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  • English  (308)
  • Durham : Duke University Press  (308)
  • USA  (202)
  • History  (135)
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  • 1
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 2
    ISBN: 9781478025702 , 9781478020967
    Language: English
    Pages: xii, 242 Seiten , Illustrationen
    Series Statement: Anima
    Series Statement: critical race studies otherwise
    Parallel Title: Erscheint auch als Luciano, Dana How the earth feels
    Parallel Title: Erscheint auch als Luciano, Dana How the earth feels
    RVK:
    RVK:
    RVK:
    Keywords: c 1800 to c 1900 ; 19. Jahrhundert (1800 bis 1899 n. Chr.) ; Geology in literature ; Geology Social aspects 19th century ; History ; Geology History 19th century ; American literature History 19th century ; NATURE / Environmental Conservation & Protection ; HISTORY / Modern / 19th Century ; Conservation of the environment ; General & world history ; Geschichte allgemein und Weltgeschichte ; SOC069000 ; Umweltschutz
    Abstract: "By the start of the nineteenth century, the impact of the geological sciences and advancements in the field had radically expanded people's perception of the Earth's age. In How the Earth Feels, Dana Luciano maps the emergence of a "geological fantasy," in which increased knowledge of planetary life was used to racialize Native peoples as fossils and curiosities. Further, the geological fantasy served to cement the notion that the Earth had been preparing for the presence of humans, and that humans were in fact the ultimate expression of the Earth's teleological development in a both scientific and spiritual sense. Counterposing a range of texts-from early European and US geological texts to Indigenous accounts of earthquakes to African American men's anti-slavery writing featuring geological tropes-Luciano reveals the workings of the geological fantasy as it operated across the racial and biopolitical discourses of the nineteenth-century United States. Luciano offers a rich and historically nuanced account of how imagined relations with the non-human world have long served as a means of avoiding engagement with the dynamics of racial and colonial power"
    Abstract: Dana Luciano examines the impacts of the new science of geology on nineteenth-century US culture, showing how it catalyzed transformative conversations regarding the intersections between humans and the nonhuman world
    Description / Table of Contents: The "Fashionable Science" -- 'The Infinite Go-Before of the Present': Geological Time, Worldmaking, and Race in the Nineteenth Century -- Unsettled Ground: Indigenous Prophecy, Geological Fantasy, and the New Madrid Earthquakes -- Romancing the Trace: Ichnology, Affect, Race -- Matters of Spirit: Vibrant Materiality and White Femme Geophilia -- The Natural History of Freedom: Blackness, Geomorphology, Worldmaking -- Ishmael's Anthropocenes and Others: Geological Fantasy in the Twentiethfirst Century.
    Note: Includes bibliographical references and index
    URL: Cover  (lizenzpflichtig)
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  • 3
    ISBN: 9781478025245 , 9781478020387
    Language: English
    Pages: xvi, 412 Seiten , Illustrationen, Karten
    Series Statement: Theory in forms
    Parallel Title: Erscheint auch als Siddiqi, Anooradha Iyer Architecture of migration
    Keywords: Dadaab Refugee Camp ; Architecture and society ; Refugee camps ; Refugee camps History ; Refugee camps Design and construction ; Architecture Political aspects ; Refugees Housing ; History ; Dwellings History ; HISTORY / Africa / East ; ARCHITECTURE / History / General
    Abstract: "Environments associated with migration are often seen as provisional, lacking history or architecture. As Anooradha Iyer Siddiqi demonstrates in Architecture of Migration, a refugee camp's aesthetic and material landscapes-even if born out of emergency-reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement, tracing spatial and racial politics in the Dadaab refugee camps established in 1991 on the Kenya-Somalia border-at once a dense setting that manifests decades of architectural, planning, and design initiatives and a much older constructed environment that reflects its own ways of knowing. She moves beyond ahistorical representations of camps and their inhabitants by constructing a material and visual archive of Dadaab, finding long migratory traditions in the architecture, spatial practices, landscapes, and iconography of refugees and humanitarians. Countering conceptualizations of refugee camps as sites of border transgression, criminality, and placelessness, Siddiqi instead theorizes them as complex settlements, ecologies, and material archives created through histories of partitions, sedentarizations, domesticities, and migrations"--
    Description / Table of Contents: Architecture and History in a Refugee Camp -- From Partitions -- Land, Emergency, and Sedentarization in East Africa -- Shelter and Domesticity -- An Archive of Humanitarian Settlement -- Design as Infrastructure -- "Poetry is a weapon that we use in both war and peace".
    Note: Includes bibliographical references and index
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  • 4
    ISBN: 9781478025498 , 9781478020714
    Language: English
    Pages: xiv, 235 Seiten
    Parallel Title: Erscheint auch als Williams, Elizabeth W., 1986- Primitive normativity
    Keywords: Sex customs History ; Sex customs Colonies ; History ; Men, White Sexual behavior ; Colonies ; History ; Indigenous peoples Colonies ; History ; Race discrimination ; HISTORY / Africa / East ; SOCIAL SCIENCE / Gender Studies ; Colonialism & imperialism ; Gender Studies: Gruppen ; Gender studies, gender groups ; African history ; Kolonialismus und Imperialismus ; POL045000 ; POL053000 ; Politics & government ; Politik und Staat ; Afrikanische Geschichte ; Great Britain Colonies ; Race relations ; History ; Great Britain Colonies ; Kenya Race relations ; Kenia ; Kenya
    Abstract: "In Primitive Normativity Elizabeth W. Williams traces the genealogy of a distinct narrative about African sexuality that British colonial authorities in Kenya used to justify their control over African populations. She identifies a discourse of "primitive normativity" that suggested that Kenyan Africans were too close to nature to develop the forms of sexual neuroses and practices such as hysteria, homosexuality, and prostitution that were supposedly common among Europeans. Primitive normativity framed Kenyan African sexuality as less sexually polluted than that of the more deviant populations who colonized them. Williams shows that colonial officials and settlers used this narrative to further the goals of white supremacy by arguing that Africans' sexuality was proof that Africans must be protected from the forces of urbanization, Western-style education, and political participation, lest they be exposed to forms of civilized sexual deviance. Challenging the more familiar notion that Europeans universally viewed Africans as hypersexualized, Williams demonstrates how narratives of African sexual normativity, rather than deviance, reinforced ideas about the evolutionary backwardness of African peoples and their inability to govern themselves"--
    Description / Table of Contents: Primitive Normativity -- The Intellectual Roots of Primitive Normativity -- Sleeping Dictionaries and Mobile Metropoles: Female (A)Sexuality in the Silberrad Scandal of 1908 -- "Stoop Low to Conquer": Primitive Normativity and Trusteeship in the Kenyan "Indian Crisis" of 1923 -- White Peril: Rape, Race, and Contamination -- Queering Settler Romance: The Reparative Eugenic Landscape in Nora Strange's Kenyan Novels -- Eating the Other: Erotic Consumption in Anti-Mau Mau Discourse.
    Note: Includes bibliographical references and index
    URL: Cover  (lizenzpflichtig)
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  • 5
    ISBN: 9781478030034 , 9781478024859
    Language: English
    Pages: xiii, 234 Seiten , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als Chaar López, Iván 1983- Cybernetic border
    Keywords: Immigration enforcement Technological innovations ; History ; Border security Technological innovations ; Cyberinfrastructure ; Electronic surveillance ; Borderlands History ; HISTORY / United States / 20th Century ; SOCIAL SCIENCE / Technology Studies ; United States Emigration and immigration ; United States Boundaries
    Abstract: "In The Cybernetic Border, Iván Chaar López argues that the settler US nation requires the production and targeting of a racialized enemy that threatens the empire. The cybernetic border is organized through practices of data capture, storage, processing, circulation, and communication that police bodies and constitute the nation as a bounded, territorial space. Chaar López historicizes the US government's use of border enforcement technologies on Mexicans, Arabs, and Muslims from the mid-twentieth century to the present, showing how data systems are presented as solutions to unauthorized border crossing. Contrary to enduring fantasies of the purported neutrality of drones, smart walls, artificial intelligence, and biometric technologies, the cybernetic border represents the consolidation of calculation and automation in the exercise of racialized violence. Chaar López draws on corporate, military, and government records, promotional documents and films, technical reports, news reporting, surveillance footage, and activist and artist practices. These materials reveal how logics of enmity are embedded into information infrastructures that shape border control and modern sovereignty"--
    Description / Table of Contents: Toward a Theory of the Border Technopolitical Regime -- Scripting the Frontier: Drone Intruders and the Racial Politics of Unmanning -- Automating Boundaries: Information as a Regime of Border Control -- Platforms of Enmity and the Consolidation of the Networked Information Regime -- Technoaesthetics of Dissent in the Age of the Cybernetic Border -- The Unbearable Endurance of Data Technopolitics and Enmity.
    Note: Includes bibliographical references and index
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  • 6
    ISBN: 9781478025467 , 9781478020653
    Language: English
    Pages: xiv, 480 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Larson, Brooke Lettered Indian
    Keywords: Escuela Profesional de Indígenas de Huarizata (Bolivia) ; 20th century ; 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Indians of South America Education 20th century ; History ; Education Aims and objectives ; SOCIAL SCIENCE / Ethnic Studies / American / Native American Studies ; HISTORY / Latin America / South America ; 20th century history: c 1900 to c 2000 ; Amerikanische Geschichte ; EDUCATION / General ; Education ; HISTORY / Native American ; HISTORY / Social History ; History of the Americas ; Indigene Völker ; Indigenous peoples ; Pädagogik ; SOC008050 ; SOCIAL SCIENCE / Ethnic Studies / Native American Studies ; Social & cultural history ; Sozial- und Kulturgeschichte ; Bolivia ; Bolivien
    Abstract: "Bringing into dialogue the fields of social history, Andean ethnography, and postcolonial theory, The Lettered Indian maps the moral dilemmas and political stakes involved in the protracted struggle over Indian literacy and schooling in the Bolivian Andes. Brooke Larson traces Bolivia's major state efforts to educate its unruly Indigenous masses at key junctures in the twentieth century. While much scholarship has focused on "the Indian boarding school" and other Western schemes of racial assimilation, Larson interweaves state-centered and imperial episodes of Indigenous education reform with vivid ethnographies of Aymara peasant protagonists and their extraordinary pro-school initiatives. Exploring the field of vernacular literacy practices and peasant political activism, she examines the transformation of the rural "alphabet school" from an instrument of the civilizing state into a tool of Aymara cultural power, collective representation, and rebel activism. From the metaphorical threshold of the rural school, Larson rethinks the politics of race and indigeneity, nation and empire, in postcolonial Bolivia and beyond"--
    Description / Table of Contents: To Civilize the Indian: Contested Pedagogies of Race and Nation -- Lettered Aymara: The Insurgent Politics of Literacy and Schooling -- Warisata: Forging an Intercultural School Experiment -- Whose Indian School? Revenge of the Oligarchy -- Instigators of New Ideas: Peasant Pedagogies of Praxis --Enclaves of Acculturation: The North American School Crusade -- The Hour of Vindication: Rural Literacy and Schooling in the Age of Revolution -- Silences, Remembrances, and Reckonings.
    Note: Includes bibliographical references and index , Zielgruppe: 5PB-US-E, Bezug zu Indianern Nordamerikas
    URL: Cover  (lizenzpflichtig)
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  • 7
    ISBN: 9781478019633 , 9781478016991
    Language: English
    Pages: xi, 186 Seiten , Illustrationen
    Additional Information: Rezensiert in Moreira de Andrade, Thaís [Rezension von: Castañeda, Michelle, 1987-, Disappearing rooms] 2024
    Series Statement: Dissident acts
    Parallel Title: Erscheint auch als Castañeda, Michelle, 1987- Disappearing rooms
    Parallel Title: Erscheint auch als Castañeda, Michelle, - 1987- Disappearing rooms
    Keywords: Emigration and immigration law ; Hispanic Americans Legal status, laws, etc ; Discrimination in justice administration ; Performative (Philosophy) ; SOCIAL SCIENCE / Ethnic Studies / American / Hispanic American Studies ; SOCIAL SCIENCE / Sociology / General ; USA ; Einwanderung ; Zuwanderungsrecht ; Abschiebungshaft ; Kriminalisierung ; Rassismus
    Abstract: "In Disappearing Rooms Michelle Castañeda lays bare the criminalization of race enacted every day in U.S. immigration courts and detention centers. She uses a performance studies perspective to show how the theatrical concept of mise-en-scéne offers new insights about immigration law and the absurdist dynamics of carceral space. Castañeda draws upon her experiences in immigration trials as an interpreter and courtroom companion to analyze the scenography-lighting, staging, framing, gesture, speech, and choreography-of specific rooms within the immigration enforcement system. Castañeda's ethnographies of proceedings in a "removal" office in New York City, a detention center courtroom in Texas, and an asylum office in the Northeast reveal the depersonalizing violence enacted in immigration law through its embodied, ritualistic, and affective components. She shows how the creative practices of detained and disappeared peoples living under acute duress imagine the abolition of detention and borders. Featuring original illustrations by artist-journalist, Molly Crabapple, Disappearing Rooms shines a light into otherwise hidden spaces of law within the contemporary deportation regime. Duke University of Press Scholars of Color First Book Award Recipient"--
    Description / Table of Contents: Removal room : disappearance and the practice of accompaniment -- The prison-courtroom : no-show justice in family detention -- Bring me the room : tragic recognition and the right not to tell your story.
    Note: Includes bibliographical references (159-176) and index
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  • 8
    ISBN: 9781478027621
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Sex customs / Kenya / History ; Sex customs / Great Britain / Colonies / History ; Men, White / Great Britain / Sexual behavior / Colonies / History ; Indigenous peoples / Great Britain / Colonies / History ; Race discrimination ; Great Britain / Colonies / Race relations / History ; Great Britain / Kenya / Colonies ; Kenya / Race relations ; Discrimination raciale ; Grande-Bretagne / Colonies / Relations raciales / Histoire ; Grande-Bretagne / Colonies ; racial discrimination ; HISTORY / Africa / East ; SOCIAL SCIENCE / Gender Studies ; British colonies ; Indigenous peoples / British colonies ; Race discrimination ; Race relations ; Sex customs ; Sex customs / British colonies ; Kenya ; History
    Abstract: "In Primitive Normativity Elizabeth W. Williams traces the genealogy of a distinct narrative about African sexuality that British colonial authorities in Kenya used to justify their control over African populations. She identifies a discourse of "primitive normativity" that suggested that Kenyan Africans were too close to nature to develop the forms of sexual neuroses and practices such as hysteria, homosexuality, and prostitution that were supposedly common among Europeans. Primitive normativity framed Kenyan African sexuality as less sexually polluted than that of the more deviant populations who colonized them. Williams shows that colonial officials and settlers used this narrative to further the goals of white supremacy by arguing that Africans' sexuality was proof that Africans must be protected from the forces of urbanization, Western-style education, and political participation, lest they be exposed to forms of civilized sexual deviance. Challenging the more familiar notion that Europeans universally viewed Africans as hypersexualized, Williams demonstrates how narratives of African sexual normativity, rather than deviance, reinforced ideas about the evolutionary backwardness of African peoples and their inability to govern themselves"--
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023708 , 1478023708
    Language: English
    Pages: 1 Online-Ressource (xv, 200 pages, 30 pages of plates) , illustrations (some color)
    Series Statement: The visual arts of Africa and its diasporas
    Parallel Title: Erscheint auch als Cobb, Jasmine Nichole New growth
    Keywords: Hairdressing of Black people Social aspects ; Hairdressing of African Americans Social aspects ; Hairdressing of Black people History ; Hairdressing of African Americans History ; Black people Race identity ; African Americans Race identity ; Hairdressing of Black people Social aspects ; Hairdressing of African Americans Social aspects ; Hairdressing of Black people History ; Hairdressing of African Americans History ; Black people Race identity ; African Americans Race identity ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; HISTORY / Social History ; African Americans ; Race identity ; Black people ; Race identity ; Hairdressing of African Americans ; Hairdressing of Black people ; History ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; HISTORY / Social History
    Abstract: New Growth: Black Hair and Liberation -- Archive: Slavery, Sentiment, and Feeling -- Texture: The Coarseness of Racial Capitalism -- Touch: Camera Images and Contact Revisions -- Surface: The Art of Black Hair -- Crowning Gestures.
