ; African Americans Social conditions ; People with disabilities Social conditions ; Minorities Social conditions ; SOCIAL SCIENCE / People with Disabilities ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Abstract: Introduction: Signs Taken for Work -- . The Pensioner's Claim -- The Beggar's Case -- The Work of the Image -- Institutional Rhythms -- Coda: Remaking Reciprocity
    Abstract: "Work Requirements reframes the history of work-based social welfare practice as a representational project tasked with shoring up the inherent meaningfulness of work, examining what Todd Carmody calls the "print culture of social welfare" to show how work became an indicator of social deservingness over the late nineteenth and early twentieth centuries. Prior to the emergence of the formal US welfare state, textual projects-from documentary photographs to insurance claims-contributed to the idea that individuals must be engaged in work to deserve social welfare. Progressive charity reformers and advocates of Black industrial education pushed for social welfare reforms to make people with disabilities, poor people, people of color, and incarcerated people into wage-earning citizens. Carmody shows how the bootstrap narrative, Taylorist studies of labor, and nineteenth-century ideas of race and disability fed into a specific ideology about labor-particularly, that someone's willingness to work could be scientifically measured and systematically evaluated-that continues to shape US welfare policy today."
    Note: Includes bibliographical references and index
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  • 12
    ISBN: 9781478015703 , 9781478018346
    Language: English
    Pages: ix, 234 Seiten , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als Moore, Kelli, 1976 - Legal spectatorship
    DDC: 362.82/92
    Keywords: Family violence Law and legislation ; Victims of family violence Legal status, laws, etc ; Slavery Social aspects ; African Americans Social conditions 19th century ; Discrimination in justice administration History 19th century ; Photography Social aspects ; Legal photography ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; SOCIAL SCIENCE / Media Studies ; USA ; Häusliche Gewalt ; Unterdrückung ; Sklaverei ; Rassismus ; Intersektionalität ; Gerichtssaal ; Visuelle Medien ; Fotografie ; Beweis
    Abstract: Authenticating domestic violence : image and feeling in abolitionist media -- Battered women in a cybernetic milieu -- Authenticating testimony in the domestic violence courtroom -- Incorporating camp in criminal justice.
    Abstract: "Legal Spectatorship examines the visual culture surrounding domestic violence, or DV, focusing on the ways that photographs are marshaled as a form of spectacular evidence rooted in slavery and antiblackness. Historically, slaves were not able to testify in person in court although they were often silent witnesses to white domestic conflicts. Today, these histories of racism are embedded into domestic violence prosecution as photographs documenting evidence of DV stand in for women's testimony, and an extensive web of surveillance and administrative tactics criminalize female victims. Kelli Moore reads the legislative, juridical, and media structures that have developed around domestic violence as an extension of the logics of slavery that points to a broader form of US "domestic violence" in the form of slavery and racism. The chapters take up slave witnessing and black subjectivity; the psychological theories that developed around DV in the context of the Civil Rights movement; "artivism" around domestic violence imagery and anti-DV campaigns; and Moore's own ethnographic work in the courtroom observing domestic violence cases"--
    Note: Includes bibliographical references and index
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  • 13
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478013907 , 9781478014843
    Language: English
    Pages: xi, 164 Seiten
    Parallel Title: Erscheint auch als Gray, Biko Mandela Black Life Matter
    DDC: 305.800973
    Keywords: Racism ; Racism Philosophy ; Black lives matter movement ; Racism in law enforcement ; Racism against Black people ; Police murders ; Murder victims ; Police brutality ; African Americans Social conditions ; SOCIAL SCIENCE / Black Studies (Global) ; RELIGION / Philosophy ; United States Race relations ; History ; USA ; Rassismus ; Person of Color
    Abstract: Four Black Lives -- Hands and Braids: Black Bodies as Mere Corporeal Matter -- "What I Do?": Black Flesh as Living Matter -- "I Am Irritated, I Really Am": Blackness as Affective Matter -- Black Life Matter.
    Abstract: "In Black Life Matter, Biko Mandela Gray offers a philosophical eulogy for Aiyana Stanley-Jones, Tamir Rice, Alton Sterling, and Sandra Bland that attests to their irreducible significance in the face of unremitting police brutality. Gray employs a theoretical method he calls "sitting with"-a philosophical practice of care that seeks to defend the dead and the living. He shows that the police that killed Stanley-Jones and Rice reduced them to their bodies in ways that turn black lives into tools that the state uses to justify its violence and existence. He outlines how Bland's arrest and death reveal the affective resonances of blackness, and he contends that Sterling's physical movement and speech before he was killed point to black flesh as unruly living matter that exceeds the constraints of the black body. These four black lives, Gray demonstrates, were more than the brutal violence enacted against them; they speak to a mode of life that cannot be fully captured by the brutal logics of antiblackness"--
    Note: Includes bibliographical references and index
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  • 14
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478022459
    Language: English
    Pages: 1 Online-Ressource (450 p.)
    DDC: 305.3
    RVK:
    Keywords: Geschlechterrolle ; Männlichkeit ; USA ; Electronic books
    Abstract: In Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington's practice of cleaning as an iteration of sissiness, Baldwin's self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478022800
    Language: English
    Pages: 1 Online-Ressource (481 Seiten)
    Parallel Title: Erscheint auch als Davis, Thulani The emancipation circuit
    DDC: 973/.0496073009034
    Keywords: Electronic books ; USA ; Schwarze ; Politische Betätigung ; Politische Publizistik ; Politische Organisation ; Geschichte 1865-1900
    Abstract: Thulani Davis provides a sweeping rethinking of Reconstruction by tracing how the four million people newly freed from bondage created political organizations and connections that mobilized communities across the South.
