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  • Durham : Duke University Press  (39)
  • USA  (38)
  • Europa
  • American Studies  (22)
  • General works  (18)
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  • 1
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478015642 , 9781478018285
    Language: English
    Pages: x, 315 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Spigel, Lynn TV snapshots
    Parallel Title: Erscheint auch als Spigel, Lynn, 1955 - TV snapshots
    DDC: 302.23/45
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    Keywords: Television Social aspects ; Photography Social aspects ; Television viewers Attitudes ; Popular culture History 20th century ; PERFORMING ARTS / Television / History & Criticism ; USA ; Fotografie ; Fernsehen ; Geschichte 1950-1970
    Abstract: TV portraits : picturing families and household things -- TV performers : a theater of everyday life -- TV dress-up : fashion poses and everyday glamour -- TV pinups : sex and the single TV -- TV memories : snapshots in digital times.
    Abstract: "In TV Snapshots, Lynn Spigel explores snapshots of people posing in front of their television sets in the 1950s through the early 1970s. Like today's selfies, TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture. Drawing on her collection of over 5,000 TV snapshots, Spigel shows that people did not just watch TV: women used the TV set as a backdrop for fashion and glamour poses; people dressed in drag in front of the screen; and, in pinup poses, people even turned the TV setting into a space for erotic display. While the TV industry promoted on-screen images of white nuclear families in suburban homes, the snapshots depict a broad range of people across racial, ethnic, and class backgrounds that do not always conform to the reigning middle-class nuclear family ideal. Showing how the television set became a central presence in the home that exceeded its mass entertainment function, Spigel highlights how TV snapshots complicate understandings of the significance of TV in everyday life"--
    Note: Includes bibliographical references and index
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  • 2
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478021391 , 147802139X
    Language: English
    Pages: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
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    Keywords: Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Abstract: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 3
    ISBN: 9781478009436 , 9781478008545
    Language: English
    Pages: xvi, 310 Seiten , Illustrationen
    DDC: 305.52
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    Keywords: Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung ; USA ; Los Angeles- Hollywood
    Note: Literaturverzeichnis Seite 271-300
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  • 4
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478006817 , 9781478008101
    Language: English
    Pages: xiii, 247 Seiten , Illustrationen
    Series Statement: A camera obscura book
    Parallel Title: Erscheint auch als Wallace, Leonelle Mary, 1962- Reattachment theory
    DDC: 306.84/8
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    Keywords: Same-sex marriage ; Marriage ; Lesbianism in motion pictures ; Homosexuality in motion pictures ; Gleichgeschlechtliche Ehe ; Motiv ; Film ; USA
    Abstract: "REATTACHMENT THEORY eschews dominant queer critiques of same-sex marriage to examine the varied histories of queer influences on marriage. According to the traditional queer critique, the legalization of same-sex marriage signaled a neoliberal and homonormative assimilation into normative structures of heterosexism and reproductive futurism. Countering this argument, queer film scholar Lee Wallace claims that, since the eighteenth century, marriage has allowed for many queer and non-normative plotlines. In this book, Wallace is more interested in marriage as a narrative-both in how marriage is narrativized, as well as the story of the changing meaning of marriage-than she is in marriage as a legal institution. Drawing on historians of marriage, Wallace traces the iterations of love associated with marriage vows: from obligation or duty, to romance, and finally to intimacy. Historicizing the discourse of intimacy, Wallace claims that the valorization of intimacy across the twentieth century led to an idealization of the couple form, regardless of heterosexual or homosexual affiliation. Furthermore, Wallace draws on twentieth-century formulations of sexual reciprocity and sexual satisfaction regardless of marital status-and their links to the discourses of intimacy-to reveal how these concepts proved flexible enough to include homosexuality. Tracking these changing narratives of marriage throughout the twentieth century, Wallace grounds her analyses in an archive of popular culture films. Using Stanley Cavell's notion that, following the "marriage crisis" created by divorce in the early twentieth century, all marriage is remarriage, Wallace argues that after the advent of same-sex marriage, all marriage is gay marriage. Chapter 1, which doubles as the introduction, lays out the stakes of the project. Chapter 2 examines nineteenth-century literature and early twentieth-century popular culture to reveal the changing story of marriage. Chapter 3 situates the 1936 film Craig's Wife as an anticipation of gay and lesbian alternatives to marriage. Chapter 4 reads Tom Ford's film production of Christopher Isherwood's A Single Man as a means to extend homosexual style as a "brand" of cultural and emotional capital. Chapters 6 and 7 engage directly with Cavell's theory of remarriage as an analytic to examine same-sex marriage. This book will be of interest to students and scholars of queer theory, feminist studies, and film studies"--
