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  • Ann Arbor, Michigan : ProQuest  (8)
  • London : Bloomsbury Academic
  • Politik  (9)
  • Globalisierung
  • Musicology  (11)
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  • 1
    ISBN: 9781350071216 , 9781350196247
    Language: English
    Pages: xxi, 185 Seiten
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University College London
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    Keywords: Geschichte 1945-1965 ; Volksmusik ; Politik ; Volkskultur ; Revival ; England ; Folk music / Great Britain / History and criticism ; Great Britain / Politics and government / 1945- ; Folk music ; Politics and government ; Great Britain ; Since 1945 ; Criticism, interpretation, etc ; Hochschulschrift ; England ; Politik ; Volkskultur ; Volksmusik ; Revival ; Geschichte 1945-1965
    Abstract: The English folk revival cannot be understood when divorced from the history of post-war England, yet the existing scholarship fails to fully engage with its role in the social and political fabric of the nation. Postwar Politics, Society and the Folk Revival in England is the first study to interweave the story of a gentrifying folk revival with the socio-political tensions inherent in England's postwar transition from austerity to affluence. Julia Mitchell skillfully situates the English folk revival in the context of the rise of the new left, the decline of heavy industry, the rise of local, regional and national identities, the 'Americanisation' of English culture and the development of mass culture. In doing so, she demonstrates that the success of the English folk revival derived from its sense of authenticity and its engagement with topical social and political issues, such as the conflicted legacy of the Welfare State, the fight for nuclear disarmament and the fallout of nationalization. In addition, she shrewdly compares the US and British revival to identify the links but also what was distinctive about the movement in Britain. Drawing on primary sources from folk archives, the BBC, the music press and interviews with participants, this is a theoretically engaged and sophisticated analysis of how postwar culture shaped the folk revival in England.
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  • 2
    ISBN: 1350118990 , 9781350118997 , 9781350016446
    Language: English
    Pages: IX, 198 Seiten , Illustrationen
    Series Statement: Bloomsbury advances in critical discourse studies
    DDC: 781.6309561
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    Keywords: Musik ; Politik ; Popmusik ; Popsong ; Türkei
    Note: Originally published: in ebook format 2018
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  • 3
    ISBN: 9781350114838 , 9781350114821 , 9781350114814
    Language: English
    Pages: 1 Online-Ressource (viii, 208 pages) , illustrations
    Edition: First edition
    Edition: London Bloomsbury Publishing
    Parallel Title: Erscheint auch als Fay, Brendan Classical music in Weimar Germany
    Parallel Title: Erscheint auch als Fay, Brendan Classical music in Weimar Germany
    DDC: 306.4842094309042
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    Keywords: National socialism and music History 20th century ; National socialism and music ; Musikleben ; Klassische Musik ; Musikästhetik ; Traditionalismus ; Fortschrittlichkeit ; Deutschland ; Deutschland ; Klassische Musik ; Konservativismus ; Politik ; Weimarer Republik ; Geschichte 1918-1933 ; Deutschland ; Kulturpolitik ; Medien ; Musiksoziologie ; Geschichte 1918-1933
    Abstract: "From Hitler's notorious fondness for Wagner's operas to classical music's role in fuelling German chauvinism in the era of the world wars, many observers have pointed to a distinct relationship between German culture and reactionary politics. In Classical Music in Weimar Germany, Brendan Fay challenges this paradigm by reassessing the relationship between conservative musical culture and German politics. Drawing upon a range of archival sources, concert reviews and satirical cartoons, Fay maps the complex path of classical music culture from Weimar to Nazi Germany-a trajectory that was more crooked, uneven, or broken than straight. Through an examination of topics as varied as radio and race to nationalism, this book demonstrates the diversity of competing aesthetic, philosophical and political ideals held by German music critics that were a hallmark of Weimar Germany. Rather than seeing the cultural conservatism of this period as a natural prelude for the violence and destruction later unleashed by Nazism, this fascinating book sheds new light on traditional culture and its relationship to the rise of Nazism in 20th-century Germany."--Bloomsbury Publishing
    Abstract: List of Figures Acknowledgements Introduction: German Music and the Nazi Past 1. (Re)Composing the Nation: Music, War, and the German Inflation, 1918-1924 2. Radios and Records: Image and Reality in Weimar Technology 3. Internationalism, Nationalism and the Case of Hans Joachim Moser 4. Wagner under Weimar 5. Judging Performance, Performing Judgments: Race and Performance in Weimar Germany Epilogue: Rethinking Tradition Bibliography Index.
