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  • Oxford [u.a.] : Oxford Univ. Press  (136)
  • Jackson : University Press of Mississippi
  • Musicology  (218)
Language
  • 1
    Media Combination
    Media Combination
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195170283 , 9780195170290 , 0195170288 , 0195170296
    Language: English
    DDC: 306.74/2/08621
    RVK:
    Keywords: Courtesans History ; Cross-cultural studies ; Höfische Kunst ; Geschichte ; Höfische Kunst ; Geschichte ; Höfling ; Kunst ; Geschichte ; Höfling ; Kunst ; Geschichte
    Note: Includes bibliographical references and index; spätere Drucke ohne CD, Audiobeispiele nur mit Link und Zugangscode verfügbar
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781496839190
    Language: English
    Pages: 1 Online-Ressource (314 pages)
    Series Statement: American Made Music Ser.
    DDC: 780.266
    RVK:
    RVK:
    Keywords: Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten ; Electronic books
    Abstract: A firsthand remembrance of the artists, engineers, crews, and settings that make roots music magical.
    Note: Description based on publisher supplied metadata and other sources
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  • 3
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 1496836022 , 9781496836038 , 9781496836021
    Language: English
    Pages: VIII, 153 Seiten
    DDC: 820.99287096
    RVK:
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    Keywords: Schwarze Frau ; Jazz ; Literatur
    Note: Bibliography Seite 139-145
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  • 4
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496836076
    Language: English
    Pages: 1 Online-Ressource (viii, 153 pages).
    Series Statement: Mississippi scholarship online
    DDC: 820.99287096
    RVK:
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    Keywords: Schwarze Frau ; Jazz ; Literatur ; English literature Black authors ; History and criticism ; English literature Women authors ; History and criticism ; Jazz in literature ; Women, Black, in literature ; Music and literature
    Abstract: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse - jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. This book challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 5
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496842435
    Language: English
    Pages: 1 Online-Ressource (x, 236 pages) , Illustrations (black and white), music.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.62410763
    RVK:
    Keywords: Franzosen ; Kreolen ; Jazz ; Creoles Music ; History and criticism ; Jazz History and criticism ; Music ; Music ; Louisiana
    Abstract: This work describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 6
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496842428 , 9781496842404
    Language: English
    Pages: x, 236 Seiten , Illustrationen, Notenbeispiele
    Edition: First printing
    Series Statement: American made music series
    DDC: 781.62410763
    RVK:
    Keywords: Franzosen ; Kreolen ; Jazz ; Louisiana
    Note: Literaturverzeichnis Seite 194-216, selected discography Seite 217-218 , Titelzusatz auf dem Umschlag: French Creole music & the birth of jazz
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  • 7
    ISBN: 9781496839152
    Language: English
    Pages: xi, 321 Seiten , Illustrationen , 24 cm
    Series Statement: American made music series
    DDC: 780.266
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    Keywords: Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten
    Abstract: From the 1980s through the early 2000s, a golden era for southern roots music, producer and three-time Grammy winner Scott Billington recorded many of the period's most iconic artists. Working primarily in Louisiana for Boston-based Rounder Records, Billington produced such giants as Irma Thomas, Charlie Rich, Buckwheat Zydeco, Johnny Adams, Bobby Rush, Ruth Brown, Beau Jocque, and Solomon Burke. The loving and sometimes irreverent profiles in Making Tracks reveal the triumphs and frustrations of the recording process, and that obsessive quest to capture a transcendent performance. Billington's long working relationships with the artists give him perspective to present them in their complexity-foibles, failures, and fabled feats-while providing a vivid look at the environs in which their music thrived. He tells about Boozoo Chavis's early days as a musician, jockey, and bartender at his mother's quarter horse track, and Ruth Brown's reign as the most popular star in rhythm and blues, when the challenge of traveling on the "chitlin' circuit" proved the antithesis of the glamour she exuded on stage. In addition, Making Tracks provides a widely accessible study in the craft of recording. Details about the technology and psychology behind the sessions abound. Billington demonstrates varying ways of achieving the mutual goal of a great record. He also introduces the supporting cast of songwriters, musicians, and engineers crucial to the magic in each recording session. Making Tracks sings unforgettably like a "from the vault" discovery.
    Note: Diskographie Seite 281-298
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  • 8
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496831286 , 9781496831293
    Language: English
    Pages: xxiv, 412 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: American made music series
    DDC: 781.64097471
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    Keywords: Geschichte 1940-1990 ; Musikleben ; Latin Music ; New York, NY
    Abstract: New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990. Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally.
    Note: Literaturverzeichnis Seite 383-403
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  • 9
    ISBN: 9781496832108 , 9781496832115
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele , 23 cm
    Edition: First printing
    DDC: 781.6508996073
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    Keywords: Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; USA
    Abstract: In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.
    Note: Literaturangaben
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  • 10
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496837431 , 9781496832221
    Language: English
    Pages: xx, 289 Seiten, 10 ungezählte Seiten Tafeln , Illustrationen , 25 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1950-2020 ; Jazzmusiker ; Jazz musicians / United States / Interviews ; MUSIC / Genres & Styles / Jazz ; MUSIC / History & Criticism ; Jazz musicians ; Amram, David / Interviews ; Blake, Ran / Interviews ; Cranshaw, Bob / Interviews ; Crow, Bill / 1927- / Interviews ; Davis, Charles / 1933-2016 / Interviews ; Hyman, Dick / 1927- / Interviews ; Jordan, Clifford / Interviews ; Kuhn, Steve / Interviews ; Lateef, Yusef / Interviews ; Owens, Jimmy / 1943- / Interviews ; Pizzarelli, Bucky / Interviews ; Ponomarev, Valery / Interviews ; Porcelli, Bob / Interviews ; Rollins, Sonny / Interviews ; Stewart, Sandy / 1937- / Interviews ; Sudhalter, Carol / Interviews ; Terry, Brad / Interviews ; Terry, Clark / Interviews ; Tucker, Mickey / Interviews ; Turre, Steve / Interviews ; Williams, Buster / Interviews ; Amram, David ; Blake, Ran ; Cranshaw, Bob ; Davis, Charles / 1933-2016 ; Hyman, Dick / 1927- ; Kuhn, Steve ; Lateef, Yusef ; Owens, Jimmy / 1943- ; Pizzarelli, Bucky ; Ponomarev, Valery ; Rollins, Sonny ; Terry, Clark ; Tucker, Mickey ; Turre, Steve ; Williams, Buster ; United States ; Interviews ; Interview
    Abstract: "The Jazz Masters: Setting the Record Straight features twenty-one conversations with musicians who have had at least fifty years of professional experience, and several as many as seventy-five. In all, these voices reflect some seventeen hundred years' worth of paying dues. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words. Five of the interviewees-Dick Hyman, Jimmy Owens, Sonny Rollins, Clark Terry, and Yusef Lateef-have received the National Endowment for the Arts' prestigious Jazz Masters Fellowship, attesting to their importance and ability. While not official masters, the rest are veteran performers willing to share their experiences and knowledge. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. The musicians interviewed for the book range in age from their early seventies to mid-nineties. Older musicians started their careers during the segregation of the Jim Crow era, while the youngest came up during the struggle for civil rights. All grapple with issues of race, performance, and jazz's rich legacies. In addition to performing, touring, and recording, many have composed and arranged, and others have contributed as teachers, historians, studio musicians, session players, producers, musicians' advocates, authors, columnists, poets, and artists. The interviews in The Jazz Masters are invaluable primary material for scholars and will appeal to musicians inspired by these veterans' stories and their different approaches to music
    Note: Before words -- , A requiem for Cedar -- , Blowin' in from Chicago : Clifford Jordan, Charles Davis, and Bob Cranshaw -- , The big kahunas : Sonny Rollins and Clark Terry -- , Old school : Sandy Stewart, Dick Hyman, and Bucky Pizzarelli -- , On the scene : Bobby Porcelli and Valery Ponomarev -- , The philosophers : David Amram and Ran Blake , Local 802 : Jimmy Owens and Bill Crow -- , Shells and whistles : Brad Terry and Steve Turre -- , The mutual appreciation society : Mickey Tucker and Carol Sudhalter -- , Something more : Steve Kuhn and Buster Williams -- , The gentle giant : Yusef Lateef -- , RIP, 2012-2020
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  • 11
    ISBN: 9781496837288 , 9781496837271
    Language: English
    Pages: xvii, 232 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    RVK:
    Keywords: Lyrics ; Englisch ; Popmusik ; Lyrik ; Blues ; Blues ; Popmusik ; Lyrics ; Englisch ; Lyrik
    Abstract: Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains.
