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  • 2015-2019  (103)
  • History and criticism
  • Musicology  (74)
  • American Studies  (21)
  • Romance Studies  (10)
Material
Language
Year
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    Leiden : Brill
    ISBN: 9004048731
    Language: English
    Series Statement: Orientalia Rheno-traiectina vol. 22
    DDC: 781.7/54
    RVK:
    RVK:
    Keywords: Somanatha ; son of Mudgala ; Ragavibodha of Somanatha ; Carnatic music ; History and criticism ; Music ; India ; History and criticism ; Raga
    Note: Erschienen: 1 - 2
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  • 2
    Book
    Book
    Leiden : Brill
    ISBN: 9004048731
    Language: English
    Series Statement: Orientalia Rheno-traiectina vol. 22
    DDC: 781.7/54
    RVK:
    RVK:
    Keywords: Somanatha ; son of Mudgala ; Ragavibodha of Somanatha ; Carnatic music ; History and criticism ; Music ; India ; History and criticism ; Raga
    Note: Erschienen: 1 - 2
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  • 3
    Book
    Book
    New York : Dover Publications
    Language: English
    Pages: 25 cm
    Edition: 2. rev. ed
    DDC: 016.398
    RVK:
    Keywords: Folklore Bibliography ; United States ; African Americans Folklore ; Bibliography ; Indians of North America Folklore ; Bibliography ; Folk songs Bibliography ; United States ; Folk songs Bibliography ; History and criticism ; United States ; Afro-Americans Music ; Bibliography ; Afro-Americans Music ; Bibliography ; History and criticism ; Indians of North America Music ; Bibliography ; Indians of North America Music ; Bibliography ; History and criticism ; Bibliografie ; Nordamerika ; Folksong ; Nordamerika ; Volkskultur ; Nordamerika ; Indianer ; Eskimo ; Folksong ; Volkskultur
    Note: The first ed. of this work appeared in one vol
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  • 4
    ISBN: 9004048731
    Language: English
    Series Statement: Orientalia Rheno-traiectina vol. 22
    DDC: 781.7/54
    RVK:
    RVK:
    Keywords: Somanatha ; son of Mudgala ; Ragavibodha of Somanatha ; Carnatic music ; History and criticism ; Music ; India ; History and criticism ; Raga
    Note: Erschienen: 1 - 2
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  • 5
    Book
    Book
    Lisboa : Dinapress
    Language: Portuguese
    DDC: 398.9/09
    RVK:
    Keywords: Proverbs ; History and criticism ; Portugiesisch ; Sprichwort ; Phraseologie ; Herkunft
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  • 6
    ISBN: 9780190908386
    Language: English
    Pages: xiv, 389 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Andrews, William L., 1946- author Slavery and class in the American South
    DDC: 306.362097509034
    RVK:
    Keywords: Geschichte 1840-1865 ; Slaves' writings, American History and criticism ; Slaves Biography History and criticism ; African Americans Biography ; History and criticism ; Slaves Social conditions 19th century ; Slavery History 19th century ; Soziale Situation ; Sklave ; Erzählung ; Schwarze ; USA Südstaaten ; USA Südstaaten ; Schwarze ; Sklave ; Soziale Situation ; Erzählung ; Geschichte 1840-1865
    Abstract: "In William L. Andrews's magisterial study of an entire generation of slave narrators, more than 60 mid-nineteenth-century narratives reveal how work, family, skills, and connections made for social and economic differences among the enslaved of the South. Slave narrators disclosed class-based reasons for violence that broke out between 'impudent,' 'gentleman,' and 'lady' slaves and their resentful "mean masters." Andrews's far-reaching book shows that status and class played key roles in the self- and social awareness and in the processes of liberation portrayed in the narratives of the most celebrated fugitives from U.S. slavery, such as Frederick Douglass, Harriet Jacobs, William Wells Brown, and William and Ellen Craft. Slavery and Class in the American South explains why social and economic distinctions developed and how they functioned among the enslaved. Noting that the majority of the slave narrators came from the higher echelons of the enslaved, Andrews also pays close attention to the narratives that have received the least notice from scholars, those from the most exploited class, the 'field hands.' By examining the lives of the most and least acclaimed heroes and heroines of the slave narrative, Andrews shows how the dividing edge of social class cut two ways, sometimes separating upper and lower strata of slaves to their enslavers' advantage, but at other times fueling pride, aspiration, and a sense of just deserts among some of the enslaved that could be satisfied by nothing less than complete freedom"...
    Note: Includes bibliographical references and index
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  • 7
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496819758
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    RVK:
    Keywords: Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; Greek Americans Music ; History and criticism ; Folk music History and criticism ; Folk music History and criticism ; Greek Americans Social life and customs ; USA ; Griechenland ; Aufsatzsammlung
    Abstract: 'Greek Music in America' provides a foundation for understanding the scope, practice, and development of Greek music in America through essays by the principal scholars in the field. This text offers a comprehensive view of the subject; despite the richness, diversity, and longevity of Greek music in America, there has been relatively little available on the topic. The volume includes several previously published essays, as well as recent work by contemporary specialists on the Greek diaspora.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 8
    ISBN: 9780199913923 , 9780199913947
    Language: English
    Pages: xiii, 319 Seiten , Illustrationen, Karten
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
    RVK:
    Keywords: Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Note: Includes bibliographical references and index
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  • 9
    Book
    Book
    Bloomington : Indiana University Press
    ISBN: 9780253041142 , 9780253041135
    Language: English
    Pages: xi, 241 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Wolf, Juan Eduardo, 1971- author Styling blackness in Chile
    DDC: 780.89/96083
    RVK:
    Keywords: Popular music History and criticism ; Blacks Music ; History and criticism ; Music and race Chile ; Musik ; Schwarze ; Tanz ; Chile ; Chile ; Schwarze ; Musik ; Tanz
    Note: Includes bibliographical references and index
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  • 10
    ISBN: 9780199949267 , 9780199949243
    Language: English
    Pages: xxix, 494 Seiten , Illustrationen, Notenbeispiele, Portraits
    Parallel Title: Erscheint auch als
    DDC: 781.62/914970561
    RVK:
    Keywords: Geschichte ; Romanies Music ; History and criticism ; Music Social aspects ; Romanies Social life and customs ; Music History and criticism ; Identität ; Roma ; Musikleben ; Türkei ; Türkei West ; Roma ; Musikleben ; Identität ; Geschichte
    Note: Includes bibliographical references and index
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  • 11
    Book
    Book
    London : Routledge, Taylor & Francis Group
    ISBN: 9781409426844
    Language: English
    Pages: xxii, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: SOAS musicology series
    Series Statement: An Ashgate book
    DDC: 788.9/209667
    RVK:
    Keywords: Trumpet ; Ashanti (African people) Music ; History and criticism ; Trumpet ensembles History and criticism ; Aschanti ; Trompetenmusik
    Note: Literaturverzeichnis: Seite 191-199
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  • 12
    ISBN: 9783839446010
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Post_koloniale Medienwissenschaft 8
    Series Statement: Post-colonial media studies v. 8
    Parallel Title: Erscheint auch als We travel the space ways
    DDC: 000
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Afrofuturism ; African American art History and criticism ; Science fiction, African History and criticism ; Science fiction, American History and criticism ; American literature African American authors ; History and criticism ; African Americans Social conditions ; African diaspora ; Postcolonialism ; Art, African History and criticism ; Schwarze ; Identität ; SOCIAL SCIENCE / Gender Studies ; African diaspora ; Afrofuturism ; American literature ; African American authors ; Art, African ; Civilization ; Postcolonialism ; Science fiction, African ; Science fiction, American ; African Americans ; Social conditions ; Criticism, interpretation, etc ; African American art ; Africa Civilization ; Amerika ; Africa ; Aufsatzsammlung ; Künste ; Afrofuturismus
    Abstract: 0. Constellation --Black Astrophysics: A Homemade Field of Love /Gumbs, Alexis Pauline --Lift Off... an Introduction /Lynch, Kara / Gunkel, Henriette --I. --City of Mirage /Henda, Kiluanji Kia --Reach, Robot: AfroFuturist Technologies /Coleman, Grisha / Defrantz, Thomas F. --Glitches Running Trains Out In Negrizonia, A Gynocidal Western /Tate, Greg --To Win the War, You Fought It Sideways: Kojo Laing's Major Gentl and the Achimota Wars /Eshun, Kodwo --Black Atlantis /Hameed, Ayesha --II. --The Palace of the Quilombos /Two Feathers, Frohawk --The Sound of Afrofuturism /Alisch, Stefanie / Maier, Carla J. --The Revolutionist /Haimbe, Milumbe --The Crypt of Blackness: or Assotto Saint with Gilles Deleuze /Nyong'O, Tavia --Rise of the Astro Blacks /Tate, Greg --III. --The Archivist's Vault :: Door Of No Return /Lynch, Kara --An Afrofuturist Time Capsule - One Point in Space-Time in the Collective Consciousness of Black Speculation /Dukan, M. Asli --Organize Your Own Temporality: Notes on Self-Determined Temporalities and Radical Futurities /Phillips, Rasheedah --"I Feel Love": Race, Gender, Technē, and the (Im)Proper Sonic Habitus /Keeling, Kara --Afrofuturism On My Mind: Imagining Black Lives in a Post-Obama World /Everett, Anna --IV. --Brother Kyot /Schrade, Daniel Kojo --Intervening into the Future Script: A Conversation about Fiction, Magic, and the Speculative Power of Images /Henda, Kiluanji Kia / Siegert, Nadine --Dismantle Imperia /Smith, Robyn --Textures of Time - Abstraction, Afronauts, and the Archive in the Artwork of Daniel Kojo Schrade /Nagl, Tobias --There Are Storytellers Everywhere /Gbadamosi, Raimi --V. --Prophetika /DeVille, Abigail --The Secessionist Manifestos of Certain Received Wisdoms /Akomfrah, John / Eshun, Kodwo --They Sent You? /Chuchu, Jim --Alienation and Queer Discontent /Gunkel, Henriette --FAR SPACE-WISE - Without Edges a Center Cannot Exist in Stasis /Ajalon, Jamika --VI. Final Orbit --Future /Phillips, Rasheedah
    Abstract: A new take on Afrofuturism, this book gathers together a range of contemporary voices who, carrying legacies of 500 years of contact between Africa, Europe, and the Americas, reach towards the stars and unknown planets, galaxies, and ways of being. Writing from queer and feminist perspectives and circumnavigating continents, they recalibrate definitions of Afrofuturism.The editors and contributors of this exciting volume thus reflect on the re-emergence of Black visions of political and cultural futures, proposing practices, identities, and collectivities
    URL: Cover
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  • 13
    Online Resource
    Online Resource
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819578648
    Language: English
    Pages: 1 Online-Ressource (xviii, 330 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/97
    RVK:
    Keywords: Geschichte 1900- ; Indians of North America Music ; History and criticism ; Music North America ; History and criticism ; Indians of North America Social life and customs ; Ethnomusicology ; Musikethnologie ; Identität ; Indianer ; Kulturaustausch ; Musik ; Moderne ; Nordamerika ; Aufsatzsammlung ; Konferenzschrift 2013 ; Nordamerika ; Indianer ; Musik ; Identität ; Moderne ; Kulturaustausch ; Musikethnologie ; Geschichte 1900-
    Note: Includes bibliographical references and index
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  • 14
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226607474
    Language: English
    Pages: 1 Online-Ressource (x, 279 Seiten) , Illustrationen
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als Tucker, Joshua Making music indigenous
    DDC: 781.62/9832308529
    RVK:
    Keywords: Indians of South America Music History and criticism ; Indians of South America Social life and customs ; Popular music History and criticism ; Songs, Quechua History and criticism ; Indians of South America Social life andcustoms ; Indians of South America Music ; History and criticism ; Indians of South America Social life and customs ; MUSIC / General
    Abstract: When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music
    Abstract: Frontmatter -- Contents -- Prologue -- Introduction: Making Music Indigenous -- 1. Setting a Scene -- 2. Landscape, Performance, and Social Structure -- 3. Song and Sound -- 4. Tradition and Folklore -- 5. Broadcasting and Building Publics -- 6. Success and Sentiment -- 7. Wood and Work -- Epilogue -- Acknowledgments -- Online Resources -- Glossary -- Notes -- References -- Index
    Note: restricted access online access with authorization star , Mode of access: Internet via World Wide Web.
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 15
    Book
    Book
    Bloomington, Indiana, USA : Indiana University Press
    ISBN: 9780253036797 , 9780253036759
    Language: English
    Pages: viii, 181 Seiten , 1 Karte
    Series Statement: Public cultures of the Middle East and North Africa
    Parallel Title: Erscheint auch als Witulski, Christopher, author Gnawa lions
    DDC: 781.62/92764
    RVK:
    RVK:
    Keywords: Gnawa (Brotherhood) ; West Africans Music ; History and criticism ; Music Religious aspects ; Aufführung ; Musik ; Ritual ; Sozialer Wandel ; Gnawa ; Marokko ; Marokko ; Gnawa ; Musik ; Ritual ; Aufführung ; Sozialer Wandel
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  • 16
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252050305
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    DDC: 782.2530973
    RVK:
    Keywords: Jubilee Singers ; Geschichte 1870-1900 ; Afroamerikanische Musik ; Minstrel show ; Negrospiritual ; African Americans Music ; History and criticism ; Jubilee singers ; Spirituals (Songs) History and criticism 19th century ; Minstrel shows History 19th century ; USA
    Abstract: Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late 19th-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In this work on postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 17
    ISBN: 9788437638065
    Language: Spanish
    Pages: 360 Seiten , Illustrationen
    Edition: 1.a edición
    Series Statement: Historia
    Series Statement: Serie mayor
    DDC: 306
    RVK:
    Keywords: Emotions ; Emotions ; Emotions ; Emotions ; Emotions in literature ; Political aspects ; Political aspects ; Social aspects ; Spain ; Social aspects ; Emotions in literature ; History ; Spain ; Emotions in motion pictures ; History ; Emotions in motion pictures ; Intellectual life ; Manners and customs ; Political culture ; Political culture ; Politics and government ; Spain ; Popular culture ; History ; Popular culture ; Spanish literature ; Spain ; Spanish literature ; Spain ; History ; History and criticism ; Spain ; Spain ; Spain ; Criticism, interpretation, etc ; Intellectual life ; Politics and government ; Social life and customs ; History ; Aufsatzsammlung ; Spanien ; Gefühl ; Kultur ; Geschichte 1750-2015
    Note: Collected essays
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  • 18
    Book
    Book
    Bloomington : Indiana University Press
    ISBN: 9780253032072 , 9780253032096
    Language: English
    Pages: XXI, 210 Seiten , Illustrationen, 1 Karte
    Series Statement: African expressive cultures
    DDC: 782.2209669
    RVK:
    RVK:
    RVK:
    Keywords: Cherubim and Seraphim Church Movement ; Cherubim and Seraphim Church Movement ; Church music ; Singing Religious aspects ; Christianity ; Singing Social aspects ; Yoruba (African people) Music ; History and criticism ; Yoruba (African people) Religion ; Geistliche Musik ; Gotteslob ; Musikpflege ; Yoruba ; Nigeria ; Lagos ; Nigeria ; Lagos ; Yoruba ; Cherubim and Seraphim Church Movement ; Geistliche Musik ; Gotteslob ; Musikpflege
    Note: Includes bibliographical references and index
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  • 19
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781442258396
    Language: English
    Pages: xix, 192 Seiten
    Series Statement: Listener's companion
    Parallel Title: Erscheint auch als Frühauf, Tina, author Experiencing Jewish music in America
    DDC: 780.89/924073
    RVK:
    Keywords: Jews Music ; History and criticism ; Music History and criticism
    Note: Includes bibliographical references and index
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  • 20
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    ISBN: 978-1-138-06240-5
    Language: English
    Pages: xxii, 255 Seiten : , Illustrationen, Notenbeispiele.
