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  • Durham : Duke University Press
  • Geschichte  (6)
  • History  (4)
  • General works  (9)
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  • 1
    ISBN: 9781478004684 , 9781478004073
    Language: English
    Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Note: Includes bibliographical references and index
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  • 2
    ISBN: 9781478006022
    Language: English
    Pages: 518 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als Brumfield, William Craft, 1944 - Journeys through the Russian empire
    DDC: 770.92
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    Keywords: Prokudin-Gorskiĭ, Sergeĭ Mikhaĭlovich ; Brumfield, William Craft ; Photographers Biography ; Color photography History ; Architecture Pictorial works History ; Architectural photography Pictorial works ; Prokudin-Gorskij, Sergej Michajlovič 1863-1944 ; Brumfield, William Craft 1944- ; Fotograf ; Russland ; Biografie ; Geschichte ; Farbfotografie ; Architektur ; Architekturfotografie ; Bildband
    Abstract: "JOURNEYS THROUGH THE RUSSIAN EMPIRE will contain about four hundred photographs, accompanied by historical contextualization. The project compares William Brumfield's photographs of churches and locations in Russia with the same structures and places photographed by Sergei Prokudin-Gorsky, an early-20th-century Russian inventor of a color photography process, as much as a century earlier. Through this comparison, Brumfield assesses the state of preservation of Russia's architectural heritage and examines the appeal and pitfalls of seeing Prokudin-Gorsky's striking images as a recovery of Russia's lost past. Brumfield examines fervent Russian engagement with the Prokudin-Gorsky collection, which was recently made broadly available through digitization. The author questions the nostalgic assumptions of many analysts, who see the images as a portrayal of an idyllic Russia intact before the Soviet era and neglect the imperial violence present before the revolution. Prokudin-Gorsky himself was idealistic about the imperial potential. He intended his new color photography to convey the cultural and ethnic diversity of the vast Russian Empire, using this medium to impart a visual message from the provinces to the urban centers about the richness of Russia's history, culture, and borderlands. He escaped Russia in 1918 with many of the heavy glass negatives he used, and the Library of Congress ultimately bought the collection. Because of his own field experience photographing Russian architectural monuments, Brumfield was approached to catalog, restore, and exhibit Prokudin-Gorsky's photographs. While working on the project, he realized how much the two photographer's journeys across Russia had, unintentionally, intersected. His own photographic project accelerated with the relaxation of travel restrictions within the Soviet Union during the late 1980s; he documents the remnants of Russia's architectural heritage, and its expression of history, art, and spiritual culture, that Prokudin-Gorsky recorded earlier. This project will be of particular interest to scholars and students of Russian history, art, and architecture, as well as general readers interested in photography and historic preservation"--
    Note: Includes index
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  • 3
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478005537
    Language: English
    Pages: 1 Online-Ressource (ix, 236 Seiten)
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; Photography in ethnology-United States-History ; Electronic books ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; Rassenfrage ; Fotografie
    Abstract: In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 4
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822373360 , 082237336X
    Language: English
    Pages: 1 Online-Ressource (x, 191 pages) , illustrations, maps
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Energy industries / Environmental aspects ; Energy industries / Moral and ethical aspects ; Slavery / History / Trinidad and Tobago / Trinidad ; Petroleum industry and trade / Colonies / Great Britain ; Petroleum industry and trade / Trinidad and Tobago / Trinidad ; Ökologie ; Sklaverei ; Mineralölindustrie ; Klimaänderung ; Energiewirtschaft ; Umwelt ; Humanökologie ; Electronic books ; Energiewirtschaft ; Mineralölindustrie ; Klimaänderung ; Umwelt ; Humanökologie ; Sklaverei ; Geschichte ; Energiewirtschaft ; Mineralölindustrie ; Klimaänderung ; Umwelt ; Ökologie
    Abstract: Plantation slaves, the first fuel -- How oil missed its utopian moment -- The myth of inevitability -- Lakeside, or the petro-pastoral sensibility -- Climate change and the victim slot
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover  (Thumbnail cover image)
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  • 5
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822356578 , 9780822356455
    Language: English
    Pages: xiii, 210 Seiten , Illustrationen
    Series Statement: Sign, storage, transmission
    DDC: 302.2/244
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    Keywords: Communication and technology ; Written communication Social aspects ; Communication and culture ; Authors and readers ; Dokument ; Information und Dokumentation ; Geschichte
    Description / Table of Contents: A short history of -- The typescript book -- Xerographers of the mind -- Near print and beyond paper : knowing by *.pdf -- Afterword: Amateurs rush in.
    Note: Literaturverzeichnis: Seiten 189-204
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  • 6
    ISBN: 9780822392989
    Language: English
    Pages: 1 Online-Ressource (342 Seiten)
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    DDC: 791.43/658209732
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    Keywords: City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures History 20th century ; Performing arts ; Performing Arts / Film / History & Criticism ; City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures ; United States ; History ; 20th century ; Electronic books ; USA ; Film ; Wohnung ; Geschichte 1945-1975
    Abstract: Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based
    Description / Table of Contents: Introduction: a philosophy of urbanism -- A primer in urbanism : Rear Window's archetypal apartment plot -- "We like our apartment" : the playboy indoors -- The great reprieve : modernity, femininity, and the apartment -- The suburbs in the city : the housewife and the apartment -- Movin' on up : the African american apartment.
