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  • New York : NYU Press  (13)
  • Durham : Duke University Press  (11)
  • USA  (24)
  • SOCIAL SCIENCE / Anthropology / Cultural & Social
  • English Studies  (24)
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Language
  • 1
    ISBN: 9781478008323 , 9781478007838
    Language: English
    Pages: ix, 254 Seiten , Illustrationen
    Series Statement: Black studies gender and sexuality
    Parallel Title: Erscheint auch als Pinto, Samantha Infamous bodies
    DDC: 305.48/896073
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    Keywords: Wheatley, Phillis ; Hemings, Sally ; Baartman, Sarah ; Seacole, Mary ; Bonetta, Sarah Forbes ; Women, Black, in popular culture ; African American women in popular culture ; Women, Black Legal status, laws, etc ; African American women Legal status, laws, etc ; African American feminists ; Womanism ; Fame Social aspects ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Abstract: "INFAMOUS BODIES portrays ...
    Note: Includes bibliographical references and index
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  • 2
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478005537 , 147800553X
    Language: English
    Pages: 1 Online-Ressource (ix, 236 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 779.93058
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    Keywords: Photography in ethnology / History / United States ; Documentary photography / History / United States ; Art and photography / United States ; Photography in historiography ; Photography / Social aspects / History / United States ; Art and history / United States ; Fotografie ; Rassenfrage ; USA ; Electronic books ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 3
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009139
    Language: English
    Pages: 1 Online-Ressource (xiii, 247 Seiten) , Illustrationen
    Series Statement: A Camera Obscura Book
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.84/8
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    Keywords: Geschichte ; Hollywood marriage plot ; changing narrative of intimacy ; valorization of intimacy ; PERFORMING ARTS / Film & Video / History & Criticism ; Homosexuality in motion pictures ; Lesbianism in motion pictures ; Marriage ; Same-sex marriage ; Homosexualität ; Film ; Ehe ; USA ; USA ; Film ; Homosexualität ; Ehe ; Geschichte
    Abstract: In Reattachment Theory Lee Wallace argues that homosexuality-far from being the threat to "traditional" marriage that same-sex marriage opponents have asserted-is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films-Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)-that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 4
    ISBN: 9781478004684 , 9781478004073
    Language: English
    Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Note: Includes bibliographical references and index
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  • 5
    ISBN: 9781478009436 , 9781478008545
    Language: English
    Pages: xvi, 310 Seiten , Illustrationen
    DDC: 305.52
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    Keywords: Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung ; USA ; Los Angeles- Hollywood
    Note: Literaturverzeichnis Seite 271-300
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  • 6
    Online Resource
    Online Resource
    New York : NYU Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781479890880
    Language: English
    Pages: 1 Online-Ressource (167 pages)
    DDC: 306.20972999999998
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    Keywords: Politische Kultur ; Demokratie ; Neoliberalismus ; USA
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
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  • 7
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822370161 , 9780822370062
    Language: English
    Pages: xvii, 339 Seiten
    Series Statement: Consent not to be a single being [1]
    DDC: 305.896
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    Keywords: Schwarze ; Kunst ; USA
    Note: Literaturverzeichnis: Seite 317-328
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  • 8
    Online Resource
    Online Resource
    New York : NYU Press
    ISBN: 9781479803712
    Language: English
    Pages: 1 online resource (378 pages)
    Parallel Title: Erscheint auch als
    DDC: 305.895073
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    Keywords: Asiaten ; Popkultur ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Asiaten ; Popkultur
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  • 9
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822362838
    Language: English
    Pages: 1 Online-Ressource (188 SEiten)
    Parallel Title: Erscheint auch als Sharpe, Christina Elizabeth In the wake
    DDC: 305.896073
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    Keywords: Premature death - Social aspects - United States ; African Americans Social conditions ; Racism Health aspects ; Premature death Social aspects ; Discrimination in law enforcement ; Slavery Psychological aspects ; Electronic books ; Electronic books ; USA ; Schwarze ; Diskriminierung
    Abstract: Using the multiple meanings of "wake" to illustrate the ways Black lives are determined by slavery's afterlives, Christina Sharpe weaves personal experiences with readings of literary and artistic representations of Black life and death to examine what survives in the face of insistent violence and the possibilities for resistance
    Abstract: Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Chapter One: The Wake -- Chapter Two: The Ship -- Chapter Three: The Hold -- Chapter Four: The Weather -- Notes -- References -- Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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  • 10
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375326
    Language: English
    Pages: 1 Online-Ressource (xiv, 429 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Iowa 2000
    DDC: 782.42164/0811
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    Keywords: Crosby, Bing ; Vallée, Rudy ; Geschichte 1921-1940 ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940 ; Männlichkeit ; Schlagersänger ; Crooning ; Popmusik ; USA ; Hochschulschrift ; USA ; Popmusik ; Schlagersänger ; Männlichkeit ; Crooning ; Geschichte 1921-1940 ; Vallée, Rudy 1901-1986 ; Crosby, Bing 1903-1977
    Abstract: The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners' rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 11
    ISBN: 9780814783139 , 9780814733127 (Sekundärausgabe)
    Language: English
    Pages: 364 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780814733127
    Edition: [Online-Ausg.]