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als
    DDC: 780.917/4943
    RVK:
    RVK:
    Keywords: Geschichte 1900- ; Turkic peoples Music ; History and criticism ; Music ; Music ; Music Turkish influences ; Musik. ; Kultur. ; Türkei. ; Kaukasus. ; Zentralasien. ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Kultur ; Geschichte 1900-
    Note: Includes bibliographical references and index
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  • 21
    Book
    Book
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819578334 , 9780819578327
    Language: English
    Pages: xi, 241 Seiten
    Parallel Title: Erscheint auch als
    DDC: 781.62/92805694
    RVK:
    Keywords: Music Social aspects ; Ethiopians Music ; History and criticism ; Jews, Ethiopian Music ; History and criticism
    Note: Includes bibliographical references and index
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  • 22
    Book
    Book
    New York ; London : Routledge
    ISBN: 9781138585102
    Language: English
    Pages: viii, 131 Seiten , Illustrationen
    Series Statement: Routledge focus
    Parallel Title: Erscheint auch als
    DDC: 786.8/5096891
    RVK:
    Keywords: International Library of African Music ; Mbira music History and criticism ; Shona (African people) Music ; History and criticism ; Lamellophonmusik ; Lautarchiv ; Simbabwe ; Simbabwe ; Lamellophonmusik ; Lautarchiv ; International Library of African Music
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  • 23
    ISBN: 3954877929 , 9783954877928
    Language: Spanish
    Pages: 1 Online-Ressource (691 pages) , illustrations (some color)
    Series Statement: La casa de la riqueza. Estudios de la cultura de España 45
    Parallel Title: Erscheint auch als Gallo González, Danae ¡Recuerda! Scribo ergo sum(-us)
    DDC: 304
    RVK:
    Keywords: Exiles' writings, Spanish History and criticism ; Political refugees Biography ; History and criticism ; Political refugees Biography ; History and criticism ; Authors, Spanish Biography ; History and criticism ; Civil War (Spain : 1936-1939) ; fast ; (OCoLC)fst01352321 ; SOCIAL SCIENCE / Emigration & Immigration ; bisacsh ; Authors, Spanish ; Biography ; fast ; (OCoLC)fst00822356 ; Exiles' writings, Spanish ; fast ; (OCoLC)fst00918188 ; Refugees ; fast ; (OCoLC)fst01092797 ; Autobiografische Literatur ; gnd ; Erinnerung ; Motiv ; gnd ; Exilliteratur ; gnd ; Identität ; Motiv ; gnd ; Spanisch ; gnd ; Narration à la première personne ; Mémoire collective ; Espagne ; 20e siècle ; ram ; Réfugiés espagnols ; Algérie ; Autobiographie ; ram ; Autobiographie espagnole ; Histoire et critique ; ram ; Algeria ; (NL-LeOCL)078429293 ; gtt ; Spain ; (NL-LeOCL)078670411 ; gtt ; Spain ; fast ; (OCoLC)fst01204303 ; Algeria ; fast ; (OCoLC)fst01205459 ; Algerien ; gnd ; Espagne ; 1936-1939 (Guerre civile) ; Réfugiés ; Algérie ; ram ; Espagne ; 1936-1939 (Guerre civile) ; Réfugiés ; Récits personnels ; ram ; Biography ; fast ; (OCoLC)fst01423686 ; Criticism, interpretation, etc ; fast ; (OCoLC)fst01411635 ; History ; fast ; (OCoLC)fst01411628 ; Spanisch ; Narration à la première personne ; Mémoire collective ; Espagne ; 20e siècle ; Réfugiés espagnols ; Algérie ; Autobiographie ; Autobiographie espagnole ; Histoire et critique ; Authors, Spanish ; Biography ; Exiles' writings, Spanish ; Refugees ; Autobiografische Literatur ; Erinnerung ; Exilliteratur ; Identität ; SOCIAL SCIENCE / Emigration & Immigration ; Biographies ; Criticism, interpretation, etc ; History ; Spain History Civil War, 1936-1939 ; Refugees ; Biography ; Spain ; Spain ; Algeria ; Algerien ; Espagne ; 1936-1939 (Guerre civile) ; Réfugiés ; Algérie ; Espagne ; 1936-1939 (Guerre civile) ; Réfugiés ; Récits personnels ; Algeria ; Electronic books
    Abstract: El libro recupera un gran desconocido de la España contemporánea: el exilio republicano en Argelia. Para dar a conocer la odisea de estos 15.000 exiliados, este estudio propone un viaje a través de las escrituras del yo de los que la vivieron en primera persona. En este recorrido, que abarca desde 1939, con el análisis de los diarios redactados en los campos de concentración en los que se vieron internados, hasta 2016, haciendo lo propio con las memorias de los –entonces– niños del exilio, se examinan las articulaciones identitarias de los autores en su llamamiento a que (les) recordemos (y) que “escriben, luego son”
    Abstract: Frontmatter --Índice --Agradecimientos --Introducción --1. El enclave del exilio republicano español de la Guerra Civil en la Argelia colonial francesa en (los estudios de) la memoria --2. El retorno de la memoria del exilio republicano español en Argelia --3. Scribo ergo supersum --4. Scribo ergo e-laboro ergo sum(-us) --5. Scribo ergo censeo ergo sum(-us) --6. Scribo ergo sumus politici --7. Scribo ergo sumus in memoriam --8. Conclusión --Índice de abreviaturas --Índice de ilustraciones --Bibliografía --Índice onomástico
    Note: Includes bibliographical references (pages 611-684) and index
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  • 24
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als Turkic soundscapes
    DDC: 780.9174943
    RVK:
    Keywords: Music Europe, Western x History and criticism ; Music Middle East x History and criticism ; Turkic peoples Music ; History and criticism ; Music Turkish influences ; Electronic books
    Abstract: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of tables -- List of musical examples -- Notes on contributors -- Acknowledgements -- Map of the Turkic-speaking world -- Foreword -- Foreword -- 1 Introduction: traditions and transformations in Turkic musical cultures -- Part I Cultural foundations in music of the twenty-first century -- 2 The concept of makam-based melody and its problematic in musical analysis -- 3 The pedagogical system of Azerbaijani master musician Bahram Mansurov (1911‒1985) -- 4 From popular tradition to pop diffusion: jahrī zikr among teenagers in present-day Kazakhstan -- Part II Turkic music in popular culture and mass media -- 5 Azerbaijani rap music and oral poetry between "the folk" and "the popular" -- 6 Mass music in Kazakhstan: the phenomenon and its interpretation -- 7 Musical images of Istanbul from Fatih Akin's films and stage performances -- Part III Cross-cultural encounters in the Turkic-speaking world and beyond -- 8 From the spiritual to the profane and back: religious melodies and folksongs of Turkic peoples -- 9 The Circumpontic Lezginka dance as a cultural phenomenon -- 10 The impact of Turkic musical culture on the music of Bulgaria -- Part IV Turkic music and national identities -- 11 Debating "national ownership" of musical instruments: the balalaika as a subject of ethnopolitical discourse -- 12 New music of the Crimean Tatars: history and current status -- 13 Ancient roots, modern nation-building: Kazakh spirituality and identity in the music of the Turan ensemble -- References -- Index.
    Note: Includes bibliographical references and index
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  • 25
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190634933
    Language: English
    Pages: 1 Online-Ressource (xvi, 472 Seiten)
    DDC: 782.254092
    RVK:
    RVK:
    Keywords: Jackson, Mahalia 1911-1972 ; African American gospel singers Biography ; United States ; Gospel singers Biography ; United States ; African Americans Music ; History and criticism ; Gospel music History and criticism ; Jackson, Mahalia 1911-1972 ; Afroamerikanische Musik ; Gospelsong ; USA
    Abstract: Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago gospel pioneers and the influential National Baptist Convention, earned a reputation as a dynamic church singer. Eventually, Jackson achieved unprecedented mass-mediated celebrity, breaking through in the late 1940s as an internationally recognized recording artist for Apollo and Columbia Records who also starred in her own radio and television programs. But the book is also a study of the black gospel field of which Jackson was a part. Over the course of the 1940s and 1950s, black gospel singing, both as musical worship and as pop-cultural spectacle, grew exponentially, with expanded visibility, commercial clout, and forms of prestige. Methodologically informed by a Bourdiean field analysis approach that develops a more granular, dynamic, and encompassing picture of post-war black gospel, the book persistently considers Jackson, however exceptional she may have been, in relation to her fellow gospel artists, raising fresh questions about Jackson, gospel music, and the reception of black vernacular culture.
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  • 26
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252099939
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: The new black studies series
    DDC: 810.9/896073
    RVK:
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    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; American literature African American authors ; History and criticism ; Jazz in literature ; Modernism (Literature) ; African Americans Music ; History and criticism ; Black nationalism History 20th century ; African Americans Social life and customs 20th century ; USA
    Abstract: 'Jazz Internationalism' argues for the critical significance of jazz in Afro-modernist literature, from the beginning of the Great Depression through the radical social movements of the 1960s.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 27
    Book
    Book
    Philadelphia, Pennsylvania : Temple University Press
    ISBN: 9781439911730
    Language: English
    Pages: IX, 282 Seiten , Illustrationen , 24 cm
    Series Statement: Studies in Latin American and Caribbean music
    Parallel Title: Erscheint auch als Ortiz, Fernando, 1881-1969, author Fernando Ortiz on music
    DDC: 780.97291
    RVK:
    Keywords: Music History and criticism ; Blacks Music ; History and criticism
    Note: Includes bibliographical references (pages 267-275) and index
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  • 28
    ISBN: 9783839436608
    Language: English
    Pages: 1 Online-Ressource (284 Seiten) , Illustrationen
    Series Statement: American culture studies volume 17
    Parallel Title: Erscheint auch als Power relations in black lives
    DDC: 810.9/896073
    RVK:
    Keywords: Bourdieu, Pierre ; Elias, Norbert ; American literature African American authors ; History and criticism ; African Americans Music ; History and criticism ; African Americans Politics and government ; Racism in literature ; Violence in literature ; Literature History and criticism ; Literary Criticism / Subjects & Themes ; Electronic books ; Aufsatzsammlung ; USA ; Schwarze ; Literatur ; Kultur
    Abstract: According to relational sociology, power imbalances are at the root of human conflicts and consequently shape the physical and symbolic struggles between interdependent groups or individuals. This volume highlights the role of power relations in the African American experience by applying key concepts of Pierre Bourdieu and Norbert Elias to black literature and culture. The authors offer new readings of power asymmetries as represented in works of canonical and contemporary black writers (Richard Wright, Ralph Ellison, Gwendolyn Brooks, Toni Morrison, Percival Everett, Colson Whitehead), rap music (e.g., Jay Z), images of black homelessness, and figurations of political activism (civil rights activist Bayard Rustin
    Note: Literaturangaben
    URL: Cover  (Thumbnail cover image)
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  • 29
    Book
    Book
    Sheffield, UK ; Bristol, CT : Equinox
    ISBN: 9781781795712 , 9781781795705
    Language: English
    Pages: VI, 212 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1950- ; Soziokultur ; Popmusik ; England ; Popular music ; History and criticism ; England, Northern ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; England Nord ; Popmusik ; Soziokultur ; Geschichte 1950-
    Note: Includes bibliographical references and index
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  • 30
    ISBN: 9789004364073 , 9004364072
    Language: Spanish
    Pages: XII, 342 Seiten
    Series Statement: Foro hispánico volumen 58
    Series Statement: Foro hispánico
    Parallel Title: Erscheint auch als Trans-afrohispanismos
    DDC: 860.989608
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    Keywords: Latin American literature Black authors ; History and criticism ; Blacks Intellectual life ; Latin America ; Blacks Intellectual life ; Spain ; African diaspora ; Latin American literature Black authors ; History and criticism ; Blacks Intellectual life ; Blacks Intellectual life ; African diaspora ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; Lateinamerika ; Spanien ; Schwarze ; Interkulturalität ; Interferenz ; Literatur ; Kultur
    Note: Includes bibliographical references and index
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  • 31
    ISBN: 9789004364080
    Language: Spanish
    Pages: 1 Online-Ressource (XVII, 342 Seiten) , Illustrationen
    Series Statement: Foro hispánico volumen 58
    Parallel Title: Erscheint auch als Trans-afrohispanismos
    Parallel Title: Erscheint auch als Trans-afrohispanismos
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    Keywords: Latin American literature Black authors ; History and criticism ; Blacks Intellectual life ; Blacks Intellectual life ; African diaspora ; Latin American literature Black authors ; History and criticism ; Blacks Intellectual life ; Blacks Intellectual life ; African diaspora ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; Lateinamerika ; Spanien ; Schwarze ; Interkulturalität ; Interferenz ; Literatur ; Kultur
    Abstract: Front Matter -- Copyright Page -- Motto -- Agradecimientos -- Notas biobibliográficas de los autores -- ‘Trans-afrohispanismos’ /Dorothy Odartey-Wellington -- Otros hispanismos / otras Áfricas: las fronteras de la afrohispanidad -- Impresiones y conmociones culturales en el afrohispanismo africano /Justo Bolekia Boleká -- El mestizaje lingüístico literario entre la lengua hassaniya o hasania y la lengua española hablada en la República del Sáhara Occidental /Bahia Mahmud Awah -- La isla habitada: paisaje e insularidad /Antonio Becerra Bolaños -- Afromexicanos: el caminar hacia el reconocimiento étnico /Gloria Lara Millán -- Diálogos intra- y transcontinentales: redes alternativas de comunicación y de comparación -- El concepto de la corrupción en Adjá-Adjá y otros relatos de Maximiliano Nkogo Esono y El coronel no tiene quien le escriba de Gabriel García Márquez /Alain Lawo-Sukam -- Límites poscoloniales – límites de lo poscolonial: ‘La higuera (o El ocaso del patriarca)’ del escritor hispanomarroquí Ahmed El Gamoun /Juliane Tauchnitz -- El colonialismo y el patriarcado en la literatura afrohispana: los escritos de resistencia de Lehdia Dafa y María Nsue Angüe /Joanna Allan -- El teatro afrohispano y la emergencia de una ciudadanía global: diálogos del Sur en espacios migratorios /Elisa Rizo -- Tropos de transculturalidad en la obra de Agnès Agboton /Julia Borst -- Invenciones y reinvenciones identitarias: rimas y ritmos afro-globalizados -- Tensiones y resistencia de una comunidad afroecuatoriana: la bomba del Chota /Nayra Pérez Hernández -- La tradición oral y musical afroperuana, una aproximación /Milagros Carazas -- La música de Concha Buika en el mercado cultural global: alianzas locales y transnacionales /Dosinda García-Alvite -- Universos trans-afrohispanos: traducciones, lenguas en contacto e interacciones digitales -- ¿El nacimiento de una lengua afrohispana?: la influencia del español en el criollo inglés de Guinea Ecuatorial /Kofi Yakpo -- Narradoras africanas en versión española: políticas editoriales y traducción /Maya García de Vinuesa -- Temporalidades en red: representaciones artísticas de lo africano y lo afrodescendiente en la era digital /Eduard Arriaga -- Ubuntu, cultura digital e identidad: literatura hispano-saharaui /Dorothy Odartey-Wellington -- Back Matter -- Índice.