    Abstract: "From Frederick Douglass to Angela Davis, "natural hair" has been associated with the Black freedom struggle. In New Growth Jasmine Nichole Cobb traces the history of Afro-textured coiffure, exploring it as a visual material through which to reimagine the sensual experience of Blackness. Through close readings of slave narratives, scrapbooks, travel illustration, documentary film and photography, as well as collage, craft, and sculpture, from the nineteenth century to the present, Cobb shows how the racial distinctions ascribed to people of African descent become simultaneously visible and tactile. Whether examining Soul Train's and Ebony's promotion of the Afro hair style alongside cosmetics or how artists such as Alison Saar and Lorna Simpson underscore the construction of Blackness through the representation of hair, Cobb foregrounds the inseparability of Black hair's look and feel. Demonstrating that Blackness is palpable through appearance and feeling, Cobb reveals the various ways that people of African descent forge new relationships to the body, public space, and visual culture through the embrace of Black hair"--
    Note: Includes bibliographical references and index
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  • 10
    ISBN: 9781478093565
    Language: English
    Pages: 1 Online-Ressource (xi, 186 pages) , illustrations
    Additional Information: Rezensiert in Moreira de Andrade, Thaís [Rezension von: Castañeda, Michelle, 1987-, Disappearing rooms] 2024
    Series Statement: Dissident acts
    Parallel Title: Erscheint auch als Castañeda, Michelle, 1987 - Disappearing rooms
    Keywords: Emigration and immigration law ; Hispanic Americans Legal status, laws, etc ; Discrimination in justice administration ; Performative (Philosophy) ; SOCIAL SCIENCE / Ethnic Studies / American / Hispanic American Studies ; SOCIAL SCIENCE / Sociology / General ; USA ; Einwanderung ; Zuwanderungsrecht ; Abschiebungshaft ; Kriminalisierung ; Rassismus
    Abstract: In Disappearing Rooms Michelle Castañeda lays bare the criminalization of race enacted every day in US immigration courts and detention centers. She uses a performance studies perspective to show how the theatrical concept of mise-en-scène offers new insights about immigration law and the absurdist dynamics of carceral space. Castañeda draws upon her experiences in immigration trials as an interpreter and courtroom companion to analyze the scenography - lighting, staging, framing, gesture, speech, and choreography - of specific rooms within the immigration enforcement system. Castañeda’s ethnographies of proceedings in a “removal” office in New York City, a detention center courtroom in Texas, and an asylum office in the Northeast reveal the depersonalizing violence enacted in immigration law through its embodied, ritualistic, and affective components. She shows how the creative practices of detained and disappeared people living under acute duress imagine the abolition of detention and borders. Featuring original illustrations by artist-journalist Molly Crabapple, Disappearing Rooms shines a light into otherwise hidden spaces of law within the contemporary deportation regime. Duke University of Press Scholars of Color First Book Award Recipient
    Note: In English
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  • 11
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478024255 , 1478024259 , 9781478093572 , 1478093579
    Language: English
    Pages: 1 Online-Ressource (xii, 318 pages) , illustrations
    Parallel Title: Erscheint auch als Yannakakis, Yanna, 1967- Since time immemorial
    Keywords: Customary law courts History ; Indians of Mexico Politics and government ; Indians of Mexico Legal status, laws, etc ; History ; Justice, Administration of History ; HISTORY / Latin America / Mexico ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Customary law courts ; Indians of Mexico - Legal status, laws, etc ; Indians of Mexico - Politics and government ; Justice, Administration of ; History ; Mexico
    Abstract: "In Since Time Immemorial Yanna Yannakakis traces the invention of Native custom, a legal category that Indigenous litigants used in disputes over marriage, self-governance, land, and labor in colonial Mexico. She outlines how in the hands of Native litigants, the European category of custom-social practice that through time takes on the normative power of law-acquired local meaning and changed over time. Yannakakis analyzes sources ranging from missionary and Inquisition records to Native pictorial histories, royal surveys, and Spanish and Native-language court and notarial documents. By encompassing historical actors who have been traditionally marginalized from legal histories and highlighting spaces outside the courts like Native communities, parishes, and missionary schools, she shows how imperial legal orders were not just imposed from above but also built on the ground through translation and implementation of legal concepts and procedures. Yannakakis argues that ultimately, Indigenous claims to custom, which on the surface aimed to conserve the past, provided a means to contend with historical change and produce new rights for the future"--
    Description / Table of Contents: Custom, law, and empire in the Mediterranean-Atlantic world -- Translating custom in Castile, Central Mexico, and Oaxaca -- Framing pre-Hispanic law and custom -- The old law, polygyny, and the customs of the ancestors -- Custom, possession, and jurisdiction in the boundary lands -- Custom as social contract : Native self-governance and labor -- Prescriptive custom : written labor agreements in Native and Spanish jurisdictions.
    Note: Includes bibliographical references and index
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  • 12
    ISBN: 9781478019626 , 9781478016984
    Language: English
    Pages: xii, 318 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als Yannakakis, Yanna, 1967 - Since time immemorial
    Keywords: Customary law courts History ; Indians of Mexico Politics and government ; Indians of Mexico Legal status, laws, etc ; History ; Justice, Administration of History ; HISTORY / Latin America / Mexico ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Mexiko ; Gewohnheitsrecht ; Rechtsethnologie ; Geschichte
    Abstract: "In Since Time Immemorial Yanna Yannakakis traces the invention of Native custom, a legal category that Indigenous litigants used in disputes over marriage, self-governance, land, and labor in colonial Mexico. She outlines how in the hands of Native litigants, the European category of custom-social practice that through time takes on the normative power of law-acquired local meaning and changed over time. Yannakakis analyzes sources ranging from missionary and Inquisition records to Native pictorial histories, royal surveys, and Spanish and Native-language court and notarial documents. By encompassing historical actors who have been traditionally marginalized from legal histories and highlighting spaces outside the courts like Native communities, parishes, and missionary schools, she shows how imperial legal orders were not just imposed from above but also built on the ground through translation and implementation of legal concepts and procedures. Yannakakis argues that ultimately, Indigenous claims to custom, which on the surface aimed to conserve the past, provided a means to contend with historical change and produce new rights for the future"--
    Description / Table of Contents: Custom, law, and empire in the Mediterranean-Atlantic world -- Translating custom in Castile, Central Mexico, and Oaxaca -- Framing pre-Hispanic law and custom -- The old law, polygyny, and the customs of the ancestors -- Custom, possession, and jurisdiction in the boundary lands -- Custom as social contract : Native self-governance and labor -- Prescriptive custom : written labor agreements in Indian and Spanish jurisdictions.
    Note: Includes bibliographical references and index
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  • 13
    ISBN: 9781478025290 , 1478025298 , 9781478020486 , 1478020482
    Language: English
    Pages: xvii, 347 Seiten , Illustrationen, Karten , 23 cm
    Parallel Title: Online version Rijke-Epstein, Tasha, 1975- Children of the soil
    RVK:
    RVK:
    RVK:
    Keywords: Architecture and society / Madagascar / Mahajanga / History ; Sociology, Urban / Madagascar / Mahajanga / History ; City planning / Madagascar / Mahajanga / History ; Mahajanga (Madagascar) / Social conditions ; Mahajanga (Madagascar) / History ; HISTORY / Africa / East ; ARCHITECTURE / General ; Architecture and society ; City planning ; Social conditions ; Sociology, Urban ; Madagascar / Mahajanga ; History ; History
    Abstract: "Children of the Soil traces the relationships between indigenous Malagasy people, Comorian migrants, and French colonizers across several generations in the Indian Ocean port city of Mahajanga, Madagascar. Focusing on the built environment, Tasha Rijke-Epstein considers the complex dynamics between African groups and the spatial and formal ways that they asserted their presence and claimed space in the city before, during, and after colonization. Rijke-Epstein focuses on the articulation of Malagasy power through indigenous architectural forms; then shifts her focus to consider how Comorian migrants shaped the city's spatial and cultural terrain, marrying into existing Malagasy families, constructing mosques, and animating street life. Yet despite their longstanding ties to Madagascar and shared cultural lexicon, Comorian migrants were targeted in a series of violent uprisings in 1976 that resulted in the deaths of at least 1,000 people and the expulsion of more than 16,000 people from Mahajanga. Children of the Soil gives readers a new way to understand the role of material environments in shaping national and urban belonging, as well as to understand the wave of expulsions that happened across post-colonial societies"--
    Description / Table of Contents: Material Histories -- Building Power -- Casting the Land: Architectural Tactics and the Politics of Durability -- Vibrant Matters: The Rova and More-than-Human Forces -- Anticipatory Landscapes -- Storied Refusals: Labor and Laden Absences -- Sedimentary Bonds: Treasured Mosques and Everyday Expertise -- Residual Lives and Afterlives -- Garnered Presences: Constructing Belonging in the Zanatany City -- Violent Remnants: Infrastructures of Possibility and Peril -- Unfinished Histories
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  • 14
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478025016 , 9781478020035
    Language: English
    Pages: xi, 121 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Davis, Jade E Other side of empathy
    Parallel Title: Erscheint auch als Davis, Jade E. The Other Side of Empathy
    Keywords: Empathy ; Other (Philosophy) Social aspects ; Human zoos History 19th century ; Photography Social aspects 19th century ; History ; Racism in anthropology History ; Colonization Social aspects ; Technology Social aspects ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; Black & Asian studies ; Ethnic Studies ; Ethnic studies ; HISTORY / Social History ; SOCIAL SCIENCE / Ethnic Studies / General ; Social & cultural history ; Sozial- und Kulturgeschichte
    Abstract: "The Other Side of Empathy argues that empathy itself is a culturally created and maintained affective ideology deployed to make sense of a world that has been irrevocably distorted by colonization and technology. Understanding empathy culture, and empathy as an ideology allows for an exploration of its arbitrariness, cultural contradictions, and limits. An analysis of "human zoos," as presented in colonial photography and in their digital afterlife, illustrates how ingrained proper empathetic responses are built into culture. Emerging technologies, such as Artificial Intelligence and Virtual Reality, ensure that colonial dynamics are maintained into the future despite information that allows other ways of understanding the past. The Other Side of Empathy attempts to illustrate how we can dismantle empathy to allow for more nuanced and complete understandings of the colonial past and its impact on the world today"--
    Abstract: Jade E. Davis contests the value of empathy as an affective or critical tool, proposing mutual recognition as a way to create a more meaningful affective engagement with the world
    Description / Table of Contents: The other side of human zoos? -- We have names. -- New media and emerging technology will kill us all, though.
    Note: Includes bibliographical references and index , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
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  • 15
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478022459
    Language: English
    Pages: 1 Online-Ressource (450 p.)
    DDC: 305.3
    RVK:
    Keywords: Geschlechterrolle ; Männlichkeit ; USA ; Electronic books
    Abstract: In Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington's practice of cleaning as an iteration of sissiness, Baldwin's self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.
    URL: Cover
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  • 16
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478022800
    Language: English
    Pages: 1 Online-Ressource (481 Seiten)
    Parallel Title: Erscheint auch als Davis, Thulani The emancipation circuit
    DDC: 973/.0496073009034
    Keywords: Electronic books ; USA ; Schwarze ; Politische Betätigung ; Politische Publizistik ; Politische Organisation ; Geschichte 1865-1900
    Abstract: Thulani Davis provides a sweeping rethinking of Reconstruction by tracing how the four million people newly freed from bondage created political organizations and connections that mobilized communities across the South.
    Abstract: Cover -- Contents -- List of Maps -- List of Tables -- Acknowledgments -- Gallery -- Introduction: Black Political Thought as Shaped in the South -- 1. Flight: Movement Matters -- 2. The Emancipation Circuit: A Road Map -- 3. Virginia: Assembly -- 4. North Carolina: Custody -- 5. South Carolina: Majority -- 6. Georgia: Mobilization -- 7. Florida: Faction -- 8. Alabama: Redemption -- 9. Louisiana: Societies -- 10. Mississippi: Bulldoze -- 11. Arkansas: Minority -- Conclusion: What Lives On Is Black Political Thought -- Notes -- Bibliography -- Table Source Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 17
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478013907 , 9781478014843
    Language: English
    Pages: xi, 164 Seiten
    Parallel Title: Erscheint auch als Gray, Biko Mandela Black Life Matter
    DDC: 305.800973
    Keywords: Racism ; Racism Philosophy ; Black lives matter movement ; Racism in law enforcement ; Racism against Black people ; Police murders ; Murder victims ; Police brutality ; African Americans Social conditions ; SOCIAL SCIENCE / Black Studies (Global) ; RELIGION / Philosophy ; United States Race relations ; History ; USA ; Rassismus ; Person of Color
    Abstract: Four Black Lives -- Hands and Braids: Black Bodies as Mere Corporeal Matter -- "What I Do?": Black Flesh as Living Matter -- "I Am Irritated, I Really Am": Blackness as Affective Matter -- Black Life Matter.
    Abstract: "In Black Life Matter, Biko Mandela Gray offers a philosophical eulogy for Aiyana Stanley-Jones, Tamir Rice, Alton Sterling, and Sandra Bland that attests to their irreducible significance in the face of unremitting police brutality. Gray employs a theoretical method he calls "sitting with"-a philosophical practice of care that seeks to defend the dead and the living. He shows that the police that killed Stanley-Jones and Rice reduced them to their bodies in ways that turn black lives into tools that the state uses to justify its violence and existence. He outlines how Bland's arrest and death reveal the affective resonances of blackness, and he contends that Sterling's physical movement and speech before he was killed point to black flesh as unruly living matter that exceeds the constraints of the black body. These four black lives, Gray demonstrates, were more than the brutal violence enacted against them; they speak to a mode of life that cannot be fully captured by the brutal logics of antiblackness"--
    Note: Includes bibliographical references and index
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  • 18
    ISBN: 9781478015703 , 9781478018346
    Language: English
    Pages: ix, 234 Seiten , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als Moore, Kelli, 1976 - Legal spectatorship
    DDC: 362.82/92
    Keywords: Family violence Law and legislation ; Victims of family violence Legal status, laws, etc ; Slavery Social aspects ; African Americans Social conditions 19th century ; Discrimination in justice administration History 19th century ; Photography Social aspects ; Legal photography ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; SOCIAL SCIENCE / Media Studies ; USA ; Häusliche Gewalt ; Unterdrückung ; Sklaverei ; Rassismus ; Intersektionalität ; Gerichtssaal ; Visuelle Medien ; Fotografie ; Beweis
    Abstract: Authenticating domestic violence : image and feeling in abolitionist media -- Battered women in a cybernetic milieu -- Authenticating testimony in the domestic violence courtroom -- Incorporating camp in criminal justice.
    Abstract: "Legal Spectatorship examines the visual culture surrounding domestic violence, or DV, focusing on the ways that photographs are marshaled as a form of spectacular evidence rooted in slavery and antiblackness. Historically, slaves were not able to testify in person in court although they were often silent witnesses to white domestic conflicts. Today, these histories of racism are embedded into domestic violence prosecution as photographs documenting evidence of DV stand in for women's testimony, and an extensive web of surveillance and administrative tactics criminalize female victims. Kelli Moore reads the legislative, juridical, and media structures that have developed around domestic violence as an extension of the logics of slavery that points to a broader form of US "domestic violence" in the form of slavery and racism. The chapters take up slave witnessing and black subjectivity; the psychological theories that developed around DV in the context of the Civil Rights movement; "artivism" around domestic violence imagery and anti-DV campaigns; and Moore's own ethnographic work in the courtroom observing domestic violence cases"--
    Note: Includes bibliographical references and index
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  • 19
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023371
    Language: English
    Pages: 1 Online-Ressource ( ix, 352 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 970.00497
    Keywords: Indians, Treatment of / North America / History ; Settler colonialism / United States / History ; Indians of North America / Economic conditions ; Indians of North America / Colonization / History ; Imperialism / Social aspects / North America / History ; Capitalism / North America / History ; Racism / North America / History ; Racism / Economic aspects / North America ; North America / Race relations / History ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; SOCIAL SCIENCE / Ethnic Studies / American / Native American Studies ; Capitalism ; Imperialism / Social aspects ; Indians of North America / Colonization ; Indians of North America / Economic conditions ; Indians, Treatment of ; Race relations ; Racism ; Racism / Economic aspects ; Settler colonialism ; North America ; United States ; History ; Konferenzschrift 2019 ; Konferenzschrift 2019
    Note: Bevorzugte Informationsquelle Landingpage (Duke), da weder Titelaufnahme noch im Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023098
    Language: English
    Pages: 1 online resource (321 pages)
    Parallel Title: Erscheint auch als Sas, Miryam Feeling media
    DDC: 302.230952
    Keywords: Mass media Philosophy ; Mass media Social aspects 20th century ; History ; Mass media Political aspects 20th century ; History ; Popular culture History 20th century ; Affect (Psychology) Social aspects ; Arts, Japanese 20th century ; Kunst ; Darstellende Kunst ; Kulturindustrie ; Massenkultur ; Künstler ; Berühmte Persönlichkeit ; Kulturleben ; Kritik ; Kunstwissenschaft ; Electronic books ; Japan
    Abstract: Miryam Sas explores the potentialities and limitations of media theory and media art in Japan, showing how artists and theorists reframe ideas about collectivity, community, and connectivity.
    Abstract: The feeling of being in the contemporary age : the rise of intermedia -- Intermedia moments in Japanese experimental animation -- The culture industries and media theory in Japan : transformations in leftist thought -- A feminist phenomenology of media : Ishiuchi Miyako -- From postwar to contemporary art -- Moves like sand : community and collectivity in Japanese contemporary art.
