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  • Durham : Duke University Press  (33)
  • USA  (30)
  • Englisch
  • General works  (19)
  • English Studies  (15)
  • Law  (4)
  • Engineering
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  • 1
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478022893
    Language: English
    Pages: 1 Online-Ressource (329 Seiten)
    Parallel Title: Erscheint auch als Spigel, Lynn, 1955 - TV snapshots
    DDC: 302.23/45
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    Keywords: Electronic books ; USA ; Fotografie ; Fernsehen ; Geschichte 1950-1970
    Abstract: Lynn Spigel explores historical snapshots of people posing in front of their television sets in the 1950s through the early 1970s, showing how TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478015642 , 9781478018285
    Language: English
    Pages: x, 315 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Spigel, Lynn TV snapshots
    Parallel Title: Erscheint auch als Spigel, Lynn, 1955 - TV snapshots
    DDC: 302.23/45
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    Keywords: Television Social aspects ; Photography Social aspects ; Television viewers Attitudes ; Popular culture History 20th century ; PERFORMING ARTS / Television / History & Criticism ; USA ; Fotografie ; Fernsehen ; Geschichte 1950-1970
    Abstract: TV portraits : picturing families and household things -- TV performers : a theater of everyday life -- TV dress-up : fashion poses and everyday glamour -- TV pinups : sex and the single TV -- TV memories : snapshots in digital times.
    Abstract: "In TV Snapshots, Lynn Spigel explores snapshots of people posing in front of their television sets in the 1950s through the early 1970s. Like today's selfies, TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture. Drawing on her collection of over 5,000 TV snapshots, Spigel shows that people did not just watch TV: women used the TV set as a backdrop for fashion and glamour poses; people dressed in drag in front of the screen; and, in pinup poses, people even turned the TV setting into a space for erotic display. While the TV industry promoted on-screen images of white nuclear families in suburban homes, the snapshots depict a broad range of people across racial, ethnic, and class backgrounds that do not always conform to the reigning middle-class nuclear family ideal. Showing how the television set became a central presence in the home that exceeded its mass entertainment function, Spigel highlights how TV snapshots complicate understandings of the significance of TV in everyday life"--
    Note: Includes bibliographical references and index
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  • 3
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478006817 , 9781478008101
    Language: English
    Pages: xiii, 247 Seiten , Illustrationen
    Series Statement: A camera obscura book
    Parallel Title: Erscheint auch als Wallace, Leonelle Mary, 1962- Reattachment theory
    DDC: 306.84/8
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    Keywords: Same-sex marriage ; Marriage ; Lesbianism in motion pictures ; Homosexuality in motion pictures ; Gleichgeschlechtliche Ehe ; Motiv ; Film ; USA
    Abstract: "REATTACHMENT THEORY eschews dominant queer critiques of same-sex marriage to examine the varied histories of queer influences on marriage. According to the traditional queer critique, the legalization of same-sex marriage signaled a neoliberal and homonormative assimilation into normative structures of heterosexism and reproductive futurism. Countering this argument, queer film scholar Lee Wallace claims that, since the eighteenth century, marriage has allowed for many queer and non-normative plotlines. In this book, Wallace is more interested in marriage as a narrative-both in how marriage is narrativized, as well as the story of the changing meaning of marriage-than she is in marriage as a legal institution. Drawing on historians of marriage, Wallace traces the iterations of love associated with marriage vows: from obligation or duty, to romance, and finally to intimacy. Historicizing the discourse of intimacy, Wallace claims that the valorization of intimacy across the twentieth century led to an idealization of the couple form, regardless of heterosexual or homosexual affiliation. Furthermore, Wallace draws on twentieth-century formulations of sexual reciprocity and sexual satisfaction regardless of marital status-and their links to the discourses of intimacy-to reveal how these concepts proved flexible enough to include homosexuality. Tracking these changing narratives of marriage throughout the twentieth century, Wallace grounds her analyses in an archive of popular culture films. Using Stanley Cavell's notion that, following the "marriage crisis" created by divorce in the early twentieth century, all marriage is remarriage, Wallace argues that after the advent of same-sex marriage, all marriage is gay marriage. Chapter 1, which doubles as the introduction, lays out the stakes of the project. Chapter 2 examines nineteenth-century literature and early twentieth-century popular culture to reveal the changing story of marriage. Chapter 3 situates the 1936 film Craig's Wife as an anticipation of gay and lesbian alternatives to marriage. Chapter 4 reads Tom Ford's film production of Christopher Isherwood's A Single Man as a means to extend homosexual style as a "brand" of cultural and emotional capital. Chapters 6 and 7 engage directly with Cavell's theory of remarriage as an analytic to examine same-sex marriage. This book will be of interest to students and scholars of queer theory, feminist studies, and film studies"--
    Note: Includes bibliographical references and index
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  • 4
    ISBN: 9781478008323 , 9781478007838
    Language: English
    Pages: ix, 254 Seiten , Illustrationen
    Series Statement: Black studies gender and sexuality
    Parallel Title: Erscheint auch als Pinto, Samantha Infamous bodies
    DDC: 305.48/896073
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    Keywords: Wheatley, Phillis ; Hemings, Sally ; Baartman, Sarah ; Seacole, Mary ; Bonetta, Sarah Forbes ; Women, Black, in popular culture ; African American women in popular culture ; Women, Black Legal status, laws, etc ; African American women Legal status, laws, etc ; African American feminists ; Womanism ; Fame Social aspects ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Abstract: "INFAMOUS BODIES portrays ...