    Abstract: Trans-afrohispanismos: puentes culturales críticos entre África, Latinoamérica y España is an innovative approach to Afro-Hispanic Studies. It focuses on the connections between peoples, territories, and media of expression at the confluence of Africa and the Hispanic world. The volume’s contributors apply perspectives from their respective areas of specialization to their examination of transcultural interactions in a diverse range of contexts. These include Equatorial Guinea, Western Sahara, Spain, Morocco, Afro-descendant communities in Latin America and transnational spaces generated by digital technologies and contemporary migration. The volume offers an expanded understanding of Afro-Hispanic Studies and serves as a model of inquiry in a field whose hallmark is the mobility of people and knowledge. Trans-afrohispanismos: puentes culturales críticos entre África, Latinoamérica y España es una aproximación innovadora a los Estudios Afrohispánicos. Destaca las conexiones entre gentes, territorios y medios de expresión en la confluencia de África y el mundo hispánico. Estos incluyen Guinea Ecuatorial, el Sáhara Occidental, España, Marruecos, comunidades de afrodescendientes en América Latina y los espacios transnacionales originados por las tecnologías digitales y la migración. Este libro ofrece una visión más amplia de los Estudios Afrohispánicos. Adicionalmente, sirve de modelo de investigación en un campo cuya seña de identidad es la movilidad de gentes y conocimientos. Contributors are: Joanna Allan, Eduard Arriaga, Antonio Becerra Bolaños, Justo Bolekia Boleká, Julia Borst, Milagros Carazas, Dosinda García-Alvite, Maya García de Vinuesa, Gloria Lara Millán, Alain Lawo-Sukam, Bahia Mahmud Awah, Dorothy Odartey-Wellington, Elisa Rizo, Nayra Pérez Hernández, Juliane Tauchnitz and Kofi Yakpo
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: DOI
    URL: Volltext  (lizenzpflichtig)
    URL: DOI
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  • 32
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253032089
    Language: English
    Pages: 1 Online-Ressource (236 pages)
    Series Statement: African Expressive Cultures
    Parallel Title: Erscheint auch als Brennan, Vicki L. Singing Yoruba Christianity : music, media, and morality
    DDC: 782.2209669
    RVK:
    RVK:
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    Keywords: Cherubim and Seraphim Church Movement ; Cherubim and Seraphim Church Movement ; Church music ; Singing Religious aspects ; Christianity ; Singing Social aspects ; Yoruba (African people) Music ; History and criticism ; Yoruba (African people) Religion ; Gotteslob ; Geistliche Musik ; Yoruba ; Musikpflege ; Lagos ; Nigeria ; Nigeria ; Lagos ; Yoruba ; Cherubim and Seraphim Church Movement ; Geistliche Musik ; Gotteslob ; Musikpflege
    Note: Description based on print version record
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  • 33
    Online Resource
    Online Resource
    Philadelphia, Pennsylvania ; Rome, [Italy] ; Tokyo, [Japan] : Temple University Press
    ISBN: 9781439911754
    Language: English
    Pages: 1 Online-Ressource (282 pages) , illustrations, tables
    Series Statement: Studies in Latin America and Caribbean Music
    Parallel Title: Erscheint auch als Fernando Ortiz on music : selected writing on Afro-Cuban culture
    DDC: 780.97291
    RVK:
    Keywords: Music History and criticism ; Blacks Music ; History and criticism
    Note: Description based on print version record
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  • 34
    ISBN: 9780873488594 , 0873488598
    Language: English
    Pages: 186 Seiten , illustrations, portraits , 21 cm
    Edition: 10th printing,2018
    DDC: 781.65
    RVK:
    Keywords: Jazz History and criticism ; African Americans Music ; History and criticism ; African American musicians ; African American musicians ; African Americans ; Music ; Jazz ; Criticism, interpretation, etc
    Abstract: "You don't own your own product" : an introduction to the political economy of jazz -- Why let a little thing like death interfere with exploitation? -- "Selling records to colored people" : white contempt for black art -- If you're black, get back : double standards in the recording industry -- You don't have to be intellectually dishonest to defend the status quo in jazz, but it helps -- The "jazz tradition" : black music, white critic -- The Afro-American folk roots of innovation in jazz -- App. A. Mark Levine's contract with Catalyst Records -- App. B. Royalty payments to Mark Levine from United Artists Records.
    Abstract: "Black Music, White Business probes the principal contradiction in the jazz world: that between black artistry on the one hand and white ownership of the means of jazz distribution - the recording companies, booking agencies, festivals, nightclubs and magazines - on the other."--BOOK JACKET. "Drawing on a wide variety of sources as well as his own experiences, Frank Kofsky brings to light the exploitation to which jazz creators historically have been subjected and the racist contempt with which many industry executives view jazz."--Jacket
    Note: Includes bibliographical references and index
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  • 35
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226451787
    Language: English
    Pages: 1 Online-Ressource (x, 360 Seiten) , 16 Illustrationen
    DDC: 781.64089/96073
    RVK:
    Keywords: African Americans Music ; History and criticism ; Minstrel music History and criticism ; Music and race History ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Schwarze ; Ethnische Identität ; Afroamerikanische Musik ; Mittelstand ; HISTORY / General
    Abstract: As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in Blackface Nation, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast’s most popular middle-class singing group during the mid-nineteenth century, is perhaps the best example of the first strain of music. The group’s songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women’s rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America’s consumer culture while the Hutchinsons’ songs were increasingly regarded as old-fashioned. Blackface Nation elucidates the central irony in America’s musical history: much of the music that has been interpreted as black, authentic, and expressive was invented, performed, and enjoyed by people who believed strongly in white superiority. At the same time, the music often depicted as white, repressed, and boringly bourgeois was often socially and racially inclusive, committed to reform, and devoted to challenging the immoralities at the heart of America’s capitalist order
    Abstract: Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Carnival -- 2. The Vulgar Republic -- 3. Jim Crow’s Genuine Audience -- 4. Black Song -- 5. Meet the Hutchinsons -- 6. Love Crimes -- 7. The Middle-Class Moment -- 8. Culture Wars -- 9. Black America -- 10. Conclusion: Musical without End -- Notes -- Index
    Note: Mode of access: Internet via World Wide Web. , In English
    URL: Cover
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  • 36
    Online Resource
    Online Resource
    Chicago, Illinois ; London, [England] : The University of Chicago Press
    ISBN: 9780226451787
    Language: English
    Pages: 1 online resource (371 pages)
    Parallel Title: Erscheint auch als Roberts, Brian, 1957- Blackface nation : race, reform, and identity in American popular music, 1812 - 1925
    DDC: 781.64089/96073
    RVK:
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    Keywords: Geschichte 1812-1925 ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Mittelstand ; Unterhaltungsmusik ; Ethnische Identität ; Nationalismus ; Schwarze ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes index , Description based on print version record
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  • 37
    ISBN: 9781928357117 , 1928357113
    Language: English
    Pages: i, 193 Seiten , Illustrationen , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.48423
    RVK:
    Keywords: Geschichte 1900-2017 ; Criticism, interpretation, etc / fast / (OCoLC)fst01411635 ; Music / fast / (OCoLC)fst01423855 ; Afrikaners / fast / (OCoLC)fst00800022 ; Music / Political aspects / fast / (OCoLC)fst01030414 ; Music / Social aspects / fast / (OCoLC)fst01030444 ; Popular music / fast / (OCoLC)fst01071422 ; Popular music / Social aspects / fast / (OCoLC)fst01071460 ; Popular music History and criticism ; Popular music Social aspects ; Music Social aspects ; Music Political aspects ; Afrikaners Music ; History and criticism ; Afrikaners ; Music ; Music ; Popular music ; Popular music ; Musiksoziologie ; Afrikaans ; Gesellschaft ; Popmusik ; South Africa / fast / (OCoLC)fst01204616 ; South Africa ; Südafrika ; Südafrika ; Afrikaans ; Popmusik ; Gesellschaft ; Geschichte 1900-2017 ; Südafrika ; Afrikaans ; Popmusik ; Musiksoziologie
    Abstract: "Investigates the interplay between popular music and the unfolding of Afrikaans culture politics from the start of the twentieth century to the present. It includes a search for the earliest recorded Afrikaans songs and documents subsequent phases of music development that reflect the agency of ordinary individuals - artists and listeners - against a background of fundamental societal and political change. Regards both the music mainstream and the alternative, and reveals, among other things, historical cases of compliance and resistance regarding the master narrative of Afrikaner nationalist ideology, the attempts by cultural entrepreneurs to establish authority over popular Afrikaans culture, class tension, lasting racial exclusivity, protest and censorship "...
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 38
    ISBN: 9780367229603 , 9781138125087
    Language: English
    Pages: xx, 293 pages
    Series Statement: Routledge research in music 14
    Parallel Title: Erscheint auch als
    DDC: 781.5/99
    RVK:
    Keywords: Kipling, Rudyard ; Kipling, Rudyard ; Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1948-2015 ; Geschichte 1824-1948 ; Musik ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music Burmese influences ; Orientalism in music ; Rezeption ; Vertonung ; Musik ; Musikleben ; Orientalismus ; Burma Songs and music ; History and criticism ; Birma ; Westliche Welt ; Bibliografie ; Bibliografie ; Bibliografie ; Westliche Welt ; Musik ; Rezeption ; Birma ; Orientalismus ; Geschichte 1824-1948 ; Birma ; Musikleben ; Geschichte 1948-2015 ; Kipling, Rudyard 1865-1936 Mandalay ; Vertonung
    Note: Includes bibliographical references and index
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  • 39
    ISBN: 9781477312087 , 9781477312070
    Language: English
    Pages: x, 261 Seiten , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 398.2089/96073
    RVK:
    Keywords: Geschichte 1930-1940 ; Gesellschaft ; Musik ; Schwarze. USA ; African Americans Folklore ; African Americans Race identity ; Sex role ; Popular music History and criticism ; Music Social aspects ; History and criticism ; Popular music African influences ; Folk songs, English ; Rasse ; Volkskunde ; Geschlechterforschung ; Schwarze ; USA ; USA ; USA ; Schwarze ; Volkskunde ; Rasse ; Geschlechterforschung ; Geschichte 1930-1940
    Note: Includes bibliographical references and index
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  • 40
    Book
    Book
    New York : Basic Civitas
    ISBN: 9780465094400
    Language: English
    Pages: xl, 243 Seiten , Illustration
    Edition: Second edition
    Parallel Title: Erscheint auch als
    DDC: 782.421649
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    Keywords: Rap ; Hip-Hop ; USA ; Rap (Music ; History and criticism ; Rap (Music) / History and criticism ; Rap (Music) / Texts ; USA ; Hip-Hop ; USA ; Rap
    Abstract: "Rap may be the most revolutionary development in poetry over the past forty years, yet its originality is hidden in plain sight. Often overshadowed by the beat, bluster, and hype surrounding the music, lyrics are the heart of hip hop. Book of Rhymes explores America's least-understood poets by unpacking their complex craft and according them the respect they deserve as lyricists. Examining the language and techniques of hip hop's most memorable artists, literary scholar Adam Bradley argues that a new world of rhythm and rhyme awaits us if we put aside preconceptions and encounter rap with new ears and new eyes. Updated to reflect nearly a decade of the genre's evolution, Book of Rhymes remains the definitive work on the poetry of hip hop"--Page 4 of cover
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  • 41
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226451640 , 9780226451503
    Language: English
    Pages: x, 360 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64089/96073
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1812-1925 ; Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Unterhaltungsmusik ; Schwarze ; Mittelstand ; Ethnische Identität ; Nationalismus ; USA ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes bibliographical references and index
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  • 42
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
    RVK:
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    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 43
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226376011
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 784.4/165
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    Keywords: Art Ensemble of Chicago History ; Jazz History and criticism ; African Americans Music ; History and criticism
    Abstract: This year marks the golden anniversary of the Art Ensemble of Chicago, the flagship band of the Association for the Advancement of Creative Musicians. Formed in 1966 and flourishing until 2010, the Art Ensemble distinguished itself by its unique performance practices - members played hundreds of instruments on stage, recited poetry, performed theatrical sketches, and wore face paint, masks, lab coats, and traditional African and Asian dress. The group, which built a global audience and toured across six continents, presented their work as experimental performance art, in opposition to the jazz industry's traditionalist aesthetics. In this book, Paul Steinbeck combines musical analysis and historical inquiry to give us the definitive study of the Art Ensemble.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 44
    ISBN: 9780415881821 , 9780415881838
    Language: English
    Pages: xiv, 418 Seiten , Illustrationen , 26 cm
    Parallel Title: Erscheint auch als Issues in African American music
    Parallel Title: Erscheint auch als Issues in African American music
    DDC: 780.89/96073
    RVK:
    Keywords: African Americans Music ; History and criticism ; African American musicians ; Music African American influences
    Abstract: The blues in transcultural contexts / Susan Oehler -- New bottle, old wine : whither jazz studies? / Travis Jackson -- Race erasure and the origin narrative in black popular music / Portia K. Maultsby -- African Americans engage the western art music tradition / Olly Wilson -- Crossing musical borders : agency and process in the gospel music industry / Mellonee V. Burnim -- Industrializing African American popular music / Reebee Garafolo -- The Motown legacy : homegrown sound, mass appeal / Charles Sykes -- Stax Records and the impulse toward integration / Robert Bowman -- Uptown sound, downtown bound : the Philadelphia International Records story / John A. Jackson -- "And the beat goes on" : SOLAR, the Sound Of Los Angeles Records / Scot Brown -- Tyscot Records : a merger of business and ministry / Tyron Cooper -- Voices of women in gospel : resisting representations / Mellonee V. Burnim -- Are all the choir directors gay? : the policing of black men's sexuality and identity in gendered gospel performance / Alisha Lola Jones -- Women in blues : transgressing boundaries / Daphne Harrison -- Jazz history remix : black women from "enter" to "center" / Sherrie Tucker -- The reception of blackness in "women's music" / Eileen M. Hayes -- African American women and the dynamics of gender, race, and genre in rock 'n' roll / Maureen Mahon -- "Ain't nuthin' but a she thing" : women in hip hop / Cheryl Keyes -- The Antebellum period : communal coherence and individual expression / Lawrence Levine -- The Civil Rights Movement : the musical foundation of movement culture / Bernice Johnson Reagon -- The post-civil rights period : the political dynamics of black life and culture / Mark Anthony Neal
    Note: Includes bibliographical references (pages 381-403) and index
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  • 45
    ISBN: 9781628462302
    Language: English
    Pages: xxii, 433 Seiten , Illustrationen , 25 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als Kubik, Gerhard, 1934- author Jazz transatlantic
    Parallel Title: Erscheint auch als Kubik, Gerhard, 1934 - Jazz Transatlantic ; Volume I: The African Undercurrent in Twentieth-Century Jazz Culture
    Angaben zur Quelle: volume 1
    DDC: 781.6509
    RVK:
    Keywords: Jazz African influences ; Africans Music ; History and criticism ; Jazz musicains
    Abstract: Machine generated contents note: $t Jazz-The Word and Some Other Words -- $t Kikoongo in French-Speaking New Orleans (Early Nineteenth Century) -- $t Vodu-Vaudou-Voodoo-and Jazz's Spirituality -- $t Retention, Resilience, and Reinvention of African Instrumental Techniques in the United States -- $t Ragtime -- $t Jazz Legends, Facts and Fiction -- $t Hoodoo Affecting Jazz and Blues Musicians -- $t Swing -- $t The African Matrix in Jazz Harmonic Practices -- $t Summary and Conclusions -- $t Bibliography
    Note: Includes bibliographical references (pages 387-411) and index
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  • 46
    Book
    Book
    New York : Fordham University Press
    ISBN: 0823275310 , 0823275302 , 9780823275304 , 9780823275311
    Language: English
    Pages: 270 Seiten , 24 cm
    Parallel Title: Erscheint auch als Lim, Jeehyun Bilingual Brokers
    DDC: 306.44/60973
    RVK:
    RVK:
    RVK:
    Keywords: Bilingualism and literature ; Bilingualism Social aspects ; Language and culture Social aspects ; Linguistic minorities Social aspects ; Bilingualism and literature ; American literature Asian American authors ; History and criticism ; American literature Hispanic American authors ; History and criticism ; Bilingualism in literature ; Bilingualism and literature ; Bilingualism Social aspects ; United States
    Abstract: Cultural brokers in interwar Orientalism -- Bilingual personhood and the American dream -- Schooling bilinguals in and against multiculturalism -- Dormant bilingualism in neoliberal America -- Global English and the predicament of monolingual multiculturalism -- Epilogue: The future of bilingual brokering
    Note: Formerly CIP. - Includes bibliographical references and index
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  • 47
    Online Resource
    Online Resource
    Stellenbosch, South Africa : SUN MeDIA
    ISBN: 9781928357124 , 1928357121 , 1928357113 , 9781928357117
    Language: English
    Pages: 1 Online-Ressource (194 pages) , illustrations
    DDC: 306.48423
    RVK:
    Keywords: Popular music History and criticism ; Popular music Social aspects ; Music Social aspects ; Music Political aspects ; Afrikaners Music ; History and criticism ; Music ; Political aspects ; Music ; Social aspects ; Popular music ; Popular music ; Social aspects ; Criticism, interpretation, etc ; South Africa
    Abstract: Gramophones, "warm patriots" and radio wars -- "Local flavour", tensions, and the rise of Afrikaner nationalism -- WWII, the SABC, FAK, and Boeremusiek? -- The apartheid regime, rock 'n roll and Afrikaner youth -- New voices, changing politics and growing subversion -- Alternative Afrikaans music towards the end of apartheid -- Nostalgia, fear and profit in post-apartheid Afrikaans music.