    Abstract: "In Feeling Media, Miryam Sas draws on experimental animation, postwar media theory, photography, and contemporary visual art to explore the potentialities and limitations of media theory and media art in Japan. The book aims to open media studies and affect theory to deeper engagement with works and theorists outside Euro-America by offering a detailed exploration of the critical discourses and artistic practices of both influential as well as lesser-known theorists and artists. Through case studies, Feeling Media proposes an emergent framework of analysis for the humanities that the author terms the "affective scale." The book reads Japanese media theory as working thought, taking into account its complexity and global interconnectedness while resisting reductive linkages to dominant Euro-American theory. The book also performs a historiographic experiment, viewing two key periods of rapid media transformation in relation to one another, while attending to disparities and disjunctures between them"--
    Note: Includes bibliographical references and index , Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    ISBN: 9781478015758 , 9781478018377
    Language: English
    Pages: xxiv, 341 Seiten , Illustrationen, Karte
    Series Statement: A theory in forms book
    Parallel Title: Erscheint auch als Monaville, Pedro Students of the world
    Parallel Title: Erscheint auch als Monaville, Pedro Students of the world
    DDC: 967.5103
    Keywords: Student movements History 20th century ; College students Political activity ; Decolonization ; Cold War Social aspects ; HISTORY / Africa / Central ; POLITICAL SCIENCE / Colonialism & Post-Colonialism ; Congo (Democratic Republic) Politics and government 1960-1997 ; Congo (Democratic Republic) History 1960-1997 ; Congo (Democratic Republic) Social conditions 20th century ; History ; Demokratische Republik Kongo ; Studentenbewegung ; Entkolonialisierung ; Geschichte 1960-1997
    Abstract: "On June 30, 1960-the day of the Congo's independence-Prime Minister Patrice Lumumba gave a fiery speech in which he conjured a definitive shift away from a past of colonial oppression toward a future of sovereignty, dignity, and justice. His assassination a few months later showed how much neocolonial forces and the Cold War jeopardized African movements for liberation. In Students of the World, Pedro Monaville traces a generation of Congolese student activists who refused to accept the foreclosure of the future Lumumba envisioned. These students sought to decolonize university campuses, but the projects of emancipation they articulated went well beyond transforming higher education. Monaville explores the modes of being and thinking that shaped their politics. He outlines a trajectory of radicalization in which gender constructions, cosmopolitan dispositions, and the influence of a dissident popular culture mattered as much as access to various networks of activism and revolutionary thinking. By illuminating the many worlds inhabited by Congolese students at the time of decolonization, Monaville charts new ways of writing histories of the global 1960s from Africa"--
    Description / Table of Contents: Distance learning and the production of politics -- Friendly correspondence with the whole world -- Paths to school -- Dancing the rumba at Lovanium -- Cold War transcripts -- Revolution in the (counter-)revolution -- A student front -- (Un)natural alliances -- A postcolonial massacre and Caporalisation in Mobutu's Congo.
    Note: Literaturverzeichnis: Seite 291-321
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  • 22
    Online Resource
    Online Resource
    Durham : Duke University Press | The Hague : OAPEN FOUNDATION
    ISBN: 9781478007494 , 9781478006077 , 9781478006749
    Language: English
    DDC: 305.86872079466
    Keywords: USA ; Human geography ; social movements ; activism ; place ; race ; Chicano movement ; place-making ; Oakland ; geography ; ethnic studies
    Abstract: Juan Herrera maps 1960s Chicano Movement activism in the Latinx neighborhood of Fruitvale in Oakland, California, showing how activists there constructed a politics forged through productions of space.
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  • 23
    ISBN: 9781478015932 , 9781478018575
    Language: English
    Pages: xxii, 217 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als Angel, Naomi, 1977-2014 Fragments of truth
    Parallel Title: Erscheint auch als Angel, Naomi, - 1977-2014 Fragments of truth
    DDC: 305.23089071
    Keywords: Truth and Reconciliation Commission of Canada ; Off-reservation boarding schools Sources History 20th century ; Indigenous children Sources Education 20th century ; History ; Indigenous children Sources Crimes against 20th century ; History ; Documentary mass media ; Psychic trauma and mass media ; Collective memory in mass media ; SOCIAL SCIENCE / Ethnic Studies / American / Native American Studies ; HISTORY / Canada / Post-Confederation (1867-)
    Abstract: Reconciliation as a way of seeing : the history and context of the Indian residential school system -- Images of contact : archival photographs and the work of reconciliation in Canada -- Nations gather : public testimony and the politics of affect -- Reconciliation as a ghostly encounter : discourses of haunting and Indian residential schools.
    Abstract: "Fragments of Truth is Naomi Angel's analysis of the Canadian Truth and Reconciliation Commission, which was established in 2008 to document the abuses of the Indian residential school system and to provide opportunities of reconciliation between Indigenous and non-Indigenous communities. Focusing on visual media, this book examines how the Commission, itself a fraught project, served as a vehicle through which memory, trauma, and visuality were able to surface in often startling ways. Angel explores how archival images of the residential schools produced by the Canadian government have been reclaimed by Indigenous communities, thereby pointing to the unstable and shifting nature of what documentation of abuse signifies. The Commission thus offers a unique optic through which to survey the long history of colonial oppression of First Nations populations"--
    Note: Includes bibliographical references and index
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  • 24
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478018964 , 9781478016328
    Language: English
    Pages: xii, 386 Seiten
    Parallel Title: Erscheint auch als Erlmann, Veit Lion's share
    RVK:
    Keywords: Linda, Solomon ; Music Law and legislation ; History ; Copyright Music ; History ; Music and race ; MUSIC / Ethnomusicology ; HISTORY / Africa / South / Republic of South Africa ; Südafrika ; Musikwirtschaft ; Geistiges Eigentum
    Abstract: "In the aftermath of apartheid, South Africa undertook an ambitious revision of its intellectual property system. In Lion's Share Veit Erlmann traces the role of copyright law in this process and its impact on the South African music industry. Although the South African government tied the reform to its post-apartheid agenda of redistributive justice and a turn to a post-industrial knowledge economy, Erlmann shows how the persistence of structural racism and Euro-modernist conceptions of copyright threaten the viability of the reform project. In case studies ranging from anti-piracy police raids and the crafting of legislation to protect indigenous expressive practices to the landmark lawsuit against Disney for its appropriation of Solomon Linda's song "The Lion Sleeps Tonight" for The Lion King, Erlmann follows the intricacies of musical copyright through the criminal justice system, parliamentary committees, and the offices of a music licensing and royalty organization. Throughout, he demonstrates how copyright law is inextricably entwined with race, popular music, postcolonial governance, indigenous rights, and the struggle to create a more equitable society"--
    Description / Table of Contents: Aspirations and Apprehensions : Toward an Anthropology in Law -- The Past in the Present : Copyright, Colonialism, and "The Lion Sleeps Tonight" -- Assembling Tradition, Representing Indigeneity : The Making of the Intellectual Property Laws Amendment Act 28 of 2013 -- Circulating Evidence : The Truth about Piracy -- Which Collective? The Infrastructure of Royalties -- Southern African Copyright : The Basics.
    Note: Includes index
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  • 25
    ISBN: 9781478017943 , 9781478015321
    Language: English
    Pages: xv, 207 Seiten , Illustrationen
    Series Statement: Dissident acts
    Parallel Title: Erscheint auch als Schaeffer, Felicity Amaya Unsettled borders
    DDC: 304.8/721
    Keywords: Border crossing Social aspects ; Border security ; Indigenous peoples Social conditions ; Traditional ecological knowledge ; Indian activists ; SOCIAL SCIENCE / Emigration & Immigration ; SOCIAL SCIENCE / Indigenous Studies ; SCIENCE / Philosophy & Social Aspects ; Mexican-American Border Region Emigration and immigration ; Social aspects ; USA ; Staatsgrenze ; Mexiko ; Indianer ; Militär ; Überwachung ; Grundeigentum
    Abstract: "The story of how the U.S.-Mexico border has become more dangerous for migrant crossing has preoccupied scholars across a range of fields. As necessary as this has been, the overwhelming focus on border crossers has eclipsed the consequences of military occupation on Native tribes whose land and bodies spill across the border, including mounting numbers of Maya refugees. Unsettled Borders follows the science and technological development of border surveillance back to military innovations tasked with seeing the invisible movements of Apache and Chiricahua warriors across the rugged terrain of the western frontier. Felicity Amaya Schaeffer follows a range of militarized surveillance innovations across time and space, recalling the Spanish lookout points erected to monitor Maya in the Yucatan, the superior eyes of Indian scouts, automated border avatars, and swarming bee drones. From the perspective of Native border inhabitants, a broader story emerges about how mechanized seeing attempts to eradicate Native sacred and animate relation with land. With an eye on the more-than-human world, Apache, O'odham and Maya teach us about the impossibility of borders in their sacred scientific worldviews that see relation where westerners impose segregated seeing and knowing. Unsettled Borders returns to ancestral practices-from beekeepers caring for the Melipona bees who bring back their forests to O'odham relations with saguaro peoplehood amputated by border walls. The border comes alive with a resurgent force of Native land defenders who refuse extraction, occupation, and surveillance by the futile attempts to build virtual and iron-cast walls that will ultimately fail to contain life and erect borders around the world"--
    Note: Literaturverzeichnis: Seiten 185-200
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  • 26
    ISBN: 9781478006077 , 9781478006749
    Language: English
    Pages: XIV, 242 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als Herrera, Juan, 1982- Cartographic memory
    DDC: 305.868/72079466
    Keywords: Chicano movement History 20th century ; Mexican Americans Political activity 20th century ; History ; Mexican Americans Social conditions 20th century ; SOCIAL SCIENCE / Ethnic Studies / General ; SOCIAL SCIENCE / Human Geography
    Abstract: Putting Fruitvale on the "Map" -- Making Place -- The Other Minority -- Revolution Interrupted -- Development for the People! -- Mapping Interlinkages -- Activism in Space-Time.
    Abstract: "In Cartographic Memory, Juan Herrera maps 1960s Chicano Movement activism in the Latinx neighborhood of Fruitvale in Oakland, California, showing how activists there constructed a politics forged through productions of space. From Chicano-inspired street murals to the architecture of restaurants and shops, Herrera shows how Fruitvale's communities and spaces serve as a palpable, living record of movement politics and achievements. Drawing on oral histories with Chicano activists, ethnography, and archival research, Herrera analyzes how activism shapes Fruitvale. Herrera examines the ongoing nature of activism through nonprofit organizations and urban redevelopment projects like the Fruitvale Transit Village that root movements in place. Showing how the social justice activism in Fruitvale fights for a space which does not yet exist, Herrera brings to life contentious politics about the nature of Chicanismo, Latinidad, and belonging while foregrounding the lasting social and material legacies of movements so often relegated to the past"--
    Note: Includes bibliographical references and index
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  • 27
    ISBN: 9781478015246 , 9781478017868
    Language: English
    Pages: x, 298 Seiten , Karten
    Series Statement: Theory in forms
    Uniform Title: Médecin qui voulut être roi
    Parallel Title: Erscheint auch als Lachenal, Guillaume, 1978- Doctor who would be king
    DDC: 610.96711
    Keywords: David, Jean Joseph ; Medicine Colonies 20th century ; History ; Medicine History 20th century ; Medical ethics Colonies 20th century ; History ; Medical ethics History 20th century ; Physicians Biography ; Physicians Biography ; Colonial administrators Biography ; Colonial administrators Biography ; HISTORY / Africa / Central ; POLITICAL SCIENCE / Colonialism & Post-Colonialism ; Cameroon History To 1960 ; France Colonies 20th century ; Administration ; History
    Abstract: A showcase for colonial humanism -- An archipelago of camps -- Madame Ateba -- Advocating for a regime of exception -- A French dream -- Haut-Nyong must be saved -- Lessons in medical administration -- Paradise : a guided tour (December 2013) -- A real-life experiment -- The invisible men -- Social medicine, French-style -- Life has returned -- Colonel David will become a general -- The missionaries' nightmare -- The dark waters of the Haut-Nyong -- Rubber for the emperor -- "Here we are the masters" -- Koch! Koch! -- King David -- Uvea, desert island -- Chronicles of the Golden Age -- I te temi o Tavite (In the Time of David) -- Doctor Machete -- Becoming king, part I: Coup d'état at the dispensary -- Becoming king, part II: The Wallisian art of governing -- Becoming king, part III: Kicking custom to the curb -- Te Hau Tavite -- Tavite Lea Tahi (David-Only-Speaks-Once) -- Doctor Disaster -- Afelika (Africa) -- Dachau, Indochina -- The light riots.
    Abstract: "The Doctor Who Would Be King, the English-language translation of Guillaume Lachenal's Le Médecin qui voulut être roi, tells the story of Dr. Jean Joseph David, known as "King David" or the "Emperor of Haut-Nyong," and the experiment in colonial governance he led. From 1939-1944, the Haut-Nyong area of French Cameroon was placed under the authority of David and five other French doctors. Expanding efforts to rein in epidemics that had depopulated the region, David was given authority to refashion the Medical Region as a laboratory for a utopian dream at the heart of European colonialism: the fantasy that colonial powers would emancipate their colonies from misery, ignorance, and sickness. David was thus freed from political and military influence to reform government, law, and economy according to his vision of rational public health policy-and he used this mandate to build hospitals, introduce new crops, and implement totalitarian control and violence. Drawing on African and Pacific histories, environmental humanities, and critical global health, Lachenal situates Dr. David's experiment in the context of French imperialism, examining its precedents and afterlives from the Polynesian islands to post-war Africa. He traces the destiny of a failed utopia, interweaving David's biography with a captivating account of his fieldwork to unearth the traces it left in contemporary places, objects, songs, memories, and ruins"--
    Note: Includes bibliographical references and index
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  • 28
    ISBN: 9781478018186 , 9781478015550
    Language: English
    Pages: xiv, 215 Seiten
    Parallel Title: Erscheint auch als Lumba, Allan E. S., 1981- Monetary authorities
    DDC: 330.12/2v
    Keywords: 1898-1935 ; Postkolonialismus ; Kolonialismus ; Geldpolitik ; Philippinen ; USA ; Capitalism ; Decolonization ; Anti-imperialist movements ; Colonization Economic aspects 19th century ; History ; HISTORY / United States / General ; HISTORY / Asia / Southeast Asia ; Philippines History 1898- ; Philippines Politics and government 1898-1935 ; Philippines Economic conditions ; Philippines Foreign economic relations ; United States Foreign economic relations ; Philippinen ; USA ; Postkolonialismus ; Kolonialismus ; Geldpolitik ; Antiimperialismus ; Geschichte 1850-1950
    Abstract: The wealth of colonies -- Mongrel currencies -- Bad money -- An orgy of mismanagement -- Under common wealth.
    Abstract: "In Monetary Authorities Allan E. S. Lumba explores how money worked to justify racial and class hierarchies, enforce capitalist exploitation, and counter movements for decolonization in the American colonial Philippines. By tracing the archives of economic experts from the late nineteenth century through the 1930s, Lumba illuminates the colonial state's obsession with policing the economic activities of colonized subjects, who they believed could radically threaten the security of capital accumulation and U.S. imperial sovereignty. Authority over money, however, did not remain the possession of American colonizers. Filipino statesmen would attempt to gain control over colonial money, coveting both its material and meaning-making power. Lumba thus examines how struggles over the colonial monetary system would resonate with broader struggles over capitalism and decolonization in the Philippines and U.S. empire."
    Note: Includes bibliographical references and index
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  • 29
    ISBN: 9781478018315 , 9781478015680
    Language: English
    Pages: 260 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Kim, Jodi, 1970- Settler garrison
    Parallel Title: Erscheint auch als Kim, Jodi, 1970 - Settler garrison
    DDC: 325/.32
    Keywords: Militärstandort ; Kolonialismus ; Postkolonialismus ; Internationale Wirtschaftsbeziehungen ; Asiatisch-pazifischer Raum ; USA ; Military bases, American ; Debts, Public ; Imperialism ; Postcolonialism ; HISTORY / World ; POLITICAL SCIENCE / Colonialism & Post-Colonialism ; United States Territorial expansion ; United States Foreign economic relations ; Pacific Area Foreign economic relations
    Abstract: "Settler Garrison offers an analysis of how transpacific cultural productions provide an alternative, anti-militarist, and decolonial archive to U.S. militarist settler imperialism in Asia and the Pacific. Focusing on the post-World War II era, Jodi Kim theorizes militarist settler imperialism as a set of relations significantly structured and continually reproduced through temporal and spatial exceptions. Kim argues that that the temporal exception is debt imperialism, a process through which the United States rolls over its significant national debt indefinitely and does not conform to the time of repayment that it imposes on others at multiple scales. The spatial exception is the creation of juridically ambiguous spaces where sovereignties at once proliferate, compete, and cancel one another out. Focusing on three types of spatial exceptions-the military base and attendant camp town, the POW camp, and the unincorporated territory or military colony of Guam-the book argues that such spaces are remade into America's settler garrison."
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  • 30
    ISBN: 9781478015895 , 9781478018513
    Language: English
    Pages: xiii, 266 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Corinealdi, Kaysha, 1980 - Panama in black
    DDC: 305.896/07287
    Keywords: Blacks History ; Blacks Social conditions ; Blacks Migrations ; History ; Blacks Race identity ; Blacks Politics and government ; Race discrimination ; HISTORY / Latin America / Central America ; SOCIAL SCIENCE / Black Studies (Global) ; Panama Emigration and immigration ; Social aspects ; Panama Race relations ; Panama ; Schwarze ; Geschichte
    Abstract: "In Panama in Black, Kaysha Corinealdi traces the multigenerational activism of Afro-Caribbean Panamanians as they forged diasporic communities in Panama and the United States throughout the twentieth century. Drawing on a rich array of sources including speeches, yearbooks, photographs, government reports, radio broadcasts, newspaper editorials, and oral histories, Corinealdi presents the Panamanian isthmus as a crucial site in the making of an Afro-diasporic world that linked cities and towns like Colón, Kingston, Panamá, Brooklyn, Bridgetown, and La Boca. In Panama, Afro-Caribbean Panamanians created a diasporic world view of the Caribbean that privileged the potential of Black innovation. Corinealdi maps this innovation by examining the longest running Black newspaper in Central America, the rise of civic associations created to counter policies that stripped Afro-Caribbean Panamanians of citizenship, the creation of scholarship-granting organizations that supported the education of Black students, and the emergence of national conferences and organizations that linked anti-imperialism and Black Liberation. By showing how Afro-Caribbean Panamanians used these methods to navigate anti-Blackness, xenophobia, and white supremacy, Corinealdi offers a new mode of understanding activism, community, and diaspora formation"--
    Note: Includes bibliographical references and index
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  • 31
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
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  • 32
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478015642 , 9781478018285
    Language: English
    Pages: x, 315 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Spigel, Lynn TV snapshots
    Parallel Title: Erscheint auch als Spigel, Lynn, 1955 - TV snapshots
    DDC: 302.23/45
    RVK:
    RVK:
    Keywords: Television Social aspects ; Photography Social aspects ; Television viewers Attitudes ; Popular culture History 20th century ; PERFORMING ARTS / Television / History & Criticism ; USA ; Fotografie ; Fernsehen ; Geschichte 1950-1970
    Abstract: TV portraits : picturing families and household things -- TV performers : a theater of everyday life -- TV dress-up : fashion poses and everyday glamour -- TV pinups : sex and the single TV -- TV memories : snapshots in digital times.