    Note: Includes bibliographical references and index
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  • 5
    ISBN: 9781478009436 , 9781478008545
    Language: English
    Pages: xvi, 310 Seiten , Illustrationen
    DDC: 305.52
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    Keywords: Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung ; USA ; Los Angeles- Hollywood
    Note: Literaturverzeichnis Seite 271-300
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  • 6
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012733
    Language: English
    Pages: 1 online resource (257 pages)
    Parallel Title: Erscheint auch als Sheller, Mimi, 1967 - Island futures
    DDC: 304.209792
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    Keywords: Human ecology Sociological aspects ; Sustainable development ; Human ecology Political aspects ; Human ecology-Political aspects-Caribbean Area ; Karibischer Raum Haiti ; naturkatastrophe ; Klimawandel ; Verhältnis Mensch - Natur ; Humanökologie ; Anthropozän ; Postkolonialismus ; Caribbean Haiti ; Climate change ; Human ecology ; Anthropocene ; Postcolonialism ; Electronic books ; Caribbean Area Environmental aspects ; Caribbean Area Climatic factors ; Karibik ; Klimaänderung ; Naturkatastrophe ; Haiti ; USA ; Humanökologie
    Abstract: Mimi Sheller delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region, showing how vulnerability to ecological collapse and the quest for a "just recovery" in the Caribbean emerge from specific transnational political, economic, and cultural dynamics.
    Abstract: Cover -- Contents -- Preface: An Autobiography of My Mother -- Acknowledgments -- Introduction: Im/Mobile Disaster -- 1. Kinopolitical Power -- 2. Water Power -- 3. Aerial Power -- 4. Digital Power -- 5. Bordering Power -- 6. Sexual Power -- Conclusion: Surviving the Anthropocene -- Afterword: This is Not a Requiem -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478005827 , 9781478006275
    Language: English
    Pages: 235 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 808.06/6378
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    Keywords: Academic writing ; English language Rhetoric ; Englisch ; Wissenschaftssprache ; Stilistik
    Abstract: "Every day I write the book, a guide to style and writing for academics, is Amitava Kumar's fifth book of creative nonfiction with Duke University Press. Written in short first-person vignettes, this book melds form and content to explore the writing process both in and out of the academy, while offering a portrait of Kumar's writing life throughout. Kumar, whose background is in literary theory, cultural studies, and postcolonial theory, has long been a critic of academic writing and an advocate for academics to write in a more 'writerly' style. This book is an attempt to bring together reflections on Kumar's own writing style and models used by other academics. It notably collects firsthand testimony on writing from many established writers and academics-Anna Tsing, Jack Halberstam, Rob Nixon, and Kathleen Stewart, to name a few-and engages with the work of contemporary nonfiction writers such as Geoff Dyer, Claudia Rankine, and Maggie Nelson. The book is divided into nine sections-each with several sub-chapters-and two appendixes: Kumar's "Ten Rules of Writing" and a reprinted PEN 10 interview. It will be of wide interest to readers of creative nonfiction, as well as to scholars and students of writing and rhetoric"--
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  • 8
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012436
    Language: English
    Pages: 1 online resource (301 pages)
    Series Statement: A Camera Obscura Book Ser.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing empire
    DDC: 909.04914
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    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; South Asian Americans-Ethnic identity ; South Asian Americans-Cultural assimilation-United States ; South Asian Americans-Ethnic identity.. ; South Asian diaspora ; South Asian Americans-Cultural assimilation-United States.. ; Electronic books ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: Bakirathi Mani examines the visual and affective relationships between South Asian diasporic viewers, artists, and photographic representations of immigrant subjects, showing how empire continues to haunt South Asian American visual cultures.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    ISBN: 9781478004684 , 9781478004073
