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  • New York : Oxford University Press  (29)
  • Bielefeld : transcript
  • USA  (36)
  • Musicology  (28)
  • Law  (7)
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Language
  • 1
    ISBN: 9780197635216
    Language: English
    Pages: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Description / Table of Contents: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 2
    ISBN: 9780190906498
    Language: English
    Pages: 718 Seiten , Notenbeispiele
    Edition: second edition
    DDC: 782.421640922
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    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1940 ; Chansons anglaises - États-Unis - Histoire et critique ; Culture populaire - États-Unis - Histoire - 20e siècle ; Dichters ; Musique populaire - États-Unis - Histoire et critique ; Paralittérature - États-Unis - Histoire et critique ; Paroliers - États-Unis ; Poésie américaine - 20e siècle - Histoire et critique ; Poésie lyrique - Histoire et critique ; Geschichte ; American poetry History and criticism 20th century ; Lyric poetry History and criticism ; Lyricists ; Popular culture History 20th century ; Popular literature History and criticism ; Popular music History and criticism ; Songs, English History and criticism ; Schlager ; United States - Popular culture - History - 20th century ; USA ; USA ; Schlager ; USA ; Geschichte 1920-1940
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  • 3
    ISBN: 9780190881979
    Language: English
    Pages: 266 Seiten , Illustrationen, Notenbeispiele , 27 cm
    Series Statement: Oxford studies in music theory
    DDC: 782.4216213
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Großbritannien ; USA
    Abstract: As children, many of us learn to sing, 'If you're happy and you know it, clap your hands.' But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the 'Sweet Thing,' has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs 'My Babe' and 'Motherless Children,' country songs 'Peg and Awl' and 'Crawdad Song,' and gospel songs 'Pure Religion' and 'This Train' use this form, along with popular songs like Ray Charles's 'I Got a Woman,' The Beatles's 'One After 909,' and the Velvet Underground's 'I'm Waiting for the Man.' Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the 'Sweet Thing's' long history, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
    Note: Literaturverzeichnis: Seite [249]-255
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  • 4
    ISBN: 9780190660307
    Language: English
    Pages: xvii, 242 Seiten , Illustrationen
    DDC: 782.4215920973
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    Keywords: Geschichte 1900-2000 ; Protestsong ; USA
    Note: Literaturverzeichnis Seite 215-218
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  • 5
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190299590
    Language: English
    Pages: viii, 187 Seiten , Illustrationen, Diagramme
    DDC: 306.4/84240973
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    Keywords: Geschichte ; Musik ; Identität ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis: Seite [173]-182
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  • 6
    ISBN: 9780190299477
    Language: English
    Pages: xxx, 754 Seiten , Illustrationen, Karten
    Edition: Second edition
    Series Statement: American constitutionalism / Howard Gillman; Mark A. Graber; Keith E. Whittington Volume 1
    Series Statement: Gillman, Howard American constitutionalism.