    Abstract: Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock-biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies-to examine the development of a relatively new literary genre dubbed by the authors as "poetic song verse." They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry.Among the questions asked in Poetic Song Verse are: What, exactly,
    Abstract: is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to marc:recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre
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  • 12
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 13
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496831262
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; Punk rock music History and criticism ; Music and race History 20th century ; USA ; United States Race relations 20th century ; History
    Abstract: This text offers a portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. The author provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.
    Note: Previously issued in print: 2020 , Includes bibliographical references, discography, filmography and index
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  • 14
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Language: English
    Pages: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Series Statement: Mississippi scholarship online
    DDC: 781.6508996073
    RVK:
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    Keywords: Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Abstract: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 15
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496825162 , 9781496825155
    Language: English
    Pages: xi, 506 Seiten , Illustrationen
    Series Statement: American made music series
    RVK:
    Keywords: Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; USA ; Biografie
    Abstract: "The first and definitive biography of the great bass saxophone jazz man"--
    Note: Bibliography Seite 473-474
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  • 16
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496825148
    Language: English
    Pages: 1 Online-Ressource (xi, 506 pages) , Illustrations.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    Keywords: Rollini, Adrian ; Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; Jazz musicians Biography ; Saxophonists Biography ; Vibraphonists Biography ; Pianists Biography ; USA ; Biografie
    Abstract: Adrian Rollini (1904-1956)was as a child prodigy, playing piano when he was four. This book describes how job opportunities came to him easily at first and that his versatility helped him when they became rare. At the age of 16 he became a professional musician and, in New York, recorded piano rolls. In 1922, at the start of the jazz age, he joined the California Ramblers. He moved to the bass saxophone and gave it its definite place in early jazz. At the top of his fame Rollini became leader of his own band, with a.o. Bix Beiderbecke, Frank Trumbauer, Eddie Lang, and Joe Venuti. It was star-studded but short-lived. In late 1927, he moved to London to join Fred Eizalde's progressive dance band. Back in the USA in 1930, Rollini joined Bert Lown's hotel band, but the bass saxophone was phasing out, so he moved to the vibraphone.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 17
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496830609 , 9781496830524
    Language: English
    Pages: 272 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Davis, Betty ; Scott-Heron, Gil ; Khan, Chaka ; Geschichte 1970-1979 ; Soul ; Funk ; Blues ; USA ; Funk (Music) / History and criticism ; Funk (Music) ; Criticism, interpretation, etc ; USA ; Funk ; Blues ; Soul ; Geschichte 1970-1979 ; Khan, Chaka 1953- ; Scott-Heron, Gil 1949-2011 ; Davis, Betty 1945-2022 ; Funk
    Abstract: "Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history"--
    Note: Intro , Groove theory: liner notes on funk aesthetics , Blue funk: the ugly beauty of stank , Sly Stone and the gospel of funk -- , Songbird: Chaka Khan as funk queen , Funky bluesology: Gil Scott-Heron as black organic intellectual , The kinkiness of turquoise: Betty Davis's liberated funk-rock
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  • 18
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496831224 , 9781496831217
    Language: English
    Pages: x, 351 Seiten , Illustrationen, Porträt
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; USA ; Punk rock music / United States / History and criticism ; Music and race / United States / History / 20th century ; Music and race ; Punk rock music ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History
    Note: Literaturverzeichnis Seite 305-321
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  • 19
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496819710 , 9781496819703
    Language: English
    Pages: xii, 467 Seiten , Illustrationen, Noten
    Series Statement: American made music series
    Parallel Title: Online version Greek music in America
    RVK:
    RVK:
    Keywords: Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; USA ; Griechenland ; Aufsatzsammlung
    Abstract: "Despite a substantial artistic legacy, there has never been a book devoted to Greek music in America until now. Those seeking to learn about this vibrant and exciting music were forced to seek out individual essays, often published in obscure or ephemeral sources. This volume provides a singular platform for understanding the scope, practice, and development of Greek music in America through essays and profiles written by principal scholars in the field. Greece developed a rich variety of traditional, popular, and art music that diasporic Greeks brought with them to America. In Greek American communities, music was and continues to be an essential component of most social activities. Music links the past to the present, the distant to the near, and bonds the community with an embrace of memories and narrative. From 1896 to 1942, more than a thousand Greek recordings in many genres were made in the United States, and thousands more have appeared since then. These encompass not only Greek traditional music from all regions, but also emerging urban genres, stylistic changes, and new songs of social commentary. Greek Music in America includes essays on all of these topics as well as history and genre, places and venues, the recording business, and profiles of individual musicians. This book is required reading for anyone who cares about Greek music in America, whether scholar, fan, or performer." -- Provided by publisher
    Note: Literaturangaben und Index , Overview of Greek music in America / Tina Bucuvalas and Stavros K. Frangos -- Musical genre, style, and content -- Growth of liturgical music in the Iakovian Era / Frank Desby -- Greek café music / Roderick Conway Morris -- Amanes: the legacy of the oriental mother / Gail Holst-Warhaft -- Rebetika, the blues of Greece and Australia / Stathis Gauntlett -- George Katsaros: the last café-aman performer / Stavros K. Frangos -- Health to you, Marko, with your bouzouki!: the role of spoken interjection in Greek musicians' imagined performance world in historical recordings made in America and abroad -- Michael G. Kaloyanides -- Turkish music in the Greek American experience -- Joseph G. Graziosi -- Places -- Survival of Greek folk music in New York / Sotirios (Sam) Chianis -- Communities born in song / Anna Caraveli -- Musical practice and memory on the edge of two worlds: Kalymnian Tsambouna and song repertoire in the family of Nikitas Tsimouris / Anna Lomax Wood -- , Alternate resonances: Kalymnian traditions in Tarpon Springs, Florida / Panayotis League -- Delivering the music: recording companies and performance venues -- Greek record making in the early days, 1896-1937 / Dick Spottswood -- Greek music piano rolls in the United States / Meletios Pouliopoulos -- Encountering Greek American soundscapes / Anthony Shay -- Bouzoukis and belly dancers, drinkers and dreamers: a look at Greek nightlife at the crossroads / Nick Pappas -- Profiles -- Giorgos "Nisyrios" Makrigiannis (1875-1933) / Panayotis League -- Madame Koula (circa 1880-1954) / Stavros K. Frangos -- George Dimitrios Grachis (1882-1965) / Sotirios (Sam) Chianis -- Harilaos Piperakis (1888-1978) / Panayotis League -- Marika Papagika (1890-1943) / Stavros K. Frangos -- Theodotos "Tetos" Demetriades (1897-1971) / Stavros K. Frangos -- Amalia Baka (1897-1979) / David Soffa -- Ioannis Halikias, aka Jack Gregory (1898-1957) / Aydin Chaloupka -- , John K. Gianaros (1904-1998) / Stavros K. Frangos -- Pericles Halkias (1909-2005) / Jim Stoynoff -- Steve Zembillas (1923-2002) and the grecophon record company / Stavros K. Frangos -- Nicholas "Nicos" Tseperis (1923-2010) and Nina Records / Meletios Pouliopoulos -- Sotirios (Sam) Chianis (b. 1926) / Tina Bucuvalas -- Ilias Kementzides (1926-2006) / National Endowment for the Arts -- Giannis Tatasopoulos (1928-2001) / Tina Bucuvalas -- Gust J. (Dino) Pappas (1931-1999) / Stavros K. Frangos -- Harilaos Papapostolou (1932-1998) / National Endowment for the Arts -- Kay Skordilis (b. 1936) / Tina Bucuvalas -- Peter Stephen Kyvelos (1943-2017) / Michael G. Kaloyanides -- Trio Bel Canto and Takis Elenis (b. 1948) / Tina Bucuvalas -- George E. Soffos (1953-2013) / Tina Bucuvalas
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  • 20
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496819758
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
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    Keywords: Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; Greek Americans Music ; History and criticism ; Folk music History and criticism ; Folk music History and criticism ; Greek Americans Social life and customs ; USA ; Griechenland ; Aufsatzsammlung
    Abstract: 'Greek Music in America' provides a foundation for understanding the scope, practice, and development of Greek music in America through essays by the principal scholars in the field. This text offers a comprehensive view of the subject; despite the richness, diversity, and longevity of Greek music in America, there has been relatively little available on the topic. The volume includes several previously published essays, as well as recent work by contemporary specialists on the Greek diaspora.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 21
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496805843
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.00973
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    Keywords: Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; Yodeling History ; Popular music History and criticism ; USA