    Language: English
    Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Note: Includes bibliographical references and index
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  • 10
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478005537 , 147800553X
    Language: English
    Pages: 1 Online-Ressource (ix, 236 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 779.93058
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    Keywords: Photography in ethnology / History / United States ; Documentary photography / History / United States ; Art and photography / United States ; Photography in historiography ; Photography / Social aspects / History / United States ; Art and history / United States ; Fotografie ; Rassenfrage ; USA ; Electronic books ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 11
    ISBN: 9781478009849 , 9781478010890
    Language: English
    Pages: xv, 271 Seiten, 12 ungezählte Seiten , Illustrationen
    Series Statement: A camera obscura book
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing Empire
    DDC: 909/.04914
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    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in US public culture and to reflect on their desires to be represented"--
    Note: Literaturverzeichnis: Seiten 245-259
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  • 12
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009337
    Language: English
    Pages: 1 Online-Ressource (xi, 290 Seiten)
    Series Statement: Sign, Storage, Transmission
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76/63
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    Keywords: Lesbian Herstory Archives ; Geschichte 1970-2020 ; SOCIAL SCIENCE / Media Studies ; Archival materials Digitization ; Social aspects ; Archives Social aspects ; Digital media Social aspects ; Lesbian feminism Archival resources ; Lesbians Archival resources ; Queer theory ; Medien ; Queer-Theorie ; Soziale Bewegung ; Lesbe ; Kommunikation ; Feminismus ; USA ; Hochschulschrift ; Hochschulschrift ; Aufsatzsammlung ; USA ; Lesbe ; Feminismus ; Soziale Bewegung ; Medien ; Kommunikation ; Queer-Theorie ; Geschichte 1970-2020 ; Lesbian Herstory Archives
    Abstract: For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. InInformation Activism Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on-the-fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 13
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009139
    Language: English
    Pages: 1 Online-Ressource (xiii, 247 Seiten) , Illustrationen
    Series Statement: A Camera Obscura Book
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.84/8
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    Keywords: Geschichte ; Hollywood marriage plot ; changing narrative of intimacy ; valorization of intimacy ; PERFORMING ARTS / Film & Video / History & Criticism ; Homosexuality in motion pictures ; Lesbianism in motion pictures ; Marriage ; Same-sex marriage ; Homosexualität ; Film ; Ehe ; USA ; USA ; Film ; Homosexualität ; Ehe ; Geschichte
    Abstract: In Reattachment Theory Lee Wallace argues that homosexuality-far from being the threat to "traditional" marriage that same-sex marriage opponents have asserted-is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films-Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)-that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 14
    ISBN: 9781478000945 , 9781478000730
    Language: English
    Pages: xiv, 359 Seiten, 8 ungezählte Seiten , Illustrationen
    Parallel Title: Erscheint auch als Kondo, Dorinne K., author Worldmaking
    DDC: 792.089/950973
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    Keywords: Asian American theater Social aspects ; Theater and society ; Racism and the arts ; Creation (Literary, artistic, etc.) Social aspects ; American drama Asian American authors ; History and criticism ; USA ; Asiatischer Einwanderer ; Theater ; Hierarchie ; Diskriminierung ; Rassismus ; Ethnizität ; Affekt ; Feldforschung
    Abstract: Inhaltsverzeichnis: Theoretical scaffolding, formal architecture -- Racialized economies -- (En)acting theory -- The drama behind the drama -- Revising race -- Playwriting as reparative creativity -- Seamless, a full-length play.
