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  • New York [u.a.] : Oxford Univ. Press  (109)
  • Durham : Duke University Press  (84)
  • Cambridge [u.a.] : Cambridge Univ. Press
  • Paris : OECD Publishing
  • Musicology  (254)
Language
  • 1
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478016762 , 9781478019381
    Language: English
    Pages: 119 Seiten, Seiten 3-26 Illustrationen
    Series Statement: Practices
    Parallel Title: Erscheint auch als
    DDC: 306.109747
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    Note: Literaturverzeichnis: Seite [107]-119
    URL: Cover  (lizenzpflichtig)
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  • 2
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478027058
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 306.4846
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    Keywords: Geschichte 2000-2023 ; Nachtleben ; Elektronische Tanzmusik ; Nähe ; Party ; House ; Berlin ; Paris ; Chicago, Ill. ; Chicago, Ill. ; Paris ; Berlin ; Elektronische Tanzmusik ; House ; Nachtleben ; Party ; Nähe ; Geschichte 2000-2023
    Note: Bevorzugte Informationsquelle Landingpage (Duke), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478024040
    Language: English
    Pages: 1 online resource (153 pages)
    Edition: 1st ed.
    Series Statement: Practices Ser.
    Parallel Title: Erscheint auch als
    DDC: 306.109747
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    Keywords: Electronic books
    Abstract: McKenzie Wark takes readers into the undisclosed locations of New York's thriving queer rave scene, showing how raving to techno is an art and technique at which queer and trans bodies might be particularly adept, but which is for anyone who lets the beat seduce them.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
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  • 4
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
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  • 5
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023500
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Note: Bevorzugte Informationsquelle Ladingpage (Duke), da weder Titelblatt nocht Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    ISBN: 9781478022534
    Language: English
    Pages: 1 Online-Ressource (xii, 167 Seiten)
    Series Statement: Thought in the Act : 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.48/33
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    Keywords: SOCIAL SCIENCE / Media Studies ; Communication and technology Philosophy ; Communication and technology Social aspects ; Communication and the arts Philosophy ; Sound (Philosophy) ; Sound (Philosophy) ; Technology Philosophy ; Computerunterstützte Kommunikation ; Hören ; Philosophie ; Klang ; Computerunterstützte Kommunikation ; Klang ; Hören ; Philosophie
    Abstract: In Listening in the Afterlife of Data, David Cecchetto theorizes sound, communication, and data by analyzing them in the contexts of the practical workings of specific technologies, situations, and artworks. In a time he calls the afterlife of data-the cultural context in which data's hegemony persists even in the absence of any belief in its validity-Cecchetto shows how data is repositioned as the latest in a long line of concepts that are at once constitutive of communication and suggestive of its limits. Cecchetto points to the failures and excesses of communication by focusing on the power of listening-whether through wearable technology, internet-based artwork, or the ways in which computers process sound-to pragmatically comprehend the representational excesses that data produces. Writing at a cultural moment in which data has never been more ubiquitous or less convincing, Cecchetto elucidates the paradoxes that are constitutive of computation and communication more broadly, demonstrating that data is never quite what it seems
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) , In English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014393 , 9781478013471
    Language: English
    Pages: 132 Seiten , 1 Illustration
    Series Statement: Singles
    DDC: 782.42166092
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    Keywords: Popmusik ; USA
    Note: Bibliography Seite 125-126
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  • 8
    ISBN: 9781478010678 , 9781478011798
    Language: English
    Pages: vi, 295 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-1980 ; Popmusik ; Asien ; Popular music / Asia / History and criticism ; Popular music / Political aspects / Asia ; Cold War ; Music / Asia / History and criticism ; Music / 20th century / History and criticism ; Music / Social aspects / Asia ; Music ; Music / Social aspects ; Popular music ; Popular music / Political aspects ; Asia ; 1900-1999 ; Criticism, interpretation, etc ; Asien ; Popmusik ; Geschichte 1950-1980
    Abstract: "The contributors to Sound Alignments explore the myriad forms of popular music that circulated across Asia under the uneven Cold War situation of the 1950s, 1960s and beyond. Geographically, the regions covered stretch from India to Indonesia, Hong Kong, China, South Korea, Okinawa, and Japan. The genres of music explored include various forms of pop, rock, folk, and "yellow music," as well as traditional musics of Asia. Because the Cold War meant radically different things depending on location and time, it is examined from multiple perspectives: socialist internationalism, the nonaligned movement, and the anti-communist developmentalist and capitalist blocs"--
    Description / Table of Contents: Musical travels of the Coconut Isles and the socialist popular / Jennifer Lindsay -- Vehicles of progress : the Kerala rikshawala at the intersection of communism and social realism / Nisha Kommattam -- East Asian pop music and an incomplete regional contemporary / C. J. W.-L. Wee -- Searching for youth, the people (Minjung), and "another" West while living through anti-communist Cold War politics : South Korean "folk song" in the 1970s / Hyunjoon Shin -- Cosmopolitanism, vernacular cosmopolitanism, and sound alignments : covers and Cantonese cover songs in 1960s Hong Kong / Hon-Lun Yang -- Sonic imaginaries of Okinawa : Daiku Tetsuhiro's cosmopolitan "paradise" / Marié Abe -- Translated fronts : popular songs of socialist cosmopolitanism in Cold War India / Anna Schultz -- Yellow music criticism during China's anti-rightist movement / Qian Zhang -- Afterword: Asia's soundings of the Cold War / Christine R. Yano
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  • 9
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014089 , 9781478011941
    Language: English
    Pages: xxii, 552 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 782.421640973
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    Keywords: Volksmusik ; Popmusik ; USA
    Note: Literaturverzeichnis Seite 446-512
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  • 10
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478021698
    Language: English
    Pages: 1 Online-Ressource (140 p.)
    Series Statement: Singles
    DDC: 782.42166092
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    Keywords: Popmusik ; USA
    Abstract: Jonathan Richman and the Modern Lovers' 1972 song "Roadrunner" captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates "Roadrunner" at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place-the American era that rock & roll signifies-that becomes a story about love and the modern world.
    URL: Cover
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  • 11
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478021391 , 147802139X
    Language: English
    Pages: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
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    Keywords: Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Abstract: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 12
    ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X
    Language: English
    Pages: xiv, 392 Seiten
    Series Statement: Refiguring american music
    Parallel Title: Online version Mahon, Maureen Black diamond queens
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    Keywords: Schwarze ; Frau ; Rockmusik ; USA
    Abstract: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
    Note: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
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  • 13
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478008415
    Language: English
    Pages: XXXIV, 476 Seiten, 8 ungezählte Seiten , Illustrationen
    Edition: Republished with new preface
    Parallel Title: Online version Szwed, John F., 1936- Space is the place
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    Keywords: Sun Ra ; Biografie ; Biografie
    Abstract: "Sun Ra - a/k/a Herman Poole "Sonny" Blount - was born in Alabama on May 22, 1914. But like Father Divine and Elijah Muhammad, he made a lifelong effort to obscure many of the facts of his early life. After years as a rehearsal pianist for nightclub revues and in blues and swing bands, including Wynonie Harris's and Fletcher Henderson's, Sun Ra set out in the 1950s to find a way to impart his values about the galaxy, Black people, and spiritual matters through the various incarnations of the Intergalactic Arkestra. His repertoire ranging from boogie-woogie, swing, and bebop to free form, fusion, and whatever, Sun Ra was above all a paragon of contradictions: profundity and vaudeville; technical pianistic virtuosity and irony; assiduous attention to arrangements and encouragement of collective improvisation; respect for tradition and celebration of the fresh"--
    Note: Selected bibliography Seite 409-425 , Discography Seite 427-448 , "This is a paperback re-issue of the 1997 hardcover title published by Pantheon"--Provided by publisher
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  • 14
    ISBN: 9781478012009 , 1478012005
    Language: English
    Pages: 1 Online-Ressource (xiv, 245 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 781.63089/915507949
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    Keywords: Iranians / Music / California / Los Angeles ; Popular music / History and criticism / California / Los Angeles ; Iranians / Ethnic identity / California / Los Angeles ; Iranian diaspora ; Popular music / History and criticism / Iran ; Music / Political aspects / History / 20th century / Iran ; Iranischer Einwanderer ; Iranier ; Popmusik ; Los Angeles, Calif. ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    ISBN: 9781478007906 , 9781478008361
    Language: English
    Pages: xiv, 245 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Parallel Title: Erscheint auch als Hemmasi, Farzaneh, 1975- Tehrangeles dreaming
    DDC: 781.63089915507949
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    Keywords: Popmusik ; Iranier ; Iranischer Einwanderer ; Los Angeles, Calif. ; Iranians / California / Los Angeles / Music ; Popular music / California / Los Angeles / History and criticism ; Iranians / California / Los Angeles / Ethnic identity ; Iranian diaspora ; Popular music / Iran / History and criticism ; Music / Political aspects / Iran / History / 20th century ; Iranian diaspora ; Iranians / Ethnic identity ; Music / Political aspects ; Popular music ; California / Los Angeles ; Iran ; 1900-1999 ; Criticism, interpretation, etc ; History ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: "Tehrangeles, a name that combines Tehran and Los Angeles, is the home of an extensive Iranian expatriate culture industry. The music and popular culture created in Tehrangeles is broadcast by satellite television around the globe and has been immensely popular in Iran and throughout the Iranian diaspora. In TEHRANGELES DREAMING, Farzaneh Hemmasi traces the sources of the music's popularity, showing the ways it is unquestionably Iranian yet able to express ideas and affects not possible within the country itself. The attachment to homeland comes through the Iranian rhythms, but the music frequently features female solo singers or dancers, which are forbidden within the Iranian state. At the same time the music is associated with stereotypes of rich emigres and Southern California, and thus dismissed by others. The music is unabashedly pop and generally apolitical, which Hemmasi shows to be the source of its politics.