    Note: Includes bibliographical references and index
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  • 5
    ISBN: 9781478008880
    Language: English
    Pages: 1 Online-Ressource (xvi, 310 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.5/2
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    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Celebrities in mass media ; Fame Social aspects ; Hispanic American mass media ; Hispanic Americans in mass media ; Mass media and culture ; Mass media Political aspects ; Paparazzi ; Popular culture ; Women journalists ; Berühmte Persönlichkeit ; Paparazzo ; Regenbogenpresse ; Diskriminierung ; USA ; Los Angeles- Hollywood ; USA ; Los Angeles- Hollywood ; Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung
    Abstract: In Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture. Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz examines the racialized and gendered labor involved in manufacturing and selling relatable celebrity personas. Celebrity reporters, most of whom are white women, are expected to leverage their sexuality to generate coverage, which makes them vulnerable to sexual exploitation and assault. Meanwhile, the predominantly male Latino paparazzi can face life-threatening situations and endure vilification that echoes anti-immigrant rhetoric. In pointing out the precarity of those who hustle to make a living by generating the bulk of celebrity media, Díaz highlights the profound inequities of the systems that provide consumers with 24/7 coverage of their favorite stars
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 6
    ISBN: 9781478009009
    Language: English
    Pages: 1 Online-Ressource (325 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
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    Keywords: Geschichte 2000-2019 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African American arts ; African Americans in popular culture ; Politics and culture ; Popular culture ; Racism in popular culture ; Massenkultur ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Abstract: The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship.Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 7
    ISBN: 9781478004684 , 9781478004073
    Language: English
    Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Note: Includes bibliographical references and index
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  • 8
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012436
    Language: English
    Pages: 1 online resource (301 pages)
    Series Statement: A Camera Obscura Book Ser.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing empire
    DDC: 909.04914
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    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; South Asian Americans-Ethnic identity ; South Asian Americans-Cultural assimilation-United States ; South Asian Americans-Ethnic identity.. ; South Asian diaspora ; South Asian Americans-Cultural assimilation-United States.. ; Electronic books ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: Bakirathi Mani examines the visual and affective relationships between South Asian diasporic viewers, artists, and photographic representations of immigrant subjects, showing how empire continues to haunt South Asian American visual cultures.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    ISBN: 9781478009849 , 9781478010890
    Language: English
    Pages: xv, 271 Seiten, 12 ungezählte Seiten , Illustrationen
    Series Statement: A camera obscura book
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing Empire
    DDC: 909/.04914
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    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in US public culture and to reflect on their desires to be represented"--
    Note: Literaturverzeichnis: Seiten 245-259
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  • 10
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012733
    Language: English
    Pages: 1 online resource (257 pages)
    Parallel Title: Erscheint auch als Sheller, Mimi, 1967 - Island futures
    DDC: 304.209792
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    Keywords: Human ecology Sociological aspects ; Sustainable development ; Human ecology Political aspects ; Human ecology-Political aspects-Caribbean Area ; Karibischer Raum Haiti ; naturkatastrophe ; Klimawandel ; Verhältnis Mensch - Natur ; Humanökologie ; Anthropozän ; Postkolonialismus ; Caribbean Haiti ; Climate change ; Human ecology ; Anthropocene ; Postcolonialism ; Electronic books ; Caribbean Area Environmental aspects ; Caribbean Area Climatic factors ; Karibik ; Klimaänderung ; Naturkatastrophe ; Haiti ; USA ; Humanökologie
    Abstract: Mimi Sheller delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region, showing how vulnerability to ecological collapse and the quest for a "just recovery" in the Caribbean emerge from specific transnational political, economic, and cultural dynamics.
    Abstract: Cover -- Contents -- Preface: An Autobiography of My Mother -- Acknowledgments -- Introduction: Im/Mobile Disaster -- 1. Kinopolitical Power -- 2. Water Power -- 3. Aerial Power -- 4. Digital Power -- 5. Bordering Power -- 6. Sexual Power -- Conclusion: Surviving the Anthropocene -- Afterword: This is Not a Requiem -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478005537
    Language: English
    Pages: 1 Online-Ressource (ix, 236 Seiten)
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; Photography in ethnology-United States-History ; Electronic books ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; Rassenfrage ; Fotografie
    Abstract: In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 12