    Abstract: "In TV Snapshots, Lynn Spigel explores snapshots of people posing in front of their television sets in the 1950s through the early 1970s. Like today's selfies, TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture. Drawing on her collection of over 5,000 TV snapshots, Spigel shows that people did not just watch TV: women used the TV set as a backdrop for fashion and glamour poses; people dressed in drag in front of the screen; and, in pinup poses, people even turned the TV setting into a space for erotic display. While the TV industry promoted on-screen images of white nuclear families in suburban homes, the snapshots depict a broad range of people across racial, ethnic, and class backgrounds that do not always conform to the reigning middle-class nuclear family ideal. Showing how the television set became a central presence in the home that exceeded its mass entertainment function, Spigel highlights how TV snapshots complicate understandings of the significance of TV in everyday life"--
    Note: Includes bibliographical references and index
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  • 33
    ISBN: 9781478022183 , 1478022183
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als Hutchison, Elizabeth Q Workers like all the rest of them
    Keywords: Women household employees History 20th century ; Household employees History 20th century ; HISTORY / Latin America / General ; SOCIAL SCIENCE / Sociology / General ; Household employees ; Women household employees ; History ; Chile
    Abstract: Empleadas Lost and Found -- From Servants to Workers in Chile -- Fighting Exclusion: Domestic Workers and Allies Demand Labor Legislation, 1923-1945 -- Rites and Rights: Catholic Association by and for Domestic Workers, 1947-1964 -- Domestic Workers' Movements in Reform and Revolution, 1967-1973 -- Women's Rights, Workers' Rights: Military Rule and Domestic Worker Activism -- The Inequities of Service, Past and Present.
    Abstract: "In Workers Like All the Rest of Them, Elizabeth Quay Hutchison recounts the long struggle for domestic workers' recognition and rights in Chile across the twentieth century. Hutchison traces the legal and social history of domestic workers and their rights, outlining their transition from slavery to servitude. For most of the twentieth century, domestic service remained one of the key "underdeveloped" sectors in Chile's modernizing economy. Hutchison argues that the predominance of women in that underpaid, under-regulated labor sector provides one key to persistent gender and class inequality. Through archival research, firsthand accounts, and interviews with veteran activists, Hutchison challenges domestic workers' exclusion from Chilean history and reveals how and under what conditions they mobilized for change, forging alliances with everyone from Church leaders and legislators to feminists and political party leaders. Hutchison contributes to a growing global conversation among activists and scholars about domestic workers' rights, providing a lens for understanding how the changing structure of domestic work and worker activism have both perpetuated and challenged forms of ethnic, gender, and social inequality"--
    Note: Includes bibliographical references and index
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  • 34
    ISBN: 9781478022145 , 1478022140 , 9781478092780 , 1478092785
    Language: English
    Pages: 1 Online-Ressource (xviii, 262 pages) , illustrations, maps
    Series Statement: Religious cultures of African and African diaspora people
    Parallel Title: Erscheint auch als Hucks, Tracey E., 1965- Obeah, Orisa, and religious identity in Trinidad. Volume I, Obeah
    Keywords: Obeah (Cult) History ; Religion and sociology History ; Religions African influences ; Black people Religion ; History ; Cults Law and legislation ; History ; Religion and law History ; Postcolonialism ; Black people - Religion ; Cults - Law and legislation ; Obeah (Cult) ; Postcolonialism ; Religion and law ; Religion and sociology ; Religions - African influences ; RELIGION / General ; SOCIAL SCIENCE / Black Studies (Global) ; History ; Trinidad and Tobago - Trinidad
    Abstract: "Obeah, Orisa, and Religious Identity in Trinidad is an expansive two-volume examination of social imaginaries concerning Obeah and Yoruba-Orisa from colonialism to the present. Analyzing their entangled histories and systems of devotion, Tracey E. Hucks and Dianne M. Stewart articulate how these religions were criminalized during slavery and colonialism yet still demonstrated autonomous modes of expression and self-defense. In Volume I, Obeah, Hucks traces the history of African religious repression in colonial Trinidad through the late nineteenth century. Drawing on sources ranging from colonial records, laws, and legal transcripts to travel diaries, literary fiction, and written correspondence, she documents the persecution and violent penalization of African religious practices encoded under the legal classification of "Obeah." A cult of antiblack fixation emerged as white settlers defined themselves in opposition to Obeah, which they imagined as terrifying African witchcraft. These preoccupations revealed the fears that bound whites to one another. At the same time, persons accused of obeah sought legal vindication and marshaled their own spiritual and medicinal technologies to fortify the cultural heritages, religious identities, and life systems of African-diasporic communities in Trinidad."--
    Description / Table of Contents: The formation of a slave colony: race, nation, and identity -- Obeah trials and social cannibalism in Trinidad's early slave -- society -- Obeah, piety, and poison in the slave son: representations of African religions in Trinidadian colonial literature -- Marked in the genuine African way: liberated Africans and Obeah doctoring in post-slavery Trinidad -- C'est vrai -- It is true.
    Note: Includes bibliographical references and index
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  • 35
    ISBN: 9781478022688
    Language: English
    Pages: 1 Online-Ressource (320 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Carmody, Todd, 1979 - Work requirements
    DDC: 361.973
    Keywords: Öffentliche Sozialleistungen ; Randgruppe ; Behinderte Arbeitskräfte ; Rasse ; Arbeit ; Reputation ; Geschichte ; USA ; Public welfare History ; Welfare recipients History ; Work Social aspects ; African Americans Social conditions ; People with disabilities Social conditions ; Minorities Social conditions ; SOCIAL SCIENCE / People with Disabilities ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Abstract: Introduction: Signs Taken for Work -- . The Pensioner's Claim -- The Beggar's Case -- The Work of the Image -- Institutional Rhythms -- Coda: Remaking Reciprocity
    Abstract: "Work Requirements reframes the history of work-based social welfare practice as a representational project tasked with shoring up the inherent meaningfulness of work, examining what Todd Carmody calls the "print culture of social welfare" to show how work became an indicator of social deservingness over the late nineteenth and early twentieth centuries. Prior to the emergence of the formal US welfare state, textual projects-from documentary photographs to insurance claims-contributed to the idea that individuals must be engaged in work to deserve social welfare. Progressive charity reformers and advocates of Black industrial education pushed for social welfare reforms to make people with disabilities, poor people, people of color, and incarcerated people into wage-earning citizens. Carmody shows how the bootstrap narrative, Taylorist studies of labor, and nineteenth-century ideas of race and disability fed into a specific ideology about labor-particularly, that someone's willingness to work could be scientifically measured and systematically evaluated-that continues to shape US welfare policy today."
    Note: Includes bibliographical references and index
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  • 36
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012368 , 1478012366 , 9781478092452 , 1478092459
    Language: English
    Pages: 1 Online-Ressource (ix, 215 pages) , illustrations
    Series Statement: Sinotheory
    Parallel Title: Erscheint auch als Wang, Ban, 1957- China in the world
    Keywords: 1900-2099 ; HISTORY / Asia / China ; Civilization ; Diplomatic relations ; Politics and government ; History ; China Foreign relations ; China Civilization 20th century ; China History 20th century ; China Politics and government 20th century ; China Civilization 21st century ; China History 21st century ; China Politics and government 21st century ; Chine - Relations extérieures ; Chine - Civilisation - 20e siècle ; Chine - Histoire - 20e siècle ; Chine - Politique et gouvernement - 20e siècle ; Chine - Civilisation - 21e siècle ; Chine - Histoire - 21e siècle ; Chine - Politique et gouvernement - 21e siècle ; China
    Abstract: "In China in the World, Ban Wang traces the evolution of modern China from the late nineteenth century to the present. With a focus on tensions and connections between national formation and international outlooks, Wang shows how ancient visions persist even as China has adopted and revised the Western nation-state form. The concept of tianxia, meaning "all under heaven," has constantly been updated into modern outlooks that value unity, equality, and reciprocity as key to overcoming interstate conflict, social fragmentation, and ethnic divides. Instead of geopolitical dominance, China's worldviews stem as much from the age-old desire for world unity as from absorbing the Western ideas of the Enlightenment, humanism, and socialism. Examining political writings, literature, and film, Wang presents a narrative of the country's pursuits of decolonization, national independence, notions of national form, socialist internationalism, alternative development, and solidarity with Third World nations. Rather than national exceptionalism, Chinese worldviews aspire to a shared, integrated, and equal world"--
    Description / Table of Contents: Empire, Nation, and World Vision -- Morality and Global Vision in Kang Youwei's World Community -- Nationalism, Moral Reform, and Tianxia in Liang Qichao -- World Literature in the Mountains -- Art, Politics, and Internationalism in Korean War Films -- National Unity, Ethnicity, and Socialist Utopia in Five Golden Flowers -- The Third World, Alternative Development, and Global Maoism -- The Cold War, Political Decay, and China in the American Classroom -- Using the Past to Understand the Present.
    Note: Includes bibliographical references and index
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  • 37
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478022466
    Language: English
    Pages: 1 Online-Ressource (281 Seiten)
    Series Statement: ANIMA: critical race studies otherwise
    Parallel Title: Erscheint auch als Bow, Leslie, 1962 - Racist love
    DDC: 305.895073
    Keywords: Electronic books ; USA ; Asiaten ; Ethnische Beziehungen ; Rassismus
    Abstract: Leslie Bow traces the ways in which Asian Americans become objects of anxiety and desire, showing how attraction to Asianized objects and images functions as a source of anti-Asian bias and violence.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 38
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478022947
    Language: English
    Pages: 1 Online-Ressource (x, 234 Seiten)
    Parallel Title: Erscheint auch als Moore, Kelli, 1976 - Legal spectatorship
    DDC: 362.8292
    Keywords: Electronic books ; USA ; Häusliche Gewalt ; Unterdrückung ; Sklaverei ; Rassismus ; Intersektionalität ; Gerichtssaal ; Visuelle Medien ; Fotografie ; Beweis
    Abstract: Kelli Moore traces the political origins of the concept of domestic violence through visual culture in the United States, showing how it is rooted in the archive of slavery.
    Note: Description based on publisher supplied metadata and other sources
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  • 39
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023128
    Language: English
    Pages: 1 Online-Ressource (266 Seiten)
    Parallel Title: Erscheint auch als Corinealdi, Kaysha, 1980 - Panama in black
    DDC: 305.896/07287
    Keywords: Black people Politics and government ; Black people Race identity ; Black people History ; Black people Migrations ; History ; Black people Social conditions ; Race discrimination ; HISTORY / Latin America / Central America ; HISTORY / Latin America / Central America ; SOCIAL SCIENCE / Black Studies (Global) ; Panama Emigration and immigration ; Social aspects ; Panama Race relations ; Electronic books ; Panama ; Schwarze ; Geschichte
    Abstract: In Panama in Black, Kaysha Corinealdi traces the multigenerational activism of Afro-Caribbean Panamanians as they forged diasporic communities in Panama and the United States throughout the twentieth century. Drawing on a rich array of sources including speeches, yearbooks, photographs, government reports, radio broadcasts, newspaper editorials, and oral histories, Corinealdi presents the Panamanian isthmus as a crucial site in the making of an Afro-diasporic world that linked cities and towns like Colón, Kingston, Panamá City, Brooklyn, Bridgetown, and La Boca. In Panama, Afro-Caribbean Panamanians created a diasporic worldview of the Caribbean that privileged the potential of Black innovation. Corinealdi maps this innovation by examining the longest-running Black newspaper in Central America, the rise of civic associations created to counter policies that stripped Afro-Caribbean Panamanians of citizenship, the creation of scholarship-granting organizations that supported the education of Black students, and the emergence of national conferences and organizations that linked anti-imperialism and Black liberation. By showing how Afro-Caribbean Panamanians used these methods to navigate anti-Blackness, xenophobia, and white supremacy, Corinealdi offers a new mode of understanding activism, community, and diaspora formation
    Note: In English
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 40
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014393 , 9781478013471
    Language: English
    Pages: 132 Seiten , 1 Illustration
    Series Statement: Singles
    DDC: 782.42166092
    RVK:
    Keywords: Popmusik ; USA
    Note: Bibliography Seite 125-126
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  • 41
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478021391 , 147802139X
    Language: English
    Pages: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Abstract: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 42
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478021698
    Language: English
    Pages: 1 Online-Ressource (140 p.)
    Series Statement: Singles
    DDC: 782.42166092
    RVK:
    Keywords: Popmusik ; USA
    Abstract: Jonathan Richman and the Modern Lovers' 1972 song "Roadrunner" captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates "Roadrunner" at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place-the American era that rock & roll signifies-that becomes a story about love and the modern world.
    URL: Cover
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  • 43
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014089 , 9781478011941
    Language: English
    Pages: xxii, 552 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 782.421640973
    RVK:
    Keywords: Volksmusik ; Popmusik ; USA
    Note: Literaturverzeichnis Seite 446-512
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  • 44
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478013280 , 9781478014195
    Language: English
    Pages: ix, 316 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Brown, Matthew Harman, 1979- Indirect subjects
    Parallel Title: Erscheint auch als Brown, Matthew H., 1979 - Indirect Subjects
    DDC: 791.4309669
    Keywords: Motion pictures History ; Motion picture industry History ; Mass media and culture History ; Mass media Political aspects ; History ; Mass media policy ; SOCIAL SCIENCE / Media Studies ; PERFORMING ARTS / Film / History & Criticism
    Abstract: Subjects of indirect rule : Nigeria, cinema, and liberal empire -- Emergency of the state : television, pedagogical imperatives, and the village headmaster -- "No romance without finance" : feminine melodrama, soap opera, and the male breadwinner ideal -- Breadlosers : masculine melodrama, money magic, and the moral occult economy -- Specters of sovereignty : epic, gothic, and the ruins of a past that never was -- "What's wrong with 419?" : comedy, corruption, and conspiratorial mirrors.
    Abstract: "In Indirect Subjects, Matthew H. Brown argues that screen media can play spatial roles in global power relations. Brown focuses on Nollywood, Nigeria's commercial film industry, which emerged in the 1990s, but places it in the context of other local screen media, particularly state television, which has been a feature of Nigerian culture since the 1960s"--
    Note: Includes bibliographical references and index
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  • 45
    ISBN: 9781478010647 , 9781478011750 , 9781478013112
    Language: English
    Pages: xvi, 336 Seiten , Illustrationen
    Series Statement: Religious cultures of African and African diaspora people
    Parallel Title: Erscheint auch als Covington-Ward, Yolanda Embodying Black Religions in Africa and Its Diasporas
    Parallel Title: Erscheint auch als Embodying Black religions in Africa and its diasporas
    DDC: 200.896
    Keywords: Religion and culture ; Religions African influences ; African diaspora ; Religion Social aspects ; Africa Religion ; Africa Religious life and customs ; Afrika ; Neue Religion ; Islam ; USA ; Schwarze ; Religiosität ; Embodiment
    Abstract: Foreword / Jacob Olupona, Harvard University, Divinity School -- Introduction: Embodiment and relationality in religions of Africa and its diaspora / Yolanda Covington-Ward and Jeanette S. Jouili -- Spirited choreographies : embodied memories and domestic enslavement in Togolese mama tchamba rituals / Elyan Hill -- Alchemy of the fuqara : spiritual care, memory, and the Black Muslim body / Youssef Carter -- Spiritual ethnicity : our collective ancestors in Ifá devotion across the Americas / N. Fadeke Castor -- Faith full : sensuous habitus, everyday affect, and divergent diaspora in the UCKG / Rachel Cantave -- Covered bodies, moral education, and the embodiment of Islamic reform in northern Nigeria / Elisha P. Renne -- Embodied worship in a Haitian protestant church in the Bahamas : religious habitus among Bahamians of Haitian descent / Bertin M. Louis Jr. -- The quest for spiritual purpose in a secular dance community : Bèlè's rebirth in contemporary Martinique / Camee Maddox-Wingfield -- Embodying Black religion : the ethics and aesthetics of Afro-diasporic Muslim hip-hop in Britain / Jeanette S. Jouili -- Secular affective politics in a national dance about AIDS in Mozambique / Aaron Montoya -- Wrestling with homosexuality : kinesthesia as resistance in Ghanaian pentecostalism / Nathanael Homewood -- "Exceptional healing" : gender, materiality, embodiment, and prophetism in the Lower Congo / Yolanda Covington-Ward -- Dark matter : formations of death pollution in southeastern African funerals / Casey Golomski.
    Abstract: "Embodying Black Religions in African and Its Diasporas critically examines the role of the body as religiously motivated social action for people of African descent across the geographic regions of the African continent, the Caribbean and Latin America, the American South, and Europe. Tackling a variety of religious contexts, from Pentecostalism, to Ifa divination, to Islam, the contributors investigate the complex intersections between the body, religious expression, and the construction and negotiation of particular social relationships and collective identities"--
    Note: Includes bibliographical references and index
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  • 46
    ISBN: 9781478013686 , 9781478014614 , 9781478021919 , 9781478091813
    Language: English
    Pages: XI, 299 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Schwartz, Jessica Radiation sounds
    DDC: 780.9968/3
    Keywords: Music Political aspects 20th century ; History ; Music History and criticism ; Marshallese Music ; History and criticism ; Music History and criticism ; Radiation Health aspects ; Nuclear weapons Testing ; Marshall Islands Foreign relations ; United States Foreign relations ; MUSIC / Ethnomusicology ; HISTORY / Oceania
    Abstract: Radioactive Citizenship -- Precarious Harmonies -- MORIBA -- Uwaañañ (Spirited Noise) -- Anemkwōj.