    Abstract: The introduction sets up the argument and tells the story of the growth of the industry and the Los Angeles Iranian community in the context of post-revolutionary Iran. Chapter 2 describes the origins of Tehrangeles dance pop and its use of the six/eight time signature, a traditional Iranian dance rhythm long-associated with intimacy. Hemmasi argues that the practices and attitudes around six/eight time establish a sense of common sociality among cultural insiders but are also a sometime source of embarrassment. Chapter 3 focuses on expatriate narratives of Iranian popular music history. Hemmasi provides three views on the history of Iranian popular music prior to the revolution from four men involved with the music business since the 1950s and 1960s. Chapter 4 is about homeland, and the desire to return to the homeland of Iran through music and the reinvention of culture.
    Abstract: Cultural producers in Tehrangeles operate within multiple moral, legal, and transnational regimes that they often only partially predict or comprehend. Chapters 5 and 6 focus on two expatriate musical celebrities who have claimed to reach and represent the nation from afar: Googoosh, who is a popular female singer; and Dariush Eghbali, who is an activist whose music and media exist in the space between political and personal transformation. The book concludes with a chapter on the changes that have occurred in Iran since the Iranian Revolution and the establishment of expatriate industries in Southern California, affirming the dreaming space of music, creation, and negotiation of both expatriates and people living in Iran. This book will be of interest to scholars in ethnomusicology, transnational media studies, Middle Eastern studies, and cultural studies"--
    Description / Table of Contents: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index
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  • 16
    ISBN: 9781478009597 , 9781478008699
    Language: English
    Pages: x, 217 Seiten
    Series Statement: Refiguring American music
    DDC: 781.644
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    Keywords: Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
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  • 17
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012245 , 1478012242
    Language: English
    Pages: 1 Online-Ressource (x, 217 pages)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 781.644
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    Keywords: Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-
    Abstract: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 18
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012771 , 1478012773
    Language: English
    Pages: 1 Online-Ressource (xiv, 392 pages) , illustrations
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als
    DDC: 782.421660820973
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    Keywords: Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990
    Abstract: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 19
    Online Resource
    Online Resource
    Durham : Duke University Press | Baltimore, Md. : Project MUSE
    ISBN: 9781478090359 , 0822372649
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Refiguring American music
    DDC: 781.2/308996073
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    Keywords: Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Description based on print version record
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  • 20
    ISBN: 9781478004882 , 9781478004288
    Language: English
    Pages: viii, 234 Seiten
    Parallel Title: Erscheint auch als
    DDC: 306.4/842409729
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    Keywords: Music and tourism / Caribbean Area ; Music / Social aspects / Caribbean Area ; Music / Economic aspects / Caribbean Area ; Tourism / Political aspects / Caribbean Area ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: It sounds better in the Bahamas : musicians, management, and markets in Nassau's all-inclusive hotels / Timothy Rommen -- Touristic rhythms : the Club Remix / Jerome Camal -- Listening for noise : seeking disturbing sounds in tourist spaces / Susan Harewood -- On butterflies that are caterpillars still in chrysalis : what the study of all-inclusive resorts on Sint Maarten tells us about our common decolonial state / Francio Guadeloupe and Jordi Halfman -- Sound management : listening to Sandals Halcyon in Saint Lucia / Jocelyne Guilbault -- Epilogue. The political economy of music and sound / Percy C. Hintzen.
    Note: Includes bibliographical references and index.
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  • 21
    ISBN: 9780822368564 , 9780822368687
    Language: English
    Pages: xiv, 268 Seiten , Illustrationen, Diagramme, Noten
    Series Statement: Refiguring American music
    Parallel Title: Online version Eidsheim, Nina Sun, 1975- author Race of sound
    DDC: 781.2308996073
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    Keywords: Afroamerikanische Musik ; Klang ; Zuhören
    Abstract: Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 22
    Online Resource
    Online Resource
    Durham : Duke University Press | The Hague : OAPEN FOUNDATION
    ISBN: 9781478090359 , 9780822372646
    Language: English
    Pages: 1 Online-Ressource (288 p.)
    RVK:
    Keywords: Afroamerikanische Musik ; Klang ; Zuhören ; Theory of music & musicology ; voice ; race ; timbre
    Abstract: In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre—the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way.
    URL: Volltext  (kostenfrei)
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  • 23
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822371991 , 0822371995
    Language: English
    Pages: 1 Online-Ressource (xii, 298 pages) , illustrations, maps
    Parallel Title: Erscheint auch als
    DDC: 001.30285
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    Keywords: Digital humanities ; Sound / Recording and reproducing / Digital techniques ; Sound ; Sound in mass media ; Forschung ; Sound Studies ; Digital Humanities ; Aufsatzsammlung ; Sound Studies ; Digital Humanities ; Forschung
    Abstract: Theories and genealogies -- Ethnodigital sonics and the historical imagination / Richard Cullen Rath -- Performing Zora : critical ethnography, digital sound, and not forgetting / Myron M. Beasley -- Rhetorical folkness: reanimating Walter J. Ong in the pursuit of digital humanity / Jonathan W. Stone -- Digital communities -- The pleasure (is) principle: sounding out! and the digitizing of community / Aaron Trammell, Jennifer Lynn Stoever, and Liana Silva -- Becoming outkasted: archiving contemporary Black Southernness in a digital age / Regina N. Bradley -- Reprogramming sounds of learning: pedagogical experiments with critical making and community-based ethnography / W.F. Umi Hsu -- Disciplinary translations -- Word. spoken. articulating the voice for high-performance sound technologies for access and scholarhip (hipstas) / Tanya E. Clement -- "A foreign sound to your ear" : digital image sonification for historical interpretation / Michael J. Kramer -- Augmenting musical arguments : interdisciplinary publishing platforms and augmented notes / Joanna Swafford -- Points forward -- Digital approaches to historical acoustemologies: replication and reenactment / Rebecca Dowd Geoffroy-Schwinden -- Sound practices for digital humanities / Steph Ceraso -- Afterword: demands of duration: the futures of digital sound scholarship / Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (kostenfrei)
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  • 24
    ISBN: 9780822368557 , 9780822368670
    Language: English
    Pages: ix, 241 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 780.98
    RVK:
    RVK:
    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Includes bibliographical references and index. , Erscheint auch als Online-Ausgabe
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  • 25
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822372653
    Language: English
    Pages: 1 Online-Ressource (256 p.) , 15 illustrations
    Edition: 2018
    Series Statement: Refiguring American Music
    DDC: 780.98
    RVK:
    RVK:
    Abstract: In On Site, In Sound Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound up in perceptions and constructions of geographic space. Focusing on the hemispheric circulation of South American musical cultures, Dorr shows how sonic production and spatial formation are mutually constitutive, thereby pointing to how people can use music and sound to challenge and transform dominant conceptions and configurations of place. Whether tracing how the evolution of the Peruvian folk song "El Condor Pasa" redefined the boundaries between national/international and rural/urban, or how a pan-Latin American performance center in San Francisco provided a venue through which to challenge gentrification, Dorr highlights how South American musicians and activists created new and alternative networks of cultural exchange and geopolitical belonging throughout the hemisphere. In linking geography with musical sound, Dorr demonstrates that place is more than the location where sound is produced and circulated; it is a constructed and contested domain through which social actors exert political influence.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    URL: Cover
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  • 26
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822372646 , 0822372649
    Language: English
    Pages: 1 Online-Ressource (xiv, 268 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/308996073
    RVK:
    Keywords: Anderson, Marian 1897-1993 ; Holiday, Billie 1915-1959 ; Scott, Jimmy 1925-2014 ; Vocaloid (Computer file) ; African Americans Music ; Social aspects ; Music and race United States ; Voice culture Social aspects ; United States ; Tone color (Music) Social aspects ; United States ; Music Social aspects ; United States ; Singing Social aspects ; United States ; Zuhören ; Afroamerikanische Musik ; Klang ; Electronic books ; Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 27
    ISBN: 9780822361787 , 9780822361947 , 0822361949 , 0822361787
    Language: English
    Pages: 345 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Improvisation, community, and social practice
    Parallel Title: Erscheint auch als Improvisation and social aesthetics
    Parallel Title: Erscheint auch als Born, Georgina, 1955 - Improvisation and social aesthetics
    DDC: 781.3/6
    RVK:
    Keywords: Improvisation (Music) Social aspects ; Music Social aspects ; Aesthetics Social aspects ; Arts and society ; Improvisation ; Soziale Funktion ; Interaktion ; Musik ; Kunst ; Gesellschaft ; Geschichte
    Abstract: Addressing a wide range of improvised art and music forms-from jazz and cinema to dance and literature-this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith. Across its diverse chapters, Improvisation and Social Aesthetics argues that ensemble improvisation is not inherently egalitarian or emancipatory, but offers a potential site for the cultivation of new forms of social relations. It sets out a new conceptualization of the aesthetic as immanently social and political, proposing a new paradigm of improvisation studies that will have reverberations throughout the humanities
    Abstract: After relational aesthetics : improvised music, the social, and (re)theorizing the aesthetic / Georgina Born -- Scripting social interaction : improvisation, performance, and Western "art" music / Nicholas Cook -- From the American civil rights movement to Mali : reflections on social aesthetics and improvisation / Ingrid Monson - From network bands to ubiquitous computing : Rich Gold and the social aesthetics of interactivity / George E. Lewis -- The social aesthetics of swing in the 1940s : or the distribution of the non-sensible / David Brackett -- What is "great Black music"? The social aesthetics of the AACM in Paris / Eric Lewis -- Kenneth Goldsmith and uncreative improvisation / Darren Wershler -- Strayhorn's queer arrangements / Lisa Barg -- What's love got to do with it? Creating art, creating community, creating a better world / Tracey Nicholls -- Improvisation in New Wave cinema : beneath the myth, the social / Marion Froger, translated by William Straw -- Social aesthetics and transcultural improvisation : Wayde Compton and the performance of Black time / Winfried Siemerling -- Devices of existence : contact improvisation, mobile performances, and dancing through Twitter / Susan Kozel -- The dramaturgy of spontaneity : improvising the social in theater / Zoë Svendsen
    Note: Includes bibliographical references and index
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  • 28
    ISBN: 978-0-8223-6370-5
    Language: English
    Pages: XII, 360 Seiten , Illustrationen
    Series Statement: Ethnomusicology, Black Studies
    DDC: 780.8996073
    RVK:
    Keywords: Afrika Musik ; Musik, traditionelle ; Musikethnologie ; Musik und Kultur ; Tanz ; Tanz und Gesellschaft ; Kulturanthropologie ; Herskovits, Melville J. ; Dunham, Katherine ; Dafora, Asadta ; Ellington, Duke ; Prado, Pérez
    Abstract: David F. Garcia examines the work of a wide range of musicians, dancers, academics, and activists between the 1930s and the 1950s to show how their belief in black music's African roots would provide the means to debunk racist ideologies, aid decolonization of Africa, and ease racial violence.