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009337
    Language: English
    Pages: 1 Online-Ressource (xi, 290 Seiten)
    Series Statement: Sign, Storage, Transmission
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76/63
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    Keywords: Lesbian Herstory Archives ; Geschichte 1970-2020 ; SOCIAL SCIENCE / Media Studies ; Archival materials Digitization ; Social aspects ; Archives Social aspects ; Digital media Social aspects ; Lesbian feminism Archival resources ; Lesbians Archival resources ; Queer theory ; Medien ; Queer-Theorie ; Soziale Bewegung ; Lesbe ; Kommunikation ; Feminismus ; USA ; Hochschulschrift ; Hochschulschrift ; Aufsatzsammlung ; USA ; Lesbe ; Feminismus ; Soziale Bewegung ; Medien ; Kommunikation ; Queer-Theorie ; Geschichte 1970-2020 ; Lesbian Herstory Archives
    Abstract: For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. InInformation Activism Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on-the-fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 13
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478000419 , 9781478000549
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    DDC: 305.896073
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    Keywords: Massenkultur ; Schwarze ; USA
    Note: Literaturverzeichnis Seite 211-218
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  • 14
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 1478090731 , 9781478090731
    Language: English
    Pages: 1 Online-Ressource
    Edition: [Open access version]
    Series Statement: A Camera Obscura book
    Parallel Title: Erscheint auch als DuCille, Ann Technicolored
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    Keywords: Émissions télévisées ; Noirs américains à la télévision ; Race à la télévision ; Racisme à la télévision ; African Americans on television ; PERFORMING ARTS ; Race on television ; Racism on television ; Television programs ; African Americans on television ; Race on television ; Racism on television ; Television programs ; Rassismus ; Fernsehsendung ; Schwarze ; USA ; United States ; Electronic books ; Electronic books ; USA ; Schwarze ; Fernsehsendung ; Rassismus
    Abstract: From early sitcoms such as "I Love Lucy" to contemporary prime-time dramas like "Scandal" and "How to Get Away with Murder," African Americans on television have too often been asked to portray tired stereotypes of blacks as villains, vixens, victims, and disposable minorities. In this book, black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with the new medium of TV to examine how televisual representations of African Americans have changed over the last sixty years. Whether explaining how watching Shirley Temple led her to question her own self-worth or how televisual representation functions as a form of racial profiling, the author traces the real-life social and political repercussions of the portrayal and presence of African Americans on television. Neither a conventional memoir nor a traditional media study, this book offers one lifelong television watcher's careful, personal, and timely analysis of how television continues to shape notions of race in the American imagination
    Description / Table of Contents: Introduction: black and white and technicolored: channeling the TV life -- What's in a game?: quiz shows and the "prism of race" -- "Those thrilling days of yesteryear": stigmatic blackness and the rise of technicolored TV -- The Shirley Temple of my familiar : take two -- Interracial loving : sexlessness in the suburbs of the 1960s -- "A credit to my race": acting Black and Black acting from Julia to Scandal -- A clear and present absence: Perry Mason and the case of the missing "minorities" -- "Soaploitation": getting away with murder in primetime -- The Punch and Judge Judy shows: really real TV and the dangers of a day in court -- The autumn of his discontent: Bill Cosby, fatherhood, and the politics of palatability -- The "thug default": why racial representation still matters -- Epilogue: final spin: "that's not my food"
    Note: In English
    URL: Volltext  (kostenfrei)
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  • 15
    ISBN: 9781478000945 , 9781478000730
    Language: English
    Pages: xiv, 359 Seiten, 8 ungezählte Seiten , Illustrationen
    Parallel Title: Erscheint auch als Kondo, Dorinne K., author Worldmaking
    DDC: 792.089/950973
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    Keywords: Asian American theater Social aspects ; Theater and society ; Racism and the arts ; Creation (Literary, artistic, etc.) Social aspects ; American drama Asian American authors ; History and criticism ; USA ; Asiatischer Einwanderer ; Theater ; Hierarchie ; Diskriminierung ; Rassismus ; Ethnizität ; Affekt ; Feldforschung
    Abstract: Inhaltsverzeichnis: Theoretical scaffolding, formal architecture -- Racialized economies -- (En)acting theory -- The drama behind the drama -- Revising race -- Playwriting as reparative creativity -- Seamless, a full-length play.
    Note: Literaturverzeichnis: Seite 325-347
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  • 16
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822363798 , 0822363798 , 9780822363644
    Language: English
    Pages: xvi, 226 Seiten , Illustrationen
    Series Statement: Asian American cultural studies
    Parallel Title: Erscheint auch als
    DDC: 809.3/876
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    Keywords: Literatur ; Spekulation ; Fiktion ; Zukunft ; Asien ; USA
    Note: Literaturverzeichnis Seite 201-216
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  • 17
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822370161 , 9780822370062
    Language: English
    Pages: xvii, 339 Seiten