    DDC: 342.7302/9
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    Keywords: Constitutional history ; USA ; Staatsorganisation ; Staatsorganisationsrecht ; Geschichte
    Abstract: v. 1. Introduction to American constitutionalism -- The colonial era : before 1776 -- The funding era : 1776-1788 -- The early national era : 1789-1828 -- The Jacksonian era : 1829-1860 -- Secession, Civil War, and Reconstruction : 1861-1876 -- The Republican era : 1877-1932 -- The New Deal and Great Society era : 1933-1968 -- Liberalism divided : 1969-1980 -- The Reagan era : 1981-1993 -- The contemporary era : 1994-present
    Note: Includes bibliographical references and indexes
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  • 7
    ISBN: 9780190262204
    Language: English
    Pages: 281 Seiten , Illustrationen , 25 cm
    Additional Information: Rezensiert in Davis, Tyler This Worldwide Struggle: Religion and the International Roots of the Civil Rights Movement, Sarah Azaransky, Oxford University Press, 2017 (ISBN 978-0-19-026220-4), x + 296 pp., hb £22.99 2018
    Parallel Title: Erscheint auch als Azaransky, Sarah, author This worldwide struggle
    DDC: 323.1196/0730904
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    Keywords: Civil rights movements History 20th century ; African Americans Civil rights 20th century ; History ; African American civil rights workers History 20th century ; Civil rights workers History 20th century ; Race relations Religious aspects ; Civil rights Religious aspects ; African American civil rights workers ; African American civil rights workers ; African Americans ; African Americans ; Civil rights ; Civil rights ; Civil rights movements ; Civil rights movements ; Civil rights workers ; Civil rights workers ; Race relations ; Race relations ; Race relations ; United States ; United States ; History ; 1900-1999 ; United States Race relations ; USA ; Schwarze ; Intellektueller ; Bürgerrechtsbewegung ; Christentum ; Internationalismus ; Geschichte 1930-1959
    Abstract: Part of this worldwide struggle -- Spiritual recognition of empire (1930s) -- Passing through a similar transition (1930s) -- We can add to the world justice (1940s) -- An admixture of tragedy and triumph (1940s) -- Opposing injustice, first of all in ourselves (1940s & 1950s) -- Moral leadership of the world (1950s)
    Note: Includes bibliographical references (pages 217-260) and index
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  • 8
    ISBN: 9780190299477 , 0190299479 , 9780190299484 , 0190299487
    Language: English
    Pages: xxxiv, 894 Seiten , Illustrationen, Diagramme, Karten
    Edition: Second edition
    Series Statement: American constitutionalism / Howard Gillman; Mark A. Graber; Keith E. Whittington Volume 2
    Series Statement: Gillman, Howard American constitutionalism.
    DDC: 342.7302/9
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    Keywords: Constitutional history ; USA ; Konstitutionalismus ; Grundrecht ; Grundfreiheiten ; Geschichte
    Abstract: V. 1. Introduction to American constitutionalism -- The colonial era : before 1776 -- The funding era : 1776-1788 -- The early national era : 1789-1828 -- The Jacksonian era : 1829-1860 -- Secession, Civil War, and Reconstruction : 1861-1876 -- The Republican era : 1877-1932 -- The New Deal and Great Society era : 1933-1968 -- Liberalism divided : 1969-1980 -- The Reagan era : 1981-1993 -- The contemporary era : 1994-present
    Note: Includes bibliographical references and indexes
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  • 9
    ISBN: 3837631117 , 9783837631111
    Language: English
    Pages: 425 Seiten , Karten , 225 mm x 148 mm, 498 g
    Series Statement: Urban studies
    Parallel Title: Erscheint auch als Urban transformations in the U.S.A.
    DDC: 810.9321732
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    Keywords: Cities and towns ; Cities and towns in literature ; American literature History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Literatur ; Amerikabild ; Stadt ; USA ; Stadt ; Soziokultureller Wandel ; Geschichte 1880-2015
    Note: Literaturverzeichnis: Seite 410-416
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  • 10
    ISBN: 9783837632279 , 383763227X
    Language: German
    Pages: 202 Seiten
    Series Statement: Cultural studies Band 46
    Series Statement: Cultural studies
    Parallel Title: Erscheint auch als
    DDC: 000