    DDC: 323.1196/073
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    Keywords: Schwarze ; Frau ; Radikalismus ; USA ; Aufsatzsammlung
    Abstract: The story of the black freedom struggle in America has been overwhelmingly male-centric, starring leaders like Martin Luther King, Jr., Malcolm X, and Huey Newton. With few exceptions, black women have been perceived as supporting actresses; as behind-the-scenes or peripheral activists, or rank and file party members. But what about Vicki Garvin, a Brooklyn-born activist who became a leader of the National Negro Labor Council and guide to Malcolm X on his travels through Africa? What about Shirley Chisholm, the first black Congresswoman?. From Rosa Parks and Esther Cooper Jackson, to Shirley G...
    Note: Description based upon print version of record , Online-Ausg.:
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  • 12
    Online Resource
    Online Resource
    New York : NYU Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780814728147
    Language: English
    Pages: 1 Online-Ressource (415 pages)
    Edition: 1st ed.
    DDC: 306.76/6097309033
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    Keywords: Geschichte 1600-1850 ; Homosexualität ; USA ; Aufsatzsammlung
    Abstract: 2007 Choice Outstanding Academic Title Although the 1969 Stonewall riots in New York City symbolically mark the start of the gay rights movement, individuals came together long before the modern era to express their same-sex romantic and sexual attraction toward one another, and in a myriad of ways. Some reflected on their desires in quiet solitude, while others endured verbal, physical, and legal harassment for publicly expressing homosexual interest through words or actions. Long Before Stonewall seeks to uncover the many iterations of same-sex desire in colonial America and the early Republic, as well as to expand the scope of how we define and recognize homosocial behavior. Thomas A. Foster has assembled a pathbreaking, interdisciplinary collection of original and classic essays that explore topics ranging from homoerotic imagery of black men to prison reform to the development of sexual orientations. This collection spans a regional and temporal breadth that stretches from the colonial Southwest to Quaker communities in New England. It also includes a challenge to commonly accepted understandings of the Native American berdache. Throughout, connections of race, class, status, and gender are emphasized, exposing the deep foundations on which modern sexual political movements and identities are built.
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  • 13
    Online Resource
    Online Resource
    New York : NYU Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780814786505
    Language: English
    Pages: 1 Online-Ressource (205 pages)
    Edition: 1st ed.