    Abstract: "Investigates the interplay between popular music and the unfolding of Afrikaans culture politics from the start of the twentieth century to the present. It includes a search for the earliest recorded Afrikaans songs and documents subsequent phases of music development that reflect the agency of ordinary individuals - artists and listeners - against a background of fundamental societal and political change. Regards both the music mainstream and the alternative, and reveals, among other things, historical cases of compliance and resistance regarding the master narrative of Afrikaner nationalist ideology, the attempts by cultural entrepreneurs to establish authority over popular Afrikaans culture, class tension, lasting racial exclusivity, protest and censorship "--
    Note: Includes bibliographical references (pages [167]-179) and index
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  • 48
    Book
    Book
    Hildesheim ; Zürich ; New York : Olms
    ISBN: 9783487311791
    Language: German
    Pages: 335 Seiten , Notenbeispiele
    Edition: 2., überarbeitete Auflage
    Series Statement: Netiva 6
    Series Statement: Netiva
    Dissertation note: Dissertation Folkwang Universität der Künste 2004
    DDC: 781.76
    RVK:
    RVK:
    Keywords: Geschichte 1800-1938 ; Jews Music ; History and criticism ; Organ music History and criticism ; Orgelmusik ; Judentum ; Synagoge ; Orgel ; Geistliche Musik ; Deutschland ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Synagoge ; Orgel ; Deutschland ; Geschichte 1800-1938 ; Judentum ; Geistliche Musik ; Orgelmusik ; Deutschland ; Geschichte 1800-1938
    Library Location Call Number Volume/Issue/Year Availability
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  • 49
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    ISBN: 9780822373117
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
    RVK:
    Keywords: Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Blacks Music ; History and criticism ; Dance music History and criticism ; Music History and criticism ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Rezeption ; Soziale Funktion ; Ethnische Identität ; Afrika ; USA ; Afrika ; USA ; Rezeption ; Afrika ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; Geschichte
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 50
    ISBN: 9781315472096 , 9781315472065 , 9781315472089
    Language: English
    Pages: 1 Online-Ressource (433 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Issues in African American music
    DDC: 780.8996073
    RVK:
    Keywords: African Americans Music ; History and criticism ; African American musicians ; Music African American influences ; African Americans ; Music ; History and criticism ; African American musicians ; Music ; African American influences
    Abstract: pt. I. Interpreting music -- pt. II. Mass mediation -- pt. III. Gender -- pt. IV. Musical agency : African American music as resistance.
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  • 51
    Musical Score
    Musical Score
    Basel : Basler Afrika Bibliographien
    ISBN: 3905758830 , 9783905758832
    Language: English
    Pages: xv, 188 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Series Statement: Basel Southern Africa studies 11
    Series Statement: Basel Southern Africa studies
    DDC: 780/.96881
    RVK:
    RVK:
    RVK:
    Keywords: Music History and criticism ; Music Social aspects ; Music ; Namibia ; Namibia ; Social aspects ; History and criticism ; Criticism, interpretation, etc ; Namibia Ethnie/Volk ; Ovambo (Volk) ; Musik ; Musikinstrumente ; Traditionelle Kultur ; Namibia Ethnic/national groups ; Music ; Musical instruments ; Traditional culture ; Namibia ; Ambo ; Musik ; Tanz ; Ausdruck
    Note: Includes bibliographical references (pages 177-181) and index
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  • 52
    ISBN: 9783631673218 , 9783631704288 , 9783653065473 , 9783631704295
    Language: Spanish , English
    Pages: 388 Seiten , Illustrationen , 21 cm x 14.8 cm
    Series Statement: America romana 9
    Series Statement: America Romana
    DDC: 305.80097293
    RVK:
    Keywords: National characteristics, Dominican Congresses ; Dominicans (Dominican Republic) Congresses Ethnic identity ; Dominicans (Dominican Republic) Congresses Foreign countries ; Dominican literature Congresses History and criticism ; National characteristics, Dominican Congresses ; Dominicans (Dominican Republic) Congresses ; Ethnic identity ; Dominicans (Dominican Republic) Congresses ; Foreign countries ; Dominican literature Congresses ; History and criticism ; Dominican Republic Congresses In literature ; Dominican Republic Congresses ; In literature ; Konferenzschrift ; Konferenzschrift America Romana Centrum 02.07.2014-03.07.2014 ; Konferenzschrift ; Konferenzschrift America Romana Centrum 02.07.2014-03.07.2014 ; Dominikanische Republik ; Ethnische Identität ; Nationalcharakter ; Dominikanische Republik ; Kultur ; Literatur ; Identität ; Nationalbewusstsein
    Note: "Primer congreso internacional del America Romana Centrum de la Universidad de Tréveris "Dominicanidad - Perspectivas de un concepto (trans-)nacional" - Seite 11 , "Primer congreso internacional del America Romana Centrum de la Universidad de Tréveris "Dominicanidad - Perspectivas de un concepto (trans-)nacional" - Seite 11. - Literaturangaben
    URL: Cover
    URL: Cover
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  • 53
    ISBN: 9781138211759
    Language: English
    Pages: viii, 167 Seiten
    Series Statement: Routledge research in transnational indigenous perspectives
    Parallel Title: Erscheint auch als Native American survivance, memory, and futurity
    DDC: 818/.5409
    RVK:
    Keywords: Vizenor, Gerald Robert Criticism and interpretation ; American literature Indian authors ; History and criticism ; Aufsatzsammlung ; Vizenor, Gerald Robert 1934-
    Abstract: "This volume brings together some of the most distinguished experts on Vizenor's work from Europe and the United States."--Provided by publisher
    Note: Includes bibliographical references and index
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  • 54
    ISBN: 9782352841623
    Language: French
    Pages: 510 Seiten , Illustrationen , 25 cm
    DDC: 780/.89/9608
    RVK:
    Keywords: Musique - Amérique latine ; Reggae ; Tango ; Musik ; Blacks Music ; History and criticism ; Blacks Music ; History and criticism ; Popular music History and criticism ; Popular music History and criticism ; Schwarze ; Musik ; Afroamerikanische Musik ; Amérique latine - Chants et musique ; Lateinamerika ; Karibik ; Lateinamerika ; Lateinamerika ; Karibik ; Schwarze ; Afroamerikanische Musik ; Lateinamerika ; Musik ; Schwarze ; Karibik ; Schwarze ; Musik
    Note: Bibliographie pages 448-460 , Discographie pages 461-470 , Index
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  • 55
    ISBN: 9781138275324
    Language: English
    Pages: xxxviii, 174 S.
    Edition: 2nd ed., First issued in paperback
    Series Statement: Music in nineteenth-century Britain
    DDC: 306.48409409034
    RVK:
    RVK:
    RVK:
    Keywords: Music Social aspects ; Concerts England ; London ; Concerts France ; Paris ; Concerts Austria ; Vienna ; Music Europe ; 19th century ; History and criticism ; Middle class Europe ; Music Social aspects ; Concerts England ; London ; Concerts France ; Paris ; Concerts Austria ; Vienna ; Music Europe ; 19th century ; History and criticism ; Middle class Europe ; London ; Sozialstruktur ; Konzertleben ; Geschichte 1830-1848 ; Paris ; Sozialstruktur ; Konzertleben ; Geschichte 1830-1848 ; Wien ; Sozialstruktur ; Konzertleben ; Geschichte 1830-1848 ; London ; Konzertleben ; Sozialstruktur ; Geschichte 1830-1848 ; Paris ; Konzertleben ; Sozialstruktur ; Geschichte 1830-1848 ; Wien ; Konzertleben ; Sozialstruktur ; Geschichte 1830-1848
    Note: Literaturangaben , Contents: The cultural explosion : an overview -- The high-status popular-music public -- The high-status classical music public -- The low-status concert public , First published 1975 by Croom Helm Ltd., First published by Ashgate Publishing
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  • 56
    ISBN: 9780810881594
    Language: English
    Pages: xxiv, 242 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Europea: Ethnomusicologies & Modernities
    DDC: 782.421640945/73
    RVK:
    Keywords: Songs, Neapolitan History and criticism ; Songs, Neapolitan History and criticism ; Songs, Neapolitan History and criticism ; Songs, Neapolitan History and criticism ; Music and transnationalism ; Dissemination of music ; Italian Americans Music ; History and criticism ; USA ; Rezeption ; Volkslied ; Neapel ; Geschichte
    Abstract: Echoes of Naples / Goffredo Plastino -- A Mediterranean triangle : Naples, Smyrna, Athens / Franco Fabbri -- The Neapolitan sound goes around : mechanical music instruments, talking machines, and Neapolitan song (1850-1925) / Anita Pesce -- The folk within : on some Neapolitan productions in early twentieth-century Italian-American records / Giuliana Fugazzotto -- New York City Neapolitan music from the Calandra Institute's Mark Pezzano Collection / Rosangela Briscese and Joseph Sciorra -- You can go home again and again : Santa Lucia Luntana, the film / Giorgio Bertellini -- Diasporic musings on veracity and uncertainties of "Core 'ngrato" / Joseph Sciorra -- Napoli in Buenos Aires : from canzonetta to tango canción / Ana Cara -- The good, the bad, and the ugly : transatlantic stereotypes 1880s-1950s / Paolo Prato -- Blues in the bay : the bluesology of James Senese and Raiz / Alessandro Buffa and Iain Chambers -- Afterword : Neapolitan postcards and metaphorical materiality : ontologies of intimacy / Philip V. Bohlman
    Note: Includes bibliographical references and index
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  • 57
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780754667537
    Language: English
    Pages: XVI, 173 Seiten , Illustrationen, Notenbeispiele
    Additional Material: 1 CD (12 cm)
    Series Statement: SOAS musicology series
    Series Statement: An Ashgate Book
    RVK:
    Keywords: Batá music History and criticism ; Drum language ; Yoruba (African people) Music ; History and criticism ; Trommel ; Musikethnologie ; Yoruba ; Nigeria ; CD ; Nigeria ; Yoruba ; Trommel ; Musikethnologie ; Nigeria ; Yoruba ; Trommel ; Musikethnologie
    Note: Includes bibliographical references (page [163]-166) and index , Includes discography , "First published 2010 by Ashgate Publishing"
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  • 58
    Book
    Book
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819575760 , 9780819575777
    Language: English
    Pages: 267 Seiten , 25 cm
    DDC: 809/.8896
    RVK:
    Keywords: Literature Black authors ; History and criticism ; Literature and technology ; Music and literature ; African diaspora in literature ; Race in literature ; Schwarze ; Literatur ; Technik ; Person of Color ; Literatur ; Musik ; Technologie ; Person of Color ; Literatur ; Science-Fiction ; Cyberpunk ; Künstliche Intelligenz
    Note: Includes bibliographical references (pages 247-256) and index
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  • 59
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190497071
    Language: English
    Pages: 1 Online-Ressource (293 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.3/6
    RVK:
    RVK:
    RVK:
    Keywords: Juden ; Judentum ; Musik ; Jews Music ; History and criticism ; Judaism Liturgy ; Kirchengesang ; Judentum ; Neue Medien ; Moderne ; Geistliche Musik ; Liturgie ; Judentum ; Geistliche Musik ; Kirchengesang ; Liturgie ; Neue Medien ; Moderne
    Abstract: Singing God's Words is the first in-depth study of the experience and meaning of chanting or "reading" Torah among contemporary American Jews. This experience has been transformed dramatically in recent years by the impact of digital technology, feminism, the empowerment of lay people and a search for self-fulfillment through involvement with community. At a time when worshippers seek deeper spiritual experience, many Jews have found new meaning in the experience of reading Torah, an act that is broadly accessible to Jewish adults even as it requires intensive immersion with the text of the Bible in Hebrew. This book examines why and how growing numbers of American Jews in all denominations see the public chanting of Biblical texts during the synagogue service as one of the most authentic and personal expressions of their religious identity. Drawing on hundreds of interviews with men and women, both professionals and congregants, Jeffrey A. Summit describes how the reading of Torah embodies their understanding of historical religious practice, even as it is shaped by contemporary views of spiritual experience. Through this act, holiness becomes manifest at the intersection of Biblical chant, sacred text, the individual, and the community. - Jeffrey A. Summit is Research Professor in the Department of Music and Judaic Studies at Tufts University, where he also serves as rabbi and Neubauer Executive Director of Tufts Hillel. He is the author of The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship (OUP). His CD Abayudaya: Music from the Jewish People of Uganda was nominated for a Grammy Award.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 60
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190244545
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.62924
    RVK:
    Keywords: Sozialgeschichte ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Musikleben ; Klezmer ; Aschkenasim ; Musik ; Musikalischer Stil ; Tanz ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 61
    Book
    Book
    London : Routledge
    ISBN: 9780754629504
    Language: English
    Pages: xxix, 532 Seiten , Illustrationen, Notenbeispiele , 244 x 169 mm
    Series Statement: The library of essays on popular music
    RVK:
    Keywords: African Americans Music ; History and criticism ; Music History and criticism
    Note: Literaturangaben
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  • 62
    ISBN: 9781501126345
    Language: English
    Pages: viii, 226 Seiten , Illustrationen , 22 cm
    Edition: First Scribner hardcover edition
    DDC: 305.896/073
    RVK:
    RVK:
    Keywords: African Americans Social conditions 21st century ; Blacks Race identity ; Racism ; African Americans in literature ; African Americans in popular culture ; American literature African American authors ; History and criticism ; African Americans ; United States Race relations 21st century ; Quelle ; Quelle ; Quelle ; Quelle ; USA ; Schwarze ; Rassenfrage ; Rassismus ; Bürgerrecht ; Baldwin, James 1924-1987 ; Rassenpolitik ; Geschichte
    Abstract: The Tradition / by Jericho Brown -- Introduction / by Jesmyn Ward -- Part I: Legacy -- Homegoing, AD / by Kima Jones -- The Weight / by Rachel Ghansah / Lonely in America / by Wendy S. Walters -- Where Do We Go from Here? / by Isabel Wilkerson -- "The Dear Pledges of Our Love": A Defense of Phillis Wheatley's Husband / Honoree Jeffers -- White Rage / by Carol Anderson -- Cracking the Code / by Jesmyn Ward -- Part II: Reckoning -- Queries of Unrest / by Clint Smith -- Blacker Than Thou / by Kevin Young -- Da Art of Storytellin' (a prequel) / by Kiese Laymon -- Black and Blue / by Garnette Cadogan --The Condition of Black Life is One of Mourning / by Claudia Rankine -- Know Your Rights! / by Emily Raboteau -- Composite Pops / by Mitchell Jackson -- Part III: Jubilee -- Theories of Time and Space / by Natasha Trethewey -- Love in the Time of Contradiction / by Daniel Jose Older -- Message to My Daughters / by Edwidge Danticat
    Abstract: National Book Award winner Jesmyn Ward takes James Baldwin’s 1963 examination of race in America, The Fire Next Time, as a jumping off point for this groundbreaking collection of essays and poems about race from the most important voices of her generation and our time. In light of recent tragedies and widespread protests across the nation, The Progressive magazine republished one of its most famous pieces: James Baldwin’s 1962 “Letter to My Nephew,” which was later published in his landmark book, The Fire Next Time. Addressing his fifteen-year-old namesake on the one hundredth anniversary of the Emancipation Proclamation, Baldwin wrote: “You know and I know, that the country is celebrating one hundred years of freedom one hundred years too soon.” Award-winning author Jesmyn Ward knows that Baldwin’s words ring as true as ever today. In response, she has gathered short essays, memoir, and a few essential poems to engage the question of race in the United States. And she has turned to some of her generation’s most original thinkers and writers to give voice to their concerns. The Fire This Time is divided into three parts that shine a light on the darkest corners of our history, wrestle with our current predicament, and envision a better future. Of the eighteen pieces, ten were written specifically for this volume. In the fifty-odd years since Baldwin’s essay was published, entire generations have dared everything and made significant progress. But the idea that we are living in the post-Civil Rights era, that we are a “post-racial” society is an inaccurate and harmful reflection of a truth the country must confront. Baldwin’s “fire next time” is now upon us, and it needs to be talked about. Contributors include Carol Anderson, Jericho Brown, Garnette Cadogan, Edwidge Danticat, Rachel Kaadzi Ghansah, Mitchell S. Jackson, Honoree Jeffers, Kima Jones, Kiese Laymon, Daniel Jose Older, Emily Raboteau, Claudia Rankine, Clint Smith, Natasha Trethewey, Wendy S. Walters, Isabel Wilkerson, and Kevin Young.