    Note: Literaturverzeichnis: Seite 325-347
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  • 15
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 1478090731 , 9781478090731
    Language: English
    Pages: 1 Online-Ressource
    Edition: [Open access version]
    Series Statement: A Camera Obscura book
    Parallel Title: Erscheint auch als DuCille, Ann Technicolored
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    Keywords: Émissions télévisées ; Noirs américains à la télévision ; Race à la télévision ; Racisme à la télévision ; African Americans on television ; PERFORMING ARTS ; Race on television ; Racism on television ; Television programs ; African Americans on television ; Race on television ; Racism on television ; Television programs ; Rassismus ; Fernsehsendung ; Schwarze ; USA ; United States ; Electronic books ; Electronic books ; USA ; Schwarze ; Fernsehsendung ; Rassismus
    Abstract: From early sitcoms such as "I Love Lucy" to contemporary prime-time dramas like "Scandal" and "How to Get Away with Murder," African Americans on television have too often been asked to portray tired stereotypes of blacks as villains, vixens, victims, and disposable minorities. In this book, black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with the new medium of TV to examine how televisual representations of African Americans have changed over the last sixty years. Whether explaining how watching Shirley Temple led her to question her own self-worth or how televisual representation functions as a form of racial profiling, the author traces the real-life social and political repercussions of the portrayal and presence of African Americans on television. Neither a conventional memoir nor a traditional media study, this book offers one lifelong television watcher's careful, personal, and timely analysis of how television continues to shape notions of race in the American imagination
    Description / Table of Contents: Introduction: black and white and technicolored: channeling the TV life -- What's in a game?: quiz shows and the "prism of race" -- "Those thrilling days of yesteryear": stigmatic blackness and the rise of technicolored TV -- The Shirley Temple of my familiar : take two -- Interracial loving : sexlessness in the suburbs of the 1960s -- "A credit to my race": acting Black and Black acting from Julia to Scandal -- A clear and present absence: Perry Mason and the case of the missing "minorities" -- "Soaploitation": getting away with murder in primetime -- The Punch and Judge Judy shows: really real TV and the dangers of a day in court -- The autumn of his discontent: Bill Cosby, fatherhood, and the politics of palatability -- The "thug default": why racial representation still matters -- Epilogue: final spin: "that's not my food"
    Note: In English
    URL: Volltext  (kostenfrei)
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  • 16
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478000419 , 9781478000549
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    DDC: 305.896073
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    Keywords: Massenkultur ; Schwarze ; USA
    Note: Literaturverzeichnis Seite 211-218
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  • 17
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822370161 , 9780822370062
    Language: English
    Pages: xvii, 339 Seiten
    Series Statement: Consent not to be a single being [1]
    DDC: 305.896
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    Keywords: Schwarze ; Kunst ; USA
    Note: Literaturverzeichnis: Seite 317-328
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  • 18
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822362838
    Language: English
    Pages: 1 Online-Ressource (188 SEiten)
    Parallel Title: Erscheint auch als Sharpe, Christina Elizabeth In the wake
    DDC: 305.896073
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    Keywords: Premature death - Social aspects - United States ; African Americans Social conditions ; Racism Health aspects ; Premature death Social aspects ; Discrimination in law enforcement ; Slavery Psychological aspects ; Electronic books ; Electronic books ; USA ; Schwarze ; Diskriminierung
    Abstract: Using the multiple meanings of "wake" to illustrate the ways Black lives are determined by slavery's afterlives, Christina Sharpe weaves personal experiences with readings of literary and artistic representations of Black life and death to examine what survives in the face of insistent violence and the possibilities for resistance
    Abstract: Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Chapter One: The Wake -- Chapter Two: The Ship -- Chapter Three: The Hold -- Chapter Four: The Weather -- Notes -- References -- Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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  • 19
    ISBN: 9780822374794 , 9780822360407 , 9780822359890
    Language: English
    Pages: XVI, 217 S
    Edition: Revised and expanded ed.
    DDC: 342.7308/7
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    Keywords: Transgender people Legal status, laws, etc ; Transgender people -- Legal status, laws, etc ; Transgender people -- Legal status, laws, etc.-- United States ; Transgender people ; USA ; Transgender ; Transsexualität ; Rechtsstellung
    Abstract: Introduction : rights, movements, and critical trans politics -- Trans law and politics on a neoliberal landscape -- What's wrong with rights? -- Rethinking transphobia and power : beyond a rights framework -- Administrating gender -- Law reform and movement building -- Conclusion: "this is a protest, not a parade
    Description / Table of Contents: Introduction : rights, movements, and critical trans politicsTrans law and politics on a neoliberal landscape -- What's wrong with rights? -- Rethinking transphobia and power : beyond a rights framework -- Administrating gender -- Law reform and movement building -- Conclusion: "this is a protest, not a parade".
