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  • Ann Arbor, Michigan : ProQuest  (13)
  • Geschlechterrolle  (8)
  • Gesellschaft
  • Globalisierung
  • Musicology  (13)
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Language
Keywords
  • 1
    Online Resource
    Online Resource
    Madison : University of Wisconsin Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780299340339
    Language: English
    Pages: 1 Online-Ressource (216 pages)
    Edition: 1st ed.
    DDC: 306.484609675112
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    Keywords: Rumba ; Tänzerin ; Geschlechterrolle ; Demokratische Republik Kongo ; Kinshasa ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 2
    Online Resource
    Online Resource
    Gainesville : University Press of Florida | Ann Arbor, Michigan : ProQuest
    ISBN: 9780813052632
    Language: English
    Pages: 1 Online-Ressource (xii, 212 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 306.4/84
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    Keywords: Geschichte 2000-2015 ; Tanz ; Geschlechterrolle ; USA ; Aufsatzsammlung
    Note: Literaturverzeichnis Seite 185-203 , Description based on publisher supplied metadata and other sources
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  • 3
    Online Resource
    Online Resource
    Jackson, MS : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781496804952
    Language: English
    Pages: 1 Online-Ressource (305 pages)
    Series Statement: American Made Music Series
    DDC: 781.642081
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    Keywords: Country-Musiker ; Country-Musikerin ; Geschlechterrolle ; Aufsatzsammlung
    Abstract: Essays that overthrow stereotypes and demonstrate the genre's power and mystique.
    Note: Description based on publisher supplied metadata and other sources
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  • 4
    Online Resource
    Online Resource
    Bielefeld : transcript | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839408506
    Language: German
    Pages: 1 Online-Ressource (369 pages)
    Edition: 1st ed.
    Series Statement: texte zur populären musik
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    Keywords: Musikwirtschaft ; Popmusik ; Globalisierung ; Tonträgerindustrie ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 5
    Online Resource
    Online Resource
    Lexington : The University Press of Kentucky | Ann Arbor, Michigan : ProQuest
    ISBN: 9780813149806
    Language: English
    Pages: 1 Online-Ressource (240 Seiten) , Illustrationen
    DDC: 791.0820973
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    Keywords: Geschichte ; Entertainerin ; Lateinamerikanerin ; Geschlechterrolle ; USA
    Abstract: Entertainers were the first group of successful women to capture the public eye, taking to the stage in vaudeville and film and redefining their place in society. June Sochen introduces the white, African American, and Latina women who danced on Broadway, fell on bananas in silent films, and wisecracked in smoky clubs, as well as the modern icons of today's movies and popular music. Sochen considers such women as Mae West, Bette Davis, Shirley Temple, Lucille Ball, and Mary Tyler Moore to discover what show business did for them and what they did for the world of entertainment.
    Note: Literaturverzeichnis: Seite [221]-223 , Description based upon print version of record
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  • 6
    Online Resource
    Online Resource
    Bielefeld : transcript | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839407615
    Language: German
    Pages: 1 Online-Ressource (333 Seiten)
    Edition: 1st edition
    Series Statement: Studien zur Popularmusik
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    Keywords: Hip-Hop ; Regionalkultur ; Globalisierung ; Konferenzschrift 2006
    Note: Description based on publisher supplied metadata and other sources
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  • 7
    Online Resource
    Online Resource
    Florence : Taylor and Francis | Ann Arbor, Michigan : ProQuest
    ISBN: 9781135456528
    Language: English
    Pages: 1 Online-Ressource (315 pages)
    Series Statement: Current Research in Ethnomusicology: Outstanding Dissertations
    DDC: 780.89963957
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    Keywords: Musik ; Tanz ; Ganda ; Geschlechterrolle ; Uganda
    Abstract: First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
    Note: Description based on publisher supplied metadata and other sources
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  • 8
    Online Resource
    Online Resource
    Lanham : Scarecrow Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780810866775
    Language: English
    Pages: 1 Online-Ressource (461 pages)
    Series Statement: Europea: Ethnomusicologies and Modernities
    DDC: 781.6309496
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    Keywords: Volksmusik ; Gesellschaft ; Politik ; Balkanhalbinsel ; Türkei ; Aufsatzsammlung ; CD-ROM
    Abstract: Rooted in ethnographic analysis, these eleven case studies examine the interplay between the musicians and popular music styles of the Balkan states during the late 1990s.
    Note: Description based on publisher supplied metadata and other sources
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  • 9
    ISBN: 9780754683155
    Language: English
    Pages: 1 Online-Ressource (268 pages)
    Series Statement: Ashgate Popular and Folk Music Ser.
    DDC: 306.48423
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    Keywords: Musik ; Gesellschaft ; Popmusik ; Popkultur ; Identität ; Politik ; Globalisierung ; Aufsatzsammlung
    Abstract: How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. Similarly, popular musics have been used 'from the ground up' as sites for both populist and popular critiques of nationalist sentiment, from the position of both a globalizing and a 'local' vernacular culture. The contributions in this book arrive at a critical moment in the development of the study of national cultures and musicology. The book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisis for national cultural identities: the evolution of these identities, particularly with reference to the concept of 'authenticity' in music, is situated within broader debates on power, political economy and constructions of the self. Theorizations of practice are employed after the manner of Bourdieu, Gramsci, Goffman, Gadamer, Habermas, Bhabha, Lacan and Zizek. Each contribution acts as a case study to characterize the strategies through which differing modes of musical discourse engage, critique or obscure discourses on national identity. The studies include discussions of: musical representations of Irishness; the relationship between Afropop and World Music; Norwegian club music; the revival of traditional music in Serbia; resistance to cultural homogeneity in Brazil; contemporary Uyghur song in Northwest China; rap and race in French society; technobanda from the barrios of Los Angeles, and Spanish/Moroccan raï. In...