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    Keywords: Rezeption ; Rap ; Digitalisierung ; Jugendkultur ; Sozialer Wandel ; Musikproduktion ; (Produktform)Paperback / softback ; (DDC 22 ger)780 ; Internet ; 21. Jahrhundert ; USA ; Deutschland ; Popkultur ; Musik ; Popmusik ; Cultural Studies ; Kulturwissenschaft ; 21st Century ; Usa ; Germany ; Popular Culture ; Music ; Pop Music ; (DNB-Sachgruppen)780 ; (VLB-WN)1510: Hardcover, Softcover / Geisteswissenschaften allgemein ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rap ; Jugendkultur ; Sozialer Wandel ; Digitalisierung ; Musikproduktion ; Rezeption
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  • 11
    Online Resource
    Online Resource
    Bielefeld : transcript | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839432273
    Language: German
    Pages: 1 Online-Ressource (202 Seiten)
    Series Statement: Cultural studies Band 46
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    Keywords: Geschichte 2000-2015 ; Rap ; Musikleben ; Jugendkultur ; Sozialer Wandel ; Digitalisierung ; Musikproduktion ; Rezeption ; 21. Jahrhundert ; Cultural Studies ; Deutschland ; Internet ; Kulturwissenschaft ; Musik ; Popkultur ; Popmusik ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben , Beiträge überwiegend deutsch, teilweise englisch
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 12
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190246068
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 793.33
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    Keywords: Salsa (Dance) ; Salsa (Dance) ; Salsa (Dance) ; Mambo (Dance) ; Dance ; Karibik ; Kuba ; New York, NY ; Los Angeles, Calif. ; Florida Süd ; Salsa ; Mambo ; USA ; Kommerzialisierung ; Sozialer Wandel
    Abstract: This study chronicles histories of salsa dance in the United States, starting from its incarnation as mambo in the late 1940s, through the creation of salsa as a musical genre in the 1970s, into the formation of a global salsa dance industry in the 1990s and 2000s. Equally informative for those interested in the dance's changing aesthetics and its relationship to evolving music styles and those concerned with how sociopolitical issues related to race, class, ethnicity, nationality, and gender played into this history, the text considers dance as both an object and an agent of change.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on May 26, 2015)
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  • 13
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190230944
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    Edition: [First edition].
    DDC: 201.678165
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    Keywords: Geschichte ; Jazz ; Religion ; Jazz Religious aspects ; Jazz History and criticism ; Music Social aspects ; USA
    Abstract: This is the first comprehensive comparative study of religions in the history of American jazz, and of jazz's contributions to American religions. Going beyond extant biographical studies of individual exemplars, or cursory attention to either 'spirituality' or jazz in the civil rights movement, the book argues for the centrality of religious experiences to any legitimate understanding of jazz, while also suggesting that attention to jazz opens up new interpretations of American religious history.
    Note: Includes bibliographical references and index
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  • 14
    ISBN: 9783839430866
    Language: German
    Pages: Online-Ressource (518 S.)
    Series Statement: texte zur populären musik v.8
    DDC: 780
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Popmusik ; Ausdruck ; Geschichte 1900-1960
    Abstract: Dieses Buch widmet sich den Stimmen und Gesangsweisen in der populären Musik der USA. Am Beispiel von Sängerinnen und Sängern aus den Bereichen Vaudeville, Gospel, Blues, American Popular Song, Musical, Jazz, Country, Folk, Rhythm & Blues, Rock'n'Roll und Soul beschreiben die Beiträge detailliert, wie vokale Ausdrucksmittel einander über Genregrenzen hinweg beeinflusst haben und wie sich in ihnen Images, kulturelle Stereotypen und kollektive Identitäten spiegeln. Die Verknüpfung von musikanalytischen mit kulturwissenschaftlichen Forschungsansätzen gibt neue Impulse für die Auseinandersetzung m