    DDC: 305.48/896073
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    Keywords: Schwarze Frau ; Weibliche Jugend ; Hip-Hop ; Geschlechterrolle ; Soziale Situation ; USA ; Interview
    Abstract: 2007 Popular Culture Association/American Culture Association Emily Toth Award Pimps Up, Ho's Down pulls at the threads of the intricately knotted issues surrounding young black women and hip hop culture. What unravels for Tracy D. Sharpley-Whiting is a new, and problematic, politics of gender. In this fascinating and forceful book, Sharpley-Whiting, a feminist writer who is a member of the hip hop generation, interrogates the complexities of young black women's engagement with a culture that is masculinist, misogynistic, and frequently mystifying. Beyond their portrayal in rap lyrics, the display of black women in music videos, television, film, fashion, and on the Internet is indispensable to the mass media engineered appeal of hip hop culture, the author argues. And the commercial trafficking in the images and behaviors associated with hip hop has made them appear normal, acceptable, and entertaining - both in the U.S. and around the world. Sharpley-Whiting questions the impacts of hip hop's increasing alliance with the sex industry, the rise of groupie culture in the hip hop world, the impact of hip hop's compulsory heterosexual culture on young black women, and the permeation of the hip hop ethos into young black women's conceptions of love and romance. The author knows her subject from the inside. Coming of age in the midst of hip hop's evolution in the late 1980s, she mixed her graduate studies with work as a runway and print model in the 1990s. Her book features interviews with exotic dancers, black hip hop groupies, and hip hop generation members Jacklyn "Diva" Bush, rapper Trina, and filmmaker Aishah Simmons, along with the voices of many "everyday" young women. Pimps Up, Ho's Down turns down the volume and amplifies the substance of discussions about hip hop culture and to provide a space for young black women to be heard.
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  • 14
    Online Resource
    Online Resource
    New York : NYU Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780814777497
    Language: English
    Pages: 1 Online-Ressource (192 pages)
    Edition: 1st ed.
    Series Statement: Sexual Cultures
    DDC: 305.8960730904
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    Keywords: Schwarze ; Intellektueller ; Männlichkeit ; USA
    Abstract: 2007 Lambda Literary Award Finalist, LGBT Studies Richard Wright. Ralph Ellison. James Baldwin. Literary and cultural critic Robert Reid-Pharr asserts that these and other post-World War II intellectuals announced the very themes of race, gender, and sexuality with which so many contemporary critics are now engaged. While at its most elemental Once You Go Black is an homage to these thinkers, it is at the same time a reconsideration of black Americans as agents, and not simply products, of history. Reid-Pharr contends that our current notions of black American identity are not inevitable, nor have they simply been forced onto the black community. Instead, he argues, black American intellectuals have actively chosen the identity schemes that seem to us so natural today. Turning first to the late and relatively obscure novels of Wright, Ellison, and Baldwin, Reid-Pharr suggests that each of these authors rejects the idea of the black as innocent. Instead they insisted upon the responsibility of all citizens-even the most oppressed-within modern society. Reid-Pharr then examines a number of responses to this presumed erosion of black innocence, paying particular attention to articulations of black masculinity by Huey Newton, one of the two founders of the Black Panther Party, and Melvin Van Peebles, director of the classic film Sweet Sweetback's Baadasssss Song. Shuttling between queer theory, intellectual history, literary close readings, and autobiography, Once You Go Black is an impassioned, eloquent, and elegant call to bring the language of choice into the study of black American literature and culture. At the same time, it represents a hard-headed rejection of the presumed inevitability of what Reid-Pharr names racial desire in the production of either culture or cultural studies.
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  • 15
    Online Resource
    Online Resource
    New York : NYU Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780814764466
    Language: English
    Pages: 1 Online-Ressource (288 pages)
    Series Statement: Children and Youth in America
    DDC: 305.230973/0903
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    Keywords: Sozialgeschichte 1600-1834 ; Kind ; Jugend ; USA ; Aufsatzsammlung
    Abstract: The Pilgrims and Puritans did not arrive on the shores of New England alone. Nor did African men and women, brought to the Americas as slaves. Though it would be hard to tell from the historical record, European colonists and African slaves had children, as did the indigenous families whom they encountered, and those children's life experiences enrich and complicate our understanding of colonial America. Through essays, primary documents, and contemporary illustrations, Children in Colonial America examines the unique aspects of childhood in the American colonies between the late sixteenth and late eighteenth centuries. The twelve original essays observe a diverse cross-section of children-from indigenous peoples of the east coast and Mexico to Dutch-born children of the Plymouth colony and African-born offspring of slaves in the Caribbean-and explore themes including parenting and childrearing practices, children's health and education, sibling relations, child abuse, mental health, gender, play, and rites of passage. Taken together, the essays and documents in Children in Colonial America shed light on the ways in which the process of colonization shaped childhood, and in turn how the experience of children affected life in colonial America.
