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  • Cham : Springer International Publishing  (29)
  • Englisch  (16)
  • British literature  (15)
  • English Studies  (29)
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  • 1
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031019913
    Language: English
    Pages: 1 Online-Ressource(XXI, 286 p. 21 illus.)
    Edition: 1st ed. 2022.
    Series Statement: African Histories and Modernities
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    Keywords: African literature. ; Prose literature. ; Africa, North—History. ; Imperialism. ; Nigeria ; Englisch ; Literatur ; Nationalbewusstsein
    Abstract: 1 Introduction: Nation as Fiction/Fictionalizing the Nation -- PART I: COLONIAL PHASE -- 2 Literature and the colonized nation -- 3 Literary Founding Fathers and ideas of Nationhood -- 4 Women writers and the (Post)colony: (Writing) The Colony in Nigerian Women’s Works -- PART II: POST-COLONIAL PHASE -- 5 Postcolonial Modernity and Literary Imagination -- 6 Contemporary Women Writers and the Representations of Postcolonial Nigeria -- 7 Literature and Nigeria in the Digital Age -- PART III: CONCLUDING THOUGHTS -- 8 Shifts and Ambiguities: Unstable Literature or Unstable Nation?.
    Abstract: This view of Nigerian Literature puts the ideological contentions and contradictions of old in perspective. Toyin Falola, in this effusion, not only charts the course for the reinvention and invention of the Nigerian Nation through its literature but troubles the literary taboos as well as the theoretical postures and leanings in the art of Nigerian literary artists. -Adedoyin Aguoru, President, African Association for Japanese Studies This fascinating and original piece of scholarship by Nigeria’s most celebrated historian has successfully linked the wide and varied Nigerian literature to the complexities of the nation. The indomitable Toyin Falola maps cogently the cultural, elitist, ideological, feminized and the fetishized aspects of the Nigerian experience. The book masterfully shows us a space that is complicated, inhabited by enigmatic people who see their country as peculiar and unique. - Bosede Funke Afolayan, University of Lagos, Nigeria, and editor of Nigerian Female Dramatists: Expression, Resistance, Agency This book explores how modern Nigerian fiction is rooted in writers’ understanding of their identity and perception of Nigeria as a country and home. Surveying a broad range of authors and texts, the book shows how these fictionalized representations of Nigeria reveal authentic perceptions of Nigeria’s history and culture today. Many of the lessons in these works of literature provide cautionary tales and critiques of Nigeria, as well as an examination of the lasting impact of colonialism. Furthermore, the book presents the nation as both the framework and subject of its narrative. By conducting literary analyses of Nigerian fiction with historical reference points, this work demonstrates how Nigerian literature can convey profound themes and knowledge that resonates with audiences, teaching Nigerians and non-Nigerians about the colonial and postcolonial experience. The chapters cover topics on nationhood, women’s writing, postcolonial modernity, and Nigerian literature in the digital age. Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and a Distinguished Teaching Professor at the University of Texas at Austin, USA. He is a recipient of many distinguished awards, including 16 honorary doctorates.
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  • 2
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031078897
    Language: English
    Pages: 1 Online-Ressource(XI, 247 p. 3 illus.)
    Edition: 1st ed. 2022.
    Series Statement: Modern and Contemporary Poetry and Poetics
    Parallel Title: Erscheint auch als
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    Keywords: Poetry. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Language and languages—Style. ; Rhetoric. ; Literature—History and criticism. ; Historical linguistics. ; Englisch ; Mundart ; Lyrik ; Geschichte 1950-2000 ; Heaney, Seamus 1939-2013 ; Brooks, Gwendolyn 1917-2000 ; Harrison, Tony 1937- ; Clifton, Lucille 1936-2010
    Abstract: Chapter 1: Introduction: Local Tongues -- Chapter 2: Troubled Tongues: Seamus Heaney and the Political Poetics of Speech -- Chapter 3: The Gwendolynian Tongue: Gwendolyn Brooks’s Noncolloquial Local Speech -- Chapter 4: Tongue-Tied Fighting: Tony Harrison’s Linguistic Divisions -- Chapter 5: Mortal Tongues: Lucille Clifton’s Local-Speech Admonitions -- Chapter 6: Coda: The Twenty-First Century Local-Speech Poem.
    Abstract: The Politics of Speech in Later Twentieth-Century Poetry: Local Tongues in Heaney, Brooks, Harrison, and Clifton argues that local speech became a central facet of English-language poetry in the second half of the twentieth century. It is based on a key observation about four major poets from both sides of the Atlantic: Seamus Heaney, Gwendolyn Brooks, Tony Harrison, and Lucille Clifton all respond to societal crises by arranging, reproducing, and reconceiving their particular versions of local speech in poetic form. The book’s overarching claim is that “local tongues” in poetry have the capacity to bridge aesthetic and sociopolitical realms because nonstandard local speech declares its distinction from the status quo and binds people who have been subordinated by hierarchical social conditions, while harnessing those versions of speech into poetic structures can actively counter the very hierarchies that would degrade those languages. The diverse local tongues of these four poets marshaled into the forms of poetry situate them at once in literary tradition, in local contexts, and in prevailing social constructs.
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  • 3
    ISBN: 9783031062018
    Language: English
    Pages: 1 Online-Ressource(XIII, 233 p.)
    Edition: 1st ed. 2022.
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    Keywords: Literature, Modern—19th century. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Motion pictures. ; Aufsatzsammlung ; Englisch ; Roman ; Sachkultur ; Geschichte 1837-1901 ; Rezeption ; Fernsehspiel ; Großbritannien ; Neuseeland ; Film ; USA ; Geschichte 1980-2022
    Abstract: 1. Introduction: Stuff and Things: Introducing Neo-Victorian Materialities -- 2. Objects and Memorabilia in Deborah Lutz’s The Brontë Cabinet: Three Lives in Nine Objects -- 3. “Around the Mizzenpole”: Charles Johnson’s Middle Passage and African Americanizing the Neo-Victorian-at-sea -- 4. Touching, Writing, Collecting: Opium Paraphernalia and Neo-Victorian Material Culture -- 5. An Instrumental Thing: Pianos Extending and Becoming Postcolonial Bodies in Jane Campion’s The Piano and Daniel Mason’s The Piano Tuner -- 6. “Wilful Phantoms”: Haunted Dress, Memory, and Agentic Materiality in Colm Tóibín’s The Master -- 7. The Thing About Haunted Houses: In The Turn of the Screw, The Innocents and The Haunting of Hill House -- 8. There’s Something in the Tea: Murder and Materiality in Dark Angel -- 9. Criminal Things: Sherlock Holmes’ Details of Detection and Their Neo-Victorian Revisions -- 10. The Sleight of Hand: Appearance and Disappearance of Things in Neo-Victorian Magic.