    Abstract: Considering yodeling as a musical device in American music, this text investigates in parallel two ways of understanding various meanings associated with yodeling: as the connotative functions of yodeling within specific musical texts and as the ideological implications of its use. It aims to provoke a reflection on the concept of singing and received cultural ideas associated with it. Starting with the premise that music is a discursive practice that is itself inseparable from a critical verbal discourse about music, the work interrogates the relationship between yodeling and predominating musical orthodoxy. Through a critical examination of that relationship, the book explores numerous examples of yodeling in American music, questioning why it achieved prominence and status in some genres and not in others and attempting to account for the relatively low prestige accorded to music featuring yodeling.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
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  • 22
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496819826
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
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    Keywords: Armstrong, Louis Criticism and interpretation ; Armstrong, Louis ; Jazz ; Singen ; Musikalischer Stil ; Jazz History and criticism ; Jazz musicians ; Jazz Analysis, appreciation 1921-1930
    Abstract: Throughout his life, Louis Armstrong tried to explain how singing on the streets of New Orleans with a barbershop quartet was foundational to his musicianship. However, up to now, there has been no in-depth inquiry into what he meant when he said 'I Figure Singing and Playing is the Same,' or 'Singing was more into my blood than the trumpet.' This text shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played the work discusses elements of music theory.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 23
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496810946
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.2540922
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    Keywords: Gaither, Gloria ; Gaither, Bill ; Gaither, Gloria ; Gaither, Bill ; Gaither Vocal Band ; Geschichte 1991- ; Gospelsong ; Musikpflege ; Gospel musicians Biography ; Gospel music History and criticism
    Abstract: This ethnography examines songwriters Bill and Gloria Gaithers' Homecoming video and concert series. The Homecomings re-present the 'southern gospel' subgenre of gospel music - a musical style popular among white evangelical Christians in the American South and Midwest. The text explores how the Gaithers negotiate the tension between preservation and modification of community norms as they seek simultaneously to maintain and expand their audience, and to initiate and respond to ideological shifts within their fan base's culture. Using data he collected from his immersion in the Homecoming catalogue, his attendance of numerous concerts and tapings, and his extensive conversations with Homecoming fans and the Gaithers themselves, Harper reveals the Homecomings to be a crucible of American religious, racial, sexual and regional identity formation.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 24
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496816061
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.65092
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    Keywords: Wilson, Gerald ; Wilson, Gerald ; Jazz ; Composers Biography ; Jazz musicians Biography ; Band directors Biography
    Abstract: Jazz great Gerald Wilson (1918-2014), born in Shelby, Mississippi, left a global legacy of paramount significance through his progressive musical ideas and his orchestra's consistent influence on international jazz. Aided greatly by interviews that bring Wilson's voice to the story, this text presents a perspective on what the musician and composer called his 'jazz pilgrimage.'
    Note: Previously issued in print: 2018 , Includes bibliographical references, discography and index
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  • 25
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496812544
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Edition: American edition.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
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    Keywords: Boom, J. Frank G. ; Gilbert, Will G ; Music journalists Biography ; Blues (Music) History and criticism ; Blues (Music) History and criticism
    Abstract: This work stands as both a remarkable biography of J. Frank G. Boom (1920-1953) and a recovery of his incredible contribution to blues scholarship originally titled 'The Blues'. The text tells how and when the Netherlands was introduced to African American blues music and describes the equally dramatic and peculiar friendship that existed between Boom and jazz critic and musicologist Will Gilbert, who worked for the Kultuurkamer during World War II and had been charged with the task of formulating the Nazi's Jazzverbod, the decree prohibiting the public performance of jazz.
    Note: Translated from the Dutch , This edition previously issued in print: 2017 , Includes bibliographical references, discography and index
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  • 26
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496813367
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.42164092
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    Keywords: Dylan, Bob Criticism and interpretation ; Dylan, Bob ; Popular music History and criticism ; Aufsatzsammlung
    Abstract: This text participates in the creation of the postmillennial Bob Dylan by exploring three central records of the 21st century along with the 2003 film 'Masked and Anonymous', which Dylan helped write and in which he appears as an actor and musical performer. The work does justice to this difficult Bob Dylan by examining his method and effects through a disparate set of viewpoints. Readers will find a variety of critical contexts and cultural perspectives as well as a range of experiences as members of Dylan's audience.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 27
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496821898 , 9781496821881
    Language: English
    Pages: X, 384 Seiten , Notenbeispiele
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/12
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    Keywords: Musikalische Analyse ; Jazz ; Musikästhetik ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jazz ; Musikästhetik ; Jazz ; Musikalische Analyse
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  • 28
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496819789 , 9781496819772
    Language: English
    Pages: xiv, 235 Seiten , Notenbeispiele
    Series Statement: American made music series
    Parallel Title: Erscheint auch als Hobson, Vic., author Creating the jazz solo
    RVK:
    Keywords: Armstrong, Louis ; Jazz ; Singen ; Musikalischer Stil
    Note: Bibliography Seite 216-229 , "Portions of Chapter 15 have appeared in a different form in Jazz Perspectives, 10, no. 1, 2017, 97?116.". - Includes bibliographical references and index
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  • 29
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781628462159
    Language: English
    Pages: 169 Seiten , Illustrationen
    Series Statement: American made music series
    DDC: 781.6213009
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    Keywords: Folk music ; Musikmarkt ; USA
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  • 30
    Image
    Image
    Jackson : University Press of Mississippi
    ISBN: 9781496837936 , 9781628462159
    Language: English
    Pages: 169 Seiten , Illustrationen , 29 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als Cohen, Ronald D., 1940- author Selling folk music
    DDC: 781.62/13009
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    Keywords: Folk music History and criticism ; Popular music History and criticism ; Music trade History ; Sheet music History ; Folk music Pictorial works ; Popular music Pictorial works ; Music trade Pictorial works ; Sheet music Pictorial works
    Abstract: "Selling Folk Music: An Illustrated History highlights commercial sources that reveal the process of how folk music has been packaged and sold to a broad, shifting audience in the United States. Folk music has a varied and complex scope and lineage, including the blues, minstrel tunes, Victorian parlor songs, spirituals and gospel tunes, country and western songs, sea shanties, labor and political songs, calypsos, pop folk, folk-rock, ethnic, bluegrass, and more. The genre is of major importance in the broader spectrum of American music, and it is easy to understand why folk music has been marketed as America's music. Selling Folk Music presents the public face of folk music in the United States through its commercial promotion and presentation through much of the twentieth century. Included are concert flyers; sheet music; book, songbook, magazine, and album covers; concert posters and flyers; and movie lobby cards and posters, all in their original colors. The 1964 hootenanny craze, for example, spawned such items as a candy bar, pinball machine, bath powder, paper dolls, Halloween costumes, and beach towels. The almost five hundred images in Selling Folk Music present a new way to catalog the history of folk music while highlighting the transformative nature of the genre. Following the detailed introduction on the history of folk music, illustrations from commercial products make up the bulk of the work, presenting a colorful, complex history of folk music."-- $c Provided by publisher
    Note: "This book is partially meant to be a visual companion to Ronald D. Cohen, Rainbow Quest: The Folk Music Revival and American Society, 1940-1970 (Amherst: University of Massachusetts Press, 2002) and his Folk Music: The Basics (New York: Routledge, 2006)"--Introduction
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  • 31
    ISBN: 1496816021 , 9781496817389 , 9781496816023
    Language: English
    Pages: XVII, 189 Seiten , Noten
    Edition: First printing
    Series Statement: American made music series
    DDC: 781.65092
    RVK:
    Keywords: Wilson, Gerald ; Jazz
    Note: Literaturangaben Seite 175-178 und Index
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  • 32
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496807571
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Caribbean studies series
    DDC: 780.820972983
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    Keywords: Frau ; Afroamerikanische Musik ; Popular music History and criticism ; Women musicians ; Trinidad
    Abstract: Drawing on ethnographic fieldwork conducted by the author in Trinidad and Tobago, this work demonstrates how the increased access and agency of women through folk and popular musical expressions has improved inter-gender relations and representation of gender in this nation.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
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  • 33
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496815262
    Language: English
    Pages: X, 222 Seiten
    Edition: First printing 2017
    Series Statement: American made music series
    DDC: 781.640976335
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    Keywords: Geschichte 1990-2017 ; Jazz ; Musikleben ; New Orleans, La.