    Note: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily , Includes bibliographical references (pages 184-197) and index
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  • 4
    Online Resource
    Online Resource
    Bielefeld : transcript | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839407615
    Language: German
    Pages: 1 Online-Ressource (333 Seiten)
    Edition: 1st edition
    Series Statement: Studien zur Popularmusik
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    Keywords: Hip-Hop ; Regionalkultur ; Globalisierung ; Konferenzschrift 2006
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  • 5
    Online Resource
    Online Resource
    Bielefeld : transcript | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839408506
    Language: German
    Pages: 1 Online-Ressource (369 pages)
    Edition: 1st ed.
    Series Statement: texte zur populären musik
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    Keywords: Musikwirtschaft ; Popmusik ; Globalisierung ; Tonträgerindustrie ; Electronic books
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  • 6
    Online Resource
    Online Resource
    New York, NY : Berghahn Books | Ann Arbor, Michigan : ProQuest
    ISBN: 9781782385011
    Language: English
    Pages: 1 Online-Ressource (278 pages)
    Edition: 1st ed.
    Series Statement: Explorations in Culture and International History v.7
    DDC: 306.48420904
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    Keywords: Geschichte 1890-1990 ; Musik ; Politik ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Bringing together scholars from the fields of musicology and international history, this book investigates the significance of music to foreign relations, and how it affected the interaction of nations since the late 19th century. For more than a century, both state and non-state actors have sought to employ sound and harmony to influence allies and enemies, resolve conflicts, and export their own culture around the world. This book asks how we can understand music as an instrument of power and influence, and how the cultural encounters fostered by music changes our ideas about international history.
    Note: Description based on publisher supplied metadata and other sources
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  • 7
    Online Resource
    Online Resource
    New York : Cambridge University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781107248267
    Language: English
    Pages: 1 Online-Ressource (344 pages)
    Series Statement: Music since 1900
    DDC: 306.484209046
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    Keywords: Geschichte 1968 ; Musik ; Politik ; Popmusik ; Rockmusik
    Abstract: In fifteen case studies from around the world, contributors explore the relationship between music and socio-political protest in 1968.
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  • 8
    Online Resource
    Online Resource
    Farnham : Taylor and Francis | Ann Arbor, Michigan : ProQuest
    ISBN: 9780754693840
    Language: English
    Pages: 1 Online-Ressource (359 pages)
    Series Statement: SOAS Musicology Series
    DDC: 306.4/8420956
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    Keywords: Musik ; Politik ; Naher Osten ; Nordafrika ; Mittelasien ; Aufsatzsammlung
    Abstract: What is it about the history, geographical position and cultures of the Middle East, North Africa and Central Asia that has made music such a potent and powerful agent? This volume presents the first direct look at the complex relationship between music and power across a range of musical genres and countries. Discourses of power in the region centre on some of the most contested social issues, most notably in relation to nationhood, gender and religion. Individual chapters examine the ways in which music serves as a forum for playing out issues of power, ideology, resistance and subversion. How does music become a space for promoting - or conversely, resisting or subverting - particular ideologies or positions of authority? How does it accrue symbolic power in ways that are very particular, perhaps unique? And how does music become a site of social control or, alternatively, a vehicle for agency and empowerment, at times overt and at others highly subtle? What is it about music that facilitates, and sometimes disrupts, the exercise and flows of power? Who controls such flows, how and for what purposes?In asking such questions in the context of countries such as Afghanistan, Egypt, Iran, Tunisia and Tajikistan, the book draws on a wide range of relevant theoretical and critical ideas, and many disciplines including ethnomusicology, anthropology, sociology, politics, Middle Eastern studies, globalization studies, gender studies and cultural and media studies. The countries and areas explored share a great deal in historical and cultural terms, including a legacy of colonial and neo-colonial encounters and predominantly Judeo-Muslim religious traditions. It is hoped that the volume will contribute ultimately to a richer understanding of the role that music plays in these societies.