    Abstract: Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.
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  • 4
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031071591
    Language: English
    Pages: 1 Online-Ressource(IX, 241 p.)
    Edition: 1st ed. 2022.
    Series Statement: Crime Files
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    Keywords: Fiction. ; Literature, Modern—20th century. ; Literature—History and criticism. ; Mass media and crime. ; Ethnology—Great Britain. ; Culture. ; Europe—History. ; Englisch ; Kriminalliteratur ; Geschichte 1880-1965
    Abstract: C hapter 1: Introduction and overview -- Chapter 2: Policing in the Shadow of Jack the Ripper: Myths, Monsters, and the Real Limits of the Late-Victorian Detective -- Chapter 3: Pot-stirring or Pot-boiling? Crises, crime, and other contexts for Mary Agnes Hamilton's Murder in the House of Commons (1932) -- Chapter 4: Domesticating the Horrors of Modern War: How Interwar Sensation and Detective Fiction Faced the War to Come -- Chapter: 5 Agatha Christie in Southern Africa -- Chapter 6: Time is always guilty’: Narratives of Progress and Decline in Interwar Detective Fiction -- Chapter 7: Death Haunts the British Hotel, 1918-1965 -- Chapter 8:Semi-Colonial Horsewifery as Detective Fiction: ‘Trinket’s Colt’ and the Mysteries of the Irish R.M -- Chapter 9: Magic is My Business’: Raymond Chandler and Detective Fiction as Fairy Tale -- Chapter 10: Indecently Preposterous’: The Interwar Press and Golden Age Detective Fiction.
    Abstract: British Murder Mysteries, 1880-1965: Facts and Fictions conceptualizes detective fiction as an archive, i.e., a trove of documents and sources to be used for historical interpretation. By framing the genre as a shifting set of values, definitions, and practices, the book historicizes the contested meanings of analytical categories like class, race, gender, nation, and empire that have been applied to the forms and functions of detection. Three organizing themes structure this investigation: fictive facticity, genre fluidity, and conservative modernity. This volume thus shows how British detective fiction from the late-nineteenth to the mid-twentieth century both shaped and was shaped by its social, cultural, and political contexts and the lived experience of its authors and readers at critical moments in time.
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  • 5
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031134630
    Language: English
    Pages: 1 Online-Ressource (XIII, 217 p. 3 illus)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Fan Studies
    Parallel Title: Erscheint auch als
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    DDC: 306.0941
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    Keywords: Geschichte 1830-1930 ; British Culture ; Nineteenth-Century Literature ; Fan and Audience Studies ; Ethnology—Great Britain ; Culture ; Literature, Modern—19th century ; Audiences ; Rezeption ; Fiktive Gestalt ; Medizin ; Englisch ; Literatur ; Englisch ; Literatur ; Rezeption ; Medizin ; Fiktive Gestalt ; Geschichte 1830-1930
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030890544
    Language: English
    Pages: 1 Online-Ressource (XII, 274 p)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Gothic
    Parallel Title: Erscheint auch als
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    DDC: 809.38729
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    Keywords: Geschichte 1938-2019 ; Gothic Studies ; Gender Studies ; Contemporary Literature ; Goth culture (Subculture) ; Sex ; Literature, Modern—20th century ; Literature, Modern—21st century ; Gespenstergeschichte ; Englisch ; Frauenliteratur ; USA ; Südostasien ; Großbritannien ; Großbritannien ; USA ; Südostasien ; Englisch ; Frauenliteratur ; Gespenstergeschichte ; Geschichte 1938-2019
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
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    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030459390
    Language: English
    Pages: 1 Online-Ressource (XXIII, 248 p. 1 illus)
    Edition: 1st ed. 2020
    Parallel Title: Erscheint auch als
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    DDC: 306.01
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    Keywords: Geschichte 1896-2015 ; Cultural Theory ; Diaspora ; Latin American/Caribbean Literature ; Latin American Culture ; Culture—Study and teaching ; Emigration and immigration ; Latin American literature ; Ethnology—Latin America ; Literatur ; Anthropogeografie ; Französisch ; Grenze ; Spanisch ; Englisch ; Sozialgeografie ; Karibik ; Film ; Grenze ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Englisch ; Französisch ; Spanisch ; Literatur ; Film ; Karibik ; Grenze ; Geschichte 1896-2015 ; Karibik ; Grenze ; Anthropogeografie ; Sozialgeografie
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030407520
    Language: English
    Pages: 1 Online-Ressource (XIII, 307 p. 1 illus)
    Edition: 1st ed. 2020
    Series Statement: Palgrave Gothic
    Parallel Title: Erscheint auch als
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    DDC: 305.3
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    Keywords: Geschichte 1850-1945 ; Culture and Gender ; Gothic Fiction ; Culture ; Gender ; Gothic fiction (Literary genre) ; Gespenstergeschichte ; Autorin ; Englisch ; Frauenliteratur ; Englisch ; Autorin ; Gespenstergeschichte ; Geschichte 1850-1945 ; Englisch ; Frauenliteratur ; Gespenstergeschichte ; Geschichte 1850-1945
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
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    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030287689
    Language: English
    Pages: 1 Online-Ressource (XIV, 337 p. 6 illus., 3 illus. in color)
    Edition: 1st ed. 2019
    Parallel Title: Erscheint auch als
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    DDC: 302.30285
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    Keywords: Social Media ; Popular Science in Linguistics ; Discourse Analysis ; Political Communication ; British Politics ; Pragmatics ; Social media ; Linguistics ; Discourse analysis ; Political communication ; Great Britain—Politics and government ; Pragmatics ; Metapher ; Politische Sprache ; Brexit ; Englisch ; Englisch ; Politische Sprache ; Metapher ; Brexit
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
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    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030249892
    Language: English
    Pages: 1 Online-Ressource (xiii, 238 Seiten) , Illustrationen
    Edition: 1st ed. 2019
    Series Statement: Palgrave Studies in Minority Languages and Communities
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    DDC: 306.44
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    Keywords: Geschichte 1893-2014 ; Minority Languages ; Sociolinguistics ; Linguistic Anthropology ; Latin American Culture ; Latin American History ; Linguistic minorities ; Sociolinguistics ; Linguistic anthropology ; Ethnology—Latin America ; Latin America—History ; Guaraní ; Australischer Einwanderer ; Sprachwechsel ; Spanisch ; Kolonie ; Englisch ; Sprachkontakt ; Paraguay ; Paraguay ; Australischer Einwanderer ; Kolonie ; Englisch ; Spanisch ; Guaraní ; Sprachkontakt ; Sprachwechsel ; Geschichte 1893-2014