    Note: Includes bibliographical references and index
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  • 20
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375326
    Language: English
    Pages: 1 Online-Ressource (xiv, 429 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Iowa 2000
    DDC: 782.42164/0811
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    Keywords: Crosby, Bing ; Vallée, Rudy ; Geschichte 1921-1940 ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940 ; Männlichkeit ; Schlagersänger ; Crooning ; Popmusik ; USA ; Hochschulschrift ; USA ; Popmusik ; Schlagersänger ; Männlichkeit ; Crooning ; Geschichte 1921-1940 ; Vallée, Rudy 1901-1986 ; Crosby, Bing 1903-1977
    Abstract: The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners' rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 21
    ISBN: 9780822375982
    Language: English
    Pages: 1 Online-Ressource (xviii, 349 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Thompson, Krista, 1972 - Shine
    DDC: 302.2/22
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    Keywords: Mass media and culture ; United States ; Mass media and culture ; Caribbean Area ; Photography ; Social aspects ; United States ; Art and popular culture ; African diaspora ; Electronic books ; Electronic books ; Electronic books ; USA ; Karibik ; Afrikaner ; Diaspora ; Selbstdarstellung ; Massenmedien ; Alltagskultur ; USA ; Jamaika ; Bahamas ; Schwarze ; Ethnische Identität ; Fotografie ; Video ; Massenkultur ; Geschichte 1990-2015
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 22
    ISBN: 9780822356240 , 9780822356332
    Language: English
    Pages: XII, 289 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Brennan, Denise, 1964 - Life interrupted
    DDC: 331.11/730973
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    Keywords: Foreign workers Abuse of ; Human trafficking ; Human rights ; USA ; Ausländischer Arbeitnehmer ; Menschenhandel ; Menschenrecht
    Description / Table of Contents: Dangerous labor : working without documentation and working in the sex industryChains of fear : the subjectivity of coercion -- Imagining the possible : creating home -- Making the possible possible : settling into home -- Laboring after forced labor.
    Note: Includes bibliographical references and index
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  • 23
    ISBN: 9780822358138 , 9780822358275
    Language: English
    Pages: VII, 283 Seiten
    Parallel Title: Ten books that shaped the British empire
    DDC: 909.09/71241
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    Keywords: Books History ; Imperialism Historiography ; Books History ; Imperialism Historiography ; Books History ; Great Britain ; Imperialism Historiography ; Books - Great Britain - History ; Books ; Great Britain ; History ; Imperialism ; Historiography ; Great Britain ; Colonies ; Historiography ; Great Britain Colonies ; Historiography ; Great Britain Colonies ; Historiography ; Great Britain Colonies ; Historiography ; Englisch ; Literatur ; Commonwealth ; Literatur ; Englisch ; Commonwealth ; Geschichte ; Großbritannien ; Buch ; Imperialismus ; Geschichtsschreibung ; Kolonie ; Reformpolitik ; Nationalismus ; Geschichte
    Abstract: Looking at ten books that shaped the modern British Empire, the contributors examine imperial classics, anticolonial blockbusters, and a range of pamphlets, assessing the effects of each one on key aspects of imperial history.
    Abstract: Contents -- Acknowledgments -- Introduction. The Spine of Empire? : Books and the Making of an Imperial Commons - Antoinette Burton and Isabel Hofmeyr -- 1. Remaking the Empire from Newgate: Wakefield's A Letter from Sydney - Tony Ballantyne -- 2. Jane Eyre at Home and Abroad - Charlotte Macdonald -- 3. Macaulay's History of England: A Book That Shaped Nation and Empire - Catherine Hall -- 4. "The Day Will Come": Charles H. Pearson's National Life and Character: A Forecast - Marilyn Lake -- 5. Victims of "British Justice"? A Century of Wrong as Anti-imperial Tract, Core Narrative of the Afrikaner "Nation," and Victim-Based Solidarity-Building Discourse - André du Toit -- 6. The Text in the World, the World through the Text: Robert Baden-Powell's Scouting for Boys - Elleke Boehmer -- 7. Hind Swaraj: Translating Sovereignty - Tridip Suhrud -- 8. Totaram Sanadhya's Fiji Mein Mere Ekkis Varsh: A History of Empire and Nation in a Minor Key - Mrinalini Sinha -- 9. C. L. R. James's The Black Jacobins and the Making of the Modern Atlantic World - Aaron Kamugisha -- 10. Ethnography and Cultural Innovationin Mau Mau Detention Camps: Gakaara wa Wanjau's Mĩhĩrĩga ya Agĩkũyũ - Derek R. Peterson -- Bibliography -- Contributors -- Index.
    Abstract: Remaking the empire from Newgate : Wakefield's A letter from Sydney / Tony Ballantyne -- Jane Eyre at home and abroad / Charlotte Macdonald -- Macaulay's History of England : a book that shaped nation and empire / Catherine Hall -- "The Day Will Come" : Charles H. Pearson's National life and character : a forecast / Marilyn Lake -- Victims of "British justice"? A century of wrong as anti-imperial tract, core narrative of the Afrikaner "nation," and victim-based solidarity-building discourse / André du Toit -- The text in the world, the world through the text : Robert Baden-Powell's Scouting for boys / Elleke Boehmer -- Hind Swaraj : translating sovereignty / Tridip Suhrud -- Totaram Sanadhya's Fiji Mein Mere Ekkis Varsh : a history of empire and nation in a minor key / Mrinalini Sinha -- C.L.R. James's The Black Jacobins and the making of the modern Atlantic world / Aaron Kamugisha -- Ethnography and cultural innovation in Mau Mau detention camps : Gakaara wa Wanjau's Mĩhĩrĩga ya aagĩkũyũ / Derek R. Peterson.