    Abstract: Cover -- Contents -- List of Maps -- List of Tables -- Acknowledgments -- Gallery -- Introduction: Black Political Thought as Shaped in the South -- 1. Flight: Movement Matters -- 2. The Emancipation Circuit: A Road Map -- 3. Virginia: Assembly -- 4. North Carolina: Custody -- 5. South Carolina: Majority -- 6. Georgia: Mobilization -- 7. Florida: Faction -- 8. Alabama: Redemption -- 9. Louisiana: Societies -- 10. Mississippi: Bulldoze -- 11. Arkansas: Minority -- Conclusion: What Lives On Is Black Political Thought -- Notes -- Bibliography -- Table Source Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478022947
    Language: English
    Pages: 1 Online-Ressource (x, 234 Seiten)
    Parallel Title: Erscheint auch als Moore, Kelli, 1976 - Legal spectatorship
    DDC: 362.8292
    Keywords: Electronic books ; USA ; Häusliche Gewalt ; Unterdrückung ; Sklaverei ; Rassismus ; Intersektionalität ; Gerichtssaal ; Visuelle Medien ; Fotografie ; Beweis
    Abstract: Kelli Moore traces the political origins of the concept of domestic violence through visual culture in the United States, showing how it is rooted in the archive of slavery.
    Note: Description based on publisher supplied metadata and other sources
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  • 17
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478021698
    Language: English
    Pages: 1 Online-Ressource (140 p.)
    Series Statement: Singles
    DDC: 782.42166092
    RVK:
    Keywords: Popmusik ; USA
    Abstract: Jonathan Richman and the Modern Lovers' 1972 song "Roadrunner" captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates "Roadrunner" at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place-the American era that rock & roll signifies-that becomes a story about love and the modern world.
    URL: Cover
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  • 18
    ISBN: 9781478010647 , 9781478011750 , 9781478013112
    Language: English
    Pages: xvi, 336 Seiten , Illustrationen
    Series Statement: Religious cultures of African and African diaspora people
    Parallel Title: Erscheint auch als Covington-Ward, Yolanda Embodying Black Religions in Africa and Its Diasporas
    Parallel Title: Erscheint auch als Embodying Black religions in Africa and its diasporas
    DDC: 200.896
    Keywords: Religion and culture ; Religions African influences ; African diaspora ; Religion Social aspects ; Africa Religion ; Africa Religious life and customs ; Afrika ; Neue Religion ; Islam ; USA ; Schwarze ; Religiosität ; Embodiment
    Abstract: Foreword / Jacob Olupona, Harvard University, Divinity School -- Introduction: Embodiment and relationality in religions of Africa and its diaspora / Yolanda Covington-Ward and Jeanette S. Jouili -- Spirited choreographies : embodied memories and domestic enslavement in Togolese mama tchamba rituals / Elyan Hill -- Alchemy of the fuqara : spiritual care, memory, and the Black Muslim body / Youssef Carter -- Spiritual ethnicity : our collective ancestors in Ifá devotion across the Americas / N. Fadeke Castor -- Faith full : sensuous habitus, everyday affect, and divergent diaspora in the UCKG / Rachel Cantave -- Covered bodies, moral education, and the embodiment of Islamic reform in northern Nigeria / Elisha P. Renne -- Embodied worship in a Haitian protestant church in the Bahamas : religious habitus among Bahamians of Haitian descent / Bertin M. Louis Jr. -- The quest for spiritual purpose in a secular dance community : Bèlè's rebirth in contemporary Martinique / Camee Maddox-Wingfield -- Embodying Black religion : the ethics and aesthetics of Afro-diasporic Muslim hip-hop in Britain / Jeanette S. Jouili -- Secular affective politics in a national dance about AIDS in Mozambique / Aaron Montoya -- Wrestling with homosexuality : kinesthesia as resistance in Ghanaian pentecostalism / Nathanael Homewood -- "Exceptional healing" : gender, materiality, embodiment, and prophetism in the Lower Congo / Yolanda Covington-Ward -- Dark matter : formations of death pollution in southeastern African funerals / Casey Golomski.
    Abstract: "Embodying Black Religions in African and Its Diasporas critically examines the role of the body as religiously motivated social action for people of African descent across the geographic regions of the African continent, the Caribbean and Latin America, the American South, and Europe. Tackling a variety of religious contexts, from Pentecostalism, to Ifa divination, to Islam, the contributors investigate the complex intersections between the body, religious expression, and the construction and negotiation of particular social relationships and collective identities"--
    Note: Includes bibliographical references and index
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  • 19
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014089 , 9781478011941
    Language: English
    Pages: xxii, 552 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 782.421640973
    RVK:
    Keywords: Volksmusik ; Popmusik ; USA
    Note: Literaturverzeichnis Seite 446-512
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  • 20
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014393 , 9781478013471
    Language: English
    Pages: 132 Seiten , 1 Illustration
    Series Statement: Singles
    DDC: 782.42166092
    RVK:
    Keywords: Popmusik ; USA
    Note: Bibliography Seite 125-126
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  • 21
    Image
    Image
    Durham : Duke University Press
    ISBN: 9781478014034 , 9781478011897
    Language: English
    Pages: 319 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Povinelli, Elizabeth A., 1962 - The Inheritance
    DDC: 301.092
    RVK:
    Keywords: Povinelli, Elizabeth A ; Povinelli, Elizabeth A Family ; Women anthropologists Biography ; Women anthropologists Pictorial works ; Autobiographies ; Autobiografie ; Comic ; USA ; Oberitalien ; Anthropologin ; Genealogie
    Abstract: "The Inheritance is anthropologist Elizabeth A. Povinelli's graphic memoir in which she explores her family's history and the events, traumas, and social structures that define our individual and collective pasts and futures"--
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  • 22
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478021391 , 147802139X
    Language: English
    Pages: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Abstract: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 23
    Language: English
    Pages: 1 Online-Ressource (xvi, 336 Seiten) , Illustrationen
    Series Statement: Religious cultures of African and African diaspora people
    Parallel Title: Erscheint auch als Embodying Black religions in Africa and its diasporas
    DDC: 200.896
    Keywords: Religion and culture ; Religions African influences ; African diaspora ; Religion Social aspects ; Africa Religion ; Africa Religious life and customs ; Afrika ; Neue Religion ; Islam ; USA ; Schwarze ; Religiosität ; Embodiment
    Abstract: Foreword / Jacob Olupona, Harvard University, Divinity School -- Introduction: Embodiment and relationality in religions of Africa and its diaspora / Yolanda Covington-Ward and Jeanette S. Jouili -- Spirited choreographies : embodied memories and domestic enslavement in Togolese mama tchamba rituals / Elyan Hill -- Alchemy of the fuqara : spiritual care, memory, and the Black Muslim body / Youssef Carter -- Spiritual ethnicity : our collective ancestors in Ifá devotion across the Americas / N. Fadeke Castor -- Faith full : sensuous habitus, everyday affect, and divergent diaspora in the UCKG / Rachel Cantave -- Covered bodies, moral education, and the embodiment of Islamic reform in northern Nigeria / Elisha P. Renne -- Embodied worship in a Haitian protestant church in the Bahamas : religious habitus among Bahamians of Haitian descent / Bertin M. Louis Jr. -- The quest for spiritual purpose in a secular dance community : Bèlè's rebirth in contemporary Martinique / Camee Maddox-Wingfield -- Embodying Black religion : the ethics and aesthetics of Afro-diasporic Muslim hip-hop in Britain / Jeanette S. Jouili -- Secular affective politics in a national dance about AIDS in Mozambique / Aaron Montoya -- Wrestling with homosexuality : kinesthesia as resistance in Ghanaian pentecostalism / Nathanael Homewood -- "Exceptional healing" : gender, materiality, embodiment, and prophetism in the Lower Congo / Yolanda Covington-Ward -- Dark matter : formations of death pollution in southeastern African funerals / Casey Golomski.