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
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    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319721620
    Language: English
    Pages: Online-Ressource (VII, 182 p, online resource)
    Series Statement: Language, Style and Literature
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Erscheint auch als Bray, Joe, 1971 - The language of Jane Austen
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    Keywords: Literature, Modern 18th century ; Poetry ; British literature ; Philology ; Language and languages Style ; Linguistics ; Linguistics ; Literature, Modern 18th century ; Poetry ; British literature ; Philology ; Language and languages Style ; Austen, Jane 1775-1817 ; Sprachstil ; Austen, Jane 1775-1817 ; Sprachstil
    Abstract: Joe Bray’s careful analysis of Jane Austen’s stylistic techniques reveals that the genius of her writing is far from effortless; rather he makes the case for her as a meticulous craftswoman and a radical stylistic pioneer. Countering those who have detected in her novels a dominant, authoritative perspective, Bray begins by highlighting the complex, ever-shifting and ambiguous nature of the point of view through which her narratives are presented. This argument is then advanced through an exploration of the subtle representation of speech, thought and writing in Austen’s novels. Subsequent chapters investigate and challenge the common critical associations of Austen’s style with moral prescriptivism, ideas of balance and harmony, and literal as opposed to figurative expression. The book demonstrates that the wit and humour of her fiction is derived instead from a complex and subtle interplay between different styles. This compelling reassessment of Austen’s language will offer a valuable resource for students and scholars of stylistics, English literature and language and linguistics
    Abstract: Introduction -- Chapter 1: Point of View -- Chapter 2: The Representation of Speech -- Chapter 3: The Representation of Thought -- Chapter 4: The Representation of Writing -- Chapter 5: Morality and Vulgarity -- Chapter 6: Balance and Disharmony -- Chapter 7: Literal and Figurative -- Conclusion: After Reading
    Note: Includes bibliographical references and index
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    URL: Cover
    URL: Cover
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  • 12
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319326245
    Language: English
    Pages: 1 Online-Ressource (X, 256 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Palgrave Studies in Nineteenth-Century Writing and Culture
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature Philosophy ; Literature, Modern 19th century ; British literature ; British literature. ; Literature, Modern—19th century. ; Literature—Philosophy.
    Abstract: This book examines the construction of adolescent girlhood across a range of genres in the closing decades of the nineteenth century. It argues that there was a preoccupation with defining, characterising and naming adolescent girlhood at the fin de siècle. These ‘daughters of today’, ‘juvenile spinsters’ and ‘modern girls’, as the press variously termed them, occupying a borderland between childhood and womanhood, were seen to be inextricably connected to late nineteenth-century modernity: they were the products of changes taking place in education and employment and of the challenge to traditional conceptions of femininity presented by the Woman Question. The author argues that the shifting nature of the modern adolescent girl made her a malleable cultural figure, and a meeting point for many of the prevalent debates associated with fin-de-siècle society. By juxtaposing diverse material, from children’s books and girls’ magazines to New Woman novels and psychological studies, the author contextualises adolescent girlhood as a distinct but complex cultural category at the end of the nineteenth century
    Abstract: Introduction: Debating and Defining Adolescent Girlhood at the Fin de Siècle -- 1. Classifying Girlhood, Creating Heroines: Aspiration, Community and Competition in the Girl’s Own Paper and the Girl’s Realm -- 2. Making Transitions in fin-de-siècle Girls’ School Stories, 1886-1906 -- 3. ‘Flowering into womanhood’? The New Woman and the New Girl -- 4. ‘Development and Arrest of Development’: Sarah Grand’s ‘Girls of Today’ -- 5. Professionalizing the Modern Girl: Ella Hepworth Dixon, W.T. Stead and Journalism for Girls -- Coda: Voyaging Out -- Bibliography -- Index.-
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  • 13
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    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319340456
    Language: English
    Pages: 1 Online-Ressource (XI, 248 p. 2 illus)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Modern and Contemporary Poetry and Poetics
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; America Literatures ; Poetry ; British literature ; Poetry. ; British literature. ; Literature—Philosophy. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; America—Literatures.
    Abstract: This study engages the life of form in contemporary innovative poetries through both an introduction to the latest theories and close readings of leading North American and British innovative poets. The critical approach derives from Robert Sheppard’s axiomatic contention that poetry is the investigation of complex contemporary realities through the means (meanings) of form. Analyzing the poetry of Rosmarie Waldrop, Caroline Bergval, Sean Bonney, Barry MacSweeney, Veronica Forrest-Thomson, Kenneth Goldsmith, Allen Fisher, and Geraldine Monk, Sheppard argues that their forms are a matter of authorial design and readerly engagement
    Abstract: Preface -- Introduction: Form, Forms and Forming -- 1. Veronica Forrest-Thomson: Poetic Artifice and Naturalization in Theory and Practice -- 2. Convention and Constraint: Form in the Innovative Sonnet Sequence -- 3. Translation as Transformation: Tim Atkins’ and Peter Hughes’ Petrarch -- 4. Meddling the Medieval: Caroline Bergvall and Erín Moure -- 5. Translation as Occupation: Simon Perril and Sean Bonney -- 6. Rosmarie Waldrop: Poetics, Wild Forms and Palimpsest Prose -- 7. The Trace of Poetry and the Non-Poetic: Conceptual Writing and Appropriation in Kenneth Goldsmith, Vanessa Place and John Seed -- 8. Stefan Themerson: Iconopoeia and Thought-Experiments in the Theater of Semantic Poetry -- 9. The Making of the Book: Bill Griffiths and Allen Fisher -- 10. Geraldine Monk’s Poetics and Performance: Catching Form in the Act -- 11. Form and the Antagonisms of Reality: Barry MacSweeney’s Sin Signs -- Notes -- Bibliography -- Index
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  • 14
    ISBN: 9783319313887
    Language: English
    Pages: 1 Online-Ressource (XVI, 283 p. 1 illus)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: New Directions in Irish and Irish American Literature
    Parallel Title: Printed edition
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    Keywords: Literature ; Ethnology Europe ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; British literature. ; Fiction. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Ethnology—Europe.