    Description / Table of Contents: Contents; Acknowledgments; Introduction. The Spine of Empire? : Books and the Making of an Imperial Commons - Antoinette Burton and Isabel Hofmeyr; 1. Remaking the Empire from Newgate: Wakefield's A Letter from Sydney - Tony Ballantyne; 2. Jane Eyre at Home and Abroad - Charlotte Macdonald; 3. Macaulay's History of England: A Book That Shaped Nation and Empire - Catherine Hall; 4. "The Day Will Come": Charles H. Pearson's National Life and Character: A Forecast - Marilyn Lake; 5. Victims of "British Justice"? A Century of Wrong as Anti-imperial Tract, Core Narrative of the Afrikaner "Nation," and Victim-Based Solidarity-Building Discourse - André du Toit6. The Text in the World, the World through the Text: Robert Baden-Powell's Scouting for Boys - Elleke Boehmer; 7. Hind Swaraj: Translating Sovereignty - Tridip Suhrud; 8. Totaram Sanadhya's Fiji Mein Mere Ekkis Varsh: A History of Empire and Nation in a Minor Key - Mrinalini Sinha; 9. C. L. R. James's The Black Jacobins and the Making of the Modern Atlantic World - Aaron Kamugisha; 10. Ethnography and Cultural Innovationin Mau Mau Detention Camps: Gakaara wa Wanjau's Mĩhĩrĩga ya Agĩkũyũ - Derek R. PetersonBibliography; Contributors; Index
    Description / Table of Contents: Remaking the empire from Newgate : Wakefield's A letter from Sydney / Tony BallantyneJane Eyre at home and abroad / Charlotte Macdonald -- Macaulay's History of England : a book that shaped nation and empire / Catherine Hall -- "The Day Will Come" : Charles H. Pearson's National life and character : a forecast / Marilyn Lake -- Victims of "British justice"? A century of wrong as anti-imperial tract, core narrative of the Afrikaner "nation," and victim-based solidarity-building discourse / André du Toit -- The text in the world, the world through the text : Robert Baden-Powell's Scouting for boys / Elleke Boehmer -- Hind Swaraj : translating sovereignty / Tridip Suhrud -- Totaram Sanadhya's Fiji Mein Mere Ekkis Varsh : a history of empire and nation in a minor key / Mrinalini Sinha -- C.L.R. James's The Black Jacobins and the making of the modern Atlantic world / Aaron Kamugisha -- Ethnography and cultural innovation in Mau Mau detention camps : Gakaara wa Wanjau's Mĩhĩrĩga ya aagĩkũyũ / Derek R. Peterson.
    Note: Literaturverzeichnis: Seite 239-260 , Includes bibliographical references and index , Remaking the empire from Newgate : Wakefield's A letter from Sydney , Macaulay's History of England : a book that shaped nation and empire , "The Day Will Come" : Charles H. Pearson's National life and character : a forecast , Victims of "British justice"? A century of wrong as anti-imperial tract, core narrative of the Afrikaner "nation," and victim-based solidarity-building discourse , The text in the world, the world through the text : Robert Baden-Powell's Scouting for boys , Hind Swaraj : translating sovereignty , Totaram Sanadhya's Fiji Mein Mere Ekkis Varsh : a history of empire and nation in a minor key , C.L.R. James's The Black Jacobins and the making of the modern Atlantic world , Ethnography and cultural innovation in Mau Mau detention camps : Gakaara wa Wanjau's Mĩhĩrĩga ya aagĩkũyũ
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  • 24
    ISBN: 9780822375920 , 0822375923
    Language: English
    Pages: 1 Online-Ressource (vii, 283 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 909.09/71241
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    Keywords: Commonwealth ; Books / History / Great Britain ; Imperialism / Historiography ; Literatur ; Englisch ; Englisch ; Literatur ; Commonwealth
    Abstract: Remaking the empire from Newgate : Wakefield's A letter from Sydney / Tony Ballantyne -- Jane Eyre at home and abroad / Charlotte Macdonald -- Macaulay's History of England : a book that shaped nation and empire / Catherine Hall -- "The Day Will Come" : Charles H. Pearson's National life and character : a forecast / Marilyn Lake -- Victims of "British justice"? A century of wrong as anti-imperial tract, core narrative of the Afrikaner "nation," and victim-based solidarity-building discourse / André du Toit -- The text in the world, the world through the text : Robert Baden-Powell's Scouting for boys / Elleke Boehmer -- Hind Swaraj : translating sovereignty / Tridip Suhrud -- Totaram Sanadhya's Fiji Mein Mere Ekkis Varsh : a history of empire and nation in a minor key / Mrinalini Sinha -- C.L.R. James's The Black Jacobins and the making of the modern Atlantic world / Aaron Kamugisha -- Ethnography and cultural innovation in Mau Mau detention camps : Gakaara wa Wanjau's Mĩhĩrĩga ya aagĩkũyũ / Derek R. Peterson
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 25
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822376804
    Language: English
    Pages: 1 Online-Ressource (x, 470 Seiten) , Illustrationen
    DDC: 302.230973
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    Keywords: Sexualität ; Massenmedien ; Film ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Aufsatzsammlung
    Abstract: Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media-film and television, recorded sound, and publishing-that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams.