    Abstract: "On March 1, 1954, the US military detonated "Castle Bravo," its most powerful nuclear bomb, at Bikini Atoll in the Marshall Islands. Two days later, the US military evacuated the Marshallese to a nearby atoll where they became part of a classified study, without their consent, on the effects of radiation on humans. In Radiation Sounds Jessica A. Schwartz examines the seventy-five years of Marshallese music developed in response to US nuclear militarism on their homeland. Schwartz shows how Marshallese singing draws on religious, cultural, and political practices to make heard the deleterious effects of US nuclear violence. Schwartz also points to the literal silencing of Marshallese voices and throats compromised by radiation as well as the United States' silencing of information about the human radiation study. In foregrounding the centrality of the aural and sensorial in understanding nuclear testing's long-term effects, Schwartz offers new modes of understanding the relationships between the voice, sound, militarism, indigeneity, and geopolitics"--
    Note: Includes bibliographical references and index
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  • 47
    Image
    Image
    Durham : Duke University Press
    ISBN: 9781478014034 , 9781478011897
    Language: English
    Pages: 319 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Povinelli, Elizabeth A., 1962 - The Inheritance
    DDC: 301.092
    RVK:
    Keywords: Povinelli, Elizabeth A ; Povinelli, Elizabeth A Family ; Women anthropologists Biography ; Women anthropologists Pictorial works ; Autobiographies ; Autobiografie ; Comic ; USA ; Oberitalien ; Anthropologin ; Genealogie
    Abstract: "The Inheritance is anthropologist Elizabeth A. Povinelli's graphic memoir in which she explores her family's history and the events, traumas, and social structures that define our individual and collective pasts and futures"--
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  • 48
    Language: English
    Pages: 1 Online-Ressource (xvi, 336 Seiten) , Illustrationen
    Series Statement: Religious cultures of African and African diaspora people
    Parallel Title: Erscheint auch als Embodying Black religions in Africa and its diasporas
    DDC: 200.896
    Keywords: Religion and culture ; Religions African influences ; African diaspora ; Religion Social aspects ; Africa Religion ; Africa Religious life and customs ; Afrika ; Neue Religion ; Islam ; USA ; Schwarze ; Religiosität ; Embodiment
    Abstract: Foreword / Jacob Olupona, Harvard University, Divinity School -- Introduction: Embodiment and relationality in religions of Africa and its diaspora / Yolanda Covington-Ward and Jeanette S. Jouili -- Spirited choreographies : embodied memories and domestic enslavement in Togolese mama tchamba rituals / Elyan Hill -- Alchemy of the fuqara : spiritual care, memory, and the Black Muslim body / Youssef Carter -- Spiritual ethnicity : our collective ancestors in Ifá devotion across the Americas / N. Fadeke Castor -- Faith full : sensuous habitus, everyday affect, and divergent diaspora in the UCKG / Rachel Cantave -- Covered bodies, moral education, and the embodiment of Islamic reform in northern Nigeria / Elisha P. Renne -- Embodied worship in a Haitian protestant church in the Bahamas : religious habitus among Bahamians of Haitian descent / Bertin M. Louis Jr. -- The quest for spiritual purpose in a secular dance community : Bèlè's rebirth in contemporary Martinique / Camee Maddox-Wingfield -- Embodying Black religion : the ethics and aesthetics of Afro-diasporic Muslim hip-hop in Britain / Jeanette S. Jouili -- Secular affective politics in a national dance about AIDS in Mozambique / Aaron Montoya -- Wrestling with homosexuality : kinesthesia as resistance in Ghanaian pentecostalism / Nathanael Homewood -- "Exceptional healing" : gender, materiality, embodiment, and prophetism in the Lower Congo / Yolanda Covington-Ward -- Dark matter : formations of death pollution in southeastern African funerals / Casey Golomski.
    Abstract: "Embodying Black Religions in African and Its Diasporas critically examines the role of the body as religiously motivated social action for people of African descent across the geographic regions of the African continent, the Caribbean and Latin America, the American South, and Europe. Tackling a variety of religious contexts, from Pentecostalism, to Ifa divination, to Islam, the contributors investigate the complex intersections between the body, religious expression, and the construction and negotiation of particular social relationships and collective identities"--
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 49
    ISBN: 9781478014140 , 9781478013235
    Language: English
    Pages: xvi, 296 Seiten , Illustrationen, Diagramme, Faksimiles , 23 cm
    Parallel Title: Erscheint auch als Morgan, Jennifer L. Reckoning with slavery
    DDC: 306.3/62
    Keywords: Slavery Political aspects ; Slavery Economic aspects ; Women slaves ; Women slaves ; Slave trade History ; Slave trade History ; Sklaverei ; USA ; Atlantischer Raum
    Abstract: "The history of the trans-Atlantic slave trade is deeply embedded in the emergence of early modern economic and political institutions. Reckoning with Slavery resituates the early modern as the space out of which race, racial hierarchies, notions of value and trade, and ideas of gender and reproduction are mutually constituted. Through a study of numeracy, trade, counting, and commerce, the lives and experiences of enslaved women in the sixteenth and seventeenth century English Atlantic world come into focus. Rather than treating economy and culture as distinct aspects of social history, Reckoning with Slavery asks what we can come to know about kinship, family, and race through the archives of trade and commerce"--
    Abstract: Inhaltsverzeichnis: Producing numbers: reckoning with the sex ratio in the transatlantic slave trade, 1500-1700 -- "Unfit subjects of trade": demographic logics and colonial encounters -- "To their great commoditie": numeracy and the production of African difference -- Accounting for the "most excruciating torment": transatlantic passages -- "The division of the captives": commerce and kinship in the English Americas -- "Treacherous rogues": locating women in resistance and revolt.
    Note: Literaturverzeichnis: Seite 257-281
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  • 50
    ISBN: 9781478009849 , 9781478010890
    Language: English
    Pages: xv, 271 Seiten, 12 ungezählte Seiten , Illustrationen
    Series Statement: A camera obscura book
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing Empire
    DDC: 909/.04914
    RVK:
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    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in US public culture and to reflect on their desires to be represented"--
    Note: Literaturverzeichnis: Seiten 245-259
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  • 51
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478008569 , 9781478009450
    Language: English
    Pages: x, 234 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Dávila, Arlene M., 1965 - Latinx art
    Parallel Title: Erscheint auch als Dávila, Arlene M., 1965 - Latinx Art
    DDC: 700.98
    Keywords: Art, Latin American Political aspects ; Museum exhibits Political aspects ; Hispanic American artists ; Anthropology Political aspects ; Ethnology Political aspects ; Cultural policy ; Hispanos ; Kunst ; Künstler ; Kunstmarkt ; Kunsthandel ; Kulturelle Identität ; Rassismus ; Lateinamerika ; USA
    Abstract: What is Latinx art? Lessons from Chicanx and diasporican artists -- Exhibiting Latinx art : on critics, curators, and going "beyond the formula" -- Nationalism and the currency of categories -- On markets and the need for cheerleaders -- Whitewashing at work, and some ways out.
    Note: Includes bibliographical references and index
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  • 52
    ISBN: 9781478012023
    Language: English
    Pages: 1 Online-Ressource (386 Seiten)
    Series Statement: Black Outdoors: Innovations in the Poetics of Study
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8
    RVK:
    Keywords: SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African Americans Race identity ; African Americans Relations with Indians ; Blacks Study and teaching ; Indians of North America Ethnic identity ; Indians of North America Study and teaching ; Race Political aspects ; Racism ; Interaktion ; Afroamerikanismus ; Identität ; Indigenes Volk ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Afroamerikanismus ; Schwarze ; Indigenes Volk ; Identität ; Interaktion
    Abstract: The contributors to Otherwise Worlds investigate the complex relationships between settler colonialism and anti-Blackness to explore the political possibilities that emerge from such inquiries. Pointing out that presumptions of solidarity, antagonism, or incommensurability between Black and Native communities are insufficient to understand the relationships between the groups, the volume's scholars, artists, and activists look to articulate new modes of living and organizing in the service of creating new futures. Among other topics, they examine the ontological status of Blackness and Indigeneity, possible forms of relationality between Black and Native communities, perspectives on Black and Indigenous sociality, and freeing the flesh from the constraints of violence and settler colonialism. Throughout the volume's essays, art, and interviews, the contributors carefully attend to alternative kinds of relationships between Black and Native communities that can lead toward liberation. In so doing, they critically point to the importance of Black and Indigenous conversations for formulating otherwise worlds.ContributorsMaile Arvin, Marcus Briggs-Cloud, J. Kameron Carter, Ashon Crawley, Denise Ferreira da Silva, Chris Finley, Hotvlkuce Harjo, Sandra Harvey, Chad B. Infante, Tiffany Lethabo King, Jenell Navarro, Lindsay Nixon, Kimberly Robertson, Jared Sexton, Andrea Smith, Cedric Sunray, Se'mana Thompson, Frank B. Wilderson
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
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  • 53
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012771 , 1478012773
    Language: English
    Pages: 1 Online-Ressource (xiv, 392 pages) , illustrations
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als
    DDC: 782.421660820973
    RVK:
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    Keywords: Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990
    Abstract: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 54
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012733
    Language: English
    Pages: 1 online resource (257 pages)
    Parallel Title: Erscheint auch als Sheller, Mimi, 1967 - Island futures
    DDC: 304.209792
    RVK:
    Keywords: Human ecology Sociological aspects ; Sustainable development ; Human ecology Political aspects ; Human ecology-Political aspects-Caribbean Area ; Karibischer Raum Haiti ; naturkatastrophe ; Klimawandel ; Verhältnis Mensch - Natur ; Humanökologie ; Anthropozän ; Postkolonialismus ; Caribbean Haiti ; Climate change ; Human ecology ; Anthropocene ; Postcolonialism ; Electronic books ; Caribbean Area Environmental aspects ; Caribbean Area Climatic factors ; Karibik ; Klimaänderung ; Naturkatastrophe ; Haiti ; USA ; Humanökologie
    Abstract: Mimi Sheller delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region, showing how vulnerability to ecological collapse and the quest for a "just recovery" in the Caribbean emerge from specific transnational political, economic, and cultural dynamics.
    Abstract: Cover -- Contents -- Preface: An Autobiography of My Mother -- Acknowledgments -- Introduction: Im/Mobile Disaster -- 1. Kinopolitical Power -- 2. Water Power -- 3. Aerial Power -- 4. Digital Power -- 5. Bordering Power -- 6. Sexual Power -- Conclusion: Surviving the Anthropocene -- Afterword: This is Not a Requiem -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 55
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012245 , 1478012242
    Language: English
    Pages: 1 Online-Ressource (x, 217 pages)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 781.644
    RVK:
    Keywords: Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-
    Abstract: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
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  • 56
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012276
    Language: English
    Pages: 1 online resource (329 pages)
    Parallel Title: Erscheint auch als Londoño, Johana Abstract barrios
    DDC: 305.868073
    Keywords: Hispanic American neighborhoods History ; Hispanic American neighborhoods-History ; Electronic books ; USA ; Stadt ; Segregation ; Gentrifizierung ; Hispanos ; Stadtteilkultur
    Abstract: Johana Londoño examines how the barrio has become a cultural force that has been manipulated in order to create Latinized urban landscapes that are palatable for white Americans who view concentrated areas of Latinx populations as a threat.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 57
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009139
    Language: English
    Pages: 1 Online-Ressource (xiii, 247 Seiten) , Illustrationen
    Series Statement: A Camera Obscura Book
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.84/8
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    Keywords: Geschichte ; Hollywood marriage plot ; changing narrative of intimacy ; valorization of intimacy ; PERFORMING ARTS / Film & Video / History & Criticism ; Homosexuality in motion pictures ; Lesbianism in motion pictures ; Marriage ; Same-sex marriage ; Homosexualität ; Film ; Ehe ; USA ; USA ; Film ; Homosexualität ; Ehe ; Geschichte
    Abstract: In Reattachment Theory Lee Wallace argues that homosexuality-far from being the threat to "traditional" marriage that same-sex marriage opponents have asserted-is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films-Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)-that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 58
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009337
    Language: English
    Pages: 1 Online-Ressource (xi, 290 Seiten)
    Series Statement: Sign, Storage, Transmission
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76/63
    RVK:
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    Keywords: Lesbian Herstory Archives ; Geschichte 1970-2020 ; SOCIAL SCIENCE / Media Studies ; Archival materials Digitization ; Social aspects ; Archives Social aspects ; Digital media Social aspects ; Lesbian feminism Archival resources ; Lesbians Archival resources ; Queer theory ; Medien ; Queer-Theorie ; Soziale Bewegung ; Lesbe ; Kommunikation ; Feminismus ; USA ; Hochschulschrift ; Hochschulschrift ; Aufsatzsammlung ; USA ; Lesbe ; Feminismus ; Soziale Bewegung ; Medien ; Kommunikation ; Queer-Theorie ; Geschichte 1970-2020 ; Lesbian Herstory Archives
    Abstract: For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. InInformation Activism Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on-the-fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 59
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009146 , 1478009144
    Language: English
    Pages: 1 online resource (xi, 247 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als Brim, Matt Poor queer studies
    DDC: 306.76010973
    Keywords: Gay and lesbian studies ; Elite (Social sciences) Education ; Queer theory ; Educational equalization ; Electronic books ; USA ; Queer-Theorie ; Elite ; Hochschulbildung ; Randgruppe ; Prekariat
    Abstract: Introduction: queer dinners -- The College of Staten Island: a poor Queer Studies case study -- "You can write your way out of anywhere": the upward mobility myth of rich Queer Studies -- The queer career: vocational Queer Studies -- Poor Queer Studies mothers -- Counternarratives: a black queer reader -- Epilogue: queer ferrying.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 60
    ISBN: 9781478012382 , 1478012382
    Language: English
    Pages: 1 Online-Ressource (x, 253 pages) , illustrations
    Parallel Title: Erscheint auch als
    Keywords: Illegal aliens / Education (Higher) / California ; Children of immigrants / Education / California ; Illegal aliens / Social conditions / California ; Deportation / California ; Adult children of immigrants / California ; Emigration and immigration law / United States ; Illegaler Einwanderer ; Staatsangehörigkeit ; Erwachsenes Kind ; USA ; Aufsatzsammlung ; USA ; Erwachsenes Kind ; Illegaler Einwanderer ; Staatsangehörigkeit
    Abstract: Introduction: We are not dreamers / Leisy J. Abrego and Genevieve Negrón-Gonzales -- "Other" borders : the illegal as normative metaphor / Joel Sati -- "I felt like an embarrassment to the undocumented community" : undocumented students navigating academic probation and unrealistic expectations / Grecia Mondragón -- Disrupting diversity : undocumented students in the neoliberal university / Gabrielle Cabrera -- American't : redefining citizenship in the U.S. undocumented immigrant youth movement / Gabriela Mónico -- Contesting 'citizenship' : the testimonies of undocumented immigrant activist women / Gabriela Garcia Cruz -- Undocumented young adults' heightened vulnerability in the Trump era / Carolina Valdivia -- Beyond identity : coming out as undocuqueer / Maria Liliana Ramírez -- Me vestí de reina : trans and queer sonic spatial entitlement / Audrey Silvestre -- Legalization through marriage : when love and papers converge / Lucía León -- Undocumented queer parenting : navigating external and internal threats to family / Katy Joseline Maldonado Dominguez
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 61
    ISBN: 9781478009009
    Language: English
    Pages: 1 Online-Ressource (325 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
    RVK:
    Keywords: Geschichte 2000-2019 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African American arts ; African Americans in popular culture ; Politics and culture ; Popular culture ; Racism in popular culture ; Massenkultur ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Abstract: The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship.Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 62
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478005537
    Language: English
    Pages: 1 Online-Ressource (ix, 236 Seiten)
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; Photography in ethnology-United States-History ; Electronic books ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; Rassenfrage ; Fotografie
    Abstract: In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
    URL: Cover
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  • 63
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012436
    Language: English
    Pages: 1 online resource (301 pages)
    Series Statement: A Camera Obscura Book Ser.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing empire
    DDC: 909.04914
    RVK:
    RVK:
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    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; South Asian Americans-Ethnic identity ; South Asian Americans-Cultural assimilation-United States ; South Asian Americans-Ethnic identity.. ; South Asian diaspora ; South Asian Americans-Cultural assimilation-United States.. ; Electronic books ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: Bakirathi Mani examines the visual and affective relationships between South Asian diasporic viewers, artists, and photographic representations of immigrant subjects, showing how empire continues to haunt South Asian American visual cultures.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 64
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478008859
    Language: English
    Pages: 1 Online-Ressource (x, 234 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Dávila, Arlene M., 1965 - Latinx art
    DDC: 700.98
    Keywords: Art, Latin American-Political aspects ; Electronic books ; USA ; Hispanos ; Künstler ; Kunst ; Kunstmarkt ; Kunsthandel ; Kulturelle Identität ; Rassismus
    Abstract: Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore how and why the contemporary international art market continues to overlook, devalue, and marginalize Latinx art and artists.