    Abstract: "Embodying Black Religions in African and Its Diasporas critically examines the role of the body as religiously motivated social action for people of African descent across the geographic regions of the African continent, the Caribbean and Latin America, the American South, and Europe. Tackling a variety of religious contexts, from Pentecostalism, to Ifa divination, to Islam, the contributors investigate the complex intersections between the body, religious expression, and the construction and negotiation of particular social relationships and collective identities"--
    Note: Includes bibliographical references and index
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  • 24
    ISBN: 9781478014140 , 9781478013235
    Language: English
    Pages: xvi, 296 Seiten , Illustrationen, Diagramme, Faksimiles , 23 cm
    Parallel Title: Erscheint auch als Morgan, Jennifer L. Reckoning with slavery
    DDC: 306.3/62
    Keywords: Slavery Political aspects ; Slavery Economic aspects ; Women slaves ; Women slaves ; Slave trade History ; Slave trade History ; Sklaverei ; USA ; Atlantischer Raum
    Abstract: "The history of the trans-Atlantic slave trade is deeply embedded in the emergence of early modern economic and political institutions. Reckoning with Slavery resituates the early modern as the space out of which race, racial hierarchies, notions of value and trade, and ideas of gender and reproduction are mutually constituted. Through a study of numeracy, trade, counting, and commerce, the lives and experiences of enslaved women in the sixteenth and seventeenth century English Atlantic world come into focus. Rather than treating economy and culture as distinct aspects of social history, Reckoning with Slavery asks what we can come to know about kinship, family, and race through the archives of trade and commerce"--
    Abstract: Inhaltsverzeichnis: Producing numbers: reckoning with the sex ratio in the transatlantic slave trade, 1500-1700 -- "Unfit subjects of trade": demographic logics and colonial encounters -- "To their great commoditie": numeracy and the production of African difference -- Accounting for the "most excruciating torment": transatlantic passages -- "The division of the captives": commerce and kinship in the English Americas -- "Treacherous rogues": locating women in resistance and revolt.
    Note: Literaturverzeichnis: Seite 257-281
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  • 25
    ISBN: 9781478009658 , 9781478008798
    Language: English
    Pages: xxii, 306 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Londoño, Johana Abstract Barrios
    DDC: 305.868/073
    Keywords: Hispanic American neighborhoods History ; Hispanic Americans Social life and customs ; Hispanic Americans Ethnic identity ; Urban policy History ; City planning Social aspects ; Gentrification History ; United States Ethnic relations ; USA ; Stadt ; Segregation ; Gentrifizierung ; Hispanos ; Stadtteilkultur
    Note: Includes bibliographical references and index
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  • 26
    ISBN: 9781478009849 , 9781478010890
    Language: English
    Pages: xv, 271 Seiten, 12 ungezählte Seiten , Illustrationen
    Series Statement: A camera obscura book
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing Empire
    DDC: 909/.04914
    RVK:
    RVK:
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    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in US public culture and to reflect on their desires to be represented"--
    Note: Literaturverzeichnis: Seiten 245-259
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  • 27
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012436
    Language: English
    Pages: 1 online resource (301 pages)
    Series Statement: A Camera Obscura Book Ser.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing empire
    DDC: 909.04914
    RVK:
    RVK:
    RVK:
    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; South Asian Americans-Ethnic identity ; South Asian Americans-Cultural assimilation-United States ; South Asian Americans-Ethnic identity.. ; South Asian diaspora ; South Asian Americans-Cultural assimilation-United States.. ; Electronic books ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: Bakirathi Mani examines the visual and affective relationships between South Asian diasporic viewers, artists, and photographic representations of immigrant subjects, showing how empire continues to haunt South Asian American visual cultures.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 28
    ISBN: 9781478007326
    Language: English
    Pages: 1 Online-Ressource (241 Seiten)
    Parallel Title: Erscheint auch als Beck, John, 1963 - Technocrats of the imagination
    DDC: 700.1/050973
    RVK:
    RVK:
    Keywords: Technology and the arts History 20th century ; Military-industrial complex ; Arts Experimental methods ; Art / Criticism & Theory ; Electronic books ; USA ; Medienkunst ; Militärtechnik ; Geschichte 1960-1969 ; Experiments in Art and Technology ; Laboratorium ; Militär
    Abstract: Science, Art, Democracy -- A Laboratory of Form and Movement: Institutionalizing Emancipatory Technicity at MIT -- The Hands-on Approach: Engineering Collaboration at E.A.T. -- Feedback: Expertise, LACMA and the Think-Tank -- How to Make the World Work -- Heritage of Our Times.