    Series Statement: Consent not to be a single being [1]
    DDC: 305.896
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    Keywords: Schwarze ; Kunst ; USA
    Note: Literaturverzeichnis: Seite 317-328
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  • 18
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822373209 , 0822373203
    Language: English
    Pages: 1 Online-Ressource (xiii, 478 pages) , illustrations, maps
    Parallel Title: Erscheint auch als
    DDC: 973
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    Keywords: Geschichte ; Literatur ; Archipel ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Archipel ; Literatur ; Geschichte
    Abstract: Introduction: Archipelagic American studies: decontinentalizing the study of American culture / Brian Russell Roberts and Michelle Ann Stephens -- Theories and methods for an Archipelagic American studies -- Heuristic geographies: territories and areas, islands and archipelagoes / Lanny Thompson -- Imagining the archipelago / Elaine Stratford -- Archipelagic mappings and meta-geographies -- Guam and Archipelagic American studies / Craig Santos Perez -- The Archipelagic black global imaginary: Walter White's Pacific Island hopping / Etsuko Taketani -- It takes an archipelago to compare otherwise / Susan Gillman -- Empires and archipelagoes -- Colonial and Mexican archipelagoes: reimagining Colonial Caribbean studies / Yolanda Martínez-San Miguel -- Invisible islands: remapping the transpacific archipelago of US Empire in Carlos Bulosan's America is in the heart / Joseph Keith -- Myth of the continents: American vulnerabilities and Rum and Coca-cola? / Nicole A. Waligora-Davis --
    Abstract: Islands of resistance -- Shades of paradise: Craig Santos Perez's transpacific voyages / John Carlos Rowe -- Insubordinate islands and coastal chaos: Pauline Hopkins's literary land/seascapes / Cherene Sherrard-Johnson -- We are not American: competing rhetorical archipelagoes in Hawai / Brandy N'lani McDougall -- Ecologies of relation -- Performing archipelagic identities in Bill Reid, Robert Sullivan, and Syaman Rapongan / Hsinya Huang -- Archipelagic trash: despised forms in the cultural history of the Americas / Ramcentn E. Soto-Crespo -- The great Pacific garbage patch as metaphor: the (American) pacific you can't see / Alice Te Punga Somerville -- Insular imaginaries -- The tropics of Josephine: space, time, and hybrid movements / Matthew Pratt Guterl -- The stranger by the shore: the archipelization of Caliban in Antillean theatre / J. Michael Dash -- Migrating identities, moving borders --
    Abstract: The Governors-general: Caribbean Canadian and Pacific New Zealand success stories / Birte Blascheck and Teresia Teaiwa -- Living the West Indian dream: archipelagic cosmopolitanism and triangulated economies of desire in Jamaican popular culture / Ifeoma Kiddoe Nwankwo -- Offshore identities: ruptures in the 300-second average handling time / Allan Punzalan Isaac -- Afterword the archipelagic accretion / Paul Giles
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 19
    ISBN: 9780822375418
    Language: English
    Pages: 1 Online-Ressource (250 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.48/89607
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    Keywords: Körper ; Frauenliteratur ; Schwarze Frau ; Sklaverei ; USA ; African American women ; African American women in literature ; African American women in art ; Human body ; Human body in literature ; Human figure in art ; Slavery ; Collective memory ; USA ; Frauenliteratur ; Schwarze Frau ; Körper ; Sklaverei
    Note: Bevorzugte Informationsquelle Landingpage, da weder Titelblatt noch Impressum vorhanden (Duke University Press)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822358756 , 9780822358633
    Language: English
    Pages: 319 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 320.51
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    Keywords: Geschichte 1789-1834 ; Kolonialismus ; Sklavenhandel ; Kulturbeziehungen ; Liberalismus ; Freiheit ; Handel ; Zivilisation ; Kultur ; Moderne ; Amerika ; Afrika ; Asien ; Europa
    Note: Literaturverzeichns: Seite [269]-304
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  • 21
    ISBN: 9780822375982
    Language: English
    Pages: 1 Online-Ressource (xviii, 349 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Thompson, Krista, 1972 - Shine
    DDC: 302.2/22
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    Keywords: Mass media and culture ; United States ; Mass media and culture ; Caribbean Area ; Photography ; Social aspects ; United States ; Art and popular culture ; African diaspora ; Electronic books ; Electronic books ; Electronic books ; USA ; Karibik ; Afrikaner ; Diaspora ; Selbstdarstellung ; Massenmedien ; Alltagskultur ; USA ; Jamaika ; Bahamas ; Schwarze ; Ethnische Identität ; Fotografie ; Video ; Massenkultur ; Geschichte 1990-2015
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 22
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822376804
    Language: English
    Pages: 1 Online-Ressource (x, 470 Seiten) , Illustrationen
    DDC: 302.230973
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    Keywords: Sexualität ; Massenmedien ; Film ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Aufsatzsammlung
    Abstract: Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media-film and television, recorded sound, and publishing-that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams.
    Note: Literaturverzeichnis: Seite 435-450 , Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: eDuke
    URL: JSTOR
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  • 23
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822394945
    Language: English
    Pages: 1 Online-Ressource (416 p.)