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  • 65
    ISBN: 9781478004424
    Language: English
    Pages: 1 Online-Ressource (281 Seiten)
    Parallel Title: Erscheint auch als Ethnopornography
    DDC: 306.7
    Keywords: Sex Anthropological aspects ; Sex Anthropological aspects ; History ; Sex customs ; Ethnology ; Race ; Political science ; Political Science / Colonialism & Post-colonialism ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Ethnologie ; Sexualisierung ; Rassentheorie ; Pornografie
    Abstract: Verlagsinfo: "ETHNOPORNOGRAPHY collects essays that both develop and critique the concept that gives the book its name. Ethnopornography, a term first coined by British anthropologist Walter Roth in the late nineteenth century, refers to the often eroticized observation - for supposedly scientific or academic purposes - of those deemed "other" by the observer. In Roth's case, he was concerned that the descriptions and images he recorded of the bodily and sexual practices of the Aboriginal people he studied were inappropriate for lay readers who might find them vulgar - or worse, titillating. The editors of this collection focus on what it is that creates the slippage between the pornographic and the scientific. In particular, they attend to the importance of race within the colonially created and maintained worlds of both research - ethnography in particular - and pornography. The essays cover time periods ranging from the sixteenth century to the present day, locations from West Africa to the United States, and topics from the literary casting of Islamic culture as sexually excessive and deviant by the Ottomans to a personal account of racially and colonially inflected tensions stemming from an anthropologist's sexual activities while in the field"--
    Note: Literaturangaben
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 66
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012030
    Language: English
    Pages: 1 Online-Ressource (140 Seiten)
    Series Statement: Spectors of the Atlantic volume 2
    Series Statement: Theory in forms
    Series Statement: Theory in Forms Ser.
    Parallel Title: Erscheint auch als Baucom, Ian, 1967 - History 4° celsius
    DDC: 363
    Keywords: Slave trade History ; Climatic changes Economic aspects ; History ; Climatic changes Social aspects ; History ; Capitalism Social aspects ; History ; Geology, Stratigraphic Anthropocene ; Capitalism Environmental aspects ; History ; Capitalism-Social aspects-History ; Electronic books
    Abstract: Ian Baucom puts black studies into conversation with climate change, outlining how the ongoing concerns of critical race, diaspora, and postcolonial studies are crucial to understanding the Anthropocene and vice versa.
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  • 67
    ISBN: 9781478007906 , 9781478008361
    Language: English
    Pages: xiv, 245 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Parallel Title: Erscheint auch als Hemmasi, Farzaneh, 1975- Tehrangeles dreaming
    DDC: 781.63089915507949
    RVK:
    Keywords: Popmusik ; Iranier ; Iranischer Einwanderer ; Los Angeles, Calif. ; Iranians / California / Los Angeles / Music ; Popular music / California / Los Angeles / History and criticism ; Iranians / California / Los Angeles / Ethnic identity ; Iranian diaspora ; Popular music / Iran / History and criticism ; Music / Political aspects / Iran / History / 20th century ; Iranian diaspora ; Iranians / Ethnic identity ; Music / Political aspects ; Popular music ; California / Los Angeles ; Iran ; 1900-1999 ; Criticism, interpretation, etc ; History ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: "Tehrangeles, a name that combines Tehran and Los Angeles, is the home of an extensive Iranian expatriate culture industry. The music and popular culture created in Tehrangeles is broadcast by satellite television around the globe and has been immensely popular in Iran and throughout the Iranian diaspora. In TEHRANGELES DREAMING, Farzaneh Hemmasi traces the sources of the music's popularity, showing the ways it is unquestionably Iranian yet able to express ideas and affects not possible within the country itself. The attachment to homeland comes through the Iranian rhythms, but the music frequently features female solo singers or dancers, which are forbidden within the Iranian state. At the same time the music is associated with stereotypes of rich emigres and Southern California, and thus dismissed by others. The music is unabashedly pop and generally apolitical, which Hemmasi shows to be the source of its politics.
    Abstract: The introduction sets up the argument and tells the story of the growth of the industry and the Los Angeles Iranian community in the context of post-revolutionary Iran. Chapter 2 describes the origins of Tehrangeles dance pop and its use of the six/eight time signature, a traditional Iranian dance rhythm long-associated with intimacy. Hemmasi argues that the practices and attitudes around six/eight time establish a sense of common sociality among cultural insiders but are also a sometime source of embarrassment. Chapter 3 focuses on expatriate narratives of Iranian popular music history. Hemmasi provides three views on the history of Iranian popular music prior to the revolution from four men involved with the music business since the 1950s and 1960s. Chapter 4 is about homeland, and the desire to return to the homeland of Iran through music and the reinvention of culture.
    Abstract: Cultural producers in Tehrangeles operate within multiple moral, legal, and transnational regimes that they often only partially predict or comprehend. Chapters 5 and 6 focus on two expatriate musical celebrities who have claimed to reach and represent the nation from afar: Googoosh, who is a popular female singer; and Dariush Eghbali, who is an activist whose music and media exist in the space between political and personal transformation. The book concludes with a chapter on the changes that have occurred in Iran since the Iranian Revolution and the establishment of expatriate industries in Southern California, affirming the dreaming space of music, creation, and negotiation of both expatriates and people living in Iran. This book will be of interest to scholars in ethnomusicology, transnational media studies, Middle Eastern studies, and cultural studies"--
    Description / Table of Contents: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index
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  • 68
    ISBN: 9781478008408 , 9781478007890
    Language: English
    Pages: xviii, 298 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Blanchette, Alexander David, 1981- Porkopolis
    Parallel Title: Erscheint auch als Blanchette, Alex Porkopolis
    DDC: 338.1/76400973
    Keywords: Schweinehaltung ; Agroindustrie ; Fleischwirtschaft ; Ethnologie ; USA ; Swine industry ; Swine breeders ; Factory farms ; Agriculture Economic aspects ; USA ; Schweinehaltung
    Abstract: Boar. The Dover Flies -- The Herd : Intimate Biosecurity and Posthuman Labor -- Sow. Somos Puercos -- Stimulation : Instincts in Production -- Hog. Lutalyse -- Stockperson : Love, Muscles, and the Industrial Runt -- Carcass. Miss Wicked -- Biological System : Breaking In at the End of Industrial Time -- Viscera. Maybe Some Blood, but Mostly Grease -- Lifecycle : On Using All of the Porcine Species -- Epilogue: The (De-)Pigification of the World.
    Abstract: "PORKOPOLIS is an ethnographic account of hog production in "Dixon," a 15,000-resident agribusiness town in the Great Plains. In Dixon, where nearly 5,600,000 hogs are killed a year, human life has been reorganized around the life and death cycles of porcine production. Alex Blanchette accounts for the totalizing force of hog production by arguing that towns like Dixon represent a reinvestment in 20th-century notions of industry in a post-industrial United States. In practice, this means not only the taking up of industrial stock images, organization forms, and identities, but also an intense desire, on the part of agribusiness corporations, to achieve standardization-to create the "perfect" pig. To achieve standardized results, agribusiness corporations have implemented systems of full "vertical integration," in which they directly own and engineer every stage of a pig's life and death cycle. The result, Blanchette argues, is more than just an effort to create the perfect pig, but rather a calibration of human life and affect to meet the needs of porcine production. Drawing on his ethnographic fieldwork as a worker in a hog factory, Blanchette illustrates how methods of vertical integration and standardization in agribusiness factories work to transform hogs-and humans-into tokens of capitalist animality. The book is divided into five parts. Part I, "Boar," examines how corporations manage the threat of porcine diseases, and the biopolitical protocols that corporations enact in workers' homes to protect hogs. Part II, "Sow," draws from Blanchette's own experiences working the artificial insemination line, where workers are encouraged to "become the boar" with their hands to imitate mating. This part theorizes interspecies and labor politics that arise from situations in which workers are only intimate with one dimension of pigs-in this case, porcine sexual instincts. Part III, "Hog," explores the consequences of standardizing animality, where genetic refinements create litters too large to supply adequate nutrients in uterus. Part IV, "Carcass," examines the vertical integration of human workers' bodies on the assembly lines. Part V, "Viscera" explores the biological "excess" of porcine production-bones, feces, fat, livers, lungs-and corporations' desires to use "all" of the pig. This section examines how the fully integrated factory farm depends on modes of consumption that extend beyond what can be supplied by human eaters alone."
    Note: Includes bibliographical references and index
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  • 69
    ISBN: 9781478008118 , 9781478006831
    Language: English
    Pages: viii, 278 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Harkins, Gillian, 1970- Virtual pedophilia
    DDC: 306.77
    Keywords: Pedophilia Social aspects ; Pedophilia in mass media Social aspects ; Online sexual predators ; Computer crimes Investigation ; Mass media and crime ; Sex offenders ; Internet and children Social aspects ; USA ; Pädophilie ; Sexualtäter ; Massenmedien
    Abstract: Introduction: Virtual pedophilia -- Monstrous sexuality and vile sovereignty -- Profiling virtuality and pedophilic data -- Informational image and procedural tone -- Capturing the past and the vitality of crime -- Capturing the future and the sexuality of risk -- Conclusion: Exceptional pedophilia and the everyday case.
    Abstract: "VIRTUAL PEDOPHILIA examines the cultural construction of the pedophile in relation to the rise of the carceral state and neoliberal tactics of forensic securitization. The pedophile, according to Gillian Harkins, is everywhere and nowhere: he eludes diagnostic and forensic profiling by slipping into the veneer of everyday normality. But it wasn't always this way; in this book, Harkins investigates the changing discourses of pedophilia over the late twentieth and early twenty-first centuries to ask why and how the pedophile shifted from a social outcast to the image of white male normality, and why the latter image of the pedophile became a cultural fixation. According to Harkins, this shift was also accompanied by new security regimes: now that the pedophile could no longer be easily detected, the point was to detect potential crime through constant vigilance. Drawing on film, television, and popular culture, Harkins explores how the everyday American was inscripted to "hunt" white male pedophiles, arguing that these cultural texts implied the state and science were no longer sufficient to find the pedophile, thereby creating a biopolitics in which everyone must be on the lookout. Drawing on a Deleuzian interpretation of virtuality as potentiality, as well as the contemporary understanding of virtuality as a condition of technologically produced reality, Harkins positions the pedophile as a virtual construction: an always possible potential whose actuality needs to be determined using modern technologies and security apparatuses. In chapters 1 and 2, Harkins outlines a genealogy of the pedophile from Krafft-Ebings's naming of "paedophilia erotica" in 1886 to today's construction of the virtual pedophile. Chapter 3 focuses on the cultural production of the pedophile by examining the television series Law and Order: Special Victims Unit and To Catch a Predator, and how these shows trained audiences to "detect" pedophiles. Chapter 4 examines the pedophile in documentary and narrative film. In the final chapters, Harkins turns towards queer encounters with the security regimes around pedophilia and sex offenders, and considers what's at stake in the calls to dismantle or reduce sex offender management. This book will be of interest to students of gender and sexuality studies, neoliberalism, carceral studies and the security state, cultural studies, and social theory"--
    Note: Includes bibliographical references and index
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  • 70
    ISBN: 9781478011286 , 9781478010234
    Language: English
    Pages: viii, 240 Seiten , Illustrationen , 24 cm (hbk)
    Parallel Title: Erscheint auch als Animalia
    DDC: 636.00942
    Keywords: Animal culture History 19th century ; Animals History 19th century ; Animals Social aspects 19th century ; History ; Human-animal relationships History 19th century ; Animal welfare History 19th century ; Animal culture History 20th century ; Animals History 20th century ; Animals Social aspects 20th century ; History ; Human-animal relationships History 20th century ; Animal welfare History 20th century ; Great Britain Colonies ; Social life and customs ; Aufsatzsammlung ; Großbritannien ; Tiere ; Tierschutz ; Geschichte 1800-2000
    Abstract: Animals, the Bestiary Form, and Disruptive Imperial Histories / Antoinette Burton and Renisa Mawani -- Some Ways to Read This Book -- A Is for Ape / Amy E. Martin -- B Is for Boar / Anna Jacobs -- C Is for Cattle / Renisa Mawani -- D Is for Dog / Heidi J. Nast -- E Is for Elephant / Jonathan Saha -- F Is for Fox / George Robb -- G Is for Giraffe / Angela Thompsell -- H Is for Horse / Jagjeet Lally -- I Is for Ibis / Renisa Mawani -- J Is for Jackal (and Dingo) / Isabel Hofmeyr -- K Is for Kiwi / Tony Ballantyne -- L Is for Lion / Antoinette Burton -- M Is for Mosquito / Neel Ahuja -- N Is for North Atlantic Right Whale / Kirsta Maglen -- O Is for Okapi / Sandra Swart -- P Is for Platypus / Anna Jacobs -- Q Is for Quagga / Harriet Ritvo -- R Is for Raccoon / Daniel Heath Justice -- S Is for Scorpion / Antoinette Burton -- T Is for Tiger / Dane Kennedy -- U Is for Unicorn / Utathya Chattopadhyaya -- V Is for Vulture / Utathya Chattopadhyaya -- W Is for Whale / Jonathan Goldberg-Hiller -- X Is for Xerus / Utathya Chattopadhyaya -- Y Is for Yak / Peter Hansen -- Z Is for Zebu / Michael A. Osborne.
    Abstract: "Spanning the 19the and 20th centuries, Animalia examines the role of animals across jurisdictions of British imperial control. In this unconventional approach to both animal and imperial studies, contributors challenge the boundaries between animal and non-animal worlds by illustrating how and why a variety of real and mythical "creatures" shaped the history of modern anglophone empire. The bestiary offers a non-linear approach to thinking imperial power, its limits and possibilities, through a history of symbolic and material animal forms"--
    Note: Literaturangaben
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  • 71
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478011071 , 9781478010029
    Language: English
    Pages: x, 374 Seiten , Illustrationen
    Series Statement: Thought in the act
    Parallel Title: Erscheint auch als Manning, Erin For a pragmatics of the useless
    DDC: 155.8/2
    Keywords: Racism Psychological aspects ; Psychoanalysis and racism ; Racism ; USA ; Schwarze ; Nutzlosigkeit ; Neurodiversität
    Abstract: Fugitively, Approximately -- For a Pragmatics of the Useless: A Politics of the Infrathin, in Preamble -- Toward a Politics of Immediation: The Subject -- pocket practice - nestingpatching -- What Things Do When They Shape Each Other -- pocket practice - backgroundingforegrounding -- Experimenting with Immediation: Collaboration and the Politics of Fabulation: A -- Laboratory for Thought in Motion -- Practicing the Schizz -- interlude - How Do We Repair? -- Me Lo Dijo un Pajarito: Neurodiversity, Black Life, and the University As We know It -- pocket practice - livingloving -- Not at a Distance: On Touch, Synesthesia, and Other Ways of Knowing -- pocket practice - ticcingflapping -- Cephalopod Dreams: Finance at the Limit -- coda - schizzinganarchiving
    Abstract: "Leading with the proposition that "all black life is neurodiverse life," For a Pragmatics of the Useless explores how value is produced in the context of resolutely white, neurotypical modes of existence, proposing schizoanalysis as a mode of practice that opens the way for other ways of living and learning"--
    Note: Includes bibliographical references and index
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  • 72
    ISBN: 9781478004684 , 9781478004073
    Language: English
    Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Note: Includes bibliographical references and index
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  • 73
    ISBN: 9781478009597 , 9781478008699
    Language: English
    Pages: x, 217 Seiten
    Series Statement: Refiguring American music
    DDC: 781.644
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    Keywords: Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
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  • 74
    ISBN: 9781478000426 , 9781478000563
    Language: English
    Pages: xxvi, 292 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Jarrell, Wadsworth Aikens, 1929- AFRICOBRA
    DDC: 704.9/42
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    Keywords: AFRICOBRA (Group of artists) ; Black Arts movement ; Ethnicity in art ; Art Political aspects 20th century ; History ; Africobra ; Geschichte 1965-1980
    Abstract: "AFRICOBRA (African Commune of Bad Relevant Artists) was a multidisciplinary collective of black artists who created socially conscious art in Chicago during the Black Arts Movement of the 1960's and 1970's. Artists Wadsworth Jarrell, Nelson Stevens, Jae Jarrell, Gerald Williams, and Napoloen Jones-Henderson produced textiles, paintings, sculpture and public art that sought to develop an aesthetic language that resonated with the black community. AFRICOBRA's abstract works convey the rhythmic dynamism of black culture and social life, while the structure of the collective offered a model of artistic practice embedded in the political realities and histories of the community. In this volume, Wadsworth Jarrell, one of the founding members of the AFRICOBRA collective, offers an account of the history of the group and it's founding aesthetic and political principles. The bulk of the manuscript is selected from his archive of materials ranging from exhibition ephemera to photos that show the development of the group's art practice that collectively form a sourcebook history of the group.The sourcebook intersperses documentation of exhibitions, artworks, and the members of the collective in Chicago; documents that outline the aesthetic and political goals of the group written by its members; and writing from Jarrell that narrates the history of the collective from the point of view of its founder. The writing emphasizes the importance of the group's political principles to some of its largest projects, like the Wall of Respect, a public mural in Chicago's Black Belt neighborhood. While work by AFRICOBRA has been shown at the Brooklyn Museum, the Tate, and elsewhere, this will be the first book to present an extensive record of the group's history, practice, and principles. This book will be of interest to our readers in art, African American studies, and cultural studies"--
    Note: Includes bibliographical references and index
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  • 75
    ISBN: 9781478007326
    Language: English
    Pages: 1 Online-Ressource (241 Seiten)
    Parallel Title: Erscheint auch als Beck, John, 1963 - Technocrats of the imagination
    DDC: 700.1/050973
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    Keywords: Technology and the arts History 20th century ; Military-industrial complex ; Arts Experimental methods ; Art / Criticism & Theory ; Electronic books ; USA ; Medienkunst ; Militärtechnik ; Geschichte 1960-1969 ; Experiments in Art and Technology ; Laboratorium ; Militär
    Abstract: Science, Art, Democracy -- A Laboratory of Form and Movement: Institutionalizing Emancipatory Technicity at MIT -- The Hands-on Approach: Engineering Collaboration at E.A.T. -- Feedback: Expertise, LACMA and the Think-Tank -- How to Make the World Work -- Heritage of Our Times.