    Note: Literaturverzeichnis: Seite [323]-344
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  • 29
    ISBN: 9780822363545 , 9780822363705
    Language: English
    Pages: XII, 360 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
    RVK:
    Keywords: Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Blacks Music ; History and criticism ; Dance music History and criticism ; Music History and criticism ; Afroamerikanischer Tanz ; Soziale Funktion ; Ethnische Identität ; Afroamerikanische Musik ; Rezeption ; Afrika ; USA ; Afrika ; USA ; Rezeption ; Afrika ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; Geschichte
    Note: Includes bibliographical references and index
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  • 30
    ISBN: 9780822374015 , 0822374013
    Language: English
    Pages: 1 Online-Ressource (345 pages)
    Series Statement: Improvisation, community, and social practice
    Series Statement: Knowledge Unlatched Frontlist Collection 2016
    Series Statement: Music
    Parallel Title: Erscheint auch als Improvisation and social aesthetics
    DDC: 781.36
    RVK:
    Keywords: Improvisation (Music) Social aspects ; Music Social aspects ; Aesthetics Social aspects ; Arts and society ; Improvisation ; Soziale Funktion ; Interaktion ; Musik ; Kunst ; Gesellschaft ; Geschichte
    URL: Cover  (Thumbnail cover image)
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  • 31
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822373636
    Language: English
    Pages: 1 Online-Ressource (338 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.62/963986
    RVK:
    Keywords: Gesellschaft ; Musik ; Ngoma ; Zulu ; Südafrika (Staat) ; Ngoma (Drum) music / Social aspects / South Africa ; Zulu (African people) / Music / Social aspects / South Africa ; Zulu ; Ngoma
    Note: Bevorzugte Informationsquelle Landingpage, da weder Titelblatt noch Impressum vorhanden (Due Univeristy Press)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 32
    ISBN: 9780822359869 , 9780822360124 , 9780822374947
    Language: English
    Pages: XI, 418 Seiten , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als Audible empire
    Parallel Title: Erscheint auch als Audible empire
    DDC: 780.9
    RVK:
    RVK:
    Keywords: World music Social aspects ; History ; Imperialism Social aspects ; History ; World music Political aspects ; History ; Musik ; Tanz ; Potenzial ; Akkulturation ; Kulturübertragung ; Instrument ; Kultur ; Überlegenheit ; Abhängigkeit ; Politische Bewegung ; Soziale Bewegung ; Protestbewegung ; Auswärtige Kulturpolitik ; Kulturindustrie ; Beispiel ; Erde ; Aufsatzsammlung ; USA ; Musik ; Auswärtige Kulturpolitik ; Imperialismus ; Antikolonialismus ; USA ; Globalisierung ; Musik ; Auswärtige Kulturpolitik ; Imperialismus ; Antikolonialismus ; Musikmarkt ; Sozialgeschichte
    Abstract: Decolonizing the ear : the transcolonial reverberations of vernacular phonograph music / Michael Denning -- Smoking hot : cigarettes, jazz, and the production of global imaginaries in interwar Shanghai / Nan Enstad -- Circuit listening : Grace Chang and the dawn of the Chinese 1960s / Andrew F. Jones -- The Aesthetics of Allá : listening like a sonidero / Josh Kun -- Sound legacy : Elsie Houston / Micol Seigel -- Imperial aurality : jazz, the archive, and U.S. empire / Jairo Moreno -- Where they came from : reracializing music in the empire of silence / Philip V. Bohlman -- Di eagle and di bear : who gets to tell the story of the Cold War? / Penny Von Eschen -- Currents of revolutionary confluence : a view from Cuba's hip hop festival / Marc Perry -- Tango as intangible cultural heritage : development, diversity, and the values of music in Buenos Aires / Morgan James Luker -- Musical economies of the elusive metropolis / Gavin Steingo -- The sound of anticolonialism / Brent Hayes Edwards -- Rap, race, revolution : post-9/11 Brown and a hip hop critique of empire / Nitasha Sharma -- Echo and anthem : representing sound, music, and difference in two colonial modern novels / Amanda Weidman -- Tonality as a colonizing force in Africa / Kofi Agawu
    Description / Table of Contents: Decolonizing the ear : the transcolonial reverberations of vernacular phonograph music / Michael DenningSmoking hot : cigarettes, jazz, and the production of global imaginaries in interwar Shanghai / Nan Enstad -- Circuit listening : Grace Chang and the dawn of the Chinese 1960s / Andrew F. Jones -- The Aesthetics of Allá : listening like a sonidero / Josh Kun -- Sound legacy : Elsie Houston / Micol Seigel -- Imperial aurality : jazz, the archive, and U.S. empire / Jairo Moreno -- Where they came from : reracializing music in the empire of silence / Philip V. Bohlman -- Di eagle and di bear : who gets to tell the story of the Cold War? / Penny Von Eschen -- Currents of revolutionary confluence : a view from Cuba's hip hop festival / Marc Perry -- Tango as intangible cultural heritage : development, diversity, and the values of music in Buenos Aires / Morgan James Luker -- Musical economies of the elusive metropolis / Gavin Steingo -- The sound of anticolonialism / Brent Hayes Edwards -- Rap, race, revolution : post-9/11 Brown and a hip hop critique of empire / Nitasha Sharma -- Echo and anthem : representing sound, music, and difference in two colonial modern novels / Amanda Weidman -- Tonality as a colonizing force in Africa / Kofi Agawu.
    Note: Includes discography (Seite 357-359), bibliography (Seite 361-390) and index
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  • 33
    ISBN: 9780822359586 , 9780822360018
    Language: English
    Pages: xviii, 230 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 780.899921073
    RVK:
    Keywords: Geschichte 1945-2015 ; Filipinos ; Unterhaltungsmusik ; Musikleben ; Soziale Funktion ; Kulturelle Identität ; USA
    Note: Bibliography Seite 207-218
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  • 34
    ISBN: 9780822375142 , 0822375141
    Language: English
    Pages: 1 Online-Ressource (xviii, 230 pages) , illustrations
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 780.89/9921073
    RVK:
    Keywords: Geschichte 1945-2015 ; Filipino Americans / Music ; Filipino Americans / Ethnic identity ; Filipino Americans in the performing arts ; Music / Philippines ; Soziale Funktion ; Musikleben ; Unterhaltungsmusik ; Kulturelle Identität ; Filipinos ; USA ; USA ; Filipinos ; Unterhaltungsmusik ; Musikleben ; Soziale Funktion ; Kulturelle Identität ; Geschichte 1945-2015
    Abstract: Flip the beat: an introduction -- Sonic fictions -- The serious work of karaoke -- Jessica Hagedorn's gangster routes -- Pinoise rock -- Rakenrol itineraries
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 35
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822373926
    Language: English
    Pages: 1 Online-Ressource (600 p.) , 115 illustrations
    DDC: 781.64
    RVK:
    RVK:
    Keywords: Geschichte 1980-1983 ; Popmusik ; Tanzmusik ; Musikleben ; Subkultur ; New York, NY
    Abstract: As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city's subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.
    URL: Cover
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  • 36
    Book
    Book
    Durham : Duke University Press
    ISBN: 0822361868 , 0822362023 , 9780822361862 , 9780822362029
    Language: English
    Pages: xxi, 578 Seiten , Illustrationen , 24 cm
    DDC: 781.64
    RVK:
    RVK:
    Keywords: Geschichte 1980-1983 ; Popmusik ; Tanzmusik ; Musikleben ; Subkultur ; New York, NY
    Abstract: "As the 1970s gave way to the '80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. [This book] chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city's subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film"--Page 4 of cover
    Note: Literaturverzeichnis, Diskogafie und Filmografie Seite 515-535
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  • 37
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822359036 , 9780822358893 , 9780822375494
    Language: English
    Pages: 260 Seiten
    Parallel Title: Erscheint auch als Keywords in sound
    Parallel Title: Erscheint auch als Keywords in sound
    DDC: 152.1/5
    RVK:
    RVK:
    RVK:
    Keywords: Sound Terminology ; Aufsatzsammlung ; Wörterbuch ; Aufsatzsammlung ; Wörterbuch ; Klang ; Musikphilosophie ; Klang ; Musikphilosophie ; Klang ; Musik ; Wahrnehmung
    Note: Literaturverzeichnis: Seiten 230-231 , Acoustemology , Acoustics , Body , Deafness , Echo , Hearing , Image , Language , Listening , Music , Noise , Phonography , Radio , Religion , Resonance , Silence , Space , Synthesis , Transduction , Voice
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  • 38
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    ISBN: 9780199357574
    Language: English
    Pages: XIII, 315 S.