    Description / Table of Contents: Cover Stimme, Kultur, Identität; Inhalt; Dank; 1. Zur Einführung; 2. USA 1900-1960. Populäre Musik im/als Spiegel ihrer Zeit; 3. Was ist populärer Gesang? Zur Terminologie vokaler Gestaltungsmittel in populärer Musik; Musiktheater; 4. »Down in a Great Big Rathskeller«. Vaudeville-Shows zu Beginn des 20. Jahrhunderts; 5. »Doin' What Comes Natur'lly« Stimme, Star, Theaterdramaturgie und das Original Broadway Cast Album; American Popular Song; 6. »The Cutest Flapper That You've Ever Seen«. Über die Anfänge des Crooning; 7. »For You I Sigh, for You, Dear, Only«. Torch Song im Jazz
    Description / Table of Contents: 8. »Same Old Saturday Night«.Singen in Primetime-Fernsehshows der 1950er JahreAfroamerikanische Traditionen; 9. »You Better Have Your Ticket in Your Hand«. Predigten und Gospelgesang; 10. »Blues Falling Down Like Hail«. Vokaler Ausdruck in drei Spielarten des Blues; Euroamerikanische Traditionen; 11. »Sometimes I Live in the Country,Sometimes I Live in Town« Von Folklore zu Folk; 12. »It Wasn't God Who Made Honky Tonk Angels«. Geschlechterrollen und Klassenzugehörigkeit in Country Music, 1927-1963; Rock'n'Roll, Soul, Gesangsgruppen
    Description / Table of Contents: 13. »Kiss Me Ting-a-ling-a-ling«. Rock'n'Roll-Gesang bei Little Richard, Chuck Berry und Elvis Presley14.»Bring It On Home to Me«. Anfänge des Soulgesangs; 15. »Sh-Boom«. Die Gesangsgruppen; Nachwort; Anhang; Glossar; Chartsübersicht; Bibliografie; Diskografie; Register
    URL: Cover
    URL: Cover
    URL: Cover
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  • 15
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780199341801 , 9780199341818
    Language: English
    Pages: xx, 313 Seiten
    DDC: 306.4842490973
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    Keywords: Obama, Barack ; Politik ; Hip-Hop ; Politisierung ; Sozialer Wandel ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
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  • 16
    ISBN: 9783837630862
    Language: German
    Pages: 1 Online-Ressource (521 Seiten)
    Series Statement: texte zur populären musik
    DDC: 782.421640973
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    Keywords: Geschichte 1900-1960 ; Popmusik ; Ausdruck ; Popkultur ; Gesang ; USA ; Aufsatzsammlung
    URL: Cover
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  • 17
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190227951 , 9780190227975 (Sekundärausgabe)
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    Edition: Online-Ausg. Online-Ressource ISBN 9780190227975
    Edition: [Online-Ausg.]
    DDC: 810.989162
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    Keywords: Juden ; Rezeption ; Literatur ; Unterhaltungsmusik ; Irland ; USA
    Abstract: This study traces the often uncanny relationships between Irish- and Jewish-Americans, arguing for the centrality of these diasporic groups to the development of American popular music, fiction, and especially drama. The book reads such cultural forms as tenement fiction, Tin Pan Alley music, and melodrama as part of a larger 'circum-North Atlantic' world in which texts and performers from Ireland, Europe, and America were involved in a continuous cultural exchange within which stereotypes and performances of Jewishness and Irishness took centre stage.
    Note: Includes bibliographical references and index , Online-Ausg.:
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  • 18
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199354016 , 9780199354047 (Sekundärausgabe)
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white, and colour)
    Edition: Online-Ausg. Online-Ressource ISBN 9780199354047
    Edition: [Online-Ausg.]
    DDC: 791.08996073
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    Keywords: Geschichte 1920-1945 ; Schwarze ; Darstellende Kunst ; Afroamerikanische Musik ; Harlem renaissance ; Rezeption ; Kultur ; Moderne ; USA
    Abstract: 'Some of These Days' shows how interwar European audiences, artists, and intellectuals particularly associated with modernism, used Black American culture - for which 'jazz' was often a shorthand - to negotiate the disorientating experience of modernity and modernization. One manifestation of this process was the fashionable Negrophilia of the 1920s, the decade in which the two most successful Black American stars of their era first made their names: Josephine Baker and Paul Robeson. The book is threaded around their careers, their travels, and their relationships.