    Abstract: "TECHNOCRATS OF THE IMAGINATION traces the rise of collaborative art and technology labs in the U.S. from WWII to the present. Ryan Bishop and John Beck reveal the intertwined histories of the avant-garde art movement and the military-industrial complex, showing how radical pedagogical practices traveled from Germany's Bauhaus movement to the U.S. art world and interacted with government-funded military research and development in university laboratories. During the 1960s both media labs and studio labs leaned heavily on methods of interdisciplinary collaboration and the power of American modernity to model new modes of social organization. The book's chapters take up MIT's Center for Art, Science, and Technology, Bell Labs's E.A.T. (Experiments in Art and Technology) Salon, and Los Angeles Museum of Art's Art + Technology Program. Their interconnected history illuminates how much of contemporary media culture and aesthetics depends on the historical relationship between military, corporate, and university actors. In light of revived interest in Black Mountain College and other 1960s art and technology labs, this book draws important connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s. The authors situate the rise of collaborative art and technology projects in the 1960s within John Dewey's ideology of scientific democracy, showing how leading thinkers from the Bauhaus movement in Germany immigrated to the U.S. and brought with them a Deweyan model for collaborative and interdisciplinary art and technology research. Over the course of the decade, the U.S. government increased funding to scientific research at university and private laboratories. Beck and Bishop investigate how various art and technology projects incorporated the collaborative and innovative interdisciplinarity of the avant-garde art movement with the corporate funding structure driven by the U.S. government's military and technoscientific interests. Finally, the authors consider the legacy of 1960s art and technology projects. During the 1970s and 80s, defense R&D funding was less motivated by a Cold War corporate state, and was instead restructured according to an entrepreneurial and neoliberal model. At the same time, funding in the art world also became increasingly financialized and globalized. Today's art and technology work happens collaboratively not because of an intellectual commitment to interdis ...
    Note: A cultural politics book , Includes bibliographical references and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 29
    ISBN: 9781478008408 , 9781478007890
    Language: English
    Pages: xviii, 298 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Blanchette, Alexander David, 1981- Porkopolis
    Parallel Title: Erscheint auch als Blanchette, Alex Porkopolis
    DDC: 338.1/76400973
    Keywords: Schweinehaltung ; Agroindustrie ; Fleischwirtschaft ; Ethnologie ; USA ; Swine industry ; Swine breeders ; Factory farms ; Agriculture Economic aspects ; USA ; Schweinehaltung
    Abstract: Boar. The Dover Flies -- The Herd : Intimate Biosecurity and Posthuman Labor -- Sow. Somos Puercos -- Stimulation : Instincts in Production -- Hog. Lutalyse -- Stockperson : Love, Muscles, and the Industrial Runt -- Carcass. Miss Wicked -- Biological System : Breaking In at the End of Industrial Time -- Viscera. Maybe Some Blood, but Mostly Grease -- Lifecycle : On Using All of the Porcine Species -- Epilogue: The (De-)Pigification of the World.
    Abstract: "PORKOPOLIS is an ethnographic account of hog production in "Dixon," a 15,000-resident agribusiness town in the Great Plains. In Dixon, where nearly 5,600,000 hogs are killed a year, human life has been reorganized around the life and death cycles of porcine production. Alex Blanchette accounts for the totalizing force of hog production by arguing that towns like Dixon represent a reinvestment in 20th-century notions of industry in a post-industrial United States. In practice, this means not only the taking up of industrial stock images, organization forms, and identities, but also an intense desire, on the part of agribusiness corporations, to achieve standardization-to create the "perfect" pig. To achieve standardized results, agribusiness corporations have implemented systems of full "vertical integration," in which they directly own and engineer every stage of a pig's life and death cycle. The result, Blanchette argues, is more than just an effort to create the perfect pig, but rather a calibration of human life and affect to meet the needs of porcine production. Drawing on his ethnographic fieldwork as a worker in a hog factory, Blanchette illustrates how methods of vertical integration and standardization in agribusiness factories work to transform hogs-and humans-into tokens of capitalist animality. The book is divided into five parts. Part I, "Boar," examines how corporations manage the threat of porcine diseases, and the biopolitical protocols that corporations enact in workers' homes to protect hogs. Part II, "Sow," draws from Blanchette's own experiences working the artificial insemination line, where workers are encouraged to "become the boar" with their hands to imitate mating. This part theorizes interspecies and labor politics that arise from situations in which workers are only intimate with one dimension of pigs-in this case, porcine sexual instincts. Part III, "Hog," explores the consequences of standardizing animality, where genetic refinements create litters too large to supply adequate nutrients in uterus. Part IV, "Carcass," examines the vertical integration of human workers' bodies on the assembly lines. Part V, "Viscera" explores the biological "excess" of porcine production-bones, feces, fat, livers, lungs-and corporations' desires to use "all" of the pig. This section examines how the fully integrated factory farm depends on modes of consumption that extend beyond what can be supplied by human eaters alone."
    Note: Includes bibliographical references and index
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  • 30
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478011071 , 9781478010029
    Language: English
    Pages: x, 374 Seiten , Illustrationen
    Series Statement: Thought in the act
    Parallel Title: Erscheint auch als Manning, Erin For a pragmatics of the useless
    DDC: 155.8/2
    Keywords: Racism Psychological aspects ; Psychoanalysis and racism ; Racism ; USA ; Schwarze ; Nutzlosigkeit ; Neurodiversität
    Abstract: Fugitively, Approximately -- For a Pragmatics of the Useless: A Politics of the Infrathin, in Preamble -- Toward a Politics of Immediation: The Subject -- pocket practice - nestingpatching -- What Things Do When They Shape Each Other -- pocket practice - backgroundingforegrounding -- Experimenting with Immediation: Collaboration and the Politics of Fabulation: A -- Laboratory for Thought in Motion -- Practicing the Schizz -- interlude - How Do We Repair? -- Me Lo Dijo un Pajarito: Neurodiversity, Black Life, and the University As We know It -- pocket practice - livingloving -- Not at a Distance: On Touch, Synesthesia, and Other Ways of Knowing -- pocket practice - ticcingflapping -- Cephalopod Dreams: Finance at the Limit -- coda - schizzinganarchiving
    Abstract: "Leading with the proposition that "all black life is neurodiverse life," For a Pragmatics of the Useless explores how value is produced in the context of resolutely white, neurotypical modes of existence, proposing schizoanalysis as a mode of practice that opens the way for other ways of living and learning"--
    Note: Includes bibliographical references and index
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  • 31
    ISBN: 9781478008118 , 9781478006831
    Language: English
    Pages: viii, 278 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Harkins, Gillian, 1970- Virtual pedophilia
    DDC: 306.77
    Keywords: Pedophilia Social aspects ; Pedophilia in mass media Social aspects ; Online sexual predators ; Computer crimes Investigation ; Mass media and crime ; Sex offenders ; Internet and children Social aspects ; USA ; Pädophilie ; Sexualtäter ; Massenmedien
    Abstract: Introduction: Virtual pedophilia -- Monstrous sexuality and vile sovereignty -- Profiling virtuality and pedophilic data -- Informational image and procedural tone -- Capturing the past and the vitality of crime -- Capturing the future and the sexuality of risk -- Conclusion: Exceptional pedophilia and the everyday case.