    DDC: 782.42
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Love songs History and criticism ; Liebeslied ; Liebeslied ; Geschichte
    Note: Includes bibliographical references and index
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  • 39
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375326
    Language: English
    Pages: 1 Online-Ressource (xiv, 429 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Iowa 2000
    DDC: 782.42164/0811
    RVK:
    RVK:
    RVK:
    Keywords: Crosby, Bing ; Vallée, Rudy ; Geschichte 1921-1940 ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940 ; Männlichkeit ; Schlagersänger ; Crooning ; Popmusik ; USA ; Hochschulschrift ; USA ; Popmusik ; Schlagersänger ; Männlichkeit ; Crooning ; Geschichte 1921-1940 ; Vallée, Rudy 1901-1986 ; Crosby, Bing 1903-1977
    Abstract: The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners' rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 40
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822359081 , 0822359081
    Language: English
    Pages: 362 pages, 40 pages of unnumbered plates , illustrations, portraits , 24 cm
    DDC: 781.63092
    RVK:
    Keywords: Mapfumo, Thomas ; Blacks Unlimited (Musical group) ; Popular music History and criticism ; Popular music Political aspects ; Revolutionary ballads and songs
    Description / Table of Contents: Chimurenga nightsRhodesia -- England is the chameleon, and I the fly -- Singing Shona -- When the spirit comes -- Songs for the book of history -- Bishop and pawn -- Agony of victory -- Zimbabwe -- Snakes in the forest -- Corruption -- Big daddy and the Zimbabwe playboys -- Sporting lions -- Too many ghosts -- Breaking the cycle -- America -- Striking at empires -- Dancing with devils -- The land of the horses -- Lions in winter.
    Note: Includes bibliographical references (pages 341-343), discography (pages 337-339) and index
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  • 41
    Image
    Image
    Durham : Duke University Press
    ISBN: 9780822359173 , 9780822359364
    Language: English
    Pages: xiv, 429 Seiten , Illustrationen , 24 cm
    Series Statement: Refiguring American music
    DDC: 782.421640811
    RVK:
    RVK:
    RVK:
    Keywords: Crooning ; Male singers United States ; Popular music History and criticism ; 1921-1930 ; United States ; Popular music History and criticism ; 1931-1940 ; United States ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940
    Abstract: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920 -- Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond)
    Description / Table of Contents: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond).
    Note: Formerly CIP. - Includes bibliographical references and index
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  • 42
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375425 , 0822375427
    Language: English
    Pages: 1 Online-Ressource (362 pages) , illustrations
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Mapfumo, Thomas ; Blacks Unlimited (Musical group) ; Popular music / Political aspects / Zimbabwe ; Popular music / History and criticism / Zimbabwe ; Revolutionary ballads and songs / Zimbabwe
    Abstract: Chimurenga nights -- Rhodesia -- England is the chameleon, and I the fly -- Singing Shona -- When the spirit comes -- Songs for the book of history -- Bishop and pawn -- Agony of victory -- Zimbabwe -- Snakes in the forest -- Corruption -- Big daddy and the Zimbabwe playboys -- Sporting lions -- Too many ghosts -- Breaking the cycle -- America -- Striking at empires -- Dancing with devils -- The land of the horses -- Lions in winter
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 43
    ISBN: 9780822375258 , 0822375257
    Language: English
    Pages: 1 Online-Ressource (xii, 224 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 781.646097295
    RVK:
    Keywords: Geschichte 1980-2015 ; Reggaetón / History and criticism ; Reggaeton ; Puerto Rico ; Einführung ; Einführung ; Einführung ; Einführung ; Electronic books ; Puerto Rico ; Reggaeton ; Geschichte 1980-2015
    Abstract: Introduction: reggaetón takes its place -- Iron fist against rap -- The perils of perreo -- Loíza -- Fingernails con feeling -- Enter the Hurbans -- Conclusion: reggaetón's limits, possibilities, and futures
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 44
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    ISBN: 9780199859115 , 9780199859122 , 9780199859139 , 9780199859146 , 9780199316694
    Language: English
    Pages: XX, 598 S , Ill
    Edition: Fourth edition
    DDC: 781.63
    RVK:
    RVK:
    RVK:
    Keywords: Popular music History and criticism
    Abstract: Themes and streams of American popular music -- "After the ball" : popular music of the nineteenth and early twentieth centuries -- "Catching as the small-pox" : social dance and jazz, 1917-1935 -- "I got rhythm" : the golden age of Tin Pan Alley song, 1920s and 1930s -- "St. Louis blues" : race records and hillbilly music, 1920s and 1930s -- "In the mood" : the swing era, 1935-1945 -- "Choo choo ch' boogie" : the postwar era, 1946-1954 -- "Rock around the clock" : rock 'n' roll, 1954-1959 -- "Good vibrations" : American pop and the British invasion, 1960s -- "Blowin' in the wind" : country, soul, urban folk, and the rise of rock, 1960s -- The 1970s : rock music, disco, and the popular mainstream -- Outsiders' music : progressive country, reggae, salsa, punk, funk, and rap, 1970s -- The 1980s : digital technology, MTV, and the popular mainstream -- "Smells like teen spirit" : hip-hop, "alternative" music, and the entertainment business -- Conclusion
    Description / Table of Contents: Themes and streams of American popular music"After the ball" : popular music of the nineteenth and early twentieth centuries -- "Catching as the small-pox" : social dance and jazz, 1917-1935 -- "I got rhythm" : the golden age of Tin Pan Alley song, 1920s and 1930s -- "St. Louis blues" : race records and hillbilly music, 1920s and 1930s -- "In the mood" : the swing era, 1935-1945 -- "Choo choo ch' boogie" : the postwar era, 1946-1954 -- "Rock around the clock" : rock 'n' roll, 1954-1959 -- "Good vibrations" : American pop and the British invasion, 1960s -- "Blowin' in the wind" : country, soul, urban folk, and the rise of rock, 1960s -- The 1970s : rock music, disco, and the popular mainstream -- Outsiders' music : progressive country, reggae, salsa, punk, funk, and rap, 1970s -- The 1980s : digital technology, MTV, and the popular mainstream -- "Smells like teen spirit" : hip-hop, "alternative" music, and the entertainment business -- Conclusion.
    Description / Table of Contents: popular music of the nineteenth and early twentieth centuries -- "Catching as the small-pox" : social dance and jazz, 1917-1935 -- "I got rhythm" : the golden age of Tin Pan Alley song, 1920s and 1930s -- "St. Louis blues" : race records and hillbilly music, 1920s and 1930s -- "In the mood" : the swing era, 1935-1945 -- "Choo choo ch' boogie" : the postwar era, 1946-1954 -- "Rock around the clock" : rock 'n' roll, 1954-1959 -- "Good vibrations" : American pop and the British invasion, 1960s -- "Blowin' in the wind" : country, soul, urban folk, and the rise of rock, 1960s -- The 1970s : rock music, disco, and the popular mainstream -- Outsiders' music : progressive country, reggae, salsa, punk, funk, and rap, 1970s -- The 1980s : digital technology, MTV, and the popular mainstream -- "Smells like teen spirit" : hip-hop, "alternative" music, and the entertainment business -- Conclusion.
    Note: Frühere Copyrights: 2003, 2007, 2010
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  • 45
    ISBN: 9780199354542 , 9780199354559 , 9780199354566
    Language: English
    Pages: XXII, 351 S. , Ill.
    DDC: 782.5
    RVK:
    Keywords: Gesellschaft ; Natural voice singing ; Singing Social aspects ; Chorgesang ; Gemeinschaftsgefühl ; Kulturvergleich ; Weltmusik ; Chorgesang ; Gemeinschaftsgefühl ; Weltmusik ; Kulturvergleich
    Note: Includes bibliographical references and index
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  • 46
    ISBN: 9780822357421 , 9780822357575
    Language: English
    Pages: XXIV, 384 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 940.53/1
    RVK:
    Keywords: Hollywood Canteen ; Hollywood Canteen ; Geschichte 1900-2000 ; Geschichte 1942-1945 ; Geschichte ; Gesellschaft ; Weltkrieg (1939-1945) ; World War, 1939-1945 Social aspects ; Memory Social aspects ; Dance Social aspects 20th century ; History ; Soldat ; Filmstar ; Swing ; Restaurant ; USA ; Los Angeles (Calif.) Social conditions 20th century ; Los Angeles, Calif. ; Los Angeles, Calif. ; Restaurant ; Swing ; Filmstar ; Soldat ; Geschichte 1942-1945 ; Hollywood Canteen ; Geschichte 1942-1945
    Note: Includes bibliographical references (pages 351-363) and index
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  • 47
    ISBN: 9780199859115 , 0199859116 , 9780199859122 , 0199859124 , 9780199859139 , 0199859132 , 9780199859146 , 0199859140 , 9780199316694 , 0199316694
    Language: English
    Pages: XX, 598 S. , Ill.
    Additional Material: Downloadable audio access code
    Edition: 4. ed.
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Popular music / United States / History and criticism ; Unterhaltungsmusik ; Popmusik ; Geschichte ; Jazz ; USA ; USA ; USA ; Unterhaltungsmusik ; Geschichte ; USA ; Jazz ; Geschichte ; USA ; Popmusik ; Geschichte ; USA ; Unterhaltungsmusik ; Geschichte ; USA ; Popmusik ; Geschichte
    Note: Themes and streams of American popular music -- "After the ball" : popular music of the nineteenth and early twentieth centuries -- "Catching as the small-pox" : social dance and jazz, 1917-1935 -- "I got rhythm" : the golden age of Tin Pan Alley song, 1920s and 1930s -- "St. Louis blues" : race records and hillbilly music, 1920s and 1930s -- "In the mood" : the swing era, 1935-1945 -- "Choo choo ch' boogie" : the postwar era, 1946-1954 -- "Rock around the clock" : rock 'n' roll, 1954-1959 -- "Good vibrations" : American pop and the British invasion, 1960s -- "Blowin' in the wind" : country, soul, urban folk, and the rise of rock, 1960s -- The 1970s : rock music, disco, and the popular mainstream -- Outsiders' music : progressive country, reggae, salsa, punk, funk, and rap, 1970s -- The 1980s : digital technology, MTV, and the popular mainstream -- "Smells like teen spirit" : hip-hop, "alternative" music, and the entertainment business -- Conclusion
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  • 48
    ISBN: 9780822357360 , 9780822357513
    Language: English
    Pages: XIII, 266 S.