    Abstract: This book elucidates the ways the pained and suffering body has been registered and mobilized in specifically Irish contexts across more than four hundred years of literature and culture. There is no singular approach to what pain means: the material addressed in this collection covers diverse cultural forms, from reports of battles and executions to stage and screen representations of sexual violence, produced in response to different historical circumstances in terms that confirm our understanding of how pain - whether endured or inflicted, witnessed or remediated - is culturally coded. Pain is as open to ongoing redefinition as the Ireland that features in all of the essays gathered here. This collection offers new paradigms for understanding Ireland’s literary and cultural history
    Abstract: Introduction -- Introduction: The Body in Pain in Irish Literature and Culture; Fionnuala Dillane, Naomi McAreavey and Emilie Pine -- 1. Where Does It Hurt? How Pain Makes History in Early Modern Ireland; Patricia Palmer -- 2. 'Most barbarously and inhumaine maner butchered’: Masculinity, Trauma and Memory in Early Modern Ireland; Dianne Hall -- 3. ‘Those Savage Days of Memory’: John Temple and his Narrative of the 1641 Uprising; Sarah Covington -- 4. Severed Heads and Floggings: The Undermining of Oblivion in Ulster in the Aftermath of 1798; Guy Beiner -- 5. ‘Tá mé ag imeacht’: The Execution of Myles Joyce and its Afterlives; Margaret Kelleher -- 6. Pain, Trauma and Memory in the Irish War of Independence: Remembering and Contextualizing Irish Suffering; Ian Miller -- 7. Pain, Pleasure and Revolution: The Body in Roger Casement’s Writings; Michael G. Cronin -- 8. ‘Targets of Shame’: Negotiating the Irish Female Migrant Experience in Kathleen Nevin’s You’ll Never Go Back (1946) and Kate O’Brien’s Mary Lavelle (1936); Sinéad Wall -- 9. ‘Intertextual quotation’: Troubled Irish Bodies and Jewish Intertextual Memory in Colum McCann’s ‘Cathal’s Lake’ and ‘Hunger Strike’; Alison Garden -- 10. The Vulnerable Body on Stage: Reading Interpersonal Violence in Rape as Metaphor; Lisa Fitzpatrick -- 11. Recovery and Forgetting: Haunting Remains in Northern Irish Culture; Shane Alcobia Murphy -- 12. ‘That’s not so comfortable for you, is it?’: The Spectre of Misogyny in The Fall; Caroline Magennis -- 13. ‘The Art of Grief’: Irish Women’s Poetry of Loss and Healing; Catriona Clutterbuck -- Bibliography -- Index
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  • 15
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319406794
    Language: English
    Pages: 1 Online-Ressource (VII, 194 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Palgrave Studies in Nineteenth-Century Writing and Culture
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature, Modern 19th century ; Fine arts ; British literature ; British literature. ; Fine arts. ; Literature, Modern—19th century.
    Abstract: Representing Realists in Victorian Literature and Criticism is a valuable contribution to scholarship on the emergence of realism as a coherent method and genre-both in Victorian literature and visual art. By attending to the ways in which realism was the subject of debate throughout the nineteenth-century, Representing Realists asks us to rethink the way “realism” was deployed as a tool for negotiating between genres and classes, for framing national and colonial identities, and for theorizing the relationship between art and the social. Simply put, Representing Realists is essential reading for scholars and students alike. - Daniel A. Novak, The University of Mississippi, Oxford, USA This book is about the historical moment when writers and critics first used the term “realism” to describe representation in literature and painting. While scholarship on realism tends to proceed from an assumption that the term has a long-established meaning and history, this book reveals that mid-nineteenth-century critics and writers first used the term reluctantly, with much confusion over what it might actually mean. It did not acquire the ready meaning we now take for granted until the end of the nineteenth century. In fact, its first definitions came primarily by way of example and analogy, through descriptions of current practitioners, or through fictionalized representations of artists. By investigating original debates over the term “realism,” this book shows how writers simultaneously engaged with broader concerns about the changing meanings of what was real and who had the authority to decide this
    Abstract: Introduction -- 1. Pre-Raphaelitism as Realism -- 2. Realistic Poetry -- 3. Realist Propaganda -- 4. The Realism of Doubt -- 5. The Realist Con Artist -- Afterword -- Bibliography -- Index --
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  • 16
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    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319328386
    Language: English
    Pages: 1 Online-Ressource (XII, 236 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature, Modern 19th century ; Poetry ; Fiction ; British literature ; British literature. ; Fiction. ; Poetry. ; Literature, Modern—19th century.
    Abstract: This book is about the resonance and implications of the idea of ‘eternal recurrence’, as expounded notably by Nietzsche, in relation to a range of nineteenth-century literature. It opens up the issue of repetition and cyclical time as a key feature of both poetic and prose texts in the Victorian/Edwardian period. The emphasis is upon the resonance of landscape as a vehicle of meaning, and upon the philosophical and aesthetic implications of the doctrine of ‘recurrence’ for the authors whose work is examined here, ranging from Tennyson and Hallam to Swinburne and Hardy. The book offers radically new light on a range of central nineteenth-century texts
    Abstract: Introduction -- 1. Introduction -- 2. Romantic Fragments: The Poetry of Arthur Hallam -- 3. Young Tennyson and the Orient -- 4. Morte’d’Arthur: The Landscape of Eternal Return -- 5. Friendship and Melancholia: In Memoriam LXXXV -- 6. Richard Jefferies: Seeking the Beyond -- 7. ‘Time’s Mindless Rote’: Evolution and Recurrence in Hardy -- 8. Tess’s Boots: Hardy and Van Gogh -- 9. The Isle of Slingers: Hardy and Portland Bill -- 10. ‘Before the Mirror’: Swinburne, Hardy, Kristeva -- Bibliography -- Index
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  • 17
    ISBN: 9783319342047
    Language: English
    Pages: 1 Online-Ressource (XI, 203 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Arthurian and Courtly Cultures
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature, Medieval ; European literature ; British literature ; Literature, Medieval. ; British literature. ; European literature. ; Malory, Thomas 1410-1471 Le morte Darthur ; Frau
    Abstract: Offering a new reading of Malory’s famed text, Le Morte Darthur, this book provides the first full-length survey of the alterations Malory made to female characters in his source texts. Through detailed comparisons with both Old French and Middle English material, Siobhán M. Wyatt discusses how Malory radically altered his French and English source texts to create a gendered pattern in the reliability of speech, depicting female discourse as valuable and truthful. Malory’s authorial crafting indicates his preference for a certain “type” of female character: self-governing, opinionated, and strong. Simultaneously, the portrayal of this very readable “type” yields characterization. While late medieval court records indicate an increasingly negative attitude towards female speech and a tendency to punish vociferous women as “scolds,” Malory makes the words of chiding damsels constructive. While his contemporary writers suppress the powers of magical women, Malory empowers his enchantress characters; while the authors of his French source texts accentuate Guinevere’s flaws, Malory portrays her with sympathy
    Abstract: Introduction -- Chapter One: The Ill-speaking Woman and the Marriageable Lady -- Chapter Two: Magical and Miraculous Women -- Chapter Three: ‘Whyle She Might Be Suffirde’: Ladies In (Unrequited) Love -- Chapter Four: True Lovers and Adulterous Queens -- Conclusion
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  • 18
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319335339
    Language: English
    Pages: 1 Online-Ressource (VII, 304 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Crime Files
    Parallel Title: Printed edition
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    Keywords: Literature ; Ethnology Europe ; Literature, Modern 20th century ; Sociology ; Gender identity ; Fiction ; British literature ; Sex (Psychology) ; Gender expression ; Fiction. ; British literature. ; Sex (Psychology). ; Gender expression. ; Literature, Modern—20th century. ; Ethnology—Europe. ; Christie, Agatha 1890-1976 ; Geschlechterforschung
    Abstract: This book is the first fully theorized queer reading of a Golden Age British crime writer. Agatha Christie was the most commercially successful novelist of the twentieth century, and her fiction remains popular. She created such memorable characters as Hercule Poirot and Jane Marple, and has become synonymous with a nostalgic, conservative tradition of crime fiction. J.C. Bernthal reads Christie through the lens of queer theory, uncovering a playful, alert, and subversive social commentary. After considering Christie’s emergence in a commercial market hostile to her sex, in Queering Agatha Christie Bernthal explores homophobic stereotypes, gender performativity, queer children, and masquerade in key texts published between 1920 and 1952. Christie engaged with debates around human identity in a unique historical period affected by two world wars. The final chapter considers twenty-first century Poirot and Marple adaptations, with visible LGBT characters, and poses the question: might the books be queerer?