    Abstract: "VIRTUAL PEDOPHILIA examines the cultural construction of the pedophile in relation to the rise of the carceral state and neoliberal tactics of forensic securitization. The pedophile, according to Gillian Harkins, is everywhere and nowhere: he eludes diagnostic and forensic profiling by slipping into the veneer of everyday normality. But it wasn't always this way; in this book, Harkins investigates the changing discourses of pedophilia over the late twentieth and early twenty-first centuries to ask why and how the pedophile shifted from a social outcast to the image of white male normality, and why the latter image of the pedophile became a cultural fixation. According to Harkins, this shift was also accompanied by new security regimes: now that the pedophile could no longer be easily detected, the point was to detect potential crime through constant vigilance. Drawing on film, television, and popular culture, Harkins explores how the everyday American was inscripted to "hunt" white male pedophiles, arguing that these cultural texts implied the state and science were no longer sufficient to find the pedophile, thereby creating a biopolitics in which everyone must be on the lookout. Drawing on a Deleuzian interpretation of virtuality as potentiality, as well as the contemporary understanding of virtuality as a condition of technologically produced reality, Harkins positions the pedophile as a virtual construction: an always possible potential whose actuality needs to be determined using modern technologies and security apparatuses. In chapters 1 and 2, Harkins outlines a genealogy of the pedophile from Krafft-Ebings's naming of "paedophilia erotica" in 1886 to today's construction of the virtual pedophile. Chapter 3 focuses on the cultural production of the pedophile by examining the television series Law and Order: Special Victims Unit and To Catch a Predator, and how these shows trained audiences to "detect" pedophiles. Chapter 4 examines the pedophile in documentary and narrative film. In the final chapters, Harkins turns towards queer encounters with the security regimes around pedophilia and sex offenders, and considers what's at stake in the calls to dismantle or reduce sex offender management. This book will be of interest to students of gender and sexuality studies, neoliberalism, carceral studies and the security state, cultural studies, and social theory"--
    Note: Includes bibliographical references and index
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  • 32
    ISBN: 9781478009597 , 9781478008699
    Language: English
    Pages: x, 217 Seiten
    Series Statement: Refiguring American music
    DDC: 781.644
    RVK:
    Keywords: Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
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  • 33
    ISBN: 9781478004684 , 9781478004073
    Language: English
    Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
    RVK:
    RVK:
    RVK:
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Note: Includes bibliographical references and index
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  • 34
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478006817 , 9781478008101
    Language: English
    Pages: xiii, 247 Seiten , Illustrationen
    Series Statement: A camera obscura book
    Parallel Title: Erscheint auch als Wallace, Leonelle Mary, 1962- Reattachment theory
    DDC: 306.84/8
    RVK:
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    Keywords: Same-sex marriage ; Marriage ; Lesbianism in motion pictures ; Homosexuality in motion pictures ; Gleichgeschlechtliche Ehe ; Motiv ; Film ; USA
    Abstract: "REATTACHMENT THEORY eschews dominant queer critiques of same-sex marriage to examine the varied histories of queer influences on marriage. According to the traditional queer critique, the legalization of same-sex marriage signaled a neoliberal and homonormative assimilation into normative structures of heterosexism and reproductive futurism. Countering this argument, queer film scholar Lee Wallace claims that, since the eighteenth century, marriage has allowed for many queer and non-normative plotlines. In this book, Wallace is more interested in marriage as a narrative-both in how marriage is narrativized, as well as the story of the changing meaning of marriage-than she is in marriage as a legal institution. Drawing on historians of marriage, Wallace traces the iterations of love associated with marriage vows: from obligation or duty, to romance, and finally to intimacy. Historicizing the discourse of intimacy, Wallace claims that the valorization of intimacy across the twentieth century led to an idealization of the couple form, regardless of heterosexual or homosexual affiliation. Furthermore, Wallace draws on twentieth-century formulations of sexual reciprocity and sexual satisfaction regardless of marital status-and their links to the discourses of intimacy-to reveal how these concepts proved flexible enough to include homosexuality. Tracking these changing narratives of marriage throughout the twentieth century, Wallace grounds her analyses in an archive of popular culture films. Using Stanley Cavell's notion that, following the "marriage crisis" created by divorce in the early twentieth century, all marriage is remarriage, Wallace argues that after the advent of same-sex marriage, all marriage is gay marriage. Chapter 1, which doubles as the introduction, lays out the stakes of the project. Chapter 2 examines nineteenth-century literature and early twentieth-century popular culture to reveal the changing story of marriage. Chapter 3 situates the 1936 film Craig's Wife as an anticipation of gay and lesbian alternatives to marriage. Chapter 4 reads Tom Ford's film production of Christopher Isherwood's A Single Man as a means to extend homosexual style as a "brand" of cultural and emotional capital. Chapters 6 and 7 engage directly with Cavell's theory of remarriage as an analytic to examine same-sex marriage. This book will be of interest to students and scholars of queer theory, feminist studies, and film studies"--
    Note: Includes bibliographical references and index
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  • 35
    ISBN: 9781478008323 , 9781478007838
    Language: English
    Pages: ix, 254 Seiten , Illustrationen
    Series Statement: Black studies gender and sexuality
    Parallel Title: Erscheint auch als Pinto, Samantha Infamous bodies
    DDC: 305.48/896073
    RVK:
    Keywords: Wheatley, Phillis ; Hemings, Sally ; Baartman, Sarah ; Seacole, Mary ; Bonetta, Sarah Forbes ; Women, Black, in popular culture ; African American women in popular culture ; Women, Black Legal status, laws, etc ; African American women Legal status, laws, etc ; African American feminists ; Womanism ; Fame Social aspects ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Abstract: "INFAMOUS BODIES portrays ...