    Series Statement: Sign, storage, transmission
    DDC: 302.2/24209861
    RVK:
    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Kolumbien ; Zuhören ; Sprache ; Musik ; Stimme ; Klang ; Geschichte 1800-1900
    Description / Table of Contents: Introduction: the ear and the voice in the lettered city's geophysical history -- On vocalization -- On popular song -- On the ethnographic ear -- On vocal immunity -- Epilogue: the oral in the aural.
    Note: Includes bibliographical references and index
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  • 49
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822376262
    Language: English
    Pages: Online-Ressource (281 p)
    Edition: Online-Ausg.
    Series Statement: Sign, Storage, Transmission
    Series Statement: Sign, Storage, Transmission Ser.
    Parallel Title: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
    RVK:
    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Description / Table of Contents: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 50
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822353287 , 9780822353430
    Language: English
    Pages: X, 296 Seiten
    Series Statement: Refiguring American music
    DDC: 338.47/780973
    RVK:
    Keywords: Popular music Writing and publishing ; Popular music Economic aspects ; Intellectual property ; Sound recording industry ; Wirtschaftliche Abhängigkeit ; Autonomie ; Label ; Popmusiker ; Musikwirtschaft ; USA ; Popmusiker ; Musikwirtschaft ; Label ; Autonomie ; Wirtschaftliche Abhängigkeit
    Note: Includes bibliographical references and index
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  • 51
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    ISBN: 0199730598 , 9780199730599
    Language: English
    Pages: XXX, 530 S. , Ill.
    DDC: 781.64209
    RVK:
    RVK:
    Keywords: Countrymusic
    Note: Enth.: I. The early years (1920s and 1930s). The birth of country music. The big bang of country music. Innovation and change. II: World War II and after: nationalism and country music (1940s and 1950s). Honky-Tonk heyday. The birth of bluegrass. Rockabilly and teen romance. III. The big business of country music (1960s and 1970s). The Nashville sound and musical innovation. California country and country rock. Traditionalists and classic country. IV. Expansion: from country to rock and pop and back again (1970s and 1980s). Outlaw country and southern rock rebellion. Urban cowboys, countrypolitan, and the Reagan Era. Neotraditionalists and remaking the past. V: Country music in popular culture (1990s and 2000s). The commercial country explosion. Alternative country and roots revival. Into the present.
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  • 52
    ISBN: 9780199813032 , 9780190274009
    Language: English
    Pages: XXVIII, 242 S. , Ill., graph. Darst.
    Series Statement: American musicspheres
    DDC: 782.421629560969
    RVK:
    Keywords: Geschichte ; Einwanderer ; Geschichte ; Sugar workers Songs and music ; Immigrants Songs and music ; Japanese Americans History ; Folk songs, English History and criticism ; Arbeitslied ; Zuckerrohrplantage ; Japanischer Einwanderer ; Arbeiter ; Volkslied ; Hawaii ; Hawaii ; Japanischer Einwanderer ; Arbeiter ; Zuckerrohrplantage ; Volkslied ; Arbeitslied ; Geschichte
    Description / Table of Contents: Includes bibliographical references ( pages 223-231) and index
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 53
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822391902 , 0822354152 , 0822354306 , 9780822391906 , 9780822354154 , 9780822354307
    Language: English
    Pages: Online-Ressource (xvii, 364 pages) , illustrations
    Edition: Online-Ausg.
    Parallel Title: Print version Making samba
    DDC: 781.640981
    RVK:
    Keywords: Blacks Race identity ; Blacks Music ; History ; Music and race History ; Sambas History ; Sambas Social aspects ; History ; Sambas -- Brazil -- History ; Sambas -- Social aspects -- Brazil -- History ; Blacks -- Brazil -- Music -- History ; Music and race -- Brazil -- History ; Blacks -- Race identity -- Brazil ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈DIV〉By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.〈/div〉
    Description / Table of Contents: Contents; A Note about Brazilian Terminology, Currency, and Orthography; Abbreviations; Acknowledgments; Introduction; One. Between Fascination and Fear, Musicians' Worlds in Nineteenth-Century Rio de Janeiro; Two. Beyond the Punishment Paradigm, Popular Entertainment and Social Control after Abolition; Three. Musicians Outside the Circle, Race, Wealth, and Property in Fred Figner's Music Market; Four. "Our Music", "Pelo telefone," the Oito Batutas, and the Rise of "Samba""; Five. Mediators and Competitors, Musicians, Journalists, and the Roda do Samba
    Description / Table of Contents: Six. Bodies and Minds: Mapping Africa and Brazil during the Golden AgeSeven. Alliances and Limits: The SBAT and the Rise of the Entertainment Class; Eight. Everywhere and Nowhere: The UBC and the Consolidation of Racial and Gendered Difference; Nine. After the Golden Age: Reinvention and Political Change; Conclusion; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages [299]-335) and index
    URL: Volltext  (lizenzpflichtig)
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  • 54
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822378877 , 0822378876
    Language: English
    Pages: 1 online resource (xviii, 333 pages)
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Vazquez, Alexandra T., 1976 - Listening in detail
    Parallel Title: Erscheint auch als Vazquez, Alexandra T., 1976 - Listening in detail
    DDC: 780.97291
    RVK:
    Keywords: Music History and criticism ; Music Performance ; Music ; Cuba ; History and criticism ; Music ; Performance ; Cuba ; Electronic books ; Electronic books ; Aufsatzsammlung ; Electronic books
    Abstract: Introduction -- Performing anthology : the mystical qualities of Alfredo Rodriguez's Cuba linda -- "Una escuela rara" : the Graciela School -- Itinerant outbursts: the grunt of Dámaso Pérez Prado -- Visual arrangements, sonic impressions: the Cuban musical documentaries of Rogelio París and Sara Gómez -- Cold war kids in concert.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 55
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822391929 , 9780822391920
    Language: English
    Pages: 1 Online-Ressource (302 pages) , map
    Parallel Title: Erscheint auch als
    DDC: 781.64098
    RVK:
    Keywords: Cumbia (Music) / History and criticism / America ; Working class / Songs and music / History and criticism / America ; Musiksoziologie ; Cumbia ; Amerika ; Aufsatzsammlung ; Aufsatzsammlung ; Amerika ; Cumbia ; Musiksoziologie
    Abstract: Cumbia music in Colombia: origins, transformations, and evolution of a coastal music genre / Leonardo D'Amico -- ¿Pa' dónde vas Marioneta? ¿Pa' donde va la gaita? : la Cumbiamba Eneyé returns to San Jacinto / Jorge Arévalo Mateus with Martín Vejarano -- Cumbia in Mexico's northeastern region / José Juan Olvera Gudiño -- Rigo Tovar, cumbia, and the transnational grupero boom / Alejandro L. Madrid -- Communicating the collective imagination : the socio-spatial world of the Mexican sonidero in Puebla, New York and New Jersey / Cathy Ragland -- From the world of the poor to the beaches of Eisha : cumbia, and the search for a popular subject in Peru / Joshua Tucker -- Pandillar in the jungle : regionalism and tecno-cumbia in Amazonian Peru / Kathryn Metz -- Gender tensions in Cumbia villera's lyrics / Pablo Semán and Pablo Vila -- Feliz, feliz / Cristian Alarcón -- El "tú" tropical, el "vos" villero, and places in between : language ideology, music, and the spatialization of difference in Uruguay / Matthew J. Van Hoose -- On music and Colombianess : towards a critique of the history of cumbia / Héctor Fernández L'Hoeste
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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  • 56
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Language: English
    Pages: Online-Ressource
    Edition: Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
    RVK:
    RVK:
    Keywords: Music ; Politics ; History ; Palestine ; Music Political aspects ; Music Political aspects ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Abstract: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    URL: Cover  (Thumbnail cover image)
    URL: Cover  (Thumbnail cover image)
    URL: Cover  (Thumbnail cover image)
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  • 57
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 9780521869652 , 9780521689762
    Language: English
    Pages: XXIII, 316 S. , Notenbeisp.
    Edition: 5. print
    Series Statement: Cambridge companions to music
    DDC: 782.42166092/2
    RVK:
    Keywords: Beatles ; The Beatles ; Beatles ; Rock musicians ; Rock music History and criticism ; Aufsatzsammlung ; The Beatles
    Note: Includes bibliogr. references and index
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  • 58
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 9780521868488
    Language: English
    Pages: XXVI, 851 S. , Ill., Kt., Notenbeisp.
    Edition: 1. publ.
    DDC: 780.9
    RVK:
    RVK:
    RVK:
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    Keywords: Geschichte ; Geschichte ; Weltmusik ; Globalisierung ; Folk music ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Folk music ; Geschichte ; Globalisierung ; Weltmusik ; Folk music ; Globalisierung ; Geschichte
    Abstract: Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era. (Klappentext)
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  • 59
    ISBN: 9780199995790 , 9780199314744
    Language: English
    Pages: IX, 302 S. , Ill.