    Abstract: Introduction -- Chapter 1. Constructing Agatha Christie -- Chapter 2. English Masculinity and its Others -- Chapter 3. Femininity and Masquerade -- Chapter 4. Queer Children, Crooked Houses -- Chapter 5. Queering Christie on Television -- Conclusion
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  • 19
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319326610
    Language: English
    Pages: 1 Online-Ressource (XI, 218 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature History and criticism ; Literature, Modern 20th century ; British literature ; British literature. ; Literature, Modern—20th century. ; Literature—History and criticism. ; Englisch ; Gothic novel ; Moderne
    Abstract: This book explores the complex relationship between British modernism and the Gothic tradition over several centuries of modern literary and cultural history. Illuminating the blind spots of Gothic criticism and expanding the range of cultural material that falls under the banner of this tradition, Daniel Darvay focuses on how late nineteenth- and early twentieth-century British writers transform the artifice of Gothic ruins into building blocks for a distinctively modernist architecture of questions, concerns, images, and arguments. To make this argument, Darvay takes readers back to early exemplars of the genre thematically rooted in the English Reformation, tracing it through significant Victorian transformations to finally the modernist period. Through writers such as Oscar Wilde, Joseph Conrad, Virginia Woolf, E. M. Forster, and D. H. Lawrence, this book ultimately expands the boundaries of the Gothic genre and provides a fresh, new approach to better understanding the modernist movement
    Abstract: Preface -- Introduction: Catholicism, Sacrilege and the Modern Gothic -- Labyrinths of Reason from Augustine to Wilde -- Specters of Conrad: Espionage and the Modern West -- The Haunted Museum: E. M. Forster, Italy, and the Grand Tour -- Detectives of the Mind: Virginia Woolf and the Gothic Sublime -- Dark Vibes: D. H. Lawrence and Occult Electricity -- Conclusion -- Notes -- Bibliography
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  • 20
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319302881
    Language: English
    Pages: 1 Online-Ressource (237 Seiten)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
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    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; Irland ; Kurzgeschichte ; Englisch ; Frauenliteratur
    Abstract: This book traces the development of the modern short story in the hands of Irish women writers from the 1890s to the present. George Egerton, Somerville and Ross, Elizabeth Bowen, Mary Lavin, Edna O’Brien, Anne Enright and Claire Keegan are only some of the many Irish women writers who have made lasting contributions to the genre of the modern short story - yet their achievements have often been marginalized in literary histories, which typically define the Irish short story in terms of its oral heritage, nationalist concerns, rural realism and outsider-hero. Through a detailed investigation of the short fiction of fifteen prominent writers, this study aims to open up this critical conceptualization of the Irish short story to the formal properties and thematic concerns women writers bring to the genre. What stands out in thematic terms is an abiding interest in human relations, whether of love, the family or the larger community. In formal terms, this book traces the overall development of the Irish short story, highlighting both the lines of influence that connect these writers and the specific use each individual author makes of the short story form
    Abstract: Acknowledgments -- Introduction -- 1. Mothers of the Irish Short Story: George Egerton and Somerville and Ross -- 2. Houses and Homes in the Short Stories of Elizabeth Bowen and Maeve Brennan -- 3. Mary Lavin’s Relational Selves -- 4. Staging the Community in Irish Short Fiction: Choruses, Cycles and Crimes -- 5. The Rebellious Daughters of Edna O’Brien and Claire Keegan -- 6. Double Visions: The Metafictional Stories of Éilís Ní Dhuibhne, Enright and Donoghue -- Bibliography -- Index
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  • 21
    Online Resource
    Online Resource
    Cham : Imprint: Palgrave Macmillan | Cham : Springer International Publishing
    ISBN: 9783319327624
    Language: English
    Pages: 1 Online-Ressource(XI, 190 p.)
    Edition: 1st ed. 2016.
    Series Statement: Critical Approaches to Children's Literature
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Children's literature. ; British literature. ; Literature, Modern—19th century. ; Literature ; Literature, Modern 19th century ; Children's literature ; British literature
    Abstract: Introduction: Emerging Identities and the Practice of Possibility -- Imagining the Abject in Kingsley, MacDonald, and Carroll: Disrupting Dominant Values and Cultural Identity in Children’s Literature -- Gender, Abjection, and Coming of Age: Games, Dolls, and Stories.-Constructing the Self: Connection and Separation -- Giving Voice to Abjection: Experience and Empathy -- Engendering Abjection’s Sublime: Frances Hodgson Burnett’s The Secret Garden -- Embodying Herethics: Rossetti’s Speaking Likenesses -- Conclusion—Abjection’s Sublime: Imagining Love -- Notes -- Bibliography. .
