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  • 2000-2004  (15)
  • 1995-1999  (6)
  • Cambridge : Cambridge University Press
  • Frankfurt am Main : Suhrkamp
  • [Erscheinungsort nicht ermittelbar] : IntechOpen
  • Musicology  (21)
Material
Language
Years
Year
  • 1
    Book
    Book
    Frankfurt am Main : Suhrkamp
    ISBN: 3518120905
    Language: German
    Pages: 351 S.
    Edition: Erstausg., 1. Aufl., [Nachdr.]
    Series Statement: Edition Suhrkamp 2090
    Series Statement: Edition Suhrkamp
    DDC: 791.44657
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    Keywords: Videoclip ; Popmusik ; Fernsehen ; Aufsatzsammlung
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  • 2
    ISBN: 3518121065
    Language: German
    Pages: 185 S.
    Edition: 3. Aufl.
    Series Statement: Edition Suhrkamp 2106
    Uniform Title: De luchtgitaar 〈dt.〉
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  • 3
    Book
    Book
    Frankfurt am Main : Suhrkamp
    ISBN: 3518123157
    Language: German
    Pages: 224 S. , 18 cm
    Edition: [Nachdr.], Orig.-Ausg., 1. Aufl.
    Series Statement: Edition Suhrkamp 2315
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    Keywords: Authenticity (Philosophy) ; Hip-hop Social aspects ; Subculture ; Hip-Hop ; Jugendkultur ; Hip-Hop ; Jugendkultur
    Note: Literaturverz. S. 212 - [225]
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  • 4
    ISBN: 9780511518317
    Language: English
    Pages: Online-Ressource (1 online resource (700 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Arom, Simha, 1930 - African polyphony and polyrhythm
    DDC: 781.76
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    Keywords: Music History and criticism ; Africa, Central ; Counterpoint ; Musical meter and rhythm ; Music History and criticism ; Music ; Africa, Central ; History and criticism ; Counterpoint ; Musical meter and rhythm ; African music ; Music++Africa++History and criticism ; Afrika ; Polyfonie ; Musik
    Abstract: In this detailed study Simha Arom takes a new and original approach to the understanding of the complex and sophisticated patterns of polyphony and polyrhythm that characterise African music. Considering in particular the harp, sanza, xylophone and percussion music of Central Africa, Simha Arom develops a rigorous method for the analysis of the music and for the recording and deciphering of the many strands of polyphony and polyrhythm. Through a systematic breakdown of the many layers of apparently improvised rhythm he reveals the essential structure which underlies this rich and complex music. Inspired also by linguistic techniques, Professor Arom regards the music very much as a grammatical system.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 5
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511482014
    Language: English
    Pages: 1 online resource (ix, 270 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64
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    Keywords: Popular music / Analysis, appreciation ; Popular music / History and criticism ; Musical analysis ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik
    Abstract: How do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself. The books presents a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk) and deals with issues as broad as methodology, modernism, postmodernism, Marxism and communication. It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with and is the first collection of such essays to incorporate contextualisation in this way
    Description / Table of Contents: Popular music analysis : ten apothegms and four instances / Rob Walser -- From lyric to anti-lyric : analyzing the words in pop song / Dai Griffiths -- The sound is "out there" : score, sound design, and exoticism in The X-files / Robynn J. Stilwell -- Feel the beat come down : house music as rhetoric / Stan Hawkins -- The determining role of performance in the articulation of meaning : the case of "Try a little tenderness" / Rob Bowman -- Marxist music analysis without Adorno : popular music and urban geography / Adam Krims -- Jethro Tull and the case for modernism in mass culture / Allan F. Moore -- Pangs of history in late 1970s rock / John Covach -- Is anybody listening? / Chris Kennett -- Talk and text : popular music and ethnomusicology / Martin Stokes
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Book
    Book
    Frankfurt am Main : Suhrkamp
    ISBN: 3518276026
    Language: German
    Pages: 568 S , 18 cm
    Edition: 16. Aufl.