    Note: Includes bibliographical references and index
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  • 36
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478008200 , 9781478006824
    Language: English
    Pages: xi, 247 Seiten
    Parallel Title: Erscheint auch als Brim, Matt Poor queer studies
    Parallel Title: Erscheint auch als Brim, Matt Poor queer studies
    DDC: 306.76010973
    Keywords: Gay and lesbian studies ; Elite (Social sciences) Education ; Queer theory ; Educational equalization ; USA ; Queer-Theorie ; Elite ; Hochschulbildung ; Randgruppe ; Prekariat
    Abstract: Introduction: queer dinners -- The College of Staten Island: a poor Queer Studies case study -- "You can write your way out of anywhere": the upward mobility myth of rich Queer Studies -- The queer career: vocational Queer Studies -- Poor Queer Studies mothers -- Counternarratives: a black queer reader -- Epilogue: queer ferrying.
    Abstract: "POOR QUEER STUDIES contextualizes the material conditions under which Queer Theory is produced in the academy. Locating elite universities as the primary loci of Queer Theory, and as producers of and investors in racialized class stratification, Matt Brim interrogates what role Queer Theory has in shoring up class and racial disparities. How, Brim asks, is Queer Theory-a field theoretically dedicated to disrupting structures of power and inequality-implicated in the classed structures of the academy? Brim contends that, in its current formation, Queer Theory-or what he dubs "Rich Queer Theory"-is propelled by universities who refuse to serve poor students and only hire faculty who have graduated from the "prestige pipeline." Moreover, Brim argues that class as an analytic has effectively dropped out of Queer Theory scholarship. To counter these trends, Brim argues for a "Poor Queer Studies" that attends to class differences within the queer academy by examining the material reality through which "subversive" and "antinormative" Rich Queer Theory is produced. For Brim, the "Poor" in Poor Queer Studies allows for two connotations: the lack of material resources at under-resourced and non-elite universities, and the theoretical "holes" around class and racialized class positions in Rich Queer Studies. In chapter 1 Brim offers a case study of his own institution-The College of Staten Island, CUNY-by way of contextualizing the need for a Poor Queer Studies. In chapter 2 Brim expands his introductory argument that the exclusion of low-income students and working-class faculty from Queer Theory is a field-defining feature. In chapter 3 Brim offers a "vocational Queer Studies" that forces academics to consider how Queer Studies prepares students for labor outside of the academy. Chapter 4 is an examination of how students who are mothers have shaped Brim's understanding of Poor Queer Studies. In chapter 5 Brim centers John Keene's 2015 book, Counternarratives, to arrive at a conversation about learning how to read Black queer literature. In the conclusion, Brim proposes a notion of "queer ferrying" by which resources are shared between rich and poor institutions. This book will be of interest to students and scholars of queer studies, black queer studies, American studies, higher education studies, and labor studies"--
    Note: Includes bibliographical references and index
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  • 37
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478008569 , 9781478009450
    Language: English
    Pages: x, 234 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Dávila, Arlene M., 1965 - Latinx art
    Parallel Title: Erscheint auch als Dávila, Arlene M., 1965 - Latinx Art
    DDC: 700.98
    Keywords: Art, Latin American Political aspects ; Museum exhibits Political aspects ; Hispanic American artists ; Anthropology Political aspects ; Ethnology Political aspects ; Cultural policy ; Hispanos ; Kunst ; Künstler ; Kunstmarkt ; Kunsthandel ; Kulturelle Identität ; Rassismus ; Lateinamerika ; USA
    Abstract: What is Latinx art? Lessons from Chicanx and diasporican artists -- Exhibiting Latinx art : on critics, curators, and going "beyond the formula" -- Nationalism and the currency of categories -- On markets and the need for cheerleaders -- Whitewashing at work, and some ways out.
    Note: Includes bibliographical references and index
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  • 38
    ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X
    Language: English
    Pages: xiv, 392 Seiten
    Series Statement: Refiguring american music
    Parallel Title: Online version Mahon, Maureen Black diamond queens
    RVK:
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    Keywords: Schwarze ; Frau ; Rockmusik ; USA
    Abstract: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
    Note: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
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  • 39
    ISBN: 9781478005179 , 9781478006787
    Language: English
    Pages: 325 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Are you entertained?
    Parallel Title: Erscheint auch als Are you entertained?
    Parallel Title: Erscheint auch als Are You Entertained?
    DDC: 305.896/073
    Keywords: African Americans in popular culture ; Racism in popular culture ; African American arts ; Popular culture ; Politics and culture ; United States Civilization ; African American influences ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Abstract: Performing Blackness -- "Mutts like me" : mixed-race jokes and post-racial rejection in the Obama era / Ralina L. Joseph -- Black radio : Robert Glasper, Esperanza Spalding, and Janelle Monae? / Emily Lordi -- Camping and vamping across borders : locating cabaret singers in the Black cultural spectrum / Vincent Stephens -- The art of Black popular culture / Ike Okafor-Newsum -- Interview: Lisa B. Thompson -- Politicizing Blackness -- "Refashioning political cartoons : comics of Jackie Ormes, 1938-1958" / Kelly Jo Fulkerson-Dikuua -- Queer kinship and worldmaking in Black queer web series : Drama queenz and No shade / Eric Pritchard -- Styling and profiling : ballers, Blackness, the sartorial Ppolitics of the NBA / David J. Leonard -- Interview: Tracy Whiting-Sharpley -- Owning Blackness -- The subaltern is signifyin(g) : Black Twitter as a site of resistance / Sheneese Thompson -- Authentic Black cool? : branding and trademarks in contemporary African American culture / Richard Schur -- Black culture without Black people : hip hop and dance beyond appropriation discourse / Imani Johnson -- At the corner of chaos & divine : Black ritual theater, performance and politics / Nina Angela Mercer -- Interview: Mark Anthony Neal -- Loving Blackness -- The booty don't lie : pleasure, agency, and resistance in Black popular dance / Takiyah Nur Amin -- He said nothing : sonic space and the production of quietude in Barry Jenkins' Moonlight / Simone Drake -- Black women readers and the uses of urban fiction / Kinohi Nishikawa -- Interview: Patricia Hill Collins.