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  • 16
    Online Resource
    Online Resource
    New York : NYU Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780814763902
    Language: English
    Pages: 1 Online-Ressource (326 pages)
    DDC: 305.896073
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    Keywords: Geschichte 1900-1999 ; Nationalismus ; Schwarze ; Islam ; Afrozentrismus ; Ethnische Identität ; USA
    Abstract: Achieving Blackness offers an important examination of the complexities of race and ethnicity in the context of black nationalist movements in the United States. By examining the rise of the Nation of Islam, the Black Power Movement of the 1960s and 1970s, and the "Afrocentric era" of the 1980s through 1990s Austin shows how theories of race have shaped ideas about the meaning of "Blackness" within different time periods of the twentieth-century. Achieving Blackness provides both a fascinating history of Blackness and a theoretically challenging understanding of race and ethnicity. Austin traces how Blackness was defined by cultural ideas, social practices and shared identities as well as shaped in response to the social and historical conditions at different moments in American history. Analyzing black public opinion on black nationalism and its relationship with class, Austin challenges the commonly held assumption that black nationalism is a lower class phenomenon. In a refreshing and final move, he makes a compelling argument for rethinking contemporary theories of race away from the current fascination with physical difference, which he contends sweeps race back to its misconceived biological underpinnings. Achieving Blackness is a wonderful contribution to the sociology of race and African American Studies.
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  • 17
    Online Resource
    Online Resource
    New York : NYU Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780814769089
    Language: English
    Pages: 1 Online-Ressource (312 pages)
    Edition: 1st ed.
    Series Statement: Nation of Nations
    DDC: 304.8/73
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    Keywords: Geschichte 1930-2006 ; Einwanderer ; Soziale Integration ; Ethnische Beziehungen ; Massenkultur ; USA
    Abstract: How does a 'national' popular culture form and grow over time in a nation comprised of immigrants? How have immigrants used popular culture in America, and how has it used them? Immigration and American Popular Culture looks at the relationship between American immigrants and the popular culture industry in the twentieth century. Through a series of case studies, Rachel Rubin and Jeffrey Melnick uncover how specific trends in popular culture-such as portrayals of European immigrants as gangsters in 1930s cinema, the zoot suits of the 1940s, the influence of Jamaican Americans on rap in the 1970s, and cyberpunk and Asian American zines in the1990s-have their roots in the complex socio-political nature of immigration in America. Supplemented by a timeline of key events and extensive suggestions for further reading, Immigration and American Popular Culture offers at once a unique history of twentieth century U.S. immigration and an essential introduction to the major approaches to the study of popular culture. Melnick and Rubin go further to demonstrate how completely and complexly the processes of immigration and cultural production have been intertwined, and how we cannot understand one without the other.
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  • 18
    Online Resource
    Online Resource
    New York : NYU Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780814777305
    Language: English
    Pages: 1 Online-Ressource (222 pages)
    Edition: 1st ed.
    Series Statement: Critical America
    DDC: 305.86872073
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    Keywords: Chicanos ; Ethnische Identität ; Soziale Integration ; USA
    Abstract: Winner of the 2006 Thomas J. Lyon Book Award in Western American Literary Studies, presented by the Western Literature Association In The Emergence of Mexican America, John-Michael Rivera examines the cultural, political, and legal representations of Mexican Americans and the development of US capitalism and nationhood. Beginning with the Mexican-American War of 1846-1848 and continuing through the period of mass repatriation of US Mexican laborers in 1939, Rivera examines both Mexican-American and Anglo-American cultural production in order to tease out the complexities of the so-called "Mexican question." Using historical and archival materials, Rivera's wide-ranging objects of inquiry include fiction, non-fiction, essays, treaties, legal materials, political speeches, magazines, articles, cartoons, and advertisements created by both Mexicans and Anglo Americans. Engaging and methodologically venturesome, Rivera's study is a crucial contribution to Chicano/Latino Studies and fields of cultural studies, history, government, anthropology, and literary studies.