    Series Statement: Suhrkamp-Taschenbuch Wissenschaft 2
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    Keywords: Aesthetics ; Adorno, Theodor W. 1903-1969 Ästhetische Theorie
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  • 7
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780511157363
    Language: English
    Pages: 1 Online-Ressource (304 pages)
    DDC: 306.4
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    Abstract: A unique sociological vision of the evolution of jazz music in the twentieth century, first published in 2002.
    Note: Description based on publisher supplied metadata and other sources
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  • 8
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Language: English
    Pages: Online-Ressource (1 online resource (304 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Lopes, Paul, 1958 - The rise of a jazz art world
    Parallel Title: Print version
    DDC: 781.65/09
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    Keywords: Jazz History and criticism ; Music Social aspects ; Music Social aspects ; Jazz History and criticism ; Jazz ; History and criticism ; Music ; Social aspects ; Jazz ; Sozialgeschichte
    Abstract: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Description / Table of Contents: Introduction: the quest for cultural legitimacy -- Before the Jazz Age: professional musicians and good music -- Jazz Age: professional musicians and the cultivated vernacular -- Swing craze: professional musicians, swing music and the art of improvisation -- Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt -- New jazz age: the jazz art world and the modern jazz renaissance -- Conclusion: the jazz art world and American culture.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 9
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Language: English
    Pages: 1 online resource (vii, 294 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/09
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    Keywords: Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Sozialgeschichte ; Jazz ; Geschichte ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Abstract: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Language: English
    Pages: 1 online resource (vii, 294 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/09
    RVK:
    Keywords: Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Geschichte ; Sozialgeschichte ; Jazz ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Abstract: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511481956
    Language: English
    Pages: Online-Ressource (1 online resource (248 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Rohr, Deborah The careers of British musicians, 1750 - 1850
    Parallel Title: Print version
    DDC: 305.978094109033
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    Keywords: Music History and criticism ; 18th century ; Great Britain ; Music History and criticism ; 19th century ; Great Britain ; Music Social aspects ; Great Britain ; Musicians Great Britain ; Music Social aspects ; Musicians ; Music History and criticism 19th century ; Music History and criticism 18th century ; Music ; Great Britain ; 18th century ; History and criticism ; Music ; Great Britain ; 19th century ; History and criticism ; Music ; Social aspects ; Great Britain ; Musicians ; Great Britain ; Großbritannien ; Musiker ; Geschichte 1750-1850
    Abstract: The study of the social context of music must consider the day-to-day experiences of its practitioners; their economic, social, professional and artistic goals; and the material and cultural conditions under which these goals were pursued. This book traces the daily working life and aspirations of British musicians during the sweeping social and economic transformation of Britain from 1750 to 1850. It features working musicians of all types and at all levels - organists, singers, instrumentalists, teachers, composers and entrepreneurs - and explores their educational background, their conditions of employment, their wages, the systems of patronage that supported them, and their individual perceptions. Deborah Rohr focuses not only on social and economic pressures but also on a range of negative cultural beliefs faced by the musicians. Also considered are the implications of such conditions for their social and professional status, and for their musical aspirations
    Description / Table of Contents: 1. The social and professional status of musicians in the eighteenth century -- 2. Social profile -- 3. Patronage -- 4. Musical education -- 5. Church musicians -- 6. Secular musicians: singers -- 7. Secular musicians: instrumentalists -- 8. Teachers, composers, and entrepreneurs -- 9. The fortunes of musicians -- 10. The struggle for social and professional status.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 12
    ISBN: 3518397710
    Language: German
    Pages: 375 S. , Ill.
    Edition: Orig.-Ausg., Erstausg., 1. Aufl.