    Note: "The tradition" , Introduction , Homegoing, AD , The weight , Lonely in America , Where do we go from here? , "The dear pledges of our love": A defense of Phillis Wheatley's husband , White rage , Cracking the code , Queries of unrest , Blacker than thou , Da art of storytellin' (a prequel) , Black and blue , The condition of black life is one of mourning , Know your rights! , Composite pops , Theories of time and space , This far: Notes on love and revolution , Message to my daughters
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  • 63
    ISBN: 9781438462042 , 9781438462035
    Language: English
    Pages: xii, 255 Seiten , 24 cm
    Series Statement: SUNY series in new political science
    DDC: 305.809/073
    RVK:
    Keywords: White supremacy movements Songs and music ; History and criticism ; Popular music Political aspects ; Popular music Social aspects ; Neo-Nazism ; Hate groups ; Einführung ; Einführung ; Rassismus ; Rechtsradikalismus ; Rockmusik ; Demokratie ; Soziale Funktion
    Abstract: Popular music plays a major role in mobilizing citizens, especially youth, to fight for political causes. Yet the presence of music in politics receives relatively little attention from scholars, politicians, and citizens. White power music is no exception, despite its role in recent high-profile hate crimes. Trendy Fascism is the first book to explore how contemporary white supremacists use popular music to teach hate and promote violence. Nancy S. Love focuses on how white power music supports "trendy fascism," a neo-fascist aesthetic politics. Unlike classical fascism, trendy fascism involves a hyper-modern cultural politics that exploits social media to create a global white supremacist community. Three case studies examine different facets of the white power music scene: racist skinhead, neo-Nazi folk, and goth/metal. Together these cases illustrate how music has replaced traditional forms of public discourse to become the primary medium for conveying white supremacist ideology today. Written from the interdisciplinary perspective on culture, economics, and politics best described as critical theory, this book is crucial reading for everyone concerned about the future of democracy. -- Provided by publisher
    Abstract: Mobilizing white power: music, culture, and politics -- Playing with hate: racist skinheads, Skrewdriver, and liberal tolerance -- Imaging a white nation: neo-nazi folk, family values, and Prussian Blue -- Building a church: Rahowa, heavy metal, and racial ecology -- Recycling white trash: aesthetics, music, and democracy
    Note: Includes bibliographical references (pages 215-245) and index
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  • 64
    Online Resource
    Online Resource
    Bielefeld : Transcript Verlag
    Language: German
    Pages: 1 Online-Ressource (369 pages)
    Series Statement: Histoire v. 88
    Parallel Title: Erscheint auch als Simmeth, Alexander Krautrock transnational : Die Neuerfindung der Popmusik in der BRD, 1968-1978
    DDC: 900
    RVK:
    Keywords: Rock music ; Popular music ; Criticism, interpretation, etc ; Germany (West) Popular music 1971-1980 History and criticism ; Germany (West) Rock music 1971-1980 History and criticism ; Germany (West) Popular music 1961-1970 ; History and criticism ; Germany (West) Rock music 1961-1970 ; History and criticism ; Germany (West)
    Abstract: Archive, Bibliotheken, Sammlungen Diskographie ; Namensregister ; Abbildungsverzeichnis
    Abstract: Cover. Krautrock transnational ; Inhalt ; Vorwort ; Erstes Kapitel: Rahmen ; Einleitung ; Konsum und Wandel ; Krautrock transnational ; Popmusik ; Authentizität ; Krautrock ; Zweites Kapitel: Ende der 1960er Jahre ; „Mama Düül und ihre Sauerkrautband spielt auf" ; Sozialisation und Lebensformen
    Abstract: Kommunikationsräume: Von Festivals und Clubs Popmedien und Rezeption in der Bundesrepublik ; Drittes Kapitel: 1970-1974 ; „Zuckerzeit" ; „Trips & Träume": Neue Wahrnehmungen ; Klang der Revolte? Krautrock und Politik ; Krautrock und die Musikindustrie
    Abstract: Popgeschichte ist dabei, sich als neues Forschungsfeld der Zeitgeschichte zu etablieren. Im Zuge dessen wird zunehmend auch Popmusik als zeitspezifische massenkulturelle Ausdrucksform und damit als Manifestation übergeordneter gesellschaftlicher Wandlungs
    Abstract: „So apart from everything we've ever heard": Im Vereinigten Königreich Viertes Kapitel: Ab 1975 ; „Landed" ; „Schwingungen": Instrumente und Tonstudios ; „The Teutonic Invasion": In den Vereinigten Staaten ; Nach 1978: Wirkung und Ausblick ; Anhang ; Literatur ; Quellen
    Note: Includes bibliographical references (pages 325-356) and index , In German
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  • 65
    Online Resource
    Online Resource
    Honolulu : University of Hawai'i Press | Oxford : Oxford University Press
    ISBN: 9780824870485
    Language: English
    Pages: 1 Online-Ressourcece
    DDC: 305.895073
    RVK:
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    Keywords: Familie ; Geschichte ; Asian Americans Biography ; History and criticism ; Asian Americans Ethnic identity ; USA
    Abstract: This work focuses the Asian American memoir that specifically recounts the story of at least three generations of the same family. This form of autobiography concentrates as much on other members of one's family as on oneself, generally collapses the boundaries conventionally established between biography and autobiography, and in many cases crosses the frontier into history, promoting collective memory.
    Note: Previously issued in print: 2010 , Includes bibliographical references and index
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  • 66
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469620862
    Language: English
    Pages: 1 Online-Ressource , Illustrations.
    Series Statement: Envisioning Cuba
    DDC: 780.8968729107471
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    Keywords: Geschichte 1940-1960 ; Kubanischer Einwanderer ; Musiker ; Cuban Americans Music ; History and criticism ; Cuban Americans Music ; History and criticism ; Music History and criticism ; New York, NY ; Miami, Fla.
    Abstract: Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white. In her history of music and race in midcentury America, Christina D. Abreu argues that these musicians played central roles in the development of Cuban, Afro-Cuban, Latino, and Afro-Latino identities and communities.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
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  • 67
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469622712
    Language: English
    Pages: 1 Online-Ressource , Illustrations, maps
    DDC: 780.89/9607307471
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    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; African Americans Music ; History and criticism ; Ragtime music History and criticism ; Ragtime music Social aspects 20th century ; History ; Music and race History 20th century ; USA
    Abstract: This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
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  • 68
    Book
    Book
    Farnham [u.a] : Routledge, Taylor & Francis Group
    ISBN: 9781138255579
    Language: English
    Pages: xiii, 289 Seiten , Illustrationen
    Edition: 1. issued in paperback
    Series Statement: Ashgate popular and folk music series
    Series Statement: An Ashgate book
    DDC: 781.630954/55
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    Keywords: Bhangra (Music) History and criticism ; Popular music History and criticism ; South Asians Music ; Popular music Indic influences ; Bhangra (Music) ; History and criticism ; Popular music ; India ; Punjab ; History and criticism ; South Asians ; Foreign countries ; Music ; Popular music ; Indic influences ; Pandschab ; Bhangra ; Geschichte ; Westliche Welt ; Südasiaten ; Bhangra ; Verbreitung ; Westliche Welt ; Bhangra ; Wandel ; Popmusik
    Description / Table of Contents: Flows across the Chenab -- No mixing please! We are Indian -- Mann Panjab De : fabricating authenticity -- Naqqal, mimicry and the signifying monkey -- Global bazaar, local peddlers -- Desi Networks -- Cool guys, Desi Boyz and Panjabi Munde dance the bhangra -- Performing the Panjabi body -- Bhangra nation -- Who speaks for the Jat? : Vernacular cosmopolitanisms.
    Note: Literaturverzeichnis: Seite 261-281
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  • 69
    Book
    Book
    Urbana ; Chicago ; Springfield : University of Illinois Press
    ISBN: 9780252040573 , 9780252082047
    Language: English
    Pages: xii, 240 Seiten , Illustrationen , 24 cm
    DDC: 305.89607309034
    RVK:
    Keywords: Geschichte 1800-1900 ; LITERARY CRITICISM / American / African American / bisacsh ; SOCIAL SCIENCE / Children's Studies / bisacsh ; SOCIAL SCIENCE / Ethnic Studies / African American Studies / bisacsh ; African American girls History 19th century ; African Americans Social conditions 19th century ; African Americans Politics and government 19th century ; Political culture History 19th century ; African Americans Intellectual life 19th century ; American literature African American authors ; History and criticism ; African Americans in literature ; Girls in literature ; Politics and literature History 19th century ; Schwarze ; Mädchen ; Literatur ; United States Race relations 19th century ; History ; USA ; USA ; Literatur ; Schwarze ; Mädchen ; Geschichte 1800-1900
    Abstract: "Long portrayed as a masculine endeavor, the African American struggle for progress often found expression through an unlikely literary figure: the black girl. Nazera Sadiq Wright uses heavy archival research on a wide range of texts about African American girls to explore this understudied phenomenon. As Wright shows, the figure of the black girl in African American literature provided a powerful avenue for exploring issues like domesticity, femininity, and proper conduct. The characters' actions, however fictional, became a rubric for African American citizenship and racial progress. At the same time, their seeming dependence and insignificance allegorized the unjust treatment of African Americans. Wright reveals fascinating girls who, possessed of a premature knowing and wisdom beyond their years, projected a courage and resiliency that made them exemplary representations of the project of racial advance and citizenship"--Publisher description
    Description / Table of Contents: Includes bibliographical references and index
    Description / Table of Contents: Introduction: Toward a Genealogy of Black Girlhood -- Black Girlhood in the Early Black Press -- Youthful Girls and Prematurely Knowing Girls : Antebellum Black Girlhood -- "Teach your Daughters" : Black Girlhood and Mrs. N. F. Mossell's Advice Column in the New York Freeman -- Moving the Boundaries : Black Girlhood and Public Careers in Frances E.W. Harper's Trial and Triumph -- Black Girlhood in Early-Twentieth-Century Black Conduct Books -- Epilogue: The Changing Same? : Next-Generation Black Girlhood
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  • 70
    ISBN: 9781349933587
    Language: English
    Pages: 1 Online-Ressource (XXXVI, 235 p. 4 illus., 3 illus. in color)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Literatures of the Americas
    Parallel Title: Printed edition
    Parallel Title: Erscheint auch als Decolonial approaches to Latin American literatures and cultures
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    Keywords: Literature ; Ethnology Latin America ; America History ; Literature Philosophy ; Literature History and criticism ; Literature, Modern 20th century ; Postmodernism (Literature) ; Postmodernism (Literature). ; Literature—History and criticism. ; Literature—Philosophy. ; America—History. ; Literature, Modern—20th century. ; Ethnology—Latin America. ; Latin American literature 20th century ; History and criticism ; Postcolonialism in literature ; Postcolonialism Latin America ; Latin America Civilization ; 20th century ; Hispanoamerika ; Literatur ; Kultur ; Postkolonialismus
    Abstract: Decolonial Approaches to Latin American Literatures and Cultures engages and problematizes concepts such as “decolonial” and “coloniality” to question methodologies in literary and cultural scholarship. While the eleven contributions produce diverse approaches to literary and cultural texts ranging from Pre-Columbian to contemporary works, there is a collective questioning of the very idea of “Latin America,” what “Latin American” contains or leaves out, and the various practices and locations constituting Latinamericanism. This transdisciplinary study aims to open an evolving corpus of decolonial scholarship, providing a unique entry point into the literature and material culture produced from precolonial to contemporary times
    Abstract: Introduction - Decolonial Strategies for Reading and Looking Against the Grain, Juan G. Ramos and Tara Daly -- I. Undisciplining “Spanish” and “Literature” -- Notes from the Field: Decolonizing the Curriculum/The “Spanish” Major, Sara Castro-Klarén -- The Rule of Impurity: Decolonial Theory and the Question of Literature, Horacio Legrás -- II. Decolonizing Translation and Representations of the Indigenous -- The (De)coloniality of Conceptual Inequivalence: Reinterpreting Ometeotl through Nahua Tlacuiloliztli, Zairong Xiang -- What does the Sumak Kawsay Mean for Women in the Andes Today?: Unsettling Patriarchal Sedimentations in Two Inca Writers, Antonia C. Carcelén-Estrada -- New Indigenous Literatures in the Making: A Contribution to Decoloniality, Arturo Arias -- III. Material Culture and Literature as Decolonial Critiques -- Decolonizing Aesthetic Representation: The Presence of the European Savage in Bolivian Modernity -- Javier Sanjinés C. -- The Air as Decolonial Critique of Being in César Calvo’s Las tres mitades de Ino Moxo y otros brujos de la Amazonía, Tara Daly -- Disruptive Capital in Andean/World Literature: A Decolonial Reading of Enrique Gil Gilbert’s Nuestro Pan, Juan G. Ramos -- IV. Decolonial Options, Indigenous Sovereignty, and Transregional Alliances -- Ethnic Reemergence in Uruguay: The Return of the Charrúa in the Light of Settler Colonialism Studies, Gustavo Verdesio -- When Nationality Becomes A “Negative Condition” For Politics: Gamaliel Churata’s Contribution To Bolivian Political Theory, Elizabeth Monasterios P. -- Decolonization and Indigenous Sovereignty: Coming to Terms with Theories in the Americas, Laura J. Beard -- Postscriptum: Decolonial Scenarios and Alternative Thinking: Critical and Theoretical Explorations, Mabel Moraña
    URL: Volltext  (lizenzpflichtig)
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  • 71
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190464387 , 0190464380
    Language: English
    Pages: xi, 223 Seiten , 22 cm
    DDC: 810.9/895
    RVK:
    Keywords: American literature Asian American authors ; History and criticism ; Repetition in literature ; Multiculturalism in literature ; American literature Asian American authors ; History and criticism ; Repetition in literature ; Multiculturalism in literature ; American literature Asian American authors ; Multiculturalism in literature ; Repetition in literature Criticism, interpretation, etc ; USA ; Asiaten ; Literatur ; Multikulturelle Gesellschaft ; Wiederholung ; USA ; Literatur ; Asiaten
    Abstract: Introduction: Repetition and race -- Racial trauma and triangulation in Susan Choi's The foreign student -- Remapping the politics of pastiche in Karen Tei Yamashita's Tropic of orange -- Interrupted intertextuality in Chang-rae Lee's Native speaker -- Practicing the future in Maxine Hong Kingston's The fifth book of peace -- Conclusion: Repetition, form, and history
    Description / Table of Contents: Introduction: Repetition and raceRacial trauma and triangulation in Susan Choi's The foreign student -- Remapping the politics of pastiche in Karen Tei Yamashita's Tropic of orange -- Interrupted intertextuality in Chang-Rae Lee's Native speaker -- Practicing the future in Maxine Hong Kingston's The fifth book of peace -- Conclusion: Repetition, form, and history.