    Abstract: this way, the book seeks to characterize the ideological configurations that help to activate and sustain hegemonic, amb.
    Note: Description based on publisher supplied metadata and other sources
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  • 10
    Online Resource
    Online Resource
    New York : Palgrave Macmillan US | Ann Arbor, Michigan : ProQuest
    ISBN: 9780230600928
    Language: English
    Pages: 1 Online-Ressource (208 pages)
    DDC: 301
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    Keywords: Ludwig ; Geschichte 1650-1715 ; Theater ; Ballett ; Schauspielerin ; Hosenrolle ; Schauspieler ; Frauenrolle ; Geschlechterrolle ; Frankreich
    Abstract: This book explores the fascinating phenomenon of cross-casting and related gender issues in different theatrical genres and different performance contexts during the heyday of French theatre.
    Note: Description based on publisher supplied metadata and other sources
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  • 11
    Online Resource
    Online Resource
    New York : NYU Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780814732731
    Language: English
    Pages: 1 Online-Ressource (237 pages)
    Edition: 1st ed.
    DDC: 306.487
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    Keywords: Mädchen ; Schwarze ; Rap ; Gesellschaft ; Seilspringen ; Abzählreim ; Kinderspiel ; USA
    Abstract: 2007 Alan Merriam Prize presented by the Society for Ethnomusicology 2007 PEN/Beyond Margins Book Award Finalist When we think of African American popular music, our first thought is probably not of double-dutch: girls bouncing between two twirling ropes, keeping time to the tick-tat under their toes. But this book argues that the games black girls play -handclapping songs, cheers, and double-dutch jump rope-both reflect and inspire the principles of black popular musicmaking. The Games Black Girls Play illustrates how black musical styles are incorporated into the earliest games African American girls learn-how, in effect, these games contain the DNA of black music. Drawing on interviews, recordings of handclapping games and cheers, and her own observation and memories of gameplaying, Kyra D. Gaunt argues that black girls' games are connected to long traditions of African and African American musicmaking, and that they teach vital musical and social lessons that are carried into adulthood. In this celebration of playground poetry and childhood choreography, she uncovers the surprisingly rich contributions of girls' play to black popular culture.
    Note: Description based on publisher supplied metadata and other sources
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  • 12
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781604739565
    Language: English
    Pages: 1 Online-Ressource (215 pages)
    DDC: 781.642082
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    Keywords: Countrymusic ; Geschlechterrolle
    Abstract: From the smiling, sentimental mothers portrayed in 1930s radio barn dance posters, to the sexual shockwaves generated by Elvis Presley, to the female superstars redefining contemporary country music, gender roles and imagery have profoundly influenced the ways country music is made and enjoyed. Proper male and female roles have influenced the kinds of sounds and images that could be included in country music; preconceptions of gender have helped to determine the songs and artists audiences would buy or reject; and gender has shaped the identities listeners made for themselves in relation to the music they revered. This interdisciplinary collection of essays is the first book-length effort to examine how gender conventions, both masculine and feminine, have structured the creation and marketing of country music. The essays explore the uses of gender in creating the personas of stars as diverse as Elvis Presley, Patsy Cline, and Shania Twain. The authors also examine how deeply conventions have influenced the institutions and everyday experiences that give country music its image: the popular and fan press, the country music industry in Nashville, and the line dance crazes that created the dance hall boom of the 1990s. From Hank Thompson's "The Wild Side of Life" to Johnny Cash's "A Boy Named Sue," from Tammy Wynette's "Stand by Your Man" to Loretta Lynn's ode to birth control, "The Pill," A Boy Named Sue demonstrates the role gender played in the development of country music and its current prominence. Kristine M. McCusker is a professor of history at Middle Tennessee State University. Diane Pecknold is an independent scholar in Chicago, Illinois.
    Note: Description based on publisher supplied metadata and other sources
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  • 13
    Online Resource
    Online Resource
    Thousand Oaks : SAGE Publications | Ann Arbor, Michigan : ProQuest
    ISBN: 9781452249698
    Language: English
    Pages: 1 Online-Ressource (237 pages)
    Edition: 1st ed.
    DDC: 306.484
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    Keywords: Popmusik ; Geschlechterrolle ; Postmoderne
    Abstract: The migration of cynical academic ideas about postmodernism into music journalism are traced in this book. The result of this migration is a widespread fatalism over the ability of the music industry to absorb any expression of defiance in popular music. The book synthesizes a number of fields: American and British academic and journalistic music criticism; aesthetic and literary history and theory from romanticism through postmodernism; alternative music such as feminist punk and grunge; political economy, which has fueled the obsession with commercial incorporation; and subcultural sociology.
    Note: Description based on publisher supplied metadata and other sources
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