    Edition: 2012
    Series Statement: Next Wave: New Directions in Women's Studies
    DDC: 301.01
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    Keywords: Feminismus ; Queer-Theorie ; Ethnische Identität ; USA
    Abstract: No concept has been more central to the emergence and evolution of identity studies than social justice. In historical and theoretical accounts, it crystallizes the progressive politics that have shaped the academic study of race, gender, and sexuality. Yet few scholars have deliberated directly on the political agency that notions of justice confer on critical practice. In Object Lessons, Robyn Wiegman contemplates this lack of attention, offering the first sustained inquiry into the political desire that galvanizes identity fields. In each chapter, she examines a key debate by considering the political aspirations that shape it. Addressing Women's Studies, she traces the ways that "gender" promises to overcome the exclusions of "women." Turning to Ethnic Studies, she examines the deconstruction of "whiteness" as an antiracist methodology. As she explores American Studies, she links internationalization to the broader quest for noncomplicity in contemporary criticism. Her analysis of Queer Studies demonstrates how the commitment to antinormativity normalizes the field. In the penultimate chapter, Wiegman addresses intersectionality as the most coveted theoretical approach to political resolution in all of these fields.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    Book
    Book
    Durham : Duke University Press
    ISBN: 0822351609 , 9780822351603 , 9780822351467
    Language: English
    Pages: x, 398 Seiten
    Series Statement: Next wave: new directions in women's studies
    Parallel Title: Erscheint auch als Wiegman, Robyn, 1958 Object lessons
    DDC: 301.01
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    Keywords: Feminismus ; Queer-Theorie ; Ethnische Identität ; USA
    Note: Literaturverzeichnis Seiten [345] - 389
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  • 25
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822391883
    Language: English
    Pages: 1 Online-Ressource (xi, 200 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
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    Keywords: African Americans Race identity ; African Americans Sexual behavior ; Queer theory ; Identity (Psychology) ; Erotik ; Schwarze ; Literatur ; United States Race relations ; History ; USA ; USA ; Literatur ; Schwarze ; Erotik
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 26
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822377962
    Language: English
    Pages: 1 Online-Ressource (401 pages)
    Series Statement: New Americanists
    DDC: 305.42097309034
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    Keywords: Geschichte 1800-1900 ; Literatur ; Geschlechterrolle ; Verbraucherverhalten ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 27
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822399476
    Language: English
    Pages: 1 Online-Ressource (279 pages)
    Series Statement: New Americanists
    DDC: 305.800973
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    Keywords: Ethnische Beziehungen ; Geschlechterrolle ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 28
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822394716 , 0822394715
    Language: English
    Pages: 1 Online-Ressource (viii, 342 Seiten) , ill
    Parallel Title: Erscheint auch als
    DDC: 302.234097309045
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    Keywords: Geschichte 1980-2010 ; Popular culture / United States ; Optimism / United States ; Progress ; Krise ; Optimismus ; Fortschrittsglaube ; Gesellschaft ; USA ; USA ; Gesellschaft ; Krise ; Fortschrittsglaube ; Optimismus ; Geschichte 1980-2010
    Abstract: Introduction. affect in the present -- Cruel optimism -- Intuitionists: history and the affective event -- Slow death (obesity, sovereignty, lateral agency) -- Two girls, fat and thin -- Nearly utopian, nearly normal: post-Fordist affect in La Promesse and Rosetta -- After the good life, an impasse: time out, human resources, and the precarious present -- On the desire for the political
    Note: "John Hope Franklin Center book". - Description based on print version record. - Includes bibliographical references and index
    URL: Cover
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  • 29
    ISBN: 9780822392989
    Language: English
    Pages: 1 Online-Ressource (342 Seiten)
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    DDC: 791.43/658209732
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    Keywords: City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures History 20th century ; Performing arts ; Performing Arts / Film / History & Criticism ; City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures ; United States ; History ; 20th century ; Electronic books ; USA ; Film ; Wohnung ; Geschichte 1945-1975
    Abstract: Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based
    Description / Table of Contents: Introduction: a philosophy of urbanism -- A primer in urbanism : Rear Window's archetypal apartment plot -- "We like our apartment" : the playboy indoors -- The great reprieve : modernity, femininity, and the apartment -- The suburbs in the city : the housewife and the apartment -- Movin' on up : the African american apartment.
    Note: Includes bibliographical references (p. [289] - 302) and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 30
    ISBN: 9780822347019 , 9780822346920
    Language: English
    Pages: xii, 388 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Wilderson, Frank B., 1956 - Red, white & black
    DDC: 791.43/6529
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    Keywords: Minorities in motion pictures ; Race in motion pictures ; African Americans in motion pictures ; Indians in motion pictures ; Motion pictures History ; USA ; Schwarze ; Indianer ; Weiße ; Filmanalyse ; USA ; Film ; Minderheit ; Rasse
    Abstract: The ruse of analogy -- The narcissistic slave -- Fishing for Antwone -- Cinematic unrest : Bush Mama and the Black Liberation Army -- Absurd mobility -- The ethics of sovereignty -- Excess lack -- The pleasures of parity -- "Savage" Negrophobia -- A crisis in the commons -- Half-white healing -- Make me feel good
    Description / Table of Contents: The ruse of analogy -- The narcissistic slave -- Fishing for Antwone -- Cinematic unrest : Bush Mama and the Black Liberation Army -- Absurd mobility -- The ethics of sovereignty -- Excess lack -- The pleasures of parity -- "Savage" Negrophobia -- A crisis in the commons -- Half-white healing -- Make me feel good.