    Note: Includes bibliographical references (pages 205-216) and index , Introduction: Repetition and race , Racial trauma and triangulation in Susan Choi's The foreign student , Remapping the politics of pastiche in Karen Tei Yamashita's Tropic of orange , Interrupted intertextuality in Chang-rae Lee's Native speaker , Practicing the future in Maxine Hong Kingston's The fifth book of peace , Conclusion: Repetition, form, and history
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  • 72
    Online Resource
    Online Resource
    Bielefeld : Transcript Verlag$h | Berlin : Knowledge Unlatched
    ISBN: 9783839436660 , 3839436664
    Language: English
    Pages: 1 Online-Ressource (212 Seiten) , Illustrationen
    Series Statement: Postcolonial studies volume 28
    Series Statement: Postcolonial studies
    Parallel Title: Erscheint auch als Nehl, Markus, 1985 - Transnational black dialogues
    Dissertation note: Dissertation Universität Münster 2015
    RVK:
    Keywords: African diaspora in literature ; English literature Black authors ; History and criticism ; English literature History and criticism ; 21st century ; Slavery in literature ; Violence in literature ; Hochschulschrift ; Electronic books ; USA ; Schwarze ; Roman ; Sklaverei ; Geschichte 2006-2009
    Abstract: Cover. Transnational Black Dialogues -- Contents -- Acknowledgements -- Introduction: Slavery-An "Unmentionable" Past? -- 1. The Concept of the African Diaspora and the Notion of Difference -- 2. From Human Bondage to Racial Slavery: Toni Morrison's A Mercy (2008). -- 3. Rethinking the African Diaspora: Saidiya Hartman's Lose Your Mother (2007) 4. "Hertseer:" Re-Imagining Cape Slavery in Yvette Christiansë's Unconfessed (2006) -- 5. Transnational Diasporic Journeys in Lawrence Hill's The Book of Negroes (2007). -- 6. A Vicious Circle of Violence: Revisiting Jamaican Slavery in Marlon James's The Book of Night Women (2009) Epilogue: The Past of Slavery and "the Incomplete Project of Freedom" -- Works Cited
    Note: Leicht überarbeitete und aktualisierte Version der Dissertation, Universität Münster, 2015
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  • 73
    ISBN: 9780190497088 , 9780199844081
    Language: English
    Pages: 293 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: American musicspheres
    DDC: 782.3/6
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    Keywords: Jews Music ; History and criticism ; Judaism Liturgy ; Judentum ; Liturgie ; Moderne
    Note: Includes bibliographical references (pages 275-283) and index
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  • 74
    ISBN: 9788484899235 , 9783954874552
    Language: Spanish
    Pages: 249 Seiten , 22 cm
    Series Statement: Ediciones de Iberoamericana 85
    Series Statement: Ediciones de Iberoamericana
    DDC: 305
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    Keywords: Dictatorship Historiography ; Spain ; Dictatorship Historiography ; Latin America ; Dictatorship in literature ; Prisoners' writings, Spanish American Women authors ; History and criticism ; Prisoners' writings, Spanish Women authors ; History and criticism ; Exiles' writings, Spanish American Women authors ; History and criticism ; Exiles' writings, Spanish Women authors ; History and criticism ; Autobiography Women authors ; Political aspects ; Spain ; Autobiography Women authors ; Political aspects ; Latin America ; Autobiography Women authors ; Political aspects ; Latin America ; Autobiography Women authors ; Political aspects ; Spain ; Dictatorship Historiography ; Latin America ; Dictatorship Historiography ; Spain ; Dictatorship in literature ; Exiles' writings, Spanish Women authors ; History and criticism ; Exiles' writings, Spanish American Women authors ; History and criticism ; Prisoners' writings, Spanish Women authors ; History and criticism ; Prisoners' writings, Spanish American Women authors ; History and criticism ; Spanisch ; Frauenliteratur ; Diktatur ; Widerstand ; Exil ; Hispanoamerika ; Frauenliteratur ; Diktatur ; Widerstand ; Exil ; Spanien ; Hispanoamerika ; Literatur ; Frau ; Diktatur ; Widerstand ; Exil
    Note: Includes bibliographical references (pages 223-243) and index
    URL: Cover
    URL: Cover
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  • 75
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190244514
    Language: English
    Pages: xxiv, 412 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.62/924
    RVK:
    Keywords: Sozialgeschichte ; Juden ; Musik ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Klezmer ; Musikalischer Stil ; Aschkenasim ; Tanz ; Musik ; Musikleben ; Osteuropa ; Bibliografie ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major sources principally in Russian, Yiddish, Hebrew, and Romanian from the 16th to the 20th centuries, including interviews with authoritative European-born klezmorim conducted over a period of more than thirty years in America, Eastern Europe, and Israel. In its musical analysis, this book draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. - Walter Zev Feldman is a leading researcher in both Ottoman Turkish and Jewish music. During the 1970s he spearheaded the revival of klezmer music. His book, Music of the Ottoman Court (Berlin, 1996) is taught as a basic text world wide. He is also an authority on East European Jewish dance, forming part of his current research on the role of gesture in the performing arts.
    Note: Includes bibliographical references and index
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  • 76
    Book
    Book
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780199844937 , 0199844933
    Language: English
    Pages: xx, 285 Seiten
    Parallel Title: Erscheint auch als Sorett, Josef Spirit in the dark
    DDC: 810.9/896073
    RVK:
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    Keywords: American literature African American authors ; History and criticism ; Religion and literature History 20th century ; Religion in literature ; African Americans in literature ; Blacks Race identity ; American literature African American authors ; History and criticism ; Religion and literature History ; 20th century ; United States ; Religion in literature ; African Americans in literature ; Blacks Race identity ; United States ; African Americans in literature ; American literature African American authors ; Blacks Race identity ; Religion and literature ; Religion in literature United States ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Literatur ; Das Religiöse ; Spiritualität ; Ethnische Identität ; Geschichte 1920-1960
    Abstract: Church, spirit, and the history of racial aesthetics -- The church and the Negro spirit -- Ancestral spirits -- Catholic spirits -- As the spirit moves -- An international spirit -- That spirit is Black -- Contrary spirits -- You can't keep a good church down!
    Note: Includes bibliographical references and index
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  • 77
    Book
    Book
    Toronto : University of Toronto Press
    ISBN: 9781442648913 , 1442648910
    Language: English
    Pages: x, 227 Seiten , 24 cm
    Series Statement: University of Toronto romance series
    Parallel Title: Erscheint auch als Laroussi, Farid Postcolonial Counterpoint
    DDC: 840.9/3585
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    Keywords: Gide, André ; French literature History and criticism 20th century ; French literature North African authors ; History and criticism ; Orientalism in literature ; Orientalism ; Muslims ; Islam ; Postcolonialism in literature ; Africa, North Relations ; France Relations ; Nordafrika ; Maghreb ; Französisch ; Orientalisierende Literatur ; Postkoloniale Literatur ; Nordafrika ; Frankreich ; Kultur ; Islam ; Postkolonialismus ; Französisch ; Literatur ; Maghreb ; Orientalismus ; Orientalisierende Literatur
    Abstract: "Postcolonial Counterpoint is a critical study of Orientalism and the state of Francophone and postcolonial studies, examined through the lens of the historical and cross-cultural relations between France and North Africa. Thoroughly questioning the inability of Western academia to shake free of universalism and essentialism and come to grips with the Orientalism within postcolonial discourse, Farid Laroussi offers a cultural tour d'horizon which considers André Gide's writing on Algeria, literature by French authors of Maghrebi descent, and the conversation surrounding secularism and the headscarf in France. A provocative investigation of the place of Muslims and Islam in Francophone culture, Postcolonial Counterpoint asks how we must proceed if postcolonial studies is to make a difference in reconciling history, identity, citizenship, and Islam in the West."--
    Note: Includes bibliographical references (pages 209-219) and index
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  • 78
    ISBN: 3476026817 , 9783476026811 , 3761823819 , 9783761823811
    Language: German
    Pages: 319 Seiten , Illustrationen, Faksimiles, Notenbeispiele , 24 cm, 647 g
    Additional Information: Rezensiert in Heymel, Michael, 1953- lehrreich, in: Zeitzeichen : evangelische Kommentare zu Religion und Gesellschaft 2017 Bd. 18, Heft 5, Seite 62-63
    Additional Information: Rezensiert in Heymel, Michael, 1953 - Lehrreich 2017
    Additional Information: Rezensiert in Kunze, Hagen, 1973 - Verständlich für eine breite Leserschaft 2017
    Additional Information: Rezensiert in Poetzsch, Ute Musik im Namen Luthers. Kulturtraditionen seit der Reformation 2018
    DDC: 781.7141
    RVK:
    Keywords: Luther, Martin ; Lutheran Church Hymns ; History and criticism ; Church music Lutheran Church ; Luthertum ; Kirchenmusik ; Lutherische Kirche ; Kirchenmusik ; Geschichte
    Abstract: Musik des Luthertums ist ein Kernstück westlicher Kultur. Zum Reformationsjubiläum 2017 erzählt Konrad Küster ihre Geschichte und stellt sie in einen europäischen Kontext. Der Autor schildert zunächst die Rolle der Kirchenmusik in Luthers Liturgie. Er berichtet von der Fortführung der reformatorischen Ideen durch Kantoren, Organisten und Amateure, aber auch von Traditionsbrüchen. Besonders berücksichtigt werden Schütz und Bach, aber auch die Zeit zwischen beiden Meistern, zu der erst die Alte-Musik-Bewegung der jüngeren Zeit Zugänge erschlossen hat. Das Buch stellt auch heraus, welche Bedeutung die Orgelkunst des Nordseeraums für das Luthertum hatte. Und immer wieder geht es um überraschend intensive Beziehungen der lutherischen zur italienischen Musik
    Description / Table of Contents: "Ein neues Lied wir heben an"? -- Diesseitspflichten und Jenseitsaussichten -- Musikprofis, Musikamateure -- "Lobet den Herren mit Saiten und Orgeln" -- "Florilegium Portense" -- Kirchenmusik und Glaubenspolitik -- "Lasset uns den Herren preisen" -- "Da sprach Jesus..." -- "Ich habe fleissig seyn müssen" -- Kirchenmusik zwischen Gottesdienst und Konzertleben
    Note: "Dieses Buch entstand in Verbindung mit der Evangelisch-Lutherischen Kirche in Norddeutschland. Evangelisch-Lutherische Kirche in Norddeutschland [aus Anlass von] 'Am Anfang war das Wort, Luther 2017, 500 Jahre Reformation" (ungezählte Seite 4) , Hier auch später erschienene, unveränderte Nachdrucke , Nachdrucke: 2. Auflage 2017
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  • 79
    ISBN: 9780816532001
    Language: English
    Pages: XX, 216 Seiten , Illustrationen , 23 cm
    DDC: 810.9/86872
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    Keywords: American literature Mexican American authors ; History and criticism ; Environmentalism in literature ; USA ; Mexikaner ; Autor ; Literatur ; Umweltschutz ; Ökologie ; Geschichte 1800-2015
    Abstract: "The book looks to long-established traditions of environmentalist thought alive in Mexican American literary history over the last 150 years"--Provided by publisher
    Abstract: Introduction: defining Mexican American goodlife writing -- Chapter 1. Epistemological hierarchy and the environment: erasure of Mexican American knowledge in three nineteenth century novels -- Chapter 2. The coloniality of being and the land: identity in early twentieth century goodlife writing -- Chapter 3. "La santa tierra": Mexican American writing and transcending possession in the late twentieth century -- Chapter 4. Active subjectivity in migrant farm worker fiction: rejecting alienation from the land -- Chapter 5. Ecology and chicana/o cultural nationalism: creating joyful community in Cherríe Moraga's millenial writings -- Coda: decolonized environmentalisms for the twenty-first century
    Description / Table of Contents: Introduction: defining Mexican American goodlife writingChapter 1. Epistemological hierarchy and the environment: erasure of Mexican American knowledge in three nineteenth century novels -- Chapter 2. The coloniality of being and the land: identity in early twentieth century goodlife writing -- Chapter 3. "La santa tierra": Mexican American writing and transcending possession in the late twentieth century -- Chapter 4. Active subjectivity in migrant farm worker fiction: rejecting alienation from the land -- Chapter 5. Ecology and chicana/o cultural nationalism: creating joyful community in Cherríe Moraga's millenial writings -- Coda: decolonized environmentalisms for the twenty-first century.