    Note: Includes bibliographical references and index , Online-Ausg.:
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  • 19
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190245238 , 0190245239
    Language: English
    Pages: xii, 292 Seiten , 24 cm
    Edition: First issued as an Oxford University paperback
    DDC: 342.73
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    Keywords: Constitutional law ; USA ; Verfassungsrecht
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  • 20
    ISBN: 9780199354016
    Language: English
    Pages: 271 Seiten , Illustrationen
    DDC: 791.08996073
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    Keywords: Geschichte 1920-1945 ; Schwarze ; Darstellende Kunst ; Afroamerikanische Musik ; Harlem renaissance ; Rezeption ; Kultur ; Moderne ; USA
    Note: Bibliography Seite 259-268
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  • 21
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199394319
    Language: English
    Pages: 1 Online-Ressource (231 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 791.45/72
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    Keywords: Austin City Limits Music Festival ; Austin city limits (Television program) ; Austin city limits ; Geschichte 2002- ; Geschichte 1976- ; Country music History and criticism ; Folk music ; Fernsehen ; Musiksendung ; Countrymusic ; Musikfestspiel ; Rockmusik ; USA ; Austin city limits ; Austin City Limits Music Festival Austin, Tex. ; USA ; Fernsehen ; Musiksendung ; Geschichte 1976- ; USA ; Musikfestspiel ; Rockmusik ; Countrymusic ; Folk music ; Geschichte 2002-
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 22
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780199366491 , 0199366489 , 9780199366484
    Language: English
    Pages: x, 220 Seiten , Illustrationen
    Series Statement: The Oxford music/media series
    DDC: 791.436578
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    Keywords: Geschichte 1923-1936 ; Filmmusik ; Oper ; Jazz ; USA
    Note: Bibliography Seite 183-197 , Filmography Seite 199-202
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  • 23
    ISBN: 9780199844135
    Language: English
    Pages: x, 297 Seiten , Diagramme
    DDC: 345/.01
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    Keywords: International Criminal Court ; Internationaler Strafgerichtshof ; Rome Statute of the International Criminal Court ; International criminal courts History ; Strafgericht ; Internationales Strafrecht ; Völkerrecht ; Menschenrecht ; Geschichte ; Ziel ; Außenpolitik ; Erde ; USA ; Internationaler Strafgerichtshof ; Geschichte
    Abstract: "In Rough Justice, David Bosco tells the story of the movement to establish the International Criminal Court and its tumultuous first decade. He also considers its prospects for the future, especially the very real challenges that it faces. He has access to many of the court's principals, and this will be an authoritative account of an international institution that is prototypical of the post-Cold War era"--
    Abstract: "Ten years ago, in the wake of massive crimes in central Africa and the Balkans, the first permanent international criminal court was established in The Hague despite resistance from some of the world's most powerful states. In the past decade, the court has grown from a few staff in an empty building to a bustling institution with more than a thousand lawyers, investigators, and administrators from around the world. Despite its growth and the backing of more than 120 nations, the ICC is still struggling to assert itself in often turbulent political crises. The ICC is generally autonomous in its ability to select cases and investigate crimes, but it is ultimately dependent on sovereign states, and particularly on the world's leading powers. These states can provide the diplomatic, economic, and military clout the court often needs to get cooperation-and to arrest suspects. But states don't expend precious political capital lightly, and the court has often struggled to get the help it needs. When their interests are most affected, moreover, powerful states usually want the court to keep its distance. Directly and indirectly, they make their preferences known in The Hague. Rough Justice grapples with the court's basic dilemma: designed to be apolitical, it requires the support of politicians who pursue national interests and answer to domestic audiences. Through a sharp analysis of the dynamics at work behind the scenes, Bosco assesses the ways in which powerful states have shaped the court's effort to transform the vision of international justice into reality. This will be the definitive account of the Court and its uneven progress toward advancing accountability around the world"--
    Description / Table of Contents: Introduction 1. - 1. A Conceptual Framework 11. - 2. Origins 23. - 3. The Phantom Court (1998-2002) 52. - 4. Caution and Consensus (July 2002-March 2005) 78. - 5. Breakthrough (2005-2008) 108. - 6. Power Plays (2008-2012) 139. - Conclusion: A Constrained Court 177
    Note: Literaturverzeichnis: Seite 247-285
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  • 24
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199366514
    Language: English
    Pages: 1 Online-Ressourcece
    DDC: 791.436578
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    Keywords: Geschichte 1923-1936 ; Filmmusik ; Oper ; Jazz ; Motion pictures and opera ; Opera in motion pictures ; Jazz in motion pictures ; Musical films History and criticism ; USA
    Abstract: 'Sounding American' looks at the role played by 1920s musical shorts in crafting studio identity and establishing American film sound. It argues that the persistence of opera and jazz on the soundtrack during and after the conversion produces a fragmentary text and encourages an active spectator.