    Description / Table of Contents: Includes bibliographical references and index
    Note: Bibliographie: Seite [365]-374
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  • 31
    Online Resource
    Online Resource
    Durham : Duke University Press
    Language: English
    Pages: 1 Online-Ressource (xi, 254 Seiten) , Illustrationen
    Series Statement: Perverse modernities
    Parallel Title: Erscheint auch als Sharpe, Christina Elizabeth Monstrous intimacies
    DDC: 305.896/073
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    Keywords: African Americans in popular culture ; Women slaves Social conditions ; United States Race relations ; History ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Note: Literaturverzeichnis: Seiten 223-242
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 32
    ISBN: 0822389169 , 9780822389163
    Language: English
    Pages: 1 Online-Ressource (xiv, 353 Seiten) , Illustrationen
    Edition: Online-Ausgabe 2011
    Parallel Title: Erscheint auch als Berlant, Lauren Gail, 1957 - 2021 The female complaint
    DDC: 305.420973
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    Keywords: Emotions ; Women in literature ; Women in motion pictures ; Women Psychology ; Mass media and women ; Sentimentalism in motion pictures ; Sentimentalism in literature ; Sentimentalism ; Massenkultur ; Frau 〈Motiv〉 ; Gefühl 〈Motiv〉 ; Sentimentalität ; Kultur ; USA ; Massenkultur ; Frau ; Gefühl
    Abstract: A literary critical and historical chronicle of women s culture in the United States from 1830 to the present, by a leading Americanist
    Note: Includes bibliographical references and index , Contents; Preface; Introduction: Intimacy, Publicity, and Femininity; Poor Eliza; Pax Americana: The Case of Show Boat; National Brands, National Body: Imitation of Life; Uncle Sam Needs a Wife: Citizenship and Denegation; Remembering Love, Forgetting Everything Else:Now, Voyager; "It's Not the Tragedies That Kill Us, It's the Messes":Femininity, Formalism, and Dorothy Parker; The Compulsion to Repeat Femininity: Landscape for a Good Woman and The Life and Loves of a She-Devil; Overture/Aperture: Showboat 1988-The Remake; Notes; Bibliography; Index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 33
    ISBN: 0822332019
    Language: English
    Pages: 290 p. , 25 cm
    DDC: 371.195
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    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1880-1980 ; 1880-1889 ; 1890-1899 ; 20e siècle ; Administration scolaire ; Finalité de l'éducation ; Histoire ; Relation école-industrie ; Université ; Geschichte ; Business and education History 19th century ; Business and education History 20th century ; Education, Higher Economic aspects ; Universität ; Wirtschaft ; États-Unis ; USA ; USA ; USA ; Universität ; Wirtschaft ; Geschichte 1880-1980
    Note: Includes bibliographical references and index
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  • 34
    ISBN: 0822380013
    Language: English
    Pages: 1 Online-Ressource (xix, 186 Seiten) , 24 cm
    Edition: Online_Ausgabe Boulder, Colo NetLibrary 2003 E-Books von NetLibrary Sonstige Standardnummer des Gesamttitels: 22382847
    Series Statement: Latin America otherwise
    Parallel Title: Reproduktion von Aldama, Arturo J., 1964- Disrupting savagism
    DDC: 305.800973
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    Keywords: Decolonization in literature ; Ethnicity in literature ; Indians in literature ; Indians of North America - Ethnic identity - Mexican-American Border Region ; Mestizaje in literature ; Mestizos - Ethnic identity - Mexican-American Border Region ; Mexican Americans - Ethnic identity - Mexican-American Border Region ; Mexican Americans in literature ; Indianer ; Decolonization in literature ; Ethnicity in literature ; Indians in literature ; Indians of North America Ethnic identity ; Mestizaje in literature ; Mestizos Ethnic identity ; Mexican Americans in literature ; Mexican Americans Ethnic identity ; Indianer ; Chicanos ; Ethnische Identität ; Selbstdarstellung ; Literatur ; Mexican-American Border Region - Ethnic relations ; Mexican-American Border Region - In literature ; Mexican-American Border Region Ethnic relations ; Mexican-American Border Region In literature ; USA ; Electronic books ; Electronic books ; Electronic books. ; Electronic books ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität
    Note: Includes bibliographical references (p. [159]-173 and index
    URL: Full text  (Click to View (Currently Only Available on Campus))
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  • 35
    ISBN: 0822380013 , 9780822380016
    Language: English
    Edition: Online-Ressource
    Series Statement: Latin America otherwise
    Series Statement: EBSCOhost eBook Collection
    DDC: 305.800973