    Series Statement: Suhrkamp-Taschenbuch 3271
    Series Statement: Suhrkamp-Taschenbuch
    DDC: 927.8166
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    Keywords: New wave music History and criticism ; New wave musicians Interviews ; Punk rock music History and criticism ; Punk rock musicians Interviews ; Punk ; Neue deutsche Welle ; Belletristische Darstellung ; Fiktionale Darstellung ; Punk ; Neue deutsche Welle
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  • 13
    ISBN: 3518122053
    Language: German
    Pages: 239 S. , 18 cm
    Edition: Dt. Erstausg., 1. Aufl.
    Series Statement: Edition Suhrkamp 2205
    Uniform Title: De overdaad
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    Keywords: Popkultur ; Popkultur
    Note: Aus dem Niederländ. übers.
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  • 14
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511625008
    Language: English
    Pages: 1 online resource (xi, 308 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 128/.4
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    Keywords: Philosophie ; Psychologie ; Rationalism / Psychological aspects ; Reasoning (Psychology) ; Psychology / Philosophy ; Psychologie ; Freiwilligkeit ; Beschränkung ; Rationalität ; Denken ; Beschränkung ; Freiwilligkeit ; Psychologie ; Denken ; Rationalität
    Abstract: Common sense suggests that it is always preferable to have more options than fewer, and better to have more knowledge than less. This provocative book argues that, very often, common sense fails. Sometimes it is simply the case that less is more; people may benefit from being constrained in their options or from being ignorant. The three long essays that constitute this book revise and expand the ideas developed in Jon Elster's classic study Ulysses and the Sirens. It is not simply a new edition of the earlier book, though; many of the issues merely touched on before are explored here in much more detail. Elster shows how seemingly disparate examples which limit freedom of action reveal similar patterns, so much so that he proposes a new field of study: constraint theory. The book is written in Elster's characteristically vivid style and will interest professionals and students in philosophy, political science, psychology, and economics
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    Book
    Book
    Frankfurt am Main : Suhrkamp
    ISBN: 3518121766
    Language: German
    Pages: 196 S.
    Edition: 1. Aufl., Erstausg., Orig.-Ausg.
    Series Statement: Edition Suhrkamp 2176
    Series Statement: Edition Suhrkamp
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    Keywords: Geschichte 1990-2000 ; Popmusik ; Berlin ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 16
    ISBN: 3518121065
    Language: German , English
    Pages: 185 S.
    Edition: Orig.-Ausg., dt. Erstausg., 1. Aufl.
    Series Statement: Edition Suhrkamp 2106
    Uniform Title: De luchtgitaar
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    Keywords: Popular music History and criticism ; Popsong ; Popsong
    Note: Text teilw. eng.
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  • 17
    Book
    Book
    Frankfurt am Main : Suhrkamp
    ISBN: 3518120905
    Language: German
    Pages: 351 Seiten , Illustrationen, Notenbeispiele , 18 cm
    Edition: Erste Auflage, Erstausgabe
    Series Statement: Edition Suhrkamp 2090
    DDC: 791.44/657
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    Keywords: Videoclip ; Popmusik ; Music videos ; History and criticism ; Television music ; History and criticism ; Popular music ; History and criticism ; Fernsehen ; Popmusik ; Videoclip
    Abstract: Mit MTV (und der deutschen Version VIVA) wurden Musikfernsehen und Videoclips hierzulande populär: für die einen eine neue Rezeptionsform von Popmusik und Fernsehen, entsprechend dem hektischen Lebensgefühl und der Zapping-Mentalität der "X-Generation", für die anderen vorläufiger Höhepunkt von Musikkommerz, expressiver, nicht selten schockierender Inszenierung und penetrantem Starkult, nicht zuletzt auf der Basis weitgehender Monopolisierung des Marktes. Dieser Reader, fundiert eingeleitet und zusammengestellt von dem Frankfurter Kultur- und Mediensoziologen, will sachlich und kritisch die diversen Facetten dieses Medienphänomens beleuchten, mit aktuellen und fast schon klassisch gewordenen Texten: die jugendkulturellen Szenen als soziale Hintergründe, die internen Produktionsbedingungen bei MTV und VIVA, vor allem einzelne Beispiele der Videoclips, ihre Ästhetik, Stereotypen und phantastischen Momente, und endlich ihre Nutzung und Rezeption durch Jugendliche. Insofern ein grundlegendes, theoretisch begründetes, aber auch anschauliches Pionierwerk. (3) (Hans-Dieter Kübler)
    Description / Table of Contents: Literaturangaben
    Description / Table of Contents: Literaturangaben
    Note: Literaturverzeichnis: Seiten 346-349
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  • 18
    Book
    Book
    Frankfurt am Main : Suhrkamp
    ISBN: 3518120905
    Language: German
    Pages: 351 S. , Ill.