    Abstract: This book reveals how the period’s transforming identities affected by social, economic, religious, and national energies offers rich opportunities in which to analyze the relationship between identity and transformation. At the heart of this study is this question: what is the relationship between Victorian children’s literature, its readers, and their psychic development? Ruth Y. Jenkins uses Julia Kristeva’s theory of abjection to uncover the presence of cultural anxieties and social tensions in works by Kingsley, MacDonald, Carroll, Stevenson, Burnett, Ballantyne, Nesbit, Tucker, Sewell, and Rossetti. .
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  • 22
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319410784
    Language: English
    Pages: Online-Ressource (XVII, 364 p, online resource)
    Series Statement: Perspectives in Pragmatics, Philosophy & Psychology 8
    Series Statement: Springer eBook Collection
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg.
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    Keywords: Linguistics ; Language and languages Philosophy ; Sociolinguistics ; Pragmatics ; Linguistics ; Language and languages Philosophy ; Sociolinguistics ; Pragmatics ; Englisch ; Indirekte Rede ; Pragmatik
    Abstract: Preface -- Acknowledgements -- Putting the threads together -- On the social practice of indirect reports -- On the (complicated) relationship between direct and indirect reports -- Indirect reports as language games -- Indirect reports and footing -- Reporting non-serious speech -- Indirect reports and slurring -- Indirectly reporting and translating slurring utterances -- Belief reports and pragmatic intrusion (the case of null appositives) -- The pragmatics of attitudes ‘de se’ -- Consequences of the pragmatics of ‘de se’ -- Impure ‘de se’ thoughts and pragmatics (and how this is relevant to pragmatics and IEM) -- Attributions of propositional attitude and pragmatic intrusion -- Simple sentences, substitution and embedding explicatures (the case of implicit indirect reports) -- General Conclusion.
    Abstract: This monograph on indirect reports offers insights on the semantics/pragmatics interface and a refinement of the notion of explicature. The volume is written in an engaging style and guides the reader through the theoretical problems and their ramifications. The thorniest problem in the study of indirect reports is their polyphonic nature, and how the listener distinguishes between the reporter’s voice and the original speaker’s voice, either by contextual clues or, in the absence of such clues, by resorting to pragmatic principles. The introductory chapter discusses the main issues that will be addressed in the volume. The next chapters focus on the various aspects of indirect reports, covering both theory and practical applications. .
    Note: Includes bibliographical references
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  • 23
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319302195
    Language: English
    Pages: 1 Online-Ressource (X, 188 p. 1 illus. in color)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature, Modern 19th century ; British literature ; America Literatures ; Literature ; Literature, Modern 19th century ; British literature ; America Literatures
    Abstract: This book argues that theology is central to an understanding of the literary ghost story. Victorian ghost stories have traditionally been read in the context of agnosticism - as stories which reveal a society struggling with Christian orthodoxy in a new ‘Enlightened’ world. This book, however, uses theological ideas from St Augustine through to modern theologians to identify a theological journey taken by the protagonists of such stories, and charts each stage of this journey through the short stories it examines. It also proposes a theory of reader participation which creates an imaginary space in which modern epistemology is suspended. The book studies the work of four major authors of the supernatural tale: Arthur Machen, M.R. James, Sheridan Le Fanu and Henry James
    Note: Description based upon print version of record
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  • 24
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319326870
    Language: English
    Pages: Online-Ressource (XX, 234 p. 11 illus. in color, online resource)
    Series Statement: English for Academic Research
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg.
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    Keywords: Grammar ; English language ; Language and education ; Linguistics ; Linguistics ; Grammar ; English language ; Language and education ; Englischunterricht ; Englisch ; Wissenschaftssprache
    Abstract: Part 1.ACADEMIC WRITTEN ENGLISH: WHAT IT IS AND HOW TO TEACH IT -- 1. WHAT IS EAP / SCIENTIFIC ENGLISH? WHAT DO I NEED TO DO TO PREPARE MYSELF TO TEACH SCIENTIFIC ENGLISH? -- 2. THE RESEARCH AND PUBLICATION PROCESS: WHY PAPERS GET REJECTED -- 3. READABILITY -- 4. DIFFICULT GRAMMATICAL STRUCTURES AND OTHER TYPICAL ASPECTS OF ACADEMIC ENGLISH THAT MAY BE BEST LEFT WELL ALONE -- 5. USING GOOGLE TRANSLATE AND ANALYSING STUDENT- AND GT- GENERATED MISTAKES -- 6. TEACHING STUDENTS TO RECOGNIZE THE PROS AND CONS OF SHORT AND LONG SENTENCES -- 7. USING STUDENTS' OWN MATERIALS -- 8. SHOWING HOW SKILLS TAUGHT IN YOUR WRITING COURSE ARE ALSO APPLICABLE IN OTHER AREAS OF COMMUNICATION -- Part 2. ACADEMIC PRESENTATIONS: WHAT THEY ARE AND HOW TO TEACH THEM -- 9. TEACHER'S PREPARATION -- 10. GETTING STUDENTS TO THINK ABOUT PRESENTATIONS -- 11. USING TED -- 12. GIVING FEEDBACK AND TEACHING SELF EVALUATION -- 13. WORKING ON STUDENTS' PRONUNCIATION -- 14. STUDENTS' PROGRESS -- Part 3 -- 15. HOW TO INJECT SOME FUN INTO YOUR LESSONS / MAKING COMPARISONS WITH OTHER AREAS OUTSIDE ACADEMIA -- GIVING STUDENTS ADVICE, DEALING WITH THEIR RESISTANCE, HANDLING DIFFERENT NATIONALITIES -- Part 4 -- 17. CREATING A SYLLABUS -- 18. WHAT'S THE BUZZ? -- 19. WRITING COURSE: LESSON PLANS -- 20. PRESENTATIONS COURSE: LESSON PLANS.
    Abstract: Scientific English is possibly the most rewarding area of EFL teaching. It differs from English for Academic Purposes (EAP) as it is directed to a much smaller audience: PhD and postdoc students. Courses on Scientific English are held in universities throughout the world, yet there is very little support for teachers in understanding what to teach and how to teach it. This guide is part of the English for Academic Research series. Part 1 of the book sheds light on the world of academia, the writing of research papers, and the role of journal editors and reviewers. Part 2 gives practical suggestions on how to help your students improve their presentation skills. In Part 3 you will learn how to teach academic skills using nonacademic examples. Parts 1-3 are thus useful for anyone involved in teaching academic English, whether they have used the other books in the series or not. Part 4 suggests two syllabuses for teaching writing and presenting skills, based on the two core books: English for Writing Research Papers English for Presentations at International Conferences This book will help you i) understand the world of your students (i.e. academic research), ii) plan courses, and iii) exploit the What's the Buzz? sections in the books on Writing, Presentations, Correspondence and Interacting on Campus. Adrian Wallwork has written over 30 books covering General English (Cambridge University Press, Scholastic), Business English (Oxford University Press), and Scientific English (Springer). He has trained several thousand PhD students from all over the world to write and present their research. Adrian also runs a scientific editing service: English for Academics (E4AC).