    Note: Includes bibliographical references and index
    URL: Cover
    URL: Cover
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  • 80
    ISBN: 9780813938257
    Language: English
    Pages: Online-Ressource
    Edition: Online-Ausg.
    Parallel Title: Erscheint auch als Wheelock, Stefan M., - 1971- Barbaric culture and black critique
    DDC: 820.9/3552
    RVK:
    Keywords: Stewart, Maria W ; Equiano, Olaudah ; Cugoano, Ottobah ; Walker, David ; English literature History and criticism 18th century ; Slavery in literature ; Slavery Religious aspects ; Slavery Political aspects ; Slaves' writings, English History and criticism ; American literature History and criticism 19th century ; American literature African American authors ; History and criticism ; Electronic books ; USA ; Schwarze ; Cugoano, Ottobah 1757-1803 ; Equiano, Olaudah 1745-1797 ; Stewart, Maria W. 1803-1880 ; Walker, David 1785-1836 ; Englisch ; Literatur ; Sklaverei ; Geschichte 1770-1830
    Abstract: "In an interdisciplinary approach to black antislavery literatures at the dawn of the nineteenth century, Stefan Wheelock shows how the political character of freedom and a religious sensibility allowed Black antislavery writers to countermand ideologies of white supremacy while fostering a sense of racial community and identity. The major figures he selects--Ottobah Cugoano, Olaudah Equiano, David Walker, and Maria Stewart--were principally concerned with ending racial slavery and the slave trade, but they employed antislavery rhetoric at a time when the institution of slavery was preparing progressive Western politics to enter a new phase of imperial and racial domination. This contradictory circumstance, Wheelock argues, poses a significant challenge for understanding the development of this watershed moment in Western political identity. The author looks at the ways in which, during this period, religious and secular versions of collective political destiny both competed and cooperated to forge a vision for a more perfect and just society. What especially captures his interest is how the writers of the African Atlantic deployed religious sensibilities and the call for emancipation as a way of characterizing the liberal foundations of Atlantic political modernity. Although neither "modernity" nor "progress" is a term these writers used, Wheelock contends that a concern with modernity and its liberal character is implicit in their critiques and/or portrayals of the advanced political structures that gave rise to racial enslavement in the first place" --
    Description / Table of Contents: PrefaceIntroduction -- Ottobah Cugoano, liberty, and modern Atlantic barbarism -- Interesting narratives, civility, and the problem of freedom -- David Walker, false grammars, and American racial inheritance -- Maria Stewart and the paradoxes of early national virtue -- Conclusion.
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 81
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226327068 , 022632723X , 9780226327235
    Language: English
    Pages: xvi, 319 Seiten , Illustrationen, Diagramm, Karte , 24 cm
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.62/927061
    RVK:
    Keywords: Music History and criticism ; Music History and criticism ; Arabs Music ; History and criticism ; Arabs Music ; History and criticism ; Music Spanish influences ; Urban ecology (Sociology) ; Ethnomusicology ; Andalusia (Spain) Civilization ; Islamic influences ; Algerien ; Marokko ; Araber ; al- Andalus ; Musik ; Revival
    Description / Table of Contents: Introduction -- Part I. The people of al-Andalus. Prologue: An istikhbår -- 1. An Andalusi archipelago -- 2. The Shaykh and the Mūlūʿ -- 3. Heavy and light : Andalusi music as genre -- Part II. Revival. Prologue: A photograph -- 4. Ambiguous revivals -- 5. Texts, authority, and possession -- 6. The associative movement -- 7. The politics of patrimony -- Conclusion: The lost
    Note: Literaturverzeichnis: Seite 277-298
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  • 82
    Book
    Book
    Lucca : Libreria musicale italiana
    ISBN: 9788870968378
    Language: English
    Pages: xii, 293 Seiten , Illustrationen , 24 cm
    Additional Material: 1 DVD
    DDC: 781
    RVK:
    Keywords: Folk music History and criticism ; Romanies Music ; History and criticism ; Romanies Rites and ceremonies ; Women, Romani Social life and customs ; Effeminacy ; Kosovo (Republic) Social life and customs ; Kosovo ; Roma ; Frau ; Fest ; Ritual ; Geschlechterrolle ; Musikpflege ; Musikanthropologie
    Note: Includes bibliographical references (pages 273-293)
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  • 83
    ISBN: 9780813937991 , 9780813937984
    Language: English
    Pages: xiii, 216 Seiten
    Parallel Title: Erscheint auch als Wheelock, Stefan M., 1971 - Barbaric culture and Black critique
    DDC: 820.9/3552
    RVK:
    Keywords: Cugoano, Ottobah ; Equiano, Olaudah ; Walker, David ; Stewart, Maria W ; Slaves' writings, English History and criticism ; English literature History and criticism 18th century ; Slavery in literature ; American literature History and criticism 19th century ; American literature African American authors ; History and criticism ; Slavery Religious aspects ; Slavery Political aspects ; USA ; Schwarze ; Cugoano, Ottobah 1757-1803 ; Equiano, Olaudah 1745-1797 ; Stewart, Maria W. 1803-1880 ; Walker, David 1785-1836 ; Englisch ; Literatur ; Sklaverei ; Geschichte 1770-1830
    Abstract: "In an interdisciplinary approach to black antislavery literatures at the dawn of the nineteenth century, Stefan Wheelock shows how the political character of freedom and a religious sensibility allowed Black antislavery writers to countermand ideologies of white supremacy while fostering a sense of racial community and identity. The major figures he selects--Ottobah Cugoano, Olaudah Equiano, David Walker, and Maria Stewart--were principally concerned with ending racial slavery and the slave trade, but they employed antislavery rhetoric at a time when the institution of slavery was preparing progressive Western politics to enter a new phase of imperial and racial domination. This contradictory circumstance, Wheelock argues, poses a significant challenge for understanding the development of this watershed moment in Western political identity. The author looks at the ways in which, during this period, religious and secular versions of collective political destiny both competed and cooperated to forge a vision for a more perfect and just society. What especially captures his interest is how the writers of the African Atlantic deployed religious sensibilities and the call for emancipation as a way of characterizing the liberal foundations of Atlantic political modernity. Although neither "modernity" nor "progress" is a term these writers used, Wheelock contends that a concern with modernity and its liberal character is implicit in their critiques and/or portrayals of the advanced political structures that gave rise to racial enslavement in the first place" --
    Abstract: Preface -- Introduction -- Ottobah Cugoano, liberty, and modern Atlantic barbarism -- Interesting narratives, civility, and the problem of freedom -- David Walker, false grammars, and American racial inheritance -- Maria Stewart and the paradoxes of early national virtue -- Conclusion
    Description / Table of Contents: PrefaceIntroduction -- Ottobah Cugoano, liberty, and modern Atlantic barbarism -- Interesting narratives, civility, and the problem of freedom -- David Walker, false grammars, and American racial inheritance -- Maria Stewart and the paradoxes of early national virtue -- Conclusion.
    Note: Includes bibliographical references and index
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  • 84
    ISBN: 9782352841623
    Language: French
    Pages: 510 Seiten , Illustrationen
    RVK:
    Keywords: Blacks Latin America ; Music ; History and criticism ; Blacks West Indies ; Music ; History and criticism ; Popular music Latin America ; History and criticism ; Popular music West Indies ; History and criticism ; Lateinamerika ; Musik ; Schwarze ; Karibik ; Schwarze ; Musik
    URL: Cover
    URL: Cover
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  • 85
    Online Resource
    Online Resource
    Würzburg : Ergon Verlag Würzburg in Kommission | Istanbul : Orient-Institut Istanbul (Max Weber Stiftung) | Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt
    ISBN: 9783956502071
    Language: English
    Pages: 1 Online-Ressource (187 Seiten) , Illustrationen
    Series Statement: Istanbuler Texte und Studien Band 35
    Series Statement: Istanbuler Texte und Studien
    Parallel Title: Erscheint auch als Yıldız, Burcu Experiencing Armenian music in Turkey
    DDC: 781.62919920561
    RVK:
    Keywords: Armenians Music ; History and criticism ; Music History and criticism ; Türkei ; Armenier ; Musik ; Armenien ; Türkei ; Musik
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  • 86
    ISBN: 9783034319515
    Language: English
    Pages: xxviii, 571 Seiten , Illustrationen, Karten , 23 cm
    Series Statement: Exile studies vol. 14
    Series Statement: Exil-Studien
    Uniform Title: Die verschwundenen Musiker
    DDC: 780.89/924094
    RVK:
    Keywords: Jews Music ; History and criticism ; Jewish musicians ; Jewish refugees ; Aufsatzsammlung ; Juden ; Musiker ; Exil ; Australien ; Geschichte 1933-2000 ; Australien ; Musikleben ; Juden ; Geschichte 1933-2000
    Note: Bibliografie: Seite 540-556. - Index
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  • 87
    ISBN: 9782745329332
    Language: French
    Pages: 260 Seiten
    Series Statement: Champion essais 45
    Series Statement: Collection Essais
    DDC: 306.09
    RVK:
    RVK:
    Keywords: French language Lexicography ; French language Dictionaries ; History and criticism ; School libraries History ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Französischunterricht ; Wörterbuch ; Schule ; Geschichte ; Frankreich ; Schule ; Wörterbuch ; Geschichte 1830-2010
    Note: Notes bibliogr. - Index
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  • 88
    ISBN: 9781498518338 , 9781498518314
    Language: English
    Parallel Title: Erscheint auch als
    DDC: 305.8960730092
    RVK:
    Keywords: Du Bois, W. E. B. Criticism and interpretation ; Du Bois, William E. B. ; American literature African American authors ; History and criticism ; Blacks Intellectual life 20th century ; Cosmopolitanism in literature ; Weltbürgertum ; Werk ; Schwarze ; Identität ; Universalismus ; Du Bois, William E. B. 1868-1963 ; Werk ; Identität ; Schwarze ; Universalismus ; Weltbürgertum
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  • 89
    Online Resource
    Online Resource
    Chapel Hill, NC : University of North Carolina Press
    ISBN: 9781469620862 , 1469620863
    Language: English
    Pages: 1 Online-Ressource
    Edition: 1st edition.
    Series Statement: Envisioning Cuba
    Series Statement: UPCC book collections on Project MUSE
    DDC: 780.89/68729107471
    RVK:
    RVK:
    Keywords: Geschichte 1940-1960 ; Kubanischer Einwanderer ; Musiker ; Cuban Americans Music ; History and criticism ; Cuban Americans Music ; History and criticism ; Music History and criticism ; New York, NY ; Miami, Fla.
    Abstract: "Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white, who did more than fill dance halls with the rhythms of the rumba, mambo, and cha cha chá. In her history of music and race in midcentury America, Christina D. Abreu argues that these musicians, through their work in music festivals, nightclubs, social clubs, and television and film productions, played central roles in the development of Cuban, Afro-Cuban, Latino, and Afro-Latino identities and communities. Abreu draws from previously untapped oral histories, cultural materials, and Spanish-language media to uncover the lives and broader social and cultural significance of these vibrant performers"--Provided by publisher.
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  • 90
    Online Resource
    Online Resource
    Indianapolis : Indiana University Press
    ISBN: 9780253017765 , 0253017769
    Language: English
    Pages: 1 Online-Ressource
    Edition: Public cultures of the Middle East and North Africa
    Edition: UPCC book collections on Project MUSE
    Series Statement: Ethnomusicology multimedia
    Series Statement: Public cultures of the Middle East and North Africa
    Series Statement: Ethnomusicology multimedia
    DDC: 780.89/91992
    RVK:
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    Keywords: Geschichte 1890-1980 ; Armenier ; Exil ; Musik ; Kulturelle Identität ; Musicians Social conditions ; Music History and criticism ; Musicians Social conditions ; Expatriate musicians Social conditions ; Armenians Music ; History and criticism
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  • 91
    ISBN: 9780803274969 , 0803274963 , 9780803274945
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: UPCC book collections on Project MUSE
    DDC: 781.62/970092
    RVK:
    RVK:
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    Keywords: Densmore, Frances Ethnomusicological collections ; Densmore, Frances ; Densmore, Frances ; Musikethnologie ; Sammlung ; Indians of North America Material culture ; Collectors and collecting ; Indians of North America Music ; History and criticism ; Ethnomusicology ; Ethnomusicologists Biography ; Biografie ; Aufsatzsammlung ; Biographie ; Aufsatzsammlung
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  • 92
    ISBN: 9781469622699 , 1469622696
    Language: English
    Pages: xiv, 291 Seiten , illustrations, maps , 25 cm
    DDC: 780.89/9607307471
    RVK:
    Keywords: African Americans Music ; History and criticism ; Ragtime music History and criticism ; Ragtime music Social aspects 20th century ; History ; Music and race 20th century ; African American musicians
    Description / Table of Contents: A new musical rhythm was given to the people : rhythm and representation in black ManhattanDo all we could to get what we felt belonged to us by the laws of nature : selling real Negro melodies and marketing authentic black rhythms -- Appreciate the noble and the beautiful within us : ragging uplift with rhythmic transgressions -- The piano man was it! The man in charge : black nightclubs and ragtime identities in New York's Tenderloin -- To promote greater efficiency among its members : ragtime in Times Square and the Clef Club Inc -- Rhythm is something that is born in the Negro : black musical value and the consolidation of "Negro music" -- A new type of Negro musician : social dance and black musical value in prewar America.
    Note: Includes bibliographical references (pages 261-280) and index
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  • 93
    Book
    Book
    New York, NY [u.a.] : Oxford University Press
    ISBN: 9780199987733
    Language: English
    Pages: xviii, 254 S. , Ill., Kt. , 24 cm
    DDC: 782.421649
    RVK:
    Keywords: Music ; History and criticism ; Rap (Music) / History and criticism ; Music / Social aspects ; Rap ; Hip-Hop ; Musiksoziologie
    Description / Table of Contents: What is hip hop? What is rap? -- Hip hop's ground zero : the South Bronx and urban America -- Graffiti art and breaking -- Rap's African and African-American cultural roots -- Old school DJs and MCs -- The Golden Era -- Hardcore : "message rap" and "gangsta rap" -- Hardcore II : gangsta in the '90s and responses from within the rap community -- Hip hop culture and rap music in the second millennium -- Conclusion..