    Note: Literaturangaben: Seite 195-207
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  • 34
    ISBN: 9781496813329
    Language: English
    Pages: 196 Seiten
    Series Statement: American made music series
    DDC: 782.42164092
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    Keywords: Dylan, Bob ; Aufsatzsammlung
    Note: Literaturverzeichnis Seite 177-184
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  • 35
    ISBN: 9781496805119
    Language: English
    Pages: XVI, 301 Seiten
    Series Statement: American made music series
    Uniform Title: Boom's Blues : muziek, journalistiek en vriendschap in oorlogstijd
    RVK:
    Note: A recovery of the first book-length study of the blues and the story behind the extraordinary Dutchman who wrote in under Nazi occupation , Bibliography: Seite 288-290 , Song index and discography: Seite 291-301
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  • 36
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496810908
    Language: English
    Pages: xi, 315 Seiten
    Edition: First printing
    Series Statement: American made music series
    DDC: 782.2540922
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    Keywords: Gaither, Gloria ; Gaither, Bill ; Geschichte 1991- ; Gospelsong ; Musikpflege
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  • 37
    ISBN: 9781496806086
    Language: English
    Pages: 285 Seiten , Illustrationen, Notenbeispiele
    Edition: First printing
    Series Statement: Jazz transatlantic / Gerhard Kubik Volume 2
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Bibliografie
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 38
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781628462302
    Language: English
    Pages: xxii, 433 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Jazz transatlantic / Gerhard Kubik Volume 1
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Bibliografie
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  • 39
    Book
    Book
    Jackson : University Press of Mississippi
    Language: English
    Series Statement: American made music series
    RVK:
    Keywords: Jazz African influences
    Note: Includes bibliographical references and index
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  • 40
    ISBN: 9781496810021
    Language: English
    Pages: viii, 420 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64309/041
    RVK:
    Keywords: Geschichte 1899-1926 ; Blues (Music) History and criticism To 1931 ; Vaudeville History and criticism ; Vaudeville ; Blues ; Schwarze ; USA ; USA ; USA ; Schwarze ; Blues ; Vaudeville ; Geschichte 1899-1926
    Abstract: In this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music, authoritatively connecting the black vaudeville movement with the explosion of blues that followed. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America's favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Black vaudeville theaters provided a safe haven where coon songs could be rehabilitated. Dynamic interaction between the performers and their audience unleashed creative energies that accelerated the development of the blues. The first blues star of black vaudeville was Butler "String Beans" May, a blackface comedian, pianist, singer, and dancer from Montgomery, Alabama.
    Abstract: Before his senseless death in 1917, he was recognized as the "blues master piano player of the world." His legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the Race recording era. While male blues singers remained tethered to the role of blackface comedian, female "coon shouters" acquired a more digni ed aura in the emergent persona of the "blues queen." Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, including forgotten blues heroine Ora Criswell and her protégé Trixie Smith, recon gured the use of blackface for their own subversive purposes. In 1921 black vaudeville was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collusion with the emergent Race recording industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell.
    Abstract: While the 1920s was the most celebrated and remunerative period of vaudeville blues, the previous decade was arguably the most creative, having witnessed the emergence, popularization, and early development of the original blues in southern theaters--Publisher description
    Note: Includes bibliographical references and index
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  • 41
    ISBN: 9781628462302
    Language: English
    Pages: xxii, 433 Seiten , Illustrationen , 25 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als Kubik, Gerhard, 1934- author Jazz transatlantic
    Parallel Title: Erscheint auch als Kubik, Gerhard, 1934 - Jazz Transatlantic ; Volume I: The African Undercurrent in Twentieth-Century Jazz Culture
    Angaben zur Quelle: volume 1
    DDC: 781.6509
    RVK:
    Keywords: Jazz African influences ; Africans Music ; History and criticism ; Jazz musicains
    Abstract: Machine generated contents note: $t Jazz-The Word and Some Other Words -- $t Kikoongo in French-Speaking New Orleans (Early Nineteenth Century) -- $t Vodu-Vaudou-Voodoo-and Jazz's Spirituality -- $t Retention, Resilience, and Reinvention of African Instrumental Techniques in the United States -- $t Ragtime -- $t Jazz Legends, Facts and Fiction -- $t Hoodoo Affecting Jazz and Blues Musicians -- $t Swing -- $t The African Matrix in Jazz Harmonic Practices -- $t Summary and Conclusions -- $t Bibliography
    Note: Includes bibliographical references (pages 387-411) and index
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  • 42
    ISBN: 9781628462302
    Language: English
    Pages: XXII, 433 Seiten , Illustrationen, Notenbeispiele
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
    RVK:
    Keywords: Bibliografie ; Bibliografie ; Bibliografie
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  • 43
    ISBN: 9781496806086
    Language: English
    Pages: 285 Seiten , Illustrationen, Notenbeispiele
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 2
    RVK:
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  • 44
    Book
    Book
    Jackson : University Press of Mississippi
    Show associated volumes/articles
    Language: English
    Series Statement: American made music series
    DDC: 781.6509
    RVK:
    Keywords: Geschichte 1900-2000 ; Jazz African influences ; Jazzmusiker ; Jazz ; Afroamerikanische Musik ; Kulturkontakt ; Afrika ; USA ; USA ; Afrika ; Jazz ; Jazzmusiker ; Afroamerikanische Musik ; Kulturkontakt ; Geschichte 1900-2000
    Note: Includes bibliographical references and index
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  • 45
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496807786 , 9781617039911
    Language: English
    Pages: x, 168 Seiten , Notenbeispiele
    DDC: 781.653
    RVK:
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    Keywords: Geschichte ; Blues ; Jazz ; Entstehung ; New Orleans, La.