    Note: Description based upon print version of record
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  • 25
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319291024
    Language: English
    Pages: 1 Online-Ressource (XII, 246 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Literature ; Literature History and criticism ; Literature, Modern 19th century ; Fiction ; Technology in literature ; British literature ; Literature ; Literature History and criticism ; Literature, Modern 19th century ; Fiction ; Technology in literature ; British literature ; Hardy, Thomas 1840-1928 ; Kommunikation ; Post ; Telegramm
    Abstract: This book explores the relationship between Thomas Hardy’s works and Victorian media and technologies of communication - especially the penny post and the telegraph. Through its close analysis of letters, telegrams, and hand-delivered notes in Hardy’s novels, short stories, and poems, it ties together a wide range of subjects: technological and infrastructural developments; material culture; individual subjectivity and the construction of identity; the relationship between private experience and social conventions; and the new narrative possibilities suggested by modern modes of communication
    Note: Description based upon print version of record
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  • 26
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319264356
    Language: English
    Pages: Online-Ressource (XVI, 238 p. 2 illus, online resource)
    Edition: 2nd ed. 2016
    Series Statement: English for Academic Research
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg.
    RVK:
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    Keywords: Grammar ; English language ; Language and education ; Linguistics ; Linguistics ; Grammar ; English language ; Language and education ; Hochschule ; Englisch
    Abstract: 1. Subject Lines -- 2. Salutations -- 3. Structuring the content of an email -- 4. Building a Relationship and Deciding the Level of Formality -- 5. Language, Translating and Spelling -- 6. Requests and Replies -- 7. Cover letters for summer schools, internships, placements, Erasmus, PhD / MA / Postdoc programs -- 8. Reference letters -- 9. Brief notes on writing research proposals and research statements -- 10. How to criticize constructively -- 11. Writing a Peer Review -- 12. Writing a Reply to the Reviewers’ Reports -- 13. Communicating with the Editor -- 14. Useful phrases -- 15. Tense Usage. .
    Abstract: Written specifically for researchers of all disciplines whose first language is not English, this guide presents easy-to-follow rules and tips, along with authentic examples taken from real emails, referees' reports and cover letters, will show you how to: write effective emails (subject lines, structure, requests, level of formality) review other people's manuscripts reply effectively and constructively to referees' reports correspond with editors write letters regarding summer schools, internships, and PhD and postdoc programs write reference letters This new edition contains over 40% new material, including stimulating factoids and discussion points both for self-study and in-class use, as well as suggestions for drafting proposals for research projects and writing research statements. EAP teachers will find this book to be a great source of tips for training students, and for providing both instructive and entertaining lessons. Other books in the series cover: writing research papers; presentations at international conferences; English grammar, usage and style; and interacting on campus; plus exercise books and a teacher's guide to the whole series. Please visit http://www.springer.com/series/13913 for a full list of titles in the series. Adrian Wallwork is the author of more than 30 ELT and EAP textbooks. He has trained several thousand PhD students and academics from 35 countries to write research papers, prepare presentations, and communicate with editors, referees and fellow researchers.
    Note: Description based upon print version of record
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  • 27
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319289915
    Language: English
    Pages: 1 Online-Ressource (IX, 280 p)
    Series Statement: New Directions in Irish and Irish American Literature
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature
    Abstract: This book uncovers a new genre of ‘post-Agreement literature’, consisting of a body of texts - fiction, poetry and drama - by Northern Irish writers who were born during the Troubles but published their work in the aftermath of the Good Friday Agreement. In an attempt to demarcate the literary-aesthetic parameters of the genre, the book proposes a selective revision of postcolonial theories on ‘liminality’ through a subset of concepts such as ‘negative liminality’, ‘liminal suspension’ and ‘liminal permanence.’ These conceptual interventions, as the readings demonstrate, help articulate how the Agreement’s rhetorical negation of the sectarian past and its aggressive neoliberal campaign towards a ‘progressive’ future breed new forms of violence that produce liminally suspended subject positions
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  • 28
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319409283
    Language: English
    Pages: 1 Online-Ressource (XV, 266 p. 27 illus., 18 illus. in color)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Palgrave Studies in Adaptation and Visual Culture
    Parallel Title: Printed edition
    DDC: 301
    RVK:
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    Keywords: Culture Study and teaching ; Ethnology Europe ; Motion pictures. ; Motion pictures Great Britain ; Motion picture authorship ; British literature ; Motion pictures ; British literature. ; Motion picture authorship. ; Ethnology—Europe. ; Motion pictures—Great Britain. ; Cultural policy. ; Electronic books ; Friel, Brian 1929-2015 Dancing at Lughnasa ; Verfilmung ; Dancing at Lughnasa ; O'Flaherty, Liam 1896-1984 The informer ; O'Casey, Sean 1880-1964 The plough and the stars ; Shaw, Bernard 1856-1950 ; Verfilmung ; Wilde, Oscar 1854-1900 The importance of being earnest ; Verfilmung ; Huston, John 1906-1987 ; The dead ; Joyce, James 1882-1941 The dead ; Tuberkulose ; Liebe ; Jugendliebe ; Wilde, Oscar 1854-1900 The picture of Dorian Gray ; Verfilmung ; The picture of Dorian Gray 1945 ; Irland ; Irisch ; Drama ; Prosa ; Verfilmung ; Brown, Christy 1932-1981 ; Cerebralsklerose ; Sheridan, Jim 1949- ; Verfilmung