    DDC: 781.62/924043
    RVK:
    RVK:
    Keywords: Gesellschaft ; Klezmer music History and criticism ; Klezmer music History and criticism ; Klezmer music Social aspects ; Klezmer music Social aspects ; Rezeption ; Klezmer ; Deutschland ; Polen ; Deutschland ; Polen ; Klezmer ; Rezeption ; Deutschland ; Polen
    Note: Includes bibliographical references and index
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  • 60
    ISBN: 9780199747641 , 9780199747658 , 0199747644 , 0199747652
    Language: English
    Pages: XII, 257 S , Ill., Kt , 24 cm
    Parallel Title: Online-Ausg. Dueck, Byron Musical intimacies and indigenous imaginaries
    DDC: 781.62/97007127
    RVK:
    Keywords: Indians of North America Music ; History and criticism ; Folk music History and criticism ; Indians of North America Social life and customs ; Music Social aspects ; Indians of North America Music ; History and criticism ; Manitoba ; Folk music History and criticism ; Manitoba ; Indians of North America Social life and customs ; Manitoba ; Music Social aspects ; Manitoba ; Folk music ; Indians of North America Music ; Indians of North America Social life and customs ; Music Social aspects ; Manitoba ; Criticism, interpretation, etc ; Manitoba ; Indianer ; Métis ; Musik ; Tanz ; Öffentlichkeit
    Abstract: Introduction : publicity, counterpublicity, antipublicity -- Public and intimate sociability in first nations and Métis fiddling -- "#1 on NCI" : country music and the aboriginal public -- "Your own heart will make its own music" : gospel singing, individuation, and the comforting community -- "We don't want to say no to anybody who wants to sing" : gospel music in coffee-house performance -- Antipublicity : family tradition and the aboriginal public -- Circulation controversies
    Description / Table of Contents: Introduction : publicity, counterpublicity, antipublicity -- Public and intimate sociability in first nations and Métis fiddling -- "#1 on NCI" : country music and the aboriginal public -- "Your own heart will make its own music" : gospel singing, individuation, and the comforting community -- "We don't want to say no to anybody who wants to sing" : gospel music in coffee-house performance -- Antipublicity : family tradition and the aboriginal public -- Circulation controversies.
    Note: Includes bibliographical references and index
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  • 61
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    ISBN: 0199758360 , 9780199758364
    Language: English
    Pages: XXIII, 424 S. , zahlr. Ill.
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Rock 'n' Roll ; Rockmusik ; USA
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  • 62
    ISBN: 9780822353652
    Language: English
    Pages: XLI, 300 Seiten , Illustrationen, Diagramme, Karten, Notenbeispiele , 23 cm
    Edition: Third edition ; thirtieth anniversary edition with a new introduction
    RVK:
    RVK:
    RVK:
    Keywords: Kaluli ; Ton ; Volkslied ; Kaluli-Sprache ; Brauch ; Vögel ; Mythologie ; Papua-Neuguinea ; Kaluli ; Ton ; Ethnologie ; Kaluli ; Volkslied
    Description / Table of Contents: Includes bibliographical references (p. 284-291) and index
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  • 63
    ISBN: 9780822353652
    Language: English
    Pages: XLI, 300 Seiten, 1 ungezählte Seite , Illustrationen, Karten, Notenbeispiele , 23 cm
    Edition: 3rd edition, 30th anniversary edition with a new introduction
    DDC: 305.89/912
    RVK:
    RVK:
    RVK:
    Keywords: Kaluli (Papua New Guinean people) Social life and customs ; Kaluli (Papua New Guinean people) Rites and ceremonies ; Kaluli (Papua New Guinean people) Music ; History and criticism ; Folk music History and criticism ; Folk songs, Kaluli History and criticism ; Birds Mythology ; Birds ; Kaluli ; Ethnologie ; Volkslied ; Brauchtum ; Musik ; Kaluli ; Ton ; Ethnologie ; Volkslied ; Papua-Neuguinea ; Kaluli-Sprache ; Brauch ; Vögel ; Mythologie
    Description / Table of Contents: Introduction to the third edition -- Preface to the second edition -- Introduction to the first edition -- The boy who became a muni bird -- To you they are birds, to me they are voices in the forest -- Weeping that moves women to song -- The poetics of loss and abandonment -- Song that moves men to tears -- In the form of a bird : Kaluli aesthetics -- Postscript, 1989 -- Appendix: Kaluli folk ornithology -- Glossary of Kaluli terms.
    Description / Table of Contents: Literaturverzeichnis: Seiten 284-291
    Note: Basiert auf einer Dissertation von 1979
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  • 64
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 1107015383 , 9781107015388
    Language: English
    Pages: XIV, 341 S. , Ill., Notenbeisp. , 25x17x2 cm
    DDC: 780.89924
    RVK:
    Keywords: Geschichte ; Juden ; Musik ; Klassische Musik ; Komponist ; Europa
    Note: Epublication based on: 9781139058483
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  • 65
    ISBN: 9780822347330
    Language: English
    Pages: 381 S. , Ill.
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 66
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    ISBN: 9780195395631
    Language: English
    Pages: XI, 626 S. , Ill.
    Edition: 2. ed.
    DDC: 781.64203
    RVK:
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    Keywords: Country music Encyclopedias ; Tonträger ; Countrymusic ; Aufsatzsammlung ; Verzeichnis ; Wörterbuch ; Aufsatzsammlung ; Verzeichnis ; Wörterbuch ; Countrymusic ; Tonträger ; Countrymusic
    Note: Includes index.
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  • 67
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822394884 , 082239488X
    Language: English
    Pages: 1 Online-Ressource (xxv, 289 Seiten) , Illustrationen, Karten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Suzano, Marcos ; Geschichte 1980-2000 ; Popular music Brazil ; History and criticism ; Sound Recording and reproducing ; Digital techniques ; Lokalkolorit ; Popmusiker ; Internationalität ; Popmusik ; Rio de Janeiro ; Electronic books ; Rio de Janeiro ; Popmusiker ; Popmusik ; Lokalkolorit ; Internationalität ; Geschichte 1980-2000
    Note: Includes bibliographical references and index , Marcos Suzano : a Carioca blade runner -- Lenine : pernambuco speaking to the world -- Pedro Luís and the wall : Tupy Astronauts -- Fernanda Abreu : garota carioca -- Paulinho Moska : difference and repetition -- On cannibals and chameleons -- Appendix 1: a note about interviews, with a list of interviews cited -- Appendix 2: introductory aspects of Marcos Suzano's pandeiro method
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 68
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822352117 , 0822395207 , 9780822352112 , 0822352001 , 9780822395201 , 9780822352006 , 9781280487163
    Language: English
    Pages: 1 online resource (xvi, 214 p.
    Edition: Online-Ausg. 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: e-Duke books scholarly collection
    Parallel Title: Print version Go-Go Live
    DDC: 306.4/84240975309045
    RVK:
    Keywords: African Americans Social life and customs 20th century ; Go-go (Music) History and criticism ; African Americans Music 20th century ; Go-go (Music) Social aspects ; Go-go (Music) -- Washington (D.C.) -- History and criticism ; Go-go (Music) -- Social aspects -- Washington (D.C.) ; African Americans -- Washington (D.C.) -- Music -- 20th century ; African Americans -- Washington (D.C.) -- Social life and customs -- 20th century ; Electronic books ; Electronic books
    Abstract: Includes bibliographical references and index
    Abstract: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986
    Abstract: Go-go is an upbeat, funky Black popular music from Washington, D.C. with a history as long as that of house or hip-hop. Natalie Hopkinson is the Media and Culture Critic for The Root, with access to clubs, producers, and artists, and is therefore well-placed to tell the story of the music from the 70s to the present. With the regentrification of the District, more of the Black population and the go-go industry have moved to the Maryland suburbs. In Go-Go Live, Hopkinson gives a critical, inside account of the scene and how it survives in a changing city
    Description / Table of Contents: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986.
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 69
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 0521632684 , 0521634474
    Language: English
    Pages: XII, 217 S.
    Edition: digit. repr.
    Series Statement: New perspectives in music history and criticism
    DDC: 782.421649
    RVK:
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    RVK:
    Keywords: Rap ; USA
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  • 70
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 9780521766869
    Language: English
    Pages: XIX, 371 S. , Ill.
    Edition: 1. publ.
    DDC: 306.4/842098091732
    RVK:
    Keywords: Geschichte 1540-1800 ; Geschichte ; Gesellschaft ; Musik ; Music Social aspects To 1800 ; History ; Urbanität ; Musik ; Kolonialismus ; Lateinamerika ; Lateinamerika ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Lateinamerika ; Musik ; Kolonialismus ; Urbanität ; Geschichte 1540-1800
    Note: "The Spanish colonial project in Latin America from the sixteenth to the eighteenth centuries was distinctly urban in focus. The impact of the written word on this process was explored in Ángel Rama's seminal book The Lettered City, and much has been written by historians of art and architecture on its visible manifestations, yet the articulation of sound, urban geography and colonial power - 'the resounding city' - has been passed over in virtual silence. This collection of essays by leading scholars examines the role of music in Spanish colonial urbanism in the New World and explores the urban soundscape and music profession as spheres of social contact, conflict, and negotiation. The contributors demonstrate the role of music as a vital constituent part of the colonial city, as Rama did for writing, and therefore illustrate how musicology may illuminate and take its place in the broader field of Latin American urban history"-- Provided by publisher. , Includes bibliographical references and index
    URL: Cover
    URL: Cover
    URL: Cover
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  • 71
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    ISBN: 9780195395570
    Language: English
    Pages: VIII, 206 S. , Ill.
    DDC: 782.421643092
    RVK:
    Keywords: House, Son ; House, Son ; Blues musicians Biography ; USA ; Biografie ; Biografie ; Biografie ; Biografie ; House, Son 1902-1988
    Note: Includes bibliographical references
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  • 72
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 9780521186919 , 0521186919
    Language: English
    Pages: 148 S. , zahlr. Ill.