    Note: Bibliography Seite 155-162 , First printing: 2014
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  • 46
    ISBN: 9781628462203 , 9781496803740
    Language: English
    Pages: VI, 425 Seiten , Illustrationen, Notenbeispiele
    Series Statement: American made music series
    DDC: 780.973
    RVK:
    Keywords: Multikulturelle Gesellschaft ; Musik ; Ethnische Identität ; USA ; Aufsatzsammlung
    Note: Literaturangaben
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  • 47
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496823434 , 9781496807533
    Language: English
    Pages: ix, 219 Seiten , Illustrationen
    Series Statement: Caribbean studies series
    Parallel Title: Erscheint auch als
    DDC: 780.820972983
    RVK:
    Keywords: Frau ; Afroamerikanische Musik ; Trinidad
    Note: Literaturverzeichnis: Seite 203-215
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  • 48
    ISBN: 9781496804914 , 9781496805058 , 9781496804921
    Language: English
    Pages: xviii, 280 Seiten , Diagramme, Notenbeispiele , 24 cm
    Edition: First printing
    Series Statement: American made music series
    Parallel Title: Online version Country boys and redneck women
    DDC: 781.642081
    RVK:
    Keywords: Country music History and criticism ; Country musicians United States ; Women country musicians United States ; Sex role in music ; Country music History and criticism ; Country musicians ; Women country musicians ; Sex role in music ; Country-Musiker ; Country-Musikerin ; Geschlechterrolle
    Abstract: Why "Ladies love country boys" : gender, class, and economics in contemporary country music / Jocelyn R. Neal -- "Hey! If I should grab ya" : "college country" and the ruralization of Urban Brazil / Alexander S. Dent -- Act naturally : Charley Pride, autobiography, and the "accidental career" / Matthew D. Sutton -- Holding on to country : musical moorings for desired masculinities in Aboriginal Australia / êAse Ottosson -- Taylor Swift's "pitch problem" and the place of adolescent girls in country music / Travis Stimeling -- Gender and the Nashville songwriter : three songs by Victoria Banks / Chris Wilson -- As if they were going places : class and gender portrayals through country music in the Texas State Prison, 1938-1944 / Caroline Gnagy -- Negotiating gender, race, and class in post-civil rights country music : how Linda Martell and Jeannie C. Riley stormed the plantation / Diane Pecknold -- Remarkable women and ordinary gals : performance of identity in songs by Loretta Lynn and Dolly Parton / Kate Heidemann -- "Backwoods Barbie" : Dolly Parton's gender performance / Leigh H. Edwards -- Kitty Wells, queen of denial / Georgia Christgau -- Gender deviance and class rebellion in "Redneck woman" / Nadine Hubbs
    Note: Includes bibliographical references and index
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  • 49
    ISBN: 9780190469627
    Language: English
    Series Statement: American musicspheres series
    DDC: 782.42162/91620092
    RVK:
    Keywords: Heaney, Joe ; Heaney, Joe ; Singers Biography ; Sean-nos History and criticism ; Sänger ; Tonträger ; Volkslied ; Irland ; Irland ; Biografie ; Verzeichnis ; Heaney, Joe 1919-1984 ; Heaney, Joe 1919-1984 ; Tonträger ; Irland ; Volkslied ; Sänger
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  • 50
    ISBN: 9780190469627
    Language: English
    Series Statement: American musicspheres series
    DDC: 782.42162/91620092
    RVK:
    Keywords: Heaney, Joe ; Heaney, Joe ; Singers Biography ; Sean-nos History and criticism ; Sänger ; Tonträger ; Volkslied ; Irland ; Irland ; Biografie ; Verzeichnis ; Heaney, Joe 1919-1984 ; Heaney, Joe 1919-1984 ; Tonträger ; Irland ; Volkslied ; Sänger
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  • 51
    ISBN: 9781496804914 , 9781496805058
    Language: English
    Pages: xviii, 280 Seiten , Diagramme
    Series Statement: American made music series
    DDC: 781.642081
    RVK:
    Keywords: Country-Musiker ; Country-Musikerin ; Geschlechterrolle ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Selected bibliography Seite 255-266
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  • 52
    ISBN: 9780190269425 , 9780195178678
    Language: English
    Pages: X, 299 Seiten , Illustrationen
    Edition: First issued as an...paperback
    Series Statement: American musicspheres
    DDC: 781.62/918073
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Musik ; Folk music History and criticism ; Folk music History and criticism ; Music Balkan Peninsula influences ; Volksmusik ; USA ; USA ; Balkanhalbinsel ; USA ; Volksmusik ; Balkanhalbinsel ; Geschichte ; USA ; Volksmusik ; Balkanhalbinsel
    Note: Includes bibliographical references (p. 265-275) and index
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  • 53
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496805805
    Language: English
    Pages: viii, 272 Seiten
    Edition: First printing
    Series Statement: American made music series
    Parallel Title: Online version Wise, Timothy E., author Yodeling and meaning in American music
    DDC: 782.00973
    RVK:
    Keywords: Popular music History and criticism ; United States ; Yodeling ; Country music History and criticism ; Mountain people in popular culture ; Cowboys in popular culture ; Humor in music ; Country music ; Cowboys in popular culture ; Humor in music ; Mountain people in popular culture ; Popular music ; Yodeling United States ; USA ; Jodeln ; Geschichte
    Abstract: Timothy E. Wise presents the first book to focus specifically on the musical content of yodeling in our culture. He shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyzes this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond. Wise posits the reasons for yodeling's changing status in our music. How and why was yodeling introduced into professional music making in the first place? What purposes has it served in musical texts? Why was it expunged from classical music? Why did it attach to some popular music genres and not others? Why does yodeling now appear principally at the margins of mainstream tastes?
    Note: Includes bibliographical references (pages 233-245) and index , 1.Classifying Yodeled Effects in Popular Music Yodel Species , 2.Yodel Sign and Yodel Idea in Nineteenth-Century Art Music , 3.Yodeling in Nineteenth-Century Vocal Music , 4.Americanizing the Yodel , 5.Jimmie Rodgers and the Hillbilly Yodel , 6.Cowboys and Yodeling , 7.The Vicissitudes of a Musical Sign How the Yodel Became a Joke
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  • 54
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 1496805801 , 9781496805805
    Language: English
    Pages: VIII, 251 Seiten , Notenbeispiele , 24 cm
    Series Statement: American made music series
    Parallel Title: Online version Wise, Timothy E. Yodeling and meaning in American music.
    DDC: 782.00973
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    Keywords: Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; USA
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  • 55
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496823434 , 9781496807533
    Language: English
    Pages: ix, 219 Seiten , Illustrationen
    Edition: First printing
    Series Statement: Caribbean studies series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Afroamerikanische Musik ; Frau ; Trinidad ; Women musicians / Trinidad and Tobago ; Popular music / History and criticism / Trinidad and Tobago ; Trinidad ; Frau ; Afroamerikanische Musik
    Abstract: Drawing on ethnographic fieldwork conducted by the author in Trinidad and Tobago, this work demonstrates how the increased access and agency of women through folk and popular musical expressions has improved inter-gender relations and representation of gender in this nation
    Description / Table of Contents: Cover -- Contents -- Acknowledgments -- Introduction -- 1 Woman Is Boss: Music and Gender in Trinidad's Cultural History -- 2 Woman Rising: Women Find Their Place in Calypso Music -- 3 From Calypso Queen to Calypso Monarch -- 4 Carnival Is Woman: Party Music and the Soca Diva -- 5 Pan Rising: Women and the Steelband Movement -- Conclusions -- Notes -- Glossary -- Bibliography -- Index
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  • 56
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780190231026
    Language: English
    Pages: 320 S. , zahlr Ill.
    DDC: 781.621307471
    RVK:
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    Keywords: Geschichte ; Folk music ; New York, NY
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  • 57
    ISBN: 9781628461459
    Language: English
    Pages: XI, 383 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    DDC: 781.62/410763
    RVK:
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    Keywords: Geschichte ; Alltag, Brauchtum ; Geschichte ; Gesellschaft ; Difference (Philosophy) in music ; Cajun music History and criticism ; Folk music History and criticism ; Zydeco music History and criticism ; Popular music Social aspects ; History ; Cajuns Social life and customs ; Musikleben ; Musiksoziologie ; Differenz ; Zydeco ; Cajun-Music ; Kreolen ; Louisiana ; Louisiana ; Kreolen ; Cajun-Music ; Zydeco ; Musikleben ; Differenz ; Musiksoziologie ; Geschichte
    Description / Table of Contents: Includes bibliographical references and index
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  • 58
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781628461947 , 9781628461954
    Language: English
    Pages: XIV, 202 Seiten , Illustrationen, Notenbeispiele
    Series Statement: American made music series
    DDC: 788.9/2165092
    RVK:
    Keywords: Davis, Miles ; Davis, Miles ; Jazz History and criticism ; Jazz musicians ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; USA ; Davis, Miles 1926-1991 Bitches Brew
    Note: Includes bibliographical references and index
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  • 59
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781626745346
    Language: English
    Pages: 1 Online-Ressource (xic, 304 Seiten, 32 ungezählte Seiten) , Illustrationen (teilweise farbig), Notenbeispiele
    Edition: First printing
    Series Statement: American made music series
    DDC: 782.42162/96073
    RVK:
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    Keywords: Sklaverei ; Musik ; Songbook ; USA
    Abstract: The untold story behind the creation of the classic songbook Slave Songs of the United States.
    Note: Literaturverzeichnis: Seite 297-300 , Description based on publisher supplied metadata and other sources
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  • 60
    ISBN: 9780199361496
    Language: English
    Pages: IX, 344 S. , Ill., graph. Darst.
    DDC: 780.956709051
    RVK:
    RVK:
    Keywords: Golfkrieg ; Musik ; Geräusch ; Musikpsychologie
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  • 61
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199394043 , 9780199895403
    Language: English
    Pages: XI, 244 S. , Ill.
    Edition: 1. issued as an Oxford Univ. Press paperback
    DDC: 782.4216490973
    RVK:
    RVK:
    Keywords: Schwarze ; Verbalaggression ; Sprachspiel ; Sozialverhalten ; Afroamerikanische Musik ; Amerika
    Note: Literaturverz. S. [227] - 231
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  • 62
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199928835 , 9780199928859
    Language: English
    Pages: XVI, 358 S. , Ill.