    Note: Includes bibliographical references and index
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  • 25
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199354467
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 306.1
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    Keywords: Geschichte 1940-1970 ; Gesellschaft ; Counterculture / United States ; Popular music / Social aspects / United States ; Hippie ; Musik ; Soziale Bewegung ; USA ; USA ; USA ; Hippie ; Soziale Bewegung ; Musik ; Geschichte 1940-1970
    Abstract: 'Dig' argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples author Phil Ford shows why and how music became a central facet of hipness and the counterculture
    Note: Includes bibliographical references and index
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  • 26
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199980390
    Language: English
    Pages: 1 Online-Ressource (XXXV, 175 S.)
    Parallel Title: Erscheint auch als
    DDC: 792.80951
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    Keywords: Alltag, Brauchtum ; Gesellschaft ; Verstädterung ; Dance ; Movement, Aesthetics of ; Dance Social aspects ; Public spaces ; Urbanization ; Chinesen ; Tanz ; Kulturelle Identität ; Stadt ; China Social life and customs ; China ; USA ; China ; USA ; Chinesen ; Stadt ; Kulturelle Identität ; Tanz
    Abstract: 'Kinesthetic City' uses choreography as subject and method to explore how movement through particular spaces at precise moments can illuminate the communities in those places and times. It examines the simultaneous persistence and mobility of the idea of Chineseness as it travels across a transnational network of Chinese cities
    Note: Includes bibliographical references and index
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  • 27
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780195314038 , 9780199344819 (Sekundärausgabe)
    Language: English
    Pages: 296 pages , Illustrations (black and white)
    Edition: Online-Ausg. Online-Ressource ISBN 9780199344819
    Edition: [Online-Ausg.]
    DDC: 323.1196073
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    Keywords: Geschichte 1940-2010 ; Schwarze Frau ; Politische Beteiligung ; Unterhaltungskünstler ; Bürgerrechtsbewegung ; USA
    Abstract: The civil rights movement and popular culture are so closely intertwined in American memory that, even today, the soundtrack of counter-cultural opposition is what many still associate with the 1960s mainstream. What is less remembered today is how risky political activism was, on and off-stage, for black female entertainers who were simultaneously trying to gain mass popularity. Rather than looking at the women of the sit-ins and popular protests, Feldstein in this project considers the public careers and activism of popular entertainers.
    Note: Includes bibliographical references and index , Online-Ausg.:
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  • 28
    ISBN: 9783839420508
    Language: German
    Pages: 1 Online-Ressource (270 Seiten)
    Series Statement: Amerika: Kultur - Geschichte - Politik Band 2
    Uniform Title: Reborn to be wild : Christian Pop in der amerikanischen Geschichte und Kultur
    Parallel Title: Erscheint auch als Harju, Bärbel Rock & Religion
    Dissertation note: Dissertation Ludwig-Maximilians-Universität München 2011
    RVK:
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    Keywords: USA ; history ; cultural history ; music ; History ; Music ; Cultural History ; Usa ; Geschichte ; Kulturgeschichte ; Geschichtswissenschaft ; Religionswissenschaft ; Amerika ; Popkultur ; Kultur ; Amerikanische Geschichte ; Christian Pop ; Rockmusik ; Popmusik ; Religion ; Culture ; Religious Studies ; America ; American History ; Popular Culture ; Pop Music ; Musik; Religion; USA; Kultur; Geschichte; Christian Pop; Rockmusik; Popmusik; Popkultur; Amerika; Amerikanische Geschichte; Kulturgeschichte; Religionswissenschaft; Geschichtswissenschaft; Music; Culture; Pop Music; Popular Culture; America; American History; Cultural History; Religious Studies; History; ; Hochschulschrift ; Hochschulschrift ; USA ; Popmusik ; Christentum ; Geschichte ; USA ; Neues geistliches Lied ; Geschichte
    Abstract: »Reborn to be wild!« - seit Ende der 1960er Jahre verkünden wiedergeborene Christen diesen Schlachtruf zu den Klängen von Rock- und Popmusik. Heute existiert in den USA nicht nur eine vielfältige und millionenschwere christliche Musikindustrie; auch im musikalischen Mainstream gelingt es christlichen Künstlern zunehmend, sich erfolgreich zu etablieren.Mit dem genuin amerikanischen Phänomen Christian Pop untersucht Bärbel Harju ein facettenreiches Spannungsfeld an der Schnittstelle von Religiosität und Kommerz. Auf der Basis einer Fülle an Interviews und Primärquellen wird Christian Pop so erstmals umfassend in der amerikanischen Kulturgeschichte verankert.
