Skip to main content
Palgrave Macmillan

The Haunted House in Women’s Ghost Stories

Gender, Space and Modernity, 1850–1945

  • Book
  • © 2020

Overview

  • Explores representations of Victorian and modernist haunted houses in women’s ghost stories, 1850-1945, through the lens of spatial theory
  • Uncovers the gendered dimensions of the architectural uncanny and the hauntedness of home
  • Reconsiders the relations between gender, space and modernity in a transitional period

Part of the book series: Palgrave Gothic (PAGO)

This is a preview of subscription content, log in via an institution to check access.

Access this book

eBook USD 84.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 109.00
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (8 chapters)

Keywords

About this book

This book explores Victorian and modernist haunted houses in female-authored ghost stories as representations of the architectural uncanny. It reconsiders the gendering of the supernatural in terms of unease, denial, disorientation, confinement and claustrophobia within domestic space. Drawing on spatial theory by Gaston Bachelard, Henri Lefebvre and Elizabeth Grosz, it analyses the reoccupation and appropriation of space by ghosts, women and servants as a means of addressing the opposition between the past and modernity. The chapters consider a range of haunted spaces, including ancestral mansions, ghostly gardens, suburban villas, Italian churches and houses subject to demolition and ruin. The ghost stories are read in the light of women’s non-fictional writing on architecture, travel, interior design, sacred space, technology, the ideal home and the servant problem. Women writers discussed include Elizabeth Gaskell, Margaret Oliphant, Vernon Lee, Edith Wharton, May Sinclair and Elizabeth Bowen. This book will appeal to students and researchers in the ghost story, Female Gothic and Victorian and modernist women’s writing, as well as general readers with an interest in the supernatural.

Reviews

“Liggins draws together the different strands in her account of the female ghost story, providing an exceptional introduction to this often over-looked and under researched genre. This book will be of interest to scholars of women’s writing, ghost stories, and nineteenth-century fiction, as well as the general reader. It is an excellent companion to two recently reprinted short-story collections introduced by Liggins: Twilight Stories (1879) by Rhoda Broughton and Charlotte Riddell’s Weird Stories (1882).” (Kathleen Beal, BAVS Newsletter, Vol. 22 (2), 2022)

“This well-written book is a much needed re-examination of female ghost story writers and their representations … . Emma Liggins’s book sheds light onto an often-overlooked area of work, appealing to both expert and neophyte researchers in the field of the Female Gothic ghost story.” (Richard Jorge Fernández, English Studies, September 27, 2021)
“Drawing on recent scholarship as well as established traditions of thinking about the ghost story, Emma Liggins’ book constitutes a very useful contribution to an emerging critical field.  The argument explores ideas about space and identity, referring to thinkers like Bachelard and Irigaray, in especially interesting new ways. The book is lucid and articulate throughout and will be a useful resource for teaching.” (Dr Luke A. Thurston, Senior Lecturer in Modern Literature, Aberystwyth University)


“Emma Liggins takes us on a rich tour of the haunted houses and gardens of Victorian and modernist women’s writing. Bringing together female-authored short Gothic fiction and non-fiction including country house studies, art criticism and advice manuals, this carefully researched book reveals how female authors used spatial tropes to articulate their profound sense of unease about domesticity. The study’s chronological span from the mid-nineteenth century to the Second WorldWar charts the development of a shared spatial thematic in female-authored Gothic fiction while foregrounding the ruptures of modernity.” (Dr Minna Vuohelainen, City, University of London)

Authors and Affiliations

  • Manchester Metropolitan University, Manchester, UK

    Emma Liggins

About the author

Emma Liggins is Senior Lecturer at Manchester Metropolitan University. She has previously published Odd Women? Spinsters, Lesbians and Widows in British Women’s Fiction, 1850s-1930s (2014), as well as articles and chapters on Vernon Lee, Mary Elizabeth Braddon and modernist ghost stories.

Bibliographic Information

  • Book Title: The Haunted House in Women’s Ghost Stories

  • Book Subtitle: Gender, Space and Modernity, 1850–1945

  • Authors: Emma Liggins

  • Series Title: Palgrave Gothic

  • DOI: https://doi.org/10.1007/978-3-030-40752-0

  • Publisher: Palgrave Macmillan Cham

  • eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)

  • Copyright Information: The Editor(s) (if applicable) and The Author(s) 2020

  • Hardcover ISBN: 978-3-030-40751-3Published: 01 July 2020

  • Softcover ISBN: 978-3-030-40754-4Published: 01 July 2021

  • eBook ISBN: 978-3-030-40752-0Published: 30 June 2020

  • Series ISSN: 2634-6214

  • Series E-ISSN: 2634-6222

  • Edition Number: 1

  • Number of Pages: XIII, 307

  • Number of Illustrations: 1 b/w illustrations

  • Topics: Culture and Gender, Gothic Fiction

Publish with us