    DDC: 781.630954
    RVK:
    RVK:
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    Keywords: Popular music History and criticism ; Motion picture music History and criticism ; Filmmusik ; Popmusik ; Bollywood ; Indien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Indien ; Popmusik ; Filmmusik ; Bollywood
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  • 63
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199367481
    Language: English
    Pages: XVII, 302 S. , Ill.
    DDC: 780.89924043
    RVK:
    RVK:
    Keywords: Geschichte ; Juden ; Musikleben ; Nachkriegszeit ; Judentum ; Musik ; Kultur ; Kollektives Gedächtnis ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 64
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199354092 , 9780195341867
    Language: English
    Pages: XVII, 586 S. , Ill., graph. Darst., Notenbeisp.
    DDC: 306.4842
    RVK:
    RVK:
    Keywords: Geschichte ; Musik ; Kulturgeschichtsschreibung ; Geschichte ; Musik ; Kulturgeschichtsschreibung ; Enzyklopädie ; Musicology. ; Music--Philosophy and aesthetics. ; Wörterbuch ; Aufsatzsammlung ; Musik ; Kulturgeschichtsschreibung ; Geschichte
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  • 65
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199862016
    Language: English
    Pages: XV, 268 S. , Ill.
    Series Statement: Readers on American musicians
    DDC: 782.42162130092
    RVK:
    Keywords: Seeger, Pete, Criticism and interpretation ; Seeger, Pete ; Seeger, Pete 1919-2014
    Note: Includes bibliographical references and index
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  • 66
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199766994 , 9780199767007
    Language: English
    Pages: IX, 354 S. , Ill.
    Parallel Title: Erscheint auch als
    DDC: 302.23/1
    RVK:
    RVK:
    RVK:
    Keywords: Music videos History and criticism ; Digital media Technological innovations ; YouTube ; Media-Mix ; Neue Medien ; Musikvideo ; Neue Medien ; YouTube ; Musikvideo ; Media-Mix
    Note: Includes bibliographical references and index
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  • 67
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780190244590 , 9780199733866
    Language: English
    Pages: X, 735 Seiten , Ill.
    DDC: 302.23
    RVK:
    RVK:
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    Keywords: Massenmedien ; Ästhetik ; Mass media Aesthetics ; Digital media Technological innovations ; Neue Medien ; Audiovisuelle Medien ; Ästhetik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Neue Medien ; Ästhetik ; Aufsatzsammlung ; Audiovisuelle Medien ; Ästhetik ; Aufsatzsammlung
    Description / Table of Contents: Literaturangaben und Index
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  • 68
    ISBN: 0199733864 , 9780199733866
    Language: English
    Pages: X, 735 S. , Ill., Notenbeisp.
    Parallel Title: Erscheint auch als The Oxford handbook of new audiovisual aesthetics
    DDC: 302.23
    RVK:
    RVK:
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    Keywords: Mass media Aesthetics ; Digital media Technological innovations ; Aufsatzsammlung ; Aufsatzsammlung ; Ästhetik ; Neue Medien
    Description / Table of Contents: Includes bibliographical references and index
    Note: Introduction , Michel Chion: The audio-logo-visual and the sound of languages in recent film ; Nicholas Cook: Beyond music: mashup, multimedia mentality, and intellectual property ; Anahid Kassabian: The end of diegesis as we know it? ; Steven Connor: Sounding out film narrative, genre, meaning: changing times, changing practices. Robynn J. Stilwell: Audio-visual space in an era of technological convergence ; Annette Davison: Title Sequences for contemporary television serials ; Carter Burwell: No country for old music ; Janet K. Halfyard: Cue the big theme? the sound of the superhero ; Michael Chanan: Video speech in Latin America ; Animated sounds. Daniel Goldmark: Pixar and the animated soundtrack ; Randy Thom: Notes on sound design in contemporary animated films ; Lisa Perrott: Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music ; Musical moments and transformations. Caryl Flinn: The mutating musical ; Ying Xiao: Chinese rock 'n ' roll film and Cui Jian on screen ; John Richardson: The neosurrealist metamusical: Tsai's The wayward cloud ; Philip Brophy: Parties in your head: from the acoustic to the psycho-acoustic ; Emerging audiovisual forms: music video and beyond. Carol Vernallis: Music video's second aesthetic ; Stan Hawkins: Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" ; Paula Hearsum & Ian Inglis: The emancipation of music video: YouTube and the cultural politics of supply and demand ; Mathias Bonde Korsgaard: Music video transformed ; Video Art. Holly Rogers: "Betwixt and between" worlds: spatial and temporal liminality in video ; Art-music. Maureen Turim and Michael Walsh: Sound events: innovation in projection and installation ; Gaming. Rob Bridgett: Contextualizing game audio aesthetics ; Karen Collins: Implications of interactivity: What does it mean for sound to be "Interactive"? ; Mark Kerins: Multi-channel gaming aesthetics of interactive surround ; Expanded soundtracks. Michel Chion: Sensory aspects of contemporary cinema ; Jeff Smith: The sound of intensified continuity ; K.J. Donnelly: Paratexts of the audio-visual: paratexts of the audio-visual soundtrack ; Extensions beyond the film. Susanna Välimäki: The audiovisual construction of transgender identity in Transamerica ; Meri Kytö: Soundscapes of Istanbul in Turkish film soundtracks ; Charles Kronengold: Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films ; Audiovisuality in daily life. Philip Auslander: sound and vision: the audio/visual economy of musical performance ; Joseph Lanza: foreground flatland ; Michael Bull: Remaking the urban: the audio-visual aesthetics of ipod use ; Helmi Järviluoma and Noora Vikman: On soundscape methods and audiovisual sensibility ; Mariko Hara and Tia Denora: Leaving something to the imagination: "seeing" new places through a musical lens.
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  • 69
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781621039662
    Language: English
    Pages: 1 Online-Ressource (206 pages)
    Series Statement: American Made Music Series
    DDC: 781.64092
    RVK:
    Abstract: Quincy Jones (b. 1933) is one of the most prolific composers, arrangers, bandleaders, producers, and humanitarians in American music history and the recording and film industries. Among pop music fans he is perhaps most famous for producing Michael Jackson's album, Thriller. Clarence Bernard Henry focuses on the life, music, career, and legacy of Jones within the social, cultural, historical, and artistic context of American, African American, popular, and world music traditions. Jones's career has spanned over sixty years, generating a substantial body of work with over five hundred compositions and arrangements. The author focuses on this material as well as many of Jones's accomplishments: performing as a young trumpeter in the bands of Lionel Hampton and Dizzy Gillespie, becoming the first African American to hold an executive position in the competitive white-owned recording industry, breaking racial barriers as a composer in the Hollywood film and television industries, producing the best-selling album of all time, and receiving numerous Grammy Awards. The author also discusses many of Jones's compositions, arrangements, and recordings and his compositional study in France with legendary teacher Nadia Boulanger. In addition, details are provided about Jones's distinct ability as one of the most innovative composers and arrangers who incorporates many different styles of music, techniques, and creative ideas in his compositions, arrangements, and film scores. He collaborated with an array of musicians and groups such as Louis Armstrong, Duke Ellington, Miles Davis, Ella Fitzgerald, Sarah Vaughan, Frank Sinatra, Clifford Brown, Ray Charles, Michael Jackson, USA for Africa, and many others. Clarence Bernard Henry shows how Jones has, throughout his career, wholeheartedly embraced philosophies of globalization and cultural diversity in his...
    Abstract: body of work, collaborations, humanitarian projects, and musical creativity.
    Note: Description based on publisher supplied metadata and other sources
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  • 70
    E-Resource
    E-Resource
    Jackson : University Press of Mississippi
    ISBN: 9781617036262 , 9781617036279 (Sekundärausgabe)
    Language: English
    Pages: 273 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9781617036279
    Edition: [Online-Ausg.]
    Series Statement: American Made Music Series
    DDC: 788.93165
    RVK:
    Keywords: Online-Publikation
    Abstract: Edward ""Kid"" Ory (1886-1973) was a trombonist, composer, recording artist, and early New Orleans jazz band leader. Creole Trombone tells his story from birth on a rural sugar cane plantation in a French-speaking, ethnically mixed family, to his emergence in New Orleans as the city's hottest band leader. The Ory band featured such future jazz stars as Louis Armstrong and King Oliver, and was widely considered New Orleans's top ""hot"" band. Ory's career took him from New Orleans to California, where he and his band created the first African American New Orleans jazz recordings ever made. In 1...