    Abstract: "TECHNOCRATS OF THE IMAGINATION traces the rise of collaborative art and technology labs in the U.S. from WWII to the present. Ryan Bishop and John Beck reveal the intertwined histories of the avant-garde art movement and the military-industrial complex, showing how radical pedagogical practices traveled from Germany's Bauhaus movement to the U.S. art world and interacted with government-funded military research and development in university laboratories. During the 1960s both media labs and studio labs leaned heavily on methods of interdisciplinary collaboration and the power of American modernity to model new modes of social organization. The book's chapters take up MIT's Center for Art, Science, and Technology, Bell Labs's E.A.T. (Experiments in Art and Technology) Salon, and Los Angeles Museum of Art's Art + Technology Program. Their interconnected history illuminates how much of contemporary media culture and aesthetics depends on the historical relationship between military, corporate, and university actors. In light of revived interest in Black Mountain College and other 1960s art and technology labs, this book draws important connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s. The authors situate the rise of collaborative art and technology projects in the 1960s within John Dewey's ideology of scientific democracy, showing how leading thinkers from the Bauhaus movement in Germany immigrated to the U.S. and brought with them a Deweyan model for collaborative and interdisciplinary art and technology research. Over the course of the decade, the U.S. government increased funding to scientific research at university and private laboratories. Beck and Bishop investigate how various art and technology projects incorporated the collaborative and innovative interdisciplinarity of the avant-garde art movement with the corporate funding structure driven by the U.S. government's military and technoscientific interests. Finally, the authors consider the legacy of 1960s art and technology projects. During the 1970s and 80s, defense R&D funding was less motivated by a Cold War corporate state, and was instead restructured according to an entrepreneurial and neoliberal model. At the same time, funding in the art world also became increasingly financialized and globalized. Today's art and technology work happens collaboratively not because of an intellectual commitment to interdis ...
    Note: A cultural politics book , Includes bibliographical references and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 76
    ISBN: 9781478008156 , 1478008156
    Language: English
    Pages: xvii, 266 Seiten , Illustrationen
    RVK:
    Keywords: Urban poor Social conditions ; Marginality, Social ; Urbanization ; Economic development ; Neighborhoods History 21st century ; Marginality, Social ; Neighborhoods ; Social conditions ; Urban poor ; Social conditions ; Urbanization ; SOCIAL SCIENCE / Anthropology / Cultural ; China ; Beijing ; History ; Beijing (China) Social conditions 21st century ; Beijing (China) Economic conditions 21st century ; Peking ; Sozialgeschichte ; China ; Peking ; Stadtbevölkerung ; Unterprivilegierter ; Armut ; Sozialgeschichte ; Umsiedlung ; Gentrifizierung
    Abstract: "In BEIJING FROM BELOW, Harriet Evans weaves together oral history, archival research, and ethnographic knowledge to tell the story of the residents of Dashalar, an under-resourced Beijing neighborhood adjacent to Tiananmen Square. In popular thinking about China, the Mao and post-Mao development of Beijing's cityscape has often been understood as the result of teleological progression and entrance to a market economy. However, what is lost in such narratives are the effects that development has had on Beijing's urban underclass; for example, during the 1950s, construction projects throughout Beijing led to the mass displacement of many urban dwellers, and current development projects still require the forced movement of residents. In this book, which focuses on events from the 1950s onwards, Evans attends to the experiences of the working-class residents of Dashalar, using their own oral testimony and state records to understand how they interpret and relate to the changing city. In this regard, BEIJING FROM BELOW is a study on the interwoven nature of subaltern lives and state authority, as it seeks to discern subalternity within dominant state systems by shedding light on Beijing's overlooked residents. Through deft readings of the historical record, Evans also reveals how Dashalar's residents have been left out of the historical record, thereby providing an alternative historiography of Beijing outside of the progressive version offered by the People's Republic. This book is organized around the stories of individual families, and each chapter is followed by a critical interlude analyzing the main themes of the family's story. Through these narratives, Evans draws out historical and theoretical topics such as: reworking traumas from the past in service of surviving the present; the experiences of migrant families in an already under-resourced neighborhood; and the negotiations families and individuals are willing to make to find stability. This book will be of interest to students and scholars of China and Chinese history, anthropology, history, and subaltern studies"--
    Note: Literaturangaben Seite 227-247 , Literaturhinweise Seite 249-255 , Register Seite 257-266
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  • 77
    ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X
    Language: English
    Pages: xiv, 392 Seiten
    Series Statement: Refiguring american music
    Parallel Title: Online version Mahon, Maureen Black diamond queens
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    Keywords: Schwarze ; Frau ; Rockmusik ; USA
    Abstract: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
    Note: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
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  • 78
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478006817 , 9781478008101
    Language: English
    Pages: xiii, 247 Seiten , Illustrationen
    Series Statement: A camera obscura book
    Parallel Title: Erscheint auch als Wallace, Leonelle Mary, 1962- Reattachment theory
    DDC: 306.84/8
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    Keywords: Same-sex marriage ; Marriage ; Lesbianism in motion pictures ; Homosexuality in motion pictures ; Gleichgeschlechtliche Ehe ; Motiv ; Film ; USA
    Abstract: "REATTACHMENT THEORY eschews dominant queer critiques of same-sex marriage to examine the varied histories of queer influences on marriage. According to the traditional queer critique, the legalization of same-sex marriage signaled a neoliberal and homonormative assimilation into normative structures of heterosexism and reproductive futurism. Countering this argument, queer film scholar Lee Wallace claims that, since the eighteenth century, marriage has allowed for many queer and non-normative plotlines. In this book, Wallace is more interested in marriage as a narrative-both in how marriage is narrativized, as well as the story of the changing meaning of marriage-than she is in marriage as a legal institution. Drawing on historians of marriage, Wallace traces the iterations of love associated with marriage vows: from obligation or duty, to romance, and finally to intimacy. Historicizing the discourse of intimacy, Wallace claims that the valorization of intimacy across the twentieth century led to an idealization of the couple form, regardless of heterosexual or homosexual affiliation. Furthermore, Wallace draws on twentieth-century formulations of sexual reciprocity and sexual satisfaction regardless of marital status-and their links to the discourses of intimacy-to reveal how these concepts proved flexible enough to include homosexuality. Tracking these changing narratives of marriage throughout the twentieth century, Wallace grounds her analyses in an archive of popular culture films. Using Stanley Cavell's notion that, following the "marriage crisis" created by divorce in the early twentieth century, all marriage is remarriage, Wallace argues that after the advent of same-sex marriage, all marriage is gay marriage. Chapter 1, which doubles as the introduction, lays out the stakes of the project. Chapter 2 examines nineteenth-century literature and early twentieth-century popular culture to reveal the changing story of marriage. Chapter 3 situates the 1936 film Craig's Wife as an anticipation of gay and lesbian alternatives to marriage. Chapter 4 reads Tom Ford's film production of Christopher Isherwood's A Single Man as a means to extend homosexual style as a "brand" of cultural and emotional capital. Chapters 6 and 7 engage directly with Cavell's theory of remarriage as an analytic to examine same-sex marriage. This book will be of interest to students and scholars of queer theory, feminist studies, and film studies"--
    Note: Includes bibliographical references and index
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  • 79
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478008200 , 9781478006824
    Language: English
    Pages: xi, 247 Seiten
    Parallel Title: Erscheint auch als Brim, Matt Poor queer studies
    Parallel Title: Erscheint auch als Brim, Matt Poor queer studies
    DDC: 306.76010973
    Keywords: Gay and lesbian studies ; Elite (Social sciences) Education ; Queer theory ; Educational equalization ; USA ; Queer-Theorie ; Elite ; Hochschulbildung ; Randgruppe ; Prekariat
    Abstract: Introduction: queer dinners -- The College of Staten Island: a poor Queer Studies case study -- "You can write your way out of anywhere": the upward mobility myth of rich Queer Studies -- The queer career: vocational Queer Studies -- Poor Queer Studies mothers -- Counternarratives: a black queer reader -- Epilogue: queer ferrying.
    Abstract: "POOR QUEER STUDIES contextualizes the material conditions under which Queer Theory is produced in the academy. Locating elite universities as the primary loci of Queer Theory, and as producers of and investors in racialized class stratification, Matt Brim interrogates what role Queer Theory has in shoring up class and racial disparities. How, Brim asks, is Queer Theory-a field theoretically dedicated to disrupting structures of power and inequality-implicated in the classed structures of the academy? Brim contends that, in its current formation, Queer Theory-or what he dubs "Rich Queer Theory"-is propelled by universities who refuse to serve poor students and only hire faculty who have graduated from the "prestige pipeline." Moreover, Brim argues that class as an analytic has effectively dropped out of Queer Theory scholarship. To counter these trends, Brim argues for a "Poor Queer Studies" that attends to class differences within the queer academy by examining the material reality through which "subversive" and "antinormative" Rich Queer Theory is produced. For Brim, the "Poor" in Poor Queer Studies allows for two connotations: the lack of material resources at under-resourced and non-elite universities, and the theoretical "holes" around class and racialized class positions in Rich Queer Studies. In chapter 1 Brim offers a case study of his own institution-The College of Staten Island, CUNY-by way of contextualizing the need for a Poor Queer Studies. In chapter 2 Brim expands his introductory argument that the exclusion of low-income students and working-class faculty from Queer Theory is a field-defining feature. In chapter 3 Brim offers a "vocational Queer Studies" that forces academics to consider how Queer Studies prepares students for labor outside of the academy. Chapter 4 is an examination of how students who are mothers have shaped Brim's understanding of Poor Queer Studies. In chapter 5 Brim centers John Keene's 2015 book, Counternarratives, to arrive at a conversation about learning how to read Black queer literature. In the conclusion, Brim proposes a notion of "queer ferrying" by which resources are shared between rich and poor institutions. This book will be of interest to students and scholars of queer studies, black queer studies, American studies, higher education studies, and labor studies"--
    Note: Includes bibliographical references and index
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  • 80
    ISBN: 9781478008323 , 9781478007838
    Language: English
    Pages: ix, 254 Seiten , Illustrationen
    Series Statement: Black studies gender and sexuality
    Parallel Title: Erscheint auch als Pinto, Samantha Infamous bodies
    DDC: 305.48/896073
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    Keywords: Wheatley, Phillis ; Hemings, Sally ; Baartman, Sarah ; Seacole, Mary ; Bonetta, Sarah Forbes ; Women, Black, in popular culture ; African American women in popular culture ; Women, Black Legal status, laws, etc ; African American women Legal status, laws, etc ; African American feminists ; Womanism ; Fame Social aspects ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Abstract: "INFAMOUS BODIES portrays ...
    Note: Includes bibliographical references and index
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  • 81
    ISBN: 9781478005179 , 9781478006787
    Language: English
    Pages: 325 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Are you entertained?
    Parallel Title: Erscheint auch als Are you entertained?
    Parallel Title: Erscheint auch als Are You Entertained?
    DDC: 305.896/073
    Keywords: African Americans in popular culture ; Racism in popular culture ; African American arts ; Popular culture ; Politics and culture ; United States Civilization ; African American influences ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Abstract: Performing Blackness -- "Mutts like me" : mixed-race jokes and post-racial rejection in the Obama era / Ralina L. Joseph -- Black radio : Robert Glasper, Esperanza Spalding, and Janelle Monae? / Emily Lordi -- Camping and vamping across borders : locating cabaret singers in the Black cultural spectrum / Vincent Stephens -- The art of Black popular culture / Ike Okafor-Newsum -- Interview: Lisa B. Thompson -- Politicizing Blackness -- "Refashioning political cartoons : comics of Jackie Ormes, 1938-1958" / Kelly Jo Fulkerson-Dikuua -- Queer kinship and worldmaking in Black queer web series : Drama queenz and No shade / Eric Pritchard -- Styling and profiling : ballers, Blackness, the sartorial Ppolitics of the NBA / David J. Leonard -- Interview: Tracy Whiting-Sharpley -- Owning Blackness -- The subaltern is signifyin(g) : Black Twitter as a site of resistance / Sheneese Thompson -- Authentic Black cool? : branding and trademarks in contemporary African American culture / Richard Schur -- Black culture without Black people : hip hop and dance beyond appropriation discourse / Imani Johnson -- At the corner of chaos & divine : Black ritual theater, performance and politics / Nina Angela Mercer -- Interview: Mark Anthony Neal -- Loving Blackness -- The booty don't lie : pleasure, agency, and resistance in Black popular dance / Takiyah Nur Amin -- He said nothing : sonic space and the production of quietude in Barry Jenkins' Moonlight / Simone Drake -- Black women readers and the uses of urban fiction / Kinohi Nishikawa -- Interview: Patricia Hill Collins.
    Abstract: "ARE YOU ENTERTAINED? re-examines Blackness in popular culture in the digital age. Inspired by Stuart Hall's essay "What is this 'Black' in Black popular culture?" this book contains essays and interviews which explore the complexities of Black popular culture with a focus on the history that has led to this point. Highlighting the challenge Black popular culture must negotiate as it contends with white consumerism and the white gaze, this book emphasizes the cultural changes of the last quarter century and their impacts. ARE YOU ENTERTAINED? covers both new and little known material, bridging the gap between early scholarship on Black popular culture and new scholarship. The collection offers a wide range of perspectives on aspects of popular culture across time period, medium and genre"--
    Note: Includes bibliographical references and index
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  • 82
    ISBN: 9781478009658 , 9781478008798
    Language: English
    Pages: xxii, 306 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Londoño, Johana Abstract Barrios
    DDC: 305.868/073
    Keywords: Hispanic American neighborhoods History ; Hispanic Americans Social life and customs ; Hispanic Americans Ethnic identity ; Urban policy History ; City planning Social aspects ; Gentrification History ; United States Ethnic relations ; USA ; Stadt ; Segregation ; Gentrifizierung ; Hispanos ; Stadtteilkultur
    Note: Includes bibliographical references and index
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  • 83
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009283
    Language: English
    Pages: 1 Online-Ressource (ix, 254 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.48/896073
    RVK:
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    Keywords: Geschichte ; SOCIAL SCIENCE / Black Studies (Global) ; African American feminists ; African American women in popular culture ; African American women Legal status, laws, etc ; Fame Social aspects ; Womanism ; Women, Black Legal status, laws, etc ; Women, Black, in popular culture ; Feministin ; Schwarze Frau ; USA ; Biografie ; Biografie ; Biografie ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Abstract: The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how key political concepts such as freedom, consent, contract, citizenship, and sovereignty are shaped by the narratives surrounding these eighteenth- and nineteenth-century celebrities. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings' relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 84
    ISBN: 9781478007876 , 9781478008392
    Language: English
    Pages: 140 Seiten
    Series Statement: Theory in forms
    Parallel Title: Erscheint auch als Baucom, Ian, 1967- History 4° celsius
    Parallel Title: Erscheint auch als Baucom, Ian, 1967 - History 4° celsius
    DDC: 306.3/6209667
    Keywords: Slave trade History ; Climatic changes Economic aspects ; History ; Climatic changes Social aspects ; History ; Capitalism Environmental aspects ; History ; Capitalism Social aspects ; History ; Geology, Stratigraphic Anthropocene
    Abstract: Of Forces and Forcings -- History 4° Celsius : Search for a Method -- The View from the Shore -- Coda: The Youngest Day.
    Abstract: "HISTORY 4° CELSIUS link ...
    Note: Includes bibliographical references and index
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  • 85
    ISBN: 9781478004387
    Language: English
    Pages: 1 Online-Ressource (337 Seiten)
    Parallel Title: Erscheint auch als Visualizing fascism
    DDC: 704.9/49320533
    RVK:
    RVK:
    Keywords: Fascism History 20th century ; Fascism and culture ; Fascist aesthetics ; History ; History / Modern / 20th Century ; Electronic books ; Faschismus ; Bildprogramm ; Ästhetik
    Abstract: Introduction : a portable concept of fascism / Julia Adeney Thomas -- Subjects of a new visual order : fascist Media in 1930s China / Maggie Clinton -- Fascism carved in stone : monuments to loyal spirits in wartime Manchukuo / Paul D. Barclay -- Nazism, everydayness, and spectacle : the mass form in metropolitan modernity / Geoff Eley -- Five faces of fascism / Ruth Ben-Ghiat -- Facetime with Hitler / Lutz Koepnick -- Seeing through whiteness : late 1930s settler photography in Namibia under South African rule / Lorena Rizzo -- Revolution by redefinition : Japan's war without pictures / Julia Adeney Thomas -- Fascisms seen and unseen : the Netherlands, Japan, Indonesia, and the relationalities of imperial crisis / Ethan Mark -- Youth movements, nazism, and war : photography and the making of a Slovak future in World War II (1939-1944) // Bertrand Metton -- From antifascism to humanism : the legacies of Robert Capa's Spanish Civil War photography / Nadya Bair -- Heedless oblivion : curating architecture after World War II / Claire Zimmerman -- Conclusion.