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  • 19
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822388616
    Language: English
    Pages: 1 Online-Ressource (327 pages)
    Series Statement: e-Duke books scholarly collection.
    DDC: 303.4821724008996073
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    Keywords: Geschichte 1960-1979 ; Schwarze ; Minderheit ; Politisches Handeln ; Radikalismus ; Soziale Gerechtigkeit ; USA ; Entwicklungsländer
    Abstract: A cultural history of activists of color who appropriated theories and strategies from Third World anticolonial struggles in their fight for social and economic justice in the United States during the "long 1960s.".
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  • 20
    Online Resource
    Online Resource
    New York : NYU Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780814769270
    Language: English
    Pages: 1 Online-Ressource (366 pages)
    Edition: 1st ed.
    DDC: 305.895073
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    Keywords: Schwarze ; Asiaten ; Kultur ; Gesellschaftsleben ; Ethnische Beziehungen ; USA ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: With a Foreword by Vijay Prashad and an Afterword by Gary Okihiro How might we understand yellowface performances by African Americans in 1930s swing adaptations of Gilbert and Sullivan's The Mikado, Paul Robeson's support of Asian and Asian American struggles, or the absorption of hip hop by Asian American youth culture? AfroAsian Encounters is the first anthology to look at the mutual influence of and relationships between members of the African and Asian diasporas. While these two groups have often been thought of as occupying incommensurate, if not opposing, cultural and political positions, scholars from history, literature, media, and the visual arts here trace their interconnections and interactions, as well as the tensions between the two groups that sometimes arise. AfroAsian Encounters probes beyond popular culture to trace the historical lineage of these coalitions from the late nineteenth century to the present. A foreword by Vijay Prashad sets the volume in the context of the Bandung conference half a century ago, and an afterword by Gary Okihiro charts the contours of a "Black Pacific." From the history of Japanese jazz composers to the current popularity of black/Asian "buddy films" like Rush Hour, AfroAsian Encounters is a groundbreaking intervention into studies of race and ethnicity and a crucial look at the shifting meaning of race in the twenty-first century.
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  • 21
    ISBN: 9780822386315
    Language: English
    Pages: 1 Online-Ressource (371 pages)
    Series Statement: New Americanists
    DDC: 303.4827303209034
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    Keywords: Geschichte 1800-1900 ; Ägyptophilie ; USA
    Abstract: Explores the relation between nineteenth-century American interest in ancient Egypt in architecture, literature, and science, and the ways Egypt was deployed by advocates for slavery and by African American writers.
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  • 22
    Online Resource
    Online Resource
    New York : NYU Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780814744598
    Language: English
    Pages: 1 Online-Ressource (283 pages)
    Edition: 1st ed.
    Series Statement: Cultural Front
    DDC: 305.809/073
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    Keywords: Weiße ; Ethnische Beziehungen ; Nationalcharakter ; Multikulturelle Gesellschaft ; USA
    Abstract: What comes after white becomes a minority in the United States.