    Note: Description based upon print version of record , Online-Ausg.:
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  • 71
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195331110 , 9780195331127
    Language: English
    Pages: X, 333 S. , Ill.
    DDC: 782.421649
    RVK:
    Keywords: Geschichte 1973-2011 ; Turntablism ; Rap (Music) History and criticism ; Turntablists ; Hip-Hop ; Discjockey ; Hip-Hop ; Discjockey ; Geschichte 1973-2011
    Note: Includes bibliographical references
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  • 72
    ISBN: 9780199759569 , 9780199759576
    Language: English
    Pages: XV, 191 S. , Ill.
    DDC: 782.42082/09519
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    Keywords: Geschichte ; Gesellschaft ; Musik ; Songs, Korean History and criticism ; Women singers ; Music Social aspects ; Comfort women History ; Comfort women History ; Identität ; Lied ; Zwangsprostituierte ; Koreanerin ; Koreanerin ; Zwangsprostituierte ; Lied ; Identität
    Note: Includes bibliographical references and index
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  • 73
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195368284 , 9780195368277
    Language: English
    Pages: XXII, 202 S. , Ill., Notenbeisp.
    Additional Material: 1 CD (12 cm)
    Series Statement: Global music series
    DDC: 780.9519
    RVK:
    Keywords: Geschichte ; Musik ; Music History and criticism ; Musik ; Korea ; Korea ; Musik ; Geschichte
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  • 74
    ISBN: 9781628460643
    Language: English
    Pages: xv, 278 Seiten , Illustrationen
    Edition: First printing
    RVK:
    Keywords: Geschichte 1900-2000 ; Folk music ; Blues ; USA ; Großbritannien ; Konferenzschrift 2009
    Note: Includes bibliographical references and index , The historical and social background of transatlantic roots music revivals / Jill Terry and Neil A. Wynn -- "Early morning blues" : the early years of the transatlantic connection / Paul Oliver -- Dreaming up the blues : transatlantic blues scholarship in the 1950s / Christian O'Connell -- American balladry and the anxiety of ancestry / Erich Nunn -- Woody Guthrie at the crossroads / Will Kaufman -- "It's not British music, it's American music" : Bob Dylan and Britain / John Hughes -- Alan Lomax : an American ballad hunter in Great Britain / Ronald D. Cohen -- Putting the blues in British blues rock / Roberta Freund Schwartz -- The white man, Burdon : the Animals, race, and the American South in the British blues boom / Brian Ward -- Born in Chicago : the impact of the Paul Butterfield Blues Band on the British blues "network," 1964-1970 / Andrew Kellett -- "When somebody take your number and use it" : the 1960s, British blues, and America's racial crossroads / Robert H. Cataliotti -- Groove me : dancing to the discs of northern soul / David Sanjek -- Some reflections on "Celtic" music / Duck Baker
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  • 75
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195395631 , 0195395638
    Language: English
    Pages: XI, 626 S. , Ill.
    Edition: 2. ed.
    DDC: 781.64203
    RVK:
    RVK:
    Keywords: Countrymusic ; Wörterbuch ; Enzyklopädie ; Wörterbuch ; Aufsatzsammlung ; Verzeichnis
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  • 76
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199946846 , 9780195178326
    Language: English
    Pages: XXXIII, 280 S. , Ill., Notenbeisp.
    Edition: 1. publ. as an Oxford Univ. Press pbk.
    Series Statement: AMS studies in music
    DDC: 780.89924
    RVK:
    Keywords: Geschichte 1890-1933 ; Geschichte ; Jews / Germany / Music ; Jews / Germany / History ; Geschichte ; Juden ; Musik ; Zionismus ; Modernität ; Musik ; Judentum ; Urbanität ; Deutschland ; Deutschland ; Deutschland ; Judentum ; Musik ; Geschichte ; Judentum ; Musik ; Modernität ; Urbanität ; Geschichte 1890-1933 ; Zionismus ; Musik ; Judentum ; Musik ; Urbanität ; Geschichte
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  • 77
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195367362 , 9780195367379
    Language: English
    Pages: XI, 323 S. , Ill., Notenbeisp.
    Series Statement: The Oxford music/media series
    DDC: 780/.07
    RVK:
    RVK:
    Keywords: Geschichte 2000-2011 ; Musik ; Music Philosophy and aesthetics ; Motion picture music Philosophy and aesthetics ; Surrealism and music ; Postmoderne ; Surrealismus ; Ästhetik ; Filmmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Filmmusik ; Postmoderne ; Surrealismus ; Ästhetik ; Geschichte 2000-2011
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  • 78
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0199937397 , 9780199937394
    Language: English
    Pages: XV, 527 S. , 25 cm
    DDC: 016.78165
    RVK:
    Keywords: Jazz ; Komposition ; Wörterbuch ; Bibliografie ; Führer ; Bibliografie ; Führer ; Bibliografie ; Führer ; Führer ; Wörterbuch ; Führer ; Wörterbuch
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  • 79
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199895403 , 0199895406
    Language: English
    Pages: XI, 244 S. , Ill. , 24x16x3 cm
    DDC: 398.70899607
    RVK:
    RVK:
    Keywords: Rap
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  • 80
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi
    ISBN: 9781617030116
    Language: English
    Pages: xviii, 277 p., [20] p. of plates
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84243097624
    RVK:
    Keywords: Geschichte ; Geschichte ; Gesellschaft ; Blues (Music) Social aspects ; Blues (Music) History and criticism ; Music and tourism History ; Blues ; Tourismus ; Musikfestspiel ; Mississippi-Gebiet ; Mississippi-Gebiet ; Blues ; Musikfestspiel ; Tourismus ; Mississippi-Gebiet ; Blues ; Geschichte
    Description / Table of Contents: The history of the Mississippi Delta blues -- The history of blues tourism in the Mississippi Delta -- Blues myths and the rhetorical imagination of place -- Blues festivals, race, and the construction of authenticity -- A blues countermemory : the history of Mississippi, the story of the Delta -- Public memory, historical amnesia, and the Shack Up Inn -- Assessing tourism goals : money, image, and reconciliation
    Note: Includes bibliography (p. 239-267), discography (p. 268-270) and index
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  • 81
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    Show associated volumes/articles
    In:  3
    Language: English
    Pages: XIII, S. 780 - 1161 , Ill.
    Edition: 1. publ.
    Angaben zur Quelle: 3
    RVK:
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 82
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    Show associated volumes/articles
    In:  1
    Language: English
    Pages: XIII, 395 S. , Ill.
    Edition: 1. publ.
    Angaben zur Quelle: 1
    RVK:
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 83
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi
    ISBN: 9781604738018
    Language: English
    Pages: 1 Online-Ressource (431 Seiten)
    Series Statement: American Made Music
    DDC: 781.620092
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    Keywords: Lomax, Alan ; Geschichte 1935-1945 ; Musikethnologie ; Folk music ; USA ; Briefsammlung 1935-1945
    Abstract: Alan Lomax (1915-2002) began working for the Archive of American Folk Song at the Library of Congress in 1936, first as a special and temporary assistant, then as the permanent Assistant in Charge, starting in June 1937, until he left in late 1942. He recorded such important musicians as Woody Guthrie, Muddy Waters, Aunt Molly Jackson, and Jelly Roll Morton. A reading and examination of his letters from 1935 to 1945 reveal someone who led an extremely complex, fascinating, and creative life, mostly as a public employee.While Lomax is noted for his field recordings, these collected letters, man...
    Note: Description based upon print version of record
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  • 84
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    Show associated volumes/articles
    In:  2
    Language: English
    Pages: XIII, S. 397 - 778 , Ill.
    Edition: 1. publ.
    Angaben zur Quelle: 2
    RVK:
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 85
    ISBN: 9780199733408 , 0199733406 , 9780199733415 , 0199733414 , 9780199862542 , 0199862540
    Language: English
    Pages: XXVII, 195 S. , Ill.