    Abstract: "Visualizing Fascism explores various ways of tracing, displaying, viewing, and interacting with fascism, examining fascism as both a global and aesthetic phenomenon during the twentieth century. It emphasizes transnational and visual qualities in order to refigure ways of establishing visual languages, articulate commentaries on the dynamic nature of national identity, and form both supportive and challenging attitudes about the global right. In particular, this volume seeks to challenge the notion that fascism is primarily a national product of Italy, Japan, and Germany; rather it seeks to locate the rise of fascism and the global right in transnational networks connected by capitalism and imperialism. The collection contains twelve essays. In the introduction, Thomas examines the rise of global and aesthetic forms of fascism, ending with the formulation of the "portable concept of fascism"-wherein fascism is defined more by its "energies" and "ideologies" than by its local manifestations. In two of the volume's early essays, Maggie Clinton and Paul D. Barclay examine the use of public imagery-modernist visuals in interwar China, and chureito, or loyal-spirit towers, in Japan-to envision and shore up support for nationalist ideologies. In her essay, Ruth Ben-Ghiat challenges the fascist objective to erase the agency of the individual in favor of the undifferentiated mass by examining images of faces taken from everyday life under fascist regimes. In another essay, Lorena Rizzo investigates fascist and imperialist entanglement in Southern Africa by examining photographs of settler colonialism in Namibia. The later essays historicize the interconnected visual and historical lineages within the Netherlands, Japan, Indonesia, Slovakia, and Spain-contexts that combine to create a common vocabulary for national identity making. In these essays, Ethan Mark, Bertrand Metton, and Nadya Bair investigate the actors and methods integral to creating a joint foundation for fascist aesthetics. In the second to last essay, Claire Zimmerman addresses the ways in which national and regional narrative building contributes to establishing various futures, accounting for the importance of understanding the implications behind elements of style and image when examining the visual rhetoric of fascism. This collection will be particularly suited to students"--
    Note: Literaturverzeichnis: Seite 293-315. - Index: Seite 321-326
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 86
    ISBN: 9781478090076 , 1478090073
    Language: English
    Pages: 1 Online-Ressource
    Edition: [Open access version]
    Parallel Title: Erscheint auch als Ethnopornography
    DDC: 306.7
    Keywords: Sex Anthropological aspects ; Sex Anthropological aspects ; History ; Sex customs ; Ethnology ; Race ; Ethnology ; Race ; Sex ; Anthropological aspects ; Sex customs ; History ; Electronic books
    Abstract: "ETHNOPORNOGRAPHY collects essays that both develop and critique the concept that gives the book its name. Ethnopornography, a term first coined by British anthropologist Walter Roth in the late nineteenth century, refers to the often eroticized observation--for supposedly scientific or academic purposes--of those deemed "other" by the observer. In Roth's case, he was concerned that the descriptions and images he recorded of the bodily and sexual practices of the Aboriginal people he studied were inappropriate for lay readers who might find them vulgar--or worse, titillating. The editors of this collection focus on what it is that creates the slippage between the pornographic and the scientific. In particular, they attend to the importance of race within the colonially created and maintained worlds of both research--ethnography in particular--and pornography. The essays cover time periods ranging from the sixteenth century to the present day, locations from West Africa to the United States, and topics from the literary casting of Islamic culture as sexually excessive and deviant by the Ottomans to a personal account of racially and colonially inflected tensions stemming from an anthropologist's sexual activities while in the field"--
    Note: Includes bibliographical references and index
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  • 87
    ISBN: 9781478010012 , 9781478011064
    Language: English
    Pages: xviii, 403 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als Schwenkel, Christina Building Socialism
    DDC: 307.1/21609597/8
    Keywords: City planning German influences ; Urbanization History 20th century ; Architecture, German History 20th century ; Architecture Political aspects 20th century ; History ; Vinh ; Städtebau ; Stadtplanung ; Deutschland
    Note: Includes bibliographical references and index
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  • 88
    ISBN: 9781478001874 , 9781478003007
    Language: English
    Pages: xvi, 534 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Chicano and Chicana art
    Parallel Title: Erscheint auch als Chicano and Chicana art
    DDC: 704.03/6872073
    RVK:
    Keywords: Mexican American art ; Mexican American artists ; Art Political aspects ; Art and society ; Aufsatzsammlung ; USA ; Chicanos ; Kunst
    Note: Includes bibliographical references and index
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  • 89
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478003281
    Language: English
    Pages: 1 Online-Ressource (296 p.) , 4 illustrations
    Edition: 2019
    DDC: 306.3/620973
    RVK:
    RVK:
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    Keywords: Geschichte 1970-2000 ; Fortpflanzung ; Schwarze Frau ; Ersatzmutterschaft ; Feminismus ; Sklaverei ; Geschichtsphilosophie ; USA
    Abstract: In The Afterlife of Reproductive Slavery Alys Eve Weinbaum investigates the continuing resonances of Atlantic slavery in the cultures and politics of human reproduction that characterize contemporary biocapitalism. As a form of racial capitalism that relies on the commodification of the human reproductive body, biocapitalism is dependent upon what Weinbaum calls the slave episteme—the racial logic that drove four centuries of slave breeding in the Americas and Caribbean. Weinbaum outlines how the slave episteme shapes the practice of reproduction today, especially through use of biotechnology and surrogacy. Engaging with a broad set of texts, from Toni Morrison's Beloved and Octavia Butler's dystopian speculative fiction to black Marxism, histories of slavery, and legal cases involving surrogacy, Weinbaum shows how black feminist contributions from the 1970s, 1980s, and 1990s constitute a powerful philosophy of history—one that provides the means through which to understand how reproductive slavery haunts the present.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    URL: Cover
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  • 90
    ISBN: 9781478001393 , 9781478001812
    Language: English
    Pages: xviii, 306 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Ghodsee, Kristen Rogheh, 1970 - Second world, second sex
    Parallel Title: Erscheint auch als Ghodsee, Kristen Rogheh, 1970 - Second world, second sex
    Parallel Title: Erscheint auch als Ghodsee, Kristen Rogheh, 1970- author Second world, second sex
    DDC: 305.4209171709045
    RVK:
    Keywords: Women's rights International cooperation ; History ; 20th century ; Feminism International cooperation ; History ; 20th century ; Women political activists History ; 20th century ; International Women's Year, 1975 ; International Women's Decade, 1976-1985 ; Women and socialism ; Women Political activity ; Bulgaria ; Women Political activity ; Zambia ; Bulgarien ; Sambia ; Internationales Jahr der Frau ; Ost-West-Konflikt ; Frauenbewegung ; Geschichte 1975-1985
    Abstract: State feminism and the woman question -- A brief history of women's activism in domestic political context-Case 1: Bulgaria -- Emancipated women and anti-communism in the American political imagination -- A brief history of women's activism in domestic political context-Case 2: Zambia -- Sandwiched between superpowers -- The lead up to International Women's Year -- Historic gatherings in Mexico and East Germany -- Preparing for the mid-decade conference -- The third week in July -- School for solidarity -- Strategizing for Nairobi -- Showdown in Kenya
    Note: Quellen- und Literaturverzeichnis: Seite 283-300. - Register
    URL: Rezension  (H-Soz-Kult)
    URL: Rezension  (H-Soz-Kult)
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  • 91
    ISBN: 9781478003274
    Language: English
    Pages: 1 Online-Ressource (xviii, 306 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Ghodsee, Kristen Rogheh, 1970 - Second world, second sex
    DDC: 305.4209171709045
    RVK:
    Keywords: Women's rights International cooperation ; History ; 20th century ; Feminism International cooperation ; History ; 20th century ; Women political activists History ; 20th century ; International Women's Year, 1975 ; International Women's Decade, 1976-1985 ; Women and socialism ; Women Political activity ; Bulgaria ; Women Political activity ; Zambia ; Electronic books ; Bulgarien ; Sambia ; Internationales Jahr der Frau ; Ost-West-Konflikt ; Frauenbewegung ; Geschichte 1975-1985
    Abstract: State feminism and the woman question -- A brief history of women's activism in domestic political context-Case 1: Bulgaria -- Emancipated women and anti-communism in the American political imagination -- A brief history of women's activism in domestic political context-Case 2: Zambia -- Sandwiched between superpowers -- The lead up to International Women's Year -- Historic gatherings in Mexico and East Germany -- Preparing for the mid-decade conference -- The third week in July -- School for solidarity -- Strategizing for Nairobi -- Showdown in Kenya
    Note: Quellen- und Literaturverzeichnis: Seite 283-300. - Register
    URL: Rezension  (H-Soz-Kult)
    URL: Cover
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  • 92
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478002253 , 1478002255
    Language: English
    Pages: 1 Online-Ressource (xi, 170 pages)
    Series Statement: Next wave
    Parallel Title: Erscheint auch als
    DDC: 305.420973
    RVK:
    RVK:
    Keywords: Womanism / United States ; Feminism / United States ; Intersectionality (Sociology) ; Feminist theory ; Women's studies / United States ; Universities and colleges / Sociological aspects / United States ; Intersektionalität ; Schwarze ; Schwarze Frau ; Frauenemanzipation ; Wechselwirkung ; Frauenbewegung ; USA ; USA ; Schwarze Frau ; Frauenbewegung ; Intersektionalität ; Frauenemanzipation ; Schwarze ; Wechselwirkung
    Abstract: A love letter from a critic, or notes on the intersectionality wars -- The politics of reading -- Surrender -- Love in the time of death -- Coda: Some of us are tired
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 93
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478003908 , 9781478003601
    Language: English
    Pages: xii, 232 Seiten
    Parallel Title: Erscheint auch als Caldwell, Beth C. Deported Americans
    DDC: 305.9/0691
    Keywords: Immigrant children Legal status, laws, etc ; Children of illegal aliens Legal status, laws, etc ; Illegal alien children Legal status, laws, etc ; Mexicans Legal status, laws, etc ; Emigration and immigration law ; Emigration and immigration law ; Deportees Family relationships ; Deported children ; Deportation Social aspects ; Mexiko ; Einwanderung ; Abschiebung ; Inländer ; USA ; USA ; Mexikanischer Einwanderer ; Illegaler Einwanderer ; Kind ; Rechtsstellung ; Abschiebung ; Mexiko
    Abstract: In the shadow of due process -- Return to a foreign land -- Life after deportation -- Deported by marriage -- Children of deportees -- Conclusion: Resistance and reforms
    Note: Includes bibliographical references and index
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  • 94
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478007470
    Language: English
    Pages: 1 Online-Ressource (200 p.) , 28 illustrations
    Edition: 2020
    Series Statement: Global Insecurities
    DDC: 972/.1
    RVK:
    Keywords: Grenzgebiet ; Grenze ; Illegaler Einwanderer ; Politische Anthropologie ; Sicherheitspolitik ; Grenzschutz ; Einwanderungspolitik ; Migrationspolitik ; USA ; Mexiko
    Abstract: Border walls permeate our world, with more than thirty nation-states constructing them. Anthropologists Margaret E. Dorsey and Miguel Díaz-Barriga argue that border wall construction manifests transformations in citizenship practices that are aimed not only at keeping migrants out but also at enmeshing citizens into a wider politics of exclusion. For a decade, the authors studied the U.S.-Mexico border wall constructed by the Department of Homeland Security and observed the political protests and legal challenges that residents mounted in opposition to the wall. In Fencing in Democracy Dorsey and Díaz-Barriga take us to those border communities most affected by the wall and often ignored in national discussions about border security to highlight how the state diminishes citizens' rights. That dynamic speaks to the citizenship experiences of border residents that is indicative of how walls imprison the populations they are built to protect. Dorsey and Díaz-Barriga brilliantly expand conversations about citizenship, the operation of U.S. power, and the implications of border walls for the future of democracy.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    URL: Cover
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  • 95
    ISBN: 9781478003274
    Language: English
    Pages: 1 Online-Ressource (329 pages)
    Parallel Title: Print version Ghodsee, Kristen Second World, Second Sex : Socialist Women's Activism and Global Solidarity During the Cold War
    DDC: 305.4209171/709045
    Keywords: International Women's Year, 1975 ; International Women's Decade, 1976-1985 ; Women and socialism ; Women Political activity ; Women Political activity ; Women's rights International cooperation 20th century ; History ; Women political activists History 20th century ; Feminism International cooperation 20th century ; History ; Women's rights-International cooperation-History-20th century ; Women's rights-International cooperation-History-20th century ; Electronic books ; Electronic books
    Abstract: Kristen Ghodsee recuperates the lost history of feminist activism from the so-called Second World, showing how women from state socialist Bulgaria and socialist-leaning Zambia created networks and alliances that challenged American women's leadership of the global women's movement
    Abstract: Cover -- Contents -- Abbreviations and Acronyms -- Note on Translation and Transliteration -- Acknowledgments -- Introduction. Erasing the Past -- Part I. Organizing Women under Socialism and Capitalism -- 1. State Feminism and the Woman Question -- 2. A Brief History of Women's Activism in Domestic Political Context: Case 1: Bulgaria -- 3. Emancipated Women and Anticommunism in the American Political Imagination -- 4. A Brief History of Women's Activism in Domestic Political Context: Case 2: Zambia -- 5. Sandwiched between Superpowers -- Part II. The Women's Cold War -- 6. The Lead-Up to International Women's Year -- 7. Historic Gatherings in Mexico and the German Democratic Republic -- 8. Preparing for the Mid-Decade Conference -- 9. The Third Week in July -- 10. School for Solidarity -- 11. Strategizing for Nairobi -- 12. Showdown in Kenya -- Conclusion. Phantom Herstories -- Appendix. A Few Reflections on the Challenges of Socialist Feminist Historiography -- Notes -- Selected Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- Y -- U -- V -- W -- Z
    URL: Volltext  (lizenzpflichtig)
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  • 96
    ISBN: 9781478004257 , 9781478004837
    Language: English
    Pages: 323 Seiten
    Parallel Title: Erscheint auch als Rifkin, Mark, 1974 - Fictions of land and flesh
    DDC: 305.896/073
    Keywords: African Americans Relations with Indians ; African Americans Study and teaching ; Indians of North America Study and teaching ; American literature African American authors ; History and criticism ; American literature Indian authors ; History and criticism ; Speculative fiction, American History and criticism ; Politics and literature History ; Slavery History ; Indians of North America Colonization ; Race Political aspects ; History ; USA ; Schwarze ; Indigenes Volk ; Literatur
    Abstract: On the impasse -- Fungible becoming -- Carceral space and fugitive motion -- The maroon matrix -- Coda: Diplomacy in the undercommons.
    Note: Literaturverzeichnis: Seite 287-312
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  • 97
    ISBN: 9781478003915 , 9781478003656
    Language: English
    Pages: xi, 332 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Appel, Hannah, 1978 - The licit life of capitalism
    DDC: 338.8/8722338096718
    Keywords: Erdölindustrie ; Auslandsinvestition ; Amerikanisch ; Ethnologie ; Sozialer Wandel ; Internationale Wirtschaftsbeziehungen ; Äquatorialguinea ; USA ; Oil industries Economic aspects ; Petroleum industry and trade ; Capitalism ; Direktinvestition ; Erdölgewinnung ; Erdgasgewinnung ; Multinationales Unternehmen ; Kapitalismus ; Akteur ; Wirtschaft ; Staat ; Wirkung ; Auswirkung ; Lebensbedingungen ; Alltag ; Ethnologie ; Equatorial Guinea Foreign economic relations ; United States Foreign economic relations ; Äquatorialguinea ; USA
    Abstract: The offshore -- The enclave -- The contract -- The subcontract -- The economy -- The political.
    Abstract: "In OIL AND THE LICIT LIFE OF CAPITALISM IN EQUATORIAL GUINEA Hannah Appel considers how oil extraction creates forms of legality and legitimacy that mask its historical relationship to imperialism and slavery in Equatorial Guinea. As a former Spanish colony whose oil industry has developed in the shadow of it's neighbor Nigeria's (and stories of Nigeria's "resource curse"), Equatorial Guinea provides an understudied example of capitalism's imbrication of itself in state formation through oil extraction. Rooted in anthropology's turn to the study of infrastructure as a way to analyze the interactions of people, things, and the state, Appel's account focuses on structures and procedures that have enabled oil extraction and the flourishing of capitalism from Spanish colonization to the present day. Focusing on processes unique to petrocapital, such as offshore drilling, as well as those that have their roots or most prominent forms there, such as the contract or subcontractual labor, Appel shows how capitalism is not just the context in which oil extraction takes place, but itself a project, something that must be constantly reinforced and remade. Appel shows how ethnography provides a vital method for understanding capitalism's everyday reassertion and recreation of its own power as something that must be made and remade every day." - Provided by publisher
    Note: Includes bibliographical references and index
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  • 98
    ISBN: 9781478001911 , 9781478003045
    Language: English
    Pages: x, 212 Seiten , Illustrationen
    Series Statement: A theory in forms book
    Parallel Title: Erscheint auch als Piot, Charles The fixer
    DDC: 304.8/7306681
    RVK:
    Keywords: Visum ; Togo ; USA
    Abstract: Border practice -- The interview -- Kinship by other means -- Trading futures -- Embassy indiscretions -- Protest -- Prison -- America, here we come -- Lomé 2018
    Note: Literaturverzeichnis Seite 195-206
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  • 99
    ISBN: 9781478001409 , 9781478001003
    Language: English
    Pages: xx, 395 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
    RVK:
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    Keywords: AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people
    Note: Includes bibliographical references and index
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  • 100
    ISBN: 9781478003625 , 9781478003953
    Language: English
    Pages: xvii, 184 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 378.008
    RVK:
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    Keywords: Anthropologie ; Methodologie ; Entkolonialisierung ; Ethnologie ; Illegaler Einwanderer ; USA ; Bibliografie ; Bibliografie
    Note: Literaturverzeichnis Seite [161] - 177 , Colonial anthropology and its alternatives -- Journeys toward decolonizing -- Reflections on fieldwork in New Jersey -- Undocumented activist theory and a decolonial methodology -- Undocumented theater : writing and resistance
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