    Note: Description based on publisher supplied metadata and other sources
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  • 9
    ISBN: 9780754683155
    Language: English
    Pages: 1 Online-Ressource (268 pages)
    Series Statement: Ashgate Popular and Folk Music Ser.
    DDC: 306.48423
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    Keywords: Musik ; Gesellschaft ; Popmusik ; Popkultur ; Identität ; Politik ; Globalisierung ; Aufsatzsammlung
    Abstract: How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. Similarly, popular musics have been used 'from the ground up' as sites for both populist and popular critiques of nationalist sentiment, from the position of both a globalizing and a 'local' vernacular culture. The contributions in this book arrive at a critical moment in the development of the study of national cultures and musicology. The book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisis for national cultural identities: the evolution of these identities, particularly with reference to the concept of 'authenticity' in music, is situated within broader debates on power, political economy and constructions of the self. Theorizations of practice are employed after the manner of Bourdieu, Gramsci, Goffman, Gadamer, Habermas, Bhabha, Lacan and Zizek. Each contribution acts as a case study to characterize the strategies through which differing modes of musical discourse engage, critique or obscure discourses on national identity. The studies include discussions of: musical representations of Irishness; the relationship between Afropop and World Music; Norwegian club music; the revival of traditional music in Serbia; resistance to cultural homogeneity in Brazil; contemporary Uyghur song in Northwest China; rap and race in French society; technobanda from the barrios of Los Angeles, and Spanish/Moroccan raï. In...
    Abstract: this way, the book seeks to characterize the ideological configurations that help to activate and sustain hegemonic, amb.
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  • 10
    Online Resource
    Online Resource
    Lanham : Scarecrow Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780810866775
    Language: English
    Pages: 1 Online-Ressource (461 pages)
    Series Statement: Europea: Ethnomusicologies and Modernities
    DDC: 781.6309496
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    Keywords: Volksmusik ; Gesellschaft ; Politik ; Balkanhalbinsel ; Türkei ; Aufsatzsammlung ; CD-ROM
    Abstract: Rooted in ethnographic analysis, these eleven case studies examine the interplay between the musicians and popular music styles of the Balkan states during the late 1990s.
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  • 11
    Online Resource
    Online Resource
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520940000
    Language: English
    Pages: 1 Online-Ressource (368 pages)
    Edition: 1st ed.
    Series Statement: American Crossroads v.22
    DDC: 781.642
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    Keywords: Geschichte 1900-2000 ; Politik ; Countrymusic ; Popkultur ; Kalifornien
    Abstract: Proud to Be an Okie brings to life the influential country music scene that flourished in and around Los Angeles from the Dust Bowl migration of the 1930s to the early 1970s. The first work to fully illuminate the political and cultural aspects of this intriguing story, the book takes us from Woody Guthrie's radical hillbilly show on Depression-era radio to Merle Haggard's "Okie from Muskogee" in the late 1960s. It explores how these migrant musicians and their audiences came to gain a sense of identity through music and mass media, to embrace the New Deal, and to celebrate African American and Mexican American musical influences before turning toward a more conservative outlook. What emerges is a clear picture of how important Southern California was to country music and how country music helped shape the politics and culture of Southern California and of the nation.
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