    Abstract: "ARE YOU ENTERTAINED? re-examines Blackness in popular culture in the digital age. Inspired by Stuart Hall's essay "What is this 'Black' in Black popular culture?" this book contains essays and interviews which explore the complexities of Black popular culture with a focus on the history that has led to this point. Highlighting the challenge Black popular culture must negotiate as it contends with white consumerism and the white gaze, this book emphasizes the cultural changes of the last quarter century and their impacts. ARE YOU ENTERTAINED? covers both new and little known material, bridging the gap between early scholarship on Black popular culture and new scholarship. The collection offers a wide range of perspectives on aspects of popular culture across time period, medium and genre"--
    Note: Includes bibliographical references and index
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  • 40
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478008859
    Language: English
    Pages: 1 Online-Ressource (x, 234 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Dávila, Arlene M., 1965 - Latinx art
    DDC: 700.98
    Keywords: Art, Latin American-Political aspects ; Electronic books ; USA ; Hispanos ; Künstler ; Kunst ; Kunstmarkt ; Kunsthandel ; Kulturelle Identität ; Rassismus
    Abstract: Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore how and why the contemporary international art market continues to overlook, devalue, and marginalize Latinx art and artists.
    URL: Volltext  (lizenzpflichtig)
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  • 41
    ISBN: 9781478012382 , 1478012382
    Language: English
    Pages: 1 Online-Ressource (x, 253 pages) , illustrations
    Parallel Title: Erscheint auch als
    Keywords: Illegal aliens / Education (Higher) / California ; Children of immigrants / Education / California ; Illegal aliens / Social conditions / California ; Deportation / California ; Adult children of immigrants / California ; Emigration and immigration law / United States ; Illegaler Einwanderer ; Staatsangehörigkeit ; Erwachsenes Kind ; USA ; Aufsatzsammlung ; USA ; Erwachsenes Kind ; Illegaler Einwanderer ; Staatsangehörigkeit
    Abstract: Introduction: We are not dreamers / Leisy J. Abrego and Genevieve Negrón-Gonzales -- "Other" borders : the illegal as normative metaphor / Joel Sati -- "I felt like an embarrassment to the undocumented community" : undocumented students navigating academic probation and unrealistic expectations / Grecia Mondragón -- Disrupting diversity : undocumented students in the neoliberal university / Gabrielle Cabrera -- American't : redefining citizenship in the U.S. undocumented immigrant youth movement / Gabriela Mónico -- Contesting 'citizenship' : the testimonies of undocumented immigrant activist women / Gabriela Garcia Cruz -- Undocumented young adults' heightened vulnerability in the Trump era / Carolina Valdivia -- Beyond identity : coming out as undocuqueer / Maria Liliana Ramírez -- Me vestí de reina : trans and queer sonic spatial entitlement / Audrey Silvestre -- Legalization through marriage : when love and papers converge / Lucía León -- Undocumented queer parenting : navigating external and internal threats to family / Katy Joseline Maldonado Dominguez
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 42
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012733
    Language: English
    Pages: 1 online resource (257 pages)
    Parallel Title: Erscheint auch als Sheller, Mimi, 1967 - Island futures
    DDC: 304.209792
    RVK:
    Keywords: Human ecology Sociological aspects ; Sustainable development ; Human ecology Political aspects ; Human ecology-Political aspects-Caribbean Area ; Karibischer Raum Haiti ; naturkatastrophe ; Klimawandel ; Verhältnis Mensch - Natur ; Humanökologie ; Anthropozän ; Postkolonialismus ; Caribbean Haiti ; Climate change ; Human ecology ; Anthropocene ; Postcolonialism ; Electronic books ; Caribbean Area Environmental aspects ; Caribbean Area Climatic factors ; Karibik ; Klimaänderung ; Naturkatastrophe ; Haiti ; USA ; Humanökologie
    Abstract: Mimi Sheller delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region, showing how vulnerability to ecological collapse and the quest for a "just recovery" in the Caribbean emerge from specific transnational political, economic, and cultural dynamics.
    Abstract: Cover -- Contents -- Preface: An Autobiography of My Mother -- Acknowledgments -- Introduction: Im/Mobile Disaster -- 1. Kinopolitical Power -- 2. Water Power -- 3. Aerial Power -- 4. Digital Power -- 5. Bordering Power -- 6. Sexual Power -- Conclusion: Surviving the Anthropocene -- Afterword: This is Not a Requiem -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 43
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009139
    Language: English
    Pages: 1 Online-Ressource (xiii, 247 Seiten) , Illustrationen
    Series Statement: A Camera Obscura Book
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.84/8
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    Keywords: Geschichte ; Hollywood marriage plot ; changing narrative of intimacy ; valorization of intimacy ; PERFORMING ARTS / Film & Video / History & Criticism ; Homosexuality in motion pictures ; Lesbianism in motion pictures ; Marriage ; Same-sex marriage ; Homosexualität ; Film ; Ehe ; USA ; USA ; Film ; Homosexualität ; Ehe ; Geschichte
    Abstract: In Reattachment Theory Lee Wallace argues that homosexuality-far from being the threat to "traditional" marriage that same-sex marriage opponents have asserted-is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films-Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)-that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 44
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009146 , 1478009144
    Language: English
    Pages: 1 online resource (xi, 247 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als Brim, Matt Poor queer studies
    DDC: 306.76010973
    Keywords: Gay and lesbian studies ; Elite (Social sciences) Education ; Queer theory ; Educational equalization ; Electronic books ; USA ; Queer-Theorie ; Elite ; Hochschulbildung ; Randgruppe ; Prekariat
    Abstract: Introduction: queer dinners -- The College of Staten Island: a poor Queer Studies case study -- "You can write your way out of anywhere": the upward mobility myth of rich Queer Studies -- The queer career: vocational Queer Studies -- Poor Queer Studies mothers -- Counternarratives: a black queer reader -- Epilogue: queer ferrying.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 45
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012245 , 1478012242
    Language: English
    Pages: 1 Online-Ressource (x, 217 pages)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 781.644
    RVK:
    Keywords: Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-
    Abstract: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 46
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012276
    Language: English
    Pages: 1 online resource (329 pages)
    Parallel Title: Erscheint auch als Londoño, Johana Abstract barrios
    DDC: 305.868073
    Keywords: Hispanic American neighborhoods History ; Hispanic American neighborhoods-History ; Electronic books ; USA ; Stadt ; Segregation ; Gentrifizierung ; Hispanos ; Stadtteilkultur
    Abstract: Johana Londoño examines how the barrio has become a cultural force that has been manipulated in order to create Latinized urban landscapes that are palatable for white Americans who view concentrated areas of Latinx populations as a threat.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 47
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009337
    Language: English