    Edition: Updated ed., 1. publ.
    Series Statement: Introductions to Chinese culture
    Uniform Title: Zhongguo yin yue
    DDC: 780.951
    RVK:
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  • 73
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    ISBN: 9780199731183
    Language: English
    Pages: viii, 172 S.
    DDC: 781.65
    RVK:
    Keywords: Geschichte ; Jazz / Analysis, appreciation ; Jazz ; Musikästhetik ; Einführung ; Einführung ; Einführung ; Jazz ; Geschichte ; Jazz ; Musikästhetik
    Note: Includes bibliographical references, discography and index
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  • 74
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822393931 , 082239393X
    Language: English
    Pages: 1 online resource (xii, 410 p.)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als Baker, Geoffrey, 1970 - Buena Vista in the club
    DDC: 782.421649097291
    RVK:
    RVK:
    Keywords: Buena Vista Social Club (Musical group) ; Rap (Music) ; Reggaetón ; Music Political aspects ; Buena Vista Social Club (Musical group) ; Rap (Music) ; Cuba ; Havana ; Reggaetón ; Cuba ; Havana ; Music ; Political aspects ; Cuba ; Electronic books ; Electronic books ; Electronic books ; Kuba ; Hip-Hop ; Rap
    Abstract: Hip hop, revolución! : nationalizing rap in Cuba -- The revolution of the body : reggaetón and the politics of dancing -- The Havana you don't know : urban music and the late socialist city -- Cuban hip hop all stars: transnationalism and the politics of representation -- Conclusion: the rise and fall of Havana hip hop.
    Note: Description based on print version record. - Includes bibliographical references and index
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  • 75
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    ISBN: 0195145550 , 9780195145557
    Language: English
    Pages: XIX, 153 S. , 22 cm.
    Additional Material: 1 Audio-CD
    Edition: [Nachdr.]
    Series Statement: Global music series
    DDC: 781.6291620415
    RVK:
    Keywords: Folk music History and criticism ; Ireland ; Irland ; Volksmusik
    Note: Includes bibliographical references (p. 140-148) and index
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  • 76
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    ISBN: 9780195394146 , 9780195394153
    Language: English
    Pages: XXVIII, 129 S. , Ill., Notenbeisp. + 1 CD (12 cm)
    Series Statement: Global music series
    DDC: 780.9561
    RVK:
    Keywords: Music History and criticism ; Music Social aspects ; Ethnomusicology ; Ländlicher Raum ; Musik ; Stadt ; Türkei ; Case studies ; Türkei ; Musik ; Türkei ; Ländlicher Raum ; Musik ; Türkei ; Stadt ; Musik
    Abstract: Music in contemporary Turkey is inextricably linked to the history of the Republic of Turkey and the complex histories of the Ottoman Empire and numerous other empires that preceded it. It is also an ideal avenue for introducing one of the most vibrant multicultural areas in the Middle East. Turkey is home to a rich variety of highly localized musical traditions--comprised of regional repertoires, instruments, performance practices, and dances--bound together by a strong sense of national identity. The first brief, stand-alone volume to explore the musical and cultural traditions of this region, Music in Turkey places the diverse sounds of the country (and the Middle East at large) in their social contexts. Author Eliot Bates employs four themes in his survey of Turkish music: the role of music in forming a national consciousness about local and regional cultures; how changes in musical meaning pertain to changes in contemporary Turkish society; the process of arrangement, where technology is creatively used to revitalize and modernize traditional music; and how today's Anatolian musical instrument performance and construction are linked to local, regional, and national identities. The author draws on his extensive regional fieldwork, offering accounts of local performances, interviews with key performers, and vivid illustrations. -- Back cover
    Note: Accompanying audio compact disc (78 min.) contains 32 tracks of musical examples keyed to the text; in pocket , Includes bibliographical references (p. 118-119) and index , Anatolian rural musics and instruments -- Urban musics and instruments -- Musical features: time and dramatic tension -- Arranged folk and art musics and new musical instruments -- Music, politics, and meaning
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  • 77
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 9780521689762 , 9780521869652
    Language: English
    Pages: XXIII, 316 S. , Notenbeisp.
    Edition: 3. printing
    Series Statement: Cambridge companions to music
    Parallel Title: Online-Ausg. The Cambridge companion to the Beatles
    DDC: 782.42166092/2
    RVK:
    RVK:
    Keywords: Beatles ; Rock musicians ; Rock music History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; The Beatles
    Description / Table of Contents: the formative years, 1950-1962 / Dave Laing ; The Beatles as recording artists / Jerry Zolten -- Works. Rock and roll music / Howard Kramer ; "Try thinking more" : Rubber soul and the Beatles' transformation of pop / James M. Decker ; Magical mystery tours, and other trips : yellow submarines, newspaper taxis, and the Beatles' psychedelic years / Russell Reising and Jim LeBlanc ; Revolution / Ian Inglis ; On their way home : the Beatles in 1969 and 1970 / Steve Hamelman ; Apple Records / Bruce Spizer ; The solo years / Michael Frontani ; Any time at all : the Beatles' free phrase rhythms / Walter Everett -- History and influence. The Beatles as Zeitgeist / Sheila Whiteley ; Beatles news : product line extensions and the rock canon / Gary Burns ; 'An abstraction, like Christmas' : the Beatles for sale and for keeps / John Kimsey.
    Note: Includes bibliographical references (S. 294 - 310) and index
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  • 78
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 9780521186919 , 0521186919
    Language: English
    Pages: 148 Seiten , Illustrationen , 23 cm
    Edition: Updated ed.
    Series Statement: Introductions to Chinese culture
    Uniform Title: Zhongguo yin yue 〈engl.〉
    DDC: 780.951
    RVK:
    Keywords: Music--China--History and criticism. ; China ; Musik
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  • 79
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822394174
    Language: English
    Pages: 1 online resource (352 p.) , 32 illustrations
    DDC: 781.64
    RVK:
    RVK:
    Keywords: Popular music / History and criticism / 1981-1990 ; Popular music / History and criticism / 1991-2000 ; Popular music / History and criticism / 2001-2010 ; Rock music / History and criticism / 1981-1990 ; Rock music / History and criticism / 1991-2000 ; Rock music / History and criticism / 2001-2010 ; MUSIC / Genres & Styles / Rock ; Aufsatzsammlung
    Abstract: Chuck Eddy is one of the most entertaining, idiosyncratic, influential, and prolific music critics of the past three decades. His byline has appeared everywhere from the Village Voice and Rolling Stone to Creem, Spin, and Vibe. Eddy is a consistently incisive journalist, unafraid to explore and defend genres that other critics look down on or ignore. His interviews with subjects ranging from the Beastie Boys, the Pet Shop Boys, Robert Plant, and Teena Marie to the Flaming Lips, AC/DC, and Eminem’s grandmother are unforgettable. His review of a 1985 Aerosmith album reportedly inspired the producer Rick Rubin to pair the rockers with Run DMC. In the eighties, Eddy was one of the first critics to widely cover indie rock, and he has since brought his signature hyper-caffeinated, hyper-hyphenated style to bear on heavy metal, hip-hop, country—you name it. Rock and Roll Always Forgets features the best, most provocative reviews, interviews, columns, and essays written by this singular critic. Essential reading for music scholars and fans, it may well be the definitive time-capsule comment on pop music at the turn of the twenty-first century
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 80
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 9780521689762 , 9780521869652
    Language: English
    Pages: XXIII, 316 S. , Notenbeisp.
    Edition: Reprint.
    Series Statement: Cambridge companions to music
    RVK:
    Keywords: The Beatles
    Note: Literaturverz. S. 294 - 310
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  • 81
    ISBN: 9780195396300
    Language: English
    Pages: XIX, 537 S. , zahlr. Ill.
    Additional Material: 2 CDs (12 cm)
    Edition: 3. ed.
    DDC: 781.640973
    RVK:
    Keywords: Geschichte ; Popular music History and criticism ; Unterhaltungsmusik ; Popmusik ; Jazz ; Geschichte ; USA ; USA ; CD ; CD ; USA ; Popmusik ; Geschichte ; USA ; Jazz ; Geschichte ; USA ; Unterhaltungsmusik ; Geschichte ; USA ; Unterhaltungsmusik ; Geschichte ; USA ; Popmusik ; Geschichte
    Note: Includes bibliographical references and index
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  • 82
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 9780521110549
    Language: English
    Pages: XI, 292 S. , Notenbeisp.
    Edition: 1. publ.
    DDC: 306.4/842094309034
    RVK:
    RVK:
    Keywords: Wagner, Richard ; Geschichte 1815-1870 ; Geschichte ; Geschichte ; Gesellschaft ; Musik ; Politik ; Music Political aspects 19th Century ; History ; Music Social aspects 19th Century ; History ; Gesellschaft ; Musik ; Musikästhetik ; Politik ; Deutschland ; Deutschland ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1815-1870 ; Deutschland ; Musikästhetik ; Politik ; Geschichte 1815-1870 ; Wagner, Richard 1813-1883 ; Musik ; Gesellschaft ; Geschichte ; Wagner, Richard 1813-1883 ; Musikästhetik ; Politik ; Geschichte
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  • 83
    ISBN: 9780521767576
    Language: English
    Pages: XIV, 371 S. , Notenbeisp.
    DDC: 780.947
    RVK:
    RVK:
    Keywords: Musik ; Avantgarde ; Dekadenz ; Mitteleuropa ; Osteuropa
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  • 84
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 0521830257 , 052153724X , 9780521830256 , 9780521537247
    Language: English
    Pages: XV, 176 S. , graph. Darst., Notenbeisp.
    Edition: Transferred to digital print.