    Additional Material: 1 CD
    Series Statement: Global music series
    DDC: 781.62/994
    RVK:
    Keywords: Musik ; Music History and criticism ; Music History and criticism ; Music History and criticism ; Bollywood ; Musikleben ; Filmmusik ; Musikethnologie ; Kulturelle Identität ; Indien ; Ozeanien ; Fallstudiensammlung ; Fallstudiensammlung ; Fallstudiensammlung ; Ozeanien ; Musikleben ; Musikethnologie ; Kulturelle Identität ; Indien ; Bollywood ; Filmmusik
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 86
    ISBN: 9780199747474 , 0199747474
    Language: English
    Pages: XVI, 173 S. , Ill. , 24x18x2 cm
    Edition: 1. ed.
    DDC: 781.6420976431
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    Keywords: Countrymusic ; Austin, Tex.
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  • 87
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195338928 , 0195338928
    Language: English
    Pages: 336 S. , Ill., Notenbsp.
    DDC: 782.421640973
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    Keywords: Geschichte 1890-1930 ; Tin Pan Alley ; Oper ; Unterhaltungsmusik ; USA
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  • 88
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195388404 , 9780195388411
    Language: English
    Pages: XI, 186 S. , Notenbeisp.
    Series Statement: Oxford studies in recorded jazz
    DDC: 781.652
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    Keywords: Armstrong, Louis ; Hot Five ; Geschichte ; Armstrong, Louisœd1901-1971œxCriticism and interpretation ; Hot FiveœvDiscography ; Hot SevenœvDiscography ; Armstrong, Louis 1901-1971 ; Hot Five ; Geschichte
    Note: Includes bibliographical references and index
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  • 89
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195393835 , 9780195393842
    Language: English
    Pages: XVI, 302 S. , Notenbeisp.
    Series Statement: Oxford studies in recorded jazz
    DDC: 785.35195165
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    Keywords: Davis, Miles Criticism and interpretation ; Miles Davis Quintet Discography ; Miles Davis Quintet ; Geschichte 1965-1968 ; Jazz History and criticism 1961-1970 ; Tonstudio ; Schallaufzeichnung ; Tonträger ; Verzeichnis ; Verzeichnis ; Verzeichnis ; Verzeichnis ; Verzeichnis ; Miles Davis Quintet ; Tonträger ; Tonstudio ; Schallaufzeichnung ; Geschichte 1965-1968 ; Miles Davis Quintet ; Tonträger
    Note: Includes bibliographical references, discography, and index
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  • 90
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195341867 , 0195341864
    Language: English
    Pages: XVII, 586 S. , Ill., graph. Darst., Notenbeisp. , 25 cm
    DDC: 306.4842
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    Keywords: Geschichte ; Musik ; Kulturgeschichtsschreibung ; Geschichte ; Musik ; Kulturgeschichtsschreibung ; Enzyklopädie ; Musicology. ; Music--Philosophy and aesthetics. ; Wörterbuch ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Kulturgeschichtsschreibung ; Geschichte
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  • 91
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195399707
    Language: English
    Pages: 444 S. , Ill.
    Edition: 2. ed.
    DDC: 781.6509
    RVK:
    Keywords: Geschichte ; Jazz History and criticism ; Jazz ; Geschichte ; Jazz ; Geschichte ; Jazz ; Geschichte
    Note: Includes bibliographical references and index
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  • 92
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195395570 , 0195395573
    Language: English
    Pages: VIII, 206 S. , 24x17x2 cm
    DDC: 782.421643092
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    Keywords: House, Son
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  • 93
    ISBN: 9780195650983 , 0195650980
    Language: English
    Pages: 28 cm
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    Keywords: Music ; India ; Encyclopedias ; Music ; India ; History and criticism ; Wörterbuch ; Indien ; Musik ; Indien ; Musiker
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  • 94
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199746408
    Language: English
    Pages: 234 S. , Ill.
    Series Statement: The new cultural history of music series
    DDC: 781.5/9909599
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    Keywords: Geschichte 1900-2011 ; Music Political aspects 20th century ; History ; Nationalism in music ; Music and state ; Music History and criticism 20th century ; Musik ; Nationalbewusstsein ; Gesellschaft ; Philippinen ; Philippinen ; Gesellschaft ; Nationalbewusstsein ; Musik ; Geschichte 1900-2011
    Note: Includes bibliographical references and index
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  • 95
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi
    ISBN: 9781604738452 , 1604738456 , 9781604738445 , 1604738448
    Language: English
    Pages: 1 Online-Ressource (144 p.)
    DDC: 781.65092
    RVK:
    Keywords: Snitzer, Herb ; Snitzer, Herb ; Snitzer, Herb ; Snitzer, Herb ; MUSIC / Genres & Styles / Jazz ; Jazz ; Jazz musicians ; Jazz musicians ; Jazz musicians Portraits ; Jazz Pictorial works ; Jazzmusiker ; USA ; Bildband ; Bildband ; Snitzer, Herb 1932- ; Jazzmusiker ; USA ; Jazzmusiker
    Note: A personal account of the fifty-year career of jazz photographer Herb Snitzer, with a special focus on his years in New York City from 1957 to 1964. A photojournalist for Life, Look, and Fortune, Snitzer was the photo editor and later associate editor of the influential jazz magazine Metronome , Beginnings -- MOP, MOP ... bebop -- My world of jazz -- On the bus with Pops and Duke -- The demise of Metronome -- Europe and Cambridge -- Conversations -- Switezerland -- Photographs -- Afterword: the state of jazz / Dan Morgenstern
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  • 96
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195385410 , 9780195385427
    Language: English
    Pages: XXIII, 383 S. , Ill., Notenbeisp., Kt.
    DDC: 780.9598
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    Keywords: Musik ; Islam ; Indonesien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Indonesien ; Musik ; Islam
    Note: Includes bibliographical references and index
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  • 97
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195378344 , 0195378342
    Language: English
    Pages: XI, [8], 255 S.
    Series Statement: Oxford oral history series
    DDC: 781.62/13009
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    Keywords: Geschichte 1920-2000 ; Folk music ; Erneuerung ; Oral history ; USA ; Verzeichnis
    Note: Literaturverz. und Diskogr. S. 226 - 242
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  • 98
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi
    ISBN: 9781604734393 , 1604734396 , 9781604734386 , 1604734388
    Language: English
    Pages: 1 Online-Ressource (x, 215 pages)
    Series Statement: American made music series
    DDC: 781.642092/273
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    Keywords: MuzikMafia (Musical group) ; MuzikMafia (Musical group) ; MuzikMafia ; Geschichte 2000-2010 ; Fine Arts ; MUSIC / Genres & Styles / Country & Bluegrass ; Country musicians ; Country musicians ; Musikleben ; Tonträger ; USA ; Nashville, Tenn. ; Verzeichnis ; Verzeichnis ; MuzikMafia ; Tonträger ; Nashville, Tenn. ; Musikleben ; Geschichte 2000-2010
    Note: Includes bibliographical references (pages 195-197) , discography (p. 201-202) , videography (p. 199) , and index , The Nashville scene -- The birth of the MuzikMafia -- August 2002 to March 2004 : growing popularity in Nashville and beyond -- April through December 2004 : the MuzikMafia takes the national stage -- Interlude : meet the MuzikMafia of 2004 -- 2005 : the second wave -- The beginning of the end , In October 2001, an unlikely gathering of musicians calling itself the MuzikMafia took place at the Pub of Love in Nashville, Tennessee. "We had all been beat up pretty good by the 'industry' and we told ourselves, if nothing else, we might as well be playing muzik," explains Big Kenny of Big and Rich. For the next year and a half, the MuzikMafia performed each week and garnered an ever-growing, dedicated fan base. Five years, several national tours, six Grammy nominations, and eleven million sold albums later, the MuzikMafia now includes a family of artists including founding member
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  • 99
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0195340655
    Language: English
    Pages: XI, 322 S. , Ill.
    DDC: 781.65092
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    Keywords: Henderson Fletcher ; 1897-1952 ; Jazz musicians United States ; Biography
    Note: Includes bibliographical references and index. - Originally published: 2005
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  • 100
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195398939
    Language: English
    Pages: 140 S. , Ill.
    Series Statement: Very short introductions 247
    Series Statement: Very short introductions
    DDC: 781.643
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    Keywords: Blues (Music) History and criticism ; Blues ; Einführung ; Einführung ; Einführung ; Einführung ; Einführung ; Einführung ; Blues
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