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  • 23
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822382492 , 0822382490
    Language: English
    Pages: 1 Online-Ressource (xi, 462 Seiten)
    Series Statement: Post-contemporary interventions
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Intellectual property United States ; Critical legal studies United States ; Popular culture United States ; Rechtsschutz ; Zivilisation ; Geistiges Eigentum ; United States Cultural policy ; USA ; Electronic books ; USA ; Geistiges Eigentum ; Rechtsschutz ; Zivilisation
    Note: Introduction: Authoring Culture. A Critical Cultural Legal Studies. Against Culture(s). Anthropology's Trademark and Its Academic Others. Authoring Alterity. Contested Cultures. Legalities,Identities, and Mass Media. Authorship and Alterity -- Objects of Property and Subjects of Politics: Objects and Subjects. Historicizing the Subject. Postmodern Culture. It's a Small, Small world. Postmodern Goods. Author(iz)ing the Corporate Persona. Manufacturing Distinction. Fixing the Signifier/Owning the Sign. Activist Appropriations. PolicingPostmodern Precincts. Xerox Cultures. Dialogicsof Postmodern Politics -- Author(iz)ing the Celebrity: Engendering Alternative Identities: The Value of the CelebrityPersona. CelebrityAuthorship. The CelebrityForm and the Politicsof Postmodernism. Doing Gender. Respecting Judy. Fictionalized Sexualities. Enterprising Women. Engendering and EndangeringAlternative Identities -- , - Tactics of Appropriation and the Politics of Recognition: PoliticalArticulations. Official Signifiers. Postmodernity and the Rumor. Racial Inscriptions and Iterations. Corporeal Vulnerability. Signifyin(g) Powers -- Embodied Trademarks: Mimesis and Alterity on American Commercial Frontiers. Mimicry, Alterity, and Embodiment. Marked and Unmarked Bodies. Contemporary Contestations. Fighting Redskins. Consuming Crazy Horse. Mimicking Authors at the Altars of Property -- The Properties of Culture and the Politics of Possessing Identity: Whose VoiceIs It Anyway? The European Art/Culture System. Contemporary Properties of Culture and Identity. Listening to Native Claims "in Context". Representation without Representation: Visibility without Voice. Possessive Individualism Revisited: Authorship and Cultural Identity. Aboriginal Title -- , - Dialogic Democracy I: Authorship and Alterity in Public Spheres: The Author in the Modern Public Sphere. FreeSpeech in the Condition of Postmodernity. Objects and Subjects Redux -- Dialogic Democracy II: Alterity and Articulation in the Space of the Political: Locating the Politics of the Public Sphere. Mass Mediation and the Publics of Civil Society. The Spaceof the Signature. The Unworked Community. An Ethics of Contingency. - Includes bibliographical references (pages [398]-443) and index
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    ISBN: 9780814723425 , 081472342X
    Language: English
    Pages: 1 Online-Ressource (272 pages)
    Series Statement: Cultural Front Series
    Parallel Title: Bérubé, Michael, 1961 - The employment of English
    Parallel Title: Print version Bérubé, Michael F Employment of English : Theory, Jobs, and the Future of Literary Studies
    RVK:
    Keywords: Interdisciplinary approach in education ; Language and culture ; English teachers Employment ; English language Political aspects ; English literature History and criticism ; Theory, etc ; English philology Study and teaching ; Political aspects ; Interdisciplinary approach in education ; Language and culture ; English teachers ; English language ; English literature ; English philology ; English literature ; Theory, etc ; English philology ; Study and teaching ; Political aspects ; English teachers ; Employment ; Interdisciplinary approach in education ; Language and culture ; United States ; SCIENCE ; Astronomy ; Criticism, interpretation, etc ; English language ; Political aspects ; Electronic books ; USA ; Anglistik ; Literaturwissenschaft
    Abstract: What sorts of cultural criticism are teachers and scholars to produce, and how can that criticism be "employed" in the culture at large?. In recent years, debates about the role and direction of English departments have mushroomed into a broader controversy over the public legitimacy of literary criticism. At first glance this might seem odd: few taxpayers and legislators care whether the nation's English professors are doing justice to the project of identifying the beautiful and the sublime. But in the context of the legitimation crisis in American higher education, the image of English departments has in fact played a major role in determining public attitudes toward colleges and college faculty. Similarly, the changing economic conditions of universities have prompted many English professors to rethink their relations to their "clients," asking how literary study can serve the American public
    Abstract: What sorts of cultural criticism are teachers and scholars to produce, and how can that criticism be "employed" in the culture at large?. In recent years, debates about the role and direction of English departments have mushroomed into a broader controversy over the public legitimacy of literary criticism. At first glance this might seem odd: few taxpayers and legislators care whether the nation's English professors are doing justice to the project of identifying the beautiful and the sublime. But in the context of the legitimation crisis in American higher education, the image of English departments has in fact played a major role in determining public attitudes toward colleges and college faculty. Similarly, the changing economic conditions of universities have prompted many English professors to rethink their relations to their "clients," asking how literary study can serve the American public
    URL: Volltext  (kostenfrei)
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