    Note: Literaturverzeichnis: Seite 435-450 , Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: eDuke
    URL: JSTOR
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  • 26
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478093244
    Language: English
    Pages: 1 Online-Ressource (XII, 289 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Brennan, Denise, 1964 - Life interrupted
    DDC: 331.11/730973
    RVK:
    Keywords: Foreign workers Abuse of ; Human trafficking ; Human rights ; USA ; Ausländischer Arbeitnehmer ; Menschenhandel ; Menschenrecht
    Description / Table of Contents: Dangerous labor : working without documentation and working in the sex industryChains of fear : the subjectivity of coercion -- Imagining the possible : creating home -- Making the possible possible : settling into home -- Laboring after forced labor.
    Note: Includes bibliographical references and index
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  • 27
    ISBN: 9780822347019 , 9780822346920
    Language: English
    Pages: xii, 388 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Wilderson, Frank B., 1956 - Red, white & black
    DDC: 791.43/6529
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    Keywords: Minorities in motion pictures ; Race in motion pictures ; African Americans in motion pictures ; Indians in motion pictures ; Motion pictures History ; USA ; Schwarze ; Indianer ; Weiße ; Filmanalyse ; USA ; Film ; Minderheit ; Rasse
    Abstract: The ruse of analogy -- The narcissistic slave -- Fishing for Antwone -- Cinematic unrest : Bush Mama and the Black Liberation Army -- Absurd mobility -- The ethics of sovereignty -- Excess lack -- The pleasures of parity -- "Savage" Negrophobia -- A crisis in the commons -- Half-white healing -- Make me feel good
    Description / Table of Contents: The ruse of analogy -- The narcissistic slave -- Fishing for Antwone -- Cinematic unrest : Bush Mama and the Black Liberation Army -- Absurd mobility -- The ethics of sovereignty -- Excess lack -- The pleasures of parity -- "Savage" Negrophobia -- A crisis in the commons -- Half-white healing -- Make me feel good.
    Description / Table of Contents: Includes bibliographical references and index
    Note: Bibliographie: Seite [365]-374
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  • 28
    ISBN: 9780822392989
    Language: English
    Pages: 1 Online-Ressource (342 Seiten)
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    DDC: 791.43/658209732
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    Keywords: City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures History 20th century ; Performing arts ; Performing Arts / Film / History & Criticism ; City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures ; United States ; History ; 20th century ; Electronic books ; USA ; Film ; Wohnung ; Geschichte 1945-1975
    Abstract: Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based
    Description / Table of Contents: Introduction: a philosophy of urbanism -- A primer in urbanism : Rear Window's archetypal apartment plot -- "We like our apartment" : the playboy indoors -- The great reprieve : modernity, femininity, and the apartment -- The suburbs in the city : the housewife and the apartment -- Movin' on up : the African american apartment.
    Note: Includes bibliographical references (p. [289] - 302) and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 29
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822388616
    Language: English
    Pages: 1 Online-Ressource (327 pages)
    Series Statement: e-Duke books scholarly collection.
    DDC: 303.4821724008996073
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    Keywords: Geschichte 1960-1979 ; Schwarze ; Minderheit ; Politisches Handeln ; Radikalismus ; Soziale Gerechtigkeit ; USA ; Entwicklungsländer
    Abstract: A cultural history of activists of color who appropriated theories and strategies from Third World anticolonial struggles in their fight for social and economic justice in the United States during the "long 1960s.".