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    Keywords: Mexican Americans Ethnic identity ; Mexican-American Border Region ; Indians of North America Ethnic identity ; Mexican-American Border Region ; Mestizos Ethnic identity ; Mexican-American Border Region ; Mexican Americans in literature ; Indians in literature ; Mestizaje in literature ; Ethnicity in literature ; Decolonization in literature ; Américains d'origine mexicaine Identité ethnique ; Mexican-American Border Region ; Indiens d'Amérique Identité ethnique ; États-Unis ; Mexican-American Border Region ; Métis Identité ethnique ; Mexican-American Border Region ; Américains d'origine mexicaine dans la littérature ; Indiens d'Amérique dans la littérature ; Métissage dans la littérature ; Ethnicité dans la littérature ; Décolonisation dans la littérature ; Mexican-American Border Region dans la littérature ; Mexican Americans Ethnic identity. ; Indians of North America Ethnic identity. ; Mestizos Ethnic identity. ; Mexican Americans in literature. ; Indians in literature. ; Mestizaje in literature. ; Ethnicity in literature. ; Decolonization in literature. ; Chicanos ; Ethnische Identität ; Indianer ; Literatur ; Selbstdarstellung ; Mexican-American Border Region In literature ; Mexican-American Border Region Ethnic relations ; Mexican-American Border Region Relations interethniques ; North America ; Mexican-American Border Region ; Mexican-American Border Region In literature. ; Mexican-American Border Region Ethnic relations. ; USA ; Electronic books. ; Electronic books ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität
    Abstract: PART I. Mapping Subalternity in the U.S./México Borderlands -- 1. The Chicana/o and the Native American "Other" Talk Back: Theories of the Speaking Subject in a (Post?) Colonial Context -- 2. When Mexicans Talk, Who Listens? The Crisis of Ethnography in Situating Early Voices from the U.S./México Borderlands -- PART II. Narrative Disruptions: Decolonization, Dangerous Bodies, and the Politics of Space -- 3. Counting Coup: Narrative Acts of (Re)Claiming Identity in Ceremony by Leslie Marmon Silko -- 4. Toward a Hermeneutics of Decolonization: Reading Radical Subjectivities in Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa -- 5. A Border Coda: Dangerous Bodies, Liminality, and the Reclamation of Space in Star Maps by Miguel Arteta
    Description / Table of Contents: PART I. Mapping Subalternity in the U.S./México Borderlands -- 1. The Chicana/o and the Native American "Other" Talk Back: Theories of the Speaking Subject in a (Post?) Colonial Context -- 2.When Mexicans Talk,Who Listens? The Crisis of Ethnography in Situating Early Voices from the U.S./México Borderlands -- PART II. Narrative Disruptions: Decolonization, Dangerous Bodies, and the Politics of Space -- 3. Counting Coup: Narrative Acts of (Re)Claiming Identity in Ceremony by Leslie Marmon Silko -- 4. Toward a Hermeneutics of Decolonization: Reading Radical Subjectivities in Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa -- 5. A Border Coda: Dangerous Bodies, Liminality, and the Reclamation of Space in Star Maps by Miguel Arteta.
    Note: Includes bibliographical references (p. [159]-173 and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 36
    ISBN: 0822326361 , 0822326310
    Language: English
    Pages: viii, 290 Seiten , Illustrationen
    Series Statement: Perverse modernities
    DDC: 305.38895073
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    Keywords: Asian Americans Race identity ; Masculinity United States ; Sex role United States ; Race Psychological aspects ; American literature Asian American authors ; History and criticism ; Asian Americans in literature ; USA ; Asiaten ; Ethnische Beziehungen ; Geschlechterverhältnis ; Mann ; Homosexualität
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 37
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822383048 , 0822383047
    Language: English
    Pages: 1 Online-Ressource (x, 335 Seiten) , Illustrationen
    Series Statement: New Americanists
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: African Americans New York (State) ; New York ; Music ; History and criticism ; Harlem Renaissance ; Harlem renaissance ; Musik ; Geschichte ; Schwarze ; Harlem (New York, N.Y.) Intellectual life ; 20th century ; USA ; New York, NY ; Electronic books ; New York, NY ; Musik ; Schwarze ; Geschichte ; USA ; Musik ; Schwarze ; Harlem renaissance ; Musik
    Note: Includes bibliographical references (pages [311]-323) and index , "Unvoiced longings": Du Bois and the "sorrow songs" -- Swan songs and art songs: the spirituals and the "new Negro" in the 1920s -- "The twilight of aestheticism": Locke on cosmopolitanism and musical evolution -- "Beneath the seeming informality": Hughes, Hurston, and the politics of form -- Saving jazz from its friends: the predicament of jazz criticism in the swing era
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 38
    ISBN: 0822380013 , 9780822380016
    Language: English
    Edition: Online-Ressource
    Series Statement: Latin America otherwise
    Series Statement: EBSCOhost eBook Collection
    DDC: 305.800973
    RVK:
    RVK:
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    Keywords: Mexican Americans Ethnic identity ; Mexican-American Border Region ; Indians of North America Ethnic identity ; Mexican-American Border Region ; Mestizos Ethnic identity ; Mexican-American Border Region ; Mexican Americans in literature ; Indians in literature ; Mestizaje in literature ; Ethnicity in literature ; Decolonization in literature ; Américains d'origine mexicaine Identité ethnique ; Mexican-American Border Region ; Indiens d'Amérique Identité ethnique ; États-Unis ; Mexican-American Border Region ; Métis Identité ethnique ; Mexican-American Border Region ; Américains d'origine mexicaine dans la littérature ; Indiens d'Amérique dans la littérature ; Métissage dans la littérature ; Ethnicité dans la littérature ; Décolonisation dans la littérature ; Mexican-American Border Region dans la littérature ; Mexican Americans Ethnic identity. ; Indians of North America Ethnic identity. ; Mestizos Ethnic identity. ; Mexican Americans in literature. ; Indians in literature. ; Mestizaje in literature. ; Ethnicity in literature. ; Decolonization in literature. ; Chicanos ; Ethnische Identität ; Indianer ; Literatur ; Selbstdarstellung ; Mexican-American Border Region In literature ; Mexican-American Border Region Ethnic relations ; Mexican-American Border Region Relations interethniques ; North America ; Mexican-American Border Region ; Mexican-American Border Region In literature. ; Mexican-American Border Region Ethnic relations. ; USA ; Electronic books. ; Electronic books ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität
    Abstract: PART I. Mapping Subalternity in the U.S./México Borderlands -- 1. The Chicana/o and the Native American "Other" Talk Back: Theories of the Speaking Subject in a (Post?) Colonial Context -- 2. When Mexicans Talk, Who Listens? The Crisis of Ethnography in Situating Early Voices from the U.S./México Borderlands -- PART II. Narrative Disruptions: Decolonization, Dangerous Bodies, and the Politics of Space -- 3. Counting Coup: Narrative Acts of (Re)Claiming Identity in Ceremony by Leslie Marmon Silko -- 4. Toward a Hermeneutics of Decolonization: Reading Radical Subjectivities in Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa -- 5. A Border Coda: Dangerous Bodies, Liminality, and the Reclamation of Space in Star Maps by Miguel Arteta
    Description / Table of Contents: PART I. Mapping Subalternity in the U.S./México Borderlands -- 1. The Chicana/o and the Native American "Other" Talk Back: Theories of the Speaking Subject in a (Post?) Colonial Context -- 2.When Mexicans Talk,Who Listens? The Crisis of Ethnography in Situating Early Voices from the U.S./México Borderlands -- PART II. Narrative Disruptions: Decolonization, Dangerous Bodies, and the Politics of Space -- 3. Counting Coup: Narrative Acts of (Re)Claiming Identity in Ceremony by Leslie Marmon Silko -- 4. Toward a Hermeneutics of Decolonization: Reading Radical Subjectivities in Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa -- 5. A Border Coda: Dangerous Bodies, Liminality, and the Reclamation of Space in Star Maps by Miguel Arteta.
    Note: Includes bibliographical references (p. [159]-173 and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 39
    ISBN: 0822380013 , 9780822380016
    Language: English
    Edition: Online-Ressource
    Series Statement: Latin America otherwise
    Series Statement: EBSCOhost eBook Collection
    DDC: 305.800973
    RVK:
    RVK:
    RVK:
    Keywords: Mexican Americans Ethnic identity ; Mexican-American Border Region ; Indians of North America Ethnic identity ; Mexican-American Border Region ; Mestizos Ethnic identity ; Mexican-American Border Region ; Mexican Americans in literature ; Indians in literature ; Mestizaje in literature ; Ethnicity in literature ; Decolonization in literature ; Américains d'origine mexicaine Identité ethnique ; Mexican-American Border Region ; Indiens d'Amérique Identité ethnique ; États-Unis ; Mexican-American Border Region ; Métis Identité ethnique ; Mexican-American Border Region ; Américains d'origine mexicaine dans la littérature ; Indiens d'Amérique dans la littérature ; Métissage dans la littérature ; Ethnicité dans la littérature ; Décolonisation dans la littérature ; Mexican-American Border Region dans la littérature ; Mexican Americans Ethnic identity. ; Indians of North America Ethnic identity. ; Mestizos Ethnic identity. ; Mexican Americans in literature. ; Indians in literature. ; Mestizaje in literature. ; Ethnicity in literature. ; Decolonization in literature. ; Chicanos ; Ethnische Identität ; Indianer ; Literatur ; Selbstdarstellung ; Mexican-American Border Region In literature ; Mexican-American Border Region Ethnic relations ; Mexican-American Border Region Relations interethniques ; North America ; Mexican-American Border Region ; Mexican-American Border Region In literature. ; Mexican-American Border Region Ethnic relations. ; USA ; Electronic books. ; Electronic books ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität
    Abstract: PART I. Mapping Subalternity in the U.S./México Borderlands -- 1. The Chicana/o and the Native American "Other" Talk Back: Theories of the Speaking Subject in a (Post?) Colonial Context -- 2. When Mexicans Talk, Who Listens? The Crisis of Ethnography in Situating Early Voices from the U.S./México Borderlands -- PART II. Narrative Disruptions: Decolonization, Dangerous Bodies, and the Politics of Space -- 3. Counting Coup: Narrative Acts of (Re)Claiming Identity in Ceremony by Leslie Marmon Silko -- 4. Toward a Hermeneutics of Decolonization: Reading Radical Subjectivities in Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa -- 5. A Border Coda: Dangerous Bodies, Liminality, and the Reclamation of Space in Star Maps by Miguel Arteta
    Description / Table of Contents: PART I. Mapping Subalternity in the U.S./México Borderlands -- 1. The Chicana/o and the Native American "Other" Talk Back: Theories of the Speaking Subject in a (Post?) Colonial Context -- 2.When Mexicans Talk,Who Listens? The Crisis of Ethnography in Situating Early Voices from the U.S./México Borderlands -- PART II. Narrative Disruptions: Decolonization, Dangerous Bodies, and the Politics of Space -- 3. Counting Coup: Narrative Acts of (Re)Claiming Identity in Ceremony by Leslie Marmon Silko -- 4. Toward a Hermeneutics of Decolonization: Reading Radical Subjectivities in Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa -- 5. A Border Coda: Dangerous Bodies, Liminality, and the Reclamation of Space in Star Maps by Miguel Arteta.
    Note: Includes bibliographical references (p. [159]-173 and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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