    Pages: 1 Online-Ressource (xi, 290 Seiten)
    Series Statement: Sign, Storage, Transmission
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76/63
    RVK:
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    Keywords: Lesbian Herstory Archives ; Geschichte 1970-2020 ; SOCIAL SCIENCE / Media Studies ; Archival materials Digitization ; Social aspects ; Archives Social aspects ; Digital media Social aspects ; Lesbian feminism Archival resources ; Lesbians Archival resources ; Queer theory ; Medien ; Queer-Theorie ; Soziale Bewegung ; Lesbe ; Kommunikation ; Feminismus ; USA ; Hochschulschrift ; Hochschulschrift ; Aufsatzsammlung ; USA ; Lesbe ; Feminismus ; Soziale Bewegung ; Medien ; Kommunikation ; Queer-Theorie ; Geschichte 1970-2020 ; Lesbian Herstory Archives
    Abstract: For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. InInformation Activism Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on-the-fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 48
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009283
    Language: English
    Pages: 1 Online-Ressource (ix, 254 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.48/896073
    RVK:
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    Keywords: Geschichte ; SOCIAL SCIENCE / Black Studies (Global) ; African American feminists ; African American women in popular culture ; African American women Legal status, laws, etc ; Fame Social aspects ; Womanism ; Women, Black Legal status, laws, etc ; Women, Black, in popular culture ; Feministin ; Schwarze Frau ; USA ; Biografie ; Biografie ; Biografie ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Abstract: The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how key political concepts such as freedom, consent, contract, citizenship, and sovereignty are shaped by the narratives surrounding these eighteenth- and nineteenth-century celebrities. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings' relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 49
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478005537
    Language: English
    Pages: 1 Online-Ressource (ix, 236 Seiten)
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; Photography in ethnology-United States-History ; Electronic books ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; Rassenfrage ; Fotografie
    Abstract: In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
    URL: Cover
    URL: Cover
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  • 50
    ISBN: 9781478009009
    Language: English
    Pages: 1 Online-Ressource (325 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
    RVK:
    Keywords: Geschichte 2000-2019 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African American arts ; African Americans in popular culture ; Politics and culture ; Popular culture ; Racism in popular culture ; Massenkultur ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Abstract: The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship.Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
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  • 51
    ISBN: 9781478012023
    Language: English
    Pages: 1 Online-Ressource (386 Seiten)
    Series Statement: Black Outdoors: Innovations in the Poetics of Study
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8
    RVK:
    Keywords: SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African Americans Race identity ; African Americans Relations with Indians ; Blacks Study and teaching ; Indians of North America Ethnic identity ; Indians of North America Study and teaching ; Race Political aspects ; Racism ; Interaktion ; Afroamerikanismus ; Identität ; Indigenes Volk ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Afroamerikanismus ; Schwarze ; Indigenes Volk ; Identität ; Interaktion
    Abstract: The contributors to Otherwise Worlds investigate the complex relationships between settler colonialism and anti-Blackness to explore the political possibilities that emerge from such inquiries. Pointing out that presumptions of solidarity, antagonism, or incommensurability between Black and Native communities are insufficient to understand the relationships between the groups, the volume's scholars, artists, and activists look to articulate new modes of living and organizing in the service of creating new futures. Among other topics, they examine the ontological status of Blackness and Indigeneity, possible forms of relationality between Black and Native communities, perspectives on Black and Indigenous sociality, and freeing the flesh from the constraints of violence and settler colonialism. Throughout the volume's essays, art, and interviews, the contributors carefully attend to alternative kinds of relationships between Black and Native communities that can lead toward liberation. In so doing, they critically point to the importance of Black and Indigenous conversations for formulating otherwise worlds.ContributorsMaile Arvin, Marcus Briggs-Cloud, J. Kameron Carter, Ashon Crawley, Denise Ferreira da Silva, Chris Finley, Hotvlkuce Harjo, Sandra Harvey, Chad B. Infante, Tiffany Lethabo King, Jenell Navarro, Lindsay Nixon, Kimberly Robertson, Jared Sexton, Andrea Smith, Cedric Sunray, Se'mana Thompson, Frank B. Wilderson
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
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  • 52
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012771 , 1478012773
    Language: English
    Pages: 1 Online-Ressource (xiv, 392 pages) , illustrations
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als
    DDC: 782.421660820973
    RVK:
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    Keywords: Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990
    Abstract: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 53
    ISBN: 9781478008880
    Language: English
    Pages: 1 Online-Ressource (xvi, 310 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.5/2
    RVK:
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    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Celebrities in mass media ; Fame Social aspects ; Hispanic American mass media ; Hispanic Americans in mass media ; Mass media and culture ; Mass media Political aspects ; Paparazzi ; Popular culture ; Women journalists ; Berühmte Persönlichkeit ; Paparazzo ; Regenbogenpresse ; Diskriminierung ; USA ; Los Angeles- Hollywood ; USA ; Los Angeles- Hollywood ; Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung
    Abstract: In Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture. Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz examines the racialized and gendered labor involved in manufacturing and selling relatable celebrity personas. Celebrity reporters, most of whom are white women, are expected to leverage their sexuality to generate coverage, which makes them vulnerable to sexual exploitation and assault. Meanwhile, the predominantly male Latino paparazzi can face life-threatening situations and endure vilification that echoes anti-immigrant rhetoric. In pointing out the precarity of those who hustle to make a living by generating the bulk of celebrity media, Díaz highlights the profound inequities of the systems that provide consumers with 24/7 coverage of their favorite stars
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
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  • 54
    ISBN: 9781478009436 , 9781478008545
    Language: English
    Pages: xvi, 310 Seiten , Illustrationen
    DDC: 305.52
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    Keywords: Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung ; USA ; Los Angeles- Hollywood
    Note: Literaturverzeichnis Seite 271-300
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