    Note: Description based on publisher supplied metadata and other sources
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  • 30
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822386544
    Language: English
    Pages: 1 Online-Ressource (294 pages)
    Series Statement: Next Wave: New Directions in Women's Studies
    DDC: 305.4889141107309049
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    Keywords: Indischer Einwanderer ; Ethnizität ; Amerikanisierung ; Nationalbewusstsein ; Ethnische Identität ; Globalisierung ; Feminismus ; USA ; Electronic books
    Abstract: A study of South Asian Americans which views both their identity and that of America as constructed transnationally between the U.S. and India.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
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  • 31
    ISBN: 9780822386315
    Language: English
    Pages: 1 Online-Ressource (371 pages)
    Series Statement: New Americanists
    DDC: 303.4827303209034
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    Keywords: Geschichte 1800-1900 ; Ägyptophilie ; USA
    Abstract: Explores the relation between nineteenth-century American interest in ancient Egypt in architecture, literature, and science, and the ways Egypt was deployed by advocates for slavery and by African American writers.
    Note: Description based on publisher supplied metadata and other sources
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  • 32
    ISBN: 0822332019
    Language: English
    Pages: 290 p. , 25 cm
    DDC: 371.195
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    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1880-1980 ; 1880-1889 ; 1890-1899 ; 20e siècle ; Administration scolaire ; Finalité de l'éducation ; Histoire ; Relation école-industrie ; Université ; Geschichte ; Business and education History 19th century ; Business and education History 20th century ; Education, Higher Economic aspects ; Universität ; Wirtschaft ; États-Unis ; USA ; USA ; USA ; Universität ; Wirtschaft ; Geschichte 1880-1980
    Note: Includes bibliographical references and index
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  • 33
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822382492 , 0822382490
    Language: English
    Pages: 1 Online-Ressource (xi, 462 Seiten)
    Series Statement: Post-contemporary interventions
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Intellectual property United States ; Critical legal studies United States ; Popular culture United States ; Rechtsschutz ; Zivilisation ; Geistiges Eigentum ; United States Cultural policy ; USA ; Electronic books ; USA ; Geistiges Eigentum ; Rechtsschutz ; Zivilisation
    Note: Introduction: Authoring Culture. A Critical Cultural Legal Studies. Against Culture(s). Anthropology's Trademark and Its Academic Others. Authoring Alterity. Contested Cultures. Legalities,Identities, and Mass Media. Authorship and Alterity -- Objects of Property and Subjects of Politics: Objects and Subjects. Historicizing the Subject. Postmodern Culture. It's a Small, Small world. Postmodern Goods. Author(iz)ing the Corporate Persona. Manufacturing Distinction. Fixing the Signifier/Owning the Sign. Activist Appropriations. PolicingPostmodern Precincts. Xerox Cultures. Dialogicsof Postmodern Politics -- Author(iz)ing the Celebrity: Engendering Alternative Identities: The Value of the CelebrityPersona. CelebrityAuthorship. The CelebrityForm and the Politicsof Postmodernism. Doing Gender. Respecting Judy. Fictionalized Sexualities. Enterprising Women. Engendering and EndangeringAlternative Identities -- , - Tactics of Appropriation and the Politics of Recognition: PoliticalArticulations. Official Signifiers. Postmodernity and the Rumor. Racial Inscriptions and Iterations. Corporeal Vulnerability. Signifyin(g) Powers -- Embodied Trademarks: Mimesis and Alterity on American Commercial Frontiers. Mimicry, Alterity, and Embodiment. Marked and Unmarked Bodies. Contemporary Contestations. Fighting Redskins. Consuming Crazy Horse. Mimicking Authors at the Altars of Property -- The Properties of Culture and the Politics of Possessing Identity: Whose VoiceIs It Anyway? The European Art/Culture System. Contemporary Properties of Culture and Identity. Listening to Native Claims "in Context". Representation without Representation: Visibility without Voice. Possessive Individualism Revisited: Authorship and Cultural Identity. Aboriginal Title -- , - Dialogic Democracy I: Authorship and Alterity in Public Spheres: The Author in the Modern Public Sphere. FreeSpeech in the Condition of Postmodernity. Objects and Subjects Redux -- Dialogic Democracy II: Alterity and Articulation in the Space of the Political: Locating the Politics of the Public Sphere. Mass Mediation and the Publics of Civil Society. The Spaceof the Signature. The Unworked Community. An Ethics of Contingency. - Includes bibliographical references (pages [398]-443) and index
    URL: Volltext  (URL des Erstveröffentlichers)
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