    Note: Includes bibliographical references (p. [289] - 302) and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 7
    ISBN: 0822332019
    Language: English
    Pages: 290 p. , 25 cm
    DDC: 371.195
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    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1880-1980 ; 1880-1889 ; 1890-1899 ; 20e siècle ; Administration scolaire ; Finalité de l'éducation ; Histoire ; Relation école-industrie ; Université ; Geschichte ; Business and education History 19th century ; Business and education History 20th century ; Education, Higher Economic aspects ; Universität ; Wirtschaft ; États-Unis ; USA ; USA ; USA ; Universität ; Wirtschaft ; Geschichte 1880-1980
    Note: Includes bibliographical references and index
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  • 8
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822384717 , 082238471X
    Language: English
    Pages: 1 Online-Ressource (viii, 286 Seiten) , Illustrationen
    Series Statement: Objects/histories
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Parallel Title: Erscheint auch als
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    Keywords: Photography History ; Photography Social aspects ; History ; Fotografie ; Indigenes Volk ; Geschichte ; Electronic books ; Konferenzschrift 1997 ; Indigenes Volk ; Fotografie ; Geschichte
    Note: Includes bibliographical references (pages [261]-276) and index , Introduction - "How the other half..." - Christopher Pinney -- - 1. PERSONAL ARCHIVES -- - Relating to photographs - Jo-Anne Driessens -- - Growing up with aborigines - Michael Aird -- - When is a photograph worth a thousand words? - Hulleah J. Tsinhnahjinnie -- - 2. VISUAL ECONOMIES -- - The making of professional "savages": from P.T. Barnum (1883) to the Sunday Times (1998) - Roslyn Poignant -- - Navajo and photography - James Faris -- - The Japanese colonial eye: science, exploration, and empire - Morris Low -- - The changing photographic contract: aborigines and image ethics - Nicolas Peterson -- - Supple bodies: the Papua New Guinea photographs of Captain Francis R. Barton, 1899-1907 - Christopher Wright -- - 3. SELF-FASHIONING AND VERNACULAR MODERNISM -- - Figueroa Aznar and the Cusco Indigenistas: photography and modernism in early-twentieth-century Peru - Deborah Poole -- - Notes from the surface of the image: photography, postcolonialism, and vernacular modernism - Chrisopher Pinney -- - Imagined journeys: the Likoni Ferry phototgrpahers of Mombasa, Kenya - Heike Behrend -- - Yoruba photogrpahy: how the Yoruba see themselves - Stephen Sprague
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    ISBN: 9780822380986 , 0822380986
    Language: English
    Pages: 1 Online-Ressource (x, 491 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Soundtrack available
    DDC: 781.54209
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    Keywords: Motion pictures and music ; Motion picture music History and criticism ; Popular music History and criticism ; Motion pictures and music ; Motion picture music ; History and criticism ; Popular music ; History and criticism ; Electronic books ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Filmmusik ; Unterhaltungsmusik ; Geschichte
    Abstract: Overture / Arthur Knight and Pamela Robertson Wojcik -- Cinema and popular song : the lost tradition / Rick Altman -- Surreal symphonies : l'age d'or and the discreet charms of classical music / Priscilla Barlow -- "The future's not ours to see" : song, singer, labyrinth in Hitchcock's The man who knew too much / Murray Pomerance -- "You think they call us plastic now--" : the Monkees and Head / Paul B. Ramaeker -- Real men don't sing ballads : the radio crooner in Hollywood, 1929-1933 / Allison McCracken -- Flower of the asphalt : the chanteuse réaliste in 1930s French cinema / Kelley Conway -- The embodied voice : song sequences and stardom in popular Hindi cinema / Neepa Majumdar -- Music as ethnic marker in film : the "Jewish" case / Andrew P. Killick -- Sounding the American heart : cultural politics, country music, and contemporary American film / Barbara Ching -- Crossing musical borders : the soundtrack for Touch of evil / Jill Leeper -- Documented/documentary Asians : Gurinder Chadha's I'm British but-- and the musical mediation of sonic and visual identities / Nabeel Zuberi -- Class swings : music, race, and social mobility in Broken strings / Adam Knee -- Borrowing black masculinity : the role of Johnny Hartman in The bridges of Madison County / Krin Gabbard -- "It ain't necessarily so that it ain't necessarily so" : African American recordings of Porgy and Bess as film and cultural criticism / Arthur Knight -- "Hollywood has taken on a new color" : the Yiddish blackface of Samuel Goldwyn's Porgy and Bess / Jonathan Gill -- Picturizing American cinema : Hindi film songs and the last days of genre / Corey K. Creekmur -- Popular songs and comic allusion in contemporary cinema / Jeff Smith -- The girl and the phonograph, or the vamp and the machine revisited / Pamela Robertson Wojcik.
    Note: Includes bibliographical references (p. [455]-473) and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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