    Note: Includes bibliographical references (pages 229-238) and index
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  • 94
    Book
    Book
    Princeton, NJ [u.a.] : Princeton Univ. Press
    ISBN: 9780691130200 , 0691130205
    Language: English
    Pages: XIV, 367 S. , Ill. , 25 cm
    DDC: 810.9/896073
    RVK:
    RVK:
    Keywords: United States History 20th century ; American literature History and criticism 20th century ; American literature African American authors ; History and criticism ; USA Federal Bureau of Investigation ; USA ; Schwarze ; Literatur ; Geschichte 1919-1972
    Abstract: "Few institutions seem more opposed than African American literature and J. Edgar Hoover's white-bread Federal Bureau of Investigation. But behind the scenes the FBI's hostility to black protest was energized by fear of and respect for black writing. Drawing on nearly 14,000 pages of newly released FBI files, F.B. Eyes exposes the Bureau's intimate policing of five decades of African American poems, plays, essays, and novels. Starting in 1919, year one of Harlem's renaissance and Hoover's career at the Bureau, secretive FBI "ghostreaders" monitored the latest developments in African American letters. By the time of Hoover's death in 1972, these ghostreaders knew enough to simulate a sinister black literature of their own. The official aim behind the Bureau's close reading was to anticipate political unrest. Yet, as William J. Maxwell reveals, FBI surveillance came to influence the creation and public reception of African American literature in the heart of the twentieth century. Taking his title from Richard Wright's poem "The FB Eye Blues," Maxwell details how the FBI threatened the international travels of African American writers and prepared to jail dozens of them in times of national emergency. All the same, he shows that the Bureau's paranoid style could prompt insightful criticism from Hoover's ghostreaders and creative replies from their literary targets. For authors such as Claude McKay, James Baldwin, and Sonia Sanchez, the suspicion that government spy-critics tracked their every word inspired rewarding stylistic experiments as well as disabling self-censorship. Illuminating both the serious harms of state surveillance and the ways in which imaginative writing can withstand and exploit it, F.B. Eyes is a groundbreaking account of a long-hidden dimension of African American literature."--Publisher information
    Abstract: "Few institutions seem more opposed than African American literature and J. Edgar Hoover's white-bread Federal Bureau of Investigation. But behind the scenes the FBI's hostility to black protest was energized by fear of and respect for black writing. Drawing on nearly 14,000 pages of newly released FBI files, F.B. Eyes exposes the Bureau's intimate policing of five decades of African American poems, plays, essays, and novels. Starting in 1919, year one of Harlem's renaissance and Hoover's career at the Bureau, secretive FBI "ghostreaders" monitored the latest developments in African American letters. By the time of Hoover's death in 1972, these ghostreaders knew enough to simulate a sinister black literature of their own. The official aim behind the Bureau's close reading was to anticipate political unrest. Yet, as William J. Maxwell reveals, FBI surveillance came to influence the creation and public reception of African American literature in the heart of the twentieth century. Taking his title from Richard Wright's poem "The FB Eye Blues," Maxwell details how the FBI threatened the international travels of African American writers and prepared to jail dozens of them in times of national emergency. All the same, he shows that the Bureau's paranoid style could prompt insightful criticism from Hoover's ghostreaders and creative replies from their literary targets. For authors such as Claude McKay, James Baldwin, and Sonia Sanchez, the suspicion that government spy-critics tracked their every word inspired rewarding stylistic experiments as well as disabling self-censorship. Illuminating both the serious harms of state surveillance and the ways in which imaginative writing can withstand and exploit it, F.B. Eyes is a groundbreaking account of a long-hidden dimension of African American literature."--Publisher information
    Description / Table of Contents: Part one/thesis one : The birth of the Bureau, coupled with the birth of J. Edgar Hoover, ensured the FBI's attention to African American literaturePart two/thesis two : The FBI's aggressive filing and long study of African American writers was tightly bound to the Agency's successful evolution under Hoover -- Part three/thesis three : The FBI is perhaps the most dedicated and influential forgotten critic of African American literature -- Part four/thesis four : The FBI helped to define the twentieth-century Black Atlantic, both blocking and forcing its flows -- Part five/thesis five : Consciousness of FBI ghostreading fills a deep and characteristic vein of African American literature -- Appendix : FOIA requests for FBI files on African American authors active from 1919 to 1972.
    Note: Includes bibliographical references and index
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  • 95
    ISBN: 9780810888951 , 9780810888968
    Language: English
    Pages: 243 Seiten
    Series Statement: Europea: Ethnomusicologies and modernities 17
    Series Statement: Europea
    DDC: 780.89/9457
    RVK:
    RVK:
    RVK:
    Keywords: Sami (European people) Music ; History and criticism ; Music History and criticism ; Music ; Sami (European people) ; Lappland ; Samen ; Musik ; Musikleben
    Description / Table of Contents: Sámi musical performance : an introduction -- Performing Sápmi -- Reconceptualizing time -- Voicing nature -- Transmitting culture -- Aspiring cosmopolitanism.
    Note: Bbibliography p. 223-235 and index p. 237-242
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  • 96
    ISBN: 9781419718182
    Language: English
    Pages: 239 pages , colour illustrations , 23 cm
    DDC: 782.421649
    RVK:
    Keywords: Rap (Music) History and criticism ; Rap musicians Criticism and interpretation ; Rap musicians Caricatures and cartoons ; Popular music History and criticism ; African Americans Music ; History and criticism ; USA ; Rap ; Geschichte 1979-2014
    Abstract: 1979 :"Rapper's delight" /The Sugarhill Gang --1980 :"The breaks" /Kurtis Blow --1981 :"Jazzy sensation" /Afrika Bambaataa and the Jazzy Five --1982 :"The message" /Grandmaster Flash and the Furious Five --1983 :"Sucker M.C.'s" /Run-DMC --1984 :"Friends" /Whodini --1985 :"La Di Da Di" /Doug E. Fresh and Slick Rick --1986 :"6 in the mornin'" /Ice-T --1987 :"Paid in full" /Eric B. and Rakim --1988 :"Straight outta Compton" /N.W.A --1989 :"Fight the power" /Public Enemy --1990 :"Bonita Applebum" /A Tribe Called Quest --1991 :"Mind playing tricks on me" /Geto Boys --1992 :"Nuthin' but a 'G' Thang" /Dr. Dre, featuring Snoop Dogg --1993 :"C.R.E.A.M." /Wu-Tang Clan --1994 :"Juicy" /The Notorious B.I.G. --1995 :"Dear Mama" /Tupac --1996 :"California love" /Tupac, featuring Dr. Dre and Roger Troutman --1997 :"Can't nobody hold me down" /Puff Daddy, featuring Mase --1998 :"Ruff Ryders' Anthem" /DMX --1999 :"My name is" /Eminem --2000 :"Big pimpin'" /Jay Z, featuring UGK --2001 :"Takeover" vs. "Ether" /Jay Z vs. Nas --2002 :"Grindin'" /The Clipse --2003 :"In Da Club" /50 Cent --2004 :"Still tippin'" /Mike Jones, featuring Slim Thug and Paul Wall --2005 :"Gold digger" /Kanye West, featuring Jamie Foxx --2006 :"Hustlin'" /Rick Ross --2007 :"International players anthem" /UGK, featuring Outkast --2008 :"A Milli" /Lil Wayne --2009 :"Best I ever had" /Drake --2010 :"Monster" /Kanye West featuring Rick Ross, Jay Z, Bon Iver, and Nicki Minaj --2011 :"Niggas in Paris" /Jay Z and Kanye West --2012 :"Same love" /Macklemore and Ryan Lewis --2013 :"Control" /Big Sean, featuring Kendrick Lamar and Jay Electronica --2014 :"Lifestyle" /Rich Gang, featuring Young Thug and Rich Homie Quan.
    Abstract: 1979 : "Rapper's delight" (The Sugarhill Gang) -- 1980 : "The breaks" (Kurtis Blow) -- 1981 : "Jazzy sensation" (Afrika Bambaataa and the Jazzy Five) -- 1982 : "The message" (Grandmaster Flash and the Furious Five) -- 1983 : "Sucker M.C.'s" (Run-DMC) -- 1984 : "Friends" (Whodini) -- 1985 : "La Di Da Di" (Doug E. Fresh and Slick Rick) -- 1986 : "6 in the mornin'" (Ice-T) -- 1987 : "Paid in full" (Eric B. and Rakim) -- 1988 : "Straight outta Compton" (N.W.A) -- 1989 : "Fight the power" (Public Enemy) -- 1990 : "Bonita Applebum" (A Tribe Called Quest) -- 1991 : "Mind playing tricks on me" (Geto Boys) -- 1992 : "Nuthin' but a 'G' Thang" (Dr. Dre, featuring Snoop Dogg) -- 1993 : "C.R.E.A.M." (Wu-Tang Clan) -- 1994 : "Juicy" (The Notorious B.I.G.) -- 1995 : "Dear Mama" (Tupac) -- 1996 : "California love" (Tupac, featuring Dr. Dre and Roger Troutman) -- 1997 : "Can't nobody hold me down" (Puff Daddy, featuring Mase) -- 1998 : "Ruff Ryders' Anthem" (DMX) -- 1999 : "My name is" (Eminem) -- 2000 : "Big pimpin'" (Jay Z, featuring UGK) -- 2001 : "Takeover" vs. "Ether" (Jay Z vs. Nas) -- 2002 : "Grindin'" (The Clipse) -- 2003 : "In Da Club" (50 Cent) -- 2004 : "Still tippin'" (Mike Jones, featuring Slim Thug and Paul Wall) -- 2005 : "Gold digger" (Kanye West, featuring Jamie Foxx) -- 2006 : "Hustlin'" (Rick Ross) -- 2007 : "International players anthem" (UGK, featuring Outkast) -- 2008 : "A Milli" (Lil Wayne) -- 2009 : "Best I ever had" (Drake) -- 2010 : "Monster" (Kanye West, featuring Rick Ross, Jay Z, Bon Iver, and Nicki Minaj) -- 2011 : "Niggas in Paris" (Jay Z and Kanye West) -- 2012 : "Same love" (Macklemore and Ryan Lewis) -- 2013 : "Control" (Big Sean, featuring Kendrick Lamar and Jay Electronica) -- 2014 : "Lifestyle" (Rich Gang, featuring Young Thug and Rich Homie Quan).
    Abstract: This book "takes readers from 1979, widely regarded as the moment rap became recognized as part of the cultural and musical landscape, and comes right up to the present, with Shea Serrano ... discussing, debating, and deconstructing the most important rap song year by year. Serrano also examines the most important moments that surround the history and culture of rap music--from artists' backgrounds to issues of race, the rise of hip-hop, and the struggles among its major players--both personal and professional"--Amazon.com
    Abstract: "The Rap Year Book takes readers on a journey that begins in 1979, widely regarded as the moment rap became recognized as part of the cultural and musical landscape, and comes right up to the present. Shea Serrano deftly pays homage to the most important song of each year. Serrano also examines the most important moments that surround the history and culture of rap music--from artists' backgrounds to issues of race, the rise of hip-hop, and the struggles among its major players--both personal and professional. Covering East Coast and West Coast, famous rapper feuds, chart toppers, and show stoppers, The Rap Year Book is an in-depth look at the most influential genre of music to come out of the last generation. Complete with infographics, lyric maps, hilarious and informative footnotes, portraits of the artists, and short essays by other prominent music writers, The Rap Year Book is both a narrative and illustrated guide to the most iconic and influential rap songs ever created." -- Publisher's description
    Note: Formerly CIP , Includes bibliographical references (pages 229-232) and index
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  • 97
    ISBN: 1138775118 , 9781138775114
    Language: English
    Pages: xviii, 309 Seiten , Illustrationen , 24 cm
    Series Statement: Routledge transnational perspectives on American literature 26
    Series Statement: Routledge transnational perspectives on American literature
    DDC: 810.9/3552
    RVK:
    RVK:
    Keywords: American literature Minority authors ; History and criticism ; Transnationalism in literature ; Aufsatzsammlung ; USA ; Minderheitenliteratur ; Ethnische Identität ; Kulturkontakt ; Multikulturelle Gesellschaft ; Ethnische Identität
    Abstract: "As new comparative perspectives on race and ethnicity open up, scholars are identifying and exploring fresh topics and questions in an effort to reconceptualize ethnic studies and draw attention to nation-based approaches that may have previously been ignored. This volume, by recognizing the complexity of cultural production in both its diasporic and national contexts, seeks a nuanced critical approach in order to look ahead to the future of transnational literary studies. The majority of the chapters, written by literary and ethnic studies scholars, analyze ethnic literatures of the United States which, given the nation's history of slavery and immigration, form an integral part of mainstream American literature today. While the primary focus is literary, the chapters analyze their specific topics from perspectives drawn from several disciplines, including cultural studies and history. This book is an exciting and insightful resource for scholars with interests in transnationalism, American literature and ethnic studies."--
    Note: Includes bibliographical references and index
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  • 98
    Book
    Book
    Athens : Ohio Univ. Press
    ISBN: 9780896802940 , 9780896802957
    Language: English
    Pages: xv, 270 S. , Ill., Kt., Notenbeisp. , 23 cm
    Series Statement: Ohio University research in international studies 127
    Series Statement: Southeast Asia series
    DDC: 780.9598/13
    RVK:
    RVK:
    Keywords: Music History and criticism ; Minangkabau (Indonesian people) Music ; History and criticism ; Talempong ; Minangkabau ; Gamelan ; Popmusik
    Abstract: Ethnicity, gongs, and pop songs -- Talempong and community -- Institutionalizing Minangkabau arts -- Reforming talempong -- Talempong in the marketplace -- Multiple ways of sounding Minangkabau
    Description / Table of Contents: Ethnicity, gongs, and pop songsTalempong and community -- Institutionalizing Minangkabau arts -- Reforming talempong -- Talempong in the marketplace -- Multiple ways of sounding Minangkabau.
    Note: Includes bibliographical references and index
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  • 99
    ISBN: 9781472449535
    Language: English
    Pages: xviii, 248 S. , Ill., Notenbeisp.
    Additional Material: 1 DVD
    Series Statement: SOAS musicology series
    DDC: 780.94965
    RVK:
    RVK:
    RVK:
    Keywords: Music Social aspects ; Foreign workers, Albanian Songs and music ; History and criticism ; Albania Emigration and immigration ; Songs and music ; History and criticism ; Albanien Süd ; Volksmusik ; Migration
    Abstract: Introduction. Sound, space and mobility -- Vocal multipart practice in Albania -- Reading absences : approaching the field -- Migration and mobility in Albania -- Migration, emotions and creativity -- Migration in performance : village feasts and nostalgia -- "The deep wound" : memorialising migration -- Two absences : migration up to death -- Conclusion. Sound, space and mobility - lessons from the Albanian case
    Description / Table of Contents: Introduction. Sound, space and mobilityVocal multipart practice in Albania -- Reading absences : approaching the field -- Migration and mobility in Albania -- Migration, emotions and creativity -- Migration in performance : village feasts and nostalgia -- "The deep wound" : memorialising migration -- Two absences : migration up to death -- Conclusion. Sound, space and mobility - lessons from the Albanian case.
    Note: Includes bibliographical references and index
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  • 100
    ISBN: 9783000500992
    Language: German
    Pages: 256 Seiten , Illustrationen , 21 cm
    Series Statement: Militärmusik im Diskurs Band 10
    Series Statement: Militärmusik im Diskurs
    DDC: 781.5/99094309041
    RVK:
    RVK:
    Keywords: Military music Congresses History and criticism 20th century ; World War, 1914-1918 Congresses Songs and music ; History and criticism ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Militärmusik ; Erster Weltkrieg ; Bonn 〈2014〉
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