    Edition: 1. Aufl., Erstausg.
    Series Statement: Edition Suhrkamp 2090
    Series Statement: Edition Suhrkamp
    DDC: 791.44657
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    Keywords: Videoclip ; Popmusik ; Fernsehen ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 19
    ISBN: 3518121065
    Language: German
    Pages: 185 S , 18 cm
    Edition: Orig.-Ausg., dt. Erstausg., 1. Aufl.
    Series Statement: Edition Suhrkamp 2106
    Uniform Title: De luchtgitaar 〈dt.〉
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    Keywords: Popsong ; Popsong ; Popsong
    Description / Table of Contents: Diskogr. [180] - 185
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  • 20
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511620195
    Language: English
    Pages: 1 online resource (xi, 98 pages)
    Series Statement: Cambridge music handbooks
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42166/092/2
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    Keywords: Beatles / Sgt. Pepper's Lonely Hearts Club Band ; The Beatles ; Rock music / England / History and criticism ; The Beatles Sgt. Pepper's Lonely Hearts Club Band
    Abstract: Sgt. Pepper's Lonely Hearts Club Band (1967) represents the highpoint of the recording career of the Beatles. This is the first detailed study to be made of this or any other such album, and it demonstrates how serious discussion of popular music can be undertaken without failing either the approach or the music. Dr Moore considers each song individually, tying his analysis to the recorded performance on disc, rather than the printed music. He focuses on the musical quality of the songs and the interpretations offered by a range of commentators. He also describes the context in which the album was written - both within the career of the group itself and within the development of popular music globally, both before and since
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511895500
    Language: English
    Pages: 1 online resource (xii, 390 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6409
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    Keywords: Gesellschaft ; Musik ; Popular music / History and criticism ; Music / Social aspects ; Unterhaltungsmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik
    Abstract: This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes. Specific topics include the use of popular song to rouse anti-slavery sentiment in mid-nineteenth-century America, the reception of such African-American styles and genres as rock 'n' roll and soul music by the black population of South Africa, the question of genre in the early songs of Irving Berlin, the attempts by the governments of South Africa and China to impose specific bodies of music on their populations, the persistence of the minstrel show in rural twentieth-century America and the impact of modernist modes of thought on writing about popular music
    Description / Table of Contents: Modernist narratives and popular music -- Rock and the facts of life -- Changing patterns in society and music: the US since World War II -- "If I were a voice": or, The Hutchinson Family and popular song as political and social protest -- Some thoughts on the measurement of popularity in music -- Elvis, a review -- Home cooking and American soul in black South African popular music -- Rock 'n' roll in a very strange society -- African-American music, South Africa, and apartheid -- "The constant companion of man": Separate development, radio Bantu, and music -- Privileging the moment of reception: music and radio in South Africa -- Music and radio in the People's Republic of China -- Towards a new reading of Gershwin -- A blues for the ages -- Graceland revisited -- Dvořák in America: nationalism, racism, and national race -- The last minstrel show? -- The role of rock, a review -- Genre, performance, and ideology in the early songs of Irving Berlin -- Epilogue: John Cage revisited
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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