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  • 29
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190268060
    Language: English
    Pages: 1 Online-Ressource (VIII, 206 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421643092
    RVK:
    Keywords: House, Son ; House, Son ; Blues musicians Biography ; USA ; Biografie ; Biografie ; Biografie ; Biografie ; House, Son 1902-1988
    Abstract: This is a biography of American blues singer and guitarist Eddie James 'Son' House, Jr. (1902-1988), who pioneered an innovative style, incorporating strong repetitive rhythms with elements of southern gospel and spiritual vocals. A seminal figure in the history of the Delta blues, he influenced such figures as Muddy Waters and Robert Johnson. The landscape of Son House's life and the vicissitudes he endured make for an absorbing narrative, threaded through with a tension between House's religious beliefs and his spells of commitment to a lifestyle that implicitly rejected it.
    Note: Published to Oxford Scholarship Online: May 2015
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 30
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199855865
    Language: English
    Pages: 1 Online-Ressourcece.
    DDC: 782.421640973
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    Keywords: Geschichte 1890-1930 ; Tin Pan Alley ; Oper ; Unterhaltungsmusik ; Popular music History and criticism ; Opera ; Opera in popular music ; USA
    Abstract: Author Larry Hamberlin guides us through the large but oft-forgotten repertoire of operatic novelties, and brings to life the rich humour and keen social criticism of the ragtime era.
    Note: Includes bibliographical references
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  • 31
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199864492
    Language: English
    Pages: 1 Online-Ressource (xi, 402 p.) , Ill.
    DDC: 781.651599
    RVK:
    Keywords: Geschichte 1950-1970 ; Jazz ; Gesellschaft ; Politik ; Schwarze ; Bürgerrechtsbewegung ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; Jazz Social aspects ; Jazz Political aspects ; African Americans Civil rights 20th century ; History ; USA
    Abstract: An insightful examination of the impact of the civil rights movement and African independence on jazz in the 1950s and 60s this text traces the complex relationships between music politics, aesthetics, and activism through the lens of racial and economic issues.
    Note: Includes bibliographical references, discography and index
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  • 32
    ISBN: 9783839402566
    Language: German
    Pages: 1 Online-Ressource (211 Seiten) , Illustrationen
    Series Statement: Beiträge zur Popularmusikforschung 32
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als 9/11 - the world's all out of tune
    RVK:
    Keywords: Music ; Globalization ; globalization ; music ; Globalisierung ; Terrorismus ; Frieden ; Popkultur ; Erinnerungskultur ; Musikwissenschaft ; Popmusik ; Memory Culture ; Popular Culture ; Musicology ; Pop Music ; Terrorism ; Musik ; Popmusik ; Geschichte, 11. September 2001 ; Terroranschlag 〈 11. September 2001〉 ; Terrorismus ; Gewalt ; Musik; Globalisierung; Terrorismus; Frieden; Popkultur; Erinnerungskultur; Popmusik; Musikwissenschaft; Music; Globalization; Terrorism; Popular Culture; Memory Culture; Pop Music; Musicology; ; USA ; Elfter September ; Auswirkung ; Popmusik
    Abstract: »The world's all out of tune« hieß es, kaum waren die Bilder von den einstürzenden Türmen des World Trade Centers und dem brennenden Pentagon um die Welt gegangen. Und ebenso schnell, wie die US-Administration zur Bestätigung dieser Weltsicht die Operation »Infinite Justice« resp. »Enduring Freedom« in Gang setzte, reagierte auch die Musikwelt auf die terroristischen Anschläge mit der Produktion hunderter »9/11-Songs« und »September 11-Tracks« - von Pop, Rock, Folk, Country, HipHop bis Techno und NewAge, von arrivierten Popstars bis zur vox populi übrigens keineswegs »out of tune«. Der Band sucht »Nine-Eleven« und das Pop-Territorium in Beziehung zu setzen, kontroverse Positionen auszuloten und Neu- bzw. Umorientierungen des popmusikalischen Konstrukts von Gewaltfreiheit, Friedensliebe, überhaupt gesellschaftlicher Solidarität auf die Spur zu kommen.