    DDC: 780.1
    RVK:
    RVK:
    Keywords: Music Social aspects ; Music Philosophy and aesthetics ; Adorno, Th. W. 1903-1969 ; Musiksoziologie ; Musiksoziologie ; Adorno, Th. W. 1903-1969 ; Musiksoziologie
    Description / Table of Contents: Adorno, "defended against his devotees"? -- New methods and classic concerns -- Music as cognition -- How does music "channel" emotion? -- Music and "control" -- After Adorno : rethinking music sociology
    Note: Literaturverz. S. 159 - 167
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  • 85
    ISBN: 9780195367836 , 9780195367829
    Language: English
    Pages: XIX, 186 S. , Ill., Kt.
    Additional Material: CD (12 cm)
    Series Statement: Global music series
    DDC: 780.959
    RVK:
    RVK:
    Keywords: Alltag, Brauchtum ; Musik ; Music History and criticism ; Musik ; Gesellschaft ; Südostasien ; Southeast Asia Social life and customs ; Südostasien ; Südostasien ; Musik ; Südostasien ; Musik ; Gesellschaft
    Note: Includes bibliographical references and index
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  • 86
    ISBN: 9780822393108
    Language: English
    Pages: 1 online resource (352 p.) , 51 b&w photos
    Series Statement: A John Hope Franklin Center Book
    DDC: 781.65092
    RVK:
    Keywords: Composers / United States / Biography ; Jazz musicians / United States / Biography ; MUSIC / Individual Composer & Musician ; Verzeichnis ; Autobiografie
    Abstract: African Rhythms is the autobiography of the important jazz pianist, composer and band leader Randy Weston. He tells of his childhood in Brooklyn, his six decades long musical career, his time living in Morocco, and his lifelong quest to learn about the musical and cultural traditions of Africa
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 87
    ISBN: 0521873916 , 9780521873918 , 9780521110174
    Language: English
    Pages: IX, 220 S. , graph. Darst.
    Edition: Digitally printed version
    Series Statement: New perspectives in music history and criticism
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1300-1600 ; Geschichte 1200-1600 ; Geschichte ; Singing History ; Aztecs Music ; Incas Music ; Tupinamba Indians Music ; Tupinambá ; Azteken ; Inka ; Musik ; Azteken ; Musik ; Geschichte 1300-1600 ; Inka ; Musik ; Geschichte 1200-1600 ; Tupinambá ; Musik ; Geschichte
    Note: Literaturverz. S. 204 - 212
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  • 88
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 9780521117449
    Language: English
    Pages: XIX, 299 S. , Notenbeisp.
    Edition: Digitally print. version, paperback ed.
    Uniform Title: Problèmes d'ethnomusicologie
    RVK:
    Keywords: Musikethnologie ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie
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  • 89
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    ISBN: 9780195334050 , 9780195334067
    Language: English
    Pages: ix, 176 S , Ill , 24 cm
    DDC: 793.309747/1
    RVK:
    Keywords: Hip-hop dance ; Hip-hop ; New York, NY ; Breakdance ; Hip-Hop ; Bewegungskultur
    Description / Table of Contents: "The original essence of the dance" : history, community, and classic b-boy records -- "Getting your foundation" : pedagogy -- "We have to be exaggerated" : aesthetics -- "In the cypher" : b-boy spaces -- "I hate b-boys-- that's why I break" : battling -- From rocking to b-boying : history and mystery.
    Note: Literaturverz. S. 167 - 172 und Index
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  • 90
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    ISBN: 9780195175813 , 9780195395945
    Language: English
    Pages: 360 S. , Ill., Notenbeisp.
    DDC: 780.9569409049
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1990-2008 ; Gesellschaft ; Musik ; Music History and criticism ; Palestinian Arabs Music ; History and criticism ; Music Social aspects ; Musik ; Palästinenser ; Israel ; Israel ; Musik ; Palästinenser ; Geschichte 1990-2008
    Note: Includes bibliographical references and indexes
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  • 91
    Online Resource
    Online Resource
    Durham : Duke University Press | The Hague : OAPEN Foundation
    ISBN: 9781478090717
    Language: English
    Pages: 1 Online-Ressource (x, 352 Seiten) , Illustrationen
    DDC: 780.89/96
    RVK:
    RVK:
    Keywords: Afrikaner ; Musik
    Note: Literaturverzeichnis: Seite 339-342
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 92
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822392071
    Language: English
    Pages: 1 Online-Ressource (365 pages)
    Edition: 1st ed.
    DDC: 780.89/96
    RVK:
    RVK:
    Keywords: Afrikaner ; Musik ; Electronic books ; Electronic books. ; Electronic books.
    Abstract: Samuel Charters recounts experiences from a half-century spent following, documenting, recording, and writing about the Africa-influenced music of the United States, Brazil, and the Caribbean.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
    URL: JSTOR
    URL: Image  (Thumbnail cover image)
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  • 93
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 9780521866057
    Language: English
    Pages: XXI, 279 S. , Ill., Notenbeisp.
    Edition: 1. publ.
    Series Statement: New perspectives in music history and criticism
    DDC: 781.6297
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Indians of North America Music History and criticism ; Indians in music History ; Music History and criticism ; Music Social aspects ; Altamerika ; Indigenes Volk ; Musik ; Rezeption ; Europa ; Geschichte 1620-1780 ; Kolonialismus ; Amerika ; Nordamerika ; Indianer ; Volksmusik ; Klassische Musik
    Note: Literaturverz. S. 251 - 267
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  • 94
    ISBN: 9780195380699
    Language: English
    Pages: XII, 242 S. , Ill.
    Edition: 1. issued as an Oxford Univ. Press paperback
    DDC: 781.650922
    RVK:
    Keywords: aJazz musicians ; vInterviews ; Jazzmusiker ; Interview ; Interview ; Jazzmusiker
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  • 95
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 9780521771207 , 9780521100359
    Language: English
    Pages: IX, 270 S. , graph. Darst.
    Edition: Digitally printed version
    DDC: 781.64
    RVK:
    Keywords: Analyse musicale ; Musique populaire - Analyse et appréciation ; Musique populaire - Histoire et critique ; Onderzoek ; Populaire muziek ; Sociale aspecten ; Gesellschaft ; Musical analysis ; Popular music Analysis, appreciation ; Popular music History and criticism ; Popmusik ; Aufsatzsammlung ; Popmusik
    Note: Includes bibliographical references (p. 240-257), discography (p. 258-260) and index
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  • 96
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    ISBN: 9780195307573 , 9780195307993
    Language: English
    Pages: X, 276 S. , Notenbsp.
    DDC: 782.42164092
    RVK:
    RVK:
    RVK:
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  • 97
    ISBN: 9780822388746 , 082238874X
    Language: English
    Pages: xiv, 258 p , 24 cm
    DDC: 780.972983
    RVK:
    Keywords: Folk music / History and criticism / Trinidad and Tobago ; Music / Social aspects / Trinidad and Tobago ; Electronic books ; Electronic books
    Abstract: Initial connections -- Governmental organization of spontaneity -- Bacchanalian counterpoints to the state -- Parang : Christmas in Anamat -- Bakrnal : an example of changing opinions -- "Chukaipan," "lootala," and the counterpoint of "mix up" -- Concluding relations
    Note: Includes bibliographical references (p. [229]-247) and index
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  • 98
    ISBN: 9780822388425 , 0822388421
    Language: English
    Pages: x , 271 p , ill , 25 cm
    DDC: 305.48891411
    RVK:
    Keywords: Women / Social conditions / Trinidad and Tobago / Trinidad ; Women singers / Social conditions / Trinidad and Tobago / Trinidad ; Gender identity / Trinidad and Tobago / Trinidad ; East Indians / Ethnic identity / Trinidad and Tobago / Trinidad ; Electronic books ; Filmografie ; Electronic books ; Filmografie
    Abstract: 1 "The Indian in Me": Studying the Subaltern Diaspora -- 2 "Left to the Imagination": Indian Nationalism and Female Sexuality -- 3 "Take a Little Chutney, Add a Touch of Kaiso": The Body in the Voice -- 4 Jumping out of Time: The Indian in Calypso -- 5 "Suku Suku What Shall I Do?": Hindi Cinema and the Politics of Music -- Afterword: A Semi-Lime
    Note: Includes bibliographical references, ( p. [253]-265 ) and index
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  • 99
    ISBN: 9780822389385 , 082238938X
    Language: English
    Pages: xvi, 383 p.
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als Macías, Anthony F., 1969 - Mexican American mojo
    DDC: 781.6408968/72079494
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Mexican Americans Music ; History and criticism ; Mexican Americans Social life and customs ; Popular music ; California ; Los Angeles ; History and criticism ; Mexican Americans ; California ; Los Angeles ; Music ; History and criticism ; Mexican Americans ; California ; Los Angeles ; Social life and customs ; Electronic books ; Electronic books ; Electronic books ; Los Angeles, Calif. ; Chicanos ; Musikleben ; Sozialgeschichte 〈1935-1968〉 ; Los Angeles, Calif. ; Rockmusik ; Geschichte 〈1935-1968〉 ; Los Angeles, Calif. ; Jazz ; Geschichte 〈1935-1968〉
    Abstract: Mojo in motion : the swing era -- The drape shape : intercultural style politics -- Boogie woogie breakthrough : the rhythm and blues era -- Come on, let's go : the rock and roll era -- Con sabor Latino : Latin jazz, the mambo, and Latin holidays.
    Note: Includes bibliographical references and index
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  • 100
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    ISBN: 9780195306743 , 9780195306736
    Language: English
    Pages: XVIII, 154 S. , Ill., Kt.
    Additional Material: 1 CD (12 cm)
    Series Statement: Global music series
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Musik ; Music History and criticism ; Musik ; Anden ; CD ; CD ; CD ; Anden ; Musik ; Geschichte ; Anden ; Musik
    Note: Includes bibliographical references and index
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