    Abstract: This book offers the first comprehensive discussion of the relationship between Modern Irish Literature and the Irish cinema, with twelve chapters written by experts in the field that deal with principal films, authors, and directors. This survey outlines the influence of screen adaptation of important texts from the national literature on the construction of an Irish cinema, many of whose films because of cultural constraints were produced and exhibited outside the country until very recently. Authors discussed include George Bernard Shaw, Oscar Wilde, Liam O’Flaherty, Christy Brown, Edna O’Brien, James Joyce, and Brian Friel. The films analysed in this volume include THE QUIET MAN, THE INFORMER, MAJOR BARBARA, THE GIRL WITH GREEN EYES, MY LEFT FOOT, THE PICTURE OF DORIAN GRAY, THE SNAPPER, and DANCING AT LUGHNASA. The introduction features a detailed discussion of the cultural and political questions raised by the promotion of forms of national identity by Ireland’s literary and cinematic establishments
    Abstract: Introduction: Modern Irish Drama and Fiction on Screen. Barton Palmer and Marc Conner -- 1. Liam O’Flaherty’s The Informer and the aesthetics of terror. Homer Pettey -- 2. Deconstructing Political Adaptations: Sean O’Casey’s The Plough and the Stars. Laurence Raw -- 3. Genre and Charisma in Shaw’s Major Barbara. Doug McFarland -- 4. Lewin’s Wilde: Aestheticism, Moralism, and Hollywood. Edward Adams -- 5. ‘Wonderful and Incomparable Beauty’: Adapting Period Aesthetic for The Importance of Being Earnest. Jennifer Jenkins -- 6. The Quiet Man: From Story to Film. Michael Patrick Gillespie -- 7. The Girl with Green Eyes. R. Barton Palmer -- 8. John Huston’s ‘The Dead’. Coilin Owens -- 9. Sheridan’s Supercrip: Daniel Day-Lewis and the Wonder of My Left Foot. Tiffany Gilbert -- 10. Roddy Doyle’s The Barrytown Trilogy and Filming Ireland’s ‘New Picture’. Julieann Ulin -- 11. 1960s Popular Culture in 1960s Provincial Ireland: Neil Jordan’s The Butcher Boy. Michael Kissane -- 12. The Ritual of Memory in Friel’s Dancing at Lughnasa. Marc Conner
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  • 29
    ISBN: 9783319110929
    Language: English
    Pages: Online-Ressource (XV, 247 p. 28 illus., 13 illus. in color, online resource)
    Series Statement: Second Language Learning and Teaching
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Teaching and researching the pronunciation of English
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    Keywords: Applied linguistics ; Language and languages ; Linguistics ; Linguistics ; Applied linguistics ; Language and languages ; Aufsatzsammlung ; Englisch ; Aussprache ; Sprachunterricht
    Abstract: The book contains contributions from practitioners and theoreticians who explore the pronunciation of English from various perspectives: phonetic, phonological, psycholinguistic and sociolinguistic. In accordance with the unifying theme of the volume, individual contributions investigate the characteristics of a foreign accent, its production and perception, study the development of methods and techniques in pronunciation teaching, evaluate their use in classroom materials and in the classroom itself, and investigate the conditions for second language learning and teaching from the perspective of learners and teachers. The book offers a unique combination of a scholarly research with practical applications, inspired over the years by the work of Professor Włodzimierz Sobkowiak, who has researched pronunciation teaching and pioneered technology-oriented, corpus-based approaches to the study of English pronunciation in Poland
    Description / Table of Contents: Preface; Contents; Notes on Contributors; Part ITeaching the Pronunciationof English; 1 Exploring Advanced Learners' Beliefs About Pronunciation Instruction and Their Relationship with Attainment; Abstract; 1 Introduction; 2 Previous Research on Beliefs About Pronunciation Learning and Teaching; 3 The Study; 3.1 Aims and Research Questions; 3.2 Participants; 3.3 Data Collection and Analysis; 3.4 Research Findings; 4 Discussion; 5 Conclusion; References; 2 `Polglish' in Polish Eyes: What English Studies Majors Think About Their Pronunciation in English; Abstract; 1 Introduction; 2 The Study
    Description / Table of Contents: 2.1 Methods2.1.1 Participants; 2.1.2 Participant Language Proficiency Profile; 2.1.3 Questionnaire Items Analysed in the Study; 2.2 Results and Analysis; 3 Discussion; 4 Conclusion; References; 3 Teaching English Phonetics with a Learner Response System; Abstract; 1 Introduction; 2 Introduction to Learner Response Systems or Clickers; 3 Clickers and Second Language Teaching/Learning; 4 Methods; 4.1 Participants; 4.2 Procedures; 4.3 Instruments; 4.3.1 Word Stress Test; 4.3.2 RP/GA Test; 4.3.3 Measurement of Students' Attitudes; 4.4 Treatment; 4.5 Findings
    Description / Table of Contents: 4.5.1 Presentation and Discussion of Quantitative Data4.5.2 Results of the Word Stress Test; 4.5.3 Results of the RP/GA Test; 4.5.4 Presentation and Discussion of Qualitative Data; 4.5.5 Class Observations; 4.5.6 Results of the Written Measure of Students' Attitudes---Part 1: Open Questions; 4.5.7 Results of the Written Measure of Students' Attitudes---Part 2: Questionnaire; 4.5.8 Semi-structured Interview; 5 Conclusions; A.x(118). Appendix; References; 4 Teaching English Pronunciation Online to Swedish Primary-School Teachers; Abstract; 1 Introduction; 1.1 English Teachers in Sweden
    Description / Table of Contents: 1.2 English Pronunciation in Swedish Schools1.3 Swedish Accent of English; 1.4 Teaching Pronunciation Online; 2 The Course; 2.1 Course; 2.2 Students; 2.3 Course Materials and Technologies; 2.4 Strategies; 2.4.1 Needs Analysis; 2.4.2 Individual Feedback from the Needs Analysis; 2.4.3 Texts Explaining the Pronunciation of Specific Sounds; 2.4.4 Web-Based Audio Lectures on these Texts; 2.4.5 Web-Based Lectures on English Articulatory Phonetics and Reading the IPA; 2.4.6 Perception Practice Activities; 2.4.7 Production Practice Activities; 2.4.8 Peer Feedback; 2.4.9 Second Feedback Session
    Description / Table of Contents: 3 Results3.1 Student Experience; 3.2 Outcome of Course; 4 Conclusions; References; 5 English Phonetic and Pronunciation Resources for Polish Learners in the Past and at Present; Abstract; 1 Introduction; 1.1 The Importance of Histography of Teaching and Learning Pronunciation; 1.2 The Evaluations of English Phonodidactics in Poland: Research Focus; 1.3 The Evaluation of the Phonetic Component in EFL Textbooks; 1.4 The Overview of Teaching Methods in EFL Phonetics Textbooks; 2 Method; 3 Results; 4 A Contrastive Look at TRAP Teaching in the Past and at Present; 5 Discussion; 6 Conclusions
    Description / Table of Contents: Acknowledgments
    Note: Description based upon print version of record
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