    Note: Literaturangaben
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 33
    ISBN: 0195121015
    Language: English
    Pages: XI, 294 S. , Ill.
    Edition: 2nd ed.
    DDC: 780.8968073
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    Keywords: Unterhaltungsmusik ; Lateinamerika ; USA ; Lateinamerika ; Unterhaltungsmusik ; USA ; Unterhaltungsmusik
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  • 34
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780195121018 , 9780199761487
    Language: English
    Pages: xi, 294 p.
    Edition: 2nd ed
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780/.89/68073
    RVK:
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    Keywords: Popular music Latin American influences ; Unterhaltungsmusik ; USA ; USA ; Lateinamerika ; USA ; Unterhaltungsmusik ; Lateinamerika ; Unterhaltungsmusik
    Note: Includes bibliographical references (p. [282]-288), discography (p. [270]-281) and index
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  • 35
    Book
    Book
    New York : Oxford University Press
    ISBN: 0195095340
    Language: English
    Pages: XI, 270 S , graph. Darst
    Series Statement: Studies in crime and public policy
    DDC: 364.10660973
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    Keywords: Gangs ; Juvenile delinquency Prevention ; Criminology ; USA ; Bande ; Straßenkriminalität ; USA ; Bandenkriminalität
    Note: Includes bibliographical references (p. 255-258) and index
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  • 36
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 1280524960 , 1423736931 , 1601297734 , 9781280524967 , 9781423736936 , 9781601297730
    Language: English
    Pages: 1 Online-Ressource (xvi, 199 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.6/0973
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    Keywords: Social Science ; Violence / États-Unis / Congrès ; Violence familiale / États-Unis / Congrès ; Criminalité / Prévention / États-Unis / Congrès ; Santé publique / États-Unis / Congrès ; Victimes d'actes criminels / Soins médicaux / États-Unis / Congrès ; SOCIAL SCIENCE / Violence in Society ; Crime prevention ; Family violence ; Public health ; Victims of crimes / Medical care ; Violence ; Public Health ; Violence ; Violence Congresses ; Family violence Congresses ; Crime prevention Congresses ; Public health Congresses ; Victims of crimes Congresses Medical care ; Prävention ; Gewalt ; Gesundheitswesen ; Gesundheitsvorsorge ; Gewaltkriminalität ; Kriminalität ; USA ; USA ; Konferenzschrift ; Konferenzschrift ; USA ; Kriminalität ; Prävention ; Gewaltkriminalität ; Gesundheitswesen ; USA ; Gewalt ; Gesundheitsvorsorge
    Note: Consists of the revised papers from the Surgeon General's Workshop on Violence and Public Health, held Oct. 27-29, 1985 Leesburg, Va , Includes bibliographical references and index , Assaultive violence / Mark L. Rosenberg and James A. Mercy -- Child abuse / Eli H. Newberger -- Child sexual abuse / David Finkelhor -- Rape and sexual assault / Judith M. Von, Dean G. Kilpatrick, Ann W. Burgess, and Carol R. Hartman -- Spouse abuse / Evan Stark and Anne H. Flitcraft -- Violence against the elderly / Karl Pillemer and Susan Frankel -- Suicide / Patrick W. O'Carroll, Mark L. Rosenberg and James A. Mercy , The USA is said to be a violent nation. Historically, violence and infectious disease have been the two leading causes of premature death, yet until recently the field of public health has given little attention to violent behaviour. This book presents the first full epidemiological picture of violence in American society. The aim of this volume is to draw together what is known about violence in our society, and to lead the way towards involving health professionals in education, prevention, and intervention. The authors, all experts in their fields, examine child, spouse, and elder abuse; sexual assault and rape; suicide; assaultive violence; and homicide. To each topic they bring an analysis of key issues in epidemiology, causal and risk